<?xml version="1.0" encoding="utf-8"?>
<?xml-stylesheet type="text/xsl" href="/global/feed/rss.xslt" ?>
<rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:googleplay="http://www.google.com/schemas/play-podcasts/1.0" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://search.yahoo.com/mrss/" xmlns:podaccess="https://access.acast.com/schema/1.0/" xmlns:acast="https://schema.acast.com/1.0/">
    <channel>
		<ttl>60</ttl>
		<generator>acast.com</generator>
		<title>Beneath the Rhythm | An RX Music Podcast</title>
		<link>https://shows.acast.com/beneath-the-rhythm-an-rx-music-podcast</link>
		<atom:link href="https://feeds.acast.com/public/shows/5e54147f6373e0ac5bb71518" rel="self" type="application/rss+xml"/>
		<language>en</language>
		<copyright>RX Music</copyright>
		<itunes:keywords>Music, Industry,RX Music,Interviews,Media,sound,musician,audiophile,concert,lyric,tune,rhythm</itunes:keywords>
		<itunes:author>RX Music</itunes:author>
		<itunes:subtitle/>
		<itunes:summary><![CDATA[<p>The power of sound: Beneath the Rhythm’s aim is to showcase new and thought-provoking music-based initiatives and stories. As an extension of the RX Music brand, we are passionate about exploring music as more than just a medium, but as a powerful form of creative expression, progress and community. Each episode, Laura MacInnes-Rae will bring you special guest interviews as well as setting out to contextualize music’s cultural significance beyond the medium.&nbsp;</p><p>BTR aims to plant itself firmly on the forefront of meaningful musical projects and initiatives to celebrate and share music with our loyal listeners.&nbsp;&nbsp;</p><p>Be sure to follow us on <a href="https://www.instagram.com/rxmusic/" rel="noopener noreferrer" target="_blank">Instagram</a>, <a href="https://www.facebook.com/RXMusic/" rel="noopener noreferrer" target="_blank">Facebook</a>, <a href="https://twitter.com/rxmusic?s=20" rel="noopener noreferrer" target="_blank">Twitter</a> and <a href="https://www.youtube.com/channel/UCCMA1hAxJqqqw3gRMFShIsg" rel="noopener noreferrer" target="_blank">YouTube</a> as well as on the pod-catcher of your choice!&nbsp;</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		<description><![CDATA[<p>The power of sound: Beneath the Rhythm’s aim is to showcase new and thought-provoking music-based initiatives and stories. As an extension of the RX Music brand, we are passionate about exploring music as more than just a medium, but as a powerful form of creative expression, progress and community. Each episode, Laura MacInnes-Rae will bring you special guest interviews as well as setting out to contextualize music’s cultural significance beyond the medium.&nbsp;</p><p>BTR aims to plant itself firmly on the forefront of meaningful musical projects and initiatives to celebrate and share music with our loyal listeners.&nbsp;&nbsp;</p><p>Be sure to follow us on <a href="https://www.instagram.com/rxmusic/" rel="noopener noreferrer" target="_blank">Instagram</a>, <a href="https://www.facebook.com/RXMusic/" rel="noopener noreferrer" target="_blank">Facebook</a>, <a href="https://twitter.com/rxmusic?s=20" rel="noopener noreferrer" target="_blank">Twitter</a> and <a href="https://www.youtube.com/channel/UCCMA1hAxJqqqw3gRMFShIsg" rel="noopener noreferrer" target="_blank">YouTube</a> as well as on the pod-catcher of your choice!&nbsp;</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
		<itunes:explicit>false</itunes:explicit>
		<itunes:owner>
			<itunes:name>RX Music</itunes:name>
			<itunes:email>craig@rxmusic.com</itunes:email>
		</itunes:owner>
		<acast:showId>5e54147f6373e0ac5bb71518</acast:showId>
		<acast:showUrl>beneath-the-rhythm-an-rx-music-podcast</acast:showUrl>
		<acast:signature key="EXAMPLE" algorithm="aes-256-cbc"><![CDATA[wbG1Z7+6h9QOi+CR1Dv0uQ==]]></acast:signature>
		<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmQI5cfyaoZT5d8ESYLTxQI+oAha7v+V10xKwMoiq7EPFP2b+M99O3AV/WWpCJmm3YWf1cKTbzFc6/Xgfa2mAP88eQSGQOf8NcZK2ZZ9A4guA55UW3o/RNziqZPEQN6mj9g==]]></acast:settings>
        <acast:network id="60075f1d795a1c638da15874" slug="craig-clemens"><![CDATA[Craig Clemens]]></acast:network>
		<itunes:type>episodic</itunes:type>
			<itunes:image href="https://assets.pippa.io/shows/5e54147f6373e0ac5bb71518/1583864949194-7441ac5dd278c417aa14b5b7d4e0b021.jpeg"/>
			<image>
				<url>https://assets.pippa.io/shows/5e54147f6373e0ac5bb71518/1583864949194-7441ac5dd278c417aa14b5b7d4e0b021.jpeg</url>
				<link>https://shows.acast.com/beneath-the-rhythm-an-rx-music-podcast</link>
				<title>Beneath the Rhythm | An RX Music Podcast</title>
			</image>
		<item>
			<title>Episode 11 | LOSTBOYJAY</title>
			<itunes:title>Episode 11 | LOSTBOYJAY</itunes:title>
			<pubDate>Thu, 16 Mar 2023 17:10:01 GMT</pubDate>
			<itunes:duration>13:57</itunes:duration>
			<enclosure url="https://sphinx.acast.com/p/open/s/5e54147f6373e0ac5bb71518/e/64134abcf5c4d40012f53786/media.mp3" length="33489728" type="audio/mpeg"/>
			<guid isPermaLink="false">64134abcf5c4d40012f53786</guid>
			<itunes:explicit>false</itunes:explicit>
			<link>https://shows.acast.com/beneath-the-rhythm-an-rx-music-podcast/episodes/episode-11-lostboyjay</link>
			<acast:episodeId>64134abcf5c4d40012f53786</acast:episodeId>
			<acast:showId>5e54147f6373e0ac5bb71518</acast:showId>
			<acast:episodeUrl>episode-11-lostboyjay</acast:episodeUrl>
			<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmbKbhgrQiwYShz70Q9/ffXZMTtedvdcRQbP4eiLMjXzCKLPjEYLpGj+NMVKa+5C8pL4u/EOj1Vw4h5MMJYp0lCcFAe0fnxBJy/1ju4Qxy1fh8gO4DvlGA40yms2g0/hOkcrfHIopjTygHFqGwwOPKFIai4SuTvs86Lx3UYCyl6Zso0biIiKZjyvGFLhYxQq3dIth88C1IBf7rZy8wir9d3ds137Fb9h1f1rXXW5gryqsLrr1gp2W5BizZJkXRHOLo/51FhnYeTxLA5781wAKWfZ0Xvpm2IL/wdwD3rpyjq3v]]></acast:settings>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:image href="https://assets.pippa.io/shows/5e54147f6373e0ac5bb71518/1678985845879-61b1f5838c13fc9062e2b79ae38c9079.jpeg"/>
			<description><![CDATA[<p>"It's a crazy feeling right? To go from just making music in your room to now you get to play to people. It's unreal, I love it."</p><br><p>We spoke to Toronto electronic dance artist <a href="https://open.spotify.com/artist/1k0BkkbwTGZGBqrNWwuucL?si=h5mFm7f5RVSd89zzcsRFhg" rel="noopener noreferrer" target="_blank">LOSTBOYJAY</a>. Riding the wave of a his infectious 2022 single <a href="https://open.spotify.com/track/5zuex7tbGFz0gSHlrMvQdu?si=29755ee12c774566" rel="noopener noreferrer" target="_blank">COULD BE WRONG,</a> Jay warmed up the decks in February for a unique underground show deep in the bowels of <a href="https://www.youtube.com/watch?v=GBWFWOjojiM" rel="noopener noreferrer" target="_blank">Toronto's Lower Bay subway station</a>. This track cleverly transforms <a href="https://open.spotify.com/track/6N9uyMZf9pbNOuomveWscp?si=5956e645878048cb" rel="noopener noreferrer" target="_blank">Brandy's <em>I Wanna Be Down</em></a>, into a summer-drenched house track. Freshly signed to Polydor Records and the entire festival season ahead of him, there's lots to celebrate. We discuss his journey from producing beats on <a href="https://soundcloud.com/lostboyjay" rel="noopener noreferrer" target="_blank">Soundcloud</a> to playing live shows and the positivity of the electronic dance community. You can catch him live in Toronto at CODA April 8 supporting Low Steppa.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>"It's a crazy feeling right? To go from just making music in your room to now you get to play to people. It's unreal, I love it."</p><br><p>We spoke to Toronto electronic dance artist <a href="https://open.spotify.com/artist/1k0BkkbwTGZGBqrNWwuucL?si=h5mFm7f5RVSd89zzcsRFhg" rel="noopener noreferrer" target="_blank">LOSTBOYJAY</a>. Riding the wave of a his infectious 2022 single <a href="https://open.spotify.com/track/5zuex7tbGFz0gSHlrMvQdu?si=29755ee12c774566" rel="noopener noreferrer" target="_blank">COULD BE WRONG,</a> Jay warmed up the decks in February for a unique underground show deep in the bowels of <a href="https://www.youtube.com/watch?v=GBWFWOjojiM" rel="noopener noreferrer" target="_blank">Toronto's Lower Bay subway station</a>. This track cleverly transforms <a href="https://open.spotify.com/track/6N9uyMZf9pbNOuomveWscp?si=5956e645878048cb" rel="noopener noreferrer" target="_blank">Brandy's <em>I Wanna Be Down</em></a>, into a summer-drenched house track. Freshly signed to Polydor Records and the entire festival season ahead of him, there's lots to celebrate. We discuss his journey from producing beats on <a href="https://soundcloud.com/lostboyjay" rel="noopener noreferrer" target="_blank">Soundcloud</a> to playing live shows and the positivity of the electronic dance community. You can catch him live in Toronto at CODA April 8 supporting Low Steppa.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Episode 10 | The Review</title>
			<itunes:title>Episode 10 | The Review</itunes:title>
			<pubDate>Fri, 24 Feb 2023 18:13:26 GMT</pubDate>
			<itunes:duration>1:23:11</itunes:duration>
			<enclosure url="https://sphinx.acast.com/p/open/s/5e54147f6373e0ac5bb71518/e/63f8e6e0188c360011dc5345/media.mp3" length="199647488" type="audio/mpeg"/>
			<guid isPermaLink="false">63f8e6e0188c360011dc5345</guid>
			<itunes:explicit>false</itunes:explicit>
			<link>https://shows.acast.com/beneath-the-rhythm-an-rx-music-podcast/episodes/the-review</link>
			<acast:episodeId>63f8e6e0188c360011dc5345</acast:episodeId>
			<acast:showId>5e54147f6373e0ac5bb71518</acast:showId>
			<acast:episodeUrl>the-review</acast:episodeUrl>
			<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmbKbhgrQiwYShz70Q9/ffXZMTtedvdcRQbP4eiLMjXzCKLPjEYLpGj+NMVKa+5C8pL4u/EOj1Vw4h5MMJYp0lCcFAe0fnxBJy/1ju4Qxy1fh8gO4DvlGA40yms2g0/hOkcrfHIopjTygHFqGwwOPKFIai4SuTvs86Lx3UYCyl6Zso0biIiKZjyvGFLhYxQq3dIth88C1IBf7rZy8wir9d3eFYRytNwDTuLmiAYqQMkjsLDY5s038yyotsfeorQjRy/FnQMG++WeEDdnRAyrWMekieOVpQfYKbhUoejDBLgI/]]></acast:settings>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:image href="https://assets.pippa.io/shows/5e54147f6373e0ac5bb71518/1677256477990-02c181c06a6e1a98d07bee9621f550da.jpeg"/>
			<description><![CDATA[<p>Starting as the musical brainchild of Jann Wenner and Ralph Gleason in 1967, Rolling Stone magazine&nbsp;turned into a movement and paragon of&nbsp;music journalism history. Entrusting readers with in depth music reviews and interviews. Folk heroes like Mick Jagger and Keith Richards, martyrs like John Lennon and Jimi Hendrix, and saints like Lester Bangs, and Hunter S. Thompson made the pages of the Rolling Stone the center of the musical and cultural universe. What happens to music journalism once the written word turned to digital? We wanted to know. To learn more we spoke to Jason Grishkoff, blogger and creator at <a href="https://www.indieshuffle.com/" rel="noopener noreferrer" target="_blank">Indie Shuffle</a> and <a href="https://www.submithub.com/" rel="noopener noreferrer" target="_blank">SubmitHub</a>, David Harris, editor in chief at <a href="https://spectrumculture.com/" rel="noopener noreferrer" target="_blank">Spectrum Culture</a>. Zac Johnson, Senior Product Manager for <a href="https://www.allmusic.com/" rel="noopener noreferrer" target="_blank">AllMusic.com</a> and Matthew Perpetua blogger at <a href="http://www.fluxblog.org/" rel="noopener noreferrer" target="_blank">Fluxblog</a>, formerly of Pitchfork, NPR and the <a href="https://www.rollingstone.com/" rel="noopener noreferrer" target="_blank">Rolling Stone</a>.</p><br><p>------------------------------------------------------------------</p><br><p><a href="https://www.youtube.com/watch?v=Jo6ddHVUwrQ&amp;ab_channel=BerkeleyHaas" rel="noopener noreferrer" target="_blank">Jann Wenner @ Berkley</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Starting as the musical brainchild of Jann Wenner and Ralph Gleason in 1967, Rolling Stone magazine&nbsp;turned into a movement and paragon of&nbsp;music journalism history. Entrusting readers with in depth music reviews and interviews. Folk heroes like Mick Jagger and Keith Richards, martyrs like John Lennon and Jimi Hendrix, and saints like Lester Bangs, and Hunter S. Thompson made the pages of the Rolling Stone the center of the musical and cultural universe. What happens to music journalism once the written word turned to digital? We wanted to know. To learn more we spoke to Jason Grishkoff, blogger and creator at <a href="https://www.indieshuffle.com/" rel="noopener noreferrer" target="_blank">Indie Shuffle</a> and <a href="https://www.submithub.com/" rel="noopener noreferrer" target="_blank">SubmitHub</a>, David Harris, editor in chief at <a href="https://spectrumculture.com/" rel="noopener noreferrer" target="_blank">Spectrum Culture</a>. Zac Johnson, Senior Product Manager for <a href="https://www.allmusic.com/" rel="noopener noreferrer" target="_blank">AllMusic.com</a> and Matthew Perpetua blogger at <a href="http://www.fluxblog.org/" rel="noopener noreferrer" target="_blank">Fluxblog</a>, formerly of Pitchfork, NPR and the <a href="https://www.rollingstone.com/" rel="noopener noreferrer" target="_blank">Rolling Stone</a>.</p><br><p>------------------------------------------------------------------</p><br><p><a href="https://www.youtube.com/watch?v=Jo6ddHVUwrQ&amp;ab_channel=BerkeleyHaas" rel="noopener noreferrer" target="_blank">Jann Wenner @ Berkley</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Episode 9 | Artificial Intelligence</title>
			<itunes:title>Episode 9 | Artificial Intelligence</itunes:title>
			<pubDate>Fri, 20 May 2022 17:27:17 GMT</pubDate>
			<itunes:duration>53:14</itunes:duration>
			<enclosure url="https://sphinx.acast.com/p/open/s/5e54147f6373e0ac5bb71518/e/627e584836429500123c4745/media.mp3" length="51114737" type="audio/mpeg"/>
			<guid isPermaLink="false">627e584836429500123c4745</guid>
			<itunes:explicit>false</itunes:explicit>
			<link>https://shows.acast.com/beneath-the-rhythm-an-rx-music-podcast/episodes/episode-9-artificial-intelligence</link>
			<acast:episodeId>627e584836429500123c4745</acast:episodeId>
			<acast:showId>5e54147f6373e0ac5bb71518</acast:showId>
			<acast:episodeUrl>episode-9-artificial-intelligence</acast:episodeUrl>
			<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmbKbhgrQiwYShz70Q9/ffXZMTtedvdcRQbP4eiLMjXzCKLPjEYLpGj+NMVKa+5C8pL4u/EOj1Vw4h5MMJYp0lCcFAe0fnxBJy/1ju4Qxy1fh8gO4DvlGA40yms2g0/hOkcrfHIopjTygHFqGwwOPKFIai4SuTvs86Lx3UYCyl6Zso0biIiKZjyvGFLhYxQq3dIth88C1IBf7rZy8wir9d3dyFHPJMgKzJWOpb4ZX5fdjo2NaZUGrdrPneGqrBXMpQXw8wRS4mtL3OL5ggJz3TpIq9z0JL3oNsi3WqOFcouKi]]></acast:settings>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:image href="https://assets.pippa.io/shows/5e54147f6373e0ac5bb71518/1653074087320-50bf7404f178cf25ba24fca12a20ca7e.jpeg"/>
			<description><![CDATA[<p>With any new sophisticated technology, there comes the trial and error, the novelty, the speculation and the question of longevity. In this episode we pull back the curtain on artificial intelligence x music. Turns out its not all robots and conspiracy, so let’s debunk that. We wanted to explore the different sides of how machine learning can offer innovation in music making, as well as the budding questions of ethics and ownership that go along with it. Are you a musician curious about the creative opportunities AI can offer? We wanted to learn more about how musicians and computer scientists are working in tandem with machine learning and the challenges and milestones in this developing field.</p><br><p>To learn&nbsp;more&nbsp;we spoke to&nbsp;Ace Piva, musician and executive director at&nbsp;<a href="https://www.facebook.com/OTBnonprofit/" rel="noopener noreferrer" target="_blank"><strong>Over the Bridge</strong></a>, a non-profit organization that provides counselling services to help musicians with addiction and mental health. OTB worked alongside the “Lost Tapes of the 27 Club”&nbsp;–&nbsp;a&nbsp;campaign project that used AI to create new songs by said well-known artists of The 27 Club.&nbsp;We also spoke with&nbsp;<a href="https://vectorinstitute.ai/team/sageev-oore/" rel="noopener noreferrer" target="_blank"><strong>Sageev&nbsp;Oore</strong></a>, musician, professor at Dalhousie University and research faculty member at the Vector Institute, to understand some of the more technical attributes concerning AI and machine learning in music making.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>With any new sophisticated technology, there comes the trial and error, the novelty, the speculation and the question of longevity. In this episode we pull back the curtain on artificial intelligence x music. Turns out its not all robots and conspiracy, so let’s debunk that. We wanted to explore the different sides of how machine learning can offer innovation in music making, as well as the budding questions of ethics and ownership that go along with it. Are you a musician curious about the creative opportunities AI can offer? We wanted to learn more about how musicians and computer scientists are working in tandem with machine learning and the challenges and milestones in this developing field.</p><br><p>To learn&nbsp;more&nbsp;we spoke to&nbsp;Ace Piva, musician and executive director at&nbsp;<a href="https://www.facebook.com/OTBnonprofit/" rel="noopener noreferrer" target="_blank"><strong>Over the Bridge</strong></a>, a non-profit organization that provides counselling services to help musicians with addiction and mental health. OTB worked alongside the “Lost Tapes of the 27 Club”&nbsp;–&nbsp;a&nbsp;campaign project that used AI to create new songs by said well-known artists of The 27 Club.&nbsp;We also spoke with&nbsp;<a href="https://vectorinstitute.ai/team/sageev-oore/" rel="noopener noreferrer" target="_blank"><strong>Sageev&nbsp;Oore</strong></a>, musician, professor at Dalhousie University and research faculty member at the Vector Institute, to understand some of the more technical attributes concerning AI and machine learning in music making.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Episode 8 | Queer Country</title>
			<itunes:title>Episode 8 | Queer Country</itunes:title>
			<pubDate>Wed, 22 Dec 2021 16:46:55 GMT</pubDate>
			<itunes:duration>1:10:52</itunes:duration>
			<enclosure url="https://sphinx.acast.com/p/open/s/5e54147f6373e0ac5bb71518/e/61c34cba88e7800012475288/media.mp3" length="68039516" type="audio/mpeg"/>
			<guid isPermaLink="false">61c34cba88e7800012475288</guid>
			<itunes:explicit>false</itunes:explicit>
			<link>https://rxmusic.com/editorial/beneath-the-rhythm-episode-8-queer-country/</link>
			<acast:episodeId>61c34cba88e7800012475288</acast:episodeId>
			<acast:showId>5e54147f6373e0ac5bb71518</acast:showId>
			<acast:episodeUrl>episode-8-queer-country</acast:episodeUrl>
			<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmbKbhgrQiwYShz70Q9/ffXZMTtedvdcRQbP4eiLMjXzCKLPjEYLpGj+NMVKa+5C8pL4u/EOj1Vw4h5MMJYp0lCcFAe0fnxBJy/1ju4Qxy1fh8gO4DvlGA40yms2g0/hOkcrfHIopjTygHFqGwwOPKFIai4SuTvs86Lx3UYCyl6Zso0biIiKZjyvGFLhYxQq3dIth88C1IBf7rZy8wir9d3dTxeVMsIG5JtRHwxj+eOJuem2sONOcSR9geheQDqgT6lEUArYKh5meVyC1rjhX+Fc/PSLIUXgf9zaY8Y9RJWp1]]></acast:settings>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:image href="https://assets.pippa.io/shows/5e54147f6373e0ac5bb71518/1640189089851-8e7f5447129189a53c2c895bfe99a31c.jpeg"/>
			<description><![CDATA[<p>In Episode 8 of Beneath the Rhythm, we interviewed <a href="https://www.press.uillinois.edu/books/?id=56gqd2yk9780252044267" rel="noopener noreferrer" target="_blank">Shana Goldin-Perschbacher</a>, author of upcoming book, <em>Queer Country</em>.&nbsp;&nbsp;</p><br><p>From&nbsp;trailblazing&nbsp;queer&nbsp;musicians&nbsp;of the past, who used country music as a springboard in expressing their sexuality, to emerging non-binary and queer artists navigating the music industry today-- with a keen eye and ear&nbsp;Goldin-Perschbacher examines the inherent politics surrounding 'genre,' identity in music&nbsp;and&nbsp;how&nbsp;the normative country music standard&nbsp;was ultimately dismantled.&nbsp;We also interviewed Canadian country music singer and author&nbsp;<a href="http://www.raespoon.com/" rel="noopener noreferrer" target="_blank">Rae Spoon</a>. A&nbsp;leading voice in the trans, non-binary and queer community, Spoon&nbsp;shares their&nbsp;insight&nbsp;on both the challenges and victories of navigating the current social and music industry landscape.</p><br><p>Use&nbsp;Promo Code F21UIP&nbsp;when ordering <em>Queer Country</em> from the&nbsp;<a href="http://www.press.uillinois.edu/" rel="noopener noreferrer" target="_blank">www.press.uillinois.edu</a>&nbsp;for a 30%&nbsp;discount until December 2022.&nbsp;</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In Episode 8 of Beneath the Rhythm, we interviewed <a href="https://www.press.uillinois.edu/books/?id=56gqd2yk9780252044267" rel="noopener noreferrer" target="_blank">Shana Goldin-Perschbacher</a>, author of upcoming book, <em>Queer Country</em>.&nbsp;&nbsp;</p><br><p>From&nbsp;trailblazing&nbsp;queer&nbsp;musicians&nbsp;of the past, who used country music as a springboard in expressing their sexuality, to emerging non-binary and queer artists navigating the music industry today-- with a keen eye and ear&nbsp;Goldin-Perschbacher examines the inherent politics surrounding 'genre,' identity in music&nbsp;and&nbsp;how&nbsp;the normative country music standard&nbsp;was ultimately dismantled.&nbsp;We also interviewed Canadian country music singer and author&nbsp;<a href="http://www.raespoon.com/" rel="noopener noreferrer" target="_blank">Rae Spoon</a>. A&nbsp;leading voice in the trans, non-binary and queer community, Spoon&nbsp;shares their&nbsp;insight&nbsp;on both the challenges and victories of navigating the current social and music industry landscape.</p><br><p>Use&nbsp;Promo Code F21UIP&nbsp;when ordering <em>Queer Country</em> from the&nbsp;<a href="http://www.press.uillinois.edu/" rel="noopener noreferrer" target="_blank">www.press.uillinois.edu</a>&nbsp;for a 30%&nbsp;discount until December 2022.&nbsp;</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Episode 7 | WTF NFT?</title>
			<itunes:title>Episode 7 | WTF NFT?</itunes:title>
			<pubDate>Thu, 15 Jul 2021 16:19:55 GMT</pubDate>
			<itunes:duration>1:25:31</itunes:duration>
			<enclosure url="https://sphinx.acast.com/p/open/s/5e54147f6373e0ac5bb71518/e/60ef3a5863a59100131138ec/media.mp3" length="82099088" type="audio/mpeg"/>
			<guid isPermaLink="false">60ef3a5863a59100131138ec</guid>
			<itunes:explicit>true</itunes:explicit>
			<link>https://shows.acast.com/beneath-the-rhythm-an-rx-music-podcast/episodes/episode-7-wft-nft</link>
			<acast:episodeId>60ef3a5863a59100131138ec</acast:episodeId>
			<acast:showId>5e54147f6373e0ac5bb71518</acast:showId>
			<acast:episodeUrl>episode-7-wft-nft</acast:episodeUrl>
			<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmbKbhgrQiwYShz70Q9/ffXZMTtedvdcRQbP4eiLMjXzCKLPjEYLpGj+NMVKa+5C8pL4u/EOj1Vw4h5MMJYp0lCcFAe0fnxBJy/1ju4Qxy1fh8gO4DvlGA40yms2g0/hOkcrfHIopjTygHFqGwwOPKFIai4SuTvs86Lx3UYCyl6Zso0biIiKZjyvGFLhYxQq3dIth88C1IBf7rZy8wir9d3eQzplbEONqvmKqdsoF614uOXzAQhPzlc7ZEo083vw7D1xt+AlVSgb52jn/RDj0QklseyutmnXd30VDf1nd7C9m]]></acast:settings>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:image href="https://assets.pippa.io/shows/5e54147f6373e0ac5bb71518/1626290765492-4715b8b732fcad0ab29da49b60536691.jpeg"/>
			<description><![CDATA[<p>WTF is an NFT you ask? Why, a non-fungible token of course! And how do you make 69 million off of selling one? Lions and tigers and bears and bull markets oh my! It started with CryptoPunks and CryptoKitties; if we merge the finance and art world, we're learning to navigate assigning value to intangible art and music. We’re also learning that streaming may not be answer the industry was looking for. Are NFT’s a bandwagon only tech and crypto savvy artists can jump onto or will this transform the game as a new revenue stream? 2020 imposed a lot of strain on artists’ livelihoods because it took away shows--- NFT’s might be the road to follow to in order to bounce back and create in a completely uncensored network, the possibilities are endless.</p><p>To understand more about NFT opportunities in the music industry and the crypto world, we spoke to Bjorn Niclas (CEO &amp; Co-founder of <a href="https://rocki.app/about" rel="noopener noreferrer" target="_blank">ROCKI app</a>), Raine Maida (Chief Product Officer of <a href="https://sing.link/" rel="noopener noreferrer" target="_blank">S!NG app</a>, frontman of Our Lady Peace) and David Canellis (cryptojournalist and Director of News Programming at <a href="https://protos.com/" rel="noopener noreferrer" target="_blank">Protos Media</a>).</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>WTF is an NFT you ask? Why, a non-fungible token of course! And how do you make 69 million off of selling one? Lions and tigers and bears and bull markets oh my! It started with CryptoPunks and CryptoKitties; if we merge the finance and art world, we're learning to navigate assigning value to intangible art and music. We’re also learning that streaming may not be answer the industry was looking for. Are NFT’s a bandwagon only tech and crypto savvy artists can jump onto or will this transform the game as a new revenue stream? 2020 imposed a lot of strain on artists’ livelihoods because it took away shows--- NFT’s might be the road to follow to in order to bounce back and create in a completely uncensored network, the possibilities are endless.</p><p>To understand more about NFT opportunities in the music industry and the crypto world, we spoke to Bjorn Niclas (CEO &amp; Co-founder of <a href="https://rocki.app/about" rel="noopener noreferrer" target="_blank">ROCKI app</a>), Raine Maida (Chief Product Officer of <a href="https://sing.link/" rel="noopener noreferrer" target="_blank">S!NG app</a>, frontman of Our Lady Peace) and David Canellis (cryptojournalist and Director of News Programming at <a href="https://protos.com/" rel="noopener noreferrer" target="_blank">Protos Media</a>).</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Episode 6 | Music vs. the Medium</title>
			<itunes:title>Episode 6 | Music vs. the Medium</itunes:title>
			<pubDate>Thu, 25 Mar 2021 17:00:20 GMT</pubDate>
			<itunes:duration>1:06:20</itunes:duration>
			<enclosure url="https://sphinx.acast.com/p/open/s/5e54147f6373e0ac5bb71518/e/605b82b62b009434bbd1813c/media.mp3" length="63686036" type="audio/mpeg"/>
			<guid isPermaLink="false">605b82b62b009434bbd1813c</guid>
			<itunes:explicit>false</itunes:explicit>
			<link>https://rxmusic.com/editorial/beneath-the-rhythm-episode-6-music-vs-the-medium</link>
			<acast:episodeId>605b82b62b009434bbd1813c</acast:episodeId>
			<acast:showId>5e54147f6373e0ac5bb71518</acast:showId>
			<acast:episodeUrl>episode-6-music-vs-the-medium</acast:episodeUrl>
			<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmbKbhgrQiwYShz70Q9/ffXZMTtedvdcRQbP4eiLMjXzCKLPjEYLpGj+NMVKa+5C8pL4u/EOj1Vw4h5MMJYp0lCcFAe0fnxBJy/1ju4Qxy1fh8gO4DvlGA40yms2g0/hOkcrfHIopjTygHFqGwwOPKFIai4SuTvs86Lx3UYCyl6Zso0biIiKZjyvGFLhYxQq3dIth88C1IBf7rZy8wir9d3eKdUQ0esTdnO6OAe2ArYHoAd6siF7h8FN1VXjm/4IFGR/KRk8kcjSG2GuFNlKagpLzd75rfS5bzJrZ5Vfu26XA]]></acast:settings>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:image href="https://assets.pippa.io/shows/5e54147f6373e0ac5bb71518/1616616888784-0d532d3ea8a23dd6c5e3adacce0a5119.jpeg"/>
			<description><![CDATA[Tell us you listen to our podcast without&nbsp;<em>telling</em>&nbsp;us, you listen to our podcast...The people have spoken-- if you're an emerging musician,&nbsp;TikTok&nbsp;is the place to be. Let's not forget where we started, we've progressed a long way since 45's and CDs! As old mediums (and old wax), wax and wane, new consumption models have revolutionized the music business. By 2021, we've graduated to the sleek land of streaming; granted even this intangible format will continue to shift and change as our habits do. We can't deny the connection between the songs that go viral on&nbsp;TikTok&nbsp;and the songs that appear to climb the charts.&nbsp;TikTok&nbsp;is restructuring the landscape for emerging musicians and content creators. Even the definition of 'success' in the industry is up for reconsideration.&nbsp;So&nbsp;let's dive in, to the world of&nbsp;TikTok, to hear some of the success artists and content creators have felt through the aid of this platform. In our discussions, you'll be hearing from the voices of the President of&nbsp;<a href="https://linusentertainment.com/" rel="noopener noreferrer" target="_blank">Linus Entertainment</a>&nbsp;(<a href="https://truenorth.labelstore.ca/" rel="noopener noreferrer" target="_blank">True North Records</a>) Geoff&nbsp;Kulawick, Canadian pop sensation&nbsp;<a href="https://www.tiktok.com/@jessiamusic/video/6912894918272879877?lang=en&amp;is_copy_url=1&amp;is_from_webapp=v3" rel="noopener noreferrer" target="_blank">JESSIA</a>, seasoned content creator&nbsp;<a href="https://www.tiktok.com/@devodlive?lang=en" rel="noopener noreferrer" target="_blank">Devo</a>&nbsp;and Canadian indie folk artist&nbsp;<a href="https://www.tiktok.com/@wayleymusic?lang=en" rel="noopener noreferrer" target="_blank">Wayley</a>.&nbsp;<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[Tell us you listen to our podcast without&nbsp;<em>telling</em>&nbsp;us, you listen to our podcast...The people have spoken-- if you're an emerging musician,&nbsp;TikTok&nbsp;is the place to be. Let's not forget where we started, we've progressed a long way since 45's and CDs! As old mediums (and old wax), wax and wane, new consumption models have revolutionized the music business. By 2021, we've graduated to the sleek land of streaming; granted even this intangible format will continue to shift and change as our habits do. We can't deny the connection between the songs that go viral on&nbsp;TikTok&nbsp;and the songs that appear to climb the charts.&nbsp;TikTok&nbsp;is restructuring the landscape for emerging musicians and content creators. Even the definition of 'success' in the industry is up for reconsideration.&nbsp;So&nbsp;let's dive in, to the world of&nbsp;TikTok, to hear some of the success artists and content creators have felt through the aid of this platform. In our discussions, you'll be hearing from the voices of the President of&nbsp;<a href="https://linusentertainment.com/" rel="noopener noreferrer" target="_blank">Linus Entertainment</a>&nbsp;(<a href="https://truenorth.labelstore.ca/" rel="noopener noreferrer" target="_blank">True North Records</a>) Geoff&nbsp;Kulawick, Canadian pop sensation&nbsp;<a href="https://www.tiktok.com/@jessiamusic/video/6912894918272879877?lang=en&amp;is_copy_url=1&amp;is_from_webapp=v3" rel="noopener noreferrer" target="_blank">JESSIA</a>, seasoned content creator&nbsp;<a href="https://www.tiktok.com/@devodlive?lang=en" rel="noopener noreferrer" target="_blank">Devo</a>&nbsp;and Canadian indie folk artist&nbsp;<a href="https://www.tiktok.com/@wayleymusic?lang=en" rel="noopener noreferrer" target="_blank">Wayley</a>.&nbsp;<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Episode 5 | Christmas in July</title>
			<itunes:title>Episode 5 | Christmas in July</itunes:title>
			<pubDate>Fri, 11 Dec 2020 17:00:31 GMT</pubDate>
			<itunes:duration>18:07</itunes:duration>
			<enclosure url="https://sphinx.acast.com/p/open/s/5e54147f6373e0ac5bb71518/e/5fcfaed649e5fe5828edfefe/media.mp3" length="17397785" type="audio/mpeg"/>
			<guid isPermaLink="false">5fcfaed649e5fe5828edfefe</guid>
			<itunes:explicit>false</itunes:explicit>
			<link>http://rxmusic.com/editorial/beneath-the-rhythm-episode-5-christmas-in-july</link>
			<acast:episodeId>5fcfaed649e5fe5828edfefe</acast:episodeId>
			<acast:showId>5e54147f6373e0ac5bb71518</acast:showId>
			<acast:episodeUrl>episode-five-christmas-in-july</acast:episodeUrl>
			<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmbKbhgrQiwYShz70Q9/ffXZMTtedvdcRQbP4eiLMjXzCKLPjEYLpGj+NMVKa+5C8pL4u/EOj1Vw4h5MMJYp0lCcFAe0fnxBJy/1ju4Qxy1fh8gO4DvlGA40yms2g0/hOkcrfHIopjTygHFqGwwOPKFIai4SuTvs86Lx3UYCyl6Zso0biIiKZjyvGFLhYxQq3dIth88C1IBf7rZy8wir9d3djocQTdE3Eg3McTM79jvfq2tQnZOp9XavJGm2eYiOokNgKshHvGD97ImB8L7U9A4/uT3zVRMGH7/lywc4MEXDP]]></acast:settings>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:image href="https://assets.pippa.io/shows/5e54147f6373e0ac5bb71518/1607698533081-e5649ff4d15ec7042e0fd4eb5aebac9c.jpeg"/>
			<description><![CDATA[Ah&nbsp;the Christmas holiday season, commercially well-versed in engaging all the senses. It's hard to ignore, we're adept at noticing the festive cheer sprinkled in windows displays, on products, in messaging but most importantly in music! The Christmas season begs to be a case study as the ultimate example of music’s indisputable ability to mood transform. Familiar carols, sights and smells can make us swell with&nbsp;nostalgia and warmth. At RX music, we couldn’t agree more-- which is why behind closed doors, the music industry is talking Christmas long before and we're not the only ones.&nbsp;So&nbsp;when do musicians really start to get Christmas on the brain? Quite early it would seem!&nbsp;We spoke to Canadian singer Tyler Shaw about the release of his <a href="https://open.spotify.com/track/6khrAXutKiVuYzs3oZHpRZ?si=r4RdgDSFSwOGcR6F4wvpcg" rel="noopener noreferrer" target="_blank">Ron Sexsmith holiday cover</a>,&nbsp;the recording process and the magic surrounding sound tracking the magic of Christmas.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[Ah&nbsp;the Christmas holiday season, commercially well-versed in engaging all the senses. It's hard to ignore, we're adept at noticing the festive cheer sprinkled in windows displays, on products, in messaging but most importantly in music! The Christmas season begs to be a case study as the ultimate example of music’s indisputable ability to mood transform. Familiar carols, sights and smells can make us swell with&nbsp;nostalgia and warmth. At RX music, we couldn’t agree more-- which is why behind closed doors, the music industry is talking Christmas long before and we're not the only ones.&nbsp;So&nbsp;when do musicians really start to get Christmas on the brain? Quite early it would seem!&nbsp;We spoke to Canadian singer Tyler Shaw about the release of his <a href="https://open.spotify.com/track/6khrAXutKiVuYzs3oZHpRZ?si=r4RdgDSFSwOGcR6F4wvpcg" rel="noopener noreferrer" target="_blank">Ron Sexsmith holiday cover</a>,&nbsp;the recording process and the magic surrounding sound tracking the magic of Christmas.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Episode 4 | Free Music</title>
			<itunes:title>Episode 4 | Free Music</itunes:title>
			<pubDate>Mon, 02 Nov 2020 14:14:11 GMT</pubDate>
			<itunes:duration>55:40</itunes:duration>
			<enclosure url="https://sphinx.acast.com/p/open/s/5e54147f6373e0ac5bb71518/e/5f9c8b0ac289fe3bcd51d24e/media.mp3" length="53445767" type="audio/mpeg"/>
			<guid isPermaLink="false">5f9c8b0ac289fe3bcd51d24e</guid>
			<itunes:explicit>false</itunes:explicit>
			<link>https://shows.acast.com/beneath-the-rhythm-an-rx-music-podcast/episodes/episode-four-free-music</link>
			<acast:episodeId>5f9c8b0ac289fe3bcd51d24e</acast:episodeId>
			<acast:showId>5e54147f6373e0ac5bb71518</acast:showId>
			<acast:episodeUrl>episode-four-free-music</acast:episodeUrl>
			<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmbKbhgrQiwYShz70Q9/ffXZMTtedvdcRQbP4eiLMjXzCKLPjEYLpGj+NMVKa+5C8pL4u/EOj1Vw4h5MMJYp0lCcFAe0fnxBJy/1ju4Qxy1fh8gO4DvlGA40yms2g0/hOkcrfHIopjTygHFqGwwOPKFIai4SuTvs86Lx3UYCyl6Zso0biIiKZjyvGFLhYxQq3dIth88C1IBf7rZy8wir9d3eJNAgZZUeMWUiY/TzNcJkdMi04bnTNsG/VYMWOXD57xMZcNsWQlFTqWI8clpsSBzg3h4HZQR1uWN2IUaNt6qpK]]></acast:settings>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:image href="https://assets.pippa.io/shows/5e54147f6373e0ac5bb71518/1604325905850-cf16e3a45dd165d1d1bd3231156d36c0.jpeg"/>
			<description><![CDATA[<p>Led Zeppelin, Katy Perry - it seems one is safe from copyright infringement lawsuits. Where does ownership begin and end in the inexhaustible&nbsp;battle of music licensing?&nbsp;Its philosophically impossible to prove you’ve never heard a song before.&nbsp;No one can prove that in the span of your life, said song had never entered your conscious <em>or</em> subconscious brain. Behind closed doors, releasing as well as utilizing&nbsp;existing music, can be a bit of a minefield. Why is this lack of understanding, the universal understanding?&nbsp;What resources are out there so content creators and musicians can create without getting burned?</p><br><p>We sat down (virtually) with the movers (experts)&nbsp;who fight this&nbsp;system&nbsp;every day&nbsp;and the&nbsp;shakers, who are challenging it. Join us in our conversations with the host of&nbsp;<a href="https://open.spotify.com/show/2n6mDaCcxf4IKJ2gcuNruI?si=mpFl0_5-Sj6hBoL_m6uOdg" rel="noopener noreferrer" target="_blank">The Stock Music Licensing Podcast</a>&nbsp;and respective guru&nbsp;<a href="https://stockmusiclicensing.com/" rel="noopener noreferrer" target="_blank">Daniel Carrizalez</a>, entertainment lawyer&nbsp;<a href="https://aurallp.com/our-firm/andreas-kalogiannides/" rel="noopener noreferrer" target="_blank">Andreas Kilogiannides</a>,&nbsp;lawyer/musician and co-creator of the <a href="http://allthemusic.info/" rel="noopener noreferrer" target="_blank">Allthemusicproject</a>&nbsp;<a href="https://www.ted.com/talks/damien_riehl_copyrighting_all_the_melodies_to_avoid_accidental_infringement" rel="noopener noreferrer" target="_blank">Damien Riehl</a>&nbsp;and CEO and co-founder of&nbsp;<a href="https://www.epidemicsound.com/" rel="noopener noreferrer" target="_blank">Epidemic Sound</a>&nbsp;Oscar Hoglund.&nbsp;&nbsp;</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Led Zeppelin, Katy Perry - it seems one is safe from copyright infringement lawsuits. Where does ownership begin and end in the inexhaustible&nbsp;battle of music licensing?&nbsp;Its philosophically impossible to prove you’ve never heard a song before.&nbsp;No one can prove that in the span of your life, said song had never entered your conscious <em>or</em> subconscious brain. Behind closed doors, releasing as well as utilizing&nbsp;existing music, can be a bit of a minefield. Why is this lack of understanding, the universal understanding?&nbsp;What resources are out there so content creators and musicians can create without getting burned?</p><br><p>We sat down (virtually) with the movers (experts)&nbsp;who fight this&nbsp;system&nbsp;every day&nbsp;and the&nbsp;shakers, who are challenging it. Join us in our conversations with the host of&nbsp;<a href="https://open.spotify.com/show/2n6mDaCcxf4IKJ2gcuNruI?si=mpFl0_5-Sj6hBoL_m6uOdg" rel="noopener noreferrer" target="_blank">The Stock Music Licensing Podcast</a>&nbsp;and respective guru&nbsp;<a href="https://stockmusiclicensing.com/" rel="noopener noreferrer" target="_blank">Daniel Carrizalez</a>, entertainment lawyer&nbsp;<a href="https://aurallp.com/our-firm/andreas-kalogiannides/" rel="noopener noreferrer" target="_blank">Andreas Kilogiannides</a>,&nbsp;lawyer/musician and co-creator of the <a href="http://allthemusic.info/" rel="noopener noreferrer" target="_blank">Allthemusicproject</a>&nbsp;<a href="https://www.ted.com/talks/damien_riehl_copyrighting_all_the_melodies_to_avoid_accidental_infringement" rel="noopener noreferrer" target="_blank">Damien Riehl</a>&nbsp;and CEO and co-founder of&nbsp;<a href="https://www.epidemicsound.com/" rel="noopener noreferrer" target="_blank">Epidemic Sound</a>&nbsp;Oscar Hoglund.&nbsp;&nbsp;</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Episode 3 | Black Lives Matter</title>
			<itunes:title>Episode 3 | Black Lives Matter</itunes:title>
			<pubDate>Wed, 29 Jul 2020 14:37:58 GMT</pubDate>
			<itunes:duration>52:51</itunes:duration>
			<enclosure url="https://sphinx.acast.com/p/open/s/5e54147f6373e0ac5bb71518/e/5f1f2eb515e9d83c37daa1c3/media.mp3" length="50743190" type="audio/mpeg"/>
			<guid isPermaLink="false">5f1f2eb515e9d83c37daa1c3</guid>
			<itunes:explicit>true</itunes:explicit>
			<link>https://rxmusic.com/editorial/beneath-the-rhythm-episode-3-black-lives-matter/</link>
			<acast:episodeId>5f1f2eb515e9d83c37daa1c3</acast:episodeId>
			<acast:showId>5e54147f6373e0ac5bb71518</acast:showId>
			<acast:episodeUrl>episode-3-black-lives-matter</acast:episodeUrl>
			<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmbKbhgrQiwYShz70Q9/ffXZMTtedvdcRQbP4eiLMjXzCKLPjEYLpGj+NMVKa+5C8pL4u/EOj1Vw4h5MMJYp0lCcFAe0fnxBJy/1ju4Qxy1fh8gO4DvlGA40yms2g0/hOkcrfHIopjTygHFqGwwOPKFIai4SuTvs86Lx3UYCyl6Zso0biIiKZjyvGFLhYxQq3dIth88C1IBf7rZy8wir9d3dBXHAqCWONW6G1mnrp3DZrEiI0LvfdHxZHFGD66Bp37m4M/a26Gkym+yddaixHTRTuIGrAhLwyUZ6lpBuJ1g/k]]></acast:settings>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:image href="https://assets.pippa.io/shows/5e54147f6373e0ac5bb71518/1595957352414-05f07ee365023ce349b91b83e05790fb.jpeg"/>
			<description><![CDATA[From Sam Cooke, to Kendrick Lamar, since time&nbsp;immemorial, music has embodied hope and inspiration for&nbsp;social&nbsp;change.&nbsp;Serving as&nbsp;cultural timestamps&nbsp;to&nbsp;identify&nbsp;distinct times, places&nbsp;and distinct&nbsp;turning points in our lives;&nbsp;music&nbsp;can be&nbsp;a powerful reminder&nbsp;of&nbsp;how&nbsp;far we’ve come&nbsp;or rather&nbsp;echo&nbsp;how much farther we&nbsp;have to&nbsp;go.&nbsp;On May 25th&nbsp;2020,&nbsp;George Floyd’s death&nbsp;by police brutality&nbsp;triggered one of the largest&nbsp;sustained protest periods in modern history.&nbsp;Artists&nbsp;and activists spearheaded this movement how they know best, using their voice.&nbsp;So&nbsp;what&nbsp;does&nbsp;Black Lives Matter&nbsp;sound like in&nbsp;2020?&nbsp;To further explore,&nbsp;I spoke&nbsp;with&nbsp;Shad (hip hop artist and host of Hip Hop Evolution),&nbsp;Haviah&nbsp;Mighty (rapper and Polaris Prize Winner&nbsp;artist), Owen&nbsp;O’Sound&nbsp;Lee (artist, producer)&nbsp;and Sandy Hudson&nbsp;of Black Lives Matter Toronto&nbsp;(co-founder).&nbsp;<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[From Sam Cooke, to Kendrick Lamar, since time&nbsp;immemorial, music has embodied hope and inspiration for&nbsp;social&nbsp;change.&nbsp;Serving as&nbsp;cultural timestamps&nbsp;to&nbsp;identify&nbsp;distinct times, places&nbsp;and distinct&nbsp;turning points in our lives;&nbsp;music&nbsp;can be&nbsp;a powerful reminder&nbsp;of&nbsp;how&nbsp;far we’ve come&nbsp;or rather&nbsp;echo&nbsp;how much farther we&nbsp;have to&nbsp;go.&nbsp;On May 25th&nbsp;2020,&nbsp;George Floyd’s death&nbsp;by police brutality&nbsp;triggered one of the largest&nbsp;sustained protest periods in modern history.&nbsp;Artists&nbsp;and activists spearheaded this movement how they know best, using their voice.&nbsp;So&nbsp;what&nbsp;does&nbsp;Black Lives Matter&nbsp;sound like in&nbsp;2020?&nbsp;To further explore,&nbsp;I spoke&nbsp;with&nbsp;Shad (hip hop artist and host of Hip Hop Evolution),&nbsp;Haviah&nbsp;Mighty (rapper and Polaris Prize Winner&nbsp;artist), Owen&nbsp;O’Sound&nbsp;Lee (artist, producer)&nbsp;and Sandy Hudson&nbsp;of Black Lives Matter Toronto&nbsp;(co-founder).&nbsp;<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Episode 2 | The Music Industry Amidst a Pandemic</title>
			<itunes:title>Episode 2 | The Music Industry Amidst a Pandemic</itunes:title>
			<pubDate>Wed, 27 May 2020 17:00:00 GMT</pubDate>
			<itunes:duration>1:06:51</itunes:duration>
			<enclosure url="https://sphinx.acast.com/p/open/s/5e54147f6373e0ac5bb71518/e/5ec6d670f0ecc771653ae855/media.mp3" length="64181849" type="audio/mpeg"/>
			<guid isPermaLink="false">5ec6d670f0ecc771653ae855</guid>
			<itunes:explicit>false</itunes:explicit>
			<link>https://rxmusic.com/editorial/</link>
			<acast:episodeId>5ec6d670f0ecc771653ae855</acast:episodeId>
			<acast:showId>5e54147f6373e0ac5bb71518</acast:showId>
			<acast:episodeUrl>episode-2-the-music-industry-in-the-wake-of-a-pandemic</acast:episodeUrl>
			<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmbKbhgrQiwYShz70Q9/ffXZMTtedvdcRQbP4eiLMjXzCKLPjEYLpGj+NMVKa+5C8pL4u/EOj1Vw4h5MMJYp0lCcFAe0fnxBJy/1ju4Qxy1fh8gO4DvlGA40yms2g0/hOkcrfHIopjTygHFqGwwOPKFIai4SuTvs86Lx3UYCyl6Zso0biIiKZjyvGFLhYxQq3dIth88C1IBf7rZy8wir9d3fR3Uj8f6jEhxKKOcC4xvF0YTiMmyzlqRxbpNMcxZurbOJ7EB0eg6kv99v6mbUILWB60vL5M430jFE7kPY2FQIu]]></acast:settings>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:image href="https://assets.pippa.io/shows/5e54147f6373e0ac5bb71518/1590512119132-5175d1170a2993b6b06d09cee85d24e2.jpeg"/>
			<description><![CDATA[<p>I don’t know about you,&nbsp;but I miss standing side by side in a sweaty throng of&nbsp;strangers&nbsp;to watch bands, DJs, artists and my friends, play music.&nbsp;A world without&nbsp;live&nbsp;music would be&nbsp;my idea of a&nbsp;worst nightmare and I’m not the only one. Amidst a pandemic,&nbsp;the music&nbsp;business&nbsp;was thrust into a&nbsp;volatile&nbsp;game of adapt or die.&nbsp;If there’s anything we’ve&nbsp;been&nbsp;learning,&nbsp;it's&nbsp;how to make the best of a situation.&nbsp;Music is a universal force,&nbsp;so&nbsp;in&nbsp;a time when&nbsp;being together was rendered taboo, many artists and music industry personnel have been hard at work&nbsp;on new&nbsp;and innovative&nbsp;ways we can&nbsp;engage in live music.&nbsp;</p><br><p>I virtually interviewed several key players in the music industry to&nbsp;hear their sides&nbsp;of the story&nbsp;and&nbsp;how they've been rising&nbsp;to the challenge.&nbsp;Our conversations&nbsp;outline some of the&nbsp;innovative&nbsp;ways we’ve been&nbsp;using music and technology to&nbsp;create, support&nbsp;and ultimately connect.&nbsp;What’s driving artists to create right now and&nbsp;what's next for the future of live music?&nbsp;</p><br><p>Join me&nbsp;in my talks with&nbsp;longtime broadcaster&nbsp;Alan Cross&nbsp;(<a href="https://podcasts.apple.com/us/podcast/ongoing-history-of-new-music/id1201968027" rel="noopener noreferrer" target="_blank">The Ongoing History of New Music</a>), Nick Waterhouse&nbsp;(<a href="https://www.nickwaterhouse.com/" rel="noopener noreferrer" target="_blank">musician/producer</a>), Amanda McCauley&nbsp;(Publicist&nbsp;at&nbsp;<a href="http://www.indoorrecess.com/" rel="noopener noreferrer" target="_blank">Indoor Recess Public Relations</a>), Mark&nbsp;Marczyk&nbsp;(Founder of <a href="https://www.urgnt.ca/" rel="noopener noreferrer" target="_blank">URGNT</a> online music&nbsp;venue and COVID artist relief&nbsp;and <a href="https://www.lemonbucket.com/" rel="noopener noreferrer" target="_blank">Lemon Bucket&nbsp;Orkestra</a>),&nbsp;Lizzy Clarke&nbsp;(<a href="https://lizzyclarkesinginglessons.ca/" rel="noopener noreferrer" target="_blank">vocal coach/music educator</a>), <a href="https://www.instagram.com/startingfromscratch/?hl=en" rel="noopener noreferrer" target="_blank">DJ Starting from Scratch</a>&nbsp;and&nbsp;Danny Reiner&nbsp;(Director of&nbsp;<a href="https://artistscan.com/en/" rel="noopener noreferrer" target="_blank">ArtistsCan</a>).&nbsp;</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>I don’t know about you,&nbsp;but I miss standing side by side in a sweaty throng of&nbsp;strangers&nbsp;to watch bands, DJs, artists and my friends, play music.&nbsp;A world without&nbsp;live&nbsp;music would be&nbsp;my idea of a&nbsp;worst nightmare and I’m not the only one. Amidst a pandemic,&nbsp;the music&nbsp;business&nbsp;was thrust into a&nbsp;volatile&nbsp;game of adapt or die.&nbsp;If there’s anything we’ve&nbsp;been&nbsp;learning,&nbsp;it's&nbsp;how to make the best of a situation.&nbsp;Music is a universal force,&nbsp;so&nbsp;in&nbsp;a time when&nbsp;being together was rendered taboo, many artists and music industry personnel have been hard at work&nbsp;on new&nbsp;and innovative&nbsp;ways we can&nbsp;engage in live music.&nbsp;</p><br><p>I virtually interviewed several key players in the music industry to&nbsp;hear their sides&nbsp;of the story&nbsp;and&nbsp;how they've been rising&nbsp;to the challenge.&nbsp;Our conversations&nbsp;outline some of the&nbsp;innovative&nbsp;ways we’ve been&nbsp;using music and technology to&nbsp;create, support&nbsp;and ultimately connect.&nbsp;What’s driving artists to create right now and&nbsp;what's next for the future of live music?&nbsp;</p><br><p>Join me&nbsp;in my talks with&nbsp;longtime broadcaster&nbsp;Alan Cross&nbsp;(<a href="https://podcasts.apple.com/us/podcast/ongoing-history-of-new-music/id1201968027" rel="noopener noreferrer" target="_blank">The Ongoing History of New Music</a>), Nick Waterhouse&nbsp;(<a href="https://www.nickwaterhouse.com/" rel="noopener noreferrer" target="_blank">musician/producer</a>), Amanda McCauley&nbsp;(Publicist&nbsp;at&nbsp;<a href="http://www.indoorrecess.com/" rel="noopener noreferrer" target="_blank">Indoor Recess Public Relations</a>), Mark&nbsp;Marczyk&nbsp;(Founder of <a href="https://www.urgnt.ca/" rel="noopener noreferrer" target="_blank">URGNT</a> online music&nbsp;venue and COVID artist relief&nbsp;and <a href="https://www.lemonbucket.com/" rel="noopener noreferrer" target="_blank">Lemon Bucket&nbsp;Orkestra</a>),&nbsp;Lizzy Clarke&nbsp;(<a href="https://lizzyclarkesinginglessons.ca/" rel="noopener noreferrer" target="_blank">vocal coach/music educator</a>), <a href="https://www.instagram.com/startingfromscratch/?hl=en" rel="noopener noreferrer" target="_blank">DJ Starting from Scratch</a>&nbsp;and&nbsp;Danny Reiner&nbsp;(Director of&nbsp;<a href="https://artistscan.com/en/" rel="noopener noreferrer" target="_blank">ArtistsCan</a>).&nbsp;</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Episode 1 | The Flyer Vault</title>
			<itunes:title>Episode 1 | The Flyer Vault</itunes:title>
			<pubDate>Tue, 17 Mar 2020 16:00:26 GMT</pubDate>
			<itunes:duration>29:26</itunes:duration>
			<enclosure url="https://sphinx.acast.com/p/open/s/5e54147f6373e0ac5bb71518/e/5e69207022d8dbd3616362a6/media.mp3" length="28265222" type="audio/mpeg"/>
			<guid isPermaLink="false">5e69207022d8dbd3616362a6</guid>
			<itunes:explicit>false</itunes:explicit>
			<link>https://shows.acast.com/beneath-the-rhythm-an-rx-music-podcast/episodes/the-flyer-vault</link>
			<acast:episodeId>5e69207022d8dbd3616362a6</acast:episodeId>
			<acast:showId>5e54147f6373e0ac5bb71518</acast:showId>
			<acast:episodeUrl>the-flyer-vault</acast:episodeUrl>
			<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmbKbhgrQiwYShz70Q9/ffXZMTtedvdcRQbP4eiLMjXzCKLPjEYLpGj+NMVKa+5C8pL4u/EOj1Vw4h5MMJYp0lCcFAe0fnxBJy/1ju4Qxy1fh8gO4DvlGA40yms2g0/hOkcrfHIopjTygHFqGwwOPKFIai4SuTvs86Lx3UYCyl6Zso0biIiKZjyvGFLhYxQq3dIth88C1IBf7rZy8wir9d3fIEZUhzgNt3y7lf+eM+5lC0J8x617S0hWW8x/3+1IPdXS61ly1wryFZt/A7sthWzzefjrZdnR/uTXnkiyttZCD]]></acast:settings>
			<itunes:subtitle>An in depth exploration with Rob Bowman, co-writer and creator of The Flyer Vault</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:image href="https://assets.pippa.io/shows/5e54147f6373e0ac5bb71518/1583946876149-e28c95ecf105ca6b846344515cc5cb1f.jpeg"/>
			<description><![CDATA[<p>Prior to the digital age, concerts were promoted&nbsp;purely&nbsp;by word of mouth and physical flyers.&nbsp;Introducing&nbsp;<em>The&nbsp;Flyer Vault: 150 Years of Toronto Concert History,&nbsp;</em>co-authored by&nbsp;Daniel Tate&nbsp;and Rob&nbsp;Bowman<em>.&nbsp;</em>Having spent years as a promoter in Toronto,&nbsp;Daniel&nbsp;Tate earned a collection of flyers documenting shows across a variety of genres. Rediscovering&nbsp;his&nbsp;flyer collection&nbsp;launched&nbsp;the&nbsp;ambitious&nbsp;mission&nbsp;alongside Bowman,&nbsp;to&nbsp;illustrate&nbsp;a thorough explanation of the&nbsp;diverse&nbsp;musical landscape that&nbsp;is Toronto.&nbsp;&nbsp;</p><br><p>Today&nbsp;co-author Rob&nbsp;Bowman&nbsp;joined me in the studio to underscore some of the key movements that took place in the Toronto live music scene.&nbsp;Bowman is the quintessential example of a music enthusiast.&nbsp;His&nbsp;undeniable passion led him to pursue music&nbsp;inside and outside of his career.&nbsp;He is an ethnomusicologist and Grammy award-winning producer.&nbsp;His&nbsp;ethnomusicology&nbsp;background&nbsp;effortlessly&nbsp;lends itself to transport us&nbsp;from&nbsp;1850 when artists were travelling by stagecoach,&nbsp;to&nbsp;the booming 1970’s music scene in Yorkville,&nbsp;to&nbsp;how two promoters&nbsp;“changed the cultural landscape” of Toronto.&nbsp;&nbsp;&nbsp;&nbsp;</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Prior to the digital age, concerts were promoted&nbsp;purely&nbsp;by word of mouth and physical flyers.&nbsp;Introducing&nbsp;<em>The&nbsp;Flyer Vault: 150 Years of Toronto Concert History,&nbsp;</em>co-authored by&nbsp;Daniel Tate&nbsp;and Rob&nbsp;Bowman<em>.&nbsp;</em>Having spent years as a promoter in Toronto,&nbsp;Daniel&nbsp;Tate earned a collection of flyers documenting shows across a variety of genres. Rediscovering&nbsp;his&nbsp;flyer collection&nbsp;launched&nbsp;the&nbsp;ambitious&nbsp;mission&nbsp;alongside Bowman,&nbsp;to&nbsp;illustrate&nbsp;a thorough explanation of the&nbsp;diverse&nbsp;musical landscape that&nbsp;is Toronto.&nbsp;&nbsp;</p><br><p>Today&nbsp;co-author Rob&nbsp;Bowman&nbsp;joined me in the studio to underscore some of the key movements that took place in the Toronto live music scene.&nbsp;Bowman is the quintessential example of a music enthusiast.&nbsp;His&nbsp;undeniable passion led him to pursue music&nbsp;inside and outside of his career.&nbsp;He is an ethnomusicologist and Grammy award-winning producer.&nbsp;His&nbsp;ethnomusicology&nbsp;background&nbsp;effortlessly&nbsp;lends itself to transport us&nbsp;from&nbsp;1850 when artists were travelling by stagecoach,&nbsp;to&nbsp;the booming 1970’s music scene in Yorkville,&nbsp;to&nbsp;how two promoters&nbsp;“changed the cultural landscape” of Toronto.&nbsp;&nbsp;&nbsp;&nbsp;</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Introducing Beneath the Rhythm!</title>
			<itunes:title>Introducing Beneath the Rhythm!</itunes:title>
			<pubDate>Tue, 10 Mar 2020 16:00:57 GMT</pubDate>
			<itunes:duration>1:15</itunes:duration>
			<enclosure url="https://sphinx.acast.com/p/open/s/5e54147f6373e0ac5bb71518/e/5e66647207979a7464cb0471/media.mp3" length="1206926" type="audio/mpeg"/>
			<guid isPermaLink="false">5e66647207979a7464cb0471</guid>
			<itunes:explicit>false</itunes:explicit>
			<link>https://shows.acast.com/beneath-the-rhythm-an-rx-music-podcast/episodes/introducing-beneath-the-rhythm</link>
			<acast:episodeId>5e66647207979a7464cb0471</acast:episodeId>
			<acast:showId>5e54147f6373e0ac5bb71518</acast:showId>
			<acast:episodeUrl>introducing-beneath-the-rhythm</acast:episodeUrl>
			<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmbKbhgrQiwYShz70Q9/ffXZMTtedvdcRQbP4eiLMjXzCKLPjEYLpGj+NMVKa+5C8pL4u/EOj1Vw4h5MMJYp0lCcFAe0fnxBJy/1ju4Qxy1fh8gO4DvlGA40yms2g0/hOkcrfHIopjTygHFqGwwOPKFIai4SuTvs86Lx3UYCyl6Zso0biIiKZjyvGFLhYxQq3dIth88C1IBf7rZy8wir9d3ezqALMxIGUH+m/jgugp2KQj/0xSUoCrwfdFoU66HXIQ1WldGfL3W8+1USwsmRwhZK3tMRoklByD81WHTMze+pV]]></acast:settings>
			<itunes:subtitle>An RX Music Podcast</itunes:subtitle>
			<itunes:episodeType>trailer</itunes:episodeType>
			<itunes:image href="https://assets.pippa.io/shows/5e54147f6373e0ac5bb71518/1583768608305-10c9222df1164946ee3fdcd2b8619622.jpeg"/>
			<description><![CDATA[<p>The power of sound: Beneath the Rhythm’s aim is to showcase new and thought-provoking music-based initiatives, discoveries and stories. As an extension of the RX Music brand, we are passionate about exploring music as more than just a medium, but as a powerful form of creative expression, progress and community. Each episode, Laura MacInnes-Rae will bring you special guest interviews as well as setting out to contextualize music’s cultural significance beyond the medium.</p><br><p>BTR aims to plant itself firmly on the forefront of meaningful musical projects and initiatives to celebrate and share music with our loyal listeners.&nbsp;</p><br><p>Be sure to follow us on <a href="https://www.instagram.com/rxmusic/" target="_blank">Instagram</a>, <a href="https://www.facebook.com/RXMusic/" target="_blank">Facebook</a>, <a href="https://twitter.com/rxmusic" target="_blank">Twitter</a> and <a href="https://www.youtube.com/channel/UCCMA1hAxJqqqw3gRMFShIsg" target="_blank">YouTube</a> as well as on the pod-catcher of your choice!</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>The power of sound: Beneath the Rhythm’s aim is to showcase new and thought-provoking music-based initiatives, discoveries and stories. As an extension of the RX Music brand, we are passionate about exploring music as more than just a medium, but as a powerful form of creative expression, progress and community. Each episode, Laura MacInnes-Rae will bring you special guest interviews as well as setting out to contextualize music’s cultural significance beyond the medium.</p><br><p>BTR aims to plant itself firmly on the forefront of meaningful musical projects and initiatives to celebrate and share music with our loyal listeners.&nbsp;</p><br><p>Be sure to follow us on <a href="https://www.instagram.com/rxmusic/" target="_blank">Instagram</a>, <a href="https://www.facebook.com/RXMusic/" target="_blank">Facebook</a>, <a href="https://twitter.com/rxmusic" target="_blank">Twitter</a> and <a href="https://www.youtube.com/channel/UCCMA1hAxJqqqw3gRMFShIsg" target="_blank">YouTube</a> as well as on the pod-catcher of your choice!</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<itunes:category text="Music">
			<itunes:category text="Music History"/>
		</itunes:category>
		<itunes:category text="Music">
			<itunes:category text="Music Commentary"/>
		</itunes:category>
		<itunes:category text="Music">
			<itunes:category text="Music Interviews"/>
		</itunes:category>
    </channel>
</rss>
