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		<title>Shade</title>
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		<copyright>Lou Mensah</copyright>
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		<itunes:author>Lou Mensah</itunes:author>
		<itunes:subtitle>Conversations with art visionaries </itunes:subtitle>
		<itunes:summary><![CDATA[<p>Shade Media was founded in 2019 by photographer Lou Mensah to create a space for Black artists and creative practitioners to talk about their work in their own way.&nbsp;This critically acclaimed podcast features interviews with artists, critics, writers and visionaries including John Akomfrah, Amy Sherald, Lauren Michele Jackson and Ekow Eshun. It's host Lou has been nominated as Best Arts and Culture Producer and also for the Grassroots Production Award in the 2024 AudioUK awards. She was named Producer of the Year by the UK Audio Network in 2024. Shade Podcast further garnered the Best Art Podcast gong at the 2021 British Podcast Awards. <a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">Shade Art Review</a>, which debuted in September 2023, is a biweekly arts and culture magazine on Substack.&nbsp;</p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		<description><![CDATA[<p>Shade Media was founded in 2019 by photographer Lou Mensah to create a space for Black artists and creative practitioners to talk about their work in their own way.&nbsp;This critically acclaimed podcast features interviews with artists, critics, writers and visionaries including John Akomfrah, Amy Sherald, Lauren Michele Jackson and Ekow Eshun. It's host Lou has been nominated as Best Arts and Culture Producer and also for the Grassroots Production Award in the 2024 AudioUK awards. She was named Producer of the Year by the UK Audio Network in 2024. Shade Podcast further garnered the Best Art Podcast gong at the 2021 British Podcast Awards. <a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">Shade Art Review</a>, which debuted in September 2023, is a biweekly arts and culture magazine on Substack.&nbsp;</p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
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				<title>Shade</title>
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			<title>Unreadability in South Asian Photography</title>
			<itunes:title>Unreadability in South Asian Photography</itunes:title>
			<pubDate>Sat, 24 Jan 2026 04:00:00 GMT</pubDate>
			<itunes:duration>12:30</itunes:duration>
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			<itunes:subtitle>Umrao Singh Sher-Gil, Sutapa Biswas, Al-An deSouza: a Shade Art Review audio essay</itunes:subtitle>
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			<description><![CDATA[<p>In today's episode, I'm reading an essay by Eleanor Sanghara Güstard, published in <a href="https://open.substack.com/pub/shadepodcast/p/rerouting-the-gaze-unspringing-the?r=dakiq&amp;utm_campaign=post&amp;utm_medium=web&amp;showWelcomeOnShare=true" rel="noopener noreferrer" target="_blank">Shade Art Review</a> today.</p><p>Eleanor inherited an old Nikon F50 from her late father. When the lens cracked, she kept shooting through it. Those "poor images" became a methodology for navigating her position between Britain and India, whiteness and brownness. In her essay, Eleanor traces a lineage of South Asian photographers who use technical strategies, from blur and opacity to degradation, to work against the colonial demand for clarity. From Umrao Singh Sher-Gil's pioneering work from the 1890s through the mid-20th century to Sutapa Biswas and Al-An deSouza's contemporary practice, she shows us how unreadability becomes a site of autonomy.</p><br><p><a href="https://open.substack.com/pub/shadepodcast/p/rerouting-the-gaze-unspringing-the?r=dakiq&amp;utm_campaign=post&amp;utm_medium=web&amp;showWelcomeOnShare=true" rel="noopener noreferrer" target="_blank">Shade Art Review </a></p><p><a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">@shade_podcast</a></p><p><a href="https://www.instagram.com/eleanor.sanghara/" rel="noopener noreferrer" target="_blank">@eleanor.sanghara</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In today's episode, I'm reading an essay by Eleanor Sanghara Güstard, published in <a href="https://open.substack.com/pub/shadepodcast/p/rerouting-the-gaze-unspringing-the?r=dakiq&amp;utm_campaign=post&amp;utm_medium=web&amp;showWelcomeOnShare=true" rel="noopener noreferrer" target="_blank">Shade Art Review</a> today.</p><p>Eleanor inherited an old Nikon F50 from her late father. When the lens cracked, she kept shooting through it. Those "poor images" became a methodology for navigating her position between Britain and India, whiteness and brownness. In her essay, Eleanor traces a lineage of South Asian photographers who use technical strategies, from blur and opacity to degradation, to work against the colonial demand for clarity. From Umrao Singh Sher-Gil's pioneering work from the 1890s through the mid-20th century to Sutapa Biswas and Al-An deSouza's contemporary practice, she shows us how unreadability becomes a site of autonomy.</p><br><p><a href="https://open.substack.com/pub/shadepodcast/p/rerouting-the-gaze-unspringing-the?r=dakiq&amp;utm_campaign=post&amp;utm_medium=web&amp;showWelcomeOnShare=true" rel="noopener noreferrer" target="_blank">Shade Art Review </a></p><p><a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">@shade_podcast</a></p><p><a href="https://www.instagram.com/eleanor.sanghara/" rel="noopener noreferrer" target="_blank">@eleanor.sanghara</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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		<item>
			<title>Who Gets to Show Up in the Art World?</title>
			<itunes:title>Who Gets to Show Up in the Art World?</itunes:title>
			<pubDate>Sat, 06 Dec 2025 04:00:00 GMT</pubDate>
			<itunes:duration>9:53</itunes:duration>
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			<itunes:subtitle><![CDATA[On Nnena Kalu's historic Turner Prize nomination, accessibility, and disability in the arts]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
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			<description><![CDATA[<p>Shade Podcast closes out 2025 by returning to the <a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank"><strong>Shade Art Review </strong></a>archives. This episode adapts "Oh God It's Frieze Week Again," an article I wrote in October 2023, asking: Who gets to show up in the art world? As Art Basel Miami Beach wraps the year's art fair circuit and we await next week's Turner Prize announcement, I explore the barriers disabled artists and arts workers face during heightened art world moments—from navigating packed art fairs to participating in gallery openings and museum events.</p><p>Nnena Kalu's historic Turner Prize nomination—the first learning-disabled artist shortlisted in the prize's 41-year history—raises urgent questions about who the art world has traditionally welcomed into its most prestigious spaces. I reflect on what accessibility actually means.</p><p>Featuring thoughts on our right to retreat, the pressure for disabled artists to always be visible and what deep collaboration with disabled and neurodivergent communities could actually look like. What would it look like if retreating was considered an essential part of showing up?</p><p>Read the full article at Shade Art Review<strong><em> </em></strong><a href="https://open.substack.com/pub/shadepodcast/p/oh-god-its-frieze-week-again?r=dakiq&amp;utm_campaign=post&amp;utm_medium=web&amp;showWelcomeOnShare=false" rel="noopener noreferrer" target="_blank"><strong><em>here. </em></strong></a>Contact: <a href="mailto:lou@shadepodcast.co.uk" rel="noopener noreferrer" target="_blank"><strong>lou@shadepodcast.co.uk</strong></a> | Instagram: <a href="https://www.instagram.com/shade_podcast/reels/?hl=en-gb" rel="noopener noreferrer" target="_blank"><strong>@shade_podcast</strong></a>. Shade is an independent, one-person operation. If this podcast resonates, please share and subscribe.</p><br><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Shade Podcast closes out 2025 by returning to the <a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank"><strong>Shade Art Review </strong></a>archives. This episode adapts "Oh God It's Frieze Week Again," an article I wrote in October 2023, asking: Who gets to show up in the art world? As Art Basel Miami Beach wraps the year's art fair circuit and we await next week's Turner Prize announcement, I explore the barriers disabled artists and arts workers face during heightened art world moments—from navigating packed art fairs to participating in gallery openings and museum events.</p><p>Nnena Kalu's historic Turner Prize nomination—the first learning-disabled artist shortlisted in the prize's 41-year history—raises urgent questions about who the art world has traditionally welcomed into its most prestigious spaces. I reflect on what accessibility actually means.</p><p>Featuring thoughts on our right to retreat, the pressure for disabled artists to always be visible and what deep collaboration with disabled and neurodivergent communities could actually look like. What would it look like if retreating was considered an essential part of showing up?</p><p>Read the full article at Shade Art Review<strong><em> </em></strong><a href="https://open.substack.com/pub/shadepodcast/p/oh-god-its-frieze-week-again?r=dakiq&amp;utm_campaign=post&amp;utm_medium=web&amp;showWelcomeOnShare=false" rel="noopener noreferrer" target="_blank"><strong><em>here. </em></strong></a>Contact: <a href="mailto:lou@shadepodcast.co.uk" rel="noopener noreferrer" target="_blank"><strong>lou@shadepodcast.co.uk</strong></a> | Instagram: <a href="https://www.instagram.com/shade_podcast/reels/?hl=en-gb" rel="noopener noreferrer" target="_blank"><strong>@shade_podcast</strong></a>. Shade is an independent, one-person operation. If this podcast resonates, please share and subscribe.</p><br><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title><![CDATA[Deana Lawson's Photography Divides Critics. And I'm Here For It]]></title>
			<itunes:title><![CDATA[Deana Lawson's Photography Divides Critics. And I'm Here For It]]></itunes:title>
			<pubDate>Sat, 29 Nov 2025 04:00:00 GMT</pubDate>
			<itunes:duration>10:34</itunes:duration>
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			<itunes:subtitle>Questions about critical freedom and honest engagement, from the Shade Art Review archives</itunes:subtitle>
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			<description><![CDATA[<p>I'm reading "Deana Lawson's photography divides critics and I'm here for it" from the Shade Art Review archives, asking questions about critical freedom, backlash culture, and when we lost the ability to be honest about art.</p><p>This one asks: when did bland takes become the safest option? And who does this serve?</p><p>Questions I'm still asking about art criticism, fear, and the freedom to feel something.</p><br><p><strong>Links mentioned in this episode:</strong></p><p>Gwendolyn DuBois Shaw's essay "The Many Problems with Deana Lawson's Photographs" (Hyperallergic, May 2021): https://hyperallergic.com/the-many-problems-with-deana-lawsons-photographs/</p><p>Tina Campt on Deana Lawson (New York Times, 2021): https://www.nytimes.com/2021/05/05/magazine/deana-lawson.html</p><p>Tina Campt's book "A Black Gaze" (MIT Press): https://www.amazon.co.uk/Black-Gaze-Artists-Changing-How/dp/0262045877</p><p>"What happened to all the anti-racists after Black Lives Matter" (Metro, 2022):https://metro.co.uk/2022/08/13/what-happened-to-all-the-anti-racists-after-black-lives-matter-17172834/</p><p>Lou Mensah on star ratings in art criticism (Plaster Magazine, 2025): https://plastermagazine.com/features/star-rating-exhibition-reviews-art-critics/</p><p>Read the full piece and more in Shade Art Review: https://shadepodcast.substack.com/</p><br><p><a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">Shade Website</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>I'm reading "Deana Lawson's photography divides critics and I'm here for it" from the Shade Art Review archives, asking questions about critical freedom, backlash culture, and when we lost the ability to be honest about art.</p><p>This one asks: when did bland takes become the safest option? And who does this serve?</p><p>Questions I'm still asking about art criticism, fear, and the freedom to feel something.</p><br><p><strong>Links mentioned in this episode:</strong></p><p>Gwendolyn DuBois Shaw's essay "The Many Problems with Deana Lawson's Photographs" (Hyperallergic, May 2021): https://hyperallergic.com/the-many-problems-with-deana-lawsons-photographs/</p><p>Tina Campt on Deana Lawson (New York Times, 2021): https://www.nytimes.com/2021/05/05/magazine/deana-lawson.html</p><p>Tina Campt's book "A Black Gaze" (MIT Press): https://www.amazon.co.uk/Black-Gaze-Artists-Changing-How/dp/0262045877</p><p>"What happened to all the anti-racists after Black Lives Matter" (Metro, 2022):https://metro.co.uk/2022/08/13/what-happened-to-all-the-anti-racists-after-black-lives-matter-17172834/</p><p>Lou Mensah on star ratings in art criticism (Plaster Magazine, 2025): https://plastermagazine.com/features/star-rating-exhibition-reviews-art-critics/</p><p>Read the full piece and more in Shade Art Review: https://shadepodcast.substack.com/</p><br><p><a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">Shade Website</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Where is the Black Nan Goldin?</title>
			<itunes:title>Where is the Black Nan Goldin?</itunes:title>
			<pubDate>Sat, 22 Nov 2025 04:00:00 GMT</pubDate>
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			<itunes:subtitle>On the visibility of Black intimacy in documentary photography</itunes:subtitle>
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			<description><![CDATA[<p>Shade Podcast is back. After months away, I'm returning to what we were at the beginning—intimate, unedited conversations, just me and you. This episode adapts an article I wrote in February 2024 for Shade Art Review, asking: Where is the Black Nan Goldin? Where is the documentary photography showing Black intimacy—real, unguarded, not staged, celebrated in major exhibitions or published by prominent publishers? 22 years after I viewed Nan Goldin's The Devil's Playground at Whitechapel Gallery, I explore why I haven't seen a Black photographer gain the same recognition for work depicting intimacy with the same unflinching honesty.</p><p>This isn't about replicating what Goldin did. It's about wondering why Black artists working in this space haven't emerged to the foreground with the same institutional support. As Black people, we move through the world with vulnerability. Our bodies have been mistreated and misrepresented throughout history. So maybe there's a reason why not all is being revealed.</p><br><p>This article led to an exciting collaboration I'll share more about when I can.</p><br><p>Read the full article at Shade Art Review: <a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">https://shadepodcast.substack.com/</a></p><p>Contact: <a href="mailto:lou@shadepodcast.co.uk" rel="noopener noreferrer" target="_blank">lou@shadepodcast.co.uk</a> | Instagram: <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">@shade_podcast</a></p><p>Shade is an independent, one-person operation. If this resonates, please share and subscribe.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Shade Podcast is back. After months away, I'm returning to what we were at the beginning—intimate, unedited conversations, just me and you. This episode adapts an article I wrote in February 2024 for Shade Art Review, asking: Where is the Black Nan Goldin? Where is the documentary photography showing Black intimacy—real, unguarded, not staged, celebrated in major exhibitions or published by prominent publishers? 22 years after I viewed Nan Goldin's The Devil's Playground at Whitechapel Gallery, I explore why I haven't seen a Black photographer gain the same recognition for work depicting intimacy with the same unflinching honesty.</p><p>This isn't about replicating what Goldin did. It's about wondering why Black artists working in this space haven't emerged to the foreground with the same institutional support. As Black people, we move through the world with vulnerability. Our bodies have been mistreated and misrepresented throughout history. So maybe there's a reason why not all is being revealed.</p><br><p>This article led to an exciting collaboration I'll share more about when I can.</p><br><p>Read the full article at Shade Art Review: <a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">https://shadepodcast.substack.com/</a></p><p>Contact: <a href="mailto:lou@shadepodcast.co.uk" rel="noopener noreferrer" target="_blank">lou@shadepodcast.co.uk</a> | Instagram: <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">@shade_podcast</a></p><p>Shade is an independent, one-person operation. If this resonates, please share and subscribe.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Hospital Rooms</title>
			<itunes:title>Hospital Rooms</itunes:title>
			<pubDate>Tue, 18 Mar 2025 05:00:00 GMT</pubDate>
			<itunes:duration>30:14</itunes:duration>
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			<acast:showId>241b5e41-db8f-59dc-95ea-0160569317ef</acast:showId>
			<acast:episodeUrl>hospital-rooms</acast:episodeUrl>
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			<itunes:subtitle>Lou in conversation with artists Ken Nwadiogbu, Sarah Dwyer and Dr. Sophie Bagge</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
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			<description><![CDATA[<p><a href="https://hospital-rooms.com/" rel="noopener noreferrer" target="_blank">Hospital Rooms</a> has been bringing world-class contemporary art into NHS mental healthcare units since 2016. Today, we focus on their most ambitious work to date at Hellesdon Hospital, part of the Norfolk and Suffolk NHS Foundation Trust. This project embodies both successes and challenges – from the triumph of commissioning fifteen incredible artists to create site-specific works, to the complex realities of working within a healthcare setting that has faced its own struggles in recent years.&nbsp;Joining me are three remarkable individuals&nbsp;who have been integral to the transformation of the Hellesdon spaces: Ken Nwadiogbu, a multidisciplinary artist from Lagos whose journey from civil engineering to fine art has led him to this transformative project, alongside the artist Sarah Dwyer who places drawing at the heart of her practice. We are also joined by Dr. Sophie Bagge, the Lived Experience Lead at the Norfolk and Suffolk NHS Foundation Trust, who brings invaluable perspective as someone with personal and professional insights.&nbsp;Throughout this episode, you'll hear a sound composition by Mark Jennings titled <em>Wards Extended, 2025</em> - created from recordings made in two psychiatric facilities – one abandoned and awaiting demolition, the other newly built and preparing to open.</p><br><p><a href="https://hospital-rooms.com/event/shape-shift-reflections-on-art-in-mental-health-settings-at-the-fitzrovia-chapel/" rel="noopener noreferrer" target="_blank">Shape, Shift</a>, an exhibition of artworks from this project opens at The Fitzrovia Chapel in London, from March 13-25, 2025.</p><p>This episode was supported by <a href="https://hospital-rooms.com/" rel="noopener noreferrer" target="_blank">Hospital Rooms.</a></p><br><p>Executive Produced and hosted by Lou Mensah</p><p>Shade Podcast <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Music <em>King Henry IV </em>original composition<em> </em>for Shade Podcast by <a href="https://www.instagram.com/brian__jackson/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Edit &amp; Mix by<a href="https://www.instagram.com/tessie_davidson/" rel="noopener noreferrer" target="_blank"> Tess Davidson</a></p><p>Podcast design <a href="https://www.instagram.com/joel__a_w/related_profiles/" rel="noopener noreferrer" target="_blank">Joel Antoine-Wilkinson</a></p><p>Bi-monthly art magazine <a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">Shade Art Review</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p><a href="https://hospital-rooms.com/" rel="noopener noreferrer" target="_blank">Hospital Rooms</a> has been bringing world-class contemporary art into NHS mental healthcare units since 2016. Today, we focus on their most ambitious work to date at Hellesdon Hospital, part of the Norfolk and Suffolk NHS Foundation Trust. This project embodies both successes and challenges – from the triumph of commissioning fifteen incredible artists to create site-specific works, to the complex realities of working within a healthcare setting that has faced its own struggles in recent years.&nbsp;Joining me are three remarkable individuals&nbsp;who have been integral to the transformation of the Hellesdon spaces: Ken Nwadiogbu, a multidisciplinary artist from Lagos whose journey from civil engineering to fine art has led him to this transformative project, alongside the artist Sarah Dwyer who places drawing at the heart of her practice. We are also joined by Dr. Sophie Bagge, the Lived Experience Lead at the Norfolk and Suffolk NHS Foundation Trust, who brings invaluable perspective as someone with personal and professional insights.&nbsp;Throughout this episode, you'll hear a sound composition by Mark Jennings titled <em>Wards Extended, 2025</em> - created from recordings made in two psychiatric facilities – one abandoned and awaiting demolition, the other newly built and preparing to open.</p><br><p><a href="https://hospital-rooms.com/event/shape-shift-reflections-on-art-in-mental-health-settings-at-the-fitzrovia-chapel/" rel="noopener noreferrer" target="_blank">Shape, Shift</a>, an exhibition of artworks from this project opens at The Fitzrovia Chapel in London, from March 13-25, 2025.</p><p>This episode was supported by <a href="https://hospital-rooms.com/" rel="noopener noreferrer" target="_blank">Hospital Rooms.</a></p><br><p>Executive Produced and hosted by Lou Mensah</p><p>Shade Podcast <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Music <em>King Henry IV </em>original composition<em> </em>for Shade Podcast by <a href="https://www.instagram.com/brian__jackson/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Edit &amp; Mix by<a href="https://www.instagram.com/tessie_davidson/" rel="noopener noreferrer" target="_blank"> Tess Davidson</a></p><p>Podcast design <a href="https://www.instagram.com/joel__a_w/related_profiles/" rel="noopener noreferrer" target="_blank">Joel Antoine-Wilkinson</a></p><p>Bi-monthly art magazine <a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">Shade Art Review</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Visualise the future  </title>
			<itunes:title>Visualise the future  </itunes:title>
			<pubDate>Tue, 19 Nov 2024 04:30:05 GMT</pubDate>
			<itunes:duration>24:55</itunes:duration>
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			<acast:episodeUrl>visualise-the-future</acast:episodeUrl>
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			<itunes:subtitle>In conversation with Carey Robinson. Deputy Director, Learning and Public Programmes at Fitzwilliam Museum, Cambridge. </itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>12</itunes:season>
			<itunes:episode>5</itunes:episode>
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			<description><![CDATA[<p>This series of conversations with art educators expand on the ideas presented by Vi<em>sualise:&nbsp;</em>The<em>&nbsp;</em>Runnymede Trust and&nbsp;Freelands Foundation&nbsp;2024 report<em>&nbsp;</em>on Race &amp; Inclusion in Secondary School Art Education.&nbsp;In this episode 'Visualise the Future' we are joined by <a href="https://www.st-edmunds.cam.ac.uk/people/carey-robinson/" rel="noopener noreferrer" target="_blank">Carey Robinson,</a> Deputy Director, Learning and Public Programmes&nbsp;at The Fitzwilliam Museum in Cambridge. She has formerly held strategic, curatorial, and creative producer roles at leading cultural institutions including Tate, the Institute of Contemporary Arts, the South London Gallery, and The Courtauld.&nbsp;Carey and I reflect and expand on the reports recommendations for the future and imagine a new direction for art education in the U.K. </p><br><p>Carey's referenced the following resources in our conversation:</p><br><p><strong>Anti-Racism Framework for Initial Teacher Training/Education</strong></p><p><a href="https://indd.adobe.com/view/ffcc4fdd-e948-41fc-bb21-fca9e82b6b91" rel="noopener noreferrer" target="_blank">https://indd.adobe.com/view/ffcc4fdd-e948-41fc-bb21-fca9e82b6b91</a></p><p>&nbsp;</p><p><strong>Centre for Creative Explorations (Dr Clare Stanhope)</strong></p><p><a href="https://centreforcreativeexplorations.weebly.com/" rel="noopener noreferrer" target="_blank">https://centreforcreativeexplorations.weebly.com/</a></p><p>&nbsp;</p><p><strong>Dr Claire Stewart-Hall (constructions of race in education)</strong></p><p><a href="https://www.leedsbeckett.ac.uk/staff/associate-staff/claire-stewart-hall/" rel="noopener noreferrer" target="_blank">https://www.leedsbeckett.ac.uk/staff/associate-staff/claire-stewart-hall/</a></p><p>&nbsp;</p><p><strong>Centre for Race, Education and Decoloniality (CRED)</strong></p><p><a href="https://www.leedsbeckett.ac.uk/research/centre-for-race-education-and-decoloniality/" rel="noopener noreferrer" target="_blank">https://www.leedsbeckett.ac.uk/research/centre-for-race-education-and-decoloniality/</a></p><p>&nbsp;</p><p><strong>My Primary School is at the Museum</strong></p><p><a href="https://www.kcl.ac.uk/cultural/resources/reports/161107-primary-at-museum-report-stage-7-visual-interactive.pdf" rel="noopener noreferrer" target="_blank">https://www.kcl.ac.uk/cultural/resources/reports/161107-primary-at-museum-report-stage-7-visual-interactive.pdf</a></p><p>&nbsp;</p><p><a href="https://paradigmproject.co.uk/" rel="noopener noreferrer" target="_blank">https://paradigmproject.co.uk/</a></p><br><p>Read the report <a href="https://freelandsfoundation.co.uk/" rel="noopener noreferrer" target="_blank">Freelands Foundation</a> Visualise report <a href="https://freelandsfoundation.co.uk/library/visualise" rel="noopener noreferrer" target="_blank"><strong>here</strong></a><strong>. </strong></p><br><p>Executive producer and host Lou Mensah</p><p>Shade Podcast <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Shade Podcast <a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">Website</a></p><p>Music <em>King Henry IV </em>original composition<em> </em>for Shade Podcast by <a href="https://www.instagram.com/brian__jackson/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Edit &amp; Mix by<a href="https://www.instagram.com/tessie_davidson/" rel="noopener noreferrer" target="_blank"> Tess Davidson</a></p><p>Editorial support <a href="https://www.daleisloup.com/" rel="noopener noreferrer" target="_blank">Dale Berning Sawa</a></p><p>Podcast design <a href="https://www.instagram.com/joel__a_w/related_profiles/" rel="noopener noreferrer" target="_blank">Joel Antoine-Wilkinson</a></p><p><a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">Shade Art Review</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>This series of conversations with art educators expand on the ideas presented by Vi<em>sualise:&nbsp;</em>The<em>&nbsp;</em>Runnymede Trust and&nbsp;Freelands Foundation&nbsp;2024 report<em>&nbsp;</em>on Race &amp; Inclusion in Secondary School Art Education.&nbsp;In this episode 'Visualise the Future' we are joined by <a href="https://www.st-edmunds.cam.ac.uk/people/carey-robinson/" rel="noopener noreferrer" target="_blank">Carey Robinson,</a> Deputy Director, Learning and Public Programmes&nbsp;at The Fitzwilliam Museum in Cambridge. She has formerly held strategic, curatorial, and creative producer roles at leading cultural institutions including Tate, the Institute of Contemporary Arts, the South London Gallery, and The Courtauld.&nbsp;Carey and I reflect and expand on the reports recommendations for the future and imagine a new direction for art education in the U.K. </p><br><p>Carey's referenced the following resources in our conversation:</p><br><p><strong>Anti-Racism Framework for Initial Teacher Training/Education</strong></p><p><a href="https://indd.adobe.com/view/ffcc4fdd-e948-41fc-bb21-fca9e82b6b91" rel="noopener noreferrer" target="_blank">https://indd.adobe.com/view/ffcc4fdd-e948-41fc-bb21-fca9e82b6b91</a></p><p>&nbsp;</p><p><strong>Centre for Creative Explorations (Dr Clare Stanhope)</strong></p><p><a href="https://centreforcreativeexplorations.weebly.com/" rel="noopener noreferrer" target="_blank">https://centreforcreativeexplorations.weebly.com/</a></p><p>&nbsp;</p><p><strong>Dr Claire Stewart-Hall (constructions of race in education)</strong></p><p><a href="https://www.leedsbeckett.ac.uk/staff/associate-staff/claire-stewart-hall/" rel="noopener noreferrer" target="_blank">https://www.leedsbeckett.ac.uk/staff/associate-staff/claire-stewart-hall/</a></p><p>&nbsp;</p><p><strong>Centre for Race, Education and Decoloniality (CRED)</strong></p><p><a href="https://www.leedsbeckett.ac.uk/research/centre-for-race-education-and-decoloniality/" rel="noopener noreferrer" target="_blank">https://www.leedsbeckett.ac.uk/research/centre-for-race-education-and-decoloniality/</a></p><p>&nbsp;</p><p><strong>My Primary School is at the Museum</strong></p><p><a href="https://www.kcl.ac.uk/cultural/resources/reports/161107-primary-at-museum-report-stage-7-visual-interactive.pdf" rel="noopener noreferrer" target="_blank">https://www.kcl.ac.uk/cultural/resources/reports/161107-primary-at-museum-report-stage-7-visual-interactive.pdf</a></p><p>&nbsp;</p><p><a href="https://paradigmproject.co.uk/" rel="noopener noreferrer" target="_blank">https://paradigmproject.co.uk/</a></p><br><p>Read the report <a href="https://freelandsfoundation.co.uk/" rel="noopener noreferrer" target="_blank">Freelands Foundation</a> Visualise report <a href="https://freelandsfoundation.co.uk/library/visualise" rel="noopener noreferrer" target="_blank"><strong>here</strong></a><strong>. </strong></p><br><p>Executive producer and host Lou Mensah</p><p>Shade Podcast <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Shade Podcast <a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">Website</a></p><p>Music <em>King Henry IV </em>original composition<em> </em>for Shade Podcast by <a href="https://www.instagram.com/brian__jackson/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Edit &amp; Mix by<a href="https://www.instagram.com/tessie_davidson/" rel="noopener noreferrer" target="_blank"> Tess Davidson</a></p><p>Editorial support <a href="https://www.daleisloup.com/" rel="noopener noreferrer" target="_blank">Dale Berning Sawa</a></p><p>Podcast design <a href="https://www.instagram.com/joel__a_w/related_profiles/" rel="noopener noreferrer" target="_blank">Joel Antoine-Wilkinson</a></p><p><a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">Shade Art Review</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>The Art of Teaching</title>
			<itunes:title>The Art of Teaching</itunes:title>
			<pubDate>Tue, 12 Nov 2024 05:30:13 GMT</pubDate>
			<itunes:duration>25:20</itunes:duration>
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			<itunes:subtitle>Teaching as an artistic practice, with Shepherd Manyika</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:episode>4</itunes:episode>
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			<description><![CDATA[<p>This series of conversations with art educators, practitioners and makers expands on the ideas presented by Vi<em>sualise:&nbsp;</em>The<em>&nbsp;</em>Runnymede Trust and&nbsp;Freelands Foundation&nbsp;2024 report<em>&nbsp;</em>on Race &amp; Inclusion in Secondary School Art Education.&nbsp;In this episode 'The Art of Teaching' we are joined by <a href="https://shepherdmanyika.com/" rel="noopener noreferrer" target="_blank">Shepherd Manyika,</a> an artist and educator based in London. Shepherd graduated from Central Saint Martins with a BA in Fine Art and an MA in Academic Practice in Art, Design and Communications and has since gone on to work and exhibit with Spike Island, Iniva, Camden Arts Centre and Tate. Shepherd&nbsp;joins me today to discuss teaching as an artistic practice.&nbsp;</p><br><p><a href="https://open.acast.com/networks/62874943e07ce2001210db55/shows/62874922a6361b1a8d8dddba/episodes/Freelands%20Foundation" rel="noopener noreferrer" target="_blank"><strong>Freelands Foundation</strong></a> works to broaden access to art education and the visual arts across the UK. They work with teachers and educators to develop diverse and ambitious approaches to art education. Read the report Visualise report <a href="https://freelandsfoundation.co.uk/library/visualise" rel="noopener noreferrer" target="_blank"><strong>here</strong></a><strong>. </strong></p><br><p>Executive producer and host Lou Mensah</p><p>Shade Podcast <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Shade Podcast <a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">Website</a></p><p>Music <em>King Henry IV </em>original composition<em> </em>for Shade Podcast by <a href="https://www.instagram.com/brian__jackson/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Edit &amp; Mix by<a href="https://www.instagram.com/tessie_davidson/" rel="noopener noreferrer" target="_blank"> Tess Davidson</a></p><p>Podcast design <a href="https://www.instagram.com/joel__a_w/related_profiles/" rel="noopener noreferrer" target="_blank">Joel Antoine-Wilkinson</a></p><p><a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">Shade Art Review</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>This series of conversations with art educators, practitioners and makers expands on the ideas presented by Vi<em>sualise:&nbsp;</em>The<em>&nbsp;</em>Runnymede Trust and&nbsp;Freelands Foundation&nbsp;2024 report<em>&nbsp;</em>on Race &amp; Inclusion in Secondary School Art Education.&nbsp;In this episode 'The Art of Teaching' we are joined by <a href="https://shepherdmanyika.com/" rel="noopener noreferrer" target="_blank">Shepherd Manyika,</a> an artist and educator based in London. Shepherd graduated from Central Saint Martins with a BA in Fine Art and an MA in Academic Practice in Art, Design and Communications and has since gone on to work and exhibit with Spike Island, Iniva, Camden Arts Centre and Tate. Shepherd&nbsp;joins me today to discuss teaching as an artistic practice.&nbsp;</p><br><p><a href="https://open.acast.com/networks/62874943e07ce2001210db55/shows/62874922a6361b1a8d8dddba/episodes/Freelands%20Foundation" rel="noopener noreferrer" target="_blank"><strong>Freelands Foundation</strong></a> works to broaden access to art education and the visual arts across the UK. They work with teachers and educators to develop diverse and ambitious approaches to art education. Read the report Visualise report <a href="https://freelandsfoundation.co.uk/library/visualise" rel="noopener noreferrer" target="_blank"><strong>here</strong></a><strong>. </strong></p><br><p>Executive producer and host Lou Mensah</p><p>Shade Podcast <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Shade Podcast <a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">Website</a></p><p>Music <em>King Henry IV </em>original composition<em> </em>for Shade Podcast by <a href="https://www.instagram.com/brian__jackson/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Edit &amp; Mix by<a href="https://www.instagram.com/tessie_davidson/" rel="noopener noreferrer" target="_blank"> Tess Davidson</a></p><p>Podcast design <a href="https://www.instagram.com/joel__a_w/related_profiles/" rel="noopener noreferrer" target="_blank">Joel Antoine-Wilkinson</a></p><p><a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">Shade Art Review</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Art Outside the Classroom</title>
			<itunes:title>Art Outside the Classroom</itunes:title>
			<pubDate>Tue, 05 Nov 2024 04:00:36 GMT</pubDate>
			<itunes:duration>30:38</itunes:duration>
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			<itunes:subtitle>Art as play, with Dr Sadegh Aleahmad </itunes:subtitle>
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			<itunes:episode>3</itunes:episode>
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			<description><![CDATA[<p>This series of conversations with art educators, practitioners and makers expands on the ideas presented by Vi<em>sualise:&nbsp;</em>The<em>&nbsp;</em>Runnymede Trust and&nbsp;Freelands Foundation&nbsp;2024 report<em>&nbsp;</em>on Race &amp; Inclusion in Secondary School Art Education.&nbsp;In this episode 'Art Outside the Classroom' we are joined by <a href="https://www.sadeghaleahmad.art/" rel="noopener noreferrer" target="_blank">Dr Sadegh Aleahmad,</a>&nbsp;an Iranian-born multi-disciplinary artist, facilitator and lecturer based in London. Sadegh's practice explores dynamics of his diasporic identity by experimenting with mirrors and voice. Today, we discuss Sadegh's art education work beyond the classroom, enabling new ways of thinking, creating and coming together in community.</p><br><p><a href="https://open.acast.com/networks/62874943e07ce2001210db55/shows/62874922a6361b1a8d8dddba/episodes/Freelands%20Foundation" rel="noopener noreferrer" target="_blank"><strong>Freelands Foundation</strong></a> works to broaden access to art education and the visual arts across the UK. They work with teachers and educators to develop diverse and ambitious approaches to art education. Read the report Visualise report <a href="https://freelandsfoundation.co.uk/library/visualise" rel="noopener noreferrer" target="_blank"><strong>here</strong></a><strong>. </strong></p><br><p>Executive producer and host Lou Mensah</p><p>Shade Podcast <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Shade Podcast <a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">Website</a></p><p>Music <em>King Henry IV </em>original composition<em> </em>for Shade Podcast by <a href="https://www.instagram.com/brian__jackson/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Edit &amp; Mix <a href="https://www.instagram.com/tessie_davidson/" rel="noopener noreferrer" target="_blank">Tess Davidson</a></p><p>Editorial support <a href="https://www.daleisloup.com/" rel="noopener noreferrer" target="_blank">Dale Berning Sawa</a></p><p>Podcast design <a href="https://www.instagram.com/joel__a_w/related_profiles/" rel="noopener noreferrer" target="_blank">Joel Antoine-Wilkinson</a></p><p><a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">Shade Art Review</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>This series of conversations with art educators, practitioners and makers expands on the ideas presented by Vi<em>sualise:&nbsp;</em>The<em>&nbsp;</em>Runnymede Trust and&nbsp;Freelands Foundation&nbsp;2024 report<em>&nbsp;</em>on Race &amp; Inclusion in Secondary School Art Education.&nbsp;In this episode 'Art Outside the Classroom' we are joined by <a href="https://www.sadeghaleahmad.art/" rel="noopener noreferrer" target="_blank">Dr Sadegh Aleahmad,</a>&nbsp;an Iranian-born multi-disciplinary artist, facilitator and lecturer based in London. Sadegh's practice explores dynamics of his diasporic identity by experimenting with mirrors and voice. Today, we discuss Sadegh's art education work beyond the classroom, enabling new ways of thinking, creating and coming together in community.</p><br><p><a href="https://open.acast.com/networks/62874943e07ce2001210db55/shows/62874922a6361b1a8d8dddba/episodes/Freelands%20Foundation" rel="noopener noreferrer" target="_blank"><strong>Freelands Foundation</strong></a> works to broaden access to art education and the visual arts across the UK. They work with teachers and educators to develop diverse and ambitious approaches to art education. Read the report Visualise report <a href="https://freelandsfoundation.co.uk/library/visualise" rel="noopener noreferrer" target="_blank"><strong>here</strong></a><strong>. </strong></p><br><p>Executive producer and host Lou Mensah</p><p>Shade Podcast <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Shade Podcast <a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">Website</a></p><p>Music <em>King Henry IV </em>original composition<em> </em>for Shade Podcast by <a href="https://www.instagram.com/brian__jackson/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Edit &amp; Mix <a href="https://www.instagram.com/tessie_davidson/" rel="noopener noreferrer" target="_blank">Tess Davidson</a></p><p>Editorial support <a href="https://www.daleisloup.com/" rel="noopener noreferrer" target="_blank">Dale Berning Sawa</a></p><p>Podcast design <a href="https://www.instagram.com/joel__a_w/related_profiles/" rel="noopener noreferrer" target="_blank">Joel Antoine-Wilkinson</a></p><p><a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">Shade Art Review</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Classroom Portraits </title>
			<itunes:title>Classroom Portraits </itunes:title>
			<pubDate>Tue, 29 Oct 2024 04:00:28 GMT</pubDate>
			<itunes:duration>29:04</itunes:duration>
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			<itunes:subtitle>Transforming the art curriculum with Exodus Crooks</itunes:subtitle>
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			<itunes:episode>2</itunes:episode>
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			<description><![CDATA[<p>This series of conversations with art educators, practitioners and makers expands on the ideas presented by Vi<em>sualise:&nbsp;</em>The<em>&nbsp;</em>Runnymede Trust and&nbsp;Freelands Foundation&nbsp;2024 report<em>&nbsp;</em>on Race &amp; Inclusion in Secondary School Art Education.&nbsp;In this episode 'Classroom Portraits' we are joined by Exodus Crooks,&nbsp;a Birmingham-based multi-disciplinary artist and educator who works with installation, film-making and text. Through their practice they explore ideas of self-determination, religion and spirituality at the intersection of education, using their role as a teacher to re-imagine Western pedagogy. Exodus has previously exhibited with Iniva, Ikon Gallery and the National Gallery, among others. Today they’ll be joining me to discuss their experience as both an educator and former student, and how we can transform the art curriculum within the classroom. </p><br><p><a href="https://open.acast.com/networks/62874943e07ce2001210db55/shows/62874922a6361b1a8d8dddba/episodes/Freelands%20Foundation" rel="noopener noreferrer" target="_blank"><strong>Freelands Foundation</strong></a> works to broaden access to art education and the visual arts across the UK. They work with teachers and educators to develop diverse and ambitious approaches to art education. Read the report Visualise report <a href="https://freelandsfoundation.co.uk/library/visualise" rel="noopener noreferrer" target="_blank"><strong>here</strong></a><strong>. </strong></p><br><p>Executive producer and host Lou Mensah</p><p>Shade Podcast <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Shade Podcast <a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">Website</a></p><p>Music <em>King Henry IV </em>original composition<em> </em>for Shade Podcast by <a href="https://www.instagram.com/brian__jackson/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Edit &amp; Mix by<a href="https://www.instagram.com/tessie_davidson/" rel="noopener noreferrer" target="_blank"> Tess Davidson</a></p><p>Editorial support from <a href="https://open.acast.com/networks/62874943e07ce2001210db55/shows/62874922a6361b1a8d8dddba/episodes/Shade%20Art%20Review%20%20Shade%20Art%20Review%20offer%20code%20Shade%20Podcast%20Instagram%20%20This%20series%20was%20produced%20and%20hosted%20by%20Lou%20Mensah%20Music%20King%20Henry%20IV%20for%20Shade%20Podcast%20by%20Brian%20Jackson%20Editing%20and%20mixing%20by%20Tess%20Davidson%20Editorial%20support%20from%20Anne%20Kimunguyni" rel="noopener noreferrer" target="_blank">Anne Kimunguyi</a></p><p>Podcast design <a href="https://www.instagram.com/joel__a_w/related_profiles/" rel="noopener noreferrer" target="_blank">Joel Antoine-Wilkinson</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>This series of conversations with art educators, practitioners and makers expands on the ideas presented by Vi<em>sualise:&nbsp;</em>The<em>&nbsp;</em>Runnymede Trust and&nbsp;Freelands Foundation&nbsp;2024 report<em>&nbsp;</em>on Race &amp; Inclusion in Secondary School Art Education.&nbsp;In this episode 'Classroom Portraits' we are joined by Exodus Crooks,&nbsp;a Birmingham-based multi-disciplinary artist and educator who works with installation, film-making and text. Through their practice they explore ideas of self-determination, religion and spirituality at the intersection of education, using their role as a teacher to re-imagine Western pedagogy. Exodus has previously exhibited with Iniva, Ikon Gallery and the National Gallery, among others. Today they’ll be joining me to discuss their experience as both an educator and former student, and how we can transform the art curriculum within the classroom. </p><br><p><a href="https://open.acast.com/networks/62874943e07ce2001210db55/shows/62874922a6361b1a8d8dddba/episodes/Freelands%20Foundation" rel="noopener noreferrer" target="_blank"><strong>Freelands Foundation</strong></a> works to broaden access to art education and the visual arts across the UK. They work with teachers and educators to develop diverse and ambitious approaches to art education. Read the report Visualise report <a href="https://freelandsfoundation.co.uk/library/visualise" rel="noopener noreferrer" target="_blank"><strong>here</strong></a><strong>. </strong></p><br><p>Executive producer and host Lou Mensah</p><p>Shade Podcast <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Shade Podcast <a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">Website</a></p><p>Music <em>King Henry IV </em>original composition<em> </em>for Shade Podcast by <a href="https://www.instagram.com/brian__jackson/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Edit &amp; Mix by<a href="https://www.instagram.com/tessie_davidson/" rel="noopener noreferrer" target="_blank"> Tess Davidson</a></p><p>Editorial support from <a href="https://open.acast.com/networks/62874943e07ce2001210db55/shows/62874922a6361b1a8d8dddba/episodes/Shade%20Art%20Review%20%20Shade%20Art%20Review%20offer%20code%20Shade%20Podcast%20Instagram%20%20This%20series%20was%20produced%20and%20hosted%20by%20Lou%20Mensah%20Music%20King%20Henry%20IV%20for%20Shade%20Podcast%20by%20Brian%20Jackson%20Editing%20and%20mixing%20by%20Tess%20Davidson%20Editorial%20support%20from%20Anne%20Kimunguyni" rel="noopener noreferrer" target="_blank">Anne Kimunguyi</a></p><p>Podcast design <a href="https://www.instagram.com/joel__a_w/related_profiles/" rel="noopener noreferrer" target="_blank">Joel Antoine-Wilkinson</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Broad Canvas </title>
			<itunes:title>Broad Canvas </itunes:title>
			<pubDate>Tue, 22 Oct 2024 03:00:01 GMT</pubDate>
			<itunes:duration>29:18</itunes:duration>
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			<itunes:subtitle><![CDATA[Representation in art education, a conversation with Henry Ward & Shabna Begum]]></itunes:subtitle>
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			<itunes:episode>1</itunes:episode>
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			<description><![CDATA[<p>This new weekly, five part series of conversations with art educators, practitioners and makers expands on the ideas presented by Vi<em>sualise:&nbsp;</em>The<em>&nbsp;</em>Runnymede Trust and&nbsp;Freelands Foundation&nbsp;2024 report<em>&nbsp;</em>on Race &amp; Inclusion in Secondary School Art Education. These conversations aim to support educators in providing a more diverse art curriculum.&nbsp;In today's episode 'Broad canvas' I talk with&nbsp;Henry Ward, an artist, educator and the Director of Freelands Foundation and Shabna Begum, CEO of the Runnymede Trust who give an overview of the UK arts education ecosystem.</p><br><p><a href="Freelands Foundation" rel="noopener noreferrer" target="_blank"><strong>Freelands Foundation</strong></a> works to broaden access to art education and the visual arts across the UK. They work with teachers and educators to develop diverse and ambitious approaches to art education. Read the report Visualise report <a href="https://freelandsfoundation.co.uk/library/visualise" rel="noopener noreferrer" target="_blank"><strong>here</strong></a><strong>. </strong>Apologies for the disruption to sound quality in this episode.</p><br><p>Executive producer and host Lou Mensah</p><p>Shade Podcast <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Shade Podcast <a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">Website</a></p><p>Music <em>King Henry IV </em>original composition<em> </em>for Shade Podcast by <a href="https://www.instagram.com/brian__jackson/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Edit &amp; Mix by<a href="https://www.instagram.com/tessie_davidson/" rel="noopener noreferrer" target="_blank"> Tess Davidson</a></p><p>Editorial support from <a href="https://open.acast.com/networks/62874943e07ce2001210db55/shows/62874922a6361b1a8d8dddba/episodes/Shade%20Art%20Review%20%20Shade%20Art%20Review%20offer%20code%20Shade%20Podcast%20Instagram%20%20This%20series%20was%20produced%20and%20hosted%20by%20Lou%20Mensah%20Music%20King%20Henry%20IV%20for%20Shade%20Podcast%20by%20Brian%20Jackson%20Editing%20and%20mixing%20by%20Tess%20Davidson%20Editorial%20support%20from%20Anne%20Kimunguyni" rel="noopener noreferrer" target="_blank">Anne Kimunguyi</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>This new weekly, five part series of conversations with art educators, practitioners and makers expands on the ideas presented by Vi<em>sualise:&nbsp;</em>The<em>&nbsp;</em>Runnymede Trust and&nbsp;Freelands Foundation&nbsp;2024 report<em>&nbsp;</em>on Race &amp; Inclusion in Secondary School Art Education. These conversations aim to support educators in providing a more diverse art curriculum.&nbsp;In today's episode 'Broad canvas' I talk with&nbsp;Henry Ward, an artist, educator and the Director of Freelands Foundation and Shabna Begum, CEO of the Runnymede Trust who give an overview of the UK arts education ecosystem.</p><br><p><a href="Freelands Foundation" rel="noopener noreferrer" target="_blank"><strong>Freelands Foundation</strong></a> works to broaden access to art education and the visual arts across the UK. They work with teachers and educators to develop diverse and ambitious approaches to art education. Read the report Visualise report <a href="https://freelandsfoundation.co.uk/library/visualise" rel="noopener noreferrer" target="_blank"><strong>here</strong></a><strong>. </strong>Apologies for the disruption to sound quality in this episode.</p><br><p>Executive producer and host Lou Mensah</p><p>Shade Podcast <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Shade Podcast <a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">Website</a></p><p>Music <em>King Henry IV </em>original composition<em> </em>for Shade Podcast by <a href="https://www.instagram.com/brian__jackson/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Edit &amp; Mix by<a href="https://www.instagram.com/tessie_davidson/" rel="noopener noreferrer" target="_blank"> Tess Davidson</a></p><p>Editorial support from <a href="https://open.acast.com/networks/62874943e07ce2001210db55/shows/62874922a6361b1a8d8dddba/episodes/Shade%20Art%20Review%20%20Shade%20Art%20Review%20offer%20code%20Shade%20Podcast%20Instagram%20%20This%20series%20was%20produced%20and%20hosted%20by%20Lou%20Mensah%20Music%20King%20Henry%20IV%20for%20Shade%20Podcast%20by%20Brian%20Jackson%20Editing%20and%20mixing%20by%20Tess%20Davidson%20Editorial%20support%20from%20Anne%20Kimunguyni" rel="noopener noreferrer" target="_blank">Anne Kimunguyi</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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		<item>
			<title>London Sculpture Week symposium</title>
			<itunes:title>London Sculpture Week symposium</itunes:title>
			<pubDate>Tue, 08 Oct 2024 14:49:06 GMT</pubDate>
			<itunes:duration>1:14:00</itunes:duration>
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			<itunes:subtitle>A conversation on the unique role that public art plays in our cities</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
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			<description><![CDATA[<p>Enjoy our special episode which captures and reflects on a discussion on new approaches to sculpture outdoors which took place at the inaugural London Sculpture Week symposium at London Metropolitan University on 25th September 2024.</p><p>&nbsp;</p><p>The discussion features contributions from the following speakers:</p><p>Jo Baxendale, Visual Arts Project Manager Fourth Plinth, Greater London Authority&nbsp;</p><p>Sarah Carrington, Deputy Director, The Line&nbsp;</p><p>Dr Libby Heaney, Artist, Frieze Sculpture&nbsp;</p><p>Stella Ioannou, Artistic Director, Sculpture in the City and Founding Director, Lacuna</p><p>Katie Schwab, Artist, The Line&nbsp;</p><p>Vanessa da Silva, Artist, Sculpture in the City&nbsp;</p><p>Dr Jacek Ludwig Scarso, Moderator and Deputy Director, CREATURE</p><p>Fatoş Üstek, Independent writer and curator, Frieze Sculpture&nbsp;</p><p>&nbsp;</p><p>The LSW symposium was developed by <a href="https://the-line.org/" rel="noopener noreferrer" target="_blank">The Line</a> in collaboration with <a href="https://www.londonmet.ac.uk/research/centres-groups-and-units/the-centre-for-creative-arts-cultures-and-engagement-creature/" rel="noopener noreferrer" target="_blank">CREATURE</a> at London Metropolitan University and supported by Arts Council England and Bloomberg Connects, the official digital partner for London Sculpture Week.</p><p>This episode is sponsored by<a href="https://www.bloombergconnects.org/" rel="noopener noreferrer" target="_blank"> Bloomberg Connects</a>, the free arts and culture app. The app gives access to over 550 free guides of museum, galleries, sculpture parks, gardens, and other art spaces around the world. Bloomberg Connects is the official digital guide for London Sculpture Week and presents free content for Frieze Sculpture, The Line, Sculpture in the City and the Fourth Plinth. Download the<a href="https://www.bloombergconnects.org/" rel="noopener noreferrer" target="_blank"> app</a> to discover more.</p><p>Please support our independent podcast by donating £5<a href="https://plus.acast.com/s/shadepodcast" rel="noopener noreferrer" target="_blank"> here</a></p><p>Read<a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank"> Shade Art Review&nbsp;</a></p><p>Shade Art Review<a href="https://shadepodcast.substack.com/761f66ed" rel="noopener noreferrer" target="_blank"> 20% discount code</a></p><p>Shade Podcast<a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank"> Instagram</a></p><p>Shade Podcast<a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank"> Website</a></p><p>Shade Podcast is Executive produced and hosted by Lou Mensah</p><p>Music <em>King Henry IV</em> for Shade Podcast by<a href="https://www.instagram.com/brian__jackson/" rel="noopener noreferrer" target="_blank"> Brian Jackson</a></p><p>Edit &amp; Mix by<a href="https://www.instagram.com/tessie_davidson/" rel="noopener noreferrer" target="_blank"> Tess Davidson</a></p><p>Symposium recording by <a href="https://www.innerear.co.uk/" rel="noopener noreferrer" target="_blank">Innerar</a>.</p><br><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Enjoy our special episode which captures and reflects on a discussion on new approaches to sculpture outdoors which took place at the inaugural London Sculpture Week symposium at London Metropolitan University on 25th September 2024.</p><p>&nbsp;</p><p>The discussion features contributions from the following speakers:</p><p>Jo Baxendale, Visual Arts Project Manager Fourth Plinth, Greater London Authority&nbsp;</p><p>Sarah Carrington, Deputy Director, The Line&nbsp;</p><p>Dr Libby Heaney, Artist, Frieze Sculpture&nbsp;</p><p>Stella Ioannou, Artistic Director, Sculpture in the City and Founding Director, Lacuna</p><p>Katie Schwab, Artist, The Line&nbsp;</p><p>Vanessa da Silva, Artist, Sculpture in the City&nbsp;</p><p>Dr Jacek Ludwig Scarso, Moderator and Deputy Director, CREATURE</p><p>Fatoş Üstek, Independent writer and curator, Frieze Sculpture&nbsp;</p><p>&nbsp;</p><p>The LSW symposium was developed by <a href="https://the-line.org/" rel="noopener noreferrer" target="_blank">The Line</a> in collaboration with <a href="https://www.londonmet.ac.uk/research/centres-groups-and-units/the-centre-for-creative-arts-cultures-and-engagement-creature/" rel="noopener noreferrer" target="_blank">CREATURE</a> at London Metropolitan University and supported by Arts Council England and Bloomberg Connects, the official digital partner for London Sculpture Week.</p><p>This episode is sponsored by<a href="https://www.bloombergconnects.org/" rel="noopener noreferrer" target="_blank"> Bloomberg Connects</a>, the free arts and culture app. The app gives access to over 550 free guides of museum, galleries, sculpture parks, gardens, and other art spaces around the world. Bloomberg Connects is the official digital guide for London Sculpture Week and presents free content for Frieze Sculpture, The Line, Sculpture in the City and the Fourth Plinth. Download the<a href="https://www.bloombergconnects.org/" rel="noopener noreferrer" target="_blank"> app</a> to discover more.</p><p>Please support our independent podcast by donating £5<a href="https://plus.acast.com/s/shadepodcast" rel="noopener noreferrer" target="_blank"> here</a></p><p>Read<a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank"> Shade Art Review&nbsp;</a></p><p>Shade Art Review<a href="https://shadepodcast.substack.com/761f66ed" rel="noopener noreferrer" target="_blank"> 20% discount code</a></p><p>Shade Podcast<a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank"> Instagram</a></p><p>Shade Podcast<a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank"> Website</a></p><p>Shade Podcast is Executive produced and hosted by Lou Mensah</p><p>Music <em>King Henry IV</em> for Shade Podcast by<a href="https://www.instagram.com/brian__jackson/" rel="noopener noreferrer" target="_blank"> Brian Jackson</a></p><p>Edit &amp; Mix by<a href="https://www.instagram.com/tessie_davidson/" rel="noopener noreferrer" target="_blank"> Tess Davidson</a></p><p>Symposium recording by <a href="https://www.innerear.co.uk/" rel="noopener noreferrer" target="_blank">Innerar</a>.</p><br><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
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			<title>Donald Rodney: Visceral Canker. A major survey exhibition at Spike Island</title>
			<itunes:title>Donald Rodney: Visceral Canker. A major survey exhibition at Spike Island</itunes:title>
			<pubDate>Fri, 12 Jul 2024 03:30:01 GMT</pubDate>
			<itunes:duration>26:24</itunes:duration>
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			<itunes:subtitle>Lou in conversation with the curators Robert Leckie and Nicole Yip.</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>11</itunes:season>
			<itunes:episode>3</itunes:episode>
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			<description><![CDATA[<p>Donald Rodney (b. 1961, West Bromwich; d. 1998, London) worked across sculpture, installation, drawing, painting, and digital media, experimenting with new materials and technologies throughout his life. His work is known for being incisive, acerbic, and evocative in its analysis of the prejudices and injustices surrounding racial identity, Black masculinity, chronic illness, and Britain's colonial past. Rodney was also co-founding member of the BLK Art Group: an association of young Black artists formed in Wolverhampton in 1982.</p><br><p><a href="https://www.spikeisland.org.uk/programme/exhibitions/donald-rodney/" rel="noopener noreferrer" target="_blank">Visceral Canker</a> is the major survey of the artist’s work at Spike Island, bringing together all of Rodney's surviving works. This includes large-scale oil pastels on X-rays, kinetic and animatronic sculptures, and restaged installations, as well as sketchbooks and rare archive materials, spanning 1982 to 1997. Also on display is Autoicon (1997–2000), an interactive digital artwork initiated by Rodney and finalised by a group of his close friends after he died from sickle cell anaemia in 1998. The exhibition is curated by Robert Leckie, Spike Island’s former Director, and Nicole Yip - the gallery’s new director. Today, I am joined by both Nicole and Robert, to discuss the life and work of Donald Rodney, the ambitions of the exhibition and the complexities involved in interpreting an artist’s work once they are no longer with us.&nbsp;The exhibition will tour at Nottingham Contemporary from 28 September 2024 to 5 January 2025 and at Whitechapel Gallery from 12 February to 18 May 2025.</p><br><p>Please support our independent podcast by donating £5 <a href="https://plus.acast.com/s/shadepodcast" rel="noopener noreferrer" target="_blank">here</a></p><p>Read <a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">Shade Art Review&nbsp;</a></p><p>Shade Art Review <a href="https://shadepodcast.substack.com/761f66ed" rel="noopener noreferrer" target="_blank">Series 11 | 20% discount code</a></p><p>Shade Podcast <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Shade Podcast <a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">Website</a></p><p>Shade Podcast is Executive produced and hosted by Lou Mensah</p><p>Music <em>King Henry IV</em> for Shade Podcast by <a href="https://www.instagram.com/brian__jackson/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Edit &amp; Mix by <a href="https://maelievans.com/" rel="noopener noreferrer" target="_blank">Mae-Li Evans</a></p><p>Editorial support from <a href="https://open.acast.com/networks/62874943e07ce2001210db55/shows/62874922a6361b1a8d8dddba/episodes/Shade%20Art%20Review%20%20Shade%20Art%20Review%20offer%20code%20Shade%20Podcast%20Instagram%20%20This%20series%20was%20produced%20and%20hosted%20by%20Lou%20Mensah%20Music%20King%20Henry%20IV%20for%20Shade%20Podcast%20by%20Brian%20Jackson%20Editing%20and%20mixing%20by%20Tess%20Davidson%20Editorial%20support%20from%20Anne%20Kimunguyni" rel="noopener noreferrer" target="_blank">Anne Kimunguyi</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Donald Rodney (b. 1961, West Bromwich; d. 1998, London) worked across sculpture, installation, drawing, painting, and digital media, experimenting with new materials and technologies throughout his life. His work is known for being incisive, acerbic, and evocative in its analysis of the prejudices and injustices surrounding racial identity, Black masculinity, chronic illness, and Britain's colonial past. Rodney was also co-founding member of the BLK Art Group: an association of young Black artists formed in Wolverhampton in 1982.</p><br><p><a href="https://www.spikeisland.org.uk/programme/exhibitions/donald-rodney/" rel="noopener noreferrer" target="_blank">Visceral Canker</a> is the major survey of the artist’s work at Spike Island, bringing together all of Rodney's surviving works. This includes large-scale oil pastels on X-rays, kinetic and animatronic sculptures, and restaged installations, as well as sketchbooks and rare archive materials, spanning 1982 to 1997. Also on display is Autoicon (1997–2000), an interactive digital artwork initiated by Rodney and finalised by a group of his close friends after he died from sickle cell anaemia in 1998. The exhibition is curated by Robert Leckie, Spike Island’s former Director, and Nicole Yip - the gallery’s new director. Today, I am joined by both Nicole and Robert, to discuss the life and work of Donald Rodney, the ambitions of the exhibition and the complexities involved in interpreting an artist’s work once they are no longer with us.&nbsp;The exhibition will tour at Nottingham Contemporary from 28 September 2024 to 5 January 2025 and at Whitechapel Gallery from 12 February to 18 May 2025.</p><br><p>Please support our independent podcast by donating £5 <a href="https://plus.acast.com/s/shadepodcast" rel="noopener noreferrer" target="_blank">here</a></p><p>Read <a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">Shade Art Review&nbsp;</a></p><p>Shade Art Review <a href="https://shadepodcast.substack.com/761f66ed" rel="noopener noreferrer" target="_blank">Series 11 | 20% discount code</a></p><p>Shade Podcast <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Shade Podcast <a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">Website</a></p><p>Shade Podcast is Executive produced and hosted by Lou Mensah</p><p>Music <em>King Henry IV</em> for Shade Podcast by <a href="https://www.instagram.com/brian__jackson/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Edit &amp; Mix by <a href="https://maelievans.com/" rel="noopener noreferrer" target="_blank">Mae-Li Evans</a></p><p>Editorial support from <a href="https://open.acast.com/networks/62874943e07ce2001210db55/shows/62874922a6361b1a8d8dddba/episodes/Shade%20Art%20Review%20%20Shade%20Art%20Review%20offer%20code%20Shade%20Podcast%20Instagram%20%20This%20series%20was%20produced%20and%20hosted%20by%20Lou%20Mensah%20Music%20King%20Henry%20IV%20for%20Shade%20Podcast%20by%20Brian%20Jackson%20Editing%20and%20mixing%20by%20Tess%20Davidson%20Editorial%20support%20from%20Anne%20Kimunguyni" rel="noopener noreferrer" target="_blank">Anne Kimunguyi</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Maja Wismer Head of Contemporary Art Kunstmuseum Basel: in conversation with Anne Kimunguyi </title>
			<itunes:title>Maja Wismer Head of Contemporary Art Kunstmuseum Basel: in conversation with Anne Kimunguyi </itunes:title>
			<pubDate>Fri, 05 Jul 2024 02:30:37 GMT</pubDate>
			<itunes:duration>16:55</itunes:duration>
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			<itunes:subtitle><![CDATA['When We See Us: A Century of Black Figuration in Painting']]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>11</itunes:season>
			<itunes:episode>2</itunes:episode>
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			<description><![CDATA[<p>Enjoy our special episode from the exhibition <a href="https://kunstmuseumbasel.ch/en/exhibitions/2024/when-we-see-us" rel="noopener noreferrer" target="_blank"><em>When We See Us: A Century of Black Figuration in Painting</em></a> at Kunstmuseum in<em> </em>Basel recorded by Anne Kimunguyi. Many of you know Anne from her <a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">Shade Art Review.</a> features.</p><br><p>Our guest is Head of Contemporary Art at Kunstmuseum Basel, Maja Wismer. As part of her role, she specialises in art of the late 20th and early 21st century, having previously held the role of Curatorial Fellow at the Busch Reisinger Museum of the Harvard Art Museums. Based at the Kunstmuseum, her previous work has seen the realisation of the exhibition ‘<a href="https://kunstmuseumbasel.ch/en/exhibitions/2021/kara-walker" rel="noopener noreferrer" target="_blank"><em>Kara Walker. A Black Hole is Everything a Star Longs to be’</em></a>, as well as projects involving the move of the works of Joseph Beuys from the newly created space – Museum fur Gegenwarsknust, a museum dedicated exclusively to contemporary art in 1980.&nbsp;</p><br><p>Please help save our independent podcast by donating £5 <a href="https://plus.acast.com/s/shadepodcast" rel="noopener noreferrer" target="_blank">here</a></p><p>Read <a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">Shade Art Review&nbsp;</a></p><p>Shade Art Review <a href="https://shadepodcast.substack.com/761f66ed" rel="noopener noreferrer" target="_blank">Series 11 | 20% discount code</a></p><p>Shade Podcast <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Shade Podcast <a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">Website</a></p><p>Shade Podcast is Executive produced and hosted by Lou Mensah</p><p>Music <em>King Henry IV</em> for Shade Podcast by <a href="https://www.instagram.com/brian__jackson/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Edit &amp; Mix by <a href="https://maelievans.com/" rel="noopener noreferrer" target="_blank">Mae-Li Evans</a></p><p>Editorial support from <a href="https://open.acast.com/networks/62874943e07ce2001210db55/shows/62874922a6361b1a8d8dddba/episodes/Shade%20Art%20Review%20%20Shade%20Art%20Review%20offer%20code%20Shade%20Podcast%20Instagram%20%20This%20series%20was%20produced%20and%20hosted%20by%20Lou%20Mensah%20Music%20King%20Henry%20IV%20for%20Shade%20Podcast%20by%20Brian%20Jackson%20Editing%20and%20mixing%20by%20Tess%20Davidson%20Editorial%20support%20from%20Anne%20Kimunguyni" rel="noopener noreferrer" target="_blank">Anne Kimunguyi</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Enjoy our special episode from the exhibition <a href="https://kunstmuseumbasel.ch/en/exhibitions/2024/when-we-see-us" rel="noopener noreferrer" target="_blank"><em>When We See Us: A Century of Black Figuration in Painting</em></a> at Kunstmuseum in<em> </em>Basel recorded by Anne Kimunguyi. Many of you know Anne from her <a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">Shade Art Review.</a> features.</p><br><p>Our guest is Head of Contemporary Art at Kunstmuseum Basel, Maja Wismer. As part of her role, she specialises in art of the late 20th and early 21st century, having previously held the role of Curatorial Fellow at the Busch Reisinger Museum of the Harvard Art Museums. Based at the Kunstmuseum, her previous work has seen the realisation of the exhibition ‘<a href="https://kunstmuseumbasel.ch/en/exhibitions/2021/kara-walker" rel="noopener noreferrer" target="_blank"><em>Kara Walker. A Black Hole is Everything a Star Longs to be’</em></a>, as well as projects involving the move of the works of Joseph Beuys from the newly created space – Museum fur Gegenwarsknust, a museum dedicated exclusively to contemporary art in 1980.&nbsp;</p><br><p>Please help save our independent podcast by donating £5 <a href="https://plus.acast.com/s/shadepodcast" rel="noopener noreferrer" target="_blank">here</a></p><p>Read <a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">Shade Art Review&nbsp;</a></p><p>Shade Art Review <a href="https://shadepodcast.substack.com/761f66ed" rel="noopener noreferrer" target="_blank">Series 11 | 20% discount code</a></p><p>Shade Podcast <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Shade Podcast <a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">Website</a></p><p>Shade Podcast is Executive produced and hosted by Lou Mensah</p><p>Music <em>King Henry IV</em> for Shade Podcast by <a href="https://www.instagram.com/brian__jackson/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Edit &amp; Mix by <a href="https://maelievans.com/" rel="noopener noreferrer" target="_blank">Mae-Li Evans</a></p><p>Editorial support from <a href="https://open.acast.com/networks/62874943e07ce2001210db55/shows/62874922a6361b1a8d8dddba/episodes/Shade%20Art%20Review%20%20Shade%20Art%20Review%20offer%20code%20Shade%20Podcast%20Instagram%20%20This%20series%20was%20produced%20and%20hosted%20by%20Lou%20Mensah%20Music%20King%20Henry%20IV%20for%20Shade%20Podcast%20by%20Brian%20Jackson%20Editing%20and%20mixing%20by%20Tess%20Davidson%20Editorial%20support%20from%20Anne%20Kimunguyni" rel="noopener noreferrer" target="_blank">Anne Kimunguyi</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Matthew Krishanu: in conversation with Lou Mensah</title>
			<itunes:title>Matthew Krishanu: in conversation with Lou Mensah</itunes:title>
			<pubDate>Fri, 21 Jun 2024 04:00:36 GMT</pubDate>
			<itunes:duration>23:03</itunes:duration>
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			<itunes:subtitle><![CDATA['The Bough Breaks' at Camden Art Centre]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>11</itunes:season>
			<itunes:episode>1</itunes:episode>
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			<description><![CDATA[<p><a href="https://www.instagram.com/matthewkrishanu/?hl=en" rel="noopener noreferrer" target="_blank">Matthew Krishanu </a>(b.1980, Bradford, UK) paints atmospheric, pared-back compositions including scenes from the artist’s life, particularly his childhood years in Bangladesh growing up with his brother, and their parents—a British Christian missionary and an Indian theologian. In the paintings, seemingly familiar narratives are alluded to but destabilised. The viewer’s own projections are called upon to fulfil the interpretive loop, raising questions about childhood, religion, race, power, and the legacies of empire.</p><br><p><a href="https://camdenartcentre.org/whats-on/matthew-krishanu-the-bough-breaks" rel="noopener noreferrer" target="_blank"><em>The Bough Breaks</em></a> is showing at Camden Art Centre until June 23. Krishanu's forthcoming solo exhibition will show at <a href="https://www.tanyaleighton.com/artists/matthew-krishanu" rel="noopener noreferrer" target="_blank">Tanya Leighton</a> L.A., in the autumn.</p><br><p>Read <a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">Shade Art Review&nbsp;</a></p><p>Shade Art Review <a href="https://shadepodcast.substack.com/761f66ed" rel="noopener noreferrer" target="_blank">Series 11 | 20% discount code</a></p><p>Shade Podcast <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Shade Podcast <a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">Website</a></p><p>Shade Podcast is Executive produced and hosted by Lou Mensah</p><p>Music <em>King Henry IV</em> for Shade Podcast by <a href="https://www.instagram.com/brian__jackson/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Edit &amp; Mix by <a href="https://maelievans.com/" rel="noopener noreferrer" target="_blank">Mae-Li Evans</a></p><p>Editorial support from <a href="https://open.acast.com/networks/62874943e07ce2001210db55/shows/62874922a6361b1a8d8dddba/episodes/Shade%20Art%20Review%20%20Shade%20Art%20Review%20offer%20code%20Shade%20Podcast%20Instagram%20%20This%20series%20was%20produced%20and%20hosted%20by%20Lou%20Mensah%20Music%20King%20Henry%20IV%20for%20Shade%20Podcast%20by%20Brian%20Jackson%20Editing%20and%20mixing%20by%20Tess%20Davidson%20Editorial%20support%20from%20Anne%20Kimunguyni" rel="noopener noreferrer" target="_blank">Anne Kimunguyi</a></p><br><p><br></p><br><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p><a href="https://www.instagram.com/matthewkrishanu/?hl=en" rel="noopener noreferrer" target="_blank">Matthew Krishanu </a>(b.1980, Bradford, UK) paints atmospheric, pared-back compositions including scenes from the artist’s life, particularly his childhood years in Bangladesh growing up with his brother, and their parents—a British Christian missionary and an Indian theologian. In the paintings, seemingly familiar narratives are alluded to but destabilised. The viewer’s own projections are called upon to fulfil the interpretive loop, raising questions about childhood, religion, race, power, and the legacies of empire.</p><br><p><a href="https://camdenartcentre.org/whats-on/matthew-krishanu-the-bough-breaks" rel="noopener noreferrer" target="_blank"><em>The Bough Breaks</em></a> is showing at Camden Art Centre until June 23. Krishanu's forthcoming solo exhibition will show at <a href="https://www.tanyaleighton.com/artists/matthew-krishanu" rel="noopener noreferrer" target="_blank">Tanya Leighton</a> L.A., in the autumn.</p><br><p>Read <a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">Shade Art Review&nbsp;</a></p><p>Shade Art Review <a href="https://shadepodcast.substack.com/761f66ed" rel="noopener noreferrer" target="_blank">Series 11 | 20% discount code</a></p><p>Shade Podcast <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Shade Podcast <a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">Website</a></p><p>Shade Podcast is Executive produced and hosted by Lou Mensah</p><p>Music <em>King Henry IV</em> for Shade Podcast by <a href="https://www.instagram.com/brian__jackson/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Edit &amp; Mix by <a href="https://maelievans.com/" rel="noopener noreferrer" target="_blank">Mae-Li Evans</a></p><p>Editorial support from <a href="https://open.acast.com/networks/62874943e07ce2001210db55/shows/62874922a6361b1a8d8dddba/episodes/Shade%20Art%20Review%20%20Shade%20Art%20Review%20offer%20code%20Shade%20Podcast%20Instagram%20%20This%20series%20was%20produced%20and%20hosted%20by%20Lou%20Mensah%20Music%20King%20Henry%20IV%20for%20Shade%20Podcast%20by%20Brian%20Jackson%20Editing%20and%20mixing%20by%20Tess%20Davidson%20Editorial%20support%20from%20Anne%20Kimunguyni" rel="noopener noreferrer" target="_blank">Anne Kimunguyi</a></p><br><p><br></p><br><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Venice Biennale Special: Aindrea Emelife interview</title>
			<itunes:title>Venice Biennale Special: Aindrea Emelife interview</itunes:title>
			<pubDate>Tue, 23 Apr 2024 03:30:01 GMT</pubDate>
			<itunes:duration>13:06</itunes:duration>
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			<itunes:subtitle>Curator of Nigeria Imaginary at the Nigeria Pavilion </itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
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			<description><![CDATA[<p><strong>Welcome to the second of our episodes from the </strong><a href="https://www.labiennale.org/en" rel="noopener noreferrer" target="_blank"><strong>60th International Art Exhibition - La Biennale di Venezia. </strong></a></p><br><p>I am delighted to welcome back <a href="https://www.instagram.com/aindreaemelife/?hl=en" rel="noopener noreferrer" target="_blank">Aindrea Emelife </a>as my guest. Aindrea&nbsp;is a curator and art historian of modern and contemporary art, whose practise specializes in colonial and decolonial African histories and the politics of representation. Aindrea is the curator of <a href="https://www.nigeriaimaginary.com/" rel="noopener noreferrer" target="_blank"><em>Nigeria Imaginary </em></a>at the Nigeria Pavilion at this year’s Venice Biennale, which sees the country participating in the festival for the second time. The pavilion will show projects made in collaboration with the <a href="https://wearemowaa.org/" rel="noopener noreferrer" target="_blank">Museum of West African Art,</a> where Aindrea is also a curator. Today, we will be getting an exciting introduction into this year’s Nigeria Pavilion and</p><p>hearing a bit more about the participating artists, their works and the curatorial thinking behind this year’s exhibition.</p><br><p>Enjoy a review, including images of Nigeria Imaginary written by <a href="https://www.instagram.com/annekimunguyi/?hl=en" rel="noopener noreferrer" target="_blank">Anne Kimunguyi</a> in today's special edition of <a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">Shade Art Review.</a></p><br><p>Read <a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">Shade Art Review&nbsp;</a></p><p>Shade Art Review <a href="https://shadepodcast.substack.com/a79cc886" rel="noopener noreferrer" target="_blank">20% discount code</a></p><p>Shade Podcast <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Shade Podcast is Executive produced and hosted by Lou Mensah</p><p>Music <em>King Henry IV</em> for Shade Podcast by <a href="https://www.instagram.com/brian__jackson/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Editing and mixing by <a href="https://linktr.ee/tess_davidson?utm_source=linktree_profile_share" rel="noopener noreferrer" target="_blank">Tess Davidson</a></p><p>Editorial support by <a href="https://www.instagram.com/annekimunguyi/?hl=en" rel="noopener noreferrer" target="_blank">Anne Kimunguyi</a></p><br><p><a href="https://www.nigeriaimaginary.com/" rel="noopener noreferrer" target="_blank">Nigeria Imaginary</a></p><p><a href="https://www.instagram.com/aindreaemelife/?hl=en" rel="noopener noreferrer" target="_blank">Aindrea Emelife</a></p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p><strong>Welcome to the second of our episodes from the </strong><a href="https://www.labiennale.org/en" rel="noopener noreferrer" target="_blank"><strong>60th International Art Exhibition - La Biennale di Venezia. </strong></a></p><br><p>I am delighted to welcome back <a href="https://www.instagram.com/aindreaemelife/?hl=en" rel="noopener noreferrer" target="_blank">Aindrea Emelife </a>as my guest. Aindrea&nbsp;is a curator and art historian of modern and contemporary art, whose practise specializes in colonial and decolonial African histories and the politics of representation. Aindrea is the curator of <a href="https://www.nigeriaimaginary.com/" rel="noopener noreferrer" target="_blank"><em>Nigeria Imaginary </em></a>at the Nigeria Pavilion at this year’s Venice Biennale, which sees the country participating in the festival for the second time. The pavilion will show projects made in collaboration with the <a href="https://wearemowaa.org/" rel="noopener noreferrer" target="_blank">Museum of West African Art,</a> where Aindrea is also a curator. Today, we will be getting an exciting introduction into this year’s Nigeria Pavilion and</p><p>hearing a bit more about the participating artists, their works and the curatorial thinking behind this year’s exhibition.</p><br><p>Enjoy a review, including images of Nigeria Imaginary written by <a href="https://www.instagram.com/annekimunguyi/?hl=en" rel="noopener noreferrer" target="_blank">Anne Kimunguyi</a> in today's special edition of <a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">Shade Art Review.</a></p><br><p>Read <a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">Shade Art Review&nbsp;</a></p><p>Shade Art Review <a href="https://shadepodcast.substack.com/a79cc886" rel="noopener noreferrer" target="_blank">20% discount code</a></p><p>Shade Podcast <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Shade Podcast is Executive produced and hosted by Lou Mensah</p><p>Music <em>King Henry IV</em> for Shade Podcast by <a href="https://www.instagram.com/brian__jackson/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Editing and mixing by <a href="https://linktr.ee/tess_davidson?utm_source=linktree_profile_share" rel="noopener noreferrer" target="_blank">Tess Davidson</a></p><p>Editorial support by <a href="https://www.instagram.com/annekimunguyi/?hl=en" rel="noopener noreferrer" target="_blank">Anne Kimunguyi</a></p><br><p><a href="https://www.nigeriaimaginary.com/" rel="noopener noreferrer" target="_blank">Nigeria Imaginary</a></p><p><a href="https://www.instagram.com/aindreaemelife/?hl=en" rel="noopener noreferrer" target="_blank">Aindrea Emelife</a></p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Venice Biennale Special: Sir John Akomfrah interview</title>
			<itunes:title>Venice Biennale Special: Sir John Akomfrah interview</itunes:title>
			<pubDate>Sun, 21 Apr 2024 03:00:34 GMT</pubDate>
			<itunes:duration>30:57</itunes:duration>
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			<itunes:subtitle><![CDATA[The British Council commission 'Listening All Night To The Rain' ]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
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			<description><![CDATA[<p><strong>Welcome to the first of our episodes from the </strong><a href="https://www.labiennale.org/en" rel="noopener noreferrer" target="_blank"><strong>60th International Art Exhibition - La Biennale di Venezia.</strong></a></p><br><p>Today, I am delighted to hand the mic to my dear friend the arts writer <a href="https://www.daleisloup.com/about" rel="noopener noreferrer" target="_blank">Dale Berning Sawa,</a> who met with John Akomfrah at the preview of <a href="https://venicebiennale.britishcouncil.org/" rel="noopener noreferrer" target="_blank">The British Council commission <em>Listening All Night To The Rain</em>.</a> You'll also hear from me in this episode and Dale shares a reflection on her first Venice experience and conversation with the artist on this special occasion. You can also enjoy Dale's review of <em>Listening All Night To The Rain </em>and images from the exhibition,<em> </em>in <a href="Shade Art Review " rel="noopener noreferrer" target="_blank"><em>Shade Art Review.</em></a> today.</p><br><p><em>Listening All Night To The Rain </em>continues artist and filmmaker John Akomfrah’s investigation into themes of memory, migration, racial injustice and climate change with a renewed focus on the act of listening and the sonic. The exhibition, conceived as a single installation with eight interlocking and overlapping multi-screen sound and time-based works, is seen as a manifesto that encourages the idea of listening as activism and positions various progressive theories of acoustemology: how new ways of becoming are rooted in different forms of listening. Encouraging visitors to experience the British Pavilion’s 19th century neoclassical building in a different way, Akomfrah’s commission interprets and transforms the fabric of the space in order to interrogate relics and monuments of colonial histories.</p><br><p>John Akomfrah initially came to prominence in the early 1980s as part of the Black Audio Film Collective (BAFC), a collective founded in 1982. An early film by BAFC, titled Handsworth Songs (1986), explored the events around the 1985 riots in Birmingham and London. In recent years, Akomfrah’s work has evolved into ambitious, multi-channel installations presented in galleries and museums worldwide. In 2017, he won the Artes Mundi prize, the UK’s biggest award for international art. He has previously participated in the 58th Venice Viennale with Four Nocturnes, commissioned for the inaugural Ghana Pavilion in 2019, and Vertigo Sea (2015) as part of the 56th International Art Exhibition. <strong>The British Council commission <em>Listening All Night To The Rain</em> at the Venice Biennale 2024 runs from Saturday 20 April to Sunday 24 November 2024. </strong></p><br><p>Read <a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">Shade Art Review&nbsp;</a></p><p>Shade Art Review <a href="https://shadepodcast.substack.com/a79cc886" rel="noopener noreferrer" target="_blank">20% discount code</a></p><p>Shade Podcast <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Shade Podcast is Executive produced and hosted by Lou Mensah</p><p>Music <em>King Henry IV</em> for Shade Podcast by <a href="https://www.instagram.com/brian__jackson/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Editing and mixing by <a href="https://linktr.ee/tess_davidson?utm_source=linktree_profile_share" rel="noopener noreferrer" target="_blank">Tess Davidson</a></p><br><p><a href="https://www.daleisloup.com/art" rel="noopener noreferrer" target="_blank">Dale Berning Sawa</a></p><p><a href="https://venicebiennale.britishcouncil.org/" rel="noopener noreferrer" target="_blank">British Pavilion</a></p><p><a href="https://www.labiennale.org/en" rel="noopener noreferrer" target="_blank">Venice Biennale </a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p><strong>Welcome to the first of our episodes from the </strong><a href="https://www.labiennale.org/en" rel="noopener noreferrer" target="_blank"><strong>60th International Art Exhibition - La Biennale di Venezia.</strong></a></p><br><p>Today, I am delighted to hand the mic to my dear friend the arts writer <a href="https://www.daleisloup.com/about" rel="noopener noreferrer" target="_blank">Dale Berning Sawa,</a> who met with John Akomfrah at the preview of <a href="https://venicebiennale.britishcouncil.org/" rel="noopener noreferrer" target="_blank">The British Council commission <em>Listening All Night To The Rain</em>.</a> You'll also hear from me in this episode and Dale shares a reflection on her first Venice experience and conversation with the artist on this special occasion. You can also enjoy Dale's review of <em>Listening All Night To The Rain </em>and images from the exhibition,<em> </em>in <a href="Shade Art Review " rel="noopener noreferrer" target="_blank"><em>Shade Art Review.</em></a> today.</p><br><p><em>Listening All Night To The Rain </em>continues artist and filmmaker John Akomfrah’s investigation into themes of memory, migration, racial injustice and climate change with a renewed focus on the act of listening and the sonic. The exhibition, conceived as a single installation with eight interlocking and overlapping multi-screen sound and time-based works, is seen as a manifesto that encourages the idea of listening as activism and positions various progressive theories of acoustemology: how new ways of becoming are rooted in different forms of listening. Encouraging visitors to experience the British Pavilion’s 19th century neoclassical building in a different way, Akomfrah’s commission interprets and transforms the fabric of the space in order to interrogate relics and monuments of colonial histories.</p><br><p>John Akomfrah initially came to prominence in the early 1980s as part of the Black Audio Film Collective (BAFC), a collective founded in 1982. An early film by BAFC, titled Handsworth Songs (1986), explored the events around the 1985 riots in Birmingham and London. In recent years, Akomfrah’s work has evolved into ambitious, multi-channel installations presented in galleries and museums worldwide. In 2017, he won the Artes Mundi prize, the UK’s biggest award for international art. He has previously participated in the 58th Venice Viennale with Four Nocturnes, commissioned for the inaugural Ghana Pavilion in 2019, and Vertigo Sea (2015) as part of the 56th International Art Exhibition. <strong>The British Council commission <em>Listening All Night To The Rain</em> at the Venice Biennale 2024 runs from Saturday 20 April to Sunday 24 November 2024. </strong></p><br><p>Read <a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">Shade Art Review&nbsp;</a></p><p>Shade Art Review <a href="https://shadepodcast.substack.com/a79cc886" rel="noopener noreferrer" target="_blank">20% discount code</a></p><p>Shade Podcast <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Shade Podcast is Executive produced and hosted by Lou Mensah</p><p>Music <em>King Henry IV</em> for Shade Podcast by <a href="https://www.instagram.com/brian__jackson/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Editing and mixing by <a href="https://linktr.ee/tess_davidson?utm_source=linktree_profile_share" rel="noopener noreferrer" target="_blank">Tess Davidson</a></p><br><p><a href="https://www.daleisloup.com/art" rel="noopener noreferrer" target="_blank">Dale Berning Sawa</a></p><p><a href="https://venicebiennale.britishcouncil.org/" rel="noopener noreferrer" target="_blank">British Pavilion</a></p><p><a href="https://www.labiennale.org/en" rel="noopener noreferrer" target="_blank">Venice Biennale </a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Legacy Russell:  in conversation with Lou Mensah</title>
			<itunes:title>Legacy Russell:  in conversation with Lou Mensah</itunes:title>
			<pubDate>Thu, 18 Apr 2024 03:30:08 GMT</pubDate>
			<itunes:duration>36:31</itunes:duration>
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			<itunes:subtitle><![CDATA[Executive Director & Chief Curator of The Kitchen N.Y & Author of Black Meme ]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>10</itunes:season>
			<itunes:episode>5</itunes:episode>
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			<description><![CDATA[<p>Legacy Russell is Executive Director &amp; Chief Curator of the experimental arts institution <a href="https://thekitchen.org/" rel="noopener noreferrer" target="_blank">The Kitchen</a>, one of New York's oldest non-profit spaces. She is writer, curator and author of the critically acclaimed <a href="https://www.versobooks.com/en-gb/products/460-glitch-feminism" rel="noopener noreferrer" target="_blank"><em>Glitch Feminism: A Manifesto.</em></a><em> </em>I am delighted to have Legacy join me to talk about <a href="https://www.versobooks.com/en-gb/products/2751-black-meme" rel="noopener noreferrer" target="_blank"><em>Black Meme,</em></a> which is due to be published on May 7th.&nbsp;Black Meme focuses on the history and production of the ‘Meme’ – tracing through Black visual culture from its first appearance in the early 20th century all the way through to present times. It is a critical dissection of race, class, and gender as performed online and offline and emphasizes the central role that Black contributions have played in the development of digital culture.&nbsp;&nbsp;</p><br><p>On the ‘Meme’, Legacy says:’ I want to talk about the economy and engine of this and perhaps push further a discussion about how we can hold ourselves accountable to how this material is produced and circulated.”</p><p>&nbsp;</p><p><a href="https://www.versobooks.com/en-gb/products/2751-black-meme" rel="noopener noreferrer" target="_blank">Black Meme </a>is available to purchase online and in stores from May 7th. </p><p>Here is a <a href="https://youtu.be/0hu3e-682yU?feature=shared" rel="noopener noreferrer" target="_blank">link </a>to Legacy's talk on The New Bend exhibition, as mentioned in Lou's intro. </p><br><p>Read <a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">Shade Art Review&nbsp;</a></p><p>Shade Art Review <a href="https://shadepodcast.substack.com/a79cc886" rel="noopener noreferrer" target="_blank">Series 10 | 20% discount code</a></p><p>Shade Podcast <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Shade Podcast is Executive produced and hosted by Lou Mensah</p><p>Music <em>King Henry IV</em> for Shade Podcast by <a href="https://www.instagram.com/brian__jackson/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Editing and mixing by <a href="https://linktr.ee/tess_davidson?utm_source=linktree_profile_share" rel="noopener noreferrer" target="_blank">Tess Davidson</a></p><p>Editorial support from <a href="https://open.acast.com/networks/62874943e07ce2001210db55/shows/62874922a6361b1a8d8dddba/episodes/Shade%20Art%20Review%20%20Shade%20Art%20Review%20offer%20code%20Shade%20Podcast%20Instagram%20%20This%20series%20was%20produced%20and%20hosted%20by%20Lou%20Mensah%20Music%20King%20Henry%20IV%20for%20Shade%20Podcast%20by%20Brian%20Jackson%20Editing%20and%20mixing%20by%20Tess%20Davidson%20Editorial%20support%20from%20Anne%20Kimunguyni" rel="noopener noreferrer" target="_blank">Anne Kimunguyi</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Legacy Russell is Executive Director &amp; Chief Curator of the experimental arts institution <a href="https://thekitchen.org/" rel="noopener noreferrer" target="_blank">The Kitchen</a>, one of New York's oldest non-profit spaces. She is writer, curator and author of the critically acclaimed <a href="https://www.versobooks.com/en-gb/products/460-glitch-feminism" rel="noopener noreferrer" target="_blank"><em>Glitch Feminism: A Manifesto.</em></a><em> </em>I am delighted to have Legacy join me to talk about <a href="https://www.versobooks.com/en-gb/products/2751-black-meme" rel="noopener noreferrer" target="_blank"><em>Black Meme,</em></a> which is due to be published on May 7th.&nbsp;Black Meme focuses on the history and production of the ‘Meme’ – tracing through Black visual culture from its first appearance in the early 20th century all the way through to present times. It is a critical dissection of race, class, and gender as performed online and offline and emphasizes the central role that Black contributions have played in the development of digital culture.&nbsp;&nbsp;</p><br><p>On the ‘Meme’, Legacy says:’ I want to talk about the economy and engine of this and perhaps push further a discussion about how we can hold ourselves accountable to how this material is produced and circulated.”</p><p>&nbsp;</p><p><a href="https://www.versobooks.com/en-gb/products/2751-black-meme" rel="noopener noreferrer" target="_blank">Black Meme </a>is available to purchase online and in stores from May 7th. </p><p>Here is a <a href="https://youtu.be/0hu3e-682yU?feature=shared" rel="noopener noreferrer" target="_blank">link </a>to Legacy's talk on The New Bend exhibition, as mentioned in Lou's intro. </p><br><p>Read <a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">Shade Art Review&nbsp;</a></p><p>Shade Art Review <a href="https://shadepodcast.substack.com/a79cc886" rel="noopener noreferrer" target="_blank">Series 10 | 20% discount code</a></p><p>Shade Podcast <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Shade Podcast is Executive produced and hosted by Lou Mensah</p><p>Music <em>King Henry IV</em> for Shade Podcast by <a href="https://www.instagram.com/brian__jackson/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Editing and mixing by <a href="https://linktr.ee/tess_davidson?utm_source=linktree_profile_share" rel="noopener noreferrer" target="_blank">Tess Davidson</a></p><p>Editorial support from <a href="https://open.acast.com/networks/62874943e07ce2001210db55/shows/62874922a6361b1a8d8dddba/episodes/Shade%20Art%20Review%20%20Shade%20Art%20Review%20offer%20code%20Shade%20Podcast%20Instagram%20%20This%20series%20was%20produced%20and%20hosted%20by%20Lou%20Mensah%20Music%20King%20Henry%20IV%20for%20Shade%20Podcast%20by%20Brian%20Jackson%20Editing%20and%20mixing%20by%20Tess%20Davidson%20Editorial%20support%20from%20Anne%20Kimunguyni" rel="noopener noreferrer" target="_blank">Anne Kimunguyi</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Ibrahim Mahama:  in conversation with Lou Mensah</title>
			<itunes:title>Ibrahim Mahama:  in conversation with Lou Mensah</itunes:title>
			<pubDate>Thu, 11 Apr 2024 02:30:43 GMT</pubDate>
			<itunes:duration>16:39</itunes:duration>
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			<itunes:subtitle>Purple Hibiscus commission for the Barbican </itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>10</itunes:season>
			<itunes:episode>4</itunes:episode>
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			<description><![CDATA[<p><a href="https://www.whitecube.com/artists/ibrahim-mahama" rel="noopener noreferrer" target="_blank">Ibrahim Mahama </a> is an installation artist who works with textiles, material production and found objects to create large-scale public interventions. He initially garnered widespread attention for his open-air installations made of stitched-together jute sacks that were draped on or over architectural structures, such as libraries, an airport, and a museum, in the cities of Accra and Kumasi, where he is based. His practise involves a collaborative process of sourcing, collecting, reproducing and installing the often-textile based materials he works with. His pieces speak to ideas around historical memories, traditional belief systems, local economies and the democratisation of art.&nbsp;</p><br><p>Ibrahim’s works have been shown in various group and solo shows, including The Norval Foundation in Cape Town, The White Cube in London and Hong Kong and has been a part of the Ghana Pavilion for 2019 Venice Biennale, among many others. In this episode, Ibrahim and I discuss his new large-scale public commission at the Barbican, the process behind creating this work and his hopes for its reception.</p><br><p><strong>Ibrahim Mahama </strong><a href="Purple Hibiscus at the Barbican" rel="noopener noreferrer" target="_blank"><strong><em>Purple Hibiscus </em></strong></a><strong>runs at the Lakeside Terrace at the Barbican from April 10 - 18 August 2024 and is free to the public.</strong></p><br><p>Read <a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">Shade Art Review&nbsp;</a></p><p>Shade Art Review <a href="https://shadepodcast.substack.com/a79cc886" rel="noopener noreferrer" target="_blank">Series 10 | 20% discount code</a></p><p>Shade Podcast <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Shade Podcast is Executive produced and hosted by Lou Mensah</p><p>Music <em>King Henry IV</em> for Shade Podcast by <a href="https://www.instagram.com/brian__jackson/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Editing and mixing by <a href="https://linktr.ee/tess_davidson?utm_source=linktree_profile_share" rel="noopener noreferrer" target="_blank">Tess Davidson</a></p><p>Editorial support from <a href="https://open.acast.com/networks/62874943e07ce2001210db55/shows/62874922a6361b1a8d8dddba/episodes/Shade%20Art%20Review%20%20Shade%20Art%20Review%20offer%20code%20Shade%20Podcast%20Instagram%20%20This%20series%20was%20produced%20and%20hosted%20by%20Lou%20Mensah%20Music%20King%20Henry%20IV%20for%20Shade%20Podcast%20by%20Brian%20Jackson%20Editing%20and%20mixing%20by%20Tess%20Davidson%20Editorial%20support%20from%20Anne%20Kimunguyni" rel="noopener noreferrer" target="_blank">Anne Kimunguyi</a></p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p><a href="https://www.whitecube.com/artists/ibrahim-mahama" rel="noopener noreferrer" target="_blank">Ibrahim Mahama </a> is an installation artist who works with textiles, material production and found objects to create large-scale public interventions. He initially garnered widespread attention for his open-air installations made of stitched-together jute sacks that were draped on or over architectural structures, such as libraries, an airport, and a museum, in the cities of Accra and Kumasi, where he is based. His practise involves a collaborative process of sourcing, collecting, reproducing and installing the often-textile based materials he works with. His pieces speak to ideas around historical memories, traditional belief systems, local economies and the democratisation of art.&nbsp;</p><br><p>Ibrahim’s works have been shown in various group and solo shows, including The Norval Foundation in Cape Town, The White Cube in London and Hong Kong and has been a part of the Ghana Pavilion for 2019 Venice Biennale, among many others. In this episode, Ibrahim and I discuss his new large-scale public commission at the Barbican, the process behind creating this work and his hopes for its reception.</p><br><p><strong>Ibrahim Mahama </strong><a href="Purple Hibiscus at the Barbican" rel="noopener noreferrer" target="_blank"><strong><em>Purple Hibiscus </em></strong></a><strong>runs at the Lakeside Terrace at the Barbican from April 10 - 18 August 2024 and is free to the public.</strong></p><br><p>Read <a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">Shade Art Review&nbsp;</a></p><p>Shade Art Review <a href="https://shadepodcast.substack.com/a79cc886" rel="noopener noreferrer" target="_blank">Series 10 | 20% discount code</a></p><p>Shade Podcast <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Shade Podcast is Executive produced and hosted by Lou Mensah</p><p>Music <em>King Henry IV</em> for Shade Podcast by <a href="https://www.instagram.com/brian__jackson/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Editing and mixing by <a href="https://linktr.ee/tess_davidson?utm_source=linktree_profile_share" rel="noopener noreferrer" target="_blank">Tess Davidson</a></p><p>Editorial support from <a href="https://open.acast.com/networks/62874943e07ce2001210db55/shows/62874922a6361b1a8d8dddba/episodes/Shade%20Art%20Review%20%20Shade%20Art%20Review%20offer%20code%20Shade%20Podcast%20Instagram%20%20This%20series%20was%20produced%20and%20hosted%20by%20Lou%20Mensah%20Music%20King%20Henry%20IV%20for%20Shade%20Podcast%20by%20Brian%20Jackson%20Editing%20and%20mixing%20by%20Tess%20Davidson%20Editorial%20support%20from%20Anne%20Kimunguyni" rel="noopener noreferrer" target="_blank">Anne Kimunguyi</a></p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Michael Ohajuru: in conversation with Lou Mensah</title>
			<itunes:title>Michael Ohajuru: in conversation with Lou Mensah</itunes:title>
			<pubDate>Thu, 04 Apr 2024 02:00:57 GMT</pubDate>
			<itunes:duration>18:44</itunes:duration>
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			<itunes:subtitle>John Blanke Project: artists advocating for a more inclusive and equitable understanding of history</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>10</itunes:season>
			<itunes:episode>3</itunes:episode>
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			<description><![CDATA[<p><strong>Michael Ohajuru</strong> is a London-based art historian&nbsp;who returns to the podcast&nbsp;to discuss the <a href="https://www.johnblanke.com/" rel="noopener noreferrer" target="_blank">John Blanke project</a>, a&nbsp;large gathering of artists and historians who have come together to re-imagine John Blanke,&nbsp;the black trumpeter to the courts of Henry 7th&nbsp;and Henry 8th&nbsp;and&nbsp;the first person of African descent in British history that we have both a visual and written record of. The participating artists include&nbsp;Keith Piper,&nbsp;Wole Lagunju, Phoebe Boswell,&nbsp;Paul Dash and Larry Achiampong. </p><br><p><a href="https://twitter.com/DavidOlusoga" rel="noopener noreferrer" target="_blank"><strong>David Olusoga</strong></a><strong>&nbsp;</strong>Professor of Public History at the University of Manchester says of the project:</p><p>"The John Blanke Project redefines historical exploration by merging practical scholarship with innovation and critical imagination. Anchored in social justice, it reveals the overlooked narratives of Black Tudor England, enriching our grasp of diversity and British identity. By blending art and history, it encourages a deeper, empathetic engagement with our shared past, advocating for a more inclusive and equitable understanding of history."</p><br><p>Thanks for listening to this independent podcast. You can support this work by reviewing and sharing the podcast or becoming a Shade Art Review subscriber.</p><br><p>Read <a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">Shade Art Review&nbsp;</a></p><p>Shade Art Review <a href="https://shadepodcast.substack.com/a79cc886" rel="noopener noreferrer" target="_blank">Series 10 | 20% discount code</a></p><p>Shade Podcast <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Shade Podcast is Executive produced and hosted by Lou Mensah</p><p>Music <em>King Henry IV</em> for Shade Podcast by <a href="https://www.instagram.com/brian__jackson/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Editing and mixing by <a href="https://linktr.ee/tess_davidson?utm_source=linktree_profile_share" rel="noopener noreferrer" target="_blank">Tess Davidson</a></p><p>Editorial support from <a href="https://open.acast.com/networks/62874943e07ce2001210db55/shows/62874922a6361b1a8d8dddba/episodes/Shade%20Art%20Review%20%20Shade%20Art%20Review%20offer%20code%20Shade%20Podcast%20Instagram%20%20This%20series%20was%20produced%20and%20hosted%20by%20Lou%20Mensah%20Music%20King%20Henry%20IV%20for%20Shade%20Podcast%20by%20Brian%20Jackson%20Editing%20and%20mixing%20by%20Tess%20Davidson%20Editorial%20support%20from%20Anne%20Kimunguyni" rel="noopener noreferrer" target="_blank">Anne Kimunguyi</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p><strong>Michael Ohajuru</strong> is a London-based art historian&nbsp;who returns to the podcast&nbsp;to discuss the <a href="https://www.johnblanke.com/" rel="noopener noreferrer" target="_blank">John Blanke project</a>, a&nbsp;large gathering of artists and historians who have come together to re-imagine John Blanke,&nbsp;the black trumpeter to the courts of Henry 7th&nbsp;and Henry 8th&nbsp;and&nbsp;the first person of African descent in British history that we have both a visual and written record of. The participating artists include&nbsp;Keith Piper,&nbsp;Wole Lagunju, Phoebe Boswell,&nbsp;Paul Dash and Larry Achiampong. </p><br><p><a href="https://twitter.com/DavidOlusoga" rel="noopener noreferrer" target="_blank"><strong>David Olusoga</strong></a><strong>&nbsp;</strong>Professor of Public History at the University of Manchester says of the project:</p><p>"The John Blanke Project redefines historical exploration by merging practical scholarship with innovation and critical imagination. Anchored in social justice, it reveals the overlooked narratives of Black Tudor England, enriching our grasp of diversity and British identity. By blending art and history, it encourages a deeper, empathetic engagement with our shared past, advocating for a more inclusive and equitable understanding of history."</p><br><p>Thanks for listening to this independent podcast. You can support this work by reviewing and sharing the podcast or becoming a Shade Art Review subscriber.</p><br><p>Read <a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">Shade Art Review&nbsp;</a></p><p>Shade Art Review <a href="https://shadepodcast.substack.com/a79cc886" rel="noopener noreferrer" target="_blank">Series 10 | 20% discount code</a></p><p>Shade Podcast <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Shade Podcast is Executive produced and hosted by Lou Mensah</p><p>Music <em>King Henry IV</em> for Shade Podcast by <a href="https://www.instagram.com/brian__jackson/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Editing and mixing by <a href="https://linktr.ee/tess_davidson?utm_source=linktree_profile_share" rel="noopener noreferrer" target="_blank">Tess Davidson</a></p><p>Editorial support from <a href="https://open.acast.com/networks/62874943e07ce2001210db55/shows/62874922a6361b1a8d8dddba/episodes/Shade%20Art%20Review%20%20Shade%20Art%20Review%20offer%20code%20Shade%20Podcast%20Instagram%20%20This%20series%20was%20produced%20and%20hosted%20by%20Lou%20Mensah%20Music%20King%20Henry%20IV%20for%20Shade%20Podcast%20by%20Brian%20Jackson%20Editing%20and%20mixing%20by%20Tess%20Davidson%20Editorial%20support%20from%20Anne%20Kimunguyni" rel="noopener noreferrer" target="_blank">Anne Kimunguyi</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Joy Gregory: in conversation with Lou Mensah</title>
			<itunes:title>Joy Gregory: in conversation with Lou Mensah</itunes:title>
			<pubDate>Thu, 28 Mar 2024 03:00:15 GMT</pubDate>
			<itunes:duration>21:34</itunes:duration>
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			<itunes:subtitle>Heathrow Terminal 4 commission 2024 </itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>10</itunes:season>
			<itunes:episode>2</itunes:episode>
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			<description><![CDATA[<p>Joy Gregory&nbsp;(b. 1959. Bicester, UK). <strong>Born in the UK to Jamaican parents, </strong><a href="https://www.instagram.com/joy_gregory_studio/?hl=en-gb" rel="noopener noreferrer" target="_blank"><strong>Joy Gregory</strong></a><strong>’s work explores the impact of colonialism on global perceptions of beauty, memory, botany, health and traditional knowledge. As a photographer, Gregory has worked over decades in various media, including video, digital and analogue photography, film installation, Victorian print processes and more recently textiles; exploring photography as technology and as mode of artistic expression. She is interested in understanding how individuals and communities remember and interpret their history, particularly in relation to their connection to the land.</strong></p><br><p>Joy &amp; Lou discuss the themes of process and practice as they have developed throughout the artist’s four decade career.&nbsp;In June, Art on the Underground will unveil a new series of Joy’s artworks at Heathrow Terminal 4 Underground station - envisaging Heathrow as a portal of entry and exit. I spoke with Joy in February, as she embarked on her partnership with Hillingdon-based charity Refugees in Effective and Active Partnership (REAP) facilitating a series of photographic workshops with asylum seekers living in hotels in the Heathrow area, as well as a community group for Afghan women in Hayes and Harlington. These workshops will inform the creation of her artwork for Heathrow Terminal 4, giving space to the stories of newly arrived Londoners, displaced people whose realities are increasingly maligned and misrepresented. The work will offer an indelible trace of the cultures, languages and hopes which coalesce in London. </p><br><p>In the Autumn of 2025, Whitechapel Gallery will stage<a href="https://www.whitechapelgallery.org/joy-gregory-wins-the-freelands-award-2023/" rel="noopener noreferrer" target="_blank"> Joy’s first monographic exhibition</a>, surveying a four-decade practice.</p><br><p>Thanks for listening to this independent podcast. You can support this work by reviewing and sharing the podcast or becoming a Shade Art Review subscriber (follow the link below for details).</p><br><p>Read <a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">Shade Art Review&nbsp;</a></p><p>Shade Art Review <a href="https://shadepodcast.substack.com/a79cc886" rel="noopener noreferrer" target="_blank">Series 10 | 20% discount code</a></p><p>Shade Podcast <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Shade Podcast is Executive produced and hosted by Lou Mensah</p><p>Music <em>King Henry IV</em> for Shade Podcast by <a href="https://www.instagram.com/brian__jackson/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Editing and mixing by <a href="https://linktr.ee/tess_davidson?utm_source=linktree_profile_share" rel="noopener noreferrer" target="_blank">Tess Davidson</a></p><p>Editorial support from <a href="https://open.acast.com/networks/62874943e07ce2001210db55/shows/62874922a6361b1a8d8dddba/episodes/Shade%20Art%20Review%20%20Shade%20Art%20Review%20offer%20code%20Shade%20Podcast%20Instagram%20%20This%20series%20was%20produced%20and%20hosted%20by%20Lou%20Mensah%20Music%20King%20Henry%20IV%20for%20Shade%20Podcast%20by%20Brian%20Jackson%20Editing%20and%20mixing%20by%20Tess%20Davidson%20Editorial%20support%20from%20Anne%20Kimunguyni" rel="noopener noreferrer" target="_blank">Anne Kimunguyi</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Joy Gregory&nbsp;(b. 1959. Bicester, UK). <strong>Born in the UK to Jamaican parents, </strong><a href="https://www.instagram.com/joy_gregory_studio/?hl=en-gb" rel="noopener noreferrer" target="_blank"><strong>Joy Gregory</strong></a><strong>’s work explores the impact of colonialism on global perceptions of beauty, memory, botany, health and traditional knowledge. As a photographer, Gregory has worked over decades in various media, including video, digital and analogue photography, film installation, Victorian print processes and more recently textiles; exploring photography as technology and as mode of artistic expression. She is interested in understanding how individuals and communities remember and interpret their history, particularly in relation to their connection to the land.</strong></p><br><p>Joy &amp; Lou discuss the themes of process and practice as they have developed throughout the artist’s four decade career.&nbsp;In June, Art on the Underground will unveil a new series of Joy’s artworks at Heathrow Terminal 4 Underground station - envisaging Heathrow as a portal of entry and exit. I spoke with Joy in February, as she embarked on her partnership with Hillingdon-based charity Refugees in Effective and Active Partnership (REAP) facilitating a series of photographic workshops with asylum seekers living in hotels in the Heathrow area, as well as a community group for Afghan women in Hayes and Harlington. These workshops will inform the creation of her artwork for Heathrow Terminal 4, giving space to the stories of newly arrived Londoners, displaced people whose realities are increasingly maligned and misrepresented. The work will offer an indelible trace of the cultures, languages and hopes which coalesce in London. </p><br><p>In the Autumn of 2025, Whitechapel Gallery will stage<a href="https://www.whitechapelgallery.org/joy-gregory-wins-the-freelands-award-2023/" rel="noopener noreferrer" target="_blank"> Joy’s first monographic exhibition</a>, surveying a four-decade practice.</p><br><p>Thanks for listening to this independent podcast. You can support this work by reviewing and sharing the podcast or becoming a Shade Art Review subscriber (follow the link below for details).</p><br><p>Read <a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">Shade Art Review&nbsp;</a></p><p>Shade Art Review <a href="https://shadepodcast.substack.com/a79cc886" rel="noopener noreferrer" target="_blank">Series 10 | 20% discount code</a></p><p>Shade Podcast <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Shade Podcast is Executive produced and hosted by Lou Mensah</p><p>Music <em>King Henry IV</em> for Shade Podcast by <a href="https://www.instagram.com/brian__jackson/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Editing and mixing by <a href="https://linktr.ee/tess_davidson?utm_source=linktree_profile_share" rel="noopener noreferrer" target="_blank">Tess Davidson</a></p><p>Editorial support from <a href="https://open.acast.com/networks/62874943e07ce2001210db55/shows/62874922a6361b1a8d8dddba/episodes/Shade%20Art%20Review%20%20Shade%20Art%20Review%20offer%20code%20Shade%20Podcast%20Instagram%20%20This%20series%20was%20produced%20and%20hosted%20by%20Lou%20Mensah%20Music%20King%20Henry%20IV%20for%20Shade%20Podcast%20by%20Brian%20Jackson%20Editing%20and%20mixing%20by%20Tess%20Davidson%20Editorial%20support%20from%20Anne%20Kimunguyni" rel="noopener noreferrer" target="_blank">Anne Kimunguyi</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Tiona Nekkia McClodden: in conversation with Lou Mensah</title>
			<itunes:title>Tiona Nekkia McClodden: in conversation with Lou Mensah</itunes:title>
			<pubDate>Thu, 21 Mar 2024 10:25:47 GMT</pubDate>
			<itunes:duration>31:06</itunes:duration>
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			<acast:showId>241b5e41-db8f-59dc-95ea-0160569317ef</acast:showId>
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			<itunes:subtitle><![CDATA['MERCY | DUMMY' McClodden's inaugural solo show with White Cube, is currently showing in Bermondsey, London.]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>10</itunes:season>
			<itunes:episode>1</itunes:episode>
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			<description><![CDATA[<p><strong>This evening, 21 March '24 </strong></p><p><strong>6 - 8pm GMT: Artist Talk - Tiona Nekkia McClodden at White Cube Bermondsey, London. </strong>Tiona will discuss the impetus of her solo exhibition&nbsp;<a href="https://www.whitecube.com/gallery-exhibitions/tiona-nekkia-mcclodden-bermondsey-2024" rel="noopener noreferrer" target="_blank">‘A MERCY | DUMMY’</a>, which spans two discrete bodies of works produced alongside each other. McClodden will explore the impulse to present two bodies of works together for the first time in her career through a choreographed sharing of her collection of archival research, music, video, and texts. <a href="https://www.eventbrite.com/e/tiona-nekkia-mcclodden-lecture-at-white-cube-bermondsey-tickets-858782851627" rel="noopener noreferrer" target="_blank">Reserve a spot here.</a> MERCY | DUMMY runs until 24 March.</p><br><p>Tiona Nekkia McClodden (b.1981, Blytheville, Arkansas) spent her formative years throughout the American South. Trained as a filmmaker, McClodden worked largely within the punk and club scene in Atlanta before moving to Philadelphia in 2006 and expanding her practice to include painting, sculpture, photography and installation.</p><br><p>Recent solo exhibitions include Baltimore Museum of Art, Maryland (2023); Kunsthalle Basel, Switzerland (2023); The Shed, New York (2022); 52 Walker, New York (2022); The Triple Deities, Philadelphia, Pennsylvania (2021); and Company Gallery, New York (2019). Selected group exhibitions include Solomon R. Guggenheim, New York (2023–24); El Museo del Barrio in New York (2022–23), touring to Phoenix Art Museum, Arizona (2023) and Museum of Contemporary Art, North Miami, Florida (2023–24); ICA Los Angeles, California (2022); Prospect 5, New Orleans, Louisiana (2021–22); Philadelphia Museum of Art, Pennsylvania (2021); New Museum, New York (2021); Haus der Kulturen der Welt, Berlin (2019); and the Whitney Biennial, New York (2019). Other presentations of her work have been on view at MOCA, Los Angeles, California (2017); MCA Chicago, Illinois (2017); and MoMA PS1, New York (2016). In recent years, McClodden has won prestigious grants and fellowships, including the Warhol Foundation Arts Writers Grant (2022), Princeton Arts Fellowship (2021–23); the Bucksbaum Award, Whitney Museum of American Art (2019); Guggenheim Fellowship in Fine Arts (2019); the Louis Comfort Tiffany Award (2017); and the Pew Fellowship (2016), while running Conceptual Fade, a project gallery and library she founded in 2020 that hosts micro-exhibitions and publications centred on Black art and conceptual practice.</p><br><p>Work by McClodden is in the permanent collections of the Baltimore Museum of Art, Maryland; MoMA, New York; Philadelphia Museum of Art, Pennsylvania; and Rennie Museum, Canada.</p><br><p>Read <a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">Shade Art Review&nbsp;</a></p><p>Shade Art Review <a href="https://shadepodcast.substack.com/a79cc886" rel="noopener noreferrer" target="_blank">Series 10 | 20% discount code</a></p><p>Shade Podcast <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Shade Podcast is Executive produced and hosted by Lou Mensah</p><p>Music <em>King Henry IV</em> for Shade Podcast by <a href="https://www.instagram.com/brian__jackson/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Editing and mixing by <a href="https://linktr.ee/tess_davidson?utm_source=linktree_profile_share" rel="noopener noreferrer" target="_blank">Tess Davidson</a></p><p>Editorial support from <a href="Shade Art Review  Shade Art Review offer code Shade Podcast Instagram  This series was produced and hosted by Lou Mensah Music King Henry IV for Shade Podcast by Brian Jackson Editing and mixing by Tess Davidson Editorial support from Anne Kimunguyni" rel="noopener noreferrer" target="_blank">Anne Kimunguyi</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p><strong>This evening, 21 March '24 </strong></p><p><strong>6 - 8pm GMT: Artist Talk - Tiona Nekkia McClodden at White Cube Bermondsey, London. </strong>Tiona will discuss the impetus of her solo exhibition&nbsp;<a href="https://www.whitecube.com/gallery-exhibitions/tiona-nekkia-mcclodden-bermondsey-2024" rel="noopener noreferrer" target="_blank">‘A MERCY | DUMMY’</a>, which spans two discrete bodies of works produced alongside each other. McClodden will explore the impulse to present two bodies of works together for the first time in her career through a choreographed sharing of her collection of archival research, music, video, and texts. <a href="https://www.eventbrite.com/e/tiona-nekkia-mcclodden-lecture-at-white-cube-bermondsey-tickets-858782851627" rel="noopener noreferrer" target="_blank">Reserve a spot here.</a> MERCY | DUMMY runs until 24 March.</p><br><p>Tiona Nekkia McClodden (b.1981, Blytheville, Arkansas) spent her formative years throughout the American South. Trained as a filmmaker, McClodden worked largely within the punk and club scene in Atlanta before moving to Philadelphia in 2006 and expanding her practice to include painting, sculpture, photography and installation.</p><br><p>Recent solo exhibitions include Baltimore Museum of Art, Maryland (2023); Kunsthalle Basel, Switzerland (2023); The Shed, New York (2022); 52 Walker, New York (2022); The Triple Deities, Philadelphia, Pennsylvania (2021); and Company Gallery, New York (2019). Selected group exhibitions include Solomon R. Guggenheim, New York (2023–24); El Museo del Barrio in New York (2022–23), touring to Phoenix Art Museum, Arizona (2023) and Museum of Contemporary Art, North Miami, Florida (2023–24); ICA Los Angeles, California (2022); Prospect 5, New Orleans, Louisiana (2021–22); Philadelphia Museum of Art, Pennsylvania (2021); New Museum, New York (2021); Haus der Kulturen der Welt, Berlin (2019); and the Whitney Biennial, New York (2019). Other presentations of her work have been on view at MOCA, Los Angeles, California (2017); MCA Chicago, Illinois (2017); and MoMA PS1, New York (2016). In recent years, McClodden has won prestigious grants and fellowships, including the Warhol Foundation Arts Writers Grant (2022), Princeton Arts Fellowship (2021–23); the Bucksbaum Award, Whitney Museum of American Art (2019); Guggenheim Fellowship in Fine Arts (2019); the Louis Comfort Tiffany Award (2017); and the Pew Fellowship (2016), while running Conceptual Fade, a project gallery and library she founded in 2020 that hosts micro-exhibitions and publications centred on Black art and conceptual practice.</p><br><p>Work by McClodden is in the permanent collections of the Baltimore Museum of Art, Maryland; MoMA, New York; Philadelphia Museum of Art, Pennsylvania; and Rennie Museum, Canada.</p><br><p>Read <a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">Shade Art Review&nbsp;</a></p><p>Shade Art Review <a href="https://shadepodcast.substack.com/a79cc886" rel="noopener noreferrer" target="_blank">Series 10 | 20% discount code</a></p><p>Shade Podcast <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Shade Podcast is Executive produced and hosted by Lou Mensah</p><p>Music <em>King Henry IV</em> for Shade Podcast by <a href="https://www.instagram.com/brian__jackson/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Editing and mixing by <a href="https://linktr.ee/tess_davidson?utm_source=linktree_profile_share" rel="noopener noreferrer" target="_blank">Tess Davidson</a></p><p>Editorial support from <a href="Shade Art Review  Shade Art Review offer code Shade Podcast Instagram  This series was produced and hosted by Lou Mensah Music King Henry IV for Shade Podcast by Brian Jackson Editing and mixing by Tess Davidson Editorial support from Anne Kimunguyni" rel="noopener noreferrer" target="_blank">Anne Kimunguyi</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Cynthia Lawrence John</title>
			<itunes:title>Cynthia Lawrence John</itunes:title>
			<pubDate>Thu, 21 Dec 2023 03:00:26 GMT</pubDate>
			<itunes:duration>13:18</itunes:duration>
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			<itunes:subtitle>Costume Designer</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>9</itunes:season>
			<itunes:episode>7</itunes:episode>
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			<description><![CDATA[<p>Welcome to the final episode in my seven part, end of year series! Inspired by the&nbsp;Black radical tradition of the harmony between the lyrical and visual, I am joined by friends to explore the musical influences that inspire their work. We also look to the people, real and imagined, familial and ancestral who guide them.</p><p>Cynthia is a costume designer, whose work you will have seen in successful British films, like the recent&nbsp;Rye Lane directed by Raine Allen-Miller. Cynthia's currently showing work at <a href="https://www.somersethouse.org.uk/whats-on/the-missing-thread" rel="noopener noreferrer" target="_blank">Somerset House in London as part of the exhibition <em>Missing Thread</em></a><em>,</em> which charts the shifting landscape of Black British culture and the unique contribution it's made to Britain's design history. Our friendship began in the early 2000s, when we worked together in my capacity as a photographer.</p><p>It was Cynthia's generosity of ideas and her unique approach to design that inspired me and makes her one of the most revered costume designers today. Cynthia and I sneaked in a super quick, ten minute conversation whilst she was on set last week. She shares her musical influences and talks about how music is the foundation of her design for all of her characters.</p><p>Please share and review this independent Black art show. Thank you!</p><p>ENJOY!</p><p>Follow us:</p><p><a href="https://open.spotify.com/playlist/0xuVTM5ZTpTuyN8Bkf1dsZ?si=71139a00e1bf4a2e" rel="noopener noreferrer" target="_blank">Shade Podcast Spotify Playlist</a> (updated daily)</p><p><a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">Shade Art Review </a></p><p>Shade Art Review<a href="https://shadepodcast.substack.com/bd989682" rel="noopener noreferrer" target="_blank"> Christmas offer code</a></p><p>Shade Podcast <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p><a href="https://www.somersethouse.org.uk/whats-on/the-missing-thread" rel="noopener noreferrer" target="_blank">Missing Thread Exhibition</a> Somerset House</p><p><a href="https://www.unitedagents.co.uk/cynthia-lawrence-john" rel="noopener noreferrer" target="_blank">Cynthia Lawrence John</a> Agent</p><p><a href="https://www.instagram.com/cynthialawrencejohn/" rel="noopener noreferrer" target="_blank">Cynthia Lawrence John Instagram</a></p><br><p>This series was produced and hosted by Lou Mensah</p><p>Music <em>King Henry IV</em> for Shade Podcast by <a href="https://www.instagram.com/brian__jackson/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Mixing by <a href="https://linktr.ee/tess_davidson?utm_source=linktree_profile_share" rel="noopener noreferrer" target="_blank">Tess Davidson</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Welcome to the final episode in my seven part, end of year series! Inspired by the&nbsp;Black radical tradition of the harmony between the lyrical and visual, I am joined by friends to explore the musical influences that inspire their work. We also look to the people, real and imagined, familial and ancestral who guide them.</p><p>Cynthia is a costume designer, whose work you will have seen in successful British films, like the recent&nbsp;Rye Lane directed by Raine Allen-Miller. Cynthia's currently showing work at <a href="https://www.somersethouse.org.uk/whats-on/the-missing-thread" rel="noopener noreferrer" target="_blank">Somerset House in London as part of the exhibition <em>Missing Thread</em></a><em>,</em> which charts the shifting landscape of Black British culture and the unique contribution it's made to Britain's design history. Our friendship began in the early 2000s, when we worked together in my capacity as a photographer.</p><p>It was Cynthia's generosity of ideas and her unique approach to design that inspired me and makes her one of the most revered costume designers today. Cynthia and I sneaked in a super quick, ten minute conversation whilst she was on set last week. She shares her musical influences and talks about how music is the foundation of her design for all of her characters.</p><p>Please share and review this independent Black art show. Thank you!</p><p>ENJOY!</p><p>Follow us:</p><p><a href="https://open.spotify.com/playlist/0xuVTM5ZTpTuyN8Bkf1dsZ?si=71139a00e1bf4a2e" rel="noopener noreferrer" target="_blank">Shade Podcast Spotify Playlist</a> (updated daily)</p><p><a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">Shade Art Review </a></p><p>Shade Art Review<a href="https://shadepodcast.substack.com/bd989682" rel="noopener noreferrer" target="_blank"> Christmas offer code</a></p><p>Shade Podcast <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p><a href="https://www.somersethouse.org.uk/whats-on/the-missing-thread" rel="noopener noreferrer" target="_blank">Missing Thread Exhibition</a> Somerset House</p><p><a href="https://www.unitedagents.co.uk/cynthia-lawrence-john" rel="noopener noreferrer" target="_blank">Cynthia Lawrence John</a> Agent</p><p><a href="https://www.instagram.com/cynthialawrencejohn/" rel="noopener noreferrer" target="_blank">Cynthia Lawrence John Instagram</a></p><br><p>This series was produced and hosted by Lou Mensah</p><p>Music <em>King Henry IV</em> for Shade Podcast by <a href="https://www.instagram.com/brian__jackson/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Mixing by <a href="https://linktr.ee/tess_davidson?utm_source=linktree_profile_share" rel="noopener noreferrer" target="_blank">Tess Davidson</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Rashod Taylor</title>
			<itunes:title>Rashod Taylor</itunes:title>
			<pubDate>Wed, 20 Dec 2023 03:00:04 GMT</pubDate>
			<itunes:duration>21:21</itunes:duration>
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			<acast:showId>241b5e41-db8f-59dc-95ea-0160569317ef</acast:showId>
			<acast:episodeUrl>rashod-taylor</acast:episodeUrl>
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			<itunes:subtitle>Photographer </itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>9</itunes:season>
			<itunes:episode>6</itunes:episode>
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			<description><![CDATA[<p>Welcome to the penultimate episode in this Christmas series of conversations. Inspired by the&nbsp;Black radical tradition of the harmony between the lyrical and visual, I am joined by friends artists to explore the musical influences that inspire their work. We also look to the people, real and imagined, familial and ancestral who guide them. </p><br><p>Rashod Taylor is a Missouri-based photographer whose photographs are a window into the Black American experience. His work uses portraiture to address themes of family, race, culture, and legacy.&nbsp;Rashod is most recognised for his<em> </em><a href="https://www.rashodtaylor.com/" rel="noopener noreferrer" target="_blank"><em>Little Black Boy</em> series</a>, an ongoing project featuring his son, which earned him an Arnold Newman Prize. His work is actively collected by the Museum of Fine Arts in Houston and has been featured in publications including National Geographic, The New Yorker, The Atlantic, The Guardian, Forbes, and many more.&nbsp;His photographs embody a communing of influences from the past, present, and future, he says ”<strong>I tell the story of my family history and my story, in my son's story.” </strong>Our conversation begins with Rashod telling us about the influence of negro spiritual songs on his work.</p><br><p>ENJOY! Please share and review this independent show. Thank you!</p><p>Follow us:</p><p><a href="https://open.spotify.com/playlist/0xuVTM5ZTpTuyN8Bkf1dsZ?si=71139a00e1bf4a2e" rel="noopener noreferrer" target="_blank">Shade Podcast Spotify Playlist</a> (updated daily)</p><p><a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">Shade Art Review </a></p><p>Shade Art Review<a href="https://shadepodcast.substack.com/bd989682" rel="noopener noreferrer" target="_blank"> Christmas offer code</a></p><p>Shade Podcast <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p><a href="https://www.rashodtaylor.com/" rel="noopener noreferrer" target="_blank">Rashod Taylor Website</a></p><p><a href="https://www.instagram.com/rashodtaylorphoto" rel="noopener noreferrer" target="_blank">Rashod Taylor Instagram</a></p><br><p>This series was produced and hosted by Lou Mensah</p><p>Music <em>King Henry IV</em> for Shade Podcast by <a href="https://www.instagram.com/brian__jackson/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Mixing by <a href="https://linktr.ee/tess_davidson?utm_source=linktree_profile_share" rel="noopener noreferrer" target="_blank">Tess Davidson</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Welcome to the penultimate episode in this Christmas series of conversations. Inspired by the&nbsp;Black radical tradition of the harmony between the lyrical and visual, I am joined by friends artists to explore the musical influences that inspire their work. We also look to the people, real and imagined, familial and ancestral who guide them. </p><br><p>Rashod Taylor is a Missouri-based photographer whose photographs are a window into the Black American experience. His work uses portraiture to address themes of family, race, culture, and legacy.&nbsp;Rashod is most recognised for his<em> </em><a href="https://www.rashodtaylor.com/" rel="noopener noreferrer" target="_blank"><em>Little Black Boy</em> series</a>, an ongoing project featuring his son, which earned him an Arnold Newman Prize. His work is actively collected by the Museum of Fine Arts in Houston and has been featured in publications including National Geographic, The New Yorker, The Atlantic, The Guardian, Forbes, and many more.&nbsp;His photographs embody a communing of influences from the past, present, and future, he says ”<strong>I tell the story of my family history and my story, in my son's story.” </strong>Our conversation begins with Rashod telling us about the influence of negro spiritual songs on his work.</p><br><p>ENJOY! Please share and review this independent show. Thank you!</p><p>Follow us:</p><p><a href="https://open.spotify.com/playlist/0xuVTM5ZTpTuyN8Bkf1dsZ?si=71139a00e1bf4a2e" rel="noopener noreferrer" target="_blank">Shade Podcast Spotify Playlist</a> (updated daily)</p><p><a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">Shade Art Review </a></p><p>Shade Art Review<a href="https://shadepodcast.substack.com/bd989682" rel="noopener noreferrer" target="_blank"> Christmas offer code</a></p><p>Shade Podcast <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p><a href="https://www.rashodtaylor.com/" rel="noopener noreferrer" target="_blank">Rashod Taylor Website</a></p><p><a href="https://www.instagram.com/rashodtaylorphoto" rel="noopener noreferrer" target="_blank">Rashod Taylor Instagram</a></p><br><p>This series was produced and hosted by Lou Mensah</p><p>Music <em>King Henry IV</em> for Shade Podcast by <a href="https://www.instagram.com/brian__jackson/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Mixing by <a href="https://linktr.ee/tess_davidson?utm_source=linktree_profile_share" rel="noopener noreferrer" target="_blank">Tess Davidson</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Tyrone Isaac Stuart</title>
			<itunes:title>Tyrone Isaac Stuart</itunes:title>
			<pubDate>Tue, 19 Dec 2023 03:00:34 GMT</pubDate>
			<itunes:duration>26:56</itunes:duration>
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			<itunes:subtitle>Interdisciplinary artist (Krump, Hip-hop theatre, Jazz musician)</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>9</itunes:season>
			<itunes:episode>5</itunes:episode>
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			<description><![CDATA[<p>Welcome to this seven part, end of year series  - new episodes are released each weekday between Dec 13-21. Inspired by the&nbsp;Black radical tradition of the harmony between the lyrical and visual. I am joined by friends (artists, dancers, musicians) to explore the musical influences that inspire their work. We also look to the people, real and imagined, familial and ancestral who guide them.</p><br><p>Tyrone is a concept driven artist whose skills originate from Jazz and Hip-Hop Theatre. Working as a performer across dance and music, his practice has grown to become a mixture of Krump, contemporary dance, visual art &amp; Jazz music.<em> </em>He performs in Julian Knxx's latest exhibition <a href="https://www.barbican.org.uk/our-story/press-room/julianknxx-chorus-in-rememory-of-flight" rel="noopener noreferrer" target="_blank"><em>Chorus in Rememory of Flight,</em></a> currently running at the Barbican. "There's already a musical language that is embedded in the ideas of that work because of the way Julian is working with choirs, and then I can try and translate that into movement. I have a good relationship with Julian and there's a lot of trust.&nbsp;So in some ways, we've established a chorus."</p><br><p>He recently released his debut LP, S!ck -&nbsp;and was called&nbsp;”one to watch" by Giles Peterson this year.&nbsp;<em>Commissions include a full length theatre work for the Barbican 'An Earnest Life', a duet for Dance Umbrella, Beyond Words &amp; an international Solo work for Hayley Matthews Ensemble. He is a Steve Reid Innovation Award 2019-2020 recipient, and a 2020 Artist in Residence at Clarence Mews Space, 2021 East London Ideas Fund Awardee &amp; 2022 Peter Whittingham Jazz recipient and a 2023 </em>Take Five jazz awardees.</p><br><p>ENJOY! Please share and review this independent show. Thank you!</p><p>Follow us:</p><p><a href="https://open.spotify.com/playlist/0xuVTM5ZTpTuyN8Bkf1dsZ?si=71139a00e1bf4a2e" rel="noopener noreferrer" target="_blank">Shade Podcast Spotify Playlist</a> (updated daily)</p><p><a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">Shade Art Review </a></p><p>Shade Art Review<a href="https://shadepodcast.substack.com/bd989682" rel="noopener noreferrer" target="_blank"> Christmas offer code</a></p><p>Shade Podcast <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p><a href="https://tyroneisaacstuart.bandcamp.com/album/s-ck" rel="noopener noreferrer" target="_blank">Tyrone S!ck LP</a></p><p><a href="https://www.barbican.org.uk/our-story/press-room/julianknxx-chorus-in-rememory-of-flight" rel="noopener noreferrer" target="_blank">Tyrone x Julian Knxx at The Barbican</a></p><p><a href="https://www.instagram.com/tyroneisaacstuart/" rel="noopener noreferrer" target="_blank">Tyrone Instagram</a></p><br><p>This series was produced and hosted by Lou Mensah</p><p>Music <em>King Henry IV</em> for Shade Podcast by <a href="https://www.instagram.com/brian__jackson/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Mixing by <a href="https://linktr.ee/tess_davidson?utm_source=linktree_profile_share" rel="noopener noreferrer" target="_blank">Tess Davidson</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Welcome to this seven part, end of year series  - new episodes are released each weekday between Dec 13-21. Inspired by the&nbsp;Black radical tradition of the harmony between the lyrical and visual. I am joined by friends (artists, dancers, musicians) to explore the musical influences that inspire their work. We also look to the people, real and imagined, familial and ancestral who guide them.</p><br><p>Tyrone is a concept driven artist whose skills originate from Jazz and Hip-Hop Theatre. Working as a performer across dance and music, his practice has grown to become a mixture of Krump, contemporary dance, visual art &amp; Jazz music.<em> </em>He performs in Julian Knxx's latest exhibition <a href="https://www.barbican.org.uk/our-story/press-room/julianknxx-chorus-in-rememory-of-flight" rel="noopener noreferrer" target="_blank"><em>Chorus in Rememory of Flight,</em></a> currently running at the Barbican. "There's already a musical language that is embedded in the ideas of that work because of the way Julian is working with choirs, and then I can try and translate that into movement. I have a good relationship with Julian and there's a lot of trust.&nbsp;So in some ways, we've established a chorus."</p><br><p>He recently released his debut LP, S!ck -&nbsp;and was called&nbsp;”one to watch" by Giles Peterson this year.&nbsp;<em>Commissions include a full length theatre work for the Barbican 'An Earnest Life', a duet for Dance Umbrella, Beyond Words &amp; an international Solo work for Hayley Matthews Ensemble. He is a Steve Reid Innovation Award 2019-2020 recipient, and a 2020 Artist in Residence at Clarence Mews Space, 2021 East London Ideas Fund Awardee &amp; 2022 Peter Whittingham Jazz recipient and a 2023 </em>Take Five jazz awardees.</p><br><p>ENJOY! Please share and review this independent show. Thank you!</p><p>Follow us:</p><p><a href="https://open.spotify.com/playlist/0xuVTM5ZTpTuyN8Bkf1dsZ?si=71139a00e1bf4a2e" rel="noopener noreferrer" target="_blank">Shade Podcast Spotify Playlist</a> (updated daily)</p><p><a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">Shade Art Review </a></p><p>Shade Art Review<a href="https://shadepodcast.substack.com/bd989682" rel="noopener noreferrer" target="_blank"> Christmas offer code</a></p><p>Shade Podcast <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p><a href="https://tyroneisaacstuart.bandcamp.com/album/s-ck" rel="noopener noreferrer" target="_blank">Tyrone S!ck LP</a></p><p><a href="https://www.barbican.org.uk/our-story/press-room/julianknxx-chorus-in-rememory-of-flight" rel="noopener noreferrer" target="_blank">Tyrone x Julian Knxx at The Barbican</a></p><p><a href="https://www.instagram.com/tyroneisaacstuart/" rel="noopener noreferrer" target="_blank">Tyrone Instagram</a></p><br><p>This series was produced and hosted by Lou Mensah</p><p>Music <em>King Henry IV</em> for Shade Podcast by <a href="https://www.instagram.com/brian__jackson/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Mixing by <a href="https://linktr.ee/tess_davidson?utm_source=linktree_profile_share" rel="noopener noreferrer" target="_blank">Tess Davidson</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Jose Campos AKA Studio Lenca</title>
			<itunes:title>Jose Campos AKA Studio Lenca</itunes:title>
			<pubDate>Mon, 18 Dec 2023 03:00:54 GMT</pubDate>
			<itunes:duration>23:40</itunes:duration>
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			<itunes:subtitle>Visual artist</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>9</itunes:season>
			<itunes:episode>4</itunes:episode>
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			<description><![CDATA[<p>Welcome to this seven part, end of year series! New episodes released each weekday between Dec 13-21. Inspired by the&nbsp;Black radical tradition of the harmony between the lyrical and visual. I am joined by friends (artists, dancers, musicians) to explore the musical influences that inspire their work. We also look to the people, real and imagined, familial and ancestral who guide them. </p><br><p>Today I am joined by Jose Campos, who is also known by his artist name, <a href="https://www.studiolenca.com/about" rel="noopener noreferrer" target="_blank">Studio Lenca.</a></p><p>Jose considers himself to be an artist that doesn’t belong anywhere apart from the world he creates.</p><p>He says that <strong>“I have a deep longing to connect with the land of my ancestors. It’s a longing that I don’t realise is always there until it gets fulfilled.”</strong>&nbsp;</p><p>Jose was forcibly displaced as a consequence of El Salvador’s civil war, he one of the first wave of child migrants moving to the USA. Travelling illegally with his mother, the family lived as ‘illegal aliens’, cleaning houses with no fixed address.&nbsp;</p><p>His paintings depict regal figures that seek to decentralise the collective idea of Salvadoran identity.</p><p>The work playfully references a combination of biographical anecdotes, personal reflections and folkloric iconography.</p><br><p>ENJOY!</p><p>Please share and review this independent show. Thank you!</p><p>Follow us:</p><p><a href="https://open.spotify.com/playlist/0xuVTM5ZTpTuyN8Bkf1dsZ?si=71139a00e1bf4a2e" rel="noopener noreferrer" target="_blank">Shade Podcast Spotify Playlist</a> (updated daily)</p><p><a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">Shade Art Review </a></p><p>Shade Art Review<a href="https://shadepodcast.substack.com/bd989682" rel="noopener noreferrer" target="_blank"> Christmas offer code</a></p><p>Shade Podcast <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Studio Lenca @ <a href="https://www.traceyeminfoundation.com/tke-studios-" rel="noopener noreferrer" target="_blank">TKE Studios in&nbsp;Margate</a>.</p><p><a href="https://www.studiolenca.com/works" rel="noopener noreferrer" target="_blank">Studio Lenca website.</a></p><p>Representation <a href="https://carlfreedman.com/artists/studio-lenca/" rel="noopener noreferrer" target="_blank">Carl Freedman Gallery.</a></p><br><p>This series was produced and hosted by Lou Mensah</p><p>Music <em>King Henry IV</em> for Shade Podcast by <a href="https://www.instagram.com/brian__jackson/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Mixing by <a href="https://linktr.ee/tess_davidson?utm_source=linktree_profile_share" rel="noopener noreferrer" target="_blank">Tess Davidson</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Welcome to this seven part, end of year series! New episodes released each weekday between Dec 13-21. Inspired by the&nbsp;Black radical tradition of the harmony between the lyrical and visual. I am joined by friends (artists, dancers, musicians) to explore the musical influences that inspire their work. We also look to the people, real and imagined, familial and ancestral who guide them. </p><br><p>Today I am joined by Jose Campos, who is also known by his artist name, <a href="https://www.studiolenca.com/about" rel="noopener noreferrer" target="_blank">Studio Lenca.</a></p><p>Jose considers himself to be an artist that doesn’t belong anywhere apart from the world he creates.</p><p>He says that <strong>“I have a deep longing to connect with the land of my ancestors. It’s a longing that I don’t realise is always there until it gets fulfilled.”</strong>&nbsp;</p><p>Jose was forcibly displaced as a consequence of El Salvador’s civil war, he one of the first wave of child migrants moving to the USA. Travelling illegally with his mother, the family lived as ‘illegal aliens’, cleaning houses with no fixed address.&nbsp;</p><p>His paintings depict regal figures that seek to decentralise the collective idea of Salvadoran identity.</p><p>The work playfully references a combination of biographical anecdotes, personal reflections and folkloric iconography.</p><br><p>ENJOY!</p><p>Please share and review this independent show. Thank you!</p><p>Follow us:</p><p><a href="https://open.spotify.com/playlist/0xuVTM5ZTpTuyN8Bkf1dsZ?si=71139a00e1bf4a2e" rel="noopener noreferrer" target="_blank">Shade Podcast Spotify Playlist</a> (updated daily)</p><p><a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">Shade Art Review </a></p><p>Shade Art Review<a href="https://shadepodcast.substack.com/bd989682" rel="noopener noreferrer" target="_blank"> Christmas offer code</a></p><p>Shade Podcast <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Studio Lenca @ <a href="https://www.traceyeminfoundation.com/tke-studios-" rel="noopener noreferrer" target="_blank">TKE Studios in&nbsp;Margate</a>.</p><p><a href="https://www.studiolenca.com/works" rel="noopener noreferrer" target="_blank">Studio Lenca website.</a></p><p>Representation <a href="https://carlfreedman.com/artists/studio-lenca/" rel="noopener noreferrer" target="_blank">Carl Freedman Gallery.</a></p><br><p>This series was produced and hosted by Lou Mensah</p><p>Music <em>King Henry IV</em> for Shade Podcast by <a href="https://www.instagram.com/brian__jackson/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Mixing by <a href="https://linktr.ee/tess_davidson?utm_source=linktree_profile_share" rel="noopener noreferrer" target="_blank">Tess Davidson</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
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			<title>Helene Love-Allotey</title>
			<itunes:title>Helene Love-Allotey</itunes:title>
			<pubDate>Fri, 15 Dec 2023 03:00:23 GMT</pubDate>
			<itunes:duration>33:25</itunes:duration>
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			<acast:showId>241b5e41-db8f-59dc-95ea-0160569317ef</acast:showId>
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			<itunes:subtitle>Specialist Modern and Contemporary African Art, Bonhams Auction House London</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>9</itunes:season>
			<itunes:episode>3</itunes:episode>
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			<description><![CDATA[<p>Welcome to my seven part end of year series! New episodes will be released each weekday between Dec 13-21. Inspired by the&nbsp;Black radical tradition of the harmony between the lyrical and visual, I am joined by friends (artists, dancers, musicians and in today's episode an art specialist) to explore the musical influences that inspire their work. We also look to the people, real and imagined, familial and ancestral who guide them. Get ready to be inspired!</p><br><p>Helene is Head of Sale and a specialist in Modern and Contemporary African art at <a href="https://www.bonhams.com/specialists/4635/helene-love-allotey/" rel="noopener noreferrer" target="_blank">Bonhams.</a> She travels to Ghana regularly and specializes on art from that region. Her expertise also extends to 20th century Africa. Our conversation reveals just how knowledgeable Helene also is on African music and she recommends some excellent tunes from the continent that inspire her. We start our conversation hearing about a moment where she was talking with her SOAS tutor eight years ago, which led her on the journey to her current role at Bonhams. Stay tuned until the end to hear Helene's fantastic music recommendations!</p><p>Please share this series and review! Thank you!</p><p>ENJOY! </p><p>Follow us:</p><p><a href="https://open.spotify.com/playlist/0xuVTM5ZTpTuyN8Bkf1dsZ?si=71139a00e1bf4a2e" rel="noopener noreferrer" target="_blank">Shade Podcast Spotify Playlist</a> (updated daily)</p><p><a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">Shade Art Review </a></p><p>Shade Art Review<a href="https://shadepodcast.substack.com/bd989682" rel="noopener noreferrer" target="_blank"> Christmas offer code</a></p><p>Shade Podcast <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p><a href="https://www.instagram.com/africanarthistory/" rel="noopener noreferrer" target="_blank">African Art History Instagram</a></p><p><a href="https://www.bonhams.com/specialists/4635/helene-love-allotey/" rel="noopener noreferrer" target="_blank">Bonhams</a></p><br><p>This series was produced and hosted by Lou Mensah</p><p>Music <em>King Henry IV</em> for Shade Podcast by <a href="https://www.instagram.com/brian__jackson/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Mixing by <a href="https://linktr.ee/tess_davidson?utm_source=linktree_profile_share" rel="noopener noreferrer" target="_blank">Tess Davidson</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Welcome to my seven part end of year series! New episodes will be released each weekday between Dec 13-21. Inspired by the&nbsp;Black radical tradition of the harmony between the lyrical and visual, I am joined by friends (artists, dancers, musicians and in today's episode an art specialist) to explore the musical influences that inspire their work. We also look to the people, real and imagined, familial and ancestral who guide them. Get ready to be inspired!</p><br><p>Helene is Head of Sale and a specialist in Modern and Contemporary African art at <a href="https://www.bonhams.com/specialists/4635/helene-love-allotey/" rel="noopener noreferrer" target="_blank">Bonhams.</a> She travels to Ghana regularly and specializes on art from that region. Her expertise also extends to 20th century Africa. Our conversation reveals just how knowledgeable Helene also is on African music and she recommends some excellent tunes from the continent that inspire her. We start our conversation hearing about a moment where she was talking with her SOAS tutor eight years ago, which led her on the journey to her current role at Bonhams. Stay tuned until the end to hear Helene's fantastic music recommendations!</p><p>Please share this series and review! Thank you!</p><p>ENJOY! </p><p>Follow us:</p><p><a href="https://open.spotify.com/playlist/0xuVTM5ZTpTuyN8Bkf1dsZ?si=71139a00e1bf4a2e" rel="noopener noreferrer" target="_blank">Shade Podcast Spotify Playlist</a> (updated daily)</p><p><a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">Shade Art Review </a></p><p>Shade Art Review<a href="https://shadepodcast.substack.com/bd989682" rel="noopener noreferrer" target="_blank"> Christmas offer code</a></p><p>Shade Podcast <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p><a href="https://www.instagram.com/africanarthistory/" rel="noopener noreferrer" target="_blank">African Art History Instagram</a></p><p><a href="https://www.bonhams.com/specialists/4635/helene-love-allotey/" rel="noopener noreferrer" target="_blank">Bonhams</a></p><br><p>This series was produced and hosted by Lou Mensah</p><p>Music <em>King Henry IV</em> for Shade Podcast by <a href="https://www.instagram.com/brian__jackson/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Mixing by <a href="https://linktr.ee/tess_davidson?utm_source=linktree_profile_share" rel="noopener noreferrer" target="_blank">Tess Davidson</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Axel Kacoutié</title>
			<itunes:title>Axel Kacoutié</itunes:title>
			<pubDate>Thu, 14 Dec 2023 03:00:28 GMT</pubDate>
			<itunes:duration>21:18</itunes:duration>
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			<link>https://shows.acast.com/shadepodcast/episodes/axel-kacoutie</link>
			<acast:episodeId>657873511585de00124c8302</acast:episodeId>
			<acast:showId>241b5e41-db8f-59dc-95ea-0160569317ef</acast:showId>
			<acast:episodeUrl>axel-kacoutie</acast:episodeUrl>
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			<itunes:subtitle>Sound artist </itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>9</itunes:season>
			<itunes:episode>2</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/62874922a6361b1a8d8dddba/1770382346950-fc800600-846b-4beb-b3ed-74f1233bba98.jpeg"/>
			<description><![CDATA[<p>Welcome to my seven part end of year series! New episodes will be released each weekday between Dec 13-21. Inspired by the&nbsp;Black radical tradition of the harmony between the lyrical and visual, I am joined by friends (artists, dancers, musicians) to explore the musical influences that inspire their work. We also look to the people, real and imagined, familial and ancestral who guide them. Get ready to be inspired!</p><br><p>Today I am delighted to introduce my friend, Axel Kacoutié - the multi-award-winning creator who's been crafting sound, music, and words to challenge the familiar and revive a magic in the mundane. Previously the Creative Director of Sound at The Guardian, their work has featured on the BBC, Spotify and in physical spaces like the Barbican, Tate Modern &amp; Sundance Film Festival. They’ve received British Podcast Awards, ARIAs, Third Coast awards and many, many more. Some of you may know Axel from our work together <a href="https://podfollow.com/shade/episode/7dc84e8f9cf59130643bf254be212c69ef0f9583/view" rel="noopener noreferrer" target="_blank"><em>Black Balloons </em>for Tate Modern</a>, <a href="https://pod.link/1469562537/episode/fd8b4b198d9a69cbabdc3cca44d00d1f" rel="noopener noreferrer" target="_blank"><em>Interludes </em>podcast series</a> on art and healing and <a href="https://pod.link/1469562537/episode/f37e2f44673e7d7706d66478962f69b7" rel="noopener noreferrer" target="_blank"><em>Wandering </em></a>where we walk with creatives through art spaces. We start by hearing Axel talk about their work <a href="https://axelkacoutie.com/work/a-mother-tongue/" rel="noopener noreferrer" target="_blank"><em>A Mother Tongue</em> </a>which is a&nbsp;personal essay reflecting on language, created for the BBC.&nbsp;They also mention<em> </em><a href="https://axelkacoutie.com/work/gatekeeper/" rel="noopener noreferrer" target="_blank"><em>Gatekeeper</em> </a>where&nbsp;Axel discovers a new sense of self in the cosmologies, concepts and realities of queer and indigenous folks. In this piece we hear Axel say <strong>"Somewhere between the narrow entry of Who I am and What I seem to be, lies a vast and nameless place.”</strong> It is this vast and nameless place that Axel and I visit in todays conversation.</p><p>ENJOY! Please review &amp; share!</p><br><p>Follow us:</p><p><a href="https://open.spotify.com/playlist/0xuVTM5ZTpTuyN8Bkf1dsZ?si=71139a00e1bf4a2e" rel="noopener noreferrer" target="_blank">Shade Podcast Spotify Playlist</a> (updated daily)</p><p><a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">Shade Art Review </a></p><p>Shade Art Review<a href="https://shadepodcast.substack.com/bd989682" rel="noopener noreferrer" target="_blank"> Christmas offer code</a></p><p>Shade Podcast <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p><a href="https://axelkacoutie.com/work/gatekeeper/" rel="noopener noreferrer" target="_blank">Gatekeeper by Axel Kacoutié</a></p><p><a href="https://axelkacoutie.com/work/a-mother-tongue/" rel="noopener noreferrer" target="_blank">A Mother Tongue by Axel Kacoutié</a></p><p><a href="https://www.vam.ac.uk/exhibitions/the-music-is-black-a-british-story" rel="noopener noreferrer" target="_blank">V &amp; A East <em>The Music is Black </em></a>Film sound designed by Axel Kacoutié</p><p>Axel Kacoutié <a href="https://www.instagram.com/axelkacoutie/" rel="noopener noreferrer" target="_blank">Instagram</a></p><br><p>This series was produced and hosted by Lou Mensah</p><p>Music <em>King Henry IV</em> for Shade Podcast by <a href="https://www.instagram.com/brian__jackson/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Mixing by <a href="https://linktr.ee/tess_davidson?utm_source=linktree_profile_share" rel="noopener noreferrer" target="_blank">Tess Davidson</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Welcome to my seven part end of year series! New episodes will be released each weekday between Dec 13-21. Inspired by the&nbsp;Black radical tradition of the harmony between the lyrical and visual, I am joined by friends (artists, dancers, musicians) to explore the musical influences that inspire their work. We also look to the people, real and imagined, familial and ancestral who guide them. Get ready to be inspired!</p><br><p>Today I am delighted to introduce my friend, Axel Kacoutié - the multi-award-winning creator who's been crafting sound, music, and words to challenge the familiar and revive a magic in the mundane. Previously the Creative Director of Sound at The Guardian, their work has featured on the BBC, Spotify and in physical spaces like the Barbican, Tate Modern &amp; Sundance Film Festival. They’ve received British Podcast Awards, ARIAs, Third Coast awards and many, many more. Some of you may know Axel from our work together <a href="https://podfollow.com/shade/episode/7dc84e8f9cf59130643bf254be212c69ef0f9583/view" rel="noopener noreferrer" target="_blank"><em>Black Balloons </em>for Tate Modern</a>, <a href="https://pod.link/1469562537/episode/fd8b4b198d9a69cbabdc3cca44d00d1f" rel="noopener noreferrer" target="_blank"><em>Interludes </em>podcast series</a> on art and healing and <a href="https://pod.link/1469562537/episode/f37e2f44673e7d7706d66478962f69b7" rel="noopener noreferrer" target="_blank"><em>Wandering </em></a>where we walk with creatives through art spaces. We start by hearing Axel talk about their work <a href="https://axelkacoutie.com/work/a-mother-tongue/" rel="noopener noreferrer" target="_blank"><em>A Mother Tongue</em> </a>which is a&nbsp;personal essay reflecting on language, created for the BBC.&nbsp;They also mention<em> </em><a href="https://axelkacoutie.com/work/gatekeeper/" rel="noopener noreferrer" target="_blank"><em>Gatekeeper</em> </a>where&nbsp;Axel discovers a new sense of self in the cosmologies, concepts and realities of queer and indigenous folks. In this piece we hear Axel say <strong>"Somewhere between the narrow entry of Who I am and What I seem to be, lies a vast and nameless place.”</strong> It is this vast and nameless place that Axel and I visit in todays conversation.</p><p>ENJOY! Please review &amp; share!</p><br><p>Follow us:</p><p><a href="https://open.spotify.com/playlist/0xuVTM5ZTpTuyN8Bkf1dsZ?si=71139a00e1bf4a2e" rel="noopener noreferrer" target="_blank">Shade Podcast Spotify Playlist</a> (updated daily)</p><p><a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">Shade Art Review </a></p><p>Shade Art Review<a href="https://shadepodcast.substack.com/bd989682" rel="noopener noreferrer" target="_blank"> Christmas offer code</a></p><p>Shade Podcast <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p><a href="https://axelkacoutie.com/work/gatekeeper/" rel="noopener noreferrer" target="_blank">Gatekeeper by Axel Kacoutié</a></p><p><a href="https://axelkacoutie.com/work/a-mother-tongue/" rel="noopener noreferrer" target="_blank">A Mother Tongue by Axel Kacoutié</a></p><p><a href="https://www.vam.ac.uk/exhibitions/the-music-is-black-a-british-story" rel="noopener noreferrer" target="_blank">V &amp; A East <em>The Music is Black </em></a>Film sound designed by Axel Kacoutié</p><p>Axel Kacoutié <a href="https://www.instagram.com/axelkacoutie/" rel="noopener noreferrer" target="_blank">Instagram</a></p><br><p>This series was produced and hosted by Lou Mensah</p><p>Music <em>King Henry IV</em> for Shade Podcast by <a href="https://www.instagram.com/brian__jackson/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Mixing by <a href="https://linktr.ee/tess_davidson?utm_source=linktree_profile_share" rel="noopener noreferrer" target="_blank">Tess Davidson</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Brian Jackson </title>
			<itunes:title>Brian Jackson </itunes:title>
			<pubDate>Wed, 13 Dec 2023 03:00:44 GMT</pubDate>
			<itunes:duration>23:47</itunes:duration>
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			<acast:episodeId>65786a3964f5a600161f3885</acast:episodeId>
			<acast:showId>241b5e41-db8f-59dc-95ea-0160569317ef</acast:showId>
			<acast:episodeUrl>brian-jackson</acast:episodeUrl>
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			<itunes:subtitle><![CDATA[Gil-Scott Heron & Brian Jackson]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>9</itunes:season>
			<itunes:episode>1</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/62874922a6361b1a8d8dddba/1770382346950-fc800600-846b-4beb-b3ed-74f1233bba98.jpeg"/>
			<description><![CDATA[<p>WELCOME TO SERIES NINE!</p><p>This is my end of year series! New episodes will be released each weekday, between Dec 13-21. Inspired by the&nbsp;Black radical tradition of the harmony between the lyrical and visual. I am joined by friends (artists, dancers, photographers, musicians) to explore the musical influences that inspire their work. We also look to the people, real and imagined, familial and ancestral who guide them. Get ready to be inspired!</p><br><p>Today I am delighted to introduce a special episode, with my friend the musician Brian Jackson. You may know Brian's work from his partnership with&nbsp;Gil Scott-Heron, together they made ten albums over an eight year period, including <em>Pieces of a Man</em> and <em>Winter in America.</em></p><p>Time and time again that music has found its way&nbsp;onto over 100 cuts like Common's <em>The People</em> (from <em>We Almost Lost Detroit</em>) and Kendrick Lamar's <em>Poe Mans Dreams</em> (from <em>Peace Go With You, Brother</em>).&nbsp;Brian is still&nbsp;building with artists as diverse as&nbsp;Adrian Younge and Ali Shaheed Muhammad (Midnight Hour, A Tribe Called Quest)&nbsp;to the vocalist Gregory Porter.</p><p>I started by asking Brian about Langston Hughes, and how his legacy brought he and Gil together, where they followed&nbsp;in the footsteps of not only Langston Hughes but also Thurgood Marshall, Kwame Nkrumah and Oscar Brown Jr. Brian says in our conversation:</p><p><strong>”It [Lincoln] just seemed like a logical place for me to continue my journey into Afrocentricity.”</strong></p><p><strong>&nbsp;</strong></p><p><strong>"Gil used to call our songs, our albums, survival kits on wax. And, you know, that's just another way of looking at the Griot tradition. Because, it was his responsibility to heal the community.&nbsp;It's spiritual work."</strong></p><br><p><strong>"I'm gonna tell you Lou, before it's all over, I'm gonna do a Christmas album. What you think about that?!"</strong></p><br><p>Please share and review this independent show. Thank you!</p><p>ENJOY!</p><p>Follow us:</p><p><a href="https://open.spotify.com/playlist/0xuVTM5ZTpTuyN8Bkf1dsZ?si=71139a00e1bf4a2e" rel="noopener noreferrer" target="_blank">Shade Podcast Spotify Playlist</a> (updated daily)</p><p><a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">Shade Art Review </a></p><p>Shade Art Review<a href="https://shadepodcast.substack.com/bd989682" rel="noopener noreferrer" target="_blank"> Christmas offer code</a></p><p>Shade Podcast <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Brian Jackson <a href="https://www.instagram.com/brian__jackson/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Brian Jackson <a href="https://www.nytimes.com/2022/05/25/arts/music/brian-jackson.html" rel="noopener noreferrer" target="_blank">NYTimes</a></p><p><a href="https://podcasts.apple.com/gb/podcast/pieces-of-a-man/id1522369755" rel="noopener noreferrer" target="_blank">Pieces of a Man Podcast</a></p><p><a href="https://thebrianjackson.bandcamp.com/album/this-is-brian-jackson" rel="noopener noreferrer" target="_blank">This is Brian Jackson </a></p><p><a href="https://www.jazzisdead.com/news/brian-jackson-008-out-now" rel="noopener noreferrer" target="_blank">Jazz Is Dead</a></p><br><p>This series was produced and hosted by Lou Mensah</p><p>Music <em>King Henry IV</em> for Shade Podcast by today's guest <a href="https://www.instagram.com/brian__jackson/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Mixing <a href="https://linktr.ee/tess_davidson?utm_source=linktree_profile_share" rel="noopener noreferrer" target="_blank">Tess Davidson</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>WELCOME TO SERIES NINE!</p><p>This is my end of year series! New episodes will be released each weekday, between Dec 13-21. Inspired by the&nbsp;Black radical tradition of the harmony between the lyrical and visual. I am joined by friends (artists, dancers, photographers, musicians) to explore the musical influences that inspire their work. We also look to the people, real and imagined, familial and ancestral who guide them. Get ready to be inspired!</p><br><p>Today I am delighted to introduce a special episode, with my friend the musician Brian Jackson. You may know Brian's work from his partnership with&nbsp;Gil Scott-Heron, together they made ten albums over an eight year period, including <em>Pieces of a Man</em> and <em>Winter in America.</em></p><p>Time and time again that music has found its way&nbsp;onto over 100 cuts like Common's <em>The People</em> (from <em>We Almost Lost Detroit</em>) and Kendrick Lamar's <em>Poe Mans Dreams</em> (from <em>Peace Go With You, Brother</em>).&nbsp;Brian is still&nbsp;building with artists as diverse as&nbsp;Adrian Younge and Ali Shaheed Muhammad (Midnight Hour, A Tribe Called Quest)&nbsp;to the vocalist Gregory Porter.</p><p>I started by asking Brian about Langston Hughes, and how his legacy brought he and Gil together, where they followed&nbsp;in the footsteps of not only Langston Hughes but also Thurgood Marshall, Kwame Nkrumah and Oscar Brown Jr. Brian says in our conversation:</p><p><strong>”It [Lincoln] just seemed like a logical place for me to continue my journey into Afrocentricity.”</strong></p><p><strong>&nbsp;</strong></p><p><strong>"Gil used to call our songs, our albums, survival kits on wax. And, you know, that's just another way of looking at the Griot tradition. Because, it was his responsibility to heal the community.&nbsp;It's spiritual work."</strong></p><br><p><strong>"I'm gonna tell you Lou, before it's all over, I'm gonna do a Christmas album. What you think about that?!"</strong></p><br><p>Please share and review this independent show. Thank you!</p><p>ENJOY!</p><p>Follow us:</p><p><a href="https://open.spotify.com/playlist/0xuVTM5ZTpTuyN8Bkf1dsZ?si=71139a00e1bf4a2e" rel="noopener noreferrer" target="_blank">Shade Podcast Spotify Playlist</a> (updated daily)</p><p><a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">Shade Art Review </a></p><p>Shade Art Review<a href="https://shadepodcast.substack.com/bd989682" rel="noopener noreferrer" target="_blank"> Christmas offer code</a></p><p>Shade Podcast <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Brian Jackson <a href="https://www.instagram.com/brian__jackson/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Brian Jackson <a href="https://www.nytimes.com/2022/05/25/arts/music/brian-jackson.html" rel="noopener noreferrer" target="_blank">NYTimes</a></p><p><a href="https://podcasts.apple.com/gb/podcast/pieces-of-a-man/id1522369755" rel="noopener noreferrer" target="_blank">Pieces of a Man Podcast</a></p><p><a href="https://thebrianjackson.bandcamp.com/album/this-is-brian-jackson" rel="noopener noreferrer" target="_blank">This is Brian Jackson </a></p><p><a href="https://www.jazzisdead.com/news/brian-jackson-008-out-now" rel="noopener noreferrer" target="_blank">Jazz Is Dead</a></p><br><p>This series was produced and hosted by Lou Mensah</p><p>Music <em>King Henry IV</em> for Shade Podcast by today's guest <a href="https://www.instagram.com/brian__jackson/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Mixing <a href="https://linktr.ee/tess_davidson?utm_source=linktree_profile_share" rel="noopener noreferrer" target="_blank">Tess Davidson</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Wandering: An immersive gallery walk with Harold Offeh</title>
			<itunes:title>Wandering: An immersive gallery walk with Harold Offeh</itunes:title>
			<pubDate>Thu, 30 Nov 2023 21:00:46 GMT</pubDate>
			<itunes:duration>20:32</itunes:duration>
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			<acast:episodeId>6568a9931cf19600131010e7</acast:episodeId>
			<acast:showId>241b5e41-db8f-59dc-95ea-0160569317ef</acast:showId>
			<acast:episodeUrl>wandering-an-immersive-gallery-walk-with-harold-offeh</acast:episodeUrl>
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			<itunes:subtitle>At Dulwich Picture Gallery in London </itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>8</itunes:season>
			<itunes:episode>4</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/62874922a6361b1a8d8dddba/1770382346950-fc800600-846b-4beb-b3ed-74f1233bba98.jpeg"/>
			<description><![CDATA[<p>Welcome to Wandering. A four part series of immersive podcast gallery walks, brought to you by <a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">Shade Podcast </a>and <a href="https://www.instagram.com/axelkacoutie/" rel="noopener noreferrer" target="_blank">Axel Kacoutié.</a></p><br><p>Today we meet the artist <a href="https://www.haroldoffeh.com/" rel="noopener noreferrer" target="_blank">Harold Offeh</a> at the <a href="https://www.dulwichpicturegallery.org.uk/whats-on/exhibitions/2024/february/soulscapes/" rel="noopener noreferrer" target="_blank">Dulwich Picture Gallery</a> in London as he prepares to present work&nbsp;in their forthcoming exhibition, <a href="https://www.dulwichpicturegallery.org.uk/whats-on/exhibitions/2024/february/soulscapes/" rel="noopener noreferrer" target="_blank">Soulscapes.</a></p><br><p>Opening on Feb 14th 2024, Soulscapes&nbsp;is a major exhibition of landscape art.&nbsp;Featuring more than 30 contemporary works, it will&nbsp;span painting, photography, film, tapestry and collage from leading artists including Harold Offeh, Hurvin&nbsp;Anderson, Phoebe Boswell, Njideka Akunyili Crosby, Kimathi Donkor, Isaac Julien, Marcia&nbsp;Michael, Mónica de Miranda and Alberta Whittle, as well as some of the most important&nbsp;emerging voices working today.</p><br><p>Soulscapes&nbsp;will explore our connection with the world around us through the eyes of artists&nbsp;from the African Diaspora.&nbsp;</p><br><p>Discover more episodes in this series as we meet&nbsp;Zakia Sewell,&nbsp;Nabihah Iqbal&nbsp;and&nbsp;Kayo Chingyoni, as they enjoy artworks in the&nbsp;National Portrait Gallery, Sir John Soane's Museum&nbsp;and&nbsp;Graves Gallery.&nbsp;</p><br><p>Sponsored by&nbsp;<a href="https://www.instagram.com/bloombergconnects/" rel="noopener noreferrer" target="_blank">Bloomberg Connects</a>,&nbsp;<em>the arts and culture app. The free app offers access to more than 250 cultural organizations through a single download, with new guides being added every week.&nbsp;</em></p><br><p><em>To explore the Dulwich Picture Gallery guide, and many more, download the app today from the App Store or Google Play.</em></p><br><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Welcome to Wandering. A four part series of immersive podcast gallery walks, brought to you by <a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">Shade Podcast </a>and <a href="https://www.instagram.com/axelkacoutie/" rel="noopener noreferrer" target="_blank">Axel Kacoutié.</a></p><br><p>Today we meet the artist <a href="https://www.haroldoffeh.com/" rel="noopener noreferrer" target="_blank">Harold Offeh</a> at the <a href="https://www.dulwichpicturegallery.org.uk/whats-on/exhibitions/2024/february/soulscapes/" rel="noopener noreferrer" target="_blank">Dulwich Picture Gallery</a> in London as he prepares to present work&nbsp;in their forthcoming exhibition, <a href="https://www.dulwichpicturegallery.org.uk/whats-on/exhibitions/2024/february/soulscapes/" rel="noopener noreferrer" target="_blank">Soulscapes.</a></p><br><p>Opening on Feb 14th 2024, Soulscapes&nbsp;is a major exhibition of landscape art.&nbsp;Featuring more than 30 contemporary works, it will&nbsp;span painting, photography, film, tapestry and collage from leading artists including Harold Offeh, Hurvin&nbsp;Anderson, Phoebe Boswell, Njideka Akunyili Crosby, Kimathi Donkor, Isaac Julien, Marcia&nbsp;Michael, Mónica de Miranda and Alberta Whittle, as well as some of the most important&nbsp;emerging voices working today.</p><br><p>Soulscapes&nbsp;will explore our connection with the world around us through the eyes of artists&nbsp;from the African Diaspora.&nbsp;</p><br><p>Discover more episodes in this series as we meet&nbsp;Zakia Sewell,&nbsp;Nabihah Iqbal&nbsp;and&nbsp;Kayo Chingyoni, as they enjoy artworks in the&nbsp;National Portrait Gallery, Sir John Soane's Museum&nbsp;and&nbsp;Graves Gallery.&nbsp;</p><br><p>Sponsored by&nbsp;<a href="https://www.instagram.com/bloombergconnects/" rel="noopener noreferrer" target="_blank">Bloomberg Connects</a>,&nbsp;<em>the arts and culture app. The free app offers access to more than 250 cultural organizations through a single download, with new guides being added every week.&nbsp;</em></p><br><p><em>To explore the Dulwich Picture Gallery guide, and many more, download the app today from the App Store or Google Play.</em></p><br><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Wandering: An immersive gallery walk with Kayo Chingonyi </title>
			<itunes:title>Wandering: An immersive gallery walk with Kayo Chingonyi </itunes:title>
			<pubDate>Wed, 27 Sep 2023 20:00:00 GMT</pubDate>
			<itunes:duration>19:29</itunes:duration>
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			<itunes:subtitle>At the Graves Gallery, Sheffield</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>8</itunes:season>
			<itunes:episode>3</itunes:episode>
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			<description><![CDATA[<p>Welcome to Wandering. A four part series of immersive podcast gallery walks, brought to you by <a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">Shade Podcast </a>and <a href="https://www.instagram.com/axelkacoutie/" rel="noopener noreferrer" target="_blank">Axel Kacoutié.</a></p><br><p>Today we meet writer, editor and broadcaster, <a href="https://www.instagram.com/kayochingonyi/" rel="noopener noreferrer" target="_blank">Kayo Chingonyi </a>at the <a href="https://www.sheffieldmuseums.org.uk/visit-us/graves-gallery/" rel="noopener noreferrer" target="_blank">Graves Gallery</a> in Sheffield, as he meditates on process and practice and what Patrick Caulfield's, The Hermit reveals to him.</p><br><p>Artworks Discussed in this listen:<a href=" T" rel="noopener noreferrer" target="_blank"> T</a><a href="https://artuk.org/discover/artworks/the-hermit-72422/search/actor:caulfield-patrick-19362005/page/1/view_as/grid" rel="noopener noreferrer" target="_blank">he Hermit, (1966) - Patrick Caulfield</a></p><p><a href="https://www.artfund.org/supporting-museums/art-weve-helped-buy/artwork/13507/fountains-fell-yorkshire-dales" rel="noopener noreferrer" target="_blank">Fountains Fell, Yorkshire Dales, 3 August 2008, (2016)&nbsp;-&nbsp;Simon Roberts</a></p><br><p>Discover more episodes in this series as we meet&nbsp;Zakia Sewell,&nbsp;Nabihah Iqbal&nbsp;and&nbsp;Harold Offeh&nbsp;as they enjoy artworks in the&nbsp;National Portrait Gallery, Sir John Soane's Museum&nbsp;and&nbsp;Dulwich Picture Gallery.&nbsp;</p><br><p>Listen today&nbsp;on the Bloomberg Connects app or search for Shade Podcast wherever you download your podcasts.</p><br><p>Sponsored by&nbsp;<a href="https://www.instagram.com/bloombergconnects/" rel="noopener noreferrer" target="_blank">Bloomberg Connects</a>,&nbsp;<em>the arts and culture app. The free app offers access to more than 250 cultural organizations through a single download, with new guides being added every week.&nbsp;</em></p><br><p><em>To explore the Graves Gallery guide, and many more, download the app today from the App Store or Google Play.</em></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Welcome to Wandering. A four part series of immersive podcast gallery walks, brought to you by <a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">Shade Podcast </a>and <a href="https://www.instagram.com/axelkacoutie/" rel="noopener noreferrer" target="_blank">Axel Kacoutié.</a></p><br><p>Today we meet writer, editor and broadcaster, <a href="https://www.instagram.com/kayochingonyi/" rel="noopener noreferrer" target="_blank">Kayo Chingonyi </a>at the <a href="https://www.sheffieldmuseums.org.uk/visit-us/graves-gallery/" rel="noopener noreferrer" target="_blank">Graves Gallery</a> in Sheffield, as he meditates on process and practice and what Patrick Caulfield's, The Hermit reveals to him.</p><br><p>Artworks Discussed in this listen:<a href=" T" rel="noopener noreferrer" target="_blank"> T</a><a href="https://artuk.org/discover/artworks/the-hermit-72422/search/actor:caulfield-patrick-19362005/page/1/view_as/grid" rel="noopener noreferrer" target="_blank">he Hermit, (1966) - Patrick Caulfield</a></p><p><a href="https://www.artfund.org/supporting-museums/art-weve-helped-buy/artwork/13507/fountains-fell-yorkshire-dales" rel="noopener noreferrer" target="_blank">Fountains Fell, Yorkshire Dales, 3 August 2008, (2016)&nbsp;-&nbsp;Simon Roberts</a></p><br><p>Discover more episodes in this series as we meet&nbsp;Zakia Sewell,&nbsp;Nabihah Iqbal&nbsp;and&nbsp;Harold Offeh&nbsp;as they enjoy artworks in the&nbsp;National Portrait Gallery, Sir John Soane's Museum&nbsp;and&nbsp;Dulwich Picture Gallery.&nbsp;</p><br><p>Listen today&nbsp;on the Bloomberg Connects app or search for Shade Podcast wherever you download your podcasts.</p><br><p>Sponsored by&nbsp;<a href="https://www.instagram.com/bloombergconnects/" rel="noopener noreferrer" target="_blank">Bloomberg Connects</a>,&nbsp;<em>the arts and culture app. The free app offers access to more than 250 cultural organizations through a single download, with new guides being added every week.&nbsp;</em></p><br><p><em>To explore the Graves Gallery guide, and many more, download the app today from the App Store or Google Play.</em></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Wandering: immersive gallery walks, with contemporary creatives</title>
			<itunes:title>Wandering: immersive gallery walks, with contemporary creatives</itunes:title>
			<pubDate>Wed, 20 Sep 2023 20:55:00 GMT</pubDate>
			<itunes:duration>11:50</itunes:duration>
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			<itunes:subtitle><![CDATA[Nabihah Iqbal (Musician & DJ) at Sir John Soane's Museum, London]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>8</itunes:season>
			<itunes:episode>2</itunes:episode>
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			<description><![CDATA[<p>Today we meet musician, producer, broadcaster and DJ&nbsp;<a href="https://www.instagram.com/nabihahiqbal/" rel="noopener noreferrer" target="_blank">Nabihah Iqbal&nbsp;</a>at<a href="https://www.instagram.com/SoaneMuseum/" rel="noopener noreferrer" target="_blank">&nbsp;Sir John&nbsp;Soane's Museum</a>&nbsp;in London as she explores the many trinkets and secrets, hidden in the open.</p><br><p>Wandering is brought to you by&nbsp;<a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">Shade Podcast&nbsp;</a>and&nbsp;<a href="https://www.instagram.com/axelkacoutie/" rel="noopener noreferrer" target="_blank">Axel Kacoutié.</a></p><p>Discover more&nbsp;episodes&nbsp;in this series as we meet&nbsp;<a href="https://www.instagram.com/zzzakia/" rel="noopener noreferrer" target="_blank">Zakia Sewell,</a>&nbsp;<a href="https://www.instagram.com/kayochingonyi/" rel="noopener noreferrer" target="_blank">Kayo Chingonyi&nbsp;</a>and&nbsp;<a href="https://www.instagram.com/harold_offeh/" rel="noopener noreferrer" target="_blank">Harold Offeh</a>&nbsp;as they discover artworks in the&nbsp;<a href="https://www.instagram.com/nationalportraitgallery/" rel="noopener noreferrer" target="_blank">National Portrait Gallery</a>,&nbsp;<a href="https://www.instagram.com/sheffmuseums/" rel="noopener noreferrer" target="_blank">Graves Gallery</a>&nbsp;and&nbsp;<a href="https://www.instagram.com/dulwichgallery/" rel="noopener noreferrer" target="_blank">Dulwich Picture Gallery.</a>&nbsp;</p><br><p>Listen today&nbsp;on the Bloomberg Connects app or search for Shade Podcast wherever you download your podcasts.</p><p>Sponsored by&nbsp;<a href="https://www.instagram.com/bloombergconnects/" rel="noopener noreferrer" target="_blank">Bloomberg Connects</a>,&nbsp;<em>the arts and culture app. The free app offers access to more than 250 cultural organizations through a single download, with new guides being added every week.&nbsp;</em></p><p><em>To explore the Sir John&nbsp;Soane's Museum guide, and many more, download the app today from the App Store or Google Play.</em></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Today we meet musician, producer, broadcaster and DJ&nbsp;<a href="https://www.instagram.com/nabihahiqbal/" rel="noopener noreferrer" target="_blank">Nabihah Iqbal&nbsp;</a>at<a href="https://www.instagram.com/SoaneMuseum/" rel="noopener noreferrer" target="_blank">&nbsp;Sir John&nbsp;Soane's Museum</a>&nbsp;in London as she explores the many trinkets and secrets, hidden in the open.</p><br><p>Wandering is brought to you by&nbsp;<a href="https://shadepodcast.substack.com/" rel="noopener noreferrer" target="_blank">Shade Podcast&nbsp;</a>and&nbsp;<a href="https://www.instagram.com/axelkacoutie/" rel="noopener noreferrer" target="_blank">Axel Kacoutié.</a></p><p>Discover more&nbsp;episodes&nbsp;in this series as we meet&nbsp;<a href="https://www.instagram.com/zzzakia/" rel="noopener noreferrer" target="_blank">Zakia Sewell,</a>&nbsp;<a href="https://www.instagram.com/kayochingonyi/" rel="noopener noreferrer" target="_blank">Kayo Chingonyi&nbsp;</a>and&nbsp;<a href="https://www.instagram.com/harold_offeh/" rel="noopener noreferrer" target="_blank">Harold Offeh</a>&nbsp;as they discover artworks in the&nbsp;<a href="https://www.instagram.com/nationalportraitgallery/" rel="noopener noreferrer" target="_blank">National Portrait Gallery</a>,&nbsp;<a href="https://www.instagram.com/sheffmuseums/" rel="noopener noreferrer" target="_blank">Graves Gallery</a>&nbsp;and&nbsp;<a href="https://www.instagram.com/dulwichgallery/" rel="noopener noreferrer" target="_blank">Dulwich Picture Gallery.</a>&nbsp;</p><br><p>Listen today&nbsp;on the Bloomberg Connects app or search for Shade Podcast wherever you download your podcasts.</p><p>Sponsored by&nbsp;<a href="https://www.instagram.com/bloombergconnects/" rel="noopener noreferrer" target="_blank">Bloomberg Connects</a>,&nbsp;<em>the arts and culture app. The free app offers access to more than 250 cultural organizations through a single download, with new guides being added every week.&nbsp;</em></p><p><em>To explore the Sir John&nbsp;Soane's Museum guide, and many more, download the app today from the App Store or Google Play.</em></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Wandering: a new four part podcast series of immersive gallery walks, with contemporary creatives</title>
			<itunes:title>Wandering: a new four part podcast series of immersive gallery walks, with contemporary creatives</itunes:title>
			<pubDate>Wed, 13 Sep 2023 21:00:00 GMT</pubDate>
			<itunes:duration>15:00</itunes:duration>
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			<acast:showId>241b5e41-db8f-59dc-95ea-0160569317ef</acast:showId>
			<acast:episodeUrl>wandering-a-four-part-podcast-series-of-immersive-gallery-wa</acast:episodeUrl>
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			<itunes:subtitle><![CDATA[Zakia Sewell (DJ, writer & broadcaster) at the National Portrait Gallery, London]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>8</itunes:season>
			<itunes:episode>1</itunes:episode>
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			<description><![CDATA[<p>Broadcaster, DJ and writer <a href="https://www.instagram.com/zzzakia/" rel="noopener noreferrer" target="_blank">Zakia Sewell</a> walks with us in the <a href="https://www.npg.org.uk/" rel="noopener noreferrer" target="_blank">National Portrait Gallery </a>in London.&nbsp;</p><br><p>Zakia reflects on how memory and legacy influence our way of seeing, and how our contemporary eyes judge the face of history. We ask, to what extent is a portrait a mirror?&nbsp;</p><p>We view a photographic portrait of <a href="https://www.npg.org.uk/collections/search/portrait/mw66053/Sarah-Forbes-Bonetta-Sarah-Davies" rel="noopener noreferrer" target="_blank">Sarah Forbes Bonetta</a> (1843-80)</p><p>Room 23, Floor 2. Historian and essayist; Trustee of the National Portrait Gallery, <a href="https://www.npg.org.uk/collections/search/portrait/mw01079/Thomas-Carlyle?LinkID=mp00760&amp;role=sit&amp;rNo=5" rel="noopener noreferrer" target="_blank">Thomas Carlyle</a> (1795-1881) and explorer once a Governor of Jamaica, <a href="https://www.npg.org.uk/collections/search/portrait/mw66029/Edward-John-Eyre?locid=1046&amp;rNo=5" rel="noopener noreferrer" target="_blank">Edward John Eyre </a>(1815-1901). Room 23, Floor 2.&nbsp;&nbsp;</p><br><p>Subscribe to Shade Podcast to listen to future episodes of Wandering featuring our guests <a href="https://www.instagram.com/nabihahiqbal/" rel="noopener noreferrer" target="_blank">Nabihah Iqbal,</a> <a href="https://www.instagram.com/kayochingonyi/" rel="noopener noreferrer" target="_blank">Kayo Chingonyi </a>and <a href="https://www.instagram.com/harold_offeh/" rel="noopener noreferrer" target="_blank">Harold Offeh</a> as they discover artworks in the <a href="https://www.soane.org/" rel="noopener noreferrer" target="_blank">Sir John Soane's Museum,</a> <a href="https://www.sheffieldmuseums.org.uk/visit-us/graves-gallery/" rel="noopener noreferrer" target="_blank">Graves Gallery </a>and <a href="https://www.dulwichpicturegallery.org.uk/" rel="noopener noreferrer" target="_blank">Dulwich Picture Gallery.</a></p><br><p>Wandering is brought to you by<a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank"> Shade Podcast</a> and <a href="https://www.instagram.com/axelkacoutie/" rel="noopener noreferrer" target="_blank">Axel Kacoutié.</a></p><p>Sponsored by <a href="https://www.bloombergconnects.org/" rel="noopener noreferrer" target="_blank">Bloomberg Connects</a>, <em>the arts and culture app. The free app offers access to more than 250 cultural organizations through a single download, with new guides being added every week.&nbsp;</em></p><br><p><em>To explore the National Portrait Gallery guide, and many more, download the app today from the App Store or Google Play.</em></p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Broadcaster, DJ and writer <a href="https://www.instagram.com/zzzakia/" rel="noopener noreferrer" target="_blank">Zakia Sewell</a> walks with us in the <a href="https://www.npg.org.uk/" rel="noopener noreferrer" target="_blank">National Portrait Gallery </a>in London.&nbsp;</p><br><p>Zakia reflects on how memory and legacy influence our way of seeing, and how our contemporary eyes judge the face of history. We ask, to what extent is a portrait a mirror?&nbsp;</p><p>We view a photographic portrait of <a href="https://www.npg.org.uk/collections/search/portrait/mw66053/Sarah-Forbes-Bonetta-Sarah-Davies" rel="noopener noreferrer" target="_blank">Sarah Forbes Bonetta</a> (1843-80)</p><p>Room 23, Floor 2. Historian and essayist; Trustee of the National Portrait Gallery, <a href="https://www.npg.org.uk/collections/search/portrait/mw01079/Thomas-Carlyle?LinkID=mp00760&amp;role=sit&amp;rNo=5" rel="noopener noreferrer" target="_blank">Thomas Carlyle</a> (1795-1881) and explorer once a Governor of Jamaica, <a href="https://www.npg.org.uk/collections/search/portrait/mw66029/Edward-John-Eyre?locid=1046&amp;rNo=5" rel="noopener noreferrer" target="_blank">Edward John Eyre </a>(1815-1901). Room 23, Floor 2.&nbsp;&nbsp;</p><br><p>Subscribe to Shade Podcast to listen to future episodes of Wandering featuring our guests <a href="https://www.instagram.com/nabihahiqbal/" rel="noopener noreferrer" target="_blank">Nabihah Iqbal,</a> <a href="https://www.instagram.com/kayochingonyi/" rel="noopener noreferrer" target="_blank">Kayo Chingonyi </a>and <a href="https://www.instagram.com/harold_offeh/" rel="noopener noreferrer" target="_blank">Harold Offeh</a> as they discover artworks in the <a href="https://www.soane.org/" rel="noopener noreferrer" target="_blank">Sir John Soane's Museum,</a> <a href="https://www.sheffieldmuseums.org.uk/visit-us/graves-gallery/" rel="noopener noreferrer" target="_blank">Graves Gallery </a>and <a href="https://www.dulwichpicturegallery.org.uk/" rel="noopener noreferrer" target="_blank">Dulwich Picture Gallery.</a></p><br><p>Wandering is brought to you by<a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank"> Shade Podcast</a> and <a href="https://www.instagram.com/axelkacoutie/" rel="noopener noreferrer" target="_blank">Axel Kacoutié.</a></p><p>Sponsored by <a href="https://www.bloombergconnects.org/" rel="noopener noreferrer" target="_blank">Bloomberg Connects</a>, <em>the arts and culture app. The free app offers access to more than 250 cultural organizations through a single download, with new guides being added every week.&nbsp;</em></p><br><p><em>To explore the National Portrait Gallery guide, and many more, download the app today from the App Store or Google Play.</em></p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Eddie Hutton-Mills. Director BBC Kanaval: A Peoples History of Haiti in Six Chapters </title>
			<itunes:title>Eddie Hutton-Mills. Director BBC Kanaval: A Peoples History of Haiti in Six Chapters </itunes:title>
			<pubDate>Thu, 01 Jun 2023 03:30:54 GMT</pubDate>
			<itunes:duration>28:58</itunes:duration>
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			<itunes:episode>4</itunes:episode>
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			<description><![CDATA[<p>Today my guest is the Director Eddie Hutton-Mills. Eddie co-directed <a href="https://www.bbc.co.uk/programmes/m001fprk" rel="noopener noreferrer" target="_blank">Kanaval: A Peoples History of Haiti in Six Chapters </a>with <a href="https://leahgordon.co.uk/index.php/project/kanaval/" rel="noopener noreferrer" target="_blank">Leah Gordon. </a></p><p>Eddie Hutton-Mills is an award winning documentary filmmaker, who has made films for all the major UK &amp; US broadcasters including the BBC, ITV and Channel 4. He’s also made biographical</p><p>feature films about Naomi Campbell and Diane Abbott. His passion is for making films about subjects that need confronting like Fighting The Power: Britain After George Floyd. He is currently directing a film for the prestigious BBC Storyville strand.</p><p>Eddie and I discuss Kanaval in this episode. A visually arresting feature documentary, set in the present but which tells the rich story of Haiti’s past, that follows a number of carnival performers in the lead-up to, and during, the annual Jacmel Mardi Gras. The performers relate their own personal histories as well as the stories of their carnival characters, which represent moments and people from the distant, and not so distant, Haitian past. Interwoven with the interviews, testimonies and observational footage is archive material, drawn from a wide variety of sources to enhance our understanding of Haitian history and culture from the time of the indigenous Taino through to the present day. This is not the carnival of sequins and sound systems found elsewhere in the Caribbean, but a celebration of rebellion and resistance resonating through the centuries.</p><p>The documentary was nominated for Best Debut Director and Best Cinematography in the British Independent Film Awards and Best Documentary at the London film awards, in 2022.</p><br><p><a href="https://www.bbc.co.uk/programmes/m001fprk" rel="noopener noreferrer" target="_blank">Watch Kanaval on BBCiPlayer</a></p><br><p>Thank you for listening and for supporting Shade - the<em> award winning independent art show</em> highlighting the work of Black art practitioners via <a href="https://www.patreon.com/shadepodcast" rel="noopener noreferrer" target="_blank">Patreon</a> or <a href="https://ko-fi.com/shadepodcast" rel="noopener noreferrer" target="_blank">Ko-fi</a></p><p>See you next time!</p><br><p>Shade Podcast is hosted and produced by Lou Mensah</p><p>Music generously composed for Shade by <a href="https://www.brianjackson.net/newhome" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Shade <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Shade <a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">website</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Today my guest is the Director Eddie Hutton-Mills. Eddie co-directed <a href="https://www.bbc.co.uk/programmes/m001fprk" rel="noopener noreferrer" target="_blank">Kanaval: A Peoples History of Haiti in Six Chapters </a>with <a href="https://leahgordon.co.uk/index.php/project/kanaval/" rel="noopener noreferrer" target="_blank">Leah Gordon. </a></p><p>Eddie Hutton-Mills is an award winning documentary filmmaker, who has made films for all the major UK &amp; US broadcasters including the BBC, ITV and Channel 4. He’s also made biographical</p><p>feature films about Naomi Campbell and Diane Abbott. His passion is for making films about subjects that need confronting like Fighting The Power: Britain After George Floyd. He is currently directing a film for the prestigious BBC Storyville strand.</p><p>Eddie and I discuss Kanaval in this episode. A visually arresting feature documentary, set in the present but which tells the rich story of Haiti’s past, that follows a number of carnival performers in the lead-up to, and during, the annual Jacmel Mardi Gras. The performers relate their own personal histories as well as the stories of their carnival characters, which represent moments and people from the distant, and not so distant, Haitian past. Interwoven with the interviews, testimonies and observational footage is archive material, drawn from a wide variety of sources to enhance our understanding of Haitian history and culture from the time of the indigenous Taino through to the present day. This is not the carnival of sequins and sound systems found elsewhere in the Caribbean, but a celebration of rebellion and resistance resonating through the centuries.</p><p>The documentary was nominated for Best Debut Director and Best Cinematography in the British Independent Film Awards and Best Documentary at the London film awards, in 2022.</p><br><p><a href="https://www.bbc.co.uk/programmes/m001fprk" rel="noopener noreferrer" target="_blank">Watch Kanaval on BBCiPlayer</a></p><br><p>Thank you for listening and for supporting Shade - the<em> award winning independent art show</em> highlighting the work of Black art practitioners via <a href="https://www.patreon.com/shadepodcast" rel="noopener noreferrer" target="_blank">Patreon</a> or <a href="https://ko-fi.com/shadepodcast" rel="noopener noreferrer" target="_blank">Ko-fi</a></p><p>See you next time!</p><br><p>Shade Podcast is hosted and produced by Lou Mensah</p><p>Music generously composed for Shade by <a href="https://www.brianjackson.net/newhome" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Shade <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Shade <a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">website</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Interludes: Shade at Tate Modern. Liz Johnson Artur sound installation</title>
			<itunes:title>Interludes: Shade at Tate Modern. Liz Johnson Artur sound installation</itunes:title>
			<pubDate>Fri, 26 May 2023 08:49:20 GMT</pubDate>
			<itunes:duration>16:11</itunes:duration>
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			<description><![CDATA[<p><a href="https://www.tate.org.uk/art/interludes-black-balloons" rel="noopener noreferrer" target="_blank"><em>Interludes: Black Balloons</em>&nbsp;</a>is a new sound installation by Shade Podcast and Axel Kacoutié now showing at <a href="https://www.tate.org.uk/art/interludes-black-balloons" rel="noopener noreferrer" target="_blank">Tate Gallery.</a> Responding to&nbsp;<a href="https://www.tate.org.uk/visit/tate-modern/display/artist-and-society/liz-johnson-artur" rel="noopener noreferrer" target="_blank">Liz Johnson Artur’s display&nbsp;<em>Time don’t run here</em></a>, the piece references Artur’s Black Lives Matter protest images and works from her ongoing Black Balloon Archive documenting people in Africa, and of the African and Caribbean diasporas. </p><br><p>Experience&nbsp;<a href="https://www.tate.org.uk/art/artists/liz-johnson-artur-30728" rel="noopener noreferrer" target="_blank">Liz Johnson Artur’s</a>&nbsp;work with the ear and body. How does sound change how you see the works? What pulses through you when you see the images, braille and thread? </p><br><p>The soundscape features the voices of Liz Johnson Artur, artists Imogen Faires and Jamel Alatise from Theatre Peckham, and Research and Interpretation Artist Resident,&nbsp;<a href="https://www.marieesmith.com/" rel="noopener noreferrer" target="_blank">Marie Smith</a>. It includes extracts from&nbsp;<em>Poetry as Protest, Protest as Poetry,</em>&nbsp;a poem by Faires and Alatise responding to the display and performed live at Tate Modern in April 2023.</p><br><p>Visit the installation at Tate Modern, Natalie Bell Building, Level 2 West Room 4, Artist and Society. Black Balloons will play in the gallery at the following times: 11.00am, 12.00pm, 1.00pm, 3.00pm, 4.00pm, 5.00pm.</p><p><a href="https://open.spotify.com/playlist/0HUESxDu3KAS6SLZewRsAt?si=087ec7d3a86e43ad&amp;nd=1" rel="noopener noreferrer" target="_blank">Interludes</a>&nbsp;is an ongoing sound collaboration between Lou Mensah of&nbsp;<a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">Shade Podcast&nbsp;</a>and the audio artist&nbsp;<a href="https://axelkacoutie.com/" rel="noopener noreferrer" target="_blank">Axel Kacoutié</a>.</p><p>Produced by Lou Mensah</p><p>Created by Axel Kacoutié</p><br><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p><a href="https://www.tate.org.uk/art/interludes-black-balloons" rel="noopener noreferrer" target="_blank"><em>Interludes: Black Balloons</em>&nbsp;</a>is a new sound installation by Shade Podcast and Axel Kacoutié now showing at <a href="https://www.tate.org.uk/art/interludes-black-balloons" rel="noopener noreferrer" target="_blank">Tate Gallery.</a> Responding to&nbsp;<a href="https://www.tate.org.uk/visit/tate-modern/display/artist-and-society/liz-johnson-artur" rel="noopener noreferrer" target="_blank">Liz Johnson Artur’s display&nbsp;<em>Time don’t run here</em></a>, the piece references Artur’s Black Lives Matter protest images and works from her ongoing Black Balloon Archive documenting people in Africa, and of the African and Caribbean diasporas. </p><br><p>Experience&nbsp;<a href="https://www.tate.org.uk/art/artists/liz-johnson-artur-30728" rel="noopener noreferrer" target="_blank">Liz Johnson Artur’s</a>&nbsp;work with the ear and body. How does sound change how you see the works? What pulses through you when you see the images, braille and thread? </p><br><p>The soundscape features the voices of Liz Johnson Artur, artists Imogen Faires and Jamel Alatise from Theatre Peckham, and Research and Interpretation Artist Resident,&nbsp;<a href="https://www.marieesmith.com/" rel="noopener noreferrer" target="_blank">Marie Smith</a>. It includes extracts from&nbsp;<em>Poetry as Protest, Protest as Poetry,</em>&nbsp;a poem by Faires and Alatise responding to the display and performed live at Tate Modern in April 2023.</p><br><p>Visit the installation at Tate Modern, Natalie Bell Building, Level 2 West Room 4, Artist and Society. Black Balloons will play in the gallery at the following times: 11.00am, 12.00pm, 1.00pm, 3.00pm, 4.00pm, 5.00pm.</p><p><a href="https://open.spotify.com/playlist/0HUESxDu3KAS6SLZewRsAt?si=087ec7d3a86e43ad&amp;nd=1" rel="noopener noreferrer" target="_blank">Interludes</a>&nbsp;is an ongoing sound collaboration between Lou Mensah of&nbsp;<a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">Shade Podcast&nbsp;</a>and the audio artist&nbsp;<a href="https://axelkacoutie.com/" rel="noopener noreferrer" target="_blank">Axel Kacoutié</a>.</p><p>Produced by Lou Mensah</p><p>Created by Axel Kacoutié</p><br><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Jermaine Francis on film : Lost In Music A Post Industrial Dreamscape</title>
			<itunes:title>Jermaine Francis on film : Lost In Music A Post Industrial Dreamscape</itunes:title>
			<pubDate>Mon, 22 May 2023 03:00:35 GMT</pubDate>
			<itunes:duration>41:18</itunes:duration>
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			<itunes:episode>3</itunes:episode>
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			<description><![CDATA[<p>An exploration of race and politics via the dancefloor.</p><p>Today my guest is the photographer and filmmaker <a href="https://www.instagram.com/jermainefrancisstudio/" rel="noopener noreferrer" target="_blank">Jermaine Francis. </a></p><p>Jermaine and I discuss his recent film <a href="https://live.camdenartcentre.org/whats-on/public-knowledge-lost-in-music" rel="noopener noreferrer" target="_blank"><em>Lost in Music: A Post Industrial Dreamscape</em></a> - an exploration of race and politics within a dancefloor context. This work was recently presented alongside a discussion with the writer Nathalie Olah and photographer Edward "Eddie" Otchere at Camden Arts Centre.</p><p>His&nbsp;practice works within documentary &amp; portraiture, in the format of personal driven photo projects &amp; editorials, exploring the issues that arise from our interaction in the everyday environment. He has published two books, <a href="https://www.jermainefrancis.studio/shop/p/dc7evy84z688wgacgogeycze0vhlmb" rel="noopener noreferrer" target="_blank"><em>Something That Seems So Familiar</em></a><em> and </em><a href="https://www.jermainefrancis.studio/shop/p/dwinin6npot1dljzf5xg1tyxh76z84" rel="noopener noreferrer" target="_blank"><em>Rhythms from the Metroplex</em>. </a></p><p>Jermaine's work can be found in publications such as i-D, 10 Magazine and the Wall Street Journal, and in exhibitions at <a href="https://www.galeriepcp.com/1716/jermaine-francis/" rel="noopener noreferrer" target="_blank">GaleriePCP</a> in Paris and <a href="https://www.saatchigallery.com/exhibition/saatchi_gallery_civilization__the_way_we_live_now" rel="noopener noreferrer" target="_blank">Saatchi Gallery.</a></p><p>I loved talking with Jermaine and I hope that you enjoy his words on his rich creative life as much as I did.</p><br><p>Thank you for listening and for supporting Shade - the<em> award winning independent art show</em> highlighting the work of Black art practitioners via <a href="https://www.patreon.com/shadepodcast" rel="noopener noreferrer" target="_blank">Patreon</a> and <a href="https://ko-fi.com/shadepodcast" rel="noopener noreferrer" target="_blank">Ko-fi</a></p><p>See you next time!</p><br><p>Shade Podcast is hosted and produced by Lou Mensah</p><p>Music generously composed for Shade by <a href="https://www.brianjackson.net/newhome" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Shade <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Shade <a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">website</a></p><p>Jermaine Francis <a href="https://www.instagram.com/jermainefrancisstudio/" rel="noopener noreferrer" target="_blank">instagram </a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>An exploration of race and politics via the dancefloor.</p><p>Today my guest is the photographer and filmmaker <a href="https://www.instagram.com/jermainefrancisstudio/" rel="noopener noreferrer" target="_blank">Jermaine Francis. </a></p><p>Jermaine and I discuss his recent film <a href="https://live.camdenartcentre.org/whats-on/public-knowledge-lost-in-music" rel="noopener noreferrer" target="_blank"><em>Lost in Music: A Post Industrial Dreamscape</em></a> - an exploration of race and politics within a dancefloor context. This work was recently presented alongside a discussion with the writer Nathalie Olah and photographer Edward "Eddie" Otchere at Camden Arts Centre.</p><p>His&nbsp;practice works within documentary &amp; portraiture, in the format of personal driven photo projects &amp; editorials, exploring the issues that arise from our interaction in the everyday environment. He has published two books, <a href="https://www.jermainefrancis.studio/shop/p/dc7evy84z688wgacgogeycze0vhlmb" rel="noopener noreferrer" target="_blank"><em>Something That Seems So Familiar</em></a><em> and </em><a href="https://www.jermainefrancis.studio/shop/p/dwinin6npot1dljzf5xg1tyxh76z84" rel="noopener noreferrer" target="_blank"><em>Rhythms from the Metroplex</em>. </a></p><p>Jermaine's work can be found in publications such as i-D, 10 Magazine and the Wall Street Journal, and in exhibitions at <a href="https://www.galeriepcp.com/1716/jermaine-francis/" rel="noopener noreferrer" target="_blank">GaleriePCP</a> in Paris and <a href="https://www.saatchigallery.com/exhibition/saatchi_gallery_civilization__the_way_we_live_now" rel="noopener noreferrer" target="_blank">Saatchi Gallery.</a></p><p>I loved talking with Jermaine and I hope that you enjoy his words on his rich creative life as much as I did.</p><br><p>Thank you for listening and for supporting Shade - the<em> award winning independent art show</em> highlighting the work of Black art practitioners via <a href="https://www.patreon.com/shadepodcast" rel="noopener noreferrer" target="_blank">Patreon</a> and <a href="https://ko-fi.com/shadepodcast" rel="noopener noreferrer" target="_blank">Ko-fi</a></p><p>See you next time!</p><br><p>Shade Podcast is hosted and produced by Lou Mensah</p><p>Music generously composed for Shade by <a href="https://www.brianjackson.net/newhome" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Shade <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Shade <a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">website</a></p><p>Jermaine Francis <a href="https://www.instagram.com/jermainefrancisstudio/" rel="noopener noreferrer" target="_blank">instagram </a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Caribbean film with Patrice Robinson</title>
			<itunes:title>Caribbean film with Patrice Robinson</itunes:title>
			<pubDate>Tue, 09 May 2023 03:00:05 GMT</pubDate>
			<itunes:duration>14:26</itunes:duration>
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			<itunes:season>7</itunes:season>
			<itunes:episode>2</itunes:episode>
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			<description><![CDATA[<p>Snapshots: Caribbean Cinema Up Close at The Barbican.</p><p>Today my guest is Patrice Robinson who talks about <a href="https://www.barbican.org.uk/whats-on/2023/series/snapshots-caribbean-cinema-up-close" rel="noopener noreferrer" target="_blank">Snapshots: Caribbean Cinema Up Close, at The Barbican</a>, her debut curatorial season. With interest in communities, community access to film and the intimacies of the human experience, Patrice is a film programmer and writer working in the intersection of audiences and cinema.</p><br><p>We discuss Patrice's late entry into film following a change in career, and how the Independent Cinema Office’s FEDS Scheme led to her permanent position at The Barbican. She also shares how her time at the Trinidad and Tobago Film Festival informed Snapshots, and why she focused on films that shared themes of connection - to the land, oneself and family.</p><br><p>Snapshots offers a rare insight into the flourishing Caribbean film culture. Exploring individual and shared cultural identities, Snapshots: Caribbean Cinema Up Close runs from 17-31 May, and kicks off with the UK premiere of the brand new restoration of Kavery Kaul’s One Hand Don’t Clap, her upbeat archive documentary which explores the importance of Calypso music and the community around it. The season continues with Currents, a programme of seven shorts by Caribbean filmmakers which explore universal themes of (familial and self) acceptance, overcoming adversity, justice and pride from a uniquely Caribbean perspective.</p><br><p>The season closes with writer/director José María Cabral’s Parsley, based on the real story of the Parsley Massacre, a mass killing of Haitians living in</p><p>the Dominican Republic north western frontier October 1937. Parsley tells the story of a heavily pregnant Haitian woman left alone in the wilderness near the Dominican border, trying to escape the attack.</p><br><p><a href="https://www.barbican.org.uk/whats-on/2023/series/snapshots-caribbean-cinema-up-close" rel="noopener noreferrer" target="_blank">Snapshots: Caribbean Cinema Up Close - The Barbican</a></p><p>Wed 17 - Wed 31 May 2023</p><br><p>Shade Podcast is written, hosted and produced by Lou Mensah</p><p>Music generously composed for Shade by <a href="https://www.brianjackson.net/newhome" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Thank you for listening and for supporting Shade - an independent art show highlighting the work of Black art practitioners via <a href="https://www.patreon.com/shadepodcast" rel="noopener noreferrer" target="_blank">Patreon</a> and <a href="https://ko-fi.com/shadepodcast" rel="noopener noreferrer" target="_blank">Ko-fi</a></p><p>See you next time!</p><br><p>Shade <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Shade <a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">website</a></p><p>Patrice Robinson <a href="https://www.patricerobinson.uk/" rel="noopener noreferrer" target="_blank">website</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Snapshots: Caribbean Cinema Up Close at The Barbican.</p><p>Today my guest is Patrice Robinson who talks about <a href="https://www.barbican.org.uk/whats-on/2023/series/snapshots-caribbean-cinema-up-close" rel="noopener noreferrer" target="_blank">Snapshots: Caribbean Cinema Up Close, at The Barbican</a>, her debut curatorial season. With interest in communities, community access to film and the intimacies of the human experience, Patrice is a film programmer and writer working in the intersection of audiences and cinema.</p><br><p>We discuss Patrice's late entry into film following a change in career, and how the Independent Cinema Office’s FEDS Scheme led to her permanent position at The Barbican. She also shares how her time at the Trinidad and Tobago Film Festival informed Snapshots, and why she focused on films that shared themes of connection - to the land, oneself and family.</p><br><p>Snapshots offers a rare insight into the flourishing Caribbean film culture. Exploring individual and shared cultural identities, Snapshots: Caribbean Cinema Up Close runs from 17-31 May, and kicks off with the UK premiere of the brand new restoration of Kavery Kaul’s One Hand Don’t Clap, her upbeat archive documentary which explores the importance of Calypso music and the community around it. The season continues with Currents, a programme of seven shorts by Caribbean filmmakers which explore universal themes of (familial and self) acceptance, overcoming adversity, justice and pride from a uniquely Caribbean perspective.</p><br><p>The season closes with writer/director José María Cabral’s Parsley, based on the real story of the Parsley Massacre, a mass killing of Haitians living in</p><p>the Dominican Republic north western frontier October 1937. Parsley tells the story of a heavily pregnant Haitian woman left alone in the wilderness near the Dominican border, trying to escape the attack.</p><br><p><a href="https://www.barbican.org.uk/whats-on/2023/series/snapshots-caribbean-cinema-up-close" rel="noopener noreferrer" target="_blank">Snapshots: Caribbean Cinema Up Close - The Barbican</a></p><p>Wed 17 - Wed 31 May 2023</p><br><p>Shade Podcast is written, hosted and produced by Lou Mensah</p><p>Music generously composed for Shade by <a href="https://www.brianjackson.net/newhome" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Thank you for listening and for supporting Shade - an independent art show highlighting the work of Black art practitioners via <a href="https://www.patreon.com/shadepodcast" rel="noopener noreferrer" target="_blank">Patreon</a> and <a href="https://ko-fi.com/shadepodcast" rel="noopener noreferrer" target="_blank">Ko-fi</a></p><p>See you next time!</p><br><p>Shade <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Shade <a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">website</a></p><p>Patrice Robinson <a href="https://www.patricerobinson.uk/" rel="noopener noreferrer" target="_blank">website</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Shade Shorts on Film with June Givanni</title>
			<itunes:title>Shade Shorts on Film with June Givanni</itunes:title>
			<pubDate>Tue, 02 May 2023 16:48:54 GMT</pubDate>
			<itunes:duration>37:34</itunes:duration>
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			<itunes:season>7</itunes:season>
			<itunes:episode>1</itunes:episode>
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			<description><![CDATA[<p>PerAnkh – The June Givanni PanAfrican Cinema Archive, now showing at Raven Row London.</p><p>Today my guest is the film curator and archivist, June Givanni.</p><p>June's new exhibition, <a href="http://ravenrow.org/current/" rel="noopener noreferrer" target="_blank">PerAnkh: The June Givanni PanAfrican Cinema Archive, is showing at Raven Row </a>in London until 4 June 2023.</p><p>The June Givanni PanAfrican Cinema Archive <a href="https://www.junegivannifilmarchive.com/" rel="noopener noreferrer" target="_blank">(JGPACA) </a>holds a unique collection of artefacts and archival material, which has at its core the interest of PanAfrican cinema and its relationship with Black British cinema and culture. The exhibition reveals histories and ideas in African and African diasporic film. June has been collating and sharing this material since the 1980s. A key figure in the Black British Independent Cinema movement, she was involved in the landmark Third Eye Festival of Third World Cinema with the Greater London Council in 1983, later establishing the<a href="https://www.bfi.org.uk/sight-and-sound/interviews/black-film-bulletin-oral-history-june-givanni-gaylene-gould-jan-asante-melanie-hoyes" rel="noopener noreferrer" target="_blank"> African Caribbean Film</a></p><p><a href="https://www.bfi.org.uk/sight-and-sound/interviews/black-film-bulletin-oral-history-june-givanni-gaylene-gould-jan-asante-melanie-hoyes" rel="noopener noreferrer" target="_blank">Unit at the (BFI) </a>in 1992. June’s archive holds more than 10,000 items connecting African film with the film cultures of diaspora communities in the Americas, the Caribbean and Europe. June and I met this week to discuss her early connection with film as a child and her four decades of work as a curator and archivist.</p><br><p>Shade Podcast is written, hosted and produced by Lou Mensah</p><p>Music generously composed for Shade by <a href="https://www.brianjackson.net/newhome" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Thank you for listening and for supporting Shade - an independent art show highlighting the work of Black art practitioners via <a href="https://www.patreon.com/shadepodcast" rel="noopener noreferrer" target="_blank">Patreon</a> and <a href="https://ko-fi.com/shadepodcast" rel="noopener noreferrer" target="_blank">Ko-fi</a></p><p>See you next time!</p><br><p>Shade <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Shade <a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">website</a></p><p><a href="http://ravenrow.org/current/" rel="noopener noreferrer" target="_blank">PerAnkh: The June Givanni PanAfrican Cinema Archive, is showing at Raven Row </a>exhibition details and programming</p><p>June Givanni PanAfrican Cinema Archive <a href="http://www.junegivannifilmarchive.com/" rel="noopener noreferrer" target="_blank">website</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>PerAnkh – The June Givanni PanAfrican Cinema Archive, now showing at Raven Row London.</p><p>Today my guest is the film curator and archivist, June Givanni.</p><p>June's new exhibition, <a href="http://ravenrow.org/current/" rel="noopener noreferrer" target="_blank">PerAnkh: The June Givanni PanAfrican Cinema Archive, is showing at Raven Row </a>in London until 4 June 2023.</p><p>The June Givanni PanAfrican Cinema Archive <a href="https://www.junegivannifilmarchive.com/" rel="noopener noreferrer" target="_blank">(JGPACA) </a>holds a unique collection of artefacts and archival material, which has at its core the interest of PanAfrican cinema and its relationship with Black British cinema and culture. The exhibition reveals histories and ideas in African and African diasporic film. June has been collating and sharing this material since the 1980s. A key figure in the Black British Independent Cinema movement, she was involved in the landmark Third Eye Festival of Third World Cinema with the Greater London Council in 1983, later establishing the<a href="https://www.bfi.org.uk/sight-and-sound/interviews/black-film-bulletin-oral-history-june-givanni-gaylene-gould-jan-asante-melanie-hoyes" rel="noopener noreferrer" target="_blank"> African Caribbean Film</a></p><p><a href="https://www.bfi.org.uk/sight-and-sound/interviews/black-film-bulletin-oral-history-june-givanni-gaylene-gould-jan-asante-melanie-hoyes" rel="noopener noreferrer" target="_blank">Unit at the (BFI) </a>in 1992. June’s archive holds more than 10,000 items connecting African film with the film cultures of diaspora communities in the Americas, the Caribbean and Europe. June and I met this week to discuss her early connection with film as a child and her four decades of work as a curator and archivist.</p><br><p>Shade Podcast is written, hosted and produced by Lou Mensah</p><p>Music generously composed for Shade by <a href="https://www.brianjackson.net/newhome" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Thank you for listening and for supporting Shade - an independent art show highlighting the work of Black art practitioners via <a href="https://www.patreon.com/shadepodcast" rel="noopener noreferrer" target="_blank">Patreon</a> and <a href="https://ko-fi.com/shadepodcast" rel="noopener noreferrer" target="_blank">Ko-fi</a></p><p>See you next time!</p><br><p>Shade <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Shade <a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">website</a></p><p><a href="http://ravenrow.org/current/" rel="noopener noreferrer" target="_blank">PerAnkh: The June Givanni PanAfrican Cinema Archive, is showing at Raven Row </a>exhibition details and programming</p><p>June Givanni PanAfrican Cinema Archive <a href="http://www.junegivannifilmarchive.com/" rel="noopener noreferrer" target="_blank">website</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Hear, Now. A Podcast from Whitechapel Gallery: Tracing Absence exhibition </title>
			<itunes:title>Hear, Now. A Podcast from Whitechapel Gallery: Tracing Absence exhibition </itunes:title>
			<pubDate>Fri, 28 Apr 2023 12:35:32 GMT</pubDate>
			<itunes:duration>43:31</itunes:duration>
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			<description><![CDATA[<p>Featuring Lou Mensah &amp; Sunil Shah.</p><p>Enjoy this bonus episode of my conversation with the curators of <a href="https://www.whitechapelgallery.org/exhibitions/tracing-absence/" rel="noopener noreferrer" target="_blank">Tracing Absence, a Whitechapel Gallery exhibition </a>opening at the <a href="https://www.kistefosmuseum.com/exhibitions/tracing-absence" rel="noopener noreferrer" target="_blank">Kistefos Museum in Norway</a> on April 29th, 2023. The MA student curators of Tracing Absence re-imagine the show to respond to the local context.&nbsp;</p><br><p>Episode 18 of Whitechapel Gallery’s Hear, Now podcast series was published in October 2022. It delves deeper into the themes that underpin the exhibition Tracing Absence. Students graduating from the MA Curating Art and Public Programmes course, run by Whitechapel Gallery and London South Bank University, had the opportunity to curate this exhibition as part of their course, which confronts the different ways in which absence manifests in the world.</p><br><p>Tracing Absence features new sound art pieces by Joseph Sergi and Yiskāh (alias Jessica Beechy) and works from the Christen Sveaas Art Foundation. Student Cathy O ‘Sullivan presents and introduces fellow student Ada Egg Koskilouma who talks with Sunil Shah and Lou Mensah, to explore what absence means to them.</p><br><p>Sunil Shah is an artist and curator based in Oxford, UK. He is interested in the politics of photographic representation and conceptual post-documentary practices with relation to history, memory and identity.</p><br><p>Lou Mensah is a London based writer, photographer and the founder of Shade Podcast, a platform which hosts conversations with creative and radical thinkers on the politics of race and representation within the arts.</p><br><p>Please follow this link to view the publication that accompanies the exhibition and listen to the sound art works by Joseph Sergi and Yiskāh: https://linktr.ee/tracingabsence</p><br><p>For more information: https://www.whitechapelgallery.org/exhibitions/tracing-absence/</p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Featuring Lou Mensah &amp; Sunil Shah.</p><p>Enjoy this bonus episode of my conversation with the curators of <a href="https://www.whitechapelgallery.org/exhibitions/tracing-absence/" rel="noopener noreferrer" target="_blank">Tracing Absence, a Whitechapel Gallery exhibition </a>opening at the <a href="https://www.kistefosmuseum.com/exhibitions/tracing-absence" rel="noopener noreferrer" target="_blank">Kistefos Museum in Norway</a> on April 29th, 2023. The MA student curators of Tracing Absence re-imagine the show to respond to the local context.&nbsp;</p><br><p>Episode 18 of Whitechapel Gallery’s Hear, Now podcast series was published in October 2022. It delves deeper into the themes that underpin the exhibition Tracing Absence. Students graduating from the MA Curating Art and Public Programmes course, run by Whitechapel Gallery and London South Bank University, had the opportunity to curate this exhibition as part of their course, which confronts the different ways in which absence manifests in the world.</p><br><p>Tracing Absence features new sound art pieces by Joseph Sergi and Yiskāh (alias Jessica Beechy) and works from the Christen Sveaas Art Foundation. Student Cathy O ‘Sullivan presents and introduces fellow student Ada Egg Koskilouma who talks with Sunil Shah and Lou Mensah, to explore what absence means to them.</p><br><p>Sunil Shah is an artist and curator based in Oxford, UK. He is interested in the politics of photographic representation and conceptual post-documentary practices with relation to history, memory and identity.</p><br><p>Lou Mensah is a London based writer, photographer and the founder of Shade Podcast, a platform which hosts conversations with creative and radical thinkers on the politics of race and representation within the arts.</p><br><p>Please follow this link to view the publication that accompanies the exhibition and listen to the sound art works by Joseph Sergi and Yiskāh: https://linktr.ee/tracingabsence</p><br><p>For more information: https://www.whitechapelgallery.org/exhibitions/tracing-absence/</p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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		<item>
			<title>Shade Shorts: on curation with Jareh Das</title>
			<itunes:title>Shade Shorts: on curation with Jareh Das</itunes:title>
			<pubDate>Mon, 03 Apr 2023 04:00:09 GMT</pubDate>
			<itunes:duration>35:34</itunes:duration>
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			<itunes:season>6</itunes:season>
			<itunes:episode>4</itunes:episode>
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			<description><![CDATA[<p>Writer, researcher and independent curator: Body Vessel Clay: Black Women, Ceramics and Contemporary Art.</p><p><strong>Dr&nbsp;Jareh Das</strong>&nbsp;is an independent curator, researcher and writer who lives and works between West Africa and the UK. Das’ academic and curatorial practice is informed by an interest in global modern and contemporary art with a specific focus on performance. In 2022, Das curated&nbsp;<em>Body Vessel Clay: Black Women, Ceramics and Contemporary Art&nbsp;</em>an exhibition that spanned seventy years of ceramics and explored how clay has been disrupted, questioned and reimagined by Black women artists. She has written for publications including Ocula Magazine, Frieze, Hyperallergic, Bomb Magazine, Nka Journal of Contemporary African Art and The Art Newspaper.</p><br><p>Shade Podcast is written, hosted and produced by Lou Mensah</p><p>Music generously composed for Shade by <a href="https://www.brianjackson.net/newhome" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Thank you for listening and for supporting Shade - an independent art show highlighting the work of Black art practitioners via <a href="https://www.patreon.com/shadepodcast" rel="noopener noreferrer" target="_blank">Patreon</a> and <a href="https://ko-fi.com/shadepodcast" rel="noopener noreferrer" target="_blank">Ko-fi</a></p><p>See you next time!</p><br><p>Shade <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Shade <a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">website</a></p><p>Jareh Das <a href="https://jarehdas.com/" rel="noopener noreferrer" target="_blank">Website</a></p><p><a href="https://twotempleplace.org/exhibitions/body-vessel-clay/" rel="noopener noreferrer" target="_blank">Body, Vessel Clay exhibition information</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Writer, researcher and independent curator: Body Vessel Clay: Black Women, Ceramics and Contemporary Art.</p><p><strong>Dr&nbsp;Jareh Das</strong>&nbsp;is an independent curator, researcher and writer who lives and works between West Africa and the UK. Das’ academic and curatorial practice is informed by an interest in global modern and contemporary art with a specific focus on performance. In 2022, Das curated&nbsp;<em>Body Vessel Clay: Black Women, Ceramics and Contemporary Art&nbsp;</em>an exhibition that spanned seventy years of ceramics and explored how clay has been disrupted, questioned and reimagined by Black women artists. She has written for publications including Ocula Magazine, Frieze, Hyperallergic, Bomb Magazine, Nka Journal of Contemporary African Art and The Art Newspaper.</p><br><p>Shade Podcast is written, hosted and produced by Lou Mensah</p><p>Music generously composed for Shade by <a href="https://www.brianjackson.net/newhome" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Thank you for listening and for supporting Shade - an independent art show highlighting the work of Black art practitioners via <a href="https://www.patreon.com/shadepodcast" rel="noopener noreferrer" target="_blank">Patreon</a> and <a href="https://ko-fi.com/shadepodcast" rel="noopener noreferrer" target="_blank">Ko-fi</a></p><p>See you next time!</p><br><p>Shade <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Shade <a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">website</a></p><p>Jareh Das <a href="https://jarehdas.com/" rel="noopener noreferrer" target="_blank">Website</a></p><p><a href="https://twotempleplace.org/exhibitions/body-vessel-clay/" rel="noopener noreferrer" target="_blank">Body, Vessel Clay exhibition information</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Shade Shorts: on Curation with Aindrea Emelife</title>
			<itunes:title>Shade Shorts: on Curation with Aindrea Emelife</itunes:title>
			<pubDate>Fri, 31 Mar 2023 04:00:34 GMT</pubDate>
			<itunes:duration>24:12</itunes:duration>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>6</itunes:season>
			<itunes:episode>3</itunes:episode>
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			<description><![CDATA[<p>Curator and art historian specialising in modern and contemporary art and curator of Black Venus at Somerset House.</p><br><p><em>*Please note that the sound quality in this episode is compromised due to an unstable internet connection between London and Lagos, where this conversation was recorded. However, Aindrea's insights are not to be missed!</em></p><br><p><strong>Aindrea Emelife</strong> is a Nigerian-British curator and art historian specialising in modern and contemporary art, with a focus on questions around colonial and decolonial histories in Africa, transnationalism and the politics of representation. Aindrea is currently the Curator, Modern and Contemporary at EMOWAA (Edo Museum of West African Art), a new David Adjaye designed museum complex and cultural district in Benin City, Nigeria due to open in stages from 2024.</p><p>&nbsp;</p><p>Born in London, United Kingdom, Emelife studied at The Courtauld Institute of Art before embarking on a multifaceted career as a curator and art historian, producing highly acclaimed exhibitions for museum, galleries and private collections internationally. Recent exhibitions include BLACK VENUS; a survey of the legacy of the Black woman in visual culture which opened at Fotografiska NY and will tour to MOAD (San Francisco, USA) and <a href="https://www.somersethouse.org.uk/whats-on/black-venus" rel="noopener noreferrer" target="_blank">Somerset House (London, UK) in 2023.</a> Emelife’s first book, A Brief History of Protest Art was released by Tate in March 2022, Emelife has contributed to exhibition catalogues and publications, most recently including Revising Modern British Art (Lund Humphries, 2022) In 2021, Emelife was appointed to the Mayor of London’s Commission for Diversity in the Public Realm.</p><br><p>Lou and Aindrea consider Theaster Gates idea that “Black autonomy alone is too radical for current America”&nbsp;within the context of developing dialogues in contemporary art. We discuss the themes in her recent show 'Black Venus' and round up considering a key question of the series: 'Has the BLM period impacted art sector strategy?' We also find out how Aindrea navigates social media as a Black curator.</p><br><p>Shade Podcast is written, hosted and produced by Lou Mensah</p><p>Music generously composed for Shade by <a href="https://www.brianjackson.net/newhome" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Thank you for listening and for supporting Shade - an independent art show highlighting the work of Black art practitioners via <a href="https://www.patreon.com/shadepodcast" rel="noopener noreferrer" target="_blank">Patreon</a> and <a href="https://ko-fi.com/shadepodcast" rel="noopener noreferrer" target="_blank">Ko-fi</a></p><br><p>Shade <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Shade <a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">website</a></p><p>EMOWAA <a href="https://www.emowaa.com/" rel="noopener noreferrer" target="_blank">website</a></p><p>Aindrea Emelife <a href="https://www.aindrea.com/about" rel="noopener noreferrer" target="_blank">website</a></p><p>Aindrea Emelife <a href="https://www.instagram.com/aindreaemelife/" rel="noopener noreferrer" target="_blank">instagram</a></p><br><p>See you next time!</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Curator and art historian specialising in modern and contemporary art and curator of Black Venus at Somerset House.</p><br><p><em>*Please note that the sound quality in this episode is compromised due to an unstable internet connection between London and Lagos, where this conversation was recorded. However, Aindrea's insights are not to be missed!</em></p><br><p><strong>Aindrea Emelife</strong> is a Nigerian-British curator and art historian specialising in modern and contemporary art, with a focus on questions around colonial and decolonial histories in Africa, transnationalism and the politics of representation. Aindrea is currently the Curator, Modern and Contemporary at EMOWAA (Edo Museum of West African Art), a new David Adjaye designed museum complex and cultural district in Benin City, Nigeria due to open in stages from 2024.</p><p>&nbsp;</p><p>Born in London, United Kingdom, Emelife studied at The Courtauld Institute of Art before embarking on a multifaceted career as a curator and art historian, producing highly acclaimed exhibitions for museum, galleries and private collections internationally. Recent exhibitions include BLACK VENUS; a survey of the legacy of the Black woman in visual culture which opened at Fotografiska NY and will tour to MOAD (San Francisco, USA) and <a href="https://www.somersethouse.org.uk/whats-on/black-venus" rel="noopener noreferrer" target="_blank">Somerset House (London, UK) in 2023.</a> Emelife’s first book, A Brief History of Protest Art was released by Tate in March 2022, Emelife has contributed to exhibition catalogues and publications, most recently including Revising Modern British Art (Lund Humphries, 2022) In 2021, Emelife was appointed to the Mayor of London’s Commission for Diversity in the Public Realm.</p><br><p>Lou and Aindrea consider Theaster Gates idea that “Black autonomy alone is too radical for current America”&nbsp;within the context of developing dialogues in contemporary art. We discuss the themes in her recent show 'Black Venus' and round up considering a key question of the series: 'Has the BLM period impacted art sector strategy?' We also find out how Aindrea navigates social media as a Black curator.</p><br><p>Shade Podcast is written, hosted and produced by Lou Mensah</p><p>Music generously composed for Shade by <a href="https://www.brianjackson.net/newhome" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Thank you for listening and for supporting Shade - an independent art show highlighting the work of Black art practitioners via <a href="https://www.patreon.com/shadepodcast" rel="noopener noreferrer" target="_blank">Patreon</a> and <a href="https://ko-fi.com/shadepodcast" rel="noopener noreferrer" target="_blank">Ko-fi</a></p><br><p>Shade <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Shade <a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">website</a></p><p>EMOWAA <a href="https://www.emowaa.com/" rel="noopener noreferrer" target="_blank">website</a></p><p>Aindrea Emelife <a href="https://www.aindrea.com/about" rel="noopener noreferrer" target="_blank">website</a></p><p>Aindrea Emelife <a href="https://www.instagram.com/aindreaemelife/" rel="noopener noreferrer" target="_blank">instagram</a></p><br><p>See you next time!</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Shade Shorts: On curation with Bolanle Tajudeen </title>
			<itunes:title>Shade Shorts: On curation with Bolanle Tajudeen </itunes:title>
			<pubDate>Tue, 21 Mar 2023 04:00:04 GMT</pubDate>
			<itunes:duration>15:45</itunes:duration>
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			<itunes:subtitle>Founder of Black Blossoms </itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>6</itunes:season>
			<itunes:episode>2</itunes:episode>
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			<description><![CDATA[<p><strong>Bolanle Tajudeen</strong> founded Black Blossoms in 2015 to showcase the work of contemporary artists of colour.&nbsp;</p><p>In 2020, Bolanle launched the Black Blossoms School of Art and Culture, an initiative highlighting the art histories and creative practices of artists from historically marginalised backgrounds. As an alternative art school, Black Blossoms offers short educational courses including Art and Revolutionary China, Black British Art, The Black Image in London Galleries, and Curating Black Art.</p><p>Lou &amp; Bolanle discuss her shift in focus from studying politics, to art at UAL where, as the Vice President of the Student Union she co-founded <a href="https://ualsowhite-blog.tumblr.com/" rel="noopener noreferrer" target="_blank">UAL So White</a> to address the lack of diversity in teaching staff. At the time there were 1,300 white and 126 BAME staff.</p><p>Black Blossoms provides public programming for Art on the Underground and partners include The Photographer's Gallery and Tate. We also discuss the media backlash Bolanle received following her Art on the Underground public programme. We round up hearing about <em>Flourish </em>Black Blossoms forthcoming event <a href="https://www.tate.org.uk/whats-on/tate-britain/late-at-tate-britain" rel="noopener noreferrer" target="_blank">at Tate </a> inspired by <a href="https://www.tate.org.uk/visit/tate-britain/display/walk-through-british-art/sixty-years-unfinished-conversation" rel="noopener noreferrer" target="_blank">The Unfinished Conversation</a> display curated by Aicha Mehrez.</p><br><p>Shade Podcast is written, hosted and produced by Lou Mensah</p><p>Music <em>Shaded</em> generously composed by <a href="https://www.brianjackson.net/newhome" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Thank you for listening and for supporting Shade - an independent art show highlighting the work of Black art practitioners via <a href="https://www.patreon.com/shadepodcast" rel="noopener noreferrer" target="_blank">Patreon</a> and <a href="https://ko-fi.com/shadepodcast" rel="noopener noreferrer" target="_blank">Ko-fi</a></p><br><p>Shade <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Shade <a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">website</a></p><p><a href="https://www.tate.org.uk/whats-on/tate-britain/late-at-tate-britain" rel="noopener noreferrer" target="_blank">Black Blossoms Flourish at Tate </a></p><p>Black Blossoms <a href="https://www.black-blossoms.online/" rel="noopener noreferrer" target="_blank">website</a></p><p>Black Blossoms <a href="https://www.instagram.com/blackblossoms.online/" rel="noopener noreferrer" target="_blank">Instagram</a></p><br><p>See you next time!</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p><strong>Bolanle Tajudeen</strong> founded Black Blossoms in 2015 to showcase the work of contemporary artists of colour.&nbsp;</p><p>In 2020, Bolanle launched the Black Blossoms School of Art and Culture, an initiative highlighting the art histories and creative practices of artists from historically marginalised backgrounds. As an alternative art school, Black Blossoms offers short educational courses including Art and Revolutionary China, Black British Art, The Black Image in London Galleries, and Curating Black Art.</p><p>Lou &amp; Bolanle discuss her shift in focus from studying politics, to art at UAL where, as the Vice President of the Student Union she co-founded <a href="https://ualsowhite-blog.tumblr.com/" rel="noopener noreferrer" target="_blank">UAL So White</a> to address the lack of diversity in teaching staff. At the time there were 1,300 white and 126 BAME staff.</p><p>Black Blossoms provides public programming for Art on the Underground and partners include The Photographer's Gallery and Tate. We also discuss the media backlash Bolanle received following her Art on the Underground public programme. We round up hearing about <em>Flourish </em>Black Blossoms forthcoming event <a href="https://www.tate.org.uk/whats-on/tate-britain/late-at-tate-britain" rel="noopener noreferrer" target="_blank">at Tate </a> inspired by <a href="https://www.tate.org.uk/visit/tate-britain/display/walk-through-british-art/sixty-years-unfinished-conversation" rel="noopener noreferrer" target="_blank">The Unfinished Conversation</a> display curated by Aicha Mehrez.</p><br><p>Shade Podcast is written, hosted and produced by Lou Mensah</p><p>Music <em>Shaded</em> generously composed by <a href="https://www.brianjackson.net/newhome" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Thank you for listening and for supporting Shade - an independent art show highlighting the work of Black art practitioners via <a href="https://www.patreon.com/shadepodcast" rel="noopener noreferrer" target="_blank">Patreon</a> and <a href="https://ko-fi.com/shadepodcast" rel="noopener noreferrer" target="_blank">Ko-fi</a></p><br><p>Shade <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Shade <a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">website</a></p><p><a href="https://www.tate.org.uk/whats-on/tate-britain/late-at-tate-britain" rel="noopener noreferrer" target="_blank">Black Blossoms Flourish at Tate </a></p><p>Black Blossoms <a href="https://www.black-blossoms.online/" rel="noopener noreferrer" target="_blank">website</a></p><p>Black Blossoms <a href="https://www.instagram.com/blackblossoms.online/" rel="noopener noreferrer" target="_blank">Instagram</a></p><br><p>See you next time!</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Shade Shorts on curation with Péjú Oshin</title>
			<itunes:title>Shade Shorts on curation with Péjú Oshin</itunes:title>
			<pubDate>Wed, 15 Mar 2023 06:35:10 GMT</pubDate>
			<itunes:duration>18:54</itunes:duration>
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			<itunes:season>6</itunes:season>
			<itunes:episode>1</itunes:episode>
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			<description><![CDATA[<p>Associate Director Gagosian Gallery.</p><p>Péjú Oshin is the Associate Director of Gagosian Gallery&nbsp;and curator of <em>Rites of Passage</em> the exhibition featuring work by nineteen contemporary artists who share a history of migration.</p><p><em>Rites of Passage</em>&nbsp;explores the idea of “liminal space,” a coinage of anthropologist Arnold van Gennep (1873–1957). It is structured in correspondence with liminality’s three stages: separation, transition, and return. Each of these phases addresses the act of movement, not only through individual experience, but also in the broader context of community. The exhibition examines the status of postcolonial Black identity, specifically the “triple consciousness” experienced by members of the African diaspora when encountering counterparts who identify with local majority populations.&nbsp;</p><br><p>Péjú shares the personal and professional journey behind curating this exhibition, plus the impact and legacy of BLM 2020 on her previous role as Curator of Young People's Programmes at Tate and beyond. We round up exploring the visible public positioning of a curator and how the contemporary media landscape informs working practices.</p><br><p>Shade Podcast is written, hosted and produced by Lou Mensah</p><p>Music <em>Shaded</em> is composed by <a href="https://www.brianjackson.net/newhome" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Thank you for listening and for supporting Shade, a Black independent art show via <a href="https://www.patreon.com/shadepodcast" rel="noopener noreferrer" target="_blank">Patreon</a> and <a href="https://ko-fi.com/shadepodcast" rel="noopener noreferrer" target="_blank">Ko-fi</a></p><br><p>Shade <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Shade <a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">website</a></p><p>Rites of Passage at <a href="https://gagosian.com/exhibitions/2023/rites-of-passage/" rel="noopener noreferrer" target="_blank">Gagosian </a></p><p>Péjú Oshin <a href="https://www.instagram.com/pejuoshin/" rel="noopener noreferrer" target="_blank">Instagram</a></p><br><p>See you next time!</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Associate Director Gagosian Gallery.</p><p>Péjú Oshin is the Associate Director of Gagosian Gallery&nbsp;and curator of <em>Rites of Passage</em> the exhibition featuring work by nineteen contemporary artists who share a history of migration.</p><p><em>Rites of Passage</em>&nbsp;explores the idea of “liminal space,” a coinage of anthropologist Arnold van Gennep (1873–1957). It is structured in correspondence with liminality’s three stages: separation, transition, and return. Each of these phases addresses the act of movement, not only through individual experience, but also in the broader context of community. The exhibition examines the status of postcolonial Black identity, specifically the “triple consciousness” experienced by members of the African diaspora when encountering counterparts who identify with local majority populations.&nbsp;</p><br><p>Péjú shares the personal and professional journey behind curating this exhibition, plus the impact and legacy of BLM 2020 on her previous role as Curator of Young People's Programmes at Tate and beyond. We round up exploring the visible public positioning of a curator and how the contemporary media landscape informs working practices.</p><br><p>Shade Podcast is written, hosted and produced by Lou Mensah</p><p>Music <em>Shaded</em> is composed by <a href="https://www.brianjackson.net/newhome" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Thank you for listening and for supporting Shade, a Black independent art show via <a href="https://www.patreon.com/shadepodcast" rel="noopener noreferrer" target="_blank">Patreon</a> and <a href="https://ko-fi.com/shadepodcast" rel="noopener noreferrer" target="_blank">Ko-fi</a></p><br><p>Shade <a href="https://www.instagram.com/shade_podcast/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Shade <a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">website</a></p><p>Rites of Passage at <a href="https://gagosian.com/exhibitions/2023/rites-of-passage/" rel="noopener noreferrer" target="_blank">Gagosian </a></p><p>Péjú Oshin <a href="https://www.instagram.com/pejuoshin/" rel="noopener noreferrer" target="_blank">Instagram</a></p><br><p>See you next time!</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Interludes: Portals</title>
			<itunes:title>Interludes: Portals</itunes:title>
			<pubDate>Tue, 01 Nov 2022 05:00:36 GMT</pubDate>
			<itunes:duration>12:21</itunes:duration>
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			<itunes:subtitle>Series finale, featuring artist Cassi Namoda</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
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			<description><![CDATA[<p><strong>Portals </strong>features the voice of Cassi Namoda who shares her reflections based on her practice and work titled '<em>Worship at Bar Mundo' </em>(2022).</p><p>View '<em>Worship at Bar Mundo' </em><a href="https://www.xavierhufkens.com/exhibitions/cassi-namoda?modal=installation-overview-slider#slide-4" rel="noopener noreferrer" target="_blank">here </a>whilst listening to Axel's sonic response throughout this episode.<em> </em></p><p>Cassi Namoda is a painter whose work interweaves the personal with the historical. Born in Maputo and having lived in several different countries throughout her life, Namoda’s nomadic lifestyle and multicultural identity has long informed her work. The duality between past and present, colonialism and post-colonialism, Africa and Europe, spiritual traditions and a globalised world is a latent force in her most recent paintings.</p><p>Discover more of Cassi's work at <a href="https://www.xavierhufkens.com/artists/cassi-namoda" rel="noopener noreferrer" target="_blank">Xavier Hufkens Gallery</a>, <a href="https://www.goodman-gallery.com/artists/cassi-namoda" rel="noopener noreferrer" target="_blank">Goodman Gallery</a>, <a href="http://ghebaly.com/work/cassi-namoda/" rel="noopener noreferrer" target="_blank">François</a> <a href="http://ghebaly.com/work/cassi-namoda/" rel="noopener noreferrer" target="_blank">Ghebaly Gallery</a> and on Cassi's instagram <a href="https://www.instagram.com/cas_amandaa/" rel="noopener noreferrer" target="_blank">here</a>.</p><br><p>Interludes is a collaboration between Shade Podcast and Axel Kacoutié featuring six contemporary artists: Amy Sherald, Ming Smith, Phoebe Boswell, Rahima Gambo, Nnena Kalu and Cassi Namoda.</p><p>Framed by the question "What does healing sound like?", these podcasts offer a visceral connection with the artists' work. In each episode we weave the artists' reflections through Axel's original soundscapes, as a collaborative exploration of their creative experience.</p><p>The aim is to soften our tendency to intellectualise artwork, and instead create a sonic texture that is more intimate in its connection with the artist.</p><br><p>Concept &amp; Production by <a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">Lou Mensah </a></p><p>Created by <a href="https://axelkacoutie.com/" rel="noopener noreferrer" target="_blank">Axel Kacoutié</a></p><p>Interludes is supported by <a href="https://www.hauserwirth.com/" rel="noopener noreferrer" target="_blank">Hauser &amp; Wirth</a></p><p>Read more about this series in Hauser &amp; Wirth <a href="https://www.hauserwirth.com/ursula/39351-a-space-for-expansive-listening-shade-podcast/" rel="noopener noreferrer" target="_blank">Ursula Magazine </a></p><br><p>Additional support by Frieze Membership, the community that champions art. Frieze members enjoy&nbsp;articles from the leading voices shaping today’s art world, priority booking to Frieze fairs and unique perks along the way. Find out more on&nbsp;<a href="http://frieze.com/membership" rel="noopener noreferrer" target="_blank">frieze.com/membership</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p><strong>Portals </strong>features the voice of Cassi Namoda who shares her reflections based on her practice and work titled '<em>Worship at Bar Mundo' </em>(2022).</p><p>View '<em>Worship at Bar Mundo' </em><a href="https://www.xavierhufkens.com/exhibitions/cassi-namoda?modal=installation-overview-slider#slide-4" rel="noopener noreferrer" target="_blank">here </a>whilst listening to Axel's sonic response throughout this episode.<em> </em></p><p>Cassi Namoda is a painter whose work interweaves the personal with the historical. Born in Maputo and having lived in several different countries throughout her life, Namoda’s nomadic lifestyle and multicultural identity has long informed her work. The duality between past and present, colonialism and post-colonialism, Africa and Europe, spiritual traditions and a globalised world is a latent force in her most recent paintings.</p><p>Discover more of Cassi's work at <a href="https://www.xavierhufkens.com/artists/cassi-namoda" rel="noopener noreferrer" target="_blank">Xavier Hufkens Gallery</a>, <a href="https://www.goodman-gallery.com/artists/cassi-namoda" rel="noopener noreferrer" target="_blank">Goodman Gallery</a>, <a href="http://ghebaly.com/work/cassi-namoda/" rel="noopener noreferrer" target="_blank">François</a> <a href="http://ghebaly.com/work/cassi-namoda/" rel="noopener noreferrer" target="_blank">Ghebaly Gallery</a> and on Cassi's instagram <a href="https://www.instagram.com/cas_amandaa/" rel="noopener noreferrer" target="_blank">here</a>.</p><br><p>Interludes is a collaboration between Shade Podcast and Axel Kacoutié featuring six contemporary artists: Amy Sherald, Ming Smith, Phoebe Boswell, Rahima Gambo, Nnena Kalu and Cassi Namoda.</p><p>Framed by the question "What does healing sound like?", these podcasts offer a visceral connection with the artists' work. In each episode we weave the artists' reflections through Axel's original soundscapes, as a collaborative exploration of their creative experience.</p><p>The aim is to soften our tendency to intellectualise artwork, and instead create a sonic texture that is more intimate in its connection with the artist.</p><br><p>Concept &amp; Production by <a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">Lou Mensah </a></p><p>Created by <a href="https://axelkacoutie.com/" rel="noopener noreferrer" target="_blank">Axel Kacoutié</a></p><p>Interludes is supported by <a href="https://www.hauserwirth.com/" rel="noopener noreferrer" target="_blank">Hauser &amp; Wirth</a></p><p>Read more about this series in Hauser &amp; Wirth <a href="https://www.hauserwirth.com/ursula/39351-a-space-for-expansive-listening-shade-podcast/" rel="noopener noreferrer" target="_blank">Ursula Magazine </a></p><br><p>Additional support by Frieze Membership, the community that champions art. Frieze members enjoy&nbsp;articles from the leading voices shaping today’s art world, priority booking to Frieze fairs and unique perks along the way. Find out more on&nbsp;<a href="http://frieze.com/membership" rel="noopener noreferrer" target="_blank">frieze.com/membership</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Interludes: Mandala</title>
			<itunes:title>Interludes: Mandala</itunes:title>
			<pubDate>Tue, 25 Oct 2022 04:00:54 GMT</pubDate>
			<itunes:duration>7:16</itunes:duration>
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			<itunes:subtitle>Nnena Kalu</itunes:subtitle>
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			<description><![CDATA[<p><strong>Mandala </strong>features the sounds of the artist <a href="https://actionspace.org/artists/nnena-kalu/" rel="noopener noreferrer" target="_blank">Nnena Kalu </a>creating an untitled work and the voice of <a href="https://actionspace.org/" rel="noopener noreferrer" target="_blank">ActionSpace</a> Associate Artist, Charlotte Hollinshead.</p><br><p>Nnena&nbsp;Kalu has created a vast body of sculptural and 2D artworks and developed a live, performative element to her practice. She is driven by an instinctive urge to build repeated marks and forms, creating intensely layered, visually impactful artworks with dense colours and compacted, flowing lines.&nbsp;Nnena&nbsp;has developed her artistic practice at the <a href="https://actionspace.org/" rel="noopener noreferrer" target="_blank">ActionSpace</a> studio in <a href="https://www.studiovoltaire.org/" rel="noopener noreferrer" target="_blank">Studio Voltaire</a> since 1999.</p><p><a href="https://actionspace.org/" rel="noopener noreferrer" target="_blank">ActionSpace</a> is London’s leading development agency for learning disabled artists. All of their work is focused towards enabling learning disabled artists to have a professional career in the arts.&nbsp;</p><p>View Nnena's work <a href="https://actionspace.org/nnena-kalu-deptford-x/" rel="noopener noreferrer" target="_blank">here </a>whilst listening to Axel's sonic response throughout this episode.</p><br><p>Interludes is a collaboration between Shade Podcast and Axel Kacoutié featuring six contemporary artists: Amy Sherald, Ming Smith, Phoebe Boswell, Rahima Gambo, Nnena Kalu and Cassi Namoda.</p><p>Framed by the question "What does healing sound like?", these podcasts offer a visceral connection with the artists' work. In each episode we weave the artists' reflections through Axel's original soundscapes, as a collaborative exploration of their creative experience.</p><p>The aim is to soften our tendency to intellectualise artwork, and instead create a sonic texture that is more intimate in its connection with the artist.</p><br><p>Concept &amp; Production by <a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">Lou Mensah </a></p><p>Created by <a href="https://axelkacoutie.com/" rel="noopener noreferrer" target="_blank">Axel Kacoutié</a></p><p>Interludes is supported by <a href="https://www.hauserwirth.com/" rel="noopener noreferrer" target="_blank">Hauser &amp; Wirth</a></p><p>Read more about this series in Hauser &amp; Wirth <a href="https://www.hauserwirth.com/ursula/39351-a-space-for-expansive-listening-shade-podcast/" rel="noopener noreferrer" target="_blank">Ursula Magazine </a></p><br><p>Additional support by Frieze Membership, the community that champions art. Frieze members enjoy&nbsp;articles from the leading voices shaping today’s art world, priority booking to Frieze fairs and unique perks along the way. Find out more on&nbsp;<a href="http://frieze.com/membership" rel="noopener noreferrer" target="_blank">frieze.com/membership</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p><strong>Mandala </strong>features the sounds of the artist <a href="https://actionspace.org/artists/nnena-kalu/" rel="noopener noreferrer" target="_blank">Nnena Kalu </a>creating an untitled work and the voice of <a href="https://actionspace.org/" rel="noopener noreferrer" target="_blank">ActionSpace</a> Associate Artist, Charlotte Hollinshead.</p><br><p>Nnena&nbsp;Kalu has created a vast body of sculptural and 2D artworks and developed a live, performative element to her practice. She is driven by an instinctive urge to build repeated marks and forms, creating intensely layered, visually impactful artworks with dense colours and compacted, flowing lines.&nbsp;Nnena&nbsp;has developed her artistic practice at the <a href="https://actionspace.org/" rel="noopener noreferrer" target="_blank">ActionSpace</a> studio in <a href="https://www.studiovoltaire.org/" rel="noopener noreferrer" target="_blank">Studio Voltaire</a> since 1999.</p><p><a href="https://actionspace.org/" rel="noopener noreferrer" target="_blank">ActionSpace</a> is London’s leading development agency for learning disabled artists. All of their work is focused towards enabling learning disabled artists to have a professional career in the arts.&nbsp;</p><p>View Nnena's work <a href="https://actionspace.org/nnena-kalu-deptford-x/" rel="noopener noreferrer" target="_blank">here </a>whilst listening to Axel's sonic response throughout this episode.</p><br><p>Interludes is a collaboration between Shade Podcast and Axel Kacoutié featuring six contemporary artists: Amy Sherald, Ming Smith, Phoebe Boswell, Rahima Gambo, Nnena Kalu and Cassi Namoda.</p><p>Framed by the question "What does healing sound like?", these podcasts offer a visceral connection with the artists' work. In each episode we weave the artists' reflections through Axel's original soundscapes, as a collaborative exploration of their creative experience.</p><p>The aim is to soften our tendency to intellectualise artwork, and instead create a sonic texture that is more intimate in its connection with the artist.</p><br><p>Concept &amp; Production by <a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">Lou Mensah </a></p><p>Created by <a href="https://axelkacoutie.com/" rel="noopener noreferrer" target="_blank">Axel Kacoutié</a></p><p>Interludes is supported by <a href="https://www.hauserwirth.com/" rel="noopener noreferrer" target="_blank">Hauser &amp; Wirth</a></p><p>Read more about this series in Hauser &amp; Wirth <a href="https://www.hauserwirth.com/ursula/39351-a-space-for-expansive-listening-shade-podcast/" rel="noopener noreferrer" target="_blank">Ursula Magazine </a></p><br><p>Additional support by Frieze Membership, the community that champions art. Frieze members enjoy&nbsp;articles from the leading voices shaping today’s art world, priority booking to Frieze fairs and unique perks along the way. Find out more on&nbsp;<a href="http://frieze.com/membership" rel="noopener noreferrer" target="_blank">frieze.com/membership</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Interludes: featuring Ming Smith</title>
			<itunes:title>Interludes: featuring Ming Smith</itunes:title>
			<pubDate>Tue, 18 Oct 2022 04:00:17 GMT</pubDate>
			<itunes:duration>12:27</itunes:duration>
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			<itunes:subtitle>Where the sun sleeps </itunes:subtitle>
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			<description><![CDATA[<p><strong>Where the sun sleeps </strong>features the voice of photographer <a href="https://mingsmithstudio.com/about" rel="noopener noreferrer" target="_blank">Ming Smith </a>who shares her reflections based on her practice and work <a href="https://mingsmithstudio.com/work" rel="noopener noreferrer" target="_blank">Circle of Life (Hakone, Japan 1985</a>)<em>. </em></p><p>Ming Smith was the first female member to join Kamoinge, a collective of black photographers in New York in the 1960s, working to document black life. Smith would go on to be the first black woman photographer to be included in the collections of the&nbsp;Museum of Modern Art. </p><p>Smith has often described her work as ‘celebrating the struggle, the survival and to find grace in it.’ Many of Smith’s subjects were well-known black cultural figures from Nina Simone, Grace Jones and Alice Coltrane: all from her neighbourhood. Smith has cited music as being a big influence in her work, saying 'these pieces are like the blues.’  </p><p>View '<em>Circle of life'</em> <a href="https://mingsmithstudio.com/work" rel="noopener noreferrer" target="_blank">here </a>whilst listening to Axel's sonic response throughout this episode.</p><br><p>Interludes is a collaboration between Shade Podcast and Axel Kacoutié featuring six contemporary artists: Amy Sherald, Ming Smith, Phoebe Boswell, Rahima Gambo, Nnena Kalu and Cassi Namoda.</p><p>Framed by the question "What does healing sound like?", these podcasts offer a visceral connection with the artists' work. In each episode we weave the artists' reflections through Axel's original soundscapes, as a collaborative exploration of their creative experience.</p><p>The aim is to soften our tendency to intellectualise artwork, and instead create a sonic texture that is more intimate in its connection with the artist.</p><br><p>Concept &amp; Production by <a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">Lou Mensah </a></p><p>Created by <a href="https://axelkacoutie.com/" rel="noopener noreferrer" target="_blank">Axel Kacoutié</a></p><p>Interludes is supported by <a href="https://www.hauserwirth.com/" rel="noopener noreferrer" target="_blank">Hauser &amp; Wirth</a></p><p>Read more about this series in Hauser &amp; Wirth <a href="https://www.hauserwirth.com/ursula/39351-a-space-for-expansive-listening-shade-podcast/" rel="noopener noreferrer" target="_blank">Ursula Magazine </a></p><br><p>Additional support by Frieze Membership, the community that champions art. Frieze members enjoy&nbsp;articles from the leading voices shaping today’s art world, priority booking to Frieze fairs and unique perks along the way. Find out more on&nbsp;<a href="http://frieze.com/membership" rel="noopener noreferrer" target="_blank">frieze.com/membership</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p><strong>Where the sun sleeps </strong>features the voice of photographer <a href="https://mingsmithstudio.com/about" rel="noopener noreferrer" target="_blank">Ming Smith </a>who shares her reflections based on her practice and work <a href="https://mingsmithstudio.com/work" rel="noopener noreferrer" target="_blank">Circle of Life (Hakone, Japan 1985</a>)<em>. </em></p><p>Ming Smith was the first female member to join Kamoinge, a collective of black photographers in New York in the 1960s, working to document black life. Smith would go on to be the first black woman photographer to be included in the collections of the&nbsp;Museum of Modern Art. </p><p>Smith has often described her work as ‘celebrating the struggle, the survival and to find grace in it.’ Many of Smith’s subjects were well-known black cultural figures from Nina Simone, Grace Jones and Alice Coltrane: all from her neighbourhood. Smith has cited music as being a big influence in her work, saying 'these pieces are like the blues.’  </p><p>View '<em>Circle of life'</em> <a href="https://mingsmithstudio.com/work" rel="noopener noreferrer" target="_blank">here </a>whilst listening to Axel's sonic response throughout this episode.</p><br><p>Interludes is a collaboration between Shade Podcast and Axel Kacoutié featuring six contemporary artists: Amy Sherald, Ming Smith, Phoebe Boswell, Rahima Gambo, Nnena Kalu and Cassi Namoda.</p><p>Framed by the question "What does healing sound like?", these podcasts offer a visceral connection with the artists' work. In each episode we weave the artists' reflections through Axel's original soundscapes, as a collaborative exploration of their creative experience.</p><p>The aim is to soften our tendency to intellectualise artwork, and instead create a sonic texture that is more intimate in its connection with the artist.</p><br><p>Concept &amp; Production by <a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">Lou Mensah </a></p><p>Created by <a href="https://axelkacoutie.com/" rel="noopener noreferrer" target="_blank">Axel Kacoutié</a></p><p>Interludes is supported by <a href="https://www.hauserwirth.com/" rel="noopener noreferrer" target="_blank">Hauser &amp; Wirth</a></p><p>Read more about this series in Hauser &amp; Wirth <a href="https://www.hauserwirth.com/ursula/39351-a-space-for-expansive-listening-shade-podcast/" rel="noopener noreferrer" target="_blank">Ursula Magazine </a></p><br><p>Additional support by Frieze Membership, the community that champions art. Frieze members enjoy&nbsp;articles from the leading voices shaping today’s art world, priority booking to Frieze fairs and unique perks along the way. Find out more on&nbsp;<a href="http://frieze.com/membership" rel="noopener noreferrer" target="_blank">frieze.com/membership</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Interludes: featuring Amy Sherald</title>
			<itunes:title>Interludes: featuring Amy Sherald</itunes:title>
			<pubDate>Tue, 11 Oct 2022 04:00:23 GMT</pubDate>
			<itunes:duration>10:26</itunes:duration>
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			<itunes:subtitle>Dream Recurred </itunes:subtitle>
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			<description><![CDATA[<p><strong>Dream Recurred </strong>features the voice of Amy Sherald who shares her reflections based on her practice and new work <a href="https://www.hauserwirth.com/hauser-wirth-exhibitions/38424-amy-sherald-the-world-we-make/" rel="noopener noreferrer" target="_blank"><em>For love, and for country</em></a> (2022)<em>. </em></p><p><em>'For love, and for country'</em> features in <em>'The World We Make'</em>, Sherald's first solo show in Europe. In this new body of work, Sherald humanises the Black experience by depicting her subjects in both historically recognisable and everyday settings, at once immortalising them and reinserting them into the art historical canon.</p><p>View '<em>For love, and for country'</em> <a href="https://www.hauserwirth.com/hauser-wirth-exhibitions/38424-amy-sherald-the-world-we-make/" rel="noopener noreferrer" target="_blank">here</a> whilst listening to Axel's sonic response throughout this episode.</p><br><p>Interludes is a collaboration between Shade Podcast and Axel Kacoutié featuring six contemporary artists: Amy Sherald, Ming Smith, Phoebe Boswell, Rahima Gambo, Nnena Kalu and Cassi Namoda.</p><p>Framed by the question "What does healing sound like?", these podcasts offer a visceral connection with the artists' work. In each episode we weave the artists' reflections through Axel's original soundscapes, as a collaborative exploration of their creative experience.</p><p>The aim is to soften our tendency to intellectualise artwork, and instead create a sonic texture that is more intimate in its connection with the artist.</p><br><p>Concept &amp; Production by <a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">Lou Mensah </a></p><p>Created by <a href="https://axelkacoutie.com/" rel="noopener noreferrer" target="_blank">Axel Kacoutié</a></p><p>Interludes is supported by <a href="https://www.hauserwirth.com/" rel="noopener noreferrer" target="_blank">Hauser &amp; Wirth</a></p><p>Read more about this series in Hauser &amp; Wirth <a href="https://www.hauserwirth.com/ursula/39351-a-space-for-expansive-listening-shade-podcast/" rel="noopener noreferrer" target="_blank">Ursula Magazine </a></p><br><p>Additional support by Frieze Membership, the community that champions art. Frieze members enjoy&nbsp;articles from the leading voices shaping today’s art world, priority booking to Frieze fairs and unique perks along the way. Find out more on&nbsp;<a href="http://frieze.com/membership" rel="noopener noreferrer" target="_blank">frieze.com/membership</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p><strong>Dream Recurred </strong>features the voice of Amy Sherald who shares her reflections based on her practice and new work <a href="https://www.hauserwirth.com/hauser-wirth-exhibitions/38424-amy-sherald-the-world-we-make/" rel="noopener noreferrer" target="_blank"><em>For love, and for country</em></a> (2022)<em>. </em></p><p><em>'For love, and for country'</em> features in <em>'The World We Make'</em>, Sherald's first solo show in Europe. In this new body of work, Sherald humanises the Black experience by depicting her subjects in both historically recognisable and everyday settings, at once immortalising them and reinserting them into the art historical canon.</p><p>View '<em>For love, and for country'</em> <a href="https://www.hauserwirth.com/hauser-wirth-exhibitions/38424-amy-sherald-the-world-we-make/" rel="noopener noreferrer" target="_blank">here</a> whilst listening to Axel's sonic response throughout this episode.</p><br><p>Interludes is a collaboration between Shade Podcast and Axel Kacoutié featuring six contemporary artists: Amy Sherald, Ming Smith, Phoebe Boswell, Rahima Gambo, Nnena Kalu and Cassi Namoda.</p><p>Framed by the question "What does healing sound like?", these podcasts offer a visceral connection with the artists' work. In each episode we weave the artists' reflections through Axel's original soundscapes, as a collaborative exploration of their creative experience.</p><p>The aim is to soften our tendency to intellectualise artwork, and instead create a sonic texture that is more intimate in its connection with the artist.</p><br><p>Concept &amp; Production by <a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">Lou Mensah </a></p><p>Created by <a href="https://axelkacoutie.com/" rel="noopener noreferrer" target="_blank">Axel Kacoutié</a></p><p>Interludes is supported by <a href="https://www.hauserwirth.com/" rel="noopener noreferrer" target="_blank">Hauser &amp; Wirth</a></p><p>Read more about this series in Hauser &amp; Wirth <a href="https://www.hauserwirth.com/ursula/39351-a-space-for-expansive-listening-shade-podcast/" rel="noopener noreferrer" target="_blank">Ursula Magazine </a></p><br><p>Additional support by Frieze Membership, the community that champions art. Frieze members enjoy&nbsp;articles from the leading voices shaping today’s art world, priority booking to Frieze fairs and unique perks along the way. Find out more on&nbsp;<a href="http://frieze.com/membership" rel="noopener noreferrer" target="_blank">frieze.com/membership</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
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			<title>Interludes: Forgetting Eden</title>
			<itunes:title>Interludes: Forgetting Eden</itunes:title>
			<pubDate>Tue, 04 Oct 2022 15:38:24 GMT</pubDate>
			<itunes:duration>10:04</itunes:duration>
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			<acast:episodeUrl>interludes-forgettingeden-rahimagambo</acast:episodeUrl>
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			<itunes:subtitle>Rahima Gambo</itunes:subtitle>
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			<description><![CDATA[<p><strong>Forgetting Eden </strong>features the voice of Rahima Gambo who shares her reflections based on her practice and project <a href="http://www.rahimagambo.com/education-is-forbidden" rel="noopener noreferrer" target="_blank">Education is Forbidden </a>and <a href="http://www.rahimagambo.com/tatsuniya" rel="noopener noreferrer" target="_blank">Tatsuniya.</a></p><p>Rahima’s deeply layered mixed media engagement is about the aftermath of conflict, the nature of memory and the echoes and consequences of colonial education in north eastern Nigeria.</p><p>Discover more of Rahima's work on her <a href="https://www.instagram.com/awalkspace/" rel="noopener noreferrer" target="_blank">Instagram </a>and her <a href="http://www.rahimagambo.com/" rel="noopener noreferrer" target="_blank">website</a>. </p><br><p>Interludes is a collaboration between Shade Podcast and Axel Kacoutié featuring six contemporary artists: Amy Sherald, Ming Smith, Phoebe Boswell, Rahima Gambo, Nnena Kalu and Cassi Namoda.</p><p>Framed by the question "What does healing sound like?", these podcasts offer a visceral connection with the artists' work. In each episode we weave the artists' reflections through Axel's original soundscapes, as a collaborative exploration of their creative experience.</p><p>The aim is to soften our tendency to intellectualise artwork, and instead create a sonic texture that is more intimate in its connection with the artist.</p><br><p>Concept &amp; Production by <a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">Lou Mensah </a></p><p>Created by <a href="https://axelkacoutie.com/" rel="noopener noreferrer" target="_blank">Axel Kacoutié</a></p><p>Interludes is supported by <a href="https://www.hauserwirth.com/" rel="noopener noreferrer" target="_blank">Hauser &amp; Wirth</a></p><p>Read more about this series in Hauser &amp; Wirth <a href="https://www.hauserwirth.com/ursula/39351-a-space-for-expansive-listening-shade-podcast/" rel="noopener noreferrer" target="_blank">Ursula Magazine </a></p><br><p>Additional support by Frieze Membership, the community that champions art. Frieze members enjoy&nbsp;articles from the leading voices shaping today’s art world, priority booking to Frieze fairs and unique perks along the way. Find out more on&nbsp;<a href="http://frieze.com/membership" rel="noopener noreferrer" target="_blank">frieze.com/membership</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p><strong>Forgetting Eden </strong>features the voice of Rahima Gambo who shares her reflections based on her practice and project <a href="http://www.rahimagambo.com/education-is-forbidden" rel="noopener noreferrer" target="_blank">Education is Forbidden </a>and <a href="http://www.rahimagambo.com/tatsuniya" rel="noopener noreferrer" target="_blank">Tatsuniya.</a></p><p>Rahima’s deeply layered mixed media engagement is about the aftermath of conflict, the nature of memory and the echoes and consequences of colonial education in north eastern Nigeria.</p><p>Discover more of Rahima's work on her <a href="https://www.instagram.com/awalkspace/" rel="noopener noreferrer" target="_blank">Instagram </a>and her <a href="http://www.rahimagambo.com/" rel="noopener noreferrer" target="_blank">website</a>. </p><br><p>Interludes is a collaboration between Shade Podcast and Axel Kacoutié featuring six contemporary artists: Amy Sherald, Ming Smith, Phoebe Boswell, Rahima Gambo, Nnena Kalu and Cassi Namoda.</p><p>Framed by the question "What does healing sound like?", these podcasts offer a visceral connection with the artists' work. In each episode we weave the artists' reflections through Axel's original soundscapes, as a collaborative exploration of their creative experience.</p><p>The aim is to soften our tendency to intellectualise artwork, and instead create a sonic texture that is more intimate in its connection with the artist.</p><br><p>Concept &amp; Production by <a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">Lou Mensah </a></p><p>Created by <a href="https://axelkacoutie.com/" rel="noopener noreferrer" target="_blank">Axel Kacoutié</a></p><p>Interludes is supported by <a href="https://www.hauserwirth.com/" rel="noopener noreferrer" target="_blank">Hauser &amp; Wirth</a></p><p>Read more about this series in Hauser &amp; Wirth <a href="https://www.hauserwirth.com/ursula/39351-a-space-for-expansive-listening-shade-podcast/" rel="noopener noreferrer" target="_blank">Ursula Magazine </a></p><br><p>Additional support by Frieze Membership, the community that champions art. Frieze members enjoy&nbsp;articles from the leading voices shaping today’s art world, priority booking to Frieze fairs and unique perks along the way. Find out more on&nbsp;<a href="http://frieze.com/membership" rel="noopener noreferrer" target="_blank">frieze.com/membership</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Larry Achiampong </title>
			<itunes:title>Larry Achiampong </itunes:title>
			<pubDate>Fri, 30 Sep 2022 04:00:53 GMT</pubDate>
			<itunes:duration>38:15</itunes:duration>
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			<link>https://shows.acast.com/shadepodcast/episodes/larry-achiampong-on-race-and-inclusion-in-art-education</link>
			<acast:episodeId>632df19e2e3c7c0012afbab0</acast:episodeId>
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			<itunes:subtitle><![CDATA[Visualise: Race & arts education in the UK]]></itunes:subtitle>
			<itunes:episodeType>bonus</itunes:episodeType>
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			<description><![CDATA[<p><a href="https://www.larryachiampong.co.uk/" rel="noopener noreferrer" target="_blank"><strong>Larry Achiampong</strong></a><strong> </strong>is a British Ghanian, Jarman Award nominated artist. In 2020 he was awarded the Stanley Picker fellowship and in 2019 he received the Paul Hamlyn Artist award in recognition for his practice. Larry’s most recent solo exhibition Wayfinder showed this summer at the Turner Contemporary Gallery. He serves on the Board of Trustees at Iniva (Institute of International Visual Arts) and The Elephant Trust. </p><p>Join Larry &amp; I in exploring the impact of race on arts education and access to the arts sector.&nbsp;</p><p>We highlight the urgent need for change as set out in The Runnymede Trust and Freelands Foundation research into access into the visual arts for Black, Asian and ethnically diverse students in the UK. It’s the first research project of this scale in the UK.&nbsp;</p><p>The project was launched in July 2022 with a ‘<a href="https://runnymede.webflow.io/visualise" rel="noopener noreferrer" target="_blank">Call for Evidence</a> inviting contributions from students, teachers, art educators, artists and the wider sector.&nbsp;</p><p>Read about how the evidence will be implemented and contribute by submitting your evidence <a href="https://runnymede.webflow.io/visualise" rel="noopener noreferrer" target="_blank">here</a>.</p><p>The final report will be published in early 2023.</p><br><p>Guest <a href="https://www.larryachiampong.co.uk/" rel="noopener noreferrer" target="_blank">Larry Achiampong </a></p><p>This podcast was produced and hosted by <a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">Lou Mensah</a></p><p>Editing <a href="https://maelievans.com/" rel="noopener noreferrer" target="_blank">Mae Li Evans </a></p><p>Music composed for Shade Podcast by <a href="https://www.brianjackson.net/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>The Runnymede Trust <a href="https://www.runnymedetrust.org/" rel="noopener noreferrer" target="_blank">website </a></p><p>This episode was supported by <a href="https://freelandsfoundation.co.uk/" rel="noopener noreferrer" target="_blank">Freelands Foundation</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p><a href="https://www.larryachiampong.co.uk/" rel="noopener noreferrer" target="_blank"><strong>Larry Achiampong</strong></a><strong> </strong>is a British Ghanian, Jarman Award nominated artist. In 2020 he was awarded the Stanley Picker fellowship and in 2019 he received the Paul Hamlyn Artist award in recognition for his practice. Larry’s most recent solo exhibition Wayfinder showed this summer at the Turner Contemporary Gallery. He serves on the Board of Trustees at Iniva (Institute of International Visual Arts) and The Elephant Trust. </p><p>Join Larry &amp; I in exploring the impact of race on arts education and access to the arts sector.&nbsp;</p><p>We highlight the urgent need for change as set out in The Runnymede Trust and Freelands Foundation research into access into the visual arts for Black, Asian and ethnically diverse students in the UK. It’s the first research project of this scale in the UK.&nbsp;</p><p>The project was launched in July 2022 with a ‘<a href="https://runnymede.webflow.io/visualise" rel="noopener noreferrer" target="_blank">Call for Evidence</a> inviting contributions from students, teachers, art educators, artists and the wider sector.&nbsp;</p><p>Read about how the evidence will be implemented and contribute by submitting your evidence <a href="https://runnymede.webflow.io/visualise" rel="noopener noreferrer" target="_blank">here</a>.</p><p>The final report will be published in early 2023.</p><br><p>Guest <a href="https://www.larryachiampong.co.uk/" rel="noopener noreferrer" target="_blank">Larry Achiampong </a></p><p>This podcast was produced and hosted by <a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">Lou Mensah</a></p><p>Editing <a href="https://maelievans.com/" rel="noopener noreferrer" target="_blank">Mae Li Evans </a></p><p>Music composed for Shade Podcast by <a href="https://www.brianjackson.net/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>The Runnymede Trust <a href="https://www.runnymedetrust.org/" rel="noopener noreferrer" target="_blank">website </a></p><p>This episode was supported by <a href="https://freelandsfoundation.co.uk/" rel="noopener noreferrer" target="_blank">Freelands Foundation</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Interludes: Drexciya</title>
			<itunes:title>Interludes: Drexciya</itunes:title>
			<pubDate>Tue, 27 Sep 2022 04:00:41 GMT</pubDate>
			<itunes:duration>12:59</itunes:duration>
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			<acast:showId>241b5e41-db8f-59dc-95ea-0160569317ef</acast:showId>
			<acast:episodeUrl>interludes-drexciya-phoebe-boswell</acast:episodeUrl>
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			<itunes:subtitle>Phoebe Boswell, feat. JD Allen</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
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			<description><![CDATA[<p><strong>Drexciya</strong> features the voice of Phoebe Boswell who shares her reflections based on her practice and project <a href="https://cacno.org/visual-arts/phoebe-boswell-the-black-horizon" rel="noopener noreferrer" target="_blank"><em>The Black Horizon</em></a> <em>Do We Muse on the Sky or Remember the Sea?</em></p><p>Discover more of Phoebe’s work on her <a href="https://www.instagram.com/phoebe.boswell/" rel="noopener noreferrer" target="_blank">Instagram</a> and her <a href="https://www.phoebeboswell.com/" rel="noopener noreferrer" target="_blank">website</a></p><p>This episode also features a performance by Jazz Tenor Saxophonist JD Allen who collaborated with Phoebe Boswell on <em>The Black Horizon</em> project. His work is also available on all music platforms.</p><br><p>Interludes is a collaboration between Shade Podcast and Axel Kacoutié featuring six contemporary artists: Amy Sherald, Ming Smith, Phoebe Boswell, Rahima Gambo, Nnena Kalu and Cassi Namoda.</p><p>Framed by the question "What does healing sound like?", these podcasts offer a visceral connection with the artists' work. In each episode we weave the artists' reflections through Axel's original soundscapes, as a collaborative exploration of their creative experience.</p><p>The aim is to soften our tendency to intellectualise artwork, and instead create a sonic texture that is more intimate in its connection with the artist.</p><br><p>Concept &amp; Production by <a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">Lou Mensah </a></p><p>Created by <a href="https://axelkacoutie.com/" rel="noopener noreferrer" target="_blank">Axel Kacoutié</a></p><p>Interludes is supported by <a href="https://www.hauserwirth.com/" rel="noopener noreferrer" target="_blank">Hauser &amp; Wirth</a></p><p>Read more about this series in Hauser &amp; Wirth <a href="https://www.hauserwirth.com/ursula/39351-a-space-for-expansive-listening-shade-podcast/" rel="noopener noreferrer" target="_blank">Ursula Magazine </a></p><br><p>Additional support by Frieze Membership, the community that champions art. Frieze members enjoy&nbsp;articles from the leading voices shaping today’s art world, priority booking to Frieze fairs and unique perks along the way. Find out more on&nbsp;<a href="http://frieze.com/membership" rel="noopener noreferrer" target="_blank">frieze.com/membership</a></p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p><strong>Drexciya</strong> features the voice of Phoebe Boswell who shares her reflections based on her practice and project <a href="https://cacno.org/visual-arts/phoebe-boswell-the-black-horizon" rel="noopener noreferrer" target="_blank"><em>The Black Horizon</em></a> <em>Do We Muse on the Sky or Remember the Sea?</em></p><p>Discover more of Phoebe’s work on her <a href="https://www.instagram.com/phoebe.boswell/" rel="noopener noreferrer" target="_blank">Instagram</a> and her <a href="https://www.phoebeboswell.com/" rel="noopener noreferrer" target="_blank">website</a></p><p>This episode also features a performance by Jazz Tenor Saxophonist JD Allen who collaborated with Phoebe Boswell on <em>The Black Horizon</em> project. His work is also available on all music platforms.</p><br><p>Interludes is a collaboration between Shade Podcast and Axel Kacoutié featuring six contemporary artists: Amy Sherald, Ming Smith, Phoebe Boswell, Rahima Gambo, Nnena Kalu and Cassi Namoda.</p><p>Framed by the question "What does healing sound like?", these podcasts offer a visceral connection with the artists' work. In each episode we weave the artists' reflections through Axel's original soundscapes, as a collaborative exploration of their creative experience.</p><p>The aim is to soften our tendency to intellectualise artwork, and instead create a sonic texture that is more intimate in its connection with the artist.</p><br><p>Concept &amp; Production by <a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">Lou Mensah </a></p><p>Created by <a href="https://axelkacoutie.com/" rel="noopener noreferrer" target="_blank">Axel Kacoutié</a></p><p>Interludes is supported by <a href="https://www.hauserwirth.com/" rel="noopener noreferrer" target="_blank">Hauser &amp; Wirth</a></p><p>Read more about this series in Hauser &amp; Wirth <a href="https://www.hauserwirth.com/ursula/39351-a-space-for-expansive-listening-shade-podcast/" rel="noopener noreferrer" target="_blank">Ursula Magazine </a></p><br><p>Additional support by Frieze Membership, the community that champions art. Frieze members enjoy&nbsp;articles from the leading voices shaping today’s art world, priority booking to Frieze fairs and unique perks along the way. Find out more on&nbsp;<a href="http://frieze.com/membership" rel="noopener noreferrer" target="_blank">frieze.com/membership</a></p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Interludes trailer</title>
			<itunes:title>Interludes trailer</itunes:title>
			<pubDate>Thu, 22 Sep 2022 06:12:42 GMT</pubDate>
			<itunes:duration>2:22</itunes:duration>
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			<acast:episodeUrl>interludes</acast:episodeUrl>
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			<itunes:subtitle><![CDATA[A collaboration between Shade Podcast & Axel Kacoutié]]></itunes:subtitle>
			<itunes:episodeType>trailer</itunes:episodeType>
			<itunes:season>5</itunes:season>
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			<description><![CDATA[<p><strong>Interludes </strong>is a collaboration between Shade Podcast and Axel Kacoutié featuring six contemporary artists: Amy Sherald, Ming Smith, Phoebe Boswell, Rahima Gambo, Nnena Kalu and Cassi Namoda.</p><p>Framed by the question "What does healing sound like?", these podcasts offer a visceral connection with the artists' work. In each episode we weave the artists' reflections through Axel's original soundscapes, as a collaborative exploration of their creative experience.</p><p>Interludes opens an alternative space. The aim is to soften our tendency to intellectualise artwork, and instead create a sonic texture that is more intimate in its connection with the artist. <em> </em></p><br><p>Concept &amp; Production by <a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">Lou Mensah </a></p><p>Created by <a href="https://axelkacoutie.com/" rel="noopener noreferrer" target="_blank">Axel Kacoutié</a></p><p>Voice Credits Rahima Gambo, Ming Smith, Phoebe Boswell</p><p>Interludes is supported by <a href="https://www.hauserwirth.com/" rel="noopener noreferrer" target="_blank">Hauser &amp; Wirth</a></p><p>Read more about this series in Hauser &amp; Wirth <a href="https://www.hauserwirth.com/ursula/39351-a-space-for-expansive-listening-shade-podcast/" rel="noopener noreferrer" target="_blank">Ursula Magazine </a></p><br><p>Additional support by Frieze Membership, the community that champions art. Frieze members enjoy&nbsp;articles from the leading voices shaping today’s art world, priority booking to Frieze fairs and unique perks along the way. Find out more on&nbsp;<a href="http://frieze.com/membership" rel="noopener noreferrer" target="_blank">frieze.com/membership</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p><strong>Interludes </strong>is a collaboration between Shade Podcast and Axel Kacoutié featuring six contemporary artists: Amy Sherald, Ming Smith, Phoebe Boswell, Rahima Gambo, Nnena Kalu and Cassi Namoda.</p><p>Framed by the question "What does healing sound like?", these podcasts offer a visceral connection with the artists' work. In each episode we weave the artists' reflections through Axel's original soundscapes, as a collaborative exploration of their creative experience.</p><p>Interludes opens an alternative space. The aim is to soften our tendency to intellectualise artwork, and instead create a sonic texture that is more intimate in its connection with the artist. <em> </em></p><br><p>Concept &amp; Production by <a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">Lou Mensah </a></p><p>Created by <a href="https://axelkacoutie.com/" rel="noopener noreferrer" target="_blank">Axel Kacoutié</a></p><p>Voice Credits Rahima Gambo, Ming Smith, Phoebe Boswell</p><p>Interludes is supported by <a href="https://www.hauserwirth.com/" rel="noopener noreferrer" target="_blank">Hauser &amp; Wirth</a></p><p>Read more about this series in Hauser &amp; Wirth <a href="https://www.hauserwirth.com/ursula/39351-a-space-for-expansive-listening-shade-podcast/" rel="noopener noreferrer" target="_blank">Ursula Magazine </a></p><br><p>Additional support by Frieze Membership, the community that champions art. Frieze members enjoy&nbsp;articles from the leading voices shaping today’s art world, priority booking to Frieze fairs and unique perks along the way. Find out more on&nbsp;<a href="http://frieze.com/membership" rel="noopener noreferrer" target="_blank">frieze.com/membership</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Ekow Eshun, Writer and Curator of In the Black Fantastic at Hayward Gallery, London.</title>
			<itunes:title>Ekow Eshun, Writer and Curator of In the Black Fantastic at Hayward Gallery, London.</itunes:title>
			<pubDate>Fri, 08 Jul 2022 07:35:10 GMT</pubDate>
			<itunes:duration>22:32</itunes:duration>
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			<itunes:subtitle><![CDATA[AWARD WINNER 'BEST ARTS & CULTURE' PODCAST - BRITISH PODCAST AWARDS 2021]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
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			<description><![CDATA[<p>In this episode I am in conversation with <a href="https://www.instagram.com/ekoweshun/" rel="noopener noreferrer" target="_blank">Ekow Eshun</a>. Ekow is a writer and the curator of <a href="https://www.southbankcentre.co.uk/venues/hayward-gallery?" rel="noopener noreferrer" target="_blank">In the Black Fantastic</a>, currently on show at the Hayward Gallery, London.</p><p>In the Black Fantastic is a new exhibition of 11 contemporary artists from the African diaspora, who draw on science fiction and myth to question our knowledge of the world. Although the exhibition encompasses themes within Afrofuturism, Ekow and I discuss why and how he is drawing from ideas distinct from this movement.</p><p>We explore the works on display including the epic themes of exploration and renewal present throughout the show. Ekow also shares his process of personal development throughout the three year curation process, which started prior to the BLM uprisings of 2020.</p><br><p>In the Black Fantastic is showing until September 18 2022 at <a href="https://www.southbankcentre.co.uk/whats-on/art-exhibitions/black-fantastic?eventId=901420" rel="noopener noreferrer" target="_blank">Hayward Gallery, London</a>.</p><br><p>If you'd like to support this independent, award winning podcast through <a href="https://www.patreon.com/shadepodcast" rel="noopener noreferrer" target="_blank">Patreon</a> or shout me a coffee via <a href="https://ko-fi.com/shadepodcast" rel="noopener noreferrer" target="_blank">Ko-fi </a>I would be delighted! Thank you!</p><br><p>Producer &amp; Host Lou Mensah</p><p>Music by <a href="https://www.instagram.com/brian__jackson/" rel="noopener noreferrer" target="_blank">Brian Jackson</a> from the legendary duo Gil Scott Heron &amp; Brian Jackson. Check out his new album 'This is Brian Jackson' <a href="https://orcd.co/thisisbrianjackson" rel="noopener noreferrer" target="_blank">here </a></p><p>Additional sound and mixing by CA Davis. Check out his new film 'Inhuman Figures' at the Smithsonian <a href="https://smithsonianapa.org/inhuman-figures/" rel="noopener noreferrer" target="_blank">here </a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode I am in conversation with <a href="https://www.instagram.com/ekoweshun/" rel="noopener noreferrer" target="_blank">Ekow Eshun</a>. Ekow is a writer and the curator of <a href="https://www.southbankcentre.co.uk/venues/hayward-gallery?" rel="noopener noreferrer" target="_blank">In the Black Fantastic</a>, currently on show at the Hayward Gallery, London.</p><p>In the Black Fantastic is a new exhibition of 11 contemporary artists from the African diaspora, who draw on science fiction and myth to question our knowledge of the world. Although the exhibition encompasses themes within Afrofuturism, Ekow and I discuss why and how he is drawing from ideas distinct from this movement.</p><p>We explore the works on display including the epic themes of exploration and renewal present throughout the show. Ekow also shares his process of personal development throughout the three year curation process, which started prior to the BLM uprisings of 2020.</p><br><p>In the Black Fantastic is showing until September 18 2022 at <a href="https://www.southbankcentre.co.uk/whats-on/art-exhibitions/black-fantastic?eventId=901420" rel="noopener noreferrer" target="_blank">Hayward Gallery, London</a>.</p><br><p>If you'd like to support this independent, award winning podcast through <a href="https://www.patreon.com/shadepodcast" rel="noopener noreferrer" target="_blank">Patreon</a> or shout me a coffee via <a href="https://ko-fi.com/shadepodcast" rel="noopener noreferrer" target="_blank">Ko-fi </a>I would be delighted! Thank you!</p><br><p>Producer &amp; Host Lou Mensah</p><p>Music by <a href="https://www.instagram.com/brian__jackson/" rel="noopener noreferrer" target="_blank">Brian Jackson</a> from the legendary duo Gil Scott Heron &amp; Brian Jackson. Check out his new album 'This is Brian Jackson' <a href="https://orcd.co/thisisbrianjackson" rel="noopener noreferrer" target="_blank">here </a></p><p>Additional sound and mixing by CA Davis. Check out his new film 'Inhuman Figures' at the Smithsonian <a href="https://smithsonianapa.org/inhuman-figures/" rel="noopener noreferrer" target="_blank">here </a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title><![CDATA[SHADE SHORTS with Co-Editors In Chief of Citizen Magazine, Henrietta Gallina & Danielle Powell-Cobb]]></title>
			<itunes:title><![CDATA[SHADE SHORTS with Co-Editors In Chief of Citizen Magazine, Henrietta Gallina & Danielle Powell-Cobb]]></itunes:title>
			<pubDate>Fri, 08 Apr 2022 23:01:00 GMT</pubDate>
			<itunes:duration>18:37</itunes:duration>
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			<itunes:subtitle><![CDATA[AWARD WINNER 'BEST ARTS & CULTURE' PODCAST - BRITISH PODCAST AWARDS 2021In this episode I’m in conversation with Co-Editors in chief of Citizen, Henrietta Gallina & Danielle Powell-Cobb.In 2017, the idea for Citizen magazine was b...]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:image href="https://assets.pippa.io/shows/62874922a6361b1a8d8dddba/1760538701825-2c2736e3-34c1-4a56-afce-6de994579354.jpeg"/>
			<description><![CDATA[<p><strong>AWARD WINNER 'BEST ARTS &amp; CULTURE' PODCAST - BRITISH PODCAST AWARDS 2021</strong></p><br><p><strong>In this episode I’m in conversation with Co-Editors in chief of </strong><a href="https://www.citizen-magazine.com/" rel="noopener noreferrer" target="_blank"><strong><em>Citizen</em></strong></a><strong><em>,</em> Henrietta Gallina &amp; Danielle Powell-Cobb.</strong></p><p><strong>In 2017, the idea for <em>Citizen</em> magazine was born out of the desire to see something that did not quite exist, an independent magazine documenting Black life and culture through the words of Black thinkers and the lenses of Black creatives, a beautifully designed record of Black life. Henrietta &amp; Danielle tell Lou about the journey of Citizen from conception through to</strong></p><p><strong>their plans for the magazines future and why they chose Nikole Hannah-Jones to feature on their first cover. </strong></p><br><p>‘Shade Shorts’ is a new short series of conversations with the founders of some our most radical, Black led art &amp; culture journals.</p><p>These conversations will keep us connected and inspired between the main seasons of the podcast. We will explore the power that we all have when we focus on considered communication and building community.</p><br><p>If you'd like to support this independent, award winning podcast through Patreon or Ko-fi I would be delighted! Thank you!</p><br><p>Shade Podcast is produced and hosted by Lou Mensah</p><p>Music by <a href="https://www.brianjackson.net/" rel="noopener noreferrer" target="_blank">Brian Jackson</a> - an American keyboardist, flautist, singer, composer, and producer known for his collaborations with Gil Scott-Heron in the 1970s</p><p>Mixing <a href="http://cadavis.me/" rel="noopener noreferrer" target="_blank">CA Davis</a> - film &amp; podcast creator/editor</p><p>Citizen <a href="https://www.instagram.com/citizenmagazine/" rel="noopener noreferrer" target="_blank">Instagram</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p><strong>AWARD WINNER 'BEST ARTS &amp; CULTURE' PODCAST - BRITISH PODCAST AWARDS 2021</strong></p><br><p><strong>In this episode I’m in conversation with Co-Editors in chief of </strong><a href="https://www.citizen-magazine.com/" rel="noopener noreferrer" target="_blank"><strong><em>Citizen</em></strong></a><strong><em>,</em> Henrietta Gallina &amp; Danielle Powell-Cobb.</strong></p><p><strong>In 2017, the idea for <em>Citizen</em> magazine was born out of the desire to see something that did not quite exist, an independent magazine documenting Black life and culture through the words of Black thinkers and the lenses of Black creatives, a beautifully designed record of Black life. Henrietta &amp; Danielle tell Lou about the journey of Citizen from conception through to</strong></p><p><strong>their plans for the magazines future and why they chose Nikole Hannah-Jones to feature on their first cover. </strong></p><br><p>‘Shade Shorts’ is a new short series of conversations with the founders of some our most radical, Black led art &amp; culture journals.</p><p>These conversations will keep us connected and inspired between the main seasons of the podcast. We will explore the power that we all have when we focus on considered communication and building community.</p><br><p>If you'd like to support this independent, award winning podcast through Patreon or Ko-fi I would be delighted! Thank you!</p><br><p>Shade Podcast is produced and hosted by Lou Mensah</p><p>Music by <a href="https://www.brianjackson.net/" rel="noopener noreferrer" target="_blank">Brian Jackson</a> - an American keyboardist, flautist, singer, composer, and producer known for his collaborations with Gil Scott-Heron in the 1970s</p><p>Mixing <a href="http://cadavis.me/" rel="noopener noreferrer" target="_blank">CA Davis</a> - film &amp; podcast creator/editor</p><p>Citizen <a href="https://www.instagram.com/citizenmagazine/" rel="noopener noreferrer" target="_blank">Instagram</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>SHADE SHORTS with Johny Pitts, author of Afropean</title>
			<itunes:title>SHADE SHORTS with Johny Pitts, author of Afropean</itunes:title>
			<pubDate>Tue, 29 Mar 2022 15:10:43 GMT</pubDate>
			<itunes:duration>26:09</itunes:duration>
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			<itunes:subtitle><![CDATA[AWARD WINNER 'BEST ARTS & CULTURE' PODCAST - BRITISH PODCAST AWARDS 2021Shade Podcast is back with ‘Shade Shorts’ the new series of conversations with the founders of some our most radical, Black led art & culture journals.&nbs...]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:image href="https://assets.pippa.io/shows/62874922a6361b1a8d8dddba/1770382346950-fc800600-846b-4beb-b3ed-74f1233bba98.jpeg"/>
			<description><![CDATA[<p><strong>AWARD WINNER 'BEST ARTS &amp; CULTURE' PODCAST - BRITISH PODCAST AWARDS 2021</strong></p><br><p>Shade Podcast is back with ‘Shade Shorts’ the new series of conversations with the founders of some our most radical, Black led art &amp; culture journals.&nbsp;</p><p>These episodes will keep us connected and inspired between the main seasons of the podcast. We will explore the power that we all have when we focus on considered communication and building community.&nbsp;</p><p>In this episode I’m in conversation with <strong>author of Afropean and Guest Editor of The Eyes Journal, Johny Pitts.</strong></p><p>️The Eyes is an independent and bilingual journal (published in French and English) that explores cultural and societal issues through the prism of photographic creativity.</p><p>For each issue The Eyes gives an artist "carte blanche" to curate a subjective and personal panorama on the special focus.</p><p>Johny &amp; I discuss his guest curation for Issue 12 titled B-side, a visual exploration of what it means to be Afropean.</p><br><p>If you'd like to support this independent, award winning podcast through <a href="https://www.patreon.com/shadepodcast" rel="noopener noreferrer" target="_blank">Patreon</a> or <a href="https://ko-fi.com/shadepodcast" rel="noopener noreferrer" target="_blank">Ko-fi </a>I would be delighted! Thank you!</p><br><p>Johny Pitts <a href="https://www.instagram.com/johnymodern/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Afropean <a href="https://www.instagram.com/afropean/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>The Eyes <a href="https://www.instagram.com/theeyesmag/" rel="noopener noreferrer" target="_blank">Instagram</a></p><br><p><a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">Shade Podcast</a> is produced and hosted by Lou Mensah</p><p><strong>Mixing </strong><a href="http://cadavis.me/" rel="noopener noreferrer" target="_blank"><strong>CA Davis</strong></a></p><p><strong>Music by </strong><a href="https://www.brianjackson.net/" rel="noopener noreferrer" target="_blank"><strong>Brian Jackson</strong></a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p><strong>AWARD WINNER 'BEST ARTS &amp; CULTURE' PODCAST - BRITISH PODCAST AWARDS 2021</strong></p><br><p>Shade Podcast is back with ‘Shade Shorts’ the new series of conversations with the founders of some our most radical, Black led art &amp; culture journals.&nbsp;</p><p>These episodes will keep us connected and inspired between the main seasons of the podcast. We will explore the power that we all have when we focus on considered communication and building community.&nbsp;</p><p>In this episode I’m in conversation with <strong>author of Afropean and Guest Editor of The Eyes Journal, Johny Pitts.</strong></p><p>️The Eyes is an independent and bilingual journal (published in French and English) that explores cultural and societal issues through the prism of photographic creativity.</p><p>For each issue The Eyes gives an artist "carte blanche" to curate a subjective and personal panorama on the special focus.</p><p>Johny &amp; I discuss his guest curation for Issue 12 titled B-side, a visual exploration of what it means to be Afropean.</p><br><p>If you'd like to support this independent, award winning podcast through <a href="https://www.patreon.com/shadepodcast" rel="noopener noreferrer" target="_blank">Patreon</a> or <a href="https://ko-fi.com/shadepodcast" rel="noopener noreferrer" target="_blank">Ko-fi </a>I would be delighted! Thank you!</p><br><p>Johny Pitts <a href="https://www.instagram.com/johnymodern/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Afropean <a href="https://www.instagram.com/afropean/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>The Eyes <a href="https://www.instagram.com/theeyesmag/" rel="noopener noreferrer" target="_blank">Instagram</a></p><br><p><a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">Shade Podcast</a> is produced and hosted by Lou Mensah</p><p><strong>Mixing </strong><a href="http://cadavis.me/" rel="noopener noreferrer" target="_blank"><strong>CA Davis</strong></a></p><p><strong>Music by </strong><a href="https://www.brianjackson.net/" rel="noopener noreferrer" target="_blank"><strong>Brian Jackson</strong></a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title><![CDATA[SHADE SHORTS - The Photographer's Green Book]]></title>
			<itunes:title><![CDATA[SHADE SHORTS - The Photographer's Green Book]]></itunes:title>
			<pubDate>Sat, 12 Mar 2022 08:39:49 GMT</pubDate>
			<itunes:duration>16:25</itunes:duration>
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			<itunes:subtitle><![CDATA[AWARD WINNER 'BEST ARTS & CULTURE' PODCAST - BRITISH PODCAST AWARDS 2021Shade Podcast is back with ‘Shade Shorts’ the new series of conversations with the founders of some our most radical, Black led art & culture journals.&nbs...]]></itunes:subtitle>
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			<description><![CDATA[<p><strong>AWARD WINNER 'BEST ARTS &amp; CULTURE' PODCAST - BRITISH PODCAST AWARDS 2021</strong></p><br><p>Shade Podcast is back with ‘Shade Shorts’ the new series of conversations with the founders of some our most radical, Black led art &amp; culture journals.&nbsp;</p><p>These episodes will keep us connected and inspired between the main seasons of the podcast. We will explore the power that we all have when we focus on considered communication and building community.&nbsp;</p><p>In this episode I’m in conversation with <strong>Jay Simple, founder of&nbsp;The Photographers Green Book.</strong></p><p>️The Photographers Green Book is a resource hub for Inclusion, Diversity, Equity &amp; Advocacy within the lens based community. It’s truly an amazing print &amp; online journal which offers both practical and inspirational resources. Inspired by The Negro Motorist Green Book, a list of safe places for Black people during their travels in segregated America, the PGB helps navigate the photographic community which has historically denied the voices of those other than predominantly white, cis, male artists.&nbsp;</p><br><p>If you'd like to support this independent, award winning podcast through <a href="https://www.patreon.com/shadepodcast" rel="noopener noreferrer" target="_blank">Patreon</a> or <a href="https://ko-fi.com/shadepodcast" rel="noopener noreferrer" target="_blank">Ko-fi </a>I would be delighted! Thank you!</p><br><p>PGB <a href="https://www.photogreenbook.com/" rel="noopener noreferrer" target="_blank">Website</a></p><p>PGB <a href="https://www.instagram.com/photogreenbook/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Jay's recommendations</p><p><a href="https://shashamovies.com/" rel="noopener noreferrer" target="_blank">https://shashamovies.com/</a></p><p><a href="https://www.ablackcreativesguide.com/" rel="noopener noreferrer" target="_blank">https://www.ablackcreativesguide.com/</a></p><p>Jay Simple <a href="https://www.jaysimple.com/" rel="noopener noreferrer" target="_blank">Website</a></p><p>Jay Simple <a href="https://www.instagram.com/jaysimplephoto/" rel="noopener noreferrer" target="_blank">Instagram</a></p><br><p><a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">Shade Podcast</a> is produced and hosted by Lou Mensah</p><p><strong>Mixing </strong><a href="http://cadavis.me/" rel="noopener noreferrer" target="_blank"><strong>CA Davis</strong></a></p><p><strong>Music by </strong><a href="https://www.brianjackson.net/" rel="noopener noreferrer" target="_blank"><strong>Brian Jackson</strong></a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p><strong>AWARD WINNER 'BEST ARTS &amp; CULTURE' PODCAST - BRITISH PODCAST AWARDS 2021</strong></p><br><p>Shade Podcast is back with ‘Shade Shorts’ the new series of conversations with the founders of some our most radical, Black led art &amp; culture journals.&nbsp;</p><p>These episodes will keep us connected and inspired between the main seasons of the podcast. We will explore the power that we all have when we focus on considered communication and building community.&nbsp;</p><p>In this episode I’m in conversation with <strong>Jay Simple, founder of&nbsp;The Photographers Green Book.</strong></p><p>️The Photographers Green Book is a resource hub for Inclusion, Diversity, Equity &amp; Advocacy within the lens based community. It’s truly an amazing print &amp; online journal which offers both practical and inspirational resources. Inspired by The Negro Motorist Green Book, a list of safe places for Black people during their travels in segregated America, the PGB helps navigate the photographic community which has historically denied the voices of those other than predominantly white, cis, male artists.&nbsp;</p><br><p>If you'd like to support this independent, award winning podcast through <a href="https://www.patreon.com/shadepodcast" rel="noopener noreferrer" target="_blank">Patreon</a> or <a href="https://ko-fi.com/shadepodcast" rel="noopener noreferrer" target="_blank">Ko-fi </a>I would be delighted! Thank you!</p><br><p>PGB <a href="https://www.photogreenbook.com/" rel="noopener noreferrer" target="_blank">Website</a></p><p>PGB <a href="https://www.instagram.com/photogreenbook/" rel="noopener noreferrer" target="_blank">Instagram</a></p><p>Jay's recommendations</p><p><a href="https://shashamovies.com/" rel="noopener noreferrer" target="_blank">https://shashamovies.com/</a></p><p><a href="https://www.ablackcreativesguide.com/" rel="noopener noreferrer" target="_blank">https://www.ablackcreativesguide.com/</a></p><p>Jay Simple <a href="https://www.jaysimple.com/" rel="noopener noreferrer" target="_blank">Website</a></p><p>Jay Simple <a href="https://www.instagram.com/jaysimplephoto/" rel="noopener noreferrer" target="_blank">Instagram</a></p><br><p><a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">Shade Podcast</a> is produced and hosted by Lou Mensah</p><p><strong>Mixing </strong><a href="http://cadavis.me/" rel="noopener noreferrer" target="_blank"><strong>CA Davis</strong></a></p><p><strong>Music by </strong><a href="https://www.brianjackson.net/" rel="noopener noreferrer" target="_blank"><strong>Brian Jackson</strong></a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Making Sense of Inclusive Education with Dr. Aminul Hoque, at the South London Gallery</title>
			<itunes:title>Making Sense of Inclusive Education with Dr. Aminul Hoque, at the South London Gallery</itunes:title>
			<pubDate>Mon, 02 Aug 2021 05:39:18 GMT</pubDate>
			<itunes:duration>37:28</itunes:duration>
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			<itunes:subtitle><![CDATA[SHADE 'BEST ARTS & CULTURE' PODCAST - BRITISH PODCAST AWARDS 2021﻿Special edition from Shade at South London Gallery ‘Making Sense’ - a new digital resource that assembles people around ideas for structural change through creative prac...]]></itunes:subtitle>
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			<itunes:image href="https://assets.pippa.io/shows/62874922a6361b1a8d8dddba/1770382346950-fc800600-846b-4beb-b3ed-74f1233bba98.jpeg"/>
			<description><![CDATA[<p><strong>SHADE 'BEST ARTS &amp; CULTURE' PODCAST - BRITISH PODCAST AWARDS 2021</strong></p><br><p><strong>﻿</strong>Special edition from Shade at <a href="https://www.southlondongallery.org/projects/making-sense/" rel="noopener noreferrer" target="_blank">South London Gallery ‘Making Sense’ </a>- a new digital resource that assembles people around ideas for structural change through creative practice.</p><br><p>In this episode Lou Mensah speaks to <a href="https://www.gold.ac.uk/educational-studies/staff/hoque/" rel="noopener noreferrer" target="_blank">Dr. Aminul Hoque </a>about inclusive education and how our local community can support educators in achieving it.</p><br><p>Dr. Aminul Hoque is a lecturer in the Educational Studies Department at&nbsp;<a href="https://www.instagram.com/goldsmithsuol/" rel="noopener noreferrer" target="_blank">Goldsmiths College London</a>.</p><br><p>Aminul's&nbsp;work focuses on issues of multicultural Britain, identity, social justice, youth policy, religion, race relations and Islamic feminism. With over 24 years of experience in the youth, community and voluntary sector, Aminul is a recognised expert in young people and cultural identity.</p><br><p><a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank"><strong>Shade Podcast</strong></a><strong> is produced and hosted by Lou Mensah</strong></p><p><strong>Editing and sound design by </strong><a href="http://cadavis.me/" rel="noopener noreferrer" target="_blank"><strong>CA Davis</strong></a></p><p><strong>Music by </strong><a href="https://www.brianjackson.net/" rel="noopener noreferrer" target="_blank"><strong>Brian Jackson</strong></a></p><p><strong>Episode supported by </strong><a href="https://www.southlondongallery.org/" rel="noopener noreferrer" target="_blank"><strong>South London Gallery</strong></a></p><br><p><strong>Dr. Aminul Hoque </strong><a href="https://twitter.com/BrIslam2015?s=20" rel="noopener noreferrer" target="_blank"><strong>Twitter</strong></a></p><p><strong>Author of&nbsp;</strong><a href="http://ioepress.co.uk/books/social-justice-equality-and-human-rights/british-islamic-identity/" rel="noopener noreferrer" target="_blank"><strong>British-Islamic Identity: Third generation Bangladeshis from East London</strong></a></p><p><strong>Presenter:&nbsp;A Very British History: British Bangladeshis,&nbsp;BBC4, Feb 2020&nbsp;</strong><a href="https://www.youtube.com/watch?v=RosoCezTQ_o" rel="noopener noreferrer" target="_blank"><strong>https://www.youtube.com/watch?v=RosoCezTQ_o</strong></a></p><p><strong>Presenter:&nbsp;Searching for Secrets: London,&nbsp;Smithsonian Channel, June 2021</strong></p><br><p><strong>﻿</strong></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p><strong>SHADE 'BEST ARTS &amp; CULTURE' PODCAST - BRITISH PODCAST AWARDS 2021</strong></p><br><p><strong>﻿</strong>Special edition from Shade at <a href="https://www.southlondongallery.org/projects/making-sense/" rel="noopener noreferrer" target="_blank">South London Gallery ‘Making Sense’ </a>- a new digital resource that assembles people around ideas for structural change through creative practice.</p><br><p>In this episode Lou Mensah speaks to <a href="https://www.gold.ac.uk/educational-studies/staff/hoque/" rel="noopener noreferrer" target="_blank">Dr. Aminul Hoque </a>about inclusive education and how our local community can support educators in achieving it.</p><br><p>Dr. Aminul Hoque is a lecturer in the Educational Studies Department at&nbsp;<a href="https://www.instagram.com/goldsmithsuol/" rel="noopener noreferrer" target="_blank">Goldsmiths College London</a>.</p><br><p>Aminul's&nbsp;work focuses on issues of multicultural Britain, identity, social justice, youth policy, religion, race relations and Islamic feminism. With over 24 years of experience in the youth, community and voluntary sector, Aminul is a recognised expert in young people and cultural identity.</p><br><p><a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank"><strong>Shade Podcast</strong></a><strong> is produced and hosted by Lou Mensah</strong></p><p><strong>Editing and sound design by </strong><a href="http://cadavis.me/" rel="noopener noreferrer" target="_blank"><strong>CA Davis</strong></a></p><p><strong>Music by </strong><a href="https://www.brianjackson.net/" rel="noopener noreferrer" target="_blank"><strong>Brian Jackson</strong></a></p><p><strong>Episode supported by </strong><a href="https://www.southlondongallery.org/" rel="noopener noreferrer" target="_blank"><strong>South London Gallery</strong></a></p><br><p><strong>Dr. Aminul Hoque </strong><a href="https://twitter.com/BrIslam2015?s=20" rel="noopener noreferrer" target="_blank"><strong>Twitter</strong></a></p><p><strong>Author of&nbsp;</strong><a href="http://ioepress.co.uk/books/social-justice-equality-and-human-rights/british-islamic-identity/" rel="noopener noreferrer" target="_blank"><strong>British-Islamic Identity: Third generation Bangladeshis from East London</strong></a></p><p><strong>Presenter:&nbsp;A Very British History: British Bangladeshis,&nbsp;BBC4, Feb 2020&nbsp;</strong><a href="https://www.youtube.com/watch?v=RosoCezTQ_o" rel="noopener noreferrer" target="_blank"><strong>https://www.youtube.com/watch?v=RosoCezTQ_o</strong></a></p><p><strong>Presenter:&nbsp;Searching for Secrets: London,&nbsp;Smithsonian Channel, June 2021</strong></p><br><p><strong>﻿</strong></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title><![CDATA[Thomas J Price 'Unencumbered Voices in Curated Spaces' : Hauser & Wirth x Shade]]></title>
			<itunes:title><![CDATA[Thomas J Price 'Unencumbered Voices in Curated Spaces' : Hauser & Wirth x Shade]]></itunes:title>
			<pubDate>Tue, 13 Jul 2021 16:56:17 GMT</pubDate>
			<itunes:duration>32:08</itunes:duration>
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			<itunes:subtitle><![CDATA[SILVER AWARD WINNER 'BEST ARTS & CULTURE' PODCAST - BRITISH PODCAST AWARDS 2021Welcome to our third and final episode in this special series of conversations from Shade, supported by Hauser & Wirth, where we will be exploring ‘Unen...]]></itunes:subtitle>
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			<itunes:episode>3</itunes:episode>
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			<description><![CDATA[<p><strong>SILVER AWARD WINNER 'BEST ARTS &amp; CULTURE' PODCAST - BRITISH PODCAST AWARDS 2021</strong></p><br><p><strong>Welcome to our third and final episode in this special series of conversations from Shade, supported by Hauser &amp; Wirth, where we will be exploring ‘Unencumbered&nbsp;Voices in Curated Spaces: Inspired by the life &amp; work of</strong><a href="https://www.hauserwirth.com/artists/30000-frank-bowling" rel="noopener noreferrer" target="_blank"><strong>&nbsp;Sir&nbsp;Frank Bowling’</strong></a><strong>.&nbsp;</strong></p><br><p><strong>Released throughout this summer, the series provides a collaborative platform for diverse perspectives investigating freedom of expression today and throughout art history.&nbsp;</strong></p><br><p><strong>Today my guest is </strong><a href="https://www.hauserwirth.com/news/32852-thomas-j-price-joins-hauser-wirth" rel="noopener noreferrer" target="_blank"><strong>Thomas J Price.</strong></a></p><br><p>Born in London in 1981, Thomas studied at Chelsea College of Art and the Royal College of Art in London. He works across disciplines, predominantly in sculpture, but also in film and photography. His large-scale sculptures depict imagined subjects, whose features are an amalgamation of sources, observed individuals and stereotypes represented in the media are mixed with references to ancient, classical and neoclassical sculptures. These works serve as psychological portraits of the viewer by revealing socially learned attitudes and understandings as they project identities on to the depicted characters.</p><br><p><a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank"><strong>Shade Podcast</strong></a><strong> is produced and hosted by Lou Mensah</strong></p><p><strong>Editing and sound design by </strong><a href="http://cadavis.me/" rel="noopener noreferrer" target="_blank"><strong>CA Davis</strong></a></p><p><strong>Music by </strong><a href="https://www.brianjackson.net/" rel="noopener noreferrer" target="_blank"><strong>Brian Jackson</strong></a></p><p><strong>Series supported by </strong><a href="https://www.hauserwirth.com/" rel="noopener noreferrer" target="_blank"><strong>Hauser &amp; Wirth</strong></a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p><strong>SILVER AWARD WINNER 'BEST ARTS &amp; CULTURE' PODCAST - BRITISH PODCAST AWARDS 2021</strong></p><br><p><strong>Welcome to our third and final episode in this special series of conversations from Shade, supported by Hauser &amp; Wirth, where we will be exploring ‘Unencumbered&nbsp;Voices in Curated Spaces: Inspired by the life &amp; work of</strong><a href="https://www.hauserwirth.com/artists/30000-frank-bowling" rel="noopener noreferrer" target="_blank"><strong>&nbsp;Sir&nbsp;Frank Bowling’</strong></a><strong>.&nbsp;</strong></p><br><p><strong>Released throughout this summer, the series provides a collaborative platform for diverse perspectives investigating freedom of expression today and throughout art history.&nbsp;</strong></p><br><p><strong>Today my guest is </strong><a href="https://www.hauserwirth.com/news/32852-thomas-j-price-joins-hauser-wirth" rel="noopener noreferrer" target="_blank"><strong>Thomas J Price.</strong></a></p><br><p>Born in London in 1981, Thomas studied at Chelsea College of Art and the Royal College of Art in London. He works across disciplines, predominantly in sculpture, but also in film and photography. His large-scale sculptures depict imagined subjects, whose features are an amalgamation of sources, observed individuals and stereotypes represented in the media are mixed with references to ancient, classical and neoclassical sculptures. These works serve as psychological portraits of the viewer by revealing socially learned attitudes and understandings as they project identities on to the depicted characters.</p><br><p><a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank"><strong>Shade Podcast</strong></a><strong> is produced and hosted by Lou Mensah</strong></p><p><strong>Editing and sound design by </strong><a href="http://cadavis.me/" rel="noopener noreferrer" target="_blank"><strong>CA Davis</strong></a></p><p><strong>Music by </strong><a href="https://www.brianjackson.net/" rel="noopener noreferrer" target="_blank"><strong>Brian Jackson</strong></a></p><p><strong>Series supported by </strong><a href="https://www.hauserwirth.com/" rel="noopener noreferrer" target="_blank"><strong>Hauser &amp; Wirth</strong></a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title><![CDATA[Hauser & Wirth x Shade with Guest Michael Ohajuru]]></title>
			<itunes:title><![CDATA[Hauser & Wirth x Shade with Guest Michael Ohajuru]]></itunes:title>
			<pubDate>Tue, 15 Jun 2021 06:00:00 GMT</pubDate>
			<itunes:duration>21:13</itunes:duration>
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			<itunes:episode>2</itunes:episode>
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			<description><![CDATA[<p><strong>SILVER AWARD WINNER 'BEST ARTS &amp; CULTURE' PODCAST - BRITISH PODCAST AWARDS 2021</strong></p><br><p><strong>Unencumbered Voices in Curated Spaces: Inspired by the life &amp; work of </strong><a href="https://www.hauserwirth.com/hauser-wirth-exhibitions/31600-frank-bowling-london-new-york" rel="noopener noreferrer" target="_blank"><strong>Sir Frank Bowling</strong></a><strong> - a three-part summer podcast series, investigating freedom of expression today and throughout art history.</strong></p><p><strong>This second episode in a special series of conversations from Shade, supported by Hauser &amp; Wirth is with art historian </strong><a href="https://imageoftheblackinlondongalleries.weebly.com/" rel="noopener noreferrer" target="_blank"><strong>Michael Ohajuru. </strong></a></p><p>Based in London, Michael&nbsp;Ohajuru&nbsp;is a Senior Fellow of the Institute of Commonwealth Studies where he leads the ‘What’s Happening in Black British History’ workshops, fostering a creative dialogue between researchers, educators, archivists, curators, and policy makers. He speaks regularly on the Black presence in Renaissance Europe at the National Gallery, Tate Britain, British Library, National Archives and the Victoria Albert Museum, highlighting the overt and covert Black presence in national art collections.&nbsp;His new book coauthored with&nbsp;With&nbsp;S. I. Martin, ‘<a href="https://septemberpublishing.org/product/guide-to-black-london/" rel="noopener noreferrer" target="_blank">The Guide to Black London,’</a> is forthcoming from September Publishing.</p><p><a href="https://www.vip-hauserwirth.com/gallery-exhibitions/frank-bowling-london-new-york/" rel="noopener noreferrer" target="_blank">‘Frank Bowling. London / New York’</a>&nbsp;is on view Hauser &amp; Wirth New York, 22nd&nbsp;Street from 5 May and Hauser &amp; Wirth London from 21 May 2021</p><br><p><a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank"><strong>Shade Podcast</strong></a><strong> is produced and hosted by Lou Mensah</strong></p><p><strong>Editing and sound design by </strong><a href="http://cadavis.me/" rel="noopener noreferrer" target="_blank"><strong>CA Davis</strong></a></p><p><strong>Music by </strong><a href="https://www.brianjackson.net/" rel="noopener noreferrer" target="_blank"><strong>Brian Jackson</strong></a></p><p><strong>Series supported by </strong><a href="https://www.hauserwirth.com/" rel="noopener noreferrer" target="_blank"><strong>Hauser &amp; Wirth</strong></a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p><strong>SILVER AWARD WINNER 'BEST ARTS &amp; CULTURE' PODCAST - BRITISH PODCAST AWARDS 2021</strong></p><br><p><strong>Unencumbered Voices in Curated Spaces: Inspired by the life &amp; work of </strong><a href="https://www.hauserwirth.com/hauser-wirth-exhibitions/31600-frank-bowling-london-new-york" rel="noopener noreferrer" target="_blank"><strong>Sir Frank Bowling</strong></a><strong> - a three-part summer podcast series, investigating freedom of expression today and throughout art history.</strong></p><p><strong>This second episode in a special series of conversations from Shade, supported by Hauser &amp; Wirth is with art historian </strong><a href="https://imageoftheblackinlondongalleries.weebly.com/" rel="noopener noreferrer" target="_blank"><strong>Michael Ohajuru. </strong></a></p><p>Based in London, Michael&nbsp;Ohajuru&nbsp;is a Senior Fellow of the Institute of Commonwealth Studies where he leads the ‘What’s Happening in Black British History’ workshops, fostering a creative dialogue between researchers, educators, archivists, curators, and policy makers. He speaks regularly on the Black presence in Renaissance Europe at the National Gallery, Tate Britain, British Library, National Archives and the Victoria Albert Museum, highlighting the overt and covert Black presence in national art collections.&nbsp;His new book coauthored with&nbsp;With&nbsp;S. I. Martin, ‘<a href="https://septemberpublishing.org/product/guide-to-black-london/" rel="noopener noreferrer" target="_blank">The Guide to Black London,’</a> is forthcoming from September Publishing.</p><p><a href="https://www.vip-hauserwirth.com/gallery-exhibitions/frank-bowling-london-new-york/" rel="noopener noreferrer" target="_blank">‘Frank Bowling. London / New York’</a>&nbsp;is on view Hauser &amp; Wirth New York, 22nd&nbsp;Street from 5 May and Hauser &amp; Wirth London from 21 May 2021</p><br><p><a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank"><strong>Shade Podcast</strong></a><strong> is produced and hosted by Lou Mensah</strong></p><p><strong>Editing and sound design by </strong><a href="http://cadavis.me/" rel="noopener noreferrer" target="_blank"><strong>CA Davis</strong></a></p><p><strong>Music by </strong><a href="https://www.brianjackson.net/" rel="noopener noreferrer" target="_blank"><strong>Brian Jackson</strong></a></p><p><strong>Series supported by </strong><a href="https://www.hauserwirth.com/" rel="noopener noreferrer" target="_blank"><strong>Hauser &amp; Wirth</strong></a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title><![CDATA[Hauser & Wirth x Shade on the life and work of Sir Frank Bowling with graphic designer Silas Munro]]></title>
			<itunes:title><![CDATA[Hauser & Wirth x Shade on the life and work of Sir Frank Bowling with graphic designer Silas Munro]]></itunes:title>
			<pubDate>Tue, 18 May 2021 14:00:00 GMT</pubDate>
			<itunes:duration>30:54</itunes:duration>
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			<itunes:episode>1</itunes:episode>
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			<description><![CDATA[<p><strong>SILVER AWARD WINNER 'BEST ARTS &amp; CULTURE' PODCAST - BRITISH PODCAST AWARDS 2021</strong></p><br><p><strong>Unencumbered Voices in Curated Spaces: Inspired by the life &amp; work of </strong><a href="https://www.hauserwirth.com/hauser-wirth-exhibitions/31600-frank-bowling-london-new-york" rel="noopener noreferrer" target="_blank"><strong>Sir Frank Bowling </strong></a><strong>- a three-part summer podcast series, investigating freedom of expression today and throughout art history.</strong></p><p>This first episode in a special series of conversations from Shade, supported by Hauser &amp; Wirth, is with <a href="https://twitter.com/siborg81?lang=en" rel="noopener noreferrer" target="_blank">Silas Munro</a>—LA-based critic, writer and partner of graphic design studio<a href="https://www.polymode.studio/practical/?tx_post_tag=website" rel="noopener noreferrer" target="_blank"> Polymode.</a></p><p>Silas&nbsp;Munro’s past&nbsp;collaborations include the City of LA Mayor’s Office, Cooper Hewitt Smithsonian Design Museum, Mark Bradford at the Venice Biennale, and MoMA. Munro’s writing appears in the book, <a href="https://www.amazon.co.uk/W-Boiss-Data-Portraits-Visualizing-ebook/dp/B07JQ2LWVB" rel="noopener noreferrer" target="_blank">‘W. E. B. Du&nbsp;Bois’s&nbsp;Data Portraits: Visualizing Black America’ </a>published by Princeton Architectural Press. He has been a visiting critic at MICA, RISD, and Yale. Munro is Founding Faculty and Chair Emeritus at Vermont College of Fine Arts.&nbsp;</p><p>Founded in 2014,&nbsp;<a href="https://www.polymode.studio/" rel="noopener noreferrer" target="_blank">Polymode</a>&nbsp;is a studio that leads the edge of contemporary graphic design through poetic research, learning experiences, and making cool shit for clients in the cultural sphere, innovative businesses, and community-based organizations.</p><p><a href="https://www.vip-hauserwirth.com/gallery-exhibitions/frank-bowling-london-new-york/" rel="noopener noreferrer" target="_blank">‘Frank Bowling. London / New York’</a>&nbsp;is on view Hauser &amp; Wirth New York, 22nd&nbsp;Street from 5 May and Hauser &amp; Wirth London from 21 May 2021.&nbsp;</p><br><p><a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank"><strong>Shade Podcast</strong></a><strong> is produced and hosted by Lou Mensah</strong></p><p><strong>Editing and sound design by </strong><a href="http://cadavis.me/" rel="noopener noreferrer" target="_blank"><strong>CA Davis</strong></a></p><p><strong>Music by </strong><a href="https://www.brianjackson.net/" rel="noopener noreferrer" target="_blank"><strong>Brian Jackson</strong></a></p><p><strong>Series supported by </strong><a href="https://www.hauserwirth.com/" rel="noopener noreferrer" target="_blank"><strong>Hauser &amp; Wirth</strong></a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p><strong>SILVER AWARD WINNER 'BEST ARTS &amp; CULTURE' PODCAST - BRITISH PODCAST AWARDS 2021</strong></p><br><p><strong>Unencumbered Voices in Curated Spaces: Inspired by the life &amp; work of </strong><a href="https://www.hauserwirth.com/hauser-wirth-exhibitions/31600-frank-bowling-london-new-york" rel="noopener noreferrer" target="_blank"><strong>Sir Frank Bowling </strong></a><strong>- a three-part summer podcast series, investigating freedom of expression today and throughout art history.</strong></p><p>This first episode in a special series of conversations from Shade, supported by Hauser &amp; Wirth, is with <a href="https://twitter.com/siborg81?lang=en" rel="noopener noreferrer" target="_blank">Silas Munro</a>—LA-based critic, writer and partner of graphic design studio<a href="https://www.polymode.studio/practical/?tx_post_tag=website" rel="noopener noreferrer" target="_blank"> Polymode.</a></p><p>Silas&nbsp;Munro’s past&nbsp;collaborations include the City of LA Mayor’s Office, Cooper Hewitt Smithsonian Design Museum, Mark Bradford at the Venice Biennale, and MoMA. Munro’s writing appears in the book, <a href="https://www.amazon.co.uk/W-Boiss-Data-Portraits-Visualizing-ebook/dp/B07JQ2LWVB" rel="noopener noreferrer" target="_blank">‘W. E. B. Du&nbsp;Bois’s&nbsp;Data Portraits: Visualizing Black America’ </a>published by Princeton Architectural Press. He has been a visiting critic at MICA, RISD, and Yale. Munro is Founding Faculty and Chair Emeritus at Vermont College of Fine Arts.&nbsp;</p><p>Founded in 2014,&nbsp;<a href="https://www.polymode.studio/" rel="noopener noreferrer" target="_blank">Polymode</a>&nbsp;is a studio that leads the edge of contemporary graphic design through poetic research, learning experiences, and making cool shit for clients in the cultural sphere, innovative businesses, and community-based organizations.</p><p><a href="https://www.vip-hauserwirth.com/gallery-exhibitions/frank-bowling-london-new-york/" rel="noopener noreferrer" target="_blank">‘Frank Bowling. London / New York’</a>&nbsp;is on view Hauser &amp; Wirth New York, 22nd&nbsp;Street from 5 May and Hauser &amp; Wirth London from 21 May 2021.&nbsp;</p><br><p><a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank"><strong>Shade Podcast</strong></a><strong> is produced and hosted by Lou Mensah</strong></p><p><strong>Editing and sound design by </strong><a href="http://cadavis.me/" rel="noopener noreferrer" target="_blank"><strong>CA Davis</strong></a></p><p><strong>Music by </strong><a href="https://www.brianjackson.net/" rel="noopener noreferrer" target="_blank"><strong>Brian Jackson</strong></a></p><p><strong>Series supported by </strong><a href="https://www.hauserwirth.com/" rel="noopener noreferrer" target="_blank"><strong>Hauser &amp; Wirth</strong></a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Axel Kacoutié. Multi-award-winning audio artist, poet and sound designer </title>
			<itunes:title>Axel Kacoutié. Multi-award-winning audio artist, poet and sound designer </itunes:title>
			<pubDate>Sat, 17 Apr 2021 06:30:00 GMT</pubDate>
			<itunes:duration>20:43</itunes:duration>
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			<itunes:subtitle>Talking with Lou at South London Gallery</itunes:subtitle>
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			<description><![CDATA[<p><strong>SILVER AWARD WINNER 'BEST ARTS &amp; CULTURE' PODCAST - BRITISH PODCAST AWARDS 2021</strong></p><br><p>Welcome to the final episode of the four-part series of conversations exploring anti-racism and the arts, co-curated by Shade and <a href="https://www.southlondongallery.org/projects/convergence/" rel="noopener noreferrer" target="_blank">Convergence </a>at the <a href="https://www.southlondongallery.org/" rel="noopener noreferrer" target="_blank">South London Gallery</a>&nbsp;</p><br><p>In this episode Lou Mensah is in conversation with <a href="https://axelkacoutie.com/" rel="noopener noreferrer" target="_blank">Axel Kacoutié</a>. Axel is is a multi-award-winning audio artist and poet. His work has featured on the BBC, Channel 4,&nbsp;NOWNESS and the Barbican. He is also the Sound Designer and theme composer for The Guardian daily news podcast, <a href="https://www.theguardian.com/news/series/todayinfocus" rel="noopener noreferrer" target="_blank">Today in Focus.</a></p><p><a href="https://axelkacoutie.com/short-cuts" rel="noopener noreferrer" target="_blank">'How to Remember'</a> by <a href="https://axelkacoutie.com/" rel="noopener noreferrer" target="_blank">Axel Kacoutié</a>. Award winning production in the 2019 Audio Production Awards for Best New Producer</p><br><p><a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank"><strong>Shade Podcast</strong></a><strong> is produced and hosted by Lou Mensah</strong></p><p><strong>Editing and sound design by </strong><a href="http://cadavis.me/" rel="noopener noreferrer" target="_blank"><strong>CA Davis</strong></a></p><p><strong>Music by </strong><a href="https://www.brianjackson.net/" rel="noopener noreferrer" target="_blank"><strong>Brian Jackson</strong></a></p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p><strong>SILVER AWARD WINNER 'BEST ARTS &amp; CULTURE' PODCAST - BRITISH PODCAST AWARDS 2021</strong></p><br><p>Welcome to the final episode of the four-part series of conversations exploring anti-racism and the arts, co-curated by Shade and <a href="https://www.southlondongallery.org/projects/convergence/" rel="noopener noreferrer" target="_blank">Convergence </a>at the <a href="https://www.southlondongallery.org/" rel="noopener noreferrer" target="_blank">South London Gallery</a>&nbsp;</p><br><p>In this episode Lou Mensah is in conversation with <a href="https://axelkacoutie.com/" rel="noopener noreferrer" target="_blank">Axel Kacoutié</a>. Axel is is a multi-award-winning audio artist and poet. His work has featured on the BBC, Channel 4,&nbsp;NOWNESS and the Barbican. He is also the Sound Designer and theme composer for The Guardian daily news podcast, <a href="https://www.theguardian.com/news/series/todayinfocus" rel="noopener noreferrer" target="_blank">Today in Focus.</a></p><p><a href="https://axelkacoutie.com/short-cuts" rel="noopener noreferrer" target="_blank">'How to Remember'</a> by <a href="https://axelkacoutie.com/" rel="noopener noreferrer" target="_blank">Axel Kacoutié</a>. Award winning production in the 2019 Audio Production Awards for Best New Producer</p><br><p><a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank"><strong>Shade Podcast</strong></a><strong> is produced and hosted by Lou Mensah</strong></p><p><strong>Editing and sound design by </strong><a href="http://cadavis.me/" rel="noopener noreferrer" target="_blank"><strong>CA Davis</strong></a></p><p><strong>Music by </strong><a href="https://www.brianjackson.net/" rel="noopener noreferrer" target="_blank"><strong>Brian Jackson</strong></a></p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
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			<title>Author Season Butler in conversation with Shade at the South London Gallery</title>
			<itunes:title>Author Season Butler in conversation with Shade at the South London Gallery</itunes:title>
			<pubDate>Sat, 20 Mar 2021 07:30:00 GMT</pubDate>
			<itunes:duration>18:19</itunes:duration>
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			<itunes:subtitle><![CDATA[SILVER AWARD WINNER 'BEST ARTS & CULTURE' PODCAST - BRITISH PODCAST AWARDS 2021Welcome to the third episode of the new four-part series of in-conversations exploring anti-racism and the arts, co-curated by Shade and Convergence at the ...]]></itunes:subtitle>
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			<description><![CDATA[<p><strong>SILVER AWARD WINNER 'BEST ARTS &amp; CULTURE' PODCAST - BRITISH PODCAST AWARDS 2021</strong></p><br><p>Welcome to the third episode of the new four-part series of in-conversations exploring anti-racism and the arts, co-curated by Shade and <a href="https://www.southlondongallery.org/projects/convergence/" rel="noopener noreferrer" target="_blank">Convergence </a>at the <a href="https://www.southlondongallery.org/" rel="noopener noreferrer" target="_blank">South London Gallery</a>&nbsp;</p><p><a href="http://seasonbutler.com/" rel="noopener noreferrer" target="_blank">Season Butler </a>is a writer, performance artist and teacher. Season's debut novel '<a href="https://www.hachette.co.uk/titles/season-butler/cygnet/9780349700328/?v2=true" rel="noopener noreferrer" target="_blank">Cynet'</a> was published in 2019 by Dialogue Books in the UK and Harper Collins in the U.S. Season &amp; Lou discuss Race, Character and The Racial Empathy Gap in storytelling.</p><br><p><a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank"><strong>Shade Podcast</strong></a><strong> is produced and hosted by Lou Mensah</strong></p><p><strong>Editing and sound design by </strong><a href="http://cadavis.me/" rel="noopener noreferrer" target="_blank"><strong>CA Davis</strong></a></p><p><strong>Music by </strong><a href="https://www.brianjackson.net/" rel="noopener noreferrer" target="_blank"><strong>Brian Jackson</strong></a></p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p><strong>SILVER AWARD WINNER 'BEST ARTS &amp; CULTURE' PODCAST - BRITISH PODCAST AWARDS 2021</strong></p><br><p>Welcome to the third episode of the new four-part series of in-conversations exploring anti-racism and the arts, co-curated by Shade and <a href="https://www.southlondongallery.org/projects/convergence/" rel="noopener noreferrer" target="_blank">Convergence </a>at the <a href="https://www.southlondongallery.org/" rel="noopener noreferrer" target="_blank">South London Gallery</a>&nbsp;</p><p><a href="http://seasonbutler.com/" rel="noopener noreferrer" target="_blank">Season Butler </a>is a writer, performance artist and teacher. Season's debut novel '<a href="https://www.hachette.co.uk/titles/season-butler/cygnet/9780349700328/?v2=true" rel="noopener noreferrer" target="_blank">Cynet'</a> was published in 2019 by Dialogue Books in the UK and Harper Collins in the U.S. Season &amp; Lou discuss Race, Character and The Racial Empathy Gap in storytelling.</p><br><p><a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank"><strong>Shade Podcast</strong></a><strong> is produced and hosted by Lou Mensah</strong></p><p><strong>Editing and sound design by </strong><a href="http://cadavis.me/" rel="noopener noreferrer" target="_blank"><strong>CA Davis</strong></a></p><p><strong>Music by </strong><a href="https://www.brianjackson.net/" rel="noopener noreferrer" target="_blank"><strong>Brian Jackson</strong></a></p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>The White Pube talks BLM</title>
			<itunes:title>The White Pube talks BLM</itunes:title>
			<pubDate>Mon, 01 Mar 2021 02:00:00 GMT</pubDate>
			<itunes:duration>30:07</itunes:duration>
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			<acast:showId>241b5e41-db8f-59dc-95ea-0160569317ef</acast:showId>
			<acast:episodeUrl>season4finale-artfutures-blm-inconversationwiththewhitepube</acast:episodeUrl>
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			<itunes:season>4</itunes:season>
			<itunes:episode>8</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/62874922a6361b1a8d8dddba/1760539256482-7cde452b-2e19-4bf4-b26b-52268199c75a.jpeg"/>
			<description><![CDATA[<p><strong>Art futures &amp; BLM</strong></p><p><strong>in conversation with </strong><a href="https://www.thewhitepube.co.uk/about" rel="noopener noreferrer" target="_blank"><strong>The White Pube</strong> </a></p><p>The White Pube is the collaborative identity of art critics Gabrielle de la Puente and Zarina Muhammad. They return as guests to talk about the positive changes they saw and those they hope for in the Arts, as a result of the BLM uprisings. </p><p><a href="https://www.instagram.com/tate_united/?hl=en" rel="noopener noreferrer" target="_blank">@tate_united&nbsp;</a></p><p><a href="https://www.instagram.com/riotgames/?hl=en" rel="noopener noreferrer" target="_blank">@riotgames&nbsp;</a></p><p><a href="https://www.instagram.com/mark.leckey/?hl=en" rel="noopener noreferrer" target="_blank">@mark.leckey&nbsp;</a></p><p><a href="https://www.instagram.com/swarzymacaly/?hl=en" rel="noopener noreferrer" target="_blank">@swarzymacaly&nbsp;</a></p><p><a href="https://www.instagram.com/thewagaduchronicles/?hl=en" rel="noopener noreferrer" target="_blank">@thewagaduchronicles&nbsp;</a></p><p><a href="https://www.instagram.com/theresnosignal/?hl=en" rel="noopener noreferrer" target="_blank">@theresnosignal</a></p><p><a href="https://www.instagram.com/creativedebuts/?hl=en" rel="noopener noreferrer" target="_blank">@creativedebuts&nbsp;</a></p><p><a href="https://www.instagram.com/cubitt_gallery/?hl=en" rel="noopener noreferrer" target="_blank">@cubitt_gallery&nbsp;</a></p><p><a href="https://www.instagram.com/languidhands/?hl=en" rel="noopener noreferrer" target="_blank">@languidhands</a></p><p>I also share my thoughts on the season and our shared Shade community</p><p>Shade is produced and hosted by Lou Mensah</p><p>Please support this work by becoming a<a href="https://www.patreon.com/shadepodcast" rel="noopener noreferrer" target="_blank">&nbsp;Shade Patron</a></p><p>Full season music is composed by&nbsp;<a href="https://www.brianjackson.net/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Mixing &amp; sound design&nbsp;<a href="https://lattothought.com/" rel="noopener noreferrer" target="_blank">CA Davis</a></p><p>Thank you&nbsp;<a href="https://www.kloriscbd.com/" rel="noopener noreferrer" target="_blank">Kloris&nbsp;</a>for supporting Shade Podcast Season Four</p><p>Sign up to Shade Patreon (for as little as £1 monthly) to receive your Kloris gift</p><p>New and existing patrons, simply message Shade privately on social media, along with your address, to claim your gift</p><p>Support for this episode comes from <a href="https://www.southlondongallery.org/projects/convergence/" rel="noopener noreferrer" target="_blank">Convergence at the South London Gallery</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p><strong>Art futures &amp; BLM</strong></p><p><strong>in conversation with </strong><a href="https://www.thewhitepube.co.uk/about" rel="noopener noreferrer" target="_blank"><strong>The White Pube</strong> </a></p><p>The White Pube is the collaborative identity of art critics Gabrielle de la Puente and Zarina Muhammad. They return as guests to talk about the positive changes they saw and those they hope for in the Arts, as a result of the BLM uprisings. </p><p><a href="https://www.instagram.com/tate_united/?hl=en" rel="noopener noreferrer" target="_blank">@tate_united&nbsp;</a></p><p><a href="https://www.instagram.com/riotgames/?hl=en" rel="noopener noreferrer" target="_blank">@riotgames&nbsp;</a></p><p><a href="https://www.instagram.com/mark.leckey/?hl=en" rel="noopener noreferrer" target="_blank">@mark.leckey&nbsp;</a></p><p><a href="https://www.instagram.com/swarzymacaly/?hl=en" rel="noopener noreferrer" target="_blank">@swarzymacaly&nbsp;</a></p><p><a href="https://www.instagram.com/thewagaduchronicles/?hl=en" rel="noopener noreferrer" target="_blank">@thewagaduchronicles&nbsp;</a></p><p><a href="https://www.instagram.com/theresnosignal/?hl=en" rel="noopener noreferrer" target="_blank">@theresnosignal</a></p><p><a href="https://www.instagram.com/creativedebuts/?hl=en" rel="noopener noreferrer" target="_blank">@creativedebuts&nbsp;</a></p><p><a href="https://www.instagram.com/cubitt_gallery/?hl=en" rel="noopener noreferrer" target="_blank">@cubitt_gallery&nbsp;</a></p><p><a href="https://www.instagram.com/languidhands/?hl=en" rel="noopener noreferrer" target="_blank">@languidhands</a></p><p>I also share my thoughts on the season and our shared Shade community</p><p>Shade is produced and hosted by Lou Mensah</p><p>Please support this work by becoming a<a href="https://www.patreon.com/shadepodcast" rel="noopener noreferrer" target="_blank">&nbsp;Shade Patron</a></p><p>Full season music is composed by&nbsp;<a href="https://www.brianjackson.net/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Mixing &amp; sound design&nbsp;<a href="https://lattothought.com/" rel="noopener noreferrer" target="_blank">CA Davis</a></p><p>Thank you&nbsp;<a href="https://www.kloriscbd.com/" rel="noopener noreferrer" target="_blank">Kloris&nbsp;</a>for supporting Shade Podcast Season Four</p><p>Sign up to Shade Patreon (for as little as £1 monthly) to receive your Kloris gift</p><p>New and existing patrons, simply message Shade privately on social media, along with your address, to claim your gift</p><p>Support for this episode comes from <a href="https://www.southlondongallery.org/projects/convergence/" rel="noopener noreferrer" target="_blank">Convergence at the South London Gallery</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title><![CDATA[Barack Obama's Presidential Campaign Artist: Nicola Green]]></title>
			<itunes:title><![CDATA[Barack Obama's Presidential Campaign Artist: Nicola Green]]></itunes:title>
			<pubDate>Mon, 22 Feb 2021 02:00:00 GMT</pubDate>
			<itunes:duration>42:57</itunes:duration>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>4</itunes:season>
			<itunes:episode>7</itunes:episode>
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			<description><![CDATA[<p><strong>In this episode I take you through the origins and manifestations of the raised fist salute, which has more recently been associated with the BLM movement. We move on to my conversation with </strong><a href="https://www.nicolagreen.com/" rel="noopener noreferrer" target="_blank"><strong>Nicola Green</strong></a><strong>, the artist behind the work </strong><a href="https://www.nicolagreen.com/in-seven-days" rel="noopener noreferrer" target="_blank"><strong>‘In Seven Days’ </strong></a><strong>- a series created from her unprecedented artistic access to </strong><a href="https://barackobama.com/" rel="noopener noreferrer" target="_blank"><strong>Barack Obama’s</strong></a><strong> 2008 Presidential campaign trial.</strong></p><br><p>Nicola Green is renowned for gaining access to iconic personalities from the worlds of politics, religion, and culture, including collaborations with Pope Francis and the Dalai Lama. In 2008 Nicola Green gained artistic access to Obama’s Presidential campaign. She had a front row seat to historic events: from Obama’s DNC nomination speech to Inauguration, Nicola was behind-the-scenes taking photographs, making sketches, and having conversations with press, staff and citizens. I spoke with Nicola about the process of creating this series, and she shares how her own multi race and faith family influences her work.</p><p>Inspired by her own mixed-heritage and multi-faith family, she creates and preserves religious, social, and cultural heritage for future generations. Recording these events as they happen, and investing thousands of hours of academic and artistic research, she builds and curates substantial archives. <em>In Seven Days </em>is in the permanent collections of the National Portrait Gallery - The Smithsonian Institution in Washington D.C; The Metropolitan Museum of Art, New York; The Library of Congress, Washington D.C; and in both the International Slavery Museum and The Walker Art Gallery, in Liverpool</p><p>Shade is produced and hosted by Lou Mensah</p><p>Please support this work by becoming a<a href="https://www.patreon.com/shadepodcast" rel="noopener noreferrer" target="_blank">&nbsp;Shade Patron</a></p><p>Full season music is composed by&nbsp;<a href="https://www.brianjackson.net/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Mixing &amp; sound design&nbsp;<a href="https://lattothought.com/" rel="noopener noreferrer" target="_blank">CA Davis</a></p><p>Thank you&nbsp;<a href="https://www.kloriscbd.com/" rel="noopener noreferrer" target="_blank">Kloris&nbsp;</a>for supporting Shade Podcast Season Four</p><p>Sign up to Shade Patreon (for as little as £1 monthly) to receive your Kloris gift</p><p>New and existing patrons, simply message Shade privately on social media, along with your address, to claim your gift!</p><p>Support for this episode comes from <a href="https://www.southlondongallery.org/projects/convergence/" rel="noopener noreferrer" target="_blank">Convergence at the South London Gallery</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p><strong>In this episode I take you through the origins and manifestations of the raised fist salute, which has more recently been associated with the BLM movement. We move on to my conversation with </strong><a href="https://www.nicolagreen.com/" rel="noopener noreferrer" target="_blank"><strong>Nicola Green</strong></a><strong>, the artist behind the work </strong><a href="https://www.nicolagreen.com/in-seven-days" rel="noopener noreferrer" target="_blank"><strong>‘In Seven Days’ </strong></a><strong>- a series created from her unprecedented artistic access to </strong><a href="https://barackobama.com/" rel="noopener noreferrer" target="_blank"><strong>Barack Obama’s</strong></a><strong> 2008 Presidential campaign trial.</strong></p><br><p>Nicola Green is renowned for gaining access to iconic personalities from the worlds of politics, religion, and culture, including collaborations with Pope Francis and the Dalai Lama. In 2008 Nicola Green gained artistic access to Obama’s Presidential campaign. She had a front row seat to historic events: from Obama’s DNC nomination speech to Inauguration, Nicola was behind-the-scenes taking photographs, making sketches, and having conversations with press, staff and citizens. I spoke with Nicola about the process of creating this series, and she shares how her own multi race and faith family influences her work.</p><p>Inspired by her own mixed-heritage and multi-faith family, she creates and preserves religious, social, and cultural heritage for future generations. Recording these events as they happen, and investing thousands of hours of academic and artistic research, she builds and curates substantial archives. <em>In Seven Days </em>is in the permanent collections of the National Portrait Gallery - The Smithsonian Institution in Washington D.C; The Metropolitan Museum of Art, New York; The Library of Congress, Washington D.C; and in both the International Slavery Museum and The Walker Art Gallery, in Liverpool</p><p>Shade is produced and hosted by Lou Mensah</p><p>Please support this work by becoming a<a href="https://www.patreon.com/shadepodcast" rel="noopener noreferrer" target="_blank">&nbsp;Shade Patron</a></p><p>Full season music is composed by&nbsp;<a href="https://www.brianjackson.net/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Mixing &amp; sound design&nbsp;<a href="https://lattothought.com/" rel="noopener noreferrer" target="_blank">CA Davis</a></p><p>Thank you&nbsp;<a href="https://www.kloriscbd.com/" rel="noopener noreferrer" target="_blank">Kloris&nbsp;</a>for supporting Shade Podcast Season Four</p><p>Sign up to Shade Patreon (for as little as £1 monthly) to receive your Kloris gift</p><p>New and existing patrons, simply message Shade privately on social media, along with your address, to claim your gift!</p><p>Support for this episode comes from <a href="https://www.southlondongallery.org/projects/convergence/" rel="noopener noreferrer" target="_blank">Convergence at the South London Gallery</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Small Axe Screenwriter Courttia Newland in conversation with Lou Mensah </title>
			<itunes:title>Small Axe Screenwriter Courttia Newland in conversation with Lou Mensah </itunes:title>
			<pubDate>Sat, 20 Feb 2021 15:00:00 GMT</pubDate>
			<itunes:duration>26:37</itunes:duration>
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			<itunes:subtitle>South London Gallery </itunes:subtitle>
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			<description><![CDATA[<p>Welcome to the second episode of the new four-part series of in-conversations exploring anti-racism and the arts, co-curated by Shade and Convergence. This episode is part of the South London Gallery's Convergence Community Film Festival on Saturday 20th February 2021. Our guest today is Courttia Newland.</p><p>Courttia wrote the screenplays for Steve McQueen's <a href="https://www.bbc.co.uk/programmes/p08vxt33" rel="noopener noreferrer" target="_blank">BBC Small Axe</a> 'Lover's Rock' &amp; 'Red, White &amp; Blue' films. Courttia grew up in west London and published his first novel,&nbsp;<em>The Scholar: A West-Side Story</em>, aged 23, earning critical praise for his portrayal of a teenager’s life in the inner city. Since then he’s written seven more books and eight plays, winning numerous awards for his work. In 2000, he co-edited <em>The Penguin Book of New Black Writing in Britain. </em>In 2021 Courttia's novel <a href="https://canongate.co.uk/books/2857-a-river-called-time/" rel="noopener noreferrer" target="_blank"><em>A River Called Time</em></a><em> was published by Canongate</em></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Welcome to the second episode of the new four-part series of in-conversations exploring anti-racism and the arts, co-curated by Shade and Convergence. This episode is part of the South London Gallery's Convergence Community Film Festival on Saturday 20th February 2021. Our guest today is Courttia Newland.</p><p>Courttia wrote the screenplays for Steve McQueen's <a href="https://www.bbc.co.uk/programmes/p08vxt33" rel="noopener noreferrer" target="_blank">BBC Small Axe</a> 'Lover's Rock' &amp; 'Red, White &amp; Blue' films. Courttia grew up in west London and published his first novel,&nbsp;<em>The Scholar: A West-Side Story</em>, aged 23, earning critical praise for his portrayal of a teenager’s life in the inner city. Since then he’s written seven more books and eight plays, winning numerous awards for his work. In 2000, he co-edited <em>The Penguin Book of New Black Writing in Britain. </em>In 2021 Courttia's novel <a href="https://canongate.co.uk/books/2857-a-river-called-time/" rel="noopener noreferrer" target="_blank"><em>A River Called Time</em></a><em> was published by Canongate</em></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>LEGACY with guest photographer Andre D. Wagner</title>
			<itunes:title>LEGACY with guest photographer Andre D. Wagner</itunes:title>
			<pubDate>Mon, 15 Feb 2021 02:00:00 GMT</pubDate>
			<itunes:duration>26:31</itunes:duration>
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			<itunes:subtitle>With Guest Photographer Andre D WagnerGordon Parks’ work was shared widely during the 2020 BLM protests, perhaps to share comfort, solace and act as a collective creative marker acknowledging that our civil justice work continues. My guest Andre share...</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>4</itunes:season>
			<itunes:episode>6</itunes:episode>
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			<description><![CDATA[<p>With Guest Photographer <a href="https://andredwagner.com/" rel="noopener noreferrer" target="_blank">Andre D Wagner</a></p><p>Gordon Parks’ work was shared widely during the 2020 BLM protests, perhaps to share comfort, solace and act as a collective creative marker acknowledging that our civil justice work continues. My guest Andre shares the impact of Parks’ work on his own photography, his experiences of the protests, plus his working practice &amp; life as a street photographer&nbsp;</p><p>It's such a beautiful episode. Thank you Andre for the conversation</p><p>Andre D. Wagner is a photographer living and working in Brooklyn, New York. He explores and chronicles the poetic and lyrical nuances of daily life, using city streets, neighborhoods, parades, public transportation and the youth of the twenty first century as his visual language. His work and practice fits into the lineage of street photography that investigates the American social landscape, often focusing his lens on themes of race, class, cultural identity and community. He develops his own black and white negatives and makes silver gelatin prints in his personal darkroom.&nbsp;</p><p>His photographs have been commissioned by The New Yorker, The New York Times, The Cut, The Wall Street Journal, The Washington Post, WSJ, Time Magazine and Vogue, among other publications. For the movie Queen &amp; Slim Andre photographed the key art and the campaigns leading images. His photographs have appeared in a number of solo exhibitions and group shows in Los Angeles, New York and North Carolina. His first monograph, Here For the Ride, was published by Creative Future in 2017. He is currently editing a 7-year-old body of work titled New City, Old Blues, to be published soon</p><br><p><a href="https://www.instagram.com/photodre/" rel="noopener noreferrer" target="_blank">Andre Instagram</a></p><p>Shade is produced and hosted by Lou Mensah</p><p>Please support this work by becoming a<a href="https://www.patreon.com/shadepodcast" rel="noopener noreferrer" target="_blank">&nbsp;Shade Patron</a></p><p>Full season music is composed by&nbsp;<a href="https://www.brianjackson.net/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Mixing &amp; sound design&nbsp;<a href="https://lattothought.com/" rel="noopener noreferrer" target="_blank">CA Davis</a></p><p>Thank you&nbsp;<a href="https://www.kloriscbd.com/" rel="noopener noreferrer" target="_blank">Kloris&nbsp;</a>for supporting Shade Podcast Season Four</p><p>Sign up to Shade Patreon (for as little as £1 monthly) to receive your Kloris gift</p><p>New and existing patrons, simply message Shade privately on social media, along with your address, to claim your gift!</p><p>Support for this episode comes from <a href="https://www.southlondongallery.org/projects/convergence/" rel="noopener noreferrer" target="_blank">Convergence at the South London Gallery</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>With Guest Photographer <a href="https://andredwagner.com/" rel="noopener noreferrer" target="_blank">Andre D Wagner</a></p><p>Gordon Parks’ work was shared widely during the 2020 BLM protests, perhaps to share comfort, solace and act as a collective creative marker acknowledging that our civil justice work continues. My guest Andre shares the impact of Parks’ work on his own photography, his experiences of the protests, plus his working practice &amp; life as a street photographer&nbsp;</p><p>It's such a beautiful episode. Thank you Andre for the conversation</p><p>Andre D. Wagner is a photographer living and working in Brooklyn, New York. He explores and chronicles the poetic and lyrical nuances of daily life, using city streets, neighborhoods, parades, public transportation and the youth of the twenty first century as his visual language. His work and practice fits into the lineage of street photography that investigates the American social landscape, often focusing his lens on themes of race, class, cultural identity and community. He develops his own black and white negatives and makes silver gelatin prints in his personal darkroom.&nbsp;</p><p>His photographs have been commissioned by The New Yorker, The New York Times, The Cut, The Wall Street Journal, The Washington Post, WSJ, Time Magazine and Vogue, among other publications. For the movie Queen &amp; Slim Andre photographed the key art and the campaigns leading images. His photographs have appeared in a number of solo exhibitions and group shows in Los Angeles, New York and North Carolina. His first monograph, Here For the Ride, was published by Creative Future in 2017. He is currently editing a 7-year-old body of work titled New City, Old Blues, to be published soon</p><br><p><a href="https://www.instagram.com/photodre/" rel="noopener noreferrer" target="_blank">Andre Instagram</a></p><p>Shade is produced and hosted by Lou Mensah</p><p>Please support this work by becoming a<a href="https://www.patreon.com/shadepodcast" rel="noopener noreferrer" target="_blank">&nbsp;Shade Patron</a></p><p>Full season music is composed by&nbsp;<a href="https://www.brianjackson.net/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Mixing &amp; sound design&nbsp;<a href="https://lattothought.com/" rel="noopener noreferrer" target="_blank">CA Davis</a></p><p>Thank you&nbsp;<a href="https://www.kloriscbd.com/" rel="noopener noreferrer" target="_blank">Kloris&nbsp;</a>for supporting Shade Podcast Season Four</p><p>Sign up to Shade Patreon (for as little as £1 monthly) to receive your Kloris gift</p><p>New and existing patrons, simply message Shade privately on social media, along with your address, to claim your gift!</p><p>Support for this episode comes from <a href="https://www.southlondongallery.org/projects/convergence/" rel="noopener noreferrer" target="_blank">Convergence at the South London Gallery</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title><![CDATA[Sophie Williams. Author 'Anti Racist Ally' & 'Millennial Black']]></title>
			<itunes:title><![CDATA[Sophie Williams. Author 'Anti Racist Ally' & 'Millennial Black']]></itunes:title>
			<pubDate>Mon, 08 Feb 2021 02:00:00 GMT</pubDate>
			<itunes:duration>29:15</itunes:duration>
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			<itunes:episode>5</itunes:episode>
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			<description><![CDATA[<p><strong>Guest Sophie Williams</strong></p><p><strong>Author </strong><a href="http://sophiewilliamsofficial.com/writing/buy-anti-racist-ally/" rel="noopener noreferrer" target="_blank"><strong>Anti Racist Ally</strong></a><strong> &amp; </strong><a href="http://sophiewilliamsofficial.com/writing/buy-millennial-black/" rel="noopener noreferrer" target="_blank"><strong>Millennial Black</strong></a></p><br><p><strong>Sophie had a career in advertising, before she left to create her own business, working with clients such as Netflix on projects combining her professional advertising experience with active anti-racism work.&nbsp;</strong></p><br><p><strong>In the summer of 2020, Sophie posted&nbsp;</strong><a href="https://www.instagram.com/p/CAuyT_Yg5yt/" rel="noopener noreferrer" target="_blank"><strong>10 slides to Instagram</strong></a><strong>&nbsp;outlining how to be an anti-racist ally. Her slides, which were created in response to those outside the Black community wanting to help and be allies, went viral.&nbsp;</strong></p><br><p><strong>We talk about how our visual culture and the language we use, is a powerful tool in communicating to those <em>outside</em> our own social groups. </strong></p><p><strong>Sophie also shares the stats on why Black &amp; brown women are being expelled from workplaces due to discrimination. We are the most entrepreneurial group, why? Because we have to carve out our own work spaces. Sophie shares the evidence&nbsp;</strong></p><br><p>Shade is produced and hosted by Lou Mensah</p><p>Please support this work by becoming a&nbsp;<a href="https://www.patreon.com/shadepodcast" rel="noopener noreferrer" target="_blank">Shade Patron</a></p><p>Full season music is composed by&nbsp;<a href="https://www.brianjackson.net/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Mixing &amp; sound design&nbsp;<a href="https://lattothought.com/" rel="noopener noreferrer" target="_blank">CA Davis</a></p><p>Thank you&nbsp;<a href="https://www.kloriscbd.com/" rel="noopener noreferrer" target="_blank">Kloris&nbsp;</a>for supporting Shade Podcast Season Four</p><p>Sign up to Shade Patreon (for as little as £1 monthly) to receive your Kloris gift</p><p>New and existing patrons, simply message Shade privately on social media, along with your address, to claim your gift!</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p><strong>Guest Sophie Williams</strong></p><p><strong>Author </strong><a href="http://sophiewilliamsofficial.com/writing/buy-anti-racist-ally/" rel="noopener noreferrer" target="_blank"><strong>Anti Racist Ally</strong></a><strong> &amp; </strong><a href="http://sophiewilliamsofficial.com/writing/buy-millennial-black/" rel="noopener noreferrer" target="_blank"><strong>Millennial Black</strong></a></p><br><p><strong>Sophie had a career in advertising, before she left to create her own business, working with clients such as Netflix on projects combining her professional advertising experience with active anti-racism work.&nbsp;</strong></p><br><p><strong>In the summer of 2020, Sophie posted&nbsp;</strong><a href="https://www.instagram.com/p/CAuyT_Yg5yt/" rel="noopener noreferrer" target="_blank"><strong>10 slides to Instagram</strong></a><strong>&nbsp;outlining how to be an anti-racist ally. Her slides, which were created in response to those outside the Black community wanting to help and be allies, went viral.&nbsp;</strong></p><br><p><strong>We talk about how our visual culture and the language we use, is a powerful tool in communicating to those <em>outside</em> our own social groups. </strong></p><p><strong>Sophie also shares the stats on why Black &amp; brown women are being expelled from workplaces due to discrimination. We are the most entrepreneurial group, why? Because we have to carve out our own work spaces. Sophie shares the evidence&nbsp;</strong></p><br><p>Shade is produced and hosted by Lou Mensah</p><p>Please support this work by becoming a&nbsp;<a href="https://www.patreon.com/shadepodcast" rel="noopener noreferrer" target="_blank">Shade Patron</a></p><p>Full season music is composed by&nbsp;<a href="https://www.brianjackson.net/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Mixing &amp; sound design&nbsp;<a href="https://lattothought.com/" rel="noopener noreferrer" target="_blank">CA Davis</a></p><p>Thank you&nbsp;<a href="https://www.kloriscbd.com/" rel="noopener noreferrer" target="_blank">Kloris&nbsp;</a>for supporting Shade Podcast Season Four</p><p>Sign up to Shade Patreon (for as little as £1 monthly) to receive your Kloris gift</p><p>New and existing patrons, simply message Shade privately on social media, along with your address, to claim your gift!</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>SYMBOLS OF PROTEST with Joshua Virasami and George Osei-Prempeh</title>
			<itunes:title>SYMBOLS OF PROTEST with Joshua Virasami and George Osei-Prempeh</itunes:title>
			<pubDate>Mon, 01 Feb 2021 02:00:00 GMT</pubDate>
			<itunes:duration>49:37</itunes:duration>
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			<itunes:episode>4</itunes:episode>
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			<description><![CDATA[<p><strong>Image Focus (click on link below to view image)</strong></p><p><a href="https://www.theguardian.com/uk-news/2020/jun/07/blm-protesters-topple-statue-of-bristol-slave-trader-edward-colston" rel="noopener noreferrer" target="_blank"><strong>Protestors remove statue of Slave Trader, Edward Colston. June 7, 2020, Bristol, UK</strong></a></p><br><p><strong>Guests</strong></p><p><a href="https://twitter.com/joshuavirasami?lang=en" rel="noopener noreferrer" target="_blank"><strong>Joshua Virasami, BLM UK Member &amp; Author</strong></a></p><p><a href="https://twitter.com/georgeaosei?lang=en" rel="noopener noreferrer" target="_blank"><strong>George Osei-Prempeh</strong></a>, <a href="https://thephotographersgallery.org.uk/" rel="noopener noreferrer" target="_blank"><strong>The Photographers Gallery London</strong></a></p><br><p>Guests share their personal responses to the statue removal and it’s symbolism within the wider context of the civil rights movement</p><br><p>Shade is produced and hosted by Lou Mensah</p><p>Please support this work by becoming a&nbsp;<a href="https://www.patreon.com/shadepodcast" rel="noopener noreferrer" target="_blank">Shade Patron</a>&nbsp;</p><p>Full season music is composed by&nbsp;<a href="https://www.brianjackson.net/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Mixing &amp; sound design&nbsp;<a href="https://lattothought.com/" rel="noopener noreferrer" target="_blank">CA Davis</a></p><br><p>Thank you&nbsp;<a href="https://www.kloriscbd.com/" rel="noopener noreferrer" target="_blank">Kloris</a>&nbsp;for supporting Shade Podcast Season Four</p><p>Sign up to <a href="https://www.patreon.com/shadepodcast" rel="noopener noreferrer" target="_blank">Shade Patreon</a> (for as little as £1 monthly) to receive your Kloris gift</p><p>New and existing patrons, simply message Shade privately on social media, along with your address, to claim your gift!</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p><strong>Image Focus (click on link below to view image)</strong></p><p><a href="https://www.theguardian.com/uk-news/2020/jun/07/blm-protesters-topple-statue-of-bristol-slave-trader-edward-colston" rel="noopener noreferrer" target="_blank"><strong>Protestors remove statue of Slave Trader, Edward Colston. June 7, 2020, Bristol, UK</strong></a></p><br><p><strong>Guests</strong></p><p><a href="https://twitter.com/joshuavirasami?lang=en" rel="noopener noreferrer" target="_blank"><strong>Joshua Virasami, BLM UK Member &amp; Author</strong></a></p><p><a href="https://twitter.com/georgeaosei?lang=en" rel="noopener noreferrer" target="_blank"><strong>George Osei-Prempeh</strong></a>, <a href="https://thephotographersgallery.org.uk/" rel="noopener noreferrer" target="_blank"><strong>The Photographers Gallery London</strong></a></p><br><p>Guests share their personal responses to the statue removal and it’s symbolism within the wider context of the civil rights movement</p><br><p>Shade is produced and hosted by Lou Mensah</p><p>Please support this work by becoming a&nbsp;<a href="https://www.patreon.com/shadepodcast" rel="noopener noreferrer" target="_blank">Shade Patron</a>&nbsp;</p><p>Full season music is composed by&nbsp;<a href="https://www.brianjackson.net/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Mixing &amp; sound design&nbsp;<a href="https://lattothought.com/" rel="noopener noreferrer" target="_blank">CA Davis</a></p><br><p>Thank you&nbsp;<a href="https://www.kloriscbd.com/" rel="noopener noreferrer" target="_blank">Kloris</a>&nbsp;for supporting Shade Podcast Season Four</p><p>Sign up to <a href="https://www.patreon.com/shadepodcast" rel="noopener noreferrer" target="_blank">Shade Patreon</a> (for as little as £1 monthly) to receive your Kloris gift</p><p>New and existing patrons, simply message Shade privately on social media, along with your address, to claim your gift!</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>BLM protests: with Lanre Bakare, Carey Robinson and Patrick Hutchinson</title>
			<itunes:title>BLM protests: with Lanre Bakare, Carey Robinson and Patrick Hutchinson</itunes:title>
			<pubDate>Mon, 25 Jan 2021 02:00:00 GMT</pubDate>
			<itunes:duration>49:35</itunes:duration>
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			<itunes:subtitle>BLM press photos</itunes:subtitle>
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			<itunes:episode>3</itunes:episode>
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			<description><![CDATA[<p><strong>UK BLM Protests</strong></p><p><strong>Press Photos</strong></p><p>Image Focus: <a href="https://www.reuters.com/article/rpb-chinekeorchestra-idUSKBN2782IQ" rel="noopener noreferrer" target="_blank">Patrick Hutchinson BLM Protest</a></p><p>Image REUTERS/Dylan Martinez June 13 2020</p><p>We discuss the impact of the image from social, cultural and art history perspective</p><br><p>Guests</p><p><a href="https://www.theguardian.com/profile/lanre-bakare" rel="noopener noreferrer" target="_blank">Lanre Bakare. Arts &amp; Culture correspondent, The Guardian</a></p><p><a href="https://www.southlondongallery.org/staff-trustees/" rel="noopener noreferrer" target="_blank">Carey Robinson. Head of Education, The South London Gallery</a></p><p>Patrick Hutchinson</p><br><p>Shade is produced and hosted by Lou Mensah</p><p>Please support this work by becoming a&nbsp;<a href="https://www.patreon.com/shadepodcast" rel="noopener noreferrer" target="_blank">Shade Patreon Patron</a>&nbsp;</p><p>Full season music is composed by&nbsp;<a href="https://www.brianjackson.net/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Episode Three additional music by Luke Cage</p><p>Mixing &amp; sound design&nbsp;<a href="https://lattothought.com/" rel="noopener noreferrer" target="_blank">CA Davis</a></p><br><p>Thank you&nbsp;<a href="https://www.kloriscbd.com/" rel="noopener noreferrer" target="_blank">Kloris</a>&nbsp;for supporting Shade Podcast Season Four</p><p>Sign up to <a href="https://www.patreon.com/shadepodcast" rel="noopener noreferrer" target="_blank">Shade Patreon</a> (for as little as £1 monthly) to receive your Kloris gift!</p><p>New and existing patrons, simply message <a href="https://www.patreon.com/shadepodcast" rel="noopener noreferrer" target="_blank">Shade via Patreon messenger</a>, and write KLORIS in the subject header, along with your address, to claim your gift</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p><strong>UK BLM Protests</strong></p><p><strong>Press Photos</strong></p><p>Image Focus: <a href="https://www.reuters.com/article/rpb-chinekeorchestra-idUSKBN2782IQ" rel="noopener noreferrer" target="_blank">Patrick Hutchinson BLM Protest</a></p><p>Image REUTERS/Dylan Martinez June 13 2020</p><p>We discuss the impact of the image from social, cultural and art history perspective</p><br><p>Guests</p><p><a href="https://www.theguardian.com/profile/lanre-bakare" rel="noopener noreferrer" target="_blank">Lanre Bakare. Arts &amp; Culture correspondent, The Guardian</a></p><p><a href="https://www.southlondongallery.org/staff-trustees/" rel="noopener noreferrer" target="_blank">Carey Robinson. Head of Education, The South London Gallery</a></p><p>Patrick Hutchinson</p><br><p>Shade is produced and hosted by Lou Mensah</p><p>Please support this work by becoming a&nbsp;<a href="https://www.patreon.com/shadepodcast" rel="noopener noreferrer" target="_blank">Shade Patreon Patron</a>&nbsp;</p><p>Full season music is composed by&nbsp;<a href="https://www.brianjackson.net/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Episode Three additional music by Luke Cage</p><p>Mixing &amp; sound design&nbsp;<a href="https://lattothought.com/" rel="noopener noreferrer" target="_blank">CA Davis</a></p><br><p>Thank you&nbsp;<a href="https://www.kloriscbd.com/" rel="noopener noreferrer" target="_blank">Kloris</a>&nbsp;for supporting Shade Podcast Season Four</p><p>Sign up to <a href="https://www.patreon.com/shadepodcast" rel="noopener noreferrer" target="_blank">Shade Patreon</a> (for as little as £1 monthly) to receive your Kloris gift!</p><p>New and existing patrons, simply message <a href="https://www.patreon.com/shadepodcast" rel="noopener noreferrer" target="_blank">Shade via Patreon messenger</a>, and write KLORIS in the subject header, along with your address, to claim your gift</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Shade at South London Gallery with filmmaker Kevin Morosky</title>
			<itunes:title>Shade at South London Gallery with filmmaker Kevin Morosky</itunes:title>
			<pubDate>Sat, 23 Jan 2021 07:00:00 GMT</pubDate>
			<itunes:duration>27:59</itunes:duration>
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			<description><![CDATA[<p>This bonus series of four co-curated conversations between <a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">Shade</a> and <a href="https://www.southlondongallery.org/projects/convergence/" rel="noopener noreferrer" target="_blank">Convergence </a>- the <a href="https://www.southlondongallery.org/" rel="noopener noreferrer" target="_blank">South London Gallery’s </a>platform for critical conversations, screenings and written commissions - explores anti-racism and the arts.</p><p>This first episode features&nbsp;<a href="http://www.kevinmorosky.com/advertising" rel="noopener noreferrer" target="_blank">Kevin Morosky</a>, filmmaker, advertising creative director and co-founder of&nbsp;<a href="https://wearepocc.com/" rel="noopener noreferrer" target="_blank">We&nbsp;are Pocc</a>&nbsp;(the creative network accelerating equality and equity, for culturally and ethnically diverse people in the creative industries) who speaks to Lou Mensah about the role that <em>advertising </em>plays in challenging racism, in our everyday lives.&nbsp;</p><p>Future Convergence + Shade co curated conversations will be released through Feb, March &amp; April, and they will explore the role that film, literature and sound play in challenging racism.</p><p>Produced and hosted by Lou Mensah of&nbsp;Shade Podcast</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>This bonus series of four co-curated conversations between <a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">Shade</a> and <a href="https://www.southlondongallery.org/projects/convergence/" rel="noopener noreferrer" target="_blank">Convergence </a>- the <a href="https://www.southlondongallery.org/" rel="noopener noreferrer" target="_blank">South London Gallery’s </a>platform for critical conversations, screenings and written commissions - explores anti-racism and the arts.</p><p>This first episode features&nbsp;<a href="http://www.kevinmorosky.com/advertising" rel="noopener noreferrer" target="_blank">Kevin Morosky</a>, filmmaker, advertising creative director and co-founder of&nbsp;<a href="https://wearepocc.com/" rel="noopener noreferrer" target="_blank">We&nbsp;are Pocc</a>&nbsp;(the creative network accelerating equality and equity, for culturally and ethnically diverse people in the creative industries) who speaks to Lou Mensah about the role that <em>advertising </em>plays in challenging racism, in our everyday lives.&nbsp;</p><p>Future Convergence + Shade co curated conversations will be released through Feb, March &amp; April, and they will explore the role that film, literature and sound play in challenging racism.</p><p>Produced and hosted by Lou Mensah of&nbsp;Shade Podcast</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title><![CDATA[VOGUE Magazine and BLM 'Hope' Covers with Osman Ahmed and Mariel Tyler]]></title>
			<itunes:title><![CDATA[VOGUE Magazine and BLM 'Hope' Covers with Osman Ahmed and Mariel Tyler]]></itunes:title>
			<pubDate>Mon, 18 Jan 2021 02:00:00 GMT</pubDate>
			<itunes:duration>35:08</itunes:duration>
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			<acast:episodeUrl>voguemagazinehopeissues</acast:episodeUrl>
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			<itunes:season>4</itunes:season>
			<itunes:episode>2</itunes:episode>
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			<description><![CDATA[<p><strong>Fashion &amp; the BLM uprisings</strong></p><p><strong>Image Focus: </strong><a href="https://www.vogue.co.uk/news/gallery/global-vogues-september-hope-covers" rel="noopener noreferrer" target="_blank"><strong>British Vogue Cover, The September Issue 2020</strong></a></p><p><a href="https://www.vogue.com/article/september-issue-cover-2020-global-hope" rel="noopener noreferrer" target="_blank"><strong>American Vogue Covers, The September Issue 2020</strong></a></p><br><p><strong>Guests</strong></p><p><a href="https://i-d.vice.com/en_uk/contributor/osman-ahmed" rel="noopener noreferrer" target="_blank"><strong>Osman Ahmed, Fashion Features Editor i-D Magazine&nbsp;</strong></a></p><p><a href="https://www.tylertwins.com/about" rel="noopener noreferrer" target="_blank"><strong>Mariel Tyler, Photographer</strong></a></p><p><strong>(Former Photo Editor&nbsp;of&nbsp;</strong><a href="http://elle.com/" rel="noopener noreferrer" target="_blank"><strong>ELLE.COM</strong></a><strong>&nbsp;&amp; Getty)</strong></p><br><p>Shade is produced and hosted by Lou Mensah</p><p>Please support this work by becoming a&nbsp;<a href="https://www.patreon.com/shadepodcast" rel="noopener noreferrer" target="_blank">Shade Patron</a>&nbsp;</p><p>Full season music is composed by&nbsp;<a href="https://www.brianjackson.net/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Episode Two additional music by Luke Cage</p><p>Mixing &amp; sound design&nbsp;<a href="https://lattothought.com/" rel="noopener noreferrer" target="_blank">CA Davis</a></p><br><p>Thank you&nbsp;<a href="https://www.kloriscbd.com/" rel="noopener noreferrer" target="_blank">Kloris</a>&nbsp;for supporting Shade Podcast Season Four</p><p>Sign up to <a href="https://www.patreon.com/shadepodcast" rel="noopener noreferrer" target="_blank">Shade Patreon</a> (for as little as £1 monthly) to receive your Kloris gift!</p><p>New and existing patrons, simply message <a href="https://www.patreon.com/shadepodcast" rel="noopener noreferrer" target="_blank">Shade via Patreon messenger</a>, and write KLORIS in the subject header, along with your address, to claim your gift</p><br><p>Shade Podcast and <a href="https://www.southlondongallery.org/projects/convergence/" rel="noopener noreferrer" target="_blank">CONVERGENCE at The South London Gallery </a>have co-curated a four part conversation series asking ’<strong>Does the media have the potential to challenge racism?’</strong></p><p>SLG’s convergence platform hosts critical conversations, screenings and written commissions, freely available to everyone on their website. For our first talk, on January 23rd 2021, Shade Podcast will be in conversation with <a href="https://www.instagram.com/kevinmorosky/?hl=en" rel="noopener noreferrer" target="_blank">Kevin Morosky</a>, filmmaker, senior advertising creative and co founder of <a href="https://wearepocc.com/" rel="noopener noreferrer" target="_blank">POCC</a> - the network accelerating equality and equity, for culturally and ethnically diverse people in the creative industries. The talk will be available from January 23rd, on the South London Gallery website and also on your podcast app as bonus Shade content….enjoy!&nbsp;</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p><strong>Fashion &amp; the BLM uprisings</strong></p><p><strong>Image Focus: </strong><a href="https://www.vogue.co.uk/news/gallery/global-vogues-september-hope-covers" rel="noopener noreferrer" target="_blank"><strong>British Vogue Cover, The September Issue 2020</strong></a></p><p><a href="https://www.vogue.com/article/september-issue-cover-2020-global-hope" rel="noopener noreferrer" target="_blank"><strong>American Vogue Covers, The September Issue 2020</strong></a></p><br><p><strong>Guests</strong></p><p><a href="https://i-d.vice.com/en_uk/contributor/osman-ahmed" rel="noopener noreferrer" target="_blank"><strong>Osman Ahmed, Fashion Features Editor i-D Magazine&nbsp;</strong></a></p><p><a href="https://www.tylertwins.com/about" rel="noopener noreferrer" target="_blank"><strong>Mariel Tyler, Photographer</strong></a></p><p><strong>(Former Photo Editor&nbsp;of&nbsp;</strong><a href="http://elle.com/" rel="noopener noreferrer" target="_blank"><strong>ELLE.COM</strong></a><strong>&nbsp;&amp; Getty)</strong></p><br><p>Shade is produced and hosted by Lou Mensah</p><p>Please support this work by becoming a&nbsp;<a href="https://www.patreon.com/shadepodcast" rel="noopener noreferrer" target="_blank">Shade Patron</a>&nbsp;</p><p>Full season music is composed by&nbsp;<a href="https://www.brianjackson.net/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Episode Two additional music by Luke Cage</p><p>Mixing &amp; sound design&nbsp;<a href="https://lattothought.com/" rel="noopener noreferrer" target="_blank">CA Davis</a></p><br><p>Thank you&nbsp;<a href="https://www.kloriscbd.com/" rel="noopener noreferrer" target="_blank">Kloris</a>&nbsp;for supporting Shade Podcast Season Four</p><p>Sign up to <a href="https://www.patreon.com/shadepodcast" rel="noopener noreferrer" target="_blank">Shade Patreon</a> (for as little as £1 monthly) to receive your Kloris gift!</p><p>New and existing patrons, simply message <a href="https://www.patreon.com/shadepodcast" rel="noopener noreferrer" target="_blank">Shade via Patreon messenger</a>, and write KLORIS in the subject header, along with your address, to claim your gift</p><br><p>Shade Podcast and <a href="https://www.southlondongallery.org/projects/convergence/" rel="noopener noreferrer" target="_blank">CONVERGENCE at The South London Gallery </a>have co-curated a four part conversation series asking ’<strong>Does the media have the potential to challenge racism?’</strong></p><p>SLG’s convergence platform hosts critical conversations, screenings and written commissions, freely available to everyone on their website. For our first talk, on January 23rd 2021, Shade Podcast will be in conversation with <a href="https://www.instagram.com/kevinmorosky/?hl=en" rel="noopener noreferrer" target="_blank">Kevin Morosky</a>, filmmaker, senior advertising creative and co founder of <a href="https://wearepocc.com/" rel="noopener noreferrer" target="_blank">POCC</a> - the network accelerating equality and equity, for culturally and ethnically diverse people in the creative industries. The talk will be available from January 23rd, on the South London Gallery website and also on your podcast app as bonus Shade content….enjoy!&nbsp;</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>TIME Magazine and BLM, with Editor at Large (Special Projects) Paul Moakley</title>
			<itunes:title>TIME Magazine and BLM, with Editor at Large (Special Projects) Paul Moakley</itunes:title>
			<pubDate>Mon, 11 Jan 2021 02:00:00 GMT</pubDate>
			<itunes:duration>40:06</itunes:duration>
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			<itunes:subtitle>Discussing TIME covers by Devin Allen</itunes:subtitle>
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			<itunes:season>4</itunes:season>
			<itunes:episode>1</itunes:episode>
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			<description><![CDATA[<p><a href="https://time.com/magazine/us/5851840/june-22nd-2020-vol-195-no-23-u-s/" rel="noopener noreferrer" target="_blank">Guest Paul Moakley</a> Editor at Large, Special projects <a href="https://time.com/" rel="noopener noreferrer" target="_blank">TIME Magazine</a></p><p><a href="https://time.com/magazine/us/5851840/june-22nd-2020-vol-195-no-23-u-s/" rel="noopener noreferrer" target="_blank">Image ‘The Overdue Awakening’ TIME, June 2020</a> Photographer <a href="https://www.instagram.com/bydvnlln/?hl=en" rel="noopener noreferrer" target="_blank">Devin Allen</a></p><p>Produced and hosted by Lou Mensah</p><br><p>Music composed for Shade Podcast by <a href="https://www.brianjackson.net/" rel="noopener noreferrer" target="_blank">Brian Jackson</a> Copyright Brian Jackson/Shade Podcast</p><p>Mixing &amp; sound design <a href="https://lattothought.com/" rel="noopener noreferrer" target="_blank">CA Davis</a></p><p>Available on all podcast apps &amp; <a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">Shade Website</a></p><p>Please support this work by becoming a <a href="https://www.patreon.com/shadepodcast" rel="noopener noreferrer" target="_blank">Shade Patron</a></p><p>Season 4 is supported by <a href="https://www.kloriscbd.com/" rel="noopener noreferrer" target="_blank">Kloris</a></p><p>Thank you so much Kloris for supporting Shade this season! Sign up to <a href="https://www.patreon.com/shadepodcast?fan_landing=true" rel="noopener noreferrer" target="_blank">Shade Patreon</a> to receive your Kloris subscriber gift</p><p>Existing Shade Patreons, please message Shade via Patreon messenger and write 'KLORIS GIFT' in the subject header to claim your gift</p><p><a href="https://www.patreon.com/" rel="noopener noreferrer" target="_blank">Patreon </a>support for this episode is supported by <a href="https://www.bfi.org.uk/" rel="noopener noreferrer" target="_blank">The British Film Institute</a></p><p>The British Film Institute have provided memberships for 6 Shade Patreon patrons</p><p>Please listen to the episode for details on how to apply!</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p><a href="https://time.com/magazine/us/5851840/june-22nd-2020-vol-195-no-23-u-s/" rel="noopener noreferrer" target="_blank">Guest Paul Moakley</a> Editor at Large, Special projects <a href="https://time.com/" rel="noopener noreferrer" target="_blank">TIME Magazine</a></p><p><a href="https://time.com/magazine/us/5851840/june-22nd-2020-vol-195-no-23-u-s/" rel="noopener noreferrer" target="_blank">Image ‘The Overdue Awakening’ TIME, June 2020</a> Photographer <a href="https://www.instagram.com/bydvnlln/?hl=en" rel="noopener noreferrer" target="_blank">Devin Allen</a></p><p>Produced and hosted by Lou Mensah</p><br><p>Music composed for Shade Podcast by <a href="https://www.brianjackson.net/" rel="noopener noreferrer" target="_blank">Brian Jackson</a> Copyright Brian Jackson/Shade Podcast</p><p>Mixing &amp; sound design <a href="https://lattothought.com/" rel="noopener noreferrer" target="_blank">CA Davis</a></p><p>Available on all podcast apps &amp; <a href="https://www.shadepodcast.co.uk/" rel="noopener noreferrer" target="_blank">Shade Website</a></p><p>Please support this work by becoming a <a href="https://www.patreon.com/shadepodcast" rel="noopener noreferrer" target="_blank">Shade Patron</a></p><p>Season 4 is supported by <a href="https://www.kloriscbd.com/" rel="noopener noreferrer" target="_blank">Kloris</a></p><p>Thank you so much Kloris for supporting Shade this season! Sign up to <a href="https://www.patreon.com/shadepodcast?fan_landing=true" rel="noopener noreferrer" target="_blank">Shade Patreon</a> to receive your Kloris subscriber gift</p><p>Existing Shade Patreons, please message Shade via Patreon messenger and write 'KLORIS GIFT' in the subject header to claim your gift</p><p><a href="https://www.patreon.com/" rel="noopener noreferrer" target="_blank">Patreon </a>support for this episode is supported by <a href="https://www.bfi.org.uk/" rel="noopener noreferrer" target="_blank">The British Film Institute</a></p><p>The British Film Institute have provided memberships for 6 Shade Patreon patrons</p><p>Please listen to the episode for details on how to apply!</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title><![CDATA[Season Four Trailer - 'Black Images Matter' Launching 11 Jan 2021]]></title>
			<itunes:title><![CDATA[Season Four Trailer - 'Black Images Matter' Launching 11 Jan 2021]]></itunes:title>
			<pubDate>Tue, 08 Dec 2020 15:54:36 GMT</pubDate>
			<itunes:duration>1:58</itunes:duration>
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			<acast:episodeId>de3b06c9-bda3-40d3-be07-062e13ab95ad</acast:episodeId>
			<acast:showId>241b5e41-db8f-59dc-95ea-0160569317ef</acast:showId>
			<acast:episodeUrl>shade-seasonfourtrailer-blackimagesmatterlaunching11jan2021</acast:episodeUrl>
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			<itunes:subtitle><![CDATA[Shade returns for a new season, reflecting on the images and stories that emerged from the 2020 BLM uprisings.Join Lou, along with the trailblazers and change-makers from the worlds of magazine & book publishing, photography, art, journalism and a...]]></itunes:subtitle>
			<itunes:episodeType>trailer</itunes:episodeType>
			<itunes:season>4</itunes:season>
			<itunes:image href="https://assets.pippa.io/shows/62874922a6361b1a8d8dddba/1760541170931-e277be6d-6c50-4825-8eac-73297e12d425.jpeg"/>
			<description><![CDATA[<p>Shade returns for a new season, reflecting on the images and stories that emerged from the 2020 BLM uprisings.</p><p>Join Lou, along with the trailblazers and change-makers from the worlds of magazine &amp; book publishing, photography, art, journalism and activism, to consider the effect of the summer 2020 uprisings on our visual and social cultures.</p><p>Music has been composed for Shade this season by musician Brian Jackson (of Gil Scott-Heron &amp; Brian Jackson). The duo composed the politically resonant 70's hit 'The Revolution will not be televised.'</p><p>Released weekly every Monday from 11 Jan 2021</p><p>Subscribe to catch new episodes!</p><p>Follow <a href="https://www.instagram.com/shade_podcast/?hl=en" rel="noopener noreferrer" target="_blank">Shade on Instagram</a> for images relating to the new season</p><p>Music <a href="https://www.brianjackson.net/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Additional music by <a href="https://www.instagram.com/suckerpipe/" rel="noopener noreferrer" target="_blank">Luke Cage</a></p><p>Editing &amp; sound design by <a href="https://lattothought.com/" rel="noopener noreferrer" target="_blank">CA Davis Producer &amp; Host of A Latto Thought</a></p><p>Shade Patreon <a href="patreon.com/shadepodcast" rel="noopener noreferrer" target="_blank">patreon.com/shadepodcast</a></p><p>www.shadepodcast.co.uk</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Shade returns for a new season, reflecting on the images and stories that emerged from the 2020 BLM uprisings.</p><p>Join Lou, along with the trailblazers and change-makers from the worlds of magazine &amp; book publishing, photography, art, journalism and activism, to consider the effect of the summer 2020 uprisings on our visual and social cultures.</p><p>Music has been composed for Shade this season by musician Brian Jackson (of Gil Scott-Heron &amp; Brian Jackson). The duo composed the politically resonant 70's hit 'The Revolution will not be televised.'</p><p>Released weekly every Monday from 11 Jan 2021</p><p>Subscribe to catch new episodes!</p><p>Follow <a href="https://www.instagram.com/shade_podcast/?hl=en" rel="noopener noreferrer" target="_blank">Shade on Instagram</a> for images relating to the new season</p><p>Music <a href="https://www.brianjackson.net/" rel="noopener noreferrer" target="_blank">Brian Jackson</a></p><p>Additional music by <a href="https://www.instagram.com/suckerpipe/" rel="noopener noreferrer" target="_blank">Luke Cage</a></p><p>Editing &amp; sound design by <a href="https://lattothought.com/" rel="noopener noreferrer" target="_blank">CA Davis Producer &amp; Host of A Latto Thought</a></p><p>Shade Patreon <a href="patreon.com/shadepodcast" rel="noopener noreferrer" target="_blank">patreon.com/shadepodcast</a></p><p>www.shadepodcast.co.uk</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<itunes:category text="Arts">
			<itunes:category text="Visual Arts"/>
		</itunes:category>
    	<itunes:category text="Arts"/>
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