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		<title>PM/AM Podcast Series</title>
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		<copyright>PM/AM Gallery Ltd.</copyright>
		<itunes:keywords>Contemporary art, Arts,Culture,Artists,London Gallery</itunes:keywords>
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		<itunes:summary><![CDATA[PM/AM's podcast series is all about connections. Each episode brings together people from the art world who are connected, by their work, their backgrounds or just because they are real life friends or collaborators. Because real connections create real conversations.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		<description><![CDATA[PM/AM's podcast series is all about connections. Each episode brings together people from the art world who are connected, by their work, their backgrounds or just because they are real life friends or collaborators. Because real connections create real conversations.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
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				<title>PM/AM Podcast Series</title>
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			<title>Shyama Golden, Evan Pricco</title>
			<itunes:title>Shyama Golden, Evan Pricco</itunes:title>
			<pubDate>Sun, 18 May 2025 12:09:47 GMT</pubDate>
			<itunes:duration>1:06:15</itunes:duration>
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			<itunes:episode>3</itunes:episode>
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			<description><![CDATA[The third episode in PM/AM’s podcast series features a conversation between artist Shyama Golden and Juxtapoz Magazine’s Evan Pricco. Originally recorded and published by Juxtapoz ahead of Golden’s solo exhibition&nbsp;<em>Too Bad, So Sad, Maybe Next Birth</em>&nbsp;at PM/AM, the episode delves into Shyama’s prevailing inspirations. Shyama reflects on the meaning behind the exhibition’s title—a phrase borrowed from her parents—and explores recurring themes of reincarnation, cyclical history, and identity as something both inherited and continually remade.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[The third episode in PM/AM’s podcast series features a conversation between artist Shyama Golden and Juxtapoz Magazine’s Evan Pricco. Originally recorded and published by Juxtapoz ahead of Golden’s solo exhibition&nbsp;<em>Too Bad, So Sad, Maybe Next Birth</em>&nbsp;at PM/AM, the episode delves into Shyama’s prevailing inspirations. Shyama reflects on the meaning behind the exhibition’s title—a phrase borrowed from her parents—and explores recurring themes of reincarnation, cyclical history, and identity as something both inherited and continually remade.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Raelis Vasquez, Derrick Adams</title>
			<itunes:title>Raelis Vasquez, Derrick Adams</itunes:title>
			<pubDate>Tue, 24 Oct 2023 11:09:15 GMT</pubDate>
			<itunes:duration>18:21</itunes:duration>
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			<itunes:episode>2</itunes:episode>
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			<description><![CDATA[The second episode in PM/AM’s podcast series sees Raelis Vasquez and Derrick Adams in discussion from Philadelphia and Brooklyn respectively. Published during Raelis’ first solo exhibition in London, the exchange focuses mainly on a primary influence on Raelis’ new body of work—his hometown of Mao in the Dominican Republic, and the significance of water for the local community.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[The second episode in PM/AM’s podcast series sees Raelis Vasquez and Derrick Adams in discussion from Philadelphia and Brooklyn respectively. Published during Raelis’ first solo exhibition in London, the exchange focuses mainly on a primary influence on Raelis’ new body of work—his hometown of Mao in the Dominican Republic, and the significance of water for the local community.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Amanda Ba, Sasha Gordon, Kate Wong</title>
			<itunes:title>Amanda Ba, Sasha Gordon, Kate Wong</itunes:title>
			<pubDate>Wed, 01 Mar 2023 10:19:48 GMT</pubDate>
			<itunes:duration>30:30</itunes:duration>
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			<itunes:episode>1</itunes:episode>
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			<description><![CDATA[<p>Shortly before her first solo exhibition&nbsp;presented by PM/AM in London in June 2022, we brought Amanda Ba together with Sasha Gordon and Kate Wong, for an open discussion on their work, Asian-American identity and shared experiences.&nbsp;</p><br><p>Amanda’s paintings in this show focused on the Giantess as a symbol for the depiction of East Asian women within European and American societies. Sasha’s surreal work is an account of her position as a bi-racial Asian woman in white, heteronormative environments. Kate Wong is a curator, writer and poet, and founder of Low Theory. The exchange explores topics surrounding experiences within the global Asian diaspora and its presence in the art world, as well aspects of the artists’ practices, techniques and recent work.&nbsp;</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Shortly before her first solo exhibition&nbsp;presented by PM/AM in London in June 2022, we brought Amanda Ba together with Sasha Gordon and Kate Wong, for an open discussion on their work, Asian-American identity and shared experiences.&nbsp;</p><br><p>Amanda’s paintings in this show focused on the Giantess as a symbol for the depiction of East Asian women within European and American societies. Sasha’s surreal work is an account of her position as a bi-racial Asian woman in white, heteronormative environments. Kate Wong is a curator, writer and poet, and founder of Low Theory. The exchange explores topics surrounding experiences within the global Asian diaspora and its presence in the art world, as well aspects of the artists’ practices, techniques and recent work.&nbsp;</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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