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		<title>Getting Lit with Linda - The Canadian Literature Podcast</title>
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		<copyright>Linda Morra</copyright>
		<itunes:keywords>literature, Canadian,writing,books,authors,Canadian writers,literary technique,Indigenous,Indigenous authors,canadian literature,Quebec authors,authorship,chicklit,genre,literary awards</itunes:keywords>
		<itunes:author>Linda Morra</itunes:author>
		<itunes:subtitle>Learning to love literature together,  one book at a time.</itunes:subtitle>
		<itunes:summary><![CDATA[Using her expertise as a seasoned literature professor, Linda M. Morra develops provocative, timely insights about books from Canada and elsewhere to show why stories are relevant for all of us. Hosted and written by Linda Morra.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		<description><![CDATA[Using her expertise as a seasoned literature professor, Linda M. Morra develops provocative, timely insights about books from Canada and elsewhere to show why stories are relevant for all of us. Hosted and written by Linda Morra.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
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			<title>2026 - Season 7 Teaser</title>
			<itunes:title>2026 - Season 7 Teaser</itunes:title>
			<pubDate>Sun, 08 Mar 2026 22:22:47 GMT</pubDate>
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			<description><![CDATA[<p>Announcing our seventh season! We will be somewhat delayed this year, with a start date in the late spring, but we haven't forgotten about you, our dear listeners or authors - we will begin very soon! For now, some of our future guests - specialists of the life and literature of author, Jane Rule - Marilyn Schuster (the godmother of Jane Rule Studies!), Cate Sandilands, and Amber Dean - and the team at <em>Getting Lit With Linda</em> would like to share their best wishes for International Women's Day!</p><br><p>We acknowledge the Canada Council for the Arts for their support. Producer &amp; Host: Linda Morra; Associate Producer: Maia Harris; Music: Raphael Krux.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Announcing our seventh season! We will be somewhat delayed this year, with a start date in the late spring, but we haven't forgotten about you, our dear listeners or authors - we will begin very soon! For now, some of our future guests - specialists of the life and literature of author, Jane Rule - Marilyn Schuster (the godmother of Jane Rule Studies!), Cate Sandilands, and Amber Dean - and the team at <em>Getting Lit With Linda</em> would like to share their best wishes for International Women's Day!</p><br><p>We acknowledge the Canada Council for the Arts for their support. Producer &amp; Host: Linda Morra; Associate Producer: Maia Harris; Music: Raphael Krux.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title><![CDATA[The Miracles of Change & Second Chances: Madeleine Thien's "Alchemy"]]></title>
			<itunes:title><![CDATA[The Miracles of Change & Second Chances: Madeleine Thien's "Alchemy"]]></itunes:title>
			<pubDate>Thu, 01 Jan 2026 00:17:41 GMT</pubDate>
			<itunes:duration>11:18</itunes:duration>
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			<itunes:season>6</itunes:season>
			<itunes:episode>95</itunes:episode>
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			<description><![CDATA[<p>Why should we pay attention to scars or scar tissue? After the original injury heals and its pain recedes, should we ignore what’s left behind? In this episode, Linda mulls over these questions while considering <a href="https://madeleinethien.com/" rel="noopener noreferrer" target="_blank">Madeleine Thien</a>'s "Alchemy," from her collection, <a href="https://www.penguinrandomhouse.ca/books/177705/simple-recipes-by-madeleine-thien/9780345811219" rel="noopener noreferrer" target="_blank"><em>Simple Recipes</em></a>. Don't know Thien's work? Check out her award-winning novel, <a href="https://www.penguinrandomhouse.ca/books/259732/do-not-say-we-have-nothing-by-madeleine-thien/9780345810434" rel="noopener noreferrer" target="_blank"><em>Do Not Say We Have Nothing </em></a>(which <a href="https://podcasts.apple.com/ca/podcast/episode-3-my-body-is-a-record-madeleine-thiens-do/id1522901315?i=1000488643554" rel="noopener noreferrer" target="_blank">Linda discussed in Season 1, Episode 3</a>) and her most recent novel, <a href="https://www.penguinrandomhouse.ca/books/738431/the-book-of-records-by-madeleine-thien/9781039009561" rel="noopener noreferrer" target="_blank"><em>The Book of Records</em>.</a> She also offers her best wishes for the new year, in this, the last episode of Season 6 (2025).</p><br><p>Writer/host/producer: Linda Morra; Associate Producer: Maia Harris; Music: Raphael Krux (The Madness of Linda).</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Why should we pay attention to scars or scar tissue? After the original injury heals and its pain recedes, should we ignore what’s left behind? In this episode, Linda mulls over these questions while considering <a href="https://madeleinethien.com/" rel="noopener noreferrer" target="_blank">Madeleine Thien</a>'s "Alchemy," from her collection, <a href="https://www.penguinrandomhouse.ca/books/177705/simple-recipes-by-madeleine-thien/9780345811219" rel="noopener noreferrer" target="_blank"><em>Simple Recipes</em></a>. Don't know Thien's work? Check out her award-winning novel, <a href="https://www.penguinrandomhouse.ca/books/259732/do-not-say-we-have-nothing-by-madeleine-thien/9780345810434" rel="noopener noreferrer" target="_blank"><em>Do Not Say We Have Nothing </em></a>(which <a href="https://podcasts.apple.com/ca/podcast/episode-3-my-body-is-a-record-madeleine-thiens-do/id1522901315?i=1000488643554" rel="noopener noreferrer" target="_blank">Linda discussed in Season 1, Episode 3</a>) and her most recent novel, <a href="https://www.penguinrandomhouse.ca/books/738431/the-book-of-records-by-madeleine-thien/9781039009561" rel="noopener noreferrer" target="_blank"><em>The Book of Records</em>.</a> She also offers her best wishes for the new year, in this, the last episode of Season 6 (2025).</p><br><p>Writer/host/producer: Linda Morra; Associate Producer: Maia Harris; Music: Raphael Krux (The Madness of Linda).</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title><![CDATA[A Story of Unfitting: Susan Swan's Memoir, Big Girls Don't Cry]]></title>
			<itunes:title><![CDATA[A Story of Unfitting: Susan Swan's Memoir, Big Girls Don't Cry]]></itunes:title>
			<pubDate>Mon, 15 Dec 2025 18:30:04 GMT</pubDate>
			<itunes:duration>48:23</itunes:duration>
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			<itunes:episode>94</itunes:episode>
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			<description><![CDATA[<p>Our warmest wishes for the season – and a reminder that this is the&nbsp;<em>last interview</em>&nbsp;for the podcast (there may be one smaller episode at the year’s end, but not an interview), before we open up voting for this <a href="https://www.gettinglitwithlinda.com/2025-glwl-awards" rel="noopener noreferrer" target="_blank">year’s GLWL awards</a>: the author featured in your favourite episode will receive a cash prize and medal to honour their involvement.</p><br><p>In this episode, Linda reflects on how boxes are at times about imposed limitations. "Don’t box me in," you might argue – or let’s try to think outside the box (because it’s time for a change!). And it is this -- thinking and living outside the lines (and boxes) -- that <a href="https://susanswanonline.com/wpress/https://susanswanonline.com/wpress/" rel="noopener noreferrer" target="_blank">Susan Swan’s</a> wonderful new memoir,&nbsp;<a href="https://www.harpercollins.ca/9781443473033/big-girls-dont-cry/" rel="noopener noreferrer" target="_blank"><em>Big Girls Don’t Cry: A Memoir About Taking Up Space </em>(HarperCollijns</a>), compels us to do, to locate our sense of dignity and agency, to find our sense of self-worth.</p><br><p>Swan is the author of several novels including&nbsp;<em>The Biggest Modern Woman in the World</em>&nbsp;(1983),&nbsp;<em>The Last of The Golden Girls</em>&nbsp;(1989),&nbsp;<em>What Casanova Told Me</em>&nbsp;(2004), and&nbsp;<a href="https://en.wikipedia.org/wiki/The_Wives_of_Bath" rel="noopener noreferrer" target="_blank"><em>The Wives of Bath</em></a>&nbsp;(1993),&nbsp;which was made into the film&nbsp;<a href="https://www.imdb.com/title/tt0245238/" rel="noopener noreferrer" target="_blank"><em>Lost and Delirious</em></a><em>&nbsp;</em>(3:45). In this episode, we discuss how taking up space can be positive for women (and men too!), a means to shift beyond the conventions that have hemmed her in (and us) and to find our way out of the boxes that have contained us.</p><br><p>Other points of discussion:</p><ul><li>the genre of the memoir</li><li>Margaret Atwood and official autobiography</li><li><a href="https://plato.stanford.edu/entries/kierkegaard/" rel="noopener noreferrer" target="_blank">Soren Kierkegaard</a></li></ul><p><br></p><p>Executive Producer: Linda Morra; Associate Producer: Maia Harris; Music by Raphael Krux ("The Madness of Linda") and Kevin MacLeod ("Natural Vibes"); Sound producer: Jason C.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Our warmest wishes for the season – and a reminder that this is the&nbsp;<em>last interview</em>&nbsp;for the podcast (there may be one smaller episode at the year’s end, but not an interview), before we open up voting for this <a href="https://www.gettinglitwithlinda.com/2025-glwl-awards" rel="noopener noreferrer" target="_blank">year’s GLWL awards</a>: the author featured in your favourite episode will receive a cash prize and medal to honour their involvement.</p><br><p>In this episode, Linda reflects on how boxes are at times about imposed limitations. "Don’t box me in," you might argue – or let’s try to think outside the box (because it’s time for a change!). And it is this -- thinking and living outside the lines (and boxes) -- that <a href="https://susanswanonline.com/wpress/https://susanswanonline.com/wpress/" rel="noopener noreferrer" target="_blank">Susan Swan’s</a> wonderful new memoir,&nbsp;<a href="https://www.harpercollins.ca/9781443473033/big-girls-dont-cry/" rel="noopener noreferrer" target="_blank"><em>Big Girls Don’t Cry: A Memoir About Taking Up Space </em>(HarperCollijns</a>), compels us to do, to locate our sense of dignity and agency, to find our sense of self-worth.</p><br><p>Swan is the author of several novels including&nbsp;<em>The Biggest Modern Woman in the World</em>&nbsp;(1983),&nbsp;<em>The Last of The Golden Girls</em>&nbsp;(1989),&nbsp;<em>What Casanova Told Me</em>&nbsp;(2004), and&nbsp;<a href="https://en.wikipedia.org/wiki/The_Wives_of_Bath" rel="noopener noreferrer" target="_blank"><em>The Wives of Bath</em></a>&nbsp;(1993),&nbsp;which was made into the film&nbsp;<a href="https://www.imdb.com/title/tt0245238/" rel="noopener noreferrer" target="_blank"><em>Lost and Delirious</em></a><em>&nbsp;</em>(3:45). In this episode, we discuss how taking up space can be positive for women (and men too!), a means to shift beyond the conventions that have hemmed her in (and us) and to find our way out of the boxes that have contained us.</p><br><p>Other points of discussion:</p><ul><li>the genre of the memoir</li><li>Margaret Atwood and official autobiography</li><li><a href="https://plato.stanford.edu/entries/kierkegaard/" rel="noopener noreferrer" target="_blank">Soren Kierkegaard</a></li></ul><p><br></p><p>Executive Producer: Linda Morra; Associate Producer: Maia Harris; Music by Raphael Krux ("The Madness of Linda") and Kevin MacLeod ("Natural Vibes"); Sound producer: Jason C.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Ring-Side Seats in a High-Stakes Environment: Brian Stewart’s On the Ground</title>
			<itunes:title>Ring-Side Seats in a High-Stakes Environment: Brian Stewart’s On the Ground</itunes:title>
			<pubDate>Mon, 01 Dec 2025 15:00:00 GMT</pubDate>
			<itunes:duration>58:42</itunes:duration>
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			<itunes:episode>93</itunes:episode>
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			<description><![CDATA[<p><br></p><br><p><br></p><p>On a lovely fall afternoon in October, Linda drove up to possibly one of the most charming spots in Quebec, just off-island of Montreal —Hudson, on the unceded territory of the&nbsp;Kanien’keha:ka. Hudson has much to commend to it, but, in this instance, it was<a href="https://www.greenwoodcentre.org/storyfest/" rel="noopener noreferrer" target="_blank"> StoryFest, the annual literary program hosted through the Greenwood Centre</a> that invites writers to come and speak to audiences there and that extends back to 2002 (yes, it’s been evolving over twenty years).</p><br><p>Linda drove up to Hudson to interview the journalist, Brian Stewart, about his memoir, <a href="https://www.simonandschuster.ca/books/On-the-Ground/Brian-Stewart/9781668052150" rel="noopener noreferrer" target="_blank"><em>On the Ground: My Life as a Foreign Correspondent</em></a><em> -- </em>a perfect book for this year's theme, <em>Getting Lit Goes Global. </em>Stewart was, for&nbsp;<em>decades</em>, one of Canada’s most prominent television journalists, acclaimed for his foreign coverage for both CBC’s <a href="https://www.cbc.ca/news/thenational" rel="noopener noreferrer" target="_blank"><em>The National </em></a>and <a href="https://broadcasting-history.ca/journal-the/" rel="noopener noreferrer" target="_blank"><em>The Journal.</em></a> Born in Montreal (welcome back, Brian!), and originally a newspaper reporter, he went on to become foreign correspondent for CBC in London and for NBC in Frankfurt. He worked in 10 war zones, hosted the CBC foreign affairs show <em>Worldview</em>, and interviewed many of the historic figures of his time.</p><p>&nbsp;&nbsp;</p><p>In this interview and in his book, Stewart speaks of the urgency of having journalists on the ground to bear witness to what is happening across the globe and of having journalists as moral witnesses, reminding audiences of the costs globally of famine and war and environmental disaster, of the need for greater political accountability.</p><br><p>With thanks to StoryFest organizers, Julie Gedeon and Sandy Racicot, to Larry Cool for recording sound, and to Jason C. for sound production. Linda Morra, Producer/Host; Maia Harris, Associate Producer; and Raphael Krux, Music.</p><br><p><strong>Just a reminder that voting opens soon for this year’s GLWL prize for best episode or author. </strong><a href="https://www.gettinglitwithlinda.com/2025-glwl-awards" rel="noopener noreferrer" target="_blank"><strong>Please do vote and honour your favourite writer</strong></a><strong> represented in an episode of season 6, in 2025.</strong></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p><br></p><br><p><br></p><p>On a lovely fall afternoon in October, Linda drove up to possibly one of the most charming spots in Quebec, just off-island of Montreal —Hudson, on the unceded territory of the&nbsp;Kanien’keha:ka. Hudson has much to commend to it, but, in this instance, it was<a href="https://www.greenwoodcentre.org/storyfest/" rel="noopener noreferrer" target="_blank"> StoryFest, the annual literary program hosted through the Greenwood Centre</a> that invites writers to come and speak to audiences there and that extends back to 2002 (yes, it’s been evolving over twenty years).</p><br><p>Linda drove up to Hudson to interview the journalist, Brian Stewart, about his memoir, <a href="https://www.simonandschuster.ca/books/On-the-Ground/Brian-Stewart/9781668052150" rel="noopener noreferrer" target="_blank"><em>On the Ground: My Life as a Foreign Correspondent</em></a><em> -- </em>a perfect book for this year's theme, <em>Getting Lit Goes Global. </em>Stewart was, for&nbsp;<em>decades</em>, one of Canada’s most prominent television journalists, acclaimed for his foreign coverage for both CBC’s <a href="https://www.cbc.ca/news/thenational" rel="noopener noreferrer" target="_blank"><em>The National </em></a>and <a href="https://broadcasting-history.ca/journal-the/" rel="noopener noreferrer" target="_blank"><em>The Journal.</em></a> Born in Montreal (welcome back, Brian!), and originally a newspaper reporter, he went on to become foreign correspondent for CBC in London and for NBC in Frankfurt. He worked in 10 war zones, hosted the CBC foreign affairs show <em>Worldview</em>, and interviewed many of the historic figures of his time.</p><p>&nbsp;&nbsp;</p><p>In this interview and in his book, Stewart speaks of the urgency of having journalists on the ground to bear witness to what is happening across the globe and of having journalists as moral witnesses, reminding audiences of the costs globally of famine and war and environmental disaster, of the need for greater political accountability.</p><br><p>With thanks to StoryFest organizers, Julie Gedeon and Sandy Racicot, to Larry Cool for recording sound, and to Jason C. for sound production. Linda Morra, Producer/Host; Maia Harris, Associate Producer; and Raphael Krux, Music.</p><br><p><strong>Just a reminder that voting opens soon for this year’s GLWL prize for best episode or author. </strong><a href="https://www.gettinglitwithlinda.com/2025-glwl-awards" rel="noopener noreferrer" target="_blank"><strong>Please do vote and honour your favourite writer</strong></a><strong> represented in an episode of season 6, in 2025.</strong></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title><![CDATA[Taking Out the Imperial Trash - Jovanni Sy's A Taste of Empire]]></title>
			<itunes:title><![CDATA[Taking Out the Imperial Trash - Jovanni Sy's A Taste of Empire]]></itunes:title>
			<pubDate>Wed, 19 Nov 2025 04:44:41 GMT</pubDate>
			<itunes:duration>36:55</itunes:duration>
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			<itunes:season>6</itunes:season>
			<itunes:episode>92</itunes:episode>
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			<description><![CDATA[<p>Linda AND students of <a href="https://www.ubishops.ca" rel="noopener noreferrer" target="_blank">Bishop's Universit</a>y interview the award-winning Montreal-based playwright, <a href="https://www.canadiantheatre.com/dict.pl?term=Sy%2C%20Jovanni" rel="noopener noreferrer" target="_blank">Jovanni Sy</a>, in this episode of <em>Getting Lit With Linda</em>. Linda considers how one of his plays in particular, <a href="https://talonbooks.com/books/a-taste-of-empire" rel="noopener noreferrer" target="_blank"><em>A Taste of Empire </em>(Talonbooks)</a>, obliges us confront the abuses of a system of globalization, wherein the processes involved in maximizing profit are brought to the fore. Even as the sous-chef, also named Jovanni Sy, tries to glamorize the industry of haute cuisine, we as spectators and readers must grapple with an imperialist system that undergirds it, that funnels wealth and resources from all corners of the earth to a centralized core.&nbsp;</p><br><p>Linda also announces a new award, the 2025 Getting Lit With Linda prize, being launched on December 15 of this year. We are inviting our listeners to choose either their favourite writer featured in an episodes of 2025 (Season 6) or their favourite episode in which a writer in the 2025 season was featured. The writer who wins the most votes will be given the GLWL prize of the year, with a small monetary award attached. Details about this award can be found on website, <a href="https://www.gettinglitwithlinda.com/2025-glwl-awards" rel="noopener noreferrer" target="_blank">gettinglitwithlinda.com</a>. So please DO take a moment to vote for your favourite author or episode featured this year!</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Linda AND students of <a href="https://www.ubishops.ca" rel="noopener noreferrer" target="_blank">Bishop's Universit</a>y interview the award-winning Montreal-based playwright, <a href="https://www.canadiantheatre.com/dict.pl?term=Sy%2C%20Jovanni" rel="noopener noreferrer" target="_blank">Jovanni Sy</a>, in this episode of <em>Getting Lit With Linda</em>. Linda considers how one of his plays in particular, <a href="https://talonbooks.com/books/a-taste-of-empire" rel="noopener noreferrer" target="_blank"><em>A Taste of Empire </em>(Talonbooks)</a>, obliges us confront the abuses of a system of globalization, wherein the processes involved in maximizing profit are brought to the fore. Even as the sous-chef, also named Jovanni Sy, tries to glamorize the industry of haute cuisine, we as spectators and readers must grapple with an imperialist system that undergirds it, that funnels wealth and resources from all corners of the earth to a centralized core.&nbsp;</p><br><p>Linda also announces a new award, the 2025 Getting Lit With Linda prize, being launched on December 15 of this year. We are inviting our listeners to choose either their favourite writer featured in an episodes of 2025 (Season 6) or their favourite episode in which a writer in the 2025 season was featured. The writer who wins the most votes will be given the GLWL prize of the year, with a small monetary award attached. Details about this award can be found on website, <a href="https://www.gettinglitwithlinda.com/2025-glwl-awards" rel="noopener noreferrer" target="_blank">gettinglitwithlinda.com</a>. So please DO take a moment to vote for your favourite author or episode featured this year!</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>The Other Problem that Has No Name - The Passenger Seat by Vijay Khurana</title>
			<itunes:title>The Other Problem that Has No Name - The Passenger Seat by Vijay Khurana</itunes:title>
			<pubDate>Sat, 01 Nov 2025 18:00:00 GMT</pubDate>
			<itunes:duration>43:50</itunes:duration>
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			<itunes:subtitle>An Interview with Khurana</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>6</itunes:season>
			<itunes:episode>91</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6086d520cfb9e813fa7a63a9/1761969088072-0a96528d-3fe3-4dfa-9e4f-0818cfa4aaac.jpeg"/>
			<description><![CDATA[<p>Perhaps strangely, Linda applies <a href="https://www.britannica.com/topic/The-Feminine-Mystique" rel="noopener noreferrer" target="_blank">Betty Friedan’s 1963 feminist critique of patriarchal society <em>The Feminine Mystique</em></a>, and specifically the text “The Problem That Has No Name,” to <a href="https://vijaykhurana.com/about/" rel="noopener noreferrer" target="_blank"><em>The Passenger Seat </em>by Vijay Khurana</a>. An Australian/British author, Khurana wrote this very fine debut novel about the real-life events of two young men from <a href="https://www.timescolonist.com/local-news/timeline-of-triple-murders-committed-by-port-alberni-teen-killers-last-summer-4677932" rel="noopener noreferrer" target="_blank">Port Alberni, Northern BC</a> and about their toxic masculinity. This novel thus addresses another problem not yet properly identified, except perhaps in more general ways: disaffected or disconnected young men in Western society, who are situated in that space between adolescence and adulthood, and who are making key decisions about who they will become as they mature.</p><br><p>Linda calls upon <a href="https://nupress.northwestern.edu/9780810147911/here-is-a-figure/" rel="noopener noreferrer" target="_blank">Sarah Dowling’s very fine study, <em>Here is a Figure: Grounding Literary Form</em></a> to examine how that problem has been represented in literature in terms of upright (radicalized white male) figures and prone or supine figures (victims, casualties, gendered subjects). But<em>The Passenger Seat</em> suggests a posture that is somewhere in-between. And what is that posture and who is implicated? You’ll have to listen to the episode to find out....</p><br><p>Host/Writer: Linda Morra</p><p>Associate Producer: Maia Harris</p><p>Music: Raphael Krux</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Perhaps strangely, Linda applies <a href="https://www.britannica.com/topic/The-Feminine-Mystique" rel="noopener noreferrer" target="_blank">Betty Friedan’s 1963 feminist critique of patriarchal society <em>The Feminine Mystique</em></a>, and specifically the text “The Problem That Has No Name,” to <a href="https://vijaykhurana.com/about/" rel="noopener noreferrer" target="_blank"><em>The Passenger Seat </em>by Vijay Khurana</a>. An Australian/British author, Khurana wrote this very fine debut novel about the real-life events of two young men from <a href="https://www.timescolonist.com/local-news/timeline-of-triple-murders-committed-by-port-alberni-teen-killers-last-summer-4677932" rel="noopener noreferrer" target="_blank">Port Alberni, Northern BC</a> and about their toxic masculinity. This novel thus addresses another problem not yet properly identified, except perhaps in more general ways: disaffected or disconnected young men in Western society, who are situated in that space between adolescence and adulthood, and who are making key decisions about who they will become as they mature.</p><br><p>Linda calls upon <a href="https://nupress.northwestern.edu/9780810147911/here-is-a-figure/" rel="noopener noreferrer" target="_blank">Sarah Dowling’s very fine study, <em>Here is a Figure: Grounding Literary Form</em></a> to examine how that problem has been represented in literature in terms of upright (radicalized white male) figures and prone or supine figures (victims, casualties, gendered subjects). But<em>The Passenger Seat</em> suggests a posture that is somewhere in-between. And what is that posture and who is implicated? You’ll have to listen to the episode to find out....</p><br><p>Host/Writer: Linda Morra</p><p>Associate Producer: Maia Harris</p><p>Music: Raphael Krux</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Digital Trespassing: Human Rights in the Digital Age-- An Interview with Dr. Wendy Wong</title>
			<itunes:title>Digital Trespassing: Human Rights in the Digital Age-- An Interview with Dr. Wendy Wong</itunes:title>
			<pubDate>Thu, 16 Oct 2025 02:03:30 GMT</pubDate>
			<itunes:duration>47:07</itunes:duration>
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			<itunes:season>6</itunes:season>
			<itunes:episode>90</itunes:episode>
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			<description><![CDATA[<p>Linda met <a href="https://www.wendyhwong.com/" rel="noopener noreferrer" target="_blank">Dr. Wendy Wong </a>at a conference in Kelowna, organized by <a href="https://fccs.ok.ubc.ca/about/contact/karis-shearer/" rel="noopener noreferrer" target="_blank">Dr. Karis Shearer</a> (1:25) and hosted by <a href="https://montreal.spokenweb.ca/" rel="noopener noreferrer" target="_blank">SpokenWeb</a> (1:20), when Dr. Wong spoke about her book, <a href="https://www.wendyhwong.com/books#we-the-data" rel="noopener noreferrer" target="_blank"><em>We, the Data</em></a> (a nod to the <a href="https://constitution.congress.gov/constitution/preamble/" rel="noopener noreferrer" target="_blank">preamble of the United States Constitution</a>, 4:10) -- and, since then, Linda has been obsessed. Being an expert on archival theory in relation to women writers' materials, Linda has digitization - and now datafication (7:45) - very much on the brain (and probably on her computer too). </p><br><p>It led Linda to raise a question in this interview – at what point is datafication a form of <em>digital trespassing</em>? When is it going too far -- and when do we get to say <em>it's gone too far</em>? -- mining the details of our personal lives, even our bodies (as facial recognition technology reminds us), often for capitalist pursuits, without the direct (if not implied) consent of those furnishing the data?&nbsp;</p><br><p>And what's the difference, she also asks Dr. Wong, between libraries and their archives and datafication, another means of preservation? And in her telling response, Dr. Wong reminds us that libraries (3:30) <em>are more important than ever before</em>.</p><br><p>Other points of discussion:</p><ul><li><em>The Daily Show </em>(<a href="https://www.humanetech.com/impact-and-story" rel="noopener noreferrer" target="_blank">Tristan Harris, Center for Humane Technology</a>, 6:00)</li><li>AI and Chat GPT and existential questions raised (6:50)</li><li>algorithms (10:45)</li></ul><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Linda met <a href="https://www.wendyhwong.com/" rel="noopener noreferrer" target="_blank">Dr. Wendy Wong </a>at a conference in Kelowna, organized by <a href="https://fccs.ok.ubc.ca/about/contact/karis-shearer/" rel="noopener noreferrer" target="_blank">Dr. Karis Shearer</a> (1:25) and hosted by <a href="https://montreal.spokenweb.ca/" rel="noopener noreferrer" target="_blank">SpokenWeb</a> (1:20), when Dr. Wong spoke about her book, <a href="https://www.wendyhwong.com/books#we-the-data" rel="noopener noreferrer" target="_blank"><em>We, the Data</em></a> (a nod to the <a href="https://constitution.congress.gov/constitution/preamble/" rel="noopener noreferrer" target="_blank">preamble of the United States Constitution</a>, 4:10) -- and, since then, Linda has been obsessed. Being an expert on archival theory in relation to women writers' materials, Linda has digitization - and now datafication (7:45) - very much on the brain (and probably on her computer too). </p><br><p>It led Linda to raise a question in this interview – at what point is datafication a form of <em>digital trespassing</em>? When is it going too far -- and when do we get to say <em>it's gone too far</em>? -- mining the details of our personal lives, even our bodies (as facial recognition technology reminds us), often for capitalist pursuits, without the direct (if not implied) consent of those furnishing the data?&nbsp;</p><br><p>And what's the difference, she also asks Dr. Wong, between libraries and their archives and datafication, another means of preservation? And in her telling response, Dr. Wong reminds us that libraries (3:30) <em>are more important than ever before</em>.</p><br><p>Other points of discussion:</p><ul><li><em>The Daily Show </em>(<a href="https://www.humanetech.com/impact-and-story" rel="noopener noreferrer" target="_blank">Tristan Harris, Center for Humane Technology</a>, 6:00)</li><li>AI and Chat GPT and existential questions raised (6:50)</li><li>algorithms (10:45)</li></ul><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title><![CDATA[Equity on a Bookshelf: An Interview with Stephanie Sinclair, Publisher of McClelland & Stewart]]></title>
			<itunes:title><![CDATA[Equity on a Bookshelf: An Interview with Stephanie Sinclair, Publisher of McClelland & Stewart]]></itunes:title>
			<pubDate>Sat, 04 Oct 2025 19:02:21 GMT</pubDate>
			<itunes:duration>43:35</itunes:duration>
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			<acast:episodeUrl>equity-on-a-bookshelf-an-interview-with-mcclelland-stewart-p</acast:episodeUrl>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>6</itunes:season>
			<itunes:episode>89</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6086d520cfb9e813fa7a63a9/1759508152226-0695e6bb-762a-437c-8e47-3a94143e603c.jpeg"/>
			<description><![CDATA[<p>Does anyone remember that series, New Canadian Literature (NCL), produced by McClelland &amp; Stewart? In this interview, Linda discusses the very much new and improved series, <a href="https://www.penguinrandomhouse.ca/kanataclassics" rel="noopener noreferrer" target="_blank">Kanata Classics</a> (15:06), with Stephanie Sinclair, the publisher of McClelland &amp; Stewart -- with special guest feature, Holly, her cat. </p><br><p>A co-editor in her own right (with her sister, Sara Sinclair), she produced <a href="https://www.penguinrandomhouse.ca/books/719902/you-were-made-for-this-world-by-collected-by-stephanie-sinclair-and-sara-sinclair-twenty-letters-by-indigenous-writers-paired-with-art-by-twenty-indigenous-illustrators/9781774882566" rel="noopener noreferrer" target="_blank"><em>You Were Made for this World</em></a><em> </em>(7:55) and <a href="https://www.penguinrandomhouse.ca/books/763191/a-steady-brightness-of-being-by-edited-by-sara-and-stephanie-sinclair/9780735250369" rel="noopener noreferrer" target="_blank"><em>A Steady Brightness of Being</em></a> (8:02, conceived and developed in 2020, before Stephanie began working with McClelland &amp; Stewart). Kanata Classics is Sinclair’s answer to NCL, although Kanata Classics has a much broader view in terms of who is included, represented, and celebrated within its purview - and it has a much broader reach, extending beyond Canadian borders. </p><br><p><a href="https://www.penguinrandomhouse.ca/kanataclassics" rel="noopener noreferrer" target="_blank">Kanata Classics</a>, <a href="https://caclals.ca/wp-content/uploads/KANATA-press-release.pdf" rel="noopener noreferrer" target="_blank">launched in July of this year, 2025</a>, features six books a year from a range of Indigenous and Canadian writers. Beautifully crafted and produced, with covers and design by Kelly Hill, Kanata Classics in its first year features <a href="https://www.penguinrandomhouse.ca/books/610927/halfbreed-by-maria-campbell/9780771026928" rel="noopener noreferrer" target="_blank"><em>Halfbreed</em> by Maria Campbell</a> (the restored edition!), <a href="https://www.penguinrandomhouse.ca/books/797611/ru-by-kim-thuy/9780771023583" rel="noopener noreferrer" target="_blank"><em>Ru</em> by Kim Thúy</a>, <a href="https://www.penguinrandomhouse.ca/books/226075/medicine-walk-by-richard-wagamese/9780771023521" rel="noopener noreferrer" target="_blank"><em>Medicine Walk</em> by Richard Wagamese</a>, <a href="https://www.penguinrandomhouse.ca/books/46558/bear-by-marian-engel-introduction-by-claire-cameron/9780771023552" rel="noopener noreferrer" target="_blank"><em>Bear</em> by Marian Engel</a>, <a href="https://www.penguinrandomhouse.ca/books/105770/island-by-alistair-macleod/9780771023576" rel="noopener noreferrer" target="_blank"><em>Island </em>by Alistair MacLeod</a> and <a href="https://www.penguinrandomhouse.ca/books/610846/nishga-by-jordan-abel/9780771023491" rel="noopener noreferrer" target="_blank"><em>Nishga</em> by Jordan Abel</a> – and, of course, listeners will remember Linda had <a href="https://shows.acast.com/getting-lit-with-linda-the-canadian-literature-podcast/episodes/a-certain-kind-of-activism-witnessing-and-jordan-abels-nishg" rel="noopener noreferrer" target="_blank">interviewed Jordan Abel in Episode 18 of Season 2</a>. Other references include <a href="https://www.codycaetano.com/" rel="noopener noreferrer" target="_blank">Cody Caetano</a> (2:51), <a href="https://transatlanticagency.com/clients/speakers/joshua-whitehead/" rel="noopener noreferrer" target="_blank">Joshua Whithead</a> (3:30), <a href="https://jessicasbjohns.com/" rel="noopener noreferrer" target="_blank">Jessica Johns</a> (3:34), <a href="https://billy-raybelcourt.com/" rel="noopener noreferrer" target="_blank">Billy-Ray Belcourt</a> (2:53) and <a href="https://www.winnipegfreepress.com/biographies/niigaan-sinclair" rel="noopener noreferrer" target="_blank">Niigaan Sinclair</a> (15:40).</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Does anyone remember that series, New Canadian Literature (NCL), produced by McClelland &amp; Stewart? In this interview, Linda discusses the very much new and improved series, <a href="https://www.penguinrandomhouse.ca/kanataclassics" rel="noopener noreferrer" target="_blank">Kanata Classics</a> (15:06), with Stephanie Sinclair, the publisher of McClelland &amp; Stewart -- with special guest feature, Holly, her cat. </p><br><p>A co-editor in her own right (with her sister, Sara Sinclair), she produced <a href="https://www.penguinrandomhouse.ca/books/719902/you-were-made-for-this-world-by-collected-by-stephanie-sinclair-and-sara-sinclair-twenty-letters-by-indigenous-writers-paired-with-art-by-twenty-indigenous-illustrators/9781774882566" rel="noopener noreferrer" target="_blank"><em>You Were Made for this World</em></a><em> </em>(7:55) and <a href="https://www.penguinrandomhouse.ca/books/763191/a-steady-brightness-of-being-by-edited-by-sara-and-stephanie-sinclair/9780735250369" rel="noopener noreferrer" target="_blank"><em>A Steady Brightness of Being</em></a> (8:02, conceived and developed in 2020, before Stephanie began working with McClelland &amp; Stewart). Kanata Classics is Sinclair’s answer to NCL, although Kanata Classics has a much broader view in terms of who is included, represented, and celebrated within its purview - and it has a much broader reach, extending beyond Canadian borders. </p><br><p><a href="https://www.penguinrandomhouse.ca/kanataclassics" rel="noopener noreferrer" target="_blank">Kanata Classics</a>, <a href="https://caclals.ca/wp-content/uploads/KANATA-press-release.pdf" rel="noopener noreferrer" target="_blank">launched in July of this year, 2025</a>, features six books a year from a range of Indigenous and Canadian writers. Beautifully crafted and produced, with covers and design by Kelly Hill, Kanata Classics in its first year features <a href="https://www.penguinrandomhouse.ca/books/610927/halfbreed-by-maria-campbell/9780771026928" rel="noopener noreferrer" target="_blank"><em>Halfbreed</em> by Maria Campbell</a> (the restored edition!), <a href="https://www.penguinrandomhouse.ca/books/797611/ru-by-kim-thuy/9780771023583" rel="noopener noreferrer" target="_blank"><em>Ru</em> by Kim Thúy</a>, <a href="https://www.penguinrandomhouse.ca/books/226075/medicine-walk-by-richard-wagamese/9780771023521" rel="noopener noreferrer" target="_blank"><em>Medicine Walk</em> by Richard Wagamese</a>, <a href="https://www.penguinrandomhouse.ca/books/46558/bear-by-marian-engel-introduction-by-claire-cameron/9780771023552" rel="noopener noreferrer" target="_blank"><em>Bear</em> by Marian Engel</a>, <a href="https://www.penguinrandomhouse.ca/books/105770/island-by-alistair-macleod/9780771023576" rel="noopener noreferrer" target="_blank"><em>Island </em>by Alistair MacLeod</a> and <a href="https://www.penguinrandomhouse.ca/books/610846/nishga-by-jordan-abel/9780771023491" rel="noopener noreferrer" target="_blank"><em>Nishga</em> by Jordan Abel</a> – and, of course, listeners will remember Linda had <a href="https://shows.acast.com/getting-lit-with-linda-the-canadian-literature-podcast/episodes/a-certain-kind-of-activism-witnessing-and-jordan-abels-nishg" rel="noopener noreferrer" target="_blank">interviewed Jordan Abel in Episode 18 of Season 2</a>. Other references include <a href="https://www.codycaetano.com/" rel="noopener noreferrer" target="_blank">Cody Caetano</a> (2:51), <a href="https://transatlanticagency.com/clients/speakers/joshua-whitehead/" rel="noopener noreferrer" target="_blank">Joshua Whithead</a> (3:30), <a href="https://jessicasbjohns.com/" rel="noopener noreferrer" target="_blank">Jessica Johns</a> (3:34), <a href="https://billy-raybelcourt.com/" rel="noopener noreferrer" target="_blank">Billy-Ray Belcourt</a> (2:53) and <a href="https://www.winnipegfreepress.com/biographies/niigaan-sinclair" rel="noopener noreferrer" target="_blank">Niigaan Sinclair</a> (15:40).</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>The Truth About Memoirs </title>
			<itunes:title>The Truth About Memoirs </itunes:title>
			<pubDate>Thu, 18 Sep 2025 04:00:46 GMT</pubDate>
			<itunes:duration>23:08</itunes:duration>
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			<acast:episodeUrl>the-truth-about-memoirs</acast:episodeUrl>
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			<itunes:subtitle><![CDATA[Susan Swan's Big Girls Don't Cry]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>6</itunes:season>
			<itunes:episode>88</itunes:episode>
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			<description><![CDATA[<p>In this episode, Linda examines the resurgence of the memoir, and what readers expect - and what she expects - when we pick one up. While the first part of the episode examines the features and history of the memoir, the last part is devoted to the wonderful new memoir by<a href="https://www.harpercollins.ca/9781443473040/big-girls-dont-cry/" rel="noopener noreferrer" target="_blank"> Susan Swan, <em>Big Girls Don't Cry.</em></a><em> </em>Highlights of this episode include:</p><p><br></p><ul><li>Giller prize long list (.45 sec)\</li><li><a href="https://www.theguardian.com/books/2025/jul/10/inside-the-salt-path-controversy-scandal-has-stalked-memoir-since-the-genre-was-invented" rel="noopener noreferrer" target="_blank">Lucy Knight and <em>The Salt Path</em> Scanda</a>l (1.11)</li><li>James Fray A Million Little Pieces (3.35)</li><li><a href="https://thecanadianencyclopedia.ca/en/article/in-search-of-myself" rel="noopener noreferrer" target="_blank">Frederick Philip Grove, <em>In Search of Myself </em></a>&nbsp;(3:30)</li><li>The “truth” of memoir (5:44)</li><li>Difference between memoir and autobiography (7:34)</li><li>Julie Rak and her <a href="Boom! – WLU Press" rel="noopener noreferrer" target="_blank">scholarly book, <em>Boom!</em> </a>(6:12; 8:55)</li><li>Guernica Press, Eva Krakow, Voice Lessons (11:52)</li><li>ECW Press and a list of its published memoirs (13:00)</li><li>Random House and their list of memoirs (12:03, reference to Minelle Mahtani, 12:08)</li><li><a href="Margaret Atwood’s BOOK OF LIVES: A MEMOIR OF SORTS To Be Published by McClelland &amp; Stewart on November 4, 2025 | Penguin Random House Canada" rel="noopener noreferrer" target="_blank">Atwood and her new memoir, <em>Book of Lives</em></a><em> </em>(13:35)</li><li>Philippe Lejeune &amp; the autobiographical pact (9:56)</li><li>&nbsp;Betty Friedan, <a href="https://englishisprogress.wordpress.com/wp-content/uploads/2018/05/friedan.pdf" rel="noopener noreferrer" target="_blank"><em>The Problem that Has No Name</em></a><em> </em>(19:09)</li></ul><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode, Linda examines the resurgence of the memoir, and what readers expect - and what she expects - when we pick one up. While the first part of the episode examines the features and history of the memoir, the last part is devoted to the wonderful new memoir by<a href="https://www.harpercollins.ca/9781443473040/big-girls-dont-cry/" rel="noopener noreferrer" target="_blank"> Susan Swan, <em>Big Girls Don't Cry.</em></a><em> </em>Highlights of this episode include:</p><p><br></p><ul><li>Giller prize long list (.45 sec)\</li><li><a href="https://www.theguardian.com/books/2025/jul/10/inside-the-salt-path-controversy-scandal-has-stalked-memoir-since-the-genre-was-invented" rel="noopener noreferrer" target="_blank">Lucy Knight and <em>The Salt Path</em> Scanda</a>l (1.11)</li><li>James Fray A Million Little Pieces (3.35)</li><li><a href="https://thecanadianencyclopedia.ca/en/article/in-search-of-myself" rel="noopener noreferrer" target="_blank">Frederick Philip Grove, <em>In Search of Myself </em></a>&nbsp;(3:30)</li><li>The “truth” of memoir (5:44)</li><li>Difference between memoir and autobiography (7:34)</li><li>Julie Rak and her <a href="Boom! – WLU Press" rel="noopener noreferrer" target="_blank">scholarly book, <em>Boom!</em> </a>(6:12; 8:55)</li><li>Guernica Press, Eva Krakow, Voice Lessons (11:52)</li><li>ECW Press and a list of its published memoirs (13:00)</li><li>Random House and their list of memoirs (12:03, reference to Minelle Mahtani, 12:08)</li><li><a href="Margaret Atwood’s BOOK OF LIVES: A MEMOIR OF SORTS To Be Published by McClelland &amp; Stewart on November 4, 2025 | Penguin Random House Canada" rel="noopener noreferrer" target="_blank">Atwood and her new memoir, <em>Book of Lives</em></a><em> </em>(13:35)</li><li>Philippe Lejeune &amp; the autobiographical pact (9:56)</li><li>&nbsp;Betty Friedan, <a href="https://englishisprogress.wordpress.com/wp-content/uploads/2018/05/friedan.pdf" rel="noopener noreferrer" target="_blank"><em>The Problem that Has No Name</em></a><em> </em>(19:09)</li></ul><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>The Lost City of Atlantis (our future, rather than our past): Cherie Dimaline’s The Marrow Thieves and James Cairns’ In Crisis, On Crisis: Essays in Troubled Times </title>
			<itunes:title>The Lost City of Atlantis (our future, rather than our past): Cherie Dimaline’s The Marrow Thieves and James Cairns’ In Crisis, On Crisis: Essays in Troubled Times </itunes:title>
			<pubDate>Thu, 04 Sep 2025 01:06:56 GMT</pubDate>
			<itunes:duration>21:15</itunes:duration>
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			<acast:episodeUrl>the-lost-atlantis-looking-back-and-forward-to-the-end-and-be</acast:episodeUrl>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>6</itunes:season>
			<itunes:episode>87</itunes:episode>
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			<description><![CDATA[<p>In this episode, Linda begins by speaking about the <a href="https://www.kingstonwritersfest.ca/" rel="noopener noreferrer" target="_blank">Kingston Writers Fest (KWF</a>) - if you are in reasonable distance, you MUST go! The most incredible line-up of authors will be there, including Madeleine Thien, Margaret Atwood, Canisia Lubrin, Nita Prose, and Ian Williams.</p><br><p>She then thinks about Atlantis - what if Atlantis were <em>about our future and not our past? </em>She uses Atlantis as a way of considering the dystopian novel, C<a href="https://www.penguinrandomhouse.com/books/744474/the-marrow-thieves-by-cherie-dimaline/   " rel="noopener noreferrer" target="_blank">herie Dimaline’s <em>The Marrow Thieves </em>(Penguin Random House). </a>Using <a href="https://bookstore.wolsakandwynn.ca/products/in-crisis-on-crisis" rel="noopener noreferrer" target="_blank">James Cairns’ <em>In Crisis, On Crisis: Essays in Trouble Times </em>(Wolsak &amp; Wyne)</a>, she thinks about why we read novels that are apocalyptic in nature. Cairns, she notes, refers to<a href="https://www.harpercollins.ca/9780062667632/leave-the-world-behind/" rel="noopener noreferrer" target="_blank"> Rumaan Alam’s <em>Leave the World Behind </em>(HarperCollins</a>) and shows how we get some measure of satisfaction from reading them. Dimaline’s novel may offer that kind of satisfaction, but it is very much based in Indigenous community and what Daniel Heath Justice would call “embodied sovereignty.”</p><br><p>Other highlights:</p><ul><li>The Lost City of Atlantis (2:15; 3:04; 4:22)</li><li>Plato (2:50; 3:11)</li><li>Francis Bacon’s <a href="https://www.gutenberg.org/files/2434/2434-h/2434-h.htm" rel="noopener noreferrer" target="_blank"><em>New Atlantis </em></a>(4:12)</li><li>Thomas More’s <a href="https://www.gutenberg.org/ebooks/2130" rel="noopener noreferrer" target="_blank"><em>Utopia </em></a>(4:14)</li><li>Shakespeare’s <em>Macbeth</em>, hubris, and the tyranny of completion (8:14)</li><li><a href="https://www.degruyterbrill.com/document/doi/10.51644/9781771121866-033/pdf?licenseType=restricted&amp;srsltid=AfmBOopiRPwXXbOyeAoBJRLrLhLgGlXo7EK_yyJZRXvvxJh3c03eePY6" rel="noopener noreferrer" target="_blank">Daniel Heath Justice’s essay, “Go Away Water” </a>(15:29)</li></ul><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode, Linda begins by speaking about the <a href="https://www.kingstonwritersfest.ca/" rel="noopener noreferrer" target="_blank">Kingston Writers Fest (KWF</a>) - if you are in reasonable distance, you MUST go! The most incredible line-up of authors will be there, including Madeleine Thien, Margaret Atwood, Canisia Lubrin, Nita Prose, and Ian Williams.</p><br><p>She then thinks about Atlantis - what if Atlantis were <em>about our future and not our past? </em>She uses Atlantis as a way of considering the dystopian novel, C<a href="https://www.penguinrandomhouse.com/books/744474/the-marrow-thieves-by-cherie-dimaline/   " rel="noopener noreferrer" target="_blank">herie Dimaline’s <em>The Marrow Thieves </em>(Penguin Random House). </a>Using <a href="https://bookstore.wolsakandwynn.ca/products/in-crisis-on-crisis" rel="noopener noreferrer" target="_blank">James Cairns’ <em>In Crisis, On Crisis: Essays in Trouble Times </em>(Wolsak &amp; Wyne)</a>, she thinks about why we read novels that are apocalyptic in nature. Cairns, she notes, refers to<a href="https://www.harpercollins.ca/9780062667632/leave-the-world-behind/" rel="noopener noreferrer" target="_blank"> Rumaan Alam’s <em>Leave the World Behind </em>(HarperCollins</a>) and shows how we get some measure of satisfaction from reading them. Dimaline’s novel may offer that kind of satisfaction, but it is very much based in Indigenous community and what Daniel Heath Justice would call “embodied sovereignty.”</p><br><p>Other highlights:</p><ul><li>The Lost City of Atlantis (2:15; 3:04; 4:22)</li><li>Plato (2:50; 3:11)</li><li>Francis Bacon’s <a href="https://www.gutenberg.org/files/2434/2434-h/2434-h.htm" rel="noopener noreferrer" target="_blank"><em>New Atlantis </em></a>(4:12)</li><li>Thomas More’s <a href="https://www.gutenberg.org/ebooks/2130" rel="noopener noreferrer" target="_blank"><em>Utopia </em></a>(4:14)</li><li>Shakespeare’s <em>Macbeth</em>, hubris, and the tyranny of completion (8:14)</li><li><a href="https://www.degruyterbrill.com/document/doi/10.51644/9781771121866-033/pdf?licenseType=restricted&amp;srsltid=AfmBOopiRPwXXbOyeAoBJRLrLhLgGlXo7EK_yyJZRXvvxJh3c03eePY6" rel="noopener noreferrer" target="_blank">Daniel Heath Justice’s essay, “Go Away Water” </a>(15:29)</li></ul><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Invitation to Reparative Reading - An Interview with Canisia Lubrin About Code Noir</title>
			<itunes:title>Invitation to Reparative Reading - An Interview with Canisia Lubrin About Code Noir</itunes:title>
			<pubDate>Tue, 01 Jul 2025 21:04:43 GMT</pubDate>
			<itunes:duration>57:01</itunes:duration>
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			<itunes:episode>86</itunes:episode>
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			<description><![CDATA[<p>In this episode, Linda interviews the phenomenal <a href="https://www.uoguelph.ca/arts/sotec/people/canisia-lubrin" rel="noopener noreferrer" target="_blank">Canisia Lubrin</a> - the acclaimed writer, critic, professor, poet, and editor. Her first book <a href="https://bookstore.wolsakandwynn.ca/products/voodoo-hypothesis" rel="noopener noreferrer" target="_blank"><em>Voodoo Hypothesis </em>(Wolsak &amp;<em> </em>Wynn</a>,<em> </em>2017<em>)</em> was named a CBC Best Book. Her second book,<em> T</em><a href="https://www.penguinrandomhouse.ca/books/611406/the-dyzgraphxst-by-canisia-lubrin/9780771048692" rel="noopener noreferrer" target="_blank"><em>he Dyzgraphxst </em>(M &amp; S</a>, 2020) won the OCM Bocas Prize for Caribbean Poetry and the overall Literature prize, the Griffin Poetry Prize, and the Derek Walcott Prize.&nbsp;She is also a 2022 Civitella Ranieri Fellow and has held writer residences at Queen’s University and the appointed inaugural 2021 Shaftesbury Writer in Residence at Victoria College, University of Toronto, where she has taught creative writing.</p><br><p>This episode of <em>Getting Lit With Linda</em> focuses on her award-winning book, <a href="https://www.penguinrandomhouse.ca/books/669724/code-noir-by-canisia-lubrin/9780735282216" rel="noopener noreferrer" target="_blank">Code Noir (Knopf 2023</a>), for which Lubrin won the <a href="https://www.cbc.ca/books/ontario-writer-canisia-lubrin-wins-208k-carol-shields-prize-for-fiction-1.7524161" rel="noopener noreferrer" target="_blank">Carol Shields Prize for Fiction</a>, among other accolades. In consideration of this book and how the reader is invited to engage with it, Linda mulls over <a href="https://www.ias.edu/sites/default/files/sss/pdfs/Critique/sedgwick-paranoid-reading.pdf" rel="noopener noreferrer" target="_blank">Eve Sedgewick's essay, "Paranoid Reading and Reparative Reading, Or You're so Paranoid, You probably Think This Essay is About You."</a> Applying Sedgewick's sense of the "reparative reader," Linda sees Lubrin's <em>Code Noir </em>(based on the real-life set of<a href="https://revolution.chnm.org/d/335/" rel="noopener noreferrer" target="_blank"> historical decrees that were passed centuries ago, in 1685 by King Louis XIV of France</a>) as enjoining readers to participate in this way - not with a sense of paranoia (defensive!) but rather with an open and unassuming posture. Because Lubrin's <em>Code Noir </em>reminds us of the possibilities of art, form, and language, and our engagement with them.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode, Linda interviews the phenomenal <a href="https://www.uoguelph.ca/arts/sotec/people/canisia-lubrin" rel="noopener noreferrer" target="_blank">Canisia Lubrin</a> - the acclaimed writer, critic, professor, poet, and editor. Her first book <a href="https://bookstore.wolsakandwynn.ca/products/voodoo-hypothesis" rel="noopener noreferrer" target="_blank"><em>Voodoo Hypothesis </em>(Wolsak &amp;<em> </em>Wynn</a>,<em> </em>2017<em>)</em> was named a CBC Best Book. Her second book,<em> T</em><a href="https://www.penguinrandomhouse.ca/books/611406/the-dyzgraphxst-by-canisia-lubrin/9780771048692" rel="noopener noreferrer" target="_blank"><em>he Dyzgraphxst </em>(M &amp; S</a>, 2020) won the OCM Bocas Prize for Caribbean Poetry and the overall Literature prize, the Griffin Poetry Prize, and the Derek Walcott Prize.&nbsp;She is also a 2022 Civitella Ranieri Fellow and has held writer residences at Queen’s University and the appointed inaugural 2021 Shaftesbury Writer in Residence at Victoria College, University of Toronto, where she has taught creative writing.</p><br><p>This episode of <em>Getting Lit With Linda</em> focuses on her award-winning book, <a href="https://www.penguinrandomhouse.ca/books/669724/code-noir-by-canisia-lubrin/9780735282216" rel="noopener noreferrer" target="_blank">Code Noir (Knopf 2023</a>), for which Lubrin won the <a href="https://www.cbc.ca/books/ontario-writer-canisia-lubrin-wins-208k-carol-shields-prize-for-fiction-1.7524161" rel="noopener noreferrer" target="_blank">Carol Shields Prize for Fiction</a>, among other accolades. In consideration of this book and how the reader is invited to engage with it, Linda mulls over <a href="https://www.ias.edu/sites/default/files/sss/pdfs/Critique/sedgwick-paranoid-reading.pdf" rel="noopener noreferrer" target="_blank">Eve Sedgewick's essay, "Paranoid Reading and Reparative Reading, Or You're so Paranoid, You probably Think This Essay is About You."</a> Applying Sedgewick's sense of the "reparative reader," Linda sees Lubrin's <em>Code Noir </em>(based on the real-life set of<a href="https://revolution.chnm.org/d/335/" rel="noopener noreferrer" target="_blank"> historical decrees that were passed centuries ago, in 1685 by King Louis XIV of France</a>) as enjoining readers to participate in this way - not with a sense of paranoia (defensive!) but rather with an open and unassuming posture. Because Lubrin's <em>Code Noir </em>reminds us of the possibilities of art, form, and language, and our engagement with them.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>That Kind of Meta: The Double Life of Benson Yu - An Interview with Kevin Chong  </title>
			<itunes:title>That Kind of Meta: The Double Life of Benson Yu - An Interview with Kevin Chong  </itunes:title>
			<pubDate>Sun, 15 Jun 2025 22:20:50 GMT</pubDate>
			<itunes:duration>44:50</itunes:duration>
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			<itunes:season>6</itunes:season>
			<itunes:episode>85</itunes:episode>
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			<description><![CDATA[<p>In this episode, Linda chats with <a href="https://fccs.ok.ubc.ca/about/contact/kevin-chong/" rel="noopener noreferrer" target="_blank">Kevin Chong</a> about his novel <a href="https://thatkevinchong.com/the-double-life-of-benson-yu/" rel="noopener noreferrer" target="_blank"><em>The Double Life of Benson Yu</em></a> (<a href="https://www.simonandschuster.com/books/The-Double-Life-of-Benson-Yu/Kevin-Chong/9781668005514" rel="noopener noreferrer" target="_blank">Simon &amp; Schuster</a>) shortlisted for the <a href="https://gillerprize.ca/2023-finalists/" rel="noopener noreferrer" target="_blank">2023 Giller Prize</a>. It's a "meta" novel, in some ways - a concept that Linda explains in this episode - but it also had Linda thinking about the social media platform, Meta (formerly, Facebook). Whatever insights you might glean from this association and from this interview, what is clear is the real and urgent need to re-examine various forms of masculinity. The timing of this episode’s release - Father’s Day - underscores this importance.</p><br><p>In this novel, the main character, Benson Yu, is writing a graphic novel based on his own life, and he tells us as readers what he can't or won't talk about because of his traumatic past and injured masculinity. It's a compelling read that makes us consider character and genre in ways that are quite provocative.</p><br><p>Linda Morra (writer/producer), Maia Harris (associate producer), Rafael Krux (music), Aki Barabadi (marketing)</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode, Linda chats with <a href="https://fccs.ok.ubc.ca/about/contact/kevin-chong/" rel="noopener noreferrer" target="_blank">Kevin Chong</a> about his novel <a href="https://thatkevinchong.com/the-double-life-of-benson-yu/" rel="noopener noreferrer" target="_blank"><em>The Double Life of Benson Yu</em></a> (<a href="https://www.simonandschuster.com/books/The-Double-Life-of-Benson-Yu/Kevin-Chong/9781668005514" rel="noopener noreferrer" target="_blank">Simon &amp; Schuster</a>) shortlisted for the <a href="https://gillerprize.ca/2023-finalists/" rel="noopener noreferrer" target="_blank">2023 Giller Prize</a>. It's a "meta" novel, in some ways - a concept that Linda explains in this episode - but it also had Linda thinking about the social media platform, Meta (formerly, Facebook). Whatever insights you might glean from this association and from this interview, what is clear is the real and urgent need to re-examine various forms of masculinity. The timing of this episode’s release - Father’s Day - underscores this importance.</p><br><p>In this novel, the main character, Benson Yu, is writing a graphic novel based on his own life, and he tells us as readers what he can't or won't talk about because of his traumatic past and injured masculinity. It's a compelling read that makes us consider character and genre in ways that are quite provocative.</p><br><p>Linda Morra (writer/producer), Maia Harris (associate producer), Rafael Krux (music), Aki Barabadi (marketing)</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>We, the Subplot (or Flying Monkeys) - An Interview with Michael Crummey about The Adversary</title>
			<itunes:title>We, the Subplot (or Flying Monkeys) - An Interview with Michael Crummey about The Adversary</itunes:title>
			<pubDate>Sun, 01 Jun 2025 18:00:00 GMT</pubDate>
			<itunes:duration>48:42</itunes:duration>
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			<itunes:season>6</itunes:season>
			<itunes:episode>84</itunes:episode>
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			<description><![CDATA[<p>What are <a href="https://www.verywellmind.com/narcissists-and-flying-monkeys-7552473" rel="noopener noreferrer" target="_blank">flying monkeys</a>?, Linda wonders - until her friend illuminates their place in relation to narcissists. Narcissism is key to understanding the Widow and Abe Strapp, two deliciously terrible main characters in Michael Crummey's novel, <a href="https://www.penguinrandomhouse.ca/books/746022/the-adversary-by-michael-crummey/9780385685467" rel="noopener noreferrer" target="_blank"><em>The Adversary </em>(Knopf)</a><em> </em>-- which just won the D<a href="https://www.cbc.ca/books/canadian-author-michael-crummey-wins-154k-dublin-literary-award-1.7540821" rel="noopener noreferrer" target="_blank">ublin Literary Award for 2025</a>; this psychology is also key to understanding why certain subplot characters choose to orbit around them. </p><br><p>Since the novel may be read as a kind of running commentary on the present political moment, we must remember that we - not just readers, but rather the people who might see our reflections in the "subplot" characters - are important to the kinds of decisions made. The conditions of the subplot are affected by those of the plot - but that may also work in reverse. The interview with Crummey also connects his earlier novel, <a href="https://www.penguinrandomhouse.ca/books/258498/the-innocents-by-michael-crummey/9780385685412" rel="noopener noreferrer" target="_blank"><em>The Innocents </em>(2019, Random House Canada)</a><em>, </em>and <em>T</em><a href="https://blakearchive.org/work/songsie" rel="noopener noreferrer" target="_blank"><em>he Adversary </em>to William Blake's <em>Songs of Innocence and Experience</em></a>, explaining how these two novels might be read in relation to each other.</p><br><p><br></p><p>Linda Morra (executive producer); Maia Harris (associate producer); Raphael Krux (music)</p><br><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>What are <a href="https://www.verywellmind.com/narcissists-and-flying-monkeys-7552473" rel="noopener noreferrer" target="_blank">flying monkeys</a>?, Linda wonders - until her friend illuminates their place in relation to narcissists. Narcissism is key to understanding the Widow and Abe Strapp, two deliciously terrible main characters in Michael Crummey's novel, <a href="https://www.penguinrandomhouse.ca/books/746022/the-adversary-by-michael-crummey/9780385685467" rel="noopener noreferrer" target="_blank"><em>The Adversary </em>(Knopf)</a><em> </em>-- which just won the D<a href="https://www.cbc.ca/books/canadian-author-michael-crummey-wins-154k-dublin-literary-award-1.7540821" rel="noopener noreferrer" target="_blank">ublin Literary Award for 2025</a>; this psychology is also key to understanding why certain subplot characters choose to orbit around them. </p><br><p>Since the novel may be read as a kind of running commentary on the present political moment, we must remember that we - not just readers, but rather the people who might see our reflections in the "subplot" characters - are important to the kinds of decisions made. The conditions of the subplot are affected by those of the plot - but that may also work in reverse. The interview with Crummey also connects his earlier novel, <a href="https://www.penguinrandomhouse.ca/books/258498/the-innocents-by-michael-crummey/9780385685412" rel="noopener noreferrer" target="_blank"><em>The Innocents </em>(2019, Random House Canada)</a><em>, </em>and <em>T</em><a href="https://blakearchive.org/work/songsie" rel="noopener noreferrer" target="_blank"><em>he Adversary </em>to William Blake's <em>Songs of Innocence and Experience</em></a>, explaining how these two novels might be read in relation to each other.</p><br><p><br></p><p>Linda Morra (executive producer); Maia Harris (associate producer); Raphael Krux (music)</p><br><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title><![CDATA[Adding People to a Family Isn't a Minus - Recalculating the Math Around Stepmothers (With Rachel McCrum and Amélie Prévost)]]></title>
			<itunes:title><![CDATA[Adding People to a Family Isn't a Minus - Recalculating the Math Around Stepmothers (With Rachel McCrum and Amélie Prévost)]]></itunes:title>
			<pubDate>Mon, 12 May 2025 01:18:36 GMT</pubDate>
			<itunes:duration>35:24</itunes:duration>
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			<itunes:episode>83</itunes:episode>
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			<description><![CDATA[<p>It's Mother's Day - and, while Linda considers how the mother is represented in several books (specifically <a href="https://www.byracheldeutsch.com/" rel="noopener noreferrer" target="_blank">Rachel Deustch</a> (6:30),<a href="https://editionspowpow.com/en/auteur/boum/" rel="noopener noreferrer" target="_blank"> Boum</a> (5:50; 6:55), and<a href="https://marythaler.wordpress.com/" rel="noopener noreferrer" target="_blank"> Mary Thaler</a> (5:47), in their respective works, <a href="https://douglas-mcintyre.com/products/9781771624329?srsltid=AfmBOoodcBSWV2GcPtFsYBQHyT7lCVBBp3RyUg7rOuSP9HBv4vsWel4N" rel="noopener noreferrer" target="_blank"><em>The Mother</em></a><em>, </em><a href="https://editionspowpow.com/en/products/the-jellyfish/" rel="noopener noreferrer" target="_blank"><em>Jellyfish</em></a><em>, </em>and <a href="https://untimelybooks.com/book/ulfhildr/" rel="noopener noreferrer" target="_blank"><em>Ulfhildr</em></a>), she turns her attention to the figure of the stepmother, inspired in part by her conversation with the authors of <a href="https://editionshexagone.groupelivre.com/products/la-belle-mere-the-stepmother?variant=45596365193473" rel="noopener noreferrer" target="_blank"><em>La Belle-M</em>è<em>re/The Stepmother</em> (L'Hexagone</a>) by <a href="https://rachelmccrumpoetperformer.wordpress.com/about/" rel="noopener noreferrer" target="_blank">Rachel McCrum</a> and<a href="https://www.amelieprevost.com/" rel="noopener noreferrer" target="_blank"> Amélie Prévost </a>(8:10) while she was at the Imagination <a href="https://www.morrin.org/festival-decrivain-e-s-imagination-2025/" rel="noopener noreferrer" target="_blank">Literary Festival (held at the Morrin Centre in Quebec City</a>, 5:33).</p><br><p>C'est la fête des mères - et, tandis que Linda examine la façon dont la mère est représentée dans plusieurs livres (en particulier <a href="https://www.byracheldeutsch.com/" rel="noopener noreferrer" target="_blank">Rachel Deustch</a>  (6:30), <a href="https://editionspowpow.com/en/auteur/boum/" rel="noopener noreferrer" target="_blank">Boum</a>  (5:50 ; 6:55), et <a href="https://marythaler.wordpress.com/" rel="noopener noreferrer" target="_blank">Mary Thaler</a> (5 : 47), dans leurs ouvrages respectifs,<a href="https://douglas-mcintyre.com/products/9781771624329?srsltid=AfmBOoodcBSWV2GcPtFsYBQHyT7lCVBBp3RyUg7rOuSP9HBv4vsWel4N" rel="noopener noreferrer" target="_blank"><em>The Mother</em></a><em>, </em><a href="https://editionspowpow.com/en/products/the-jellyfish/" rel="noopener noreferrer" target="_blank"><em>Jellyfish</em></a><em>, </em>and <a href="https://untimelybooks.com/book/ulfhildr/" rel="noopener noreferrer" target="_blank"><em>Ulfhildr</em></a>), elle s'intéresse à la figure de la belle-mère, inspirée en partie par sa conversation avec les auteurs de <a href="https://editionshexagone.groupelivre.com/products/la-belle-mere-the-stepmother?variant=45596365193473" rel="noopener noreferrer" target="_blank"><em>La Belle-M</em>è<em>re/The Stepmother</em> (L'Hexagone</a>) de <a href="https://rachelmccrumpoetperformer.wordpress.com/about/" rel="noopener noreferrer" target="_blank">Rachel McCrum</a> et <a href="https://www.amelieprevost.com/" rel="noopener noreferrer" target="_blank"> Amélie Prévost </a> (8:10) lors de sa participation au festival littéraire Imagination (qui s'est tenu au Morrin Centre à Québec, 5:33).</p><br><p><br></p><p>Host &amp; Writer: Linda Morra; Associate Producer: Maia Harris; Music: Raphael Krux.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>It's Mother's Day - and, while Linda considers how the mother is represented in several books (specifically <a href="https://www.byracheldeutsch.com/" rel="noopener noreferrer" target="_blank">Rachel Deustch</a> (6:30),<a href="https://editionspowpow.com/en/auteur/boum/" rel="noopener noreferrer" target="_blank"> Boum</a> (5:50; 6:55), and<a href="https://marythaler.wordpress.com/" rel="noopener noreferrer" target="_blank"> Mary Thaler</a> (5:47), in their respective works, <a href="https://douglas-mcintyre.com/products/9781771624329?srsltid=AfmBOoodcBSWV2GcPtFsYBQHyT7lCVBBp3RyUg7rOuSP9HBv4vsWel4N" rel="noopener noreferrer" target="_blank"><em>The Mother</em></a><em>, </em><a href="https://editionspowpow.com/en/products/the-jellyfish/" rel="noopener noreferrer" target="_blank"><em>Jellyfish</em></a><em>, </em>and <a href="https://untimelybooks.com/book/ulfhildr/" rel="noopener noreferrer" target="_blank"><em>Ulfhildr</em></a>), she turns her attention to the figure of the stepmother, inspired in part by her conversation with the authors of <a href="https://editionshexagone.groupelivre.com/products/la-belle-mere-the-stepmother?variant=45596365193473" rel="noopener noreferrer" target="_blank"><em>La Belle-M</em>è<em>re/The Stepmother</em> (L'Hexagone</a>) by <a href="https://rachelmccrumpoetperformer.wordpress.com/about/" rel="noopener noreferrer" target="_blank">Rachel McCrum</a> and<a href="https://www.amelieprevost.com/" rel="noopener noreferrer" target="_blank"> Amélie Prévost </a>(8:10) while she was at the Imagination <a href="https://www.morrin.org/festival-decrivain-e-s-imagination-2025/" rel="noopener noreferrer" target="_blank">Literary Festival (held at the Morrin Centre in Quebec City</a>, 5:33).</p><br><p>C'est la fête des mères - et, tandis que Linda examine la façon dont la mère est représentée dans plusieurs livres (en particulier <a href="https://www.byracheldeutsch.com/" rel="noopener noreferrer" target="_blank">Rachel Deustch</a>  (6:30), <a href="https://editionspowpow.com/en/auteur/boum/" rel="noopener noreferrer" target="_blank">Boum</a>  (5:50 ; 6:55), et <a href="https://marythaler.wordpress.com/" rel="noopener noreferrer" target="_blank">Mary Thaler</a> (5 : 47), dans leurs ouvrages respectifs,<a href="https://douglas-mcintyre.com/products/9781771624329?srsltid=AfmBOoodcBSWV2GcPtFsYBQHyT7lCVBBp3RyUg7rOuSP9HBv4vsWel4N" rel="noopener noreferrer" target="_blank"><em>The Mother</em></a><em>, </em><a href="https://editionspowpow.com/en/products/the-jellyfish/" rel="noopener noreferrer" target="_blank"><em>Jellyfish</em></a><em>, </em>and <a href="https://untimelybooks.com/book/ulfhildr/" rel="noopener noreferrer" target="_blank"><em>Ulfhildr</em></a>), elle s'intéresse à la figure de la belle-mère, inspirée en partie par sa conversation avec les auteurs de <a href="https://editionshexagone.groupelivre.com/products/la-belle-mere-the-stepmother?variant=45596365193473" rel="noopener noreferrer" target="_blank"><em>La Belle-M</em>è<em>re/The Stepmother</em> (L'Hexagone</a>) de <a href="https://rachelmccrumpoetperformer.wordpress.com/about/" rel="noopener noreferrer" target="_blank">Rachel McCrum</a> et <a href="https://www.amelieprevost.com/" rel="noopener noreferrer" target="_blank"> Amélie Prévost </a> (8:10) lors de sa participation au festival littéraire Imagination (qui s'est tenu au Morrin Centre à Québec, 5:33).</p><br><p><br></p><p>Host &amp; Writer: Linda Morra; Associate Producer: Maia Harris; Music: Raphael Krux.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title><![CDATA[Why Vigilance Matters  - Carol Off's At a Loss for Words: Conversation in an Age of Rage]]></title>
			<itunes:title><![CDATA[Why Vigilance Matters  - Carol Off's At a Loss for Words: Conversation in an Age of Rage]]></itunes:title>
			<pubDate>Tue, 06 May 2025 04:50:18 GMT</pubDate>
			<itunes:duration>41:33</itunes:duration>
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			<itunes:season>6</itunes:season>
			<itunes:episode>82</itunes:episode>
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			<description><![CDATA[<p>In this episode, Linda speaks with the award-winning CBC journalist of <a href="https://www.cbc.ca/radio/asithappens" rel="noopener noreferrer" target="_blank"><em>As it Happens</em>,</a> Carol Off, about her new (and fifth!) book, <a href="https://www.penguinrandomhouse.ca/books/729716/at-a-loss-for-words-by-carol-off/9781039008434" rel="noopener noreferrer" target="_blank"><em>At a Loss for Words: Conversation in an Age of Rage</em></a> (Listeners, keep your eye out: A new edition of Off's book will be available in the fall!).<em> </em>Published in 2024, Off wrote the book as a "cautionary tale," as she observes in this interview - and, since then, some important political moments have evolved across the American and Canadian border. The book examines how key words, including freedom, democracy and truth, are being hijacked and weaponized in order to diminish liberal democracy. Linda and Carol speak about <a href="https://www.britannica.com/event/Roe-v-Wade" rel="noopener noreferrer" target="_blank">Roe v. Wade</a>, the <a href="https://www.thecanadianencyclopedia.ca/en/article/toronto-feature-bathhouse-raids" rel="noopener noreferrer" target="_blank">Bathhouse Raids</a>, the <a href="https://www.cdc.gov/museum/online/story-of-cdc/aids/index.html" rel="noopener noreferrer" target="_blank">outbreak of AIDS</a>, women's rights, <a href="https://vcresearch.berkeley.edu/faculty/judith-butler" rel="noopener noreferrer" target="_blank">Judith Butler</a>, the 2024 American election, <a href="https://canadastrongandfree.network/about/" rel="noopener noreferrer" target="_blank">Christopher Ruso and the "Strong and Free" organization</a>, <a href="https://plato.stanford.edu/entries/arendt/" rel="noopener noreferrer" target="_blank">Hannah Arendt</a> (25:20), <a href="https://slate.com/culture/2016/11/watch-stephen-colbert-hit-oxford-dictionaries-for-ripping-off-truthiness-video.html" rel="noopener noreferrer" target="_blank">Stephen Colbert's "Truthiness,</a>" the results of <a href="https://newsinteractives.cbc.ca/elections/federal/2025/results/" rel="noopener noreferrer" target="_blank">the 2025 Canadian election</a>, and Margaret Atwood's <a href="https://www.penguinrandomhouse.ca/books/6125/the-handmaids-tale-by-margaret-atwood/9780771008795" rel="noopener noreferrer" target="_blank"><em>The Handmaid's Tale</em></a> (29.09).</p><br><p>Carol Off reminds us - <strong><em>we are not entitled to our own facts</em></strong> (34:24), and <strong><em>we need to</em> <em>question everything</em></strong> (31:20).</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode, Linda speaks with the award-winning CBC journalist of <a href="https://www.cbc.ca/radio/asithappens" rel="noopener noreferrer" target="_blank"><em>As it Happens</em>,</a> Carol Off, about her new (and fifth!) book, <a href="https://www.penguinrandomhouse.ca/books/729716/at-a-loss-for-words-by-carol-off/9781039008434" rel="noopener noreferrer" target="_blank"><em>At a Loss for Words: Conversation in an Age of Rage</em></a> (Listeners, keep your eye out: A new edition of Off's book will be available in the fall!).<em> </em>Published in 2024, Off wrote the book as a "cautionary tale," as she observes in this interview - and, since then, some important political moments have evolved across the American and Canadian border. The book examines how key words, including freedom, democracy and truth, are being hijacked and weaponized in order to diminish liberal democracy. Linda and Carol speak about <a href="https://www.britannica.com/event/Roe-v-Wade" rel="noopener noreferrer" target="_blank">Roe v. Wade</a>, the <a href="https://www.thecanadianencyclopedia.ca/en/article/toronto-feature-bathhouse-raids" rel="noopener noreferrer" target="_blank">Bathhouse Raids</a>, the <a href="https://www.cdc.gov/museum/online/story-of-cdc/aids/index.html" rel="noopener noreferrer" target="_blank">outbreak of AIDS</a>, women's rights, <a href="https://vcresearch.berkeley.edu/faculty/judith-butler" rel="noopener noreferrer" target="_blank">Judith Butler</a>, the 2024 American election, <a href="https://canadastrongandfree.network/about/" rel="noopener noreferrer" target="_blank">Christopher Ruso and the "Strong and Free" organization</a>, <a href="https://plato.stanford.edu/entries/arendt/" rel="noopener noreferrer" target="_blank">Hannah Arendt</a> (25:20), <a href="https://slate.com/culture/2016/11/watch-stephen-colbert-hit-oxford-dictionaries-for-ripping-off-truthiness-video.html" rel="noopener noreferrer" target="_blank">Stephen Colbert's "Truthiness,</a>" the results of <a href="https://newsinteractives.cbc.ca/elections/federal/2025/results/" rel="noopener noreferrer" target="_blank">the 2025 Canadian election</a>, and Margaret Atwood's <a href="https://www.penguinrandomhouse.ca/books/6125/the-handmaids-tale-by-margaret-atwood/9780771008795" rel="noopener noreferrer" target="_blank"><em>The Handmaid's Tale</em></a> (29.09).</p><br><p>Carol Off reminds us - <strong><em>we are not entitled to our own facts</em></strong> (34:24), and <strong><em>we need to</em> <em>question everything</em></strong> (31:20).</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title><![CDATA[Revisioning the Three Rs - Michaela Di Cesare's Successions]]></title>
			<itunes:title><![CDATA[Revisioning the Three Rs - Michaela Di Cesare's Successions]]></itunes:title>
			<pubDate>Tue, 15 Apr 2025 14:00:00 GMT</pubDate>
			<itunes:duration>48:30</itunes:duration>
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			<acast:episodeUrl>revisioning-the-three-rs-michaela-di-cesares-successions</acast:episodeUrl>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>6</itunes:season>
			<itunes:episode>81</itunes:episode>
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			<description><![CDATA[<p>&nbsp;</p><p>In this episode, Linda revisits and revisions the three “Rs” – reading, writing, and arithmetic – to reformulate a new triad. Why? Because, in her interview with <a href="https://michaela-dicesare.squarespace.com/" rel="noopener noreferrer" target="_blank">Michaela Di Cesare </a>about her play <a href="https://www.playwrightscanada.com/Books/S/Successions" rel="noopener noreferrer" target="_blank"><em>Successions</em></a>, Linda learns more about Anthony, one of the main characters, and his disorder, known as&nbsp;prosopagnosia. Di Cesare explains that she thought of this disorder as a means of representing how patriarchal culture is often blind to women and to their needs. Anthony is literally unable to recognize women’s faces, unable to read their particularities and individual and very human traits.&nbsp;From this point, Linda develops a broader metaphor, beginning with considerations of literacy (see <a href="https://www.cbc.ca/radio/costofliving/let-s-get-digital-from-bitcoin-to-stocktok-plus-what-low-literacy-means-for-canada-s-economy-1.5873703/nearly-half-of-adult-canadians-struggle-with-literacy-and-that-s-bad-for-the-economy-1.5873757" rel="noopener noreferrer" target="_blank">CBC’s recent assessment</a>) to the need to recalibrate our critical reading apparatus – and then Maia Harris suggests<a href="https://www.penguinrandomhouse.ca/books/696611/how-to-read-now-by-elaine-castillo/9780593489642" rel="noopener noreferrer" target="_blank"> Elaine Castillo’s <em>How To Read Now</em></a>. And that sets the stage for the interview.</p><p>&nbsp;</p><p>If you’d like to see one of Di Cesare’s current plays, <a href="https://www.cldv.ca/event-details/mickey-joe-good-bad-ugly-dirty-2025-05-17-20-00" rel="noopener noreferrer" target="_blank"><em>Mickey &amp; Joe (Good. Bad. Ugly. Dirty</em>) is set to open&nbsp;at the&nbsp;Mirella &amp; Lino Saputo Theatre from May 17-25 2025</a>.&nbsp;</p><br><p>Executive Producer: Linda Morra; Associate Producer: Maia Harris; Sound Producer: James Healey; Music by Raphael Krux ("The Madness of Linda") and Kevin MacLeod ("Natural Vibes"). </p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>&nbsp;</p><p>In this episode, Linda revisits and revisions the three “Rs” – reading, writing, and arithmetic – to reformulate a new triad. Why? Because, in her interview with <a href="https://michaela-dicesare.squarespace.com/" rel="noopener noreferrer" target="_blank">Michaela Di Cesare </a>about her play <a href="https://www.playwrightscanada.com/Books/S/Successions" rel="noopener noreferrer" target="_blank"><em>Successions</em></a>, Linda learns more about Anthony, one of the main characters, and his disorder, known as&nbsp;prosopagnosia. Di Cesare explains that she thought of this disorder as a means of representing how patriarchal culture is often blind to women and to their needs. Anthony is literally unable to recognize women’s faces, unable to read their particularities and individual and very human traits.&nbsp;From this point, Linda develops a broader metaphor, beginning with considerations of literacy (see <a href="https://www.cbc.ca/radio/costofliving/let-s-get-digital-from-bitcoin-to-stocktok-plus-what-low-literacy-means-for-canada-s-economy-1.5873703/nearly-half-of-adult-canadians-struggle-with-literacy-and-that-s-bad-for-the-economy-1.5873757" rel="noopener noreferrer" target="_blank">CBC’s recent assessment</a>) to the need to recalibrate our critical reading apparatus – and then Maia Harris suggests<a href="https://www.penguinrandomhouse.ca/books/696611/how-to-read-now-by-elaine-castillo/9780593489642" rel="noopener noreferrer" target="_blank"> Elaine Castillo’s <em>How To Read Now</em></a>. And that sets the stage for the interview.</p><p>&nbsp;</p><p>If you’d like to see one of Di Cesare’s current plays, <a href="https://www.cldv.ca/event-details/mickey-joe-good-bad-ugly-dirty-2025-05-17-20-00" rel="noopener noreferrer" target="_blank"><em>Mickey &amp; Joe (Good. Bad. Ugly. Dirty</em>) is set to open&nbsp;at the&nbsp;Mirella &amp; Lino Saputo Theatre from May 17-25 2025</a>.&nbsp;</p><br><p>Executive Producer: Linda Morra; Associate Producer: Maia Harris; Sound Producer: James Healey; Music by Raphael Krux ("The Madness of Linda") and Kevin MacLeod ("Natural Vibes"). </p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title><![CDATA["Now is the Time that Artists Must Get to Work" - Zilla Jones' The World So Wide]]></title>
			<itunes:title><![CDATA["Now is the Time that Artists Must Get to Work" - Zilla Jones' The World So Wide]]></itunes:title>
			<pubDate>Tue, 01 Apr 2025 14:00:00 GMT</pubDate>
			<itunes:duration>42:26</itunes:duration>
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			<acast:episodeId>67e9c18ce270d6e03607deb1</acast:episodeId>
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			<acast:episodeUrl>now-is-the-time-that-artists-get-to-work-zilla-joness-the-wo</acast:episodeUrl>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>6</itunes:season>
			<itunes:episode>80</itunes:episode>
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			<description><![CDATA[<p>As a result of <a href="https://www.cormorantbooks.com/the-world-so-wide" rel="noopener noreferrer" target="_blank">Zilla Jones’ <em>The World So Wide, </em>slated for publication with Cormorant Books </a>on April 26, 2025, Linda reflects on opera (specifically Verdi’s <em>La Forza Del Destino</em>) – historically an elitist art form, but one that Felicity Alexander, the protagonist of Jones’ novel, in part challenges and overcomes through the very successes of her career. The trajectory of that career takes a darker turn when she finds herself in Grenada during the 1983 American invasion of that country – not an untimely revisioning of history in view of the current American political situation (27:40; 28:50).</p><br><p>Linda also speaks about Verdi’s&nbsp;<em>La forza del destino</em>&nbsp;with Renata Tibaldi as Leonore and her father's <a href="https://youtu.be/Nce1Cgy2YW8" rel="noopener noreferrer" target="_blank">love for opera</a> (2:15), before she turns to the interview with <a href="https://www.writerstrust.com/authors/zilla-jones/" rel="noopener noreferrer" target="_blank">Zilla Jones</a> to speak about the following:</p><ul><li>Opera’s potential as an artform vs. its polarizing, and its elitism as art form (3:20; 12:30); Kathleen Battle (18:46; 19:00)</li><li>Arts vs. politics (13:30), and the uses of art in a time like this (6:00; 31:45)</li><li>Other authors: Shani Mootoo (<a href="https://shows.acast.com/(https://shows.acast.com/getting-lit-with-linda-the-canadian-literature-podcast/episodes/of-what-use-is-poetry-at-a-time-like-this-an-interview-with-" rel="noopener noreferrer" target="_blank">Season 3, Episode 26,&nbsp;</a>6:00); Dionne Brand, <em>Salvaging the Wreck </em>(16:03); <a href="https://read.dukeupress.edu/books/book/2629/What-s-the-Use-On-the-Uses-of-Use" rel="noopener noreferrer" target="_blank">Sara Ahmed’s&nbsp;<em>What’s the Use?</em></a><em> </em>(5:00; 6:15); Toni Morrison (31:50); Robinson Crusoe (16:15)</li><li>Decolonization and racial politics (12:15) and the novel as a colonial construct (16:15)</li><li>Felicity as mixed-race heroine (17:30; 33:20; naming of, 39:30)</li><li>Grenada (history of, 20:45, and its “Revo,” 23:10; Red Sky Revolution, 23.20); the history of the Panama Canal (27:40)</li><li>Jones' research for the novel (24:35)</li><li>Gender and racialized motherhood (34:10)</li></ul><p>Executive &amp; Sound Producer: Linda Morra; Associate Producer: Maia Harris; Music by Raphael Krux ("The Madness of Linda") and Kevin MacLeod ("Natural Vibes").</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>As a result of <a href="https://www.cormorantbooks.com/the-world-so-wide" rel="noopener noreferrer" target="_blank">Zilla Jones’ <em>The World So Wide, </em>slated for publication with Cormorant Books </a>on April 26, 2025, Linda reflects on opera (specifically Verdi’s <em>La Forza Del Destino</em>) – historically an elitist art form, but one that Felicity Alexander, the protagonist of Jones’ novel, in part challenges and overcomes through the very successes of her career. The trajectory of that career takes a darker turn when she finds herself in Grenada during the 1983 American invasion of that country – not an untimely revisioning of history in view of the current American political situation (27:40; 28:50).</p><br><p>Linda also speaks about Verdi’s&nbsp;<em>La forza del destino</em>&nbsp;with Renata Tibaldi as Leonore and her father's <a href="https://youtu.be/Nce1Cgy2YW8" rel="noopener noreferrer" target="_blank">love for opera</a> (2:15), before she turns to the interview with <a href="https://www.writerstrust.com/authors/zilla-jones/" rel="noopener noreferrer" target="_blank">Zilla Jones</a> to speak about the following:</p><ul><li>Opera’s potential as an artform vs. its polarizing, and its elitism as art form (3:20; 12:30); Kathleen Battle (18:46; 19:00)</li><li>Arts vs. politics (13:30), and the uses of art in a time like this (6:00; 31:45)</li><li>Other authors: Shani Mootoo (<a href="https://shows.acast.com/(https://shows.acast.com/getting-lit-with-linda-the-canadian-literature-podcast/episodes/of-what-use-is-poetry-at-a-time-like-this-an-interview-with-" rel="noopener noreferrer" target="_blank">Season 3, Episode 26,&nbsp;</a>6:00); Dionne Brand, <em>Salvaging the Wreck </em>(16:03); <a href="https://read.dukeupress.edu/books/book/2629/What-s-the-Use-On-the-Uses-of-Use" rel="noopener noreferrer" target="_blank">Sara Ahmed’s&nbsp;<em>What’s the Use?</em></a><em> </em>(5:00; 6:15); Toni Morrison (31:50); Robinson Crusoe (16:15)</li><li>Decolonization and racial politics (12:15) and the novel as a colonial construct (16:15)</li><li>Felicity as mixed-race heroine (17:30; 33:20; naming of, 39:30)</li><li>Grenada (history of, 20:45, and its “Revo,” 23:10; Red Sky Revolution, 23.20); the history of the Panama Canal (27:40)</li><li>Jones' research for the novel (24:35)</li><li>Gender and racialized motherhood (34:10)</li></ul><p>Executive &amp; Sound Producer: Linda Morra; Associate Producer: Maia Harris; Music by Raphael Krux ("The Madness of Linda") and Kevin MacLeod ("Natural Vibes").</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title><![CDATA[What We Oughta Know ... About Powerful, Internationally-Recognized  & Accomplished Women]]></title>
			<itunes:title><![CDATA[What We Oughta Know ... About Powerful, Internationally-Recognized  & Accomplished Women]]></itunes:title>
			<pubDate>Sat, 15 Mar 2025 17:22:26 GMT</pubDate>
			<itunes:duration>49:12</itunes:duration>
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			<acast:episodeId>67d5b5daaaba807fb7f54204</acast:episodeId>
			<acast:showId>6086d520cfb9e813fa7a63a9</acast:showId>
			<acast:episodeUrl>what-we-oughta-know-about-powerful-internationally-recognize</acast:episodeUrl>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>6</itunes:season>
			<itunes:episode>79</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6086d520cfb9e813fa7a63a9/1744655645581-57f07495-b405-49a4-88f4-d181edc2e6cf.jpeg"/>
			<description><![CDATA[<p>In this first episode of Season 6 of <em>Getting Lit With Linda</em>, the host – Linda Morra – begins with a few important announcements: GLWL is now being supported by the <a href="https://canadacouncil.ca/" rel="noopener noreferrer" target="_blank">Canada Council for the Arts</a>! With that support, we have a "special" season that we're calling <em>GETTING LIT GOES GLOBAL. </em>It means we are emphasizing books or topics that take on international proportions or have international repercussions.</p><br><p><em>Getting Lit With Linda </em>will now also feature an annual prize – more of that in future episodes. And we have a new team on board, featuring Maia Harris (Associate Producer), James Healey (Sound Producer), Aki Barabadi (Marketing Consultant), and Raphael Krux (Music).</p><br><p>Linda begins her discussion with a consideration of <a href="https://archive.org/details/angerforgiveness0000nuss" rel="noopener noreferrer" target="_blank">Martha Nussbaum’s<em> Anger and Forgiveness</em></a>, to mull over what to do with our anger (and specifically feminist anger, 21:00). Her guest, <a href="https://www.theandreawarner.com/about/" rel="noopener noreferrer" target="_blank">Andrea Warner</a> points the way in her fresh and accessible book, <a href="https://www.theandreawarner.com/books#/we-oughta-know-2024/" rel="noopener noreferrer" target="_blank"><em>We Oughta Know</em></a>. Warner tells us what we should know, but don’t – that is, she tells us about how much the women she is examining – <a href="https://www.celinedion.com/" rel="noopener noreferrer" target="_blank">Celine Dion</a>, <a href="https://www.shaniatwain.com/#/" rel="noopener noreferrer" target="_blank">Shania Twain</a>, <a href="https://alanis.com/" rel="noopener noreferrer" target="_blank">Alanis Morissette</a>, and <a href="https://www.sarahmclachlan.com/" rel="noopener noreferrer" target="_blank">Sarah McLachlan</a> -- did to work past gendered biases in the music industry to achieve international fame. </p><br><p>Warner reminds us that we need to understand and confront not just misogyny (18:00), and the male gaze (19:00), but also internalized misogyny (16:20), and that we ought to know is how to develop solidarity and love for all of us. And, even when we mess up, we need to remember we are all works in progress (16:40).</p><br><p>Andrea Warner has her own podcast, <a href="https://directory.libsyn.com/shows/view/id/popthis" rel="noopener noreferrer" target="_blank"><em>Pop This!</em></a><em>, </em>and has published other books, including <a href="https://www.theandreawarner.com/books#/the-time-of-my-life-dirty-dancing/" rel="noopener noreferrer" target="_blank"><em>The Time of My Life</em></a><em>, </em>and <a href="https://www.theandreawarner.com/books#/the-time-of-my-life-dirty-dancing/" rel="noopener noreferrer" target="_blank"><em>Rise Up and Sing: Power, Protest, and Activism in Music.</em></a> We also speak about the following:</p><ul><li><a href="https://www.youtube.com/watch?v=cJPO7Wl3Xpg" rel="noopener noreferrer" target="_blank">Sabrina Carpenter's Christmas special, <em>A Nonsense Christmas </em></a></li><li><a href="https://vehiculepress.com/shop/girls-interrupted-how-pop-culture-is-failing-women-by-lisa-whittington-hill/" rel="noopener noreferrer" target="_blank">Lisa Whittington Hill's <em>Girls Interrupted: How Pop Culture is Failing Women</em></a><em> </em>(Vehicule Press) and gender inequality in music representation (15:00)</li><li><a href="https://muppet.fandom.com/wiki/Miss_Piggy" rel="noopener noreferrer" target="_blank">Miss Piggy's anger </a>(22.50)</li><li>Celine Dion's <a href="https://www.cbc.ca/music/read/can-we-take-a-moment-to-appreciate-c%C3%A9line-dion-s-instagram-1.4995910" rel="noopener noreferrer" target="_blank">VERY AWESOME CANARY YELLOW POWER SUIT</a></li></ul><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this first episode of Season 6 of <em>Getting Lit With Linda</em>, the host – Linda Morra – begins with a few important announcements: GLWL is now being supported by the <a href="https://canadacouncil.ca/" rel="noopener noreferrer" target="_blank">Canada Council for the Arts</a>! With that support, we have a "special" season that we're calling <em>GETTING LIT GOES GLOBAL. </em>It means we are emphasizing books or topics that take on international proportions or have international repercussions.</p><br><p><em>Getting Lit With Linda </em>will now also feature an annual prize – more of that in future episodes. And we have a new team on board, featuring Maia Harris (Associate Producer), James Healey (Sound Producer), Aki Barabadi (Marketing Consultant), and Raphael Krux (Music).</p><br><p>Linda begins her discussion with a consideration of <a href="https://archive.org/details/angerforgiveness0000nuss" rel="noopener noreferrer" target="_blank">Martha Nussbaum’s<em> Anger and Forgiveness</em></a>, to mull over what to do with our anger (and specifically feminist anger, 21:00). Her guest, <a href="https://www.theandreawarner.com/about/" rel="noopener noreferrer" target="_blank">Andrea Warner</a> points the way in her fresh and accessible book, <a href="https://www.theandreawarner.com/books#/we-oughta-know-2024/" rel="noopener noreferrer" target="_blank"><em>We Oughta Know</em></a>. Warner tells us what we should know, but don’t – that is, she tells us about how much the women she is examining – <a href="https://www.celinedion.com/" rel="noopener noreferrer" target="_blank">Celine Dion</a>, <a href="https://www.shaniatwain.com/#/" rel="noopener noreferrer" target="_blank">Shania Twain</a>, <a href="https://alanis.com/" rel="noopener noreferrer" target="_blank">Alanis Morissette</a>, and <a href="https://www.sarahmclachlan.com/" rel="noopener noreferrer" target="_blank">Sarah McLachlan</a> -- did to work past gendered biases in the music industry to achieve international fame. </p><br><p>Warner reminds us that we need to understand and confront not just misogyny (18:00), and the male gaze (19:00), but also internalized misogyny (16:20), and that we ought to know is how to develop solidarity and love for all of us. And, even when we mess up, we need to remember we are all works in progress (16:40).</p><br><p>Andrea Warner has her own podcast, <a href="https://directory.libsyn.com/shows/view/id/popthis" rel="noopener noreferrer" target="_blank"><em>Pop This!</em></a><em>, </em>and has published other books, including <a href="https://www.theandreawarner.com/books#/the-time-of-my-life-dirty-dancing/" rel="noopener noreferrer" target="_blank"><em>The Time of My Life</em></a><em>, </em>and <a href="https://www.theandreawarner.com/books#/the-time-of-my-life-dirty-dancing/" rel="noopener noreferrer" target="_blank"><em>Rise Up and Sing: Power, Protest, and Activism in Music.</em></a> We also speak about the following:</p><ul><li><a href="https://www.youtube.com/watch?v=cJPO7Wl3Xpg" rel="noopener noreferrer" target="_blank">Sabrina Carpenter's Christmas special, <em>A Nonsense Christmas </em></a></li><li><a href="https://vehiculepress.com/shop/girls-interrupted-how-pop-culture-is-failing-women-by-lisa-whittington-hill/" rel="noopener noreferrer" target="_blank">Lisa Whittington Hill's <em>Girls Interrupted: How Pop Culture is Failing Women</em></a><em> </em>(Vehicule Press) and gender inequality in music representation (15:00)</li><li><a href="https://muppet.fandom.com/wiki/Miss_Piggy" rel="noopener noreferrer" target="_blank">Miss Piggy's anger </a>(22.50)</li><li>Celine Dion's <a href="https://www.cbc.ca/music/read/can-we-take-a-moment-to-appreciate-c%C3%A9line-dion-s-instagram-1.4995910" rel="noopener noreferrer" target="_blank">VERY AWESOME CANARY YELLOW POWER SUIT</a></li></ul><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title><![CDATA[Season 6: Happy International Women's Day Wishes + Teaser]]></title>
			<itunes:title><![CDATA[Season 6: Happy International Women's Day Wishes + Teaser]]></itunes:title>
			<pubDate>Sat, 08 Mar 2025 13:24:49 GMT</pubDate>
			<itunes:duration>1:38</itunes:duration>
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			<acast:episodeUrl>season-6-happy-international-womens-day-wishes-teaser</acast:episodeUrl>
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			<itunes:episodeType>trailer</itunes:episodeType>
			<itunes:season>6</itunes:season>
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			<description><![CDATA[Happy International Women's Day - this is our Teaser for Season 6, in which a special guest joins Linda Morra to share our International Women's Day wishes with you, the listeners of Getting Lit With Linda!<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[Happy International Women's Day - this is our Teaser for Season 6, in which a special guest joins Linda Morra to share our International Women's Day wishes with you, the listeners of Getting Lit With Linda!<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>The Nine Days Of/Before Christmas - and the Final One of Season 5</title>
			<itunes:title>The Nine Days Of/Before Christmas - and the Final One of Season 5</itunes:title>
			<pubDate>Mon, 16 Dec 2024 00:59:43 GMT</pubDate>
			<itunes:duration>32:55</itunes:duration>
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			<acast:episodeId>675f7b7f272fba937c885a2d</acast:episodeId>
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			<acast:episodeUrl>the-nine-days-ofbefore-christmas-and-the-final-one-of-season</acast:episodeUrl>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>5</itunes:season>
			<itunes:episode>78</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6086d520cfb9e813fa7a63a9/1734310108572-167b0db1-14d1-43ab-ac39-19adec586701.jpeg"/>
			<description><![CDATA[<p>n this 78th episode and the final one of season 5, Linda offers the “Nine Days of Christmas” with nine different book recommendations for the holidays.&nbsp;Who makes the cut? Well, we could say you need to listen to find out, but we want you to find the books easily, so here they are with their links:</p><br><p>Alice Zorn’s <a href="https://freehand-books.com/product/colours-in-her-hands/?srsltid=AfmBOopCHv7nFPs5BX7XywgfHfflNZ3uK4j5AEuzT4BV-z9RQGzYp4T3#tab-description" rel="noopener noreferrer" target="_blank"><em>Colours in her Hands</em></a>&nbsp;(Freehand Books), Téa Mutonji’s <a href="  https://arsenalpulp.com/Books/S/Shut-Up-You-re-Pretty" rel="noopener noreferrer" target="_blank"><em>Shut Up You’re Pretty </em></a>(VS Books, Arsenal), Katherena Vermette’s <a href="https://katherenavermette.com/real-ones/" rel="noopener noreferrer" target="_blank"><em>Real Ones</em></a> (Hamish Hamilton), Ian Williams', <a href="https://www.ianwilliams.ca/" rel="noopener noreferrer" target="_blank"><em>What I Mean to Say </em></a>(Anansi), Sarah Polley's <a href=" https://www.penguinrandomhouse.com/books/688129/run-towards-the-danger-by-sarah-polley/" rel="noopener noreferrer" target="_blank"><em>Run Towards the Danger: Confrontations with a Body of Memor</em></a>y (Penguin), Suzette Mayr’s <a href=" https://chbooks.com/Books/T/The-Sleeping-Car-Porter" rel="noopener noreferrer" target="_blank"><em>The Sleeping Car Porter </em></a>(Coach House Press), Derek Webster’s <a href=" https://vehiculepress.com/shop/national-animal-by-derek-webster/" rel="noopener noreferrer" target="_blank"><em>National Animal</em> (</a>Véhicule Press), Sue Goyette's <a href=" https://www.wlupress.wlu.ca/Contributors/G/Goyette-Sue" rel="noopener noreferrer" target="_blank"><em>A Different Species of Breathing </em></a>(WLUP),and Bart Vautour’s <a href="https://atlanticbooks.ca/books/the-truth-about-facts" rel="noopener noreferrer" target="_blank"><em>The Truth About Facts</em></a> (Invisible Publishing)</p><br><p>Other References:</p><p><br></p><ul><li><a href="http://www.tanismacdonald.com/" rel="noopener noreferrer" target="_blank">Tanis MacDonald</a></li><li><a href="https://www.gettinglitwithlinda.com/episodes/feminist-killjoys-an-interview-with-erin-wunker" rel="noopener noreferrer" target="_blank">Erin Wunker, Season 61</a></li><li><a href="https://www.textileartist.org/textile-artist-judith-scott-uncovering-innate-talent/" rel="noopener noreferrer" target="_blank">Judith Scott</a></li></ul><p><br></p><p>The entire team at <em>Geting Lit With Linda </em>wishes you a wonderful, restful holiday - we will be back in the New Year with some important developments! Stay tuned!</p><br><p>&nbsp;</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>n this 78th episode and the final one of season 5, Linda offers the “Nine Days of Christmas” with nine different book recommendations for the holidays.&nbsp;Who makes the cut? Well, we could say you need to listen to find out, but we want you to find the books easily, so here they are with their links:</p><br><p>Alice Zorn’s <a href="https://freehand-books.com/product/colours-in-her-hands/?srsltid=AfmBOopCHv7nFPs5BX7XywgfHfflNZ3uK4j5AEuzT4BV-z9RQGzYp4T3#tab-description" rel="noopener noreferrer" target="_blank"><em>Colours in her Hands</em></a>&nbsp;(Freehand Books), Téa Mutonji’s <a href="  https://arsenalpulp.com/Books/S/Shut-Up-You-re-Pretty" rel="noopener noreferrer" target="_blank"><em>Shut Up You’re Pretty </em></a>(VS Books, Arsenal), Katherena Vermette’s <a href="https://katherenavermette.com/real-ones/" rel="noopener noreferrer" target="_blank"><em>Real Ones</em></a> (Hamish Hamilton), Ian Williams', <a href="https://www.ianwilliams.ca/" rel="noopener noreferrer" target="_blank"><em>What I Mean to Say </em></a>(Anansi), Sarah Polley's <a href=" https://www.penguinrandomhouse.com/books/688129/run-towards-the-danger-by-sarah-polley/" rel="noopener noreferrer" target="_blank"><em>Run Towards the Danger: Confrontations with a Body of Memor</em></a>y (Penguin), Suzette Mayr’s <a href=" https://chbooks.com/Books/T/The-Sleeping-Car-Porter" rel="noopener noreferrer" target="_blank"><em>The Sleeping Car Porter </em></a>(Coach House Press), Derek Webster’s <a href=" https://vehiculepress.com/shop/national-animal-by-derek-webster/" rel="noopener noreferrer" target="_blank"><em>National Animal</em> (</a>Véhicule Press), Sue Goyette's <a href=" https://www.wlupress.wlu.ca/Contributors/G/Goyette-Sue" rel="noopener noreferrer" target="_blank"><em>A Different Species of Breathing </em></a>(WLUP),and Bart Vautour’s <a href="https://atlanticbooks.ca/books/the-truth-about-facts" rel="noopener noreferrer" target="_blank"><em>The Truth About Facts</em></a> (Invisible Publishing)</p><br><p>Other References:</p><p><br></p><ul><li><a href="http://www.tanismacdonald.com/" rel="noopener noreferrer" target="_blank">Tanis MacDonald</a></li><li><a href="https://www.gettinglitwithlinda.com/episodes/feminist-killjoys-an-interview-with-erin-wunker" rel="noopener noreferrer" target="_blank">Erin Wunker, Season 61</a></li><li><a href="https://www.textileartist.org/textile-artist-judith-scott-uncovering-innate-talent/" rel="noopener noreferrer" target="_blank">Judith Scott</a></li></ul><p><br></p><p>The entire team at <em>Geting Lit With Linda </em>wishes you a wonderful, restful holiday - we will be back in the New Year with some important developments! Stay tuned!</p><br><p>&nbsp;</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title><![CDATA["But I'm Holding a Pineapple" - An Open Letter to Ivan Coyote]]></title>
			<itunes:title><![CDATA["But I'm Holding a Pineapple" - An Open Letter to Ivan Coyote]]></itunes:title>
			<pubDate>Sun, 01 Dec 2024 16:41:53 GMT</pubDate>
			<itunes:duration>14:57</itunes:duration>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>5</itunes:season>
			<itunes:episode>77</itunes:episode>
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			<description><![CDATA[Linda writes an open letter to Ivan Coyote, in response to their book, <a href="https://www.penguinrandomhouse.ca/books/671051/care-of-by-ivan-coyote/9780771051739" rel="noopener noreferrer" target="_blank"><em>Care Of: Letters, Connections, and Cures </em>(published by McClelland &amp; Stewart during the pandemic). </a>This important volume of letters is extraordinary and, while we're no longer in the throes of a pandemic, it remains as relevant as ever. With references to WB Yeat's poem "The Second Coming" and <a href="https://www.newyorker.com/culture/annals-of-inquiry/why-so-many-people-are-going-no-contact-with-their-parents" rel="noopener noreferrer" target="_blank">an article by Anna Russell that appeared in <em>The New Yorker</em></a><em>, </em>this episode highlights the vital contribution this book makes - and it's more than just a pineapple.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[Linda writes an open letter to Ivan Coyote, in response to their book, <a href="https://www.penguinrandomhouse.ca/books/671051/care-of-by-ivan-coyote/9780771051739" rel="noopener noreferrer" target="_blank"><em>Care Of: Letters, Connections, and Cures </em>(published by McClelland &amp; Stewart during the pandemic). </a>This important volume of letters is extraordinary and, while we're no longer in the throes of a pandemic, it remains as relevant as ever. With references to WB Yeat's poem "The Second Coming" and <a href="https://www.newyorker.com/culture/annals-of-inquiry/why-so-many-people-are-going-no-contact-with-their-parents" rel="noopener noreferrer" target="_blank">an article by Anna Russell that appeared in <em>The New Yorker</em></a><em>, </em>this episode highlights the vital contribution this book makes - and it's more than just a pineapple.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title><![CDATA[A Ghost Story Without Ghosts: Jenny Haysom's Keep]]></title>
			<itunes:title><![CDATA[A Ghost Story Without Ghosts: Jenny Haysom's Keep]]></itunes:title>
			<pubDate>Sun, 17 Nov 2024 03:31:15 GMT</pubDate>
			<itunes:duration>37:41</itunes:duration>
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			<acast:episodeUrl>a-ghost-story-without-ghosts-jenny-haysoms-keep</acast:episodeUrl>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>5</itunes:season>
			<itunes:episode>76</itunes:episode>
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			<description><![CDATA[<p><br></p><p>In this episode, Linda converses with Jenny Haysom (2.48) about her novel <a href="https://houseofanansi.com/products/keep" rel="noopener noreferrer" target="_blank"><em>Keep </em>(published by Anansi).</a> Featuring three main characters, the narrative is driven by the conflict that emerges when Harriet, an elderly poet, is diagnosed with the onset of dementia and must face selling her house -- and the two home stagers, Eleanor and Jacob, tasked with emptying it of its contents. Both Eleanor and Jacob are drawn into Harriet's world and the questions around what we keep, what we throw away, and what we value and why. It becomes clear why Haysom refers to this Victorian-esque novel as "a ghost story without ghosts."</p><br><p>The discussion also turns toward Haysom's literary debut as a poet and her collection <em>Dividing the Wayside </em>(4.15, <a href="https://palimpsestpress.ca/books/dividing-the-wayside/" rel="noopener noreferrer" target="_blank">published by Palimpsest Press</a>) and the difference between writing poetry and writing novels (4.32). </p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p><br></p><p>In this episode, Linda converses with Jenny Haysom (2.48) about her novel <a href="https://houseofanansi.com/products/keep" rel="noopener noreferrer" target="_blank"><em>Keep </em>(published by Anansi).</a> Featuring three main characters, the narrative is driven by the conflict that emerges when Harriet, an elderly poet, is diagnosed with the onset of dementia and must face selling her house -- and the two home stagers, Eleanor and Jacob, tasked with emptying it of its contents. Both Eleanor and Jacob are drawn into Harriet's world and the questions around what we keep, what we throw away, and what we value and why. It becomes clear why Haysom refers to this Victorian-esque novel as "a ghost story without ghosts."</p><br><p>The discussion also turns toward Haysom's literary debut as a poet and her collection <em>Dividing the Wayside </em>(4.15, <a href="https://palimpsestpress.ca/books/dividing-the-wayside/" rel="noopener noreferrer" target="_blank">published by Palimpsest Press</a>) and the difference between writing poetry and writing novels (4.32). </p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title><![CDATA[Haunted by a Colonial Past - Michel Jean's Qimmik]]></title>
			<itunes:title><![CDATA[Haunted by a Colonial Past - Michel Jean's Qimmik]]></itunes:title>
			<pubDate>Sat, 02 Nov 2024 03:16:54 GMT</pubDate>
			<itunes:duration>24:05</itunes:duration>
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			<acast:episodeUrl>haunted-by-a-colonial-past-michel-jeans-qimmick</acast:episodeUrl>
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			<itunes:season>5</itunes:season>
			<itunes:episode>75</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6086d520cfb9e813fa7a63a9/1734310899890-90c959aa-603d-4f4c-916c-88c919ebeded.jpeg"/>
			<description><![CDATA[<p>A bilingual episode/un épisode bilingue. Linda opens with her delight about having won the <a href="https://podnews.net/press-release/women-in-podcasting-awards" rel="noopener noreferrer" target="_blank">Women in Podcasting Awards in Education</a> - she effusively thanks her listeners!</p><p>e</p><p>What kinds of books haunt us and why? In this episode, Linda considers <a href="https://www.penguinrandomhouse.ca/books/156126/monkey-beach-by-eden-robinson/9780676973228" rel="noopener noreferrer" target="_blank">Eden Robinson's <em>Monkey Beach </em></a>and <a href="https://www.harpercollins.ca/9781443465489/bad-cree/" rel="noopener noreferrer" target="_blank">Jessica Johns' <em>Bad Cree</em></a>, but ultimately picks a book that thoroughly haunted her - <a href="https://editionslibreexpression.groupelivre.com/products/qimmik?variant=44016768123137" rel="noopener noreferrer" target="_blank">Michel Jean's Qimmik (published by Libre Expression, not yet translated into English</a>). Author of <a href="https://houseofanansi.com/products/kukum?srsltid=AfmBOorAO5IsS5v6WngIUam-ObWvUGpQQ574PSzukhrSIDBuooK5Bhhr" rel="noopener noreferrer" target="_blank"><em>Kukum </em>(House of Anansi) </a>and editor of <a href="https://mtlreviewofbooks.ca/reviews/amun/" rel="noopener noreferrer" target="_blank"><em>Amun:A Gathering of Indigenous Voices</em></a>, Jean addresses one of the legacies of a colonial past not frequently addressed. Set in Nunavik, the novel traverses two time periods--that are connected in ways that are completely unexpected and deeply moving.</p><br><p>Quels types de livres nous hantent et pourquoi ? Dans cet épisode, Linda choisit un livre qui l'a profondément hantée : <a href="https://editionslibreexpression.groupelivre.com/products/qimmik?variant=44016768123137" rel="noopener noreferrer" target="_blank">Qimmik de Michel Jean (publié par Libre Expression, pas encore traduit en anglais</a>). Auteur de <a href="https://houseofanansi.com/products/kukum?srsltid=AfmBOorAO5IsS5v6WngIUam-ObWvUGpQQ574PSzukhrSIDBuooK5Bhhr" rel="noopener noreferrer" target="_blank"><em>Kukum </em>(House of Anansi) </a>et rédacteur en chef d'<a href="https://mtlreviewofbooks.ca/reviews/amun/" rel="noopener noreferrer" target="_blank"><em>Amun:A Gathering of Indigenous Voices</em></a>, Michel Jean aborde l'un des héritages d'un passé colonial qui n'est pas souvent traité. Situé au Nunavik, le roman traverse deux périodes qui sont reliées de façon tout à fait inattendue et profondément émouvante.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>A bilingual episode/un épisode bilingue. Linda opens with her delight about having won the <a href="https://podnews.net/press-release/women-in-podcasting-awards" rel="noopener noreferrer" target="_blank">Women in Podcasting Awards in Education</a> - she effusively thanks her listeners!</p><p>e</p><p>What kinds of books haunt us and why? In this episode, Linda considers <a href="https://www.penguinrandomhouse.ca/books/156126/monkey-beach-by-eden-robinson/9780676973228" rel="noopener noreferrer" target="_blank">Eden Robinson's <em>Monkey Beach </em></a>and <a href="https://www.harpercollins.ca/9781443465489/bad-cree/" rel="noopener noreferrer" target="_blank">Jessica Johns' <em>Bad Cree</em></a>, but ultimately picks a book that thoroughly haunted her - <a href="https://editionslibreexpression.groupelivre.com/products/qimmik?variant=44016768123137" rel="noopener noreferrer" target="_blank">Michel Jean's Qimmik (published by Libre Expression, not yet translated into English</a>). Author of <a href="https://houseofanansi.com/products/kukum?srsltid=AfmBOorAO5IsS5v6WngIUam-ObWvUGpQQ574PSzukhrSIDBuooK5Bhhr" rel="noopener noreferrer" target="_blank"><em>Kukum </em>(House of Anansi) </a>and editor of <a href="https://mtlreviewofbooks.ca/reviews/amun/" rel="noopener noreferrer" target="_blank"><em>Amun:A Gathering of Indigenous Voices</em></a>, Jean addresses one of the legacies of a colonial past not frequently addressed. Set in Nunavik, the novel traverses two time periods--that are connected in ways that are completely unexpected and deeply moving.</p><br><p>Quels types de livres nous hantent et pourquoi ? Dans cet épisode, Linda choisit un livre qui l'a profondément hantée : <a href="https://editionslibreexpression.groupelivre.com/products/qimmik?variant=44016768123137" rel="noopener noreferrer" target="_blank">Qimmik de Michel Jean (publié par Libre Expression, pas encore traduit en anglais</a>). Auteur de <a href="https://houseofanansi.com/products/kukum?srsltid=AfmBOorAO5IsS5v6WngIUam-ObWvUGpQQ574PSzukhrSIDBuooK5Bhhr" rel="noopener noreferrer" target="_blank"><em>Kukum </em>(House of Anansi) </a>et rédacteur en chef d'<a href="https://mtlreviewofbooks.ca/reviews/amun/" rel="noopener noreferrer" target="_blank"><em>Amun:A Gathering of Indigenous Voices</em></a>, Michel Jean aborde l'un des héritages d'un passé colonial qui n'est pas souvent traité. Situé au Nunavik, le roman traverse deux périodes qui sont reliées de façon tout à fait inattendue et profondément émouvante.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>What I Was Meant to Do - An Interview with Amanda Peters</title>
			<itunes:title>What I Was Meant to Do - An Interview with Amanda Peters</itunes:title>
			<pubDate>Thu, 17 Oct 2024 02:23:14 GMT</pubDate>
			<itunes:duration>34:19</itunes:duration>
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			<acast:episodeUrl>what-i-was-meant-to-do-an-interview-with-amanda-peters</acast:episodeUrl>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>5</itunes:season>
			<itunes:episode>74</itunes:episode>
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			<description><![CDATA[<p>Linda opens with a word of thanks to her listeners who voted--because she is now a Finalist for the <a href="https://womeninpodcasting.net/awards/" rel="noopener noreferrer" target="_blank">Women in Podcasting Awards</a>. </p><br><p>This episode features an interview, which was live at <a href="https://toronto.thewordonthestreet.ca/" rel="noopener noreferrer" target="_blank">Word on the Street </a>in Toronto, with the writer of Mi'kmaq and settler descent, who published a novel, <em>The Berry Pickers</em> and, most recently, her short story collection, <a href="https://www.penguinrandomhouse.com/books/772196/waiting-for-the-long-night-moon-by-amanda-peters/9781646222599/" rel="noopener noreferrer" target="_blank"><em>Waiting for the Long Night Moon</em></a> (both published by <a href="https://www.penguinrandomhouse.com/books/731248/the-berry-pickers-by-amanda-peters/" rel="noopener noreferrer" target="_blank">published by Random House</a>). It is a joyful and animated conversation, with an audience that was warm and supportive.</p><br><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Linda opens with a word of thanks to her listeners who voted--because she is now a Finalist for the <a href="https://womeninpodcasting.net/awards/" rel="noopener noreferrer" target="_blank">Women in Podcasting Awards</a>. </p><br><p>This episode features an interview, which was live at <a href="https://toronto.thewordonthestreet.ca/" rel="noopener noreferrer" target="_blank">Word on the Street </a>in Toronto, with the writer of Mi'kmaq and settler descent, who published a novel, <em>The Berry Pickers</em> and, most recently, her short story collection, <a href="https://www.penguinrandomhouse.com/books/772196/waiting-for-the-long-night-moon-by-amanda-peters/9781646222599/" rel="noopener noreferrer" target="_blank"><em>Waiting for the Long Night Moon</em></a> (both published by <a href="https://www.penguinrandomhouse.com/books/731248/the-berry-pickers-by-amanda-peters/" rel="noopener noreferrer" target="_blank">published by Random House</a>). It is a joyful and animated conversation, with an audience that was warm and supportive.</p><br><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>An Unconventional Love Story in a Brat Summer: Corinna Chong’s Bad Land</title>
			<itunes:title>An Unconventional Love Story in a Brat Summer: Corinna Chong’s Bad Land</itunes:title>
			<pubDate>Mon, 16 Sep 2024 02:31:57 GMT</pubDate>
			<itunes:duration>32:57</itunes:duration>
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			<acast:episodeUrl>an-unconventional-love-story-in-a-brat-summer-corinna-chongs</acast:episodeUrl>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>5</itunes:season>
			<itunes:episode>73</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6086d520cfb9e813fa7a63a9/1726453889756-61efce03-e20a-447a-ad15-596c4b764a58.jpeg"/>
			<description><![CDATA[<p><br></p><br><p>Linda speaks with <a href="https://www.corinnachong.com/bad-land.html" rel="noopener noreferrer" target="_blank">Corinna Chong about her novel, <em>Bad Land</em></a>, published by <a href="https://arsenalpulp.com/Books/B/Bad-Land" rel="noopener noreferrer" target="_blank">Arsenal Pulp Press </a>and long-listed for the Giller Prize. Chong, originally from Calgary, lives in Kelowna, B.C. where she teaches English and fine arts at Okanagan College. She published her first novel,&nbsp;<em>Belinda's Rings</em>, in 2013.</p><br><p>In her opening remarks, Linda explains why she sees the protagonist and main narrator, Regina, as … well, kind of “brat.” She's a fascinating, messy, and lovable character who has buried her life--and the secrets around that life--in the home in which she and her brother, Ricky, were raised ... until he shows up with his daughter, Jez, with a new secret of their own. The tensions that are produced open wide the secrets by the novel's end, revealing both the beauty and violence that have haunted Regina for years.</p><br><p>&nbsp;Other sources of discussion or references include:</p><ul><li>Henry James’ <em>What Maisie Knew</em> (14.45)</li><li>Aristotle (16:10)</li><li>Nabokov, <em>Lolita</em> (18.30)</li><li>Sinclair Ross, <em>As For Me and My House</em> (18.30; 19:30)</li><li>Unreliable narrators (18:50)</li><li>the geode (and archeology (25:25)</li></ul><p><br></p><p>And a final reminder! Please vote for us in the W<a href="https://womeninpodcasting.net/getting-lit-with-linda/" rel="noopener noreferrer" target="_blank">omen's Podcasting Awards!</a> Only a few days left!</p><br><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p><br></p><br><p>Linda speaks with <a href="https://www.corinnachong.com/bad-land.html" rel="noopener noreferrer" target="_blank">Corinna Chong about her novel, <em>Bad Land</em></a>, published by <a href="https://arsenalpulp.com/Books/B/Bad-Land" rel="noopener noreferrer" target="_blank">Arsenal Pulp Press </a>and long-listed for the Giller Prize. Chong, originally from Calgary, lives in Kelowna, B.C. where she teaches English and fine arts at Okanagan College. She published her first novel,&nbsp;<em>Belinda's Rings</em>, in 2013.</p><br><p>In her opening remarks, Linda explains why she sees the protagonist and main narrator, Regina, as … well, kind of “brat.” She's a fascinating, messy, and lovable character who has buried her life--and the secrets around that life--in the home in which she and her brother, Ricky, were raised ... until he shows up with his daughter, Jez, with a new secret of their own. The tensions that are produced open wide the secrets by the novel's end, revealing both the beauty and violence that have haunted Regina for years.</p><br><p>&nbsp;Other sources of discussion or references include:</p><ul><li>Henry James’ <em>What Maisie Knew</em> (14.45)</li><li>Aristotle (16:10)</li><li>Nabokov, <em>Lolita</em> (18.30)</li><li>Sinclair Ross, <em>As For Me and My House</em> (18.30; 19:30)</li><li>Unreliable narrators (18:50)</li><li>the geode (and archeology (25:25)</li></ul><p><br></p><p>And a final reminder! Please vote for us in the W<a href="https://womeninpodcasting.net/getting-lit-with-linda/" rel="noopener noreferrer" target="_blank">omen's Podcasting Awards!</a> Only a few days left!</p><br><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Breathing Life into the Drowning Girls</title>
			<itunes:title>Breathing Life into the Drowning Girls</itunes:title>
			<pubDate>Sun, 01 Sep 2024 20:03:11 GMT</pubDate>
			<itunes:duration>41:13</itunes:duration>
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			<acast:episodeUrl>breathing-life-into-the-drowning-girls</acast:episodeUrl>
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			<itunes:subtitle>An Interview with Daniela Vlaskalic</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>5</itunes:season>
			<itunes:episode>72</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6086d520cfb9e813fa7a63a9/1725220983216-02ec6bca-42f6-4a26-a646-f1412bdacb71.jpeg"/>
			<description><![CDATA[Linda considers the persistence of present-day misogyny, then speaks with <a href="https://www.playwrightscanada.com/Authors/V/Vlaskalic-Daniela" rel="noopener noreferrer" target="_blank">Daniela Vlaskalic about her co-written play, <em>The Drowning Girls</em></a><em>, </em>which features the women who were victims of a turn-of-the-century serial killer. It was such a famous case, even Agatha Christie mentioned it in one of her novels. To set the stage - pun intended - for this play, Linda outlines the legal and historical situation for women in Canada - obtaining<a href="https://www.thecanadianencyclopedia.ca/en/article/wartime-elections-act" rel="noopener noreferrer" target="_blank"> the right to vote was a bare minimum</a>., but even <a href="https://www.bankrate.com/mortgages/history-of-women-and-mortgages/" rel="noopener noreferrer" target="_blank">getting bank accounts and mortgages were an ordeal </a>up until only a few decades ago. It's not so surprising that this history informs the present moment, when, for example, <a href="https://canadianwomen.org/the-facts/the-gender-pay-gap/" rel="noopener noreferrer" target="_blank">women still make less in terms of pay than men</a> and disparaging remarks are being made about single women who have cats in the United States. (Linda is not afraid to mention that she has two cats - Pinky and Moe.) She also briefly alludes to <a href="https://www.thecanadianencyclopedia.ca/en/article/women-and-the-law" rel="noopener noreferrer" target="_blank">women and legal matters</a>, including her <a href="https://psac-ncr.com/canadian-womens-history/" rel="noopener noreferrer" target="_blank">right to get a divorce</a>. <hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[Linda considers the persistence of present-day misogyny, then speaks with <a href="https://www.playwrightscanada.com/Authors/V/Vlaskalic-Daniela" rel="noopener noreferrer" target="_blank">Daniela Vlaskalic about her co-written play, <em>The Drowning Girls</em></a><em>, </em>which features the women who were victims of a turn-of-the-century serial killer. It was such a famous case, even Agatha Christie mentioned it in one of her novels. To set the stage - pun intended - for this play, Linda outlines the legal and historical situation for women in Canada - obtaining<a href="https://www.thecanadianencyclopedia.ca/en/article/wartime-elections-act" rel="noopener noreferrer" target="_blank"> the right to vote was a bare minimum</a>., but even <a href="https://www.bankrate.com/mortgages/history-of-women-and-mortgages/" rel="noopener noreferrer" target="_blank">getting bank accounts and mortgages were an ordeal </a>up until only a few decades ago. It's not so surprising that this history informs the present moment, when, for example, <a href="https://canadianwomen.org/the-facts/the-gender-pay-gap/" rel="noopener noreferrer" target="_blank">women still make less in terms of pay than men</a> and disparaging remarks are being made about single women who have cats in the United States. (Linda is not afraid to mention that she has two cats - Pinky and Moe.) She also briefly alludes to <a href="https://www.thecanadianencyclopedia.ca/en/article/women-and-the-law" rel="noopener noreferrer" target="_blank">women and legal matters</a>, including her <a href="https://psac-ncr.com/canadian-womens-history/" rel="noopener noreferrer" target="_blank">right to get a divorce</a>. <hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Being Educated About Being Educated</title>
			<itunes:title>Being Educated About Being Educated</itunes:title>
			<pubDate>Thu, 20 Jun 2024 05:48:54 GMT</pubDate>
			<itunes:duration>25:27</itunes:duration>
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			<acast:showId>6086d520cfb9e813fa7a63a9</acast:showId>
			<acast:episodeUrl>being-educated-about-being-educated</acast:episodeUrl>
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			<itunes:subtitle><![CDATA[M. NourbeSe Philip's She Tries Her Tongue, Her Silence Softly Breaks]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>6</itunes:season>
			<itunes:episode>71</itunes:episode>
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			<description><![CDATA[<p>Linda has been mulling over what an education is, what purposes it serves. She was so curious about it that she begin to reflect on the etymology of the word. The root of “educate” comes from <em>educe</em>, from the Latin, meaning "to lead forth"<em> </em>or "lead out of," which then led her to think, leading <em>out of … what? From where </em>and <em>to where</em>? And who is doing the leading? <em>For whom</em>? <em>And why</em>? Weaving in her personal conversations and experiences alongside different cultural texts – from <em>Valley of the Bird Tail </em>to <em>An Education </em>to Tom Wayman’s “Did I Miss Anything?”<em> </em>– she ultimately focuses on M. NourbeSe Philip’s <em>She Tries Her Tongue, Her Silence Softly Breaks</em> to demonstrate the potential deleterious effects of an “education.” It is not always an innocent or innocuous process.</p><br><p>Also in this episode – <strong>our first giveaway ever</strong>! We have a book to give away in honour of Indigenous History Month. The first person to write to Linda (<a href="mailto:gettinglitwithlinda@gmail.com" rel="noopener noreferrer" target="_blank">gettinglitwithlinda@gmail.com</a>) with the <strong>correct response to the question Linda poses in this episode</strong> will receive a copy of Willie Poll’s (Metis) <em>My Little Ogichidaa</em> in addition to a gift from Getting Lit With Linda.</p><br><p>In the <strong>Takeaway,</strong> she notes that this episode is being released during Indigenous History Month, and so she recommends her listeners to visit the website, <a href="www.jelisautochtone.ca" rel="noopener noreferrer" target="_blank">www.jelisautochtone.ca</a>, which was produced by <a href="https://www.ubishops.ca/academic-programs/school-of-education/faculty/" rel="noopener noreferrer" target="_blank">Dr. Colette Yellow Robe</a> (member of the N. Cheyenne Nation in the USA), in addition to Cherie Dimaline's <em>The Marrow Thieves.</em></p><br><p>References:</p><p><a href="https://www.imdb.com/title/tt1174732/" rel="noopener noreferrer" target="_blank">An Education</a>, Scripted by Nick Hornby (3:55)</p><p><a href="https://www.williepoll.com/" rel="noopener noreferrer" target="_blank">Willie Poll,</a> <em>My LItle Ochigidaa</em></p><p><a href="https://www.harpercollins.ca/9781443466301/valley-of-the-birdtail/" rel="noopener noreferrer" target="_blank"><em>Valley of The Bird Tail</em> </a>(4.40)</p><p><a href="https://douglas-mcintyre.com/products/9781553650256" rel="noopener noreferrer" target="_blank">Emily Carr, <em>Klee Wyck</em> </a>(5.15)</p><p>Clarke, Irwin’s expurgation of <em>Klee Wyck</em> (5:30)</p><p><a href="https://www.thecanadianencyclopedia.ca/en/article/residential-schools" rel="noopener noreferrer" target="_blank">Residential schools </a>(6.15)</p><p><a href="https://vietnamesemuseum.org/our-roots/re-education-camps/" rel="noopener noreferrer" target="_blank">Re-education Camps, Vietnam </a>(6:50)</p><p><a href="https://en.kimthuy.ca/ru" rel="noopener noreferrer" target="_blank">Kim Thuy, <em>Ru </em></a></p><p>T<a href="https://www.tomwayman.com/did-i-miss-anything/" rel="noopener noreferrer" target="_blank">om Wayman’s “Did I miss Anything?” (</a>8:10)</p><p><a href="https://www.nourbese.com/poetry/she-tries-her-tongue/" rel="noopener noreferrer" target="_blank">M, NourbeSe Philip, <em>She Tries Her Tongue, Her Silence Softly Breaks</em></a> (9.50; 13.10; 15.10 )</p><p><a href="https://www.youtube.com/watch?v=vg_tnZR7mEY" rel="noopener noreferrer" target="_blank"><em>Zong!</em> </a>(13:40)</p><p>“<a href="https://www.are.na/block/1941474" rel="noopener noreferrer" target="_blank">Discourse on the Logic of Language</a>” (16.50)</p><br><p>Music: Raphael Krux (The Madness of Linda) and Brian Teoh (Finally See the Light)</p><p>Assistant Producer: Marco Timpano</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Linda has been mulling over what an education is, what purposes it serves. She was so curious about it that she begin to reflect on the etymology of the word. The root of “educate” comes from <em>educe</em>, from the Latin, meaning "to lead forth"<em> </em>or "lead out of," which then led her to think, leading <em>out of … what? From where </em>and <em>to where</em>? And who is doing the leading? <em>For whom</em>? <em>And why</em>? Weaving in her personal conversations and experiences alongside different cultural texts – from <em>Valley of the Bird Tail </em>to <em>An Education </em>to Tom Wayman’s “Did I Miss Anything?”<em> </em>– she ultimately focuses on M. NourbeSe Philip’s <em>She Tries Her Tongue, Her Silence Softly Breaks</em> to demonstrate the potential deleterious effects of an “education.” It is not always an innocent or innocuous process.</p><br><p>Also in this episode – <strong>our first giveaway ever</strong>! We have a book to give away in honour of Indigenous History Month. The first person to write to Linda (<a href="mailto:gettinglitwithlinda@gmail.com" rel="noopener noreferrer" target="_blank">gettinglitwithlinda@gmail.com</a>) with the <strong>correct response to the question Linda poses in this episode</strong> will receive a copy of Willie Poll’s (Metis) <em>My Little Ogichidaa</em> in addition to a gift from Getting Lit With Linda.</p><br><p>In the <strong>Takeaway,</strong> she notes that this episode is being released during Indigenous History Month, and so she recommends her listeners to visit the website, <a href="www.jelisautochtone.ca" rel="noopener noreferrer" target="_blank">www.jelisautochtone.ca</a>, which was produced by <a href="https://www.ubishops.ca/academic-programs/school-of-education/faculty/" rel="noopener noreferrer" target="_blank">Dr. Colette Yellow Robe</a> (member of the N. Cheyenne Nation in the USA), in addition to Cherie Dimaline's <em>The Marrow Thieves.</em></p><br><p>References:</p><p><a href="https://www.imdb.com/title/tt1174732/" rel="noopener noreferrer" target="_blank">An Education</a>, Scripted by Nick Hornby (3:55)</p><p><a href="https://www.williepoll.com/" rel="noopener noreferrer" target="_blank">Willie Poll,</a> <em>My LItle Ochigidaa</em></p><p><a href="https://www.harpercollins.ca/9781443466301/valley-of-the-birdtail/" rel="noopener noreferrer" target="_blank"><em>Valley of The Bird Tail</em> </a>(4.40)</p><p><a href="https://douglas-mcintyre.com/products/9781553650256" rel="noopener noreferrer" target="_blank">Emily Carr, <em>Klee Wyck</em> </a>(5.15)</p><p>Clarke, Irwin’s expurgation of <em>Klee Wyck</em> (5:30)</p><p><a href="https://www.thecanadianencyclopedia.ca/en/article/residential-schools" rel="noopener noreferrer" target="_blank">Residential schools </a>(6.15)</p><p><a href="https://vietnamesemuseum.org/our-roots/re-education-camps/" rel="noopener noreferrer" target="_blank">Re-education Camps, Vietnam </a>(6:50)</p><p><a href="https://en.kimthuy.ca/ru" rel="noopener noreferrer" target="_blank">Kim Thuy, <em>Ru </em></a></p><p>T<a href="https://www.tomwayman.com/did-i-miss-anything/" rel="noopener noreferrer" target="_blank">om Wayman’s “Did I miss Anything?” (</a>8:10)</p><p><a href="https://www.nourbese.com/poetry/she-tries-her-tongue/" rel="noopener noreferrer" target="_blank">M, NourbeSe Philip, <em>She Tries Her Tongue, Her Silence Softly Breaks</em></a> (9.50; 13.10; 15.10 )</p><p><a href="https://www.youtube.com/watch?v=vg_tnZR7mEY" rel="noopener noreferrer" target="_blank"><em>Zong!</em> </a>(13:40)</p><p>“<a href="https://www.are.na/block/1941474" rel="noopener noreferrer" target="_blank">Discourse on the Logic of Language</a>” (16.50)</p><br><p>Music: Raphael Krux (The Madness of Linda) and Brian Teoh (Finally See the Light)</p><p>Assistant Producer: Marco Timpano</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Intergenerational Power: Reclaiming Indigenous parenting </title>
			<itunes:title>Intergenerational Power: Reclaiming Indigenous parenting </itunes:title>
			<pubDate>Sun, 02 Jun 2024 01:44:29 GMT</pubDate>
			<itunes:duration>29:14</itunes:duration>
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			<acast:episodeUrl>intergenerational-power-reclaiming-indigenous-parenting</acast:episodeUrl>
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			<itunes:subtitle>An Interview with Willie Poll (Metis)</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>5</itunes:season>
			<itunes:episode>70</itunes:episode>
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			<description><![CDATA[<p><strong>Indigenous mothers, Indigenous children, Indigenous parents – Willie Poll sees you – and she wants you to know that <em>you’re enough</em>. </strong></p><br><p>In this episode of <em>Getting Lit With Linda</em>, <a href="https://www.williepoll.com" rel="noopener noreferrer" target="_blank">Willie Poll </a>(Metis Nation of Ontario) discusses with Linda why she wrote this children’s book, titled <a href="https://www.williepoll.com/available-books" rel="noopener noreferrer" target="_blank"><em>My Little Ogichidaa</em></a><em>, </em>and the source of inspiration for its creation – in large part, t<a href="https://moosehidecampaign.ca" rel="noopener noreferrer" target="_blank">he Moose Hide Campaign </a>(2:00). </p><br><p>The Moose Hide Campaign, which began as a BC-born Indigenous-led grassroots movement to engage men and boys in ending violence towards women and children, has since grown into a nationwide movement of Indigenous and non-Indigenous Canadians from local communities, First Nations, governments, schools, colleges/universities, police forces and many other organizations – all committed to taking action to end this violence.</p><br><p>Willie and Linda also discuss Willie's collaboration with illustrator,<a href="https://www.urbaniskwew.com/bio" rel="noopener noreferrer" target="_blank"> Hawlii Pichette</a>, a Mushkego Cree (Treaty 9) urban mixed ancestry&nbsp;artist and illustrator who currently resides in London, Ontario. Linda asks her to explain the title for her book, which means "my little warrior" -- and how being a warrior is not necessarily incompatible with being loving.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p><strong>Indigenous mothers, Indigenous children, Indigenous parents – Willie Poll sees you – and she wants you to know that <em>you’re enough</em>. </strong></p><br><p>In this episode of <em>Getting Lit With Linda</em>, <a href="https://www.williepoll.com" rel="noopener noreferrer" target="_blank">Willie Poll </a>(Metis Nation of Ontario) discusses with Linda why she wrote this children’s book, titled <a href="https://www.williepoll.com/available-books" rel="noopener noreferrer" target="_blank"><em>My Little Ogichidaa</em></a><em>, </em>and the source of inspiration for its creation – in large part, t<a href="https://moosehidecampaign.ca" rel="noopener noreferrer" target="_blank">he Moose Hide Campaign </a>(2:00). </p><br><p>The Moose Hide Campaign, which began as a BC-born Indigenous-led grassroots movement to engage men and boys in ending violence towards women and children, has since grown into a nationwide movement of Indigenous and non-Indigenous Canadians from local communities, First Nations, governments, schools, colleges/universities, police forces and many other organizations – all committed to taking action to end this violence.</p><br><p>Willie and Linda also discuss Willie's collaboration with illustrator,<a href="https://www.urbaniskwew.com/bio" rel="noopener noreferrer" target="_blank"> Hawlii Pichette</a>, a Mushkego Cree (Treaty 9) urban mixed ancestry&nbsp;artist and illustrator who currently resides in London, Ontario. Linda asks her to explain the title for her book, which means "my little warrior" -- and how being a warrior is not necessarily incompatible with being loving.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Wishing Happy Anniversary / Birthday Wishes to The Geography of Pluto - An Interview with Christopher DiRaddo</title>
			<itunes:title>Wishing Happy Anniversary / Birthday Wishes to The Geography of Pluto - An Interview with Christopher DiRaddo</itunes:title>
			<pubDate>Thu, 16 May 2024 06:17:24 GMT</pubDate>
			<itunes:duration>37:28</itunes:duration>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>5</itunes:season>
			<itunes:episode>69</itunes:episode>
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			<description><![CDATA[<p><br></p><p>Linda begins this episode with a brief acknowledgement of the passing of Nobel Prize winner for the short story, Alice Munro – who died a couple of days before this episode was aired. It's a pertinent moment to take pause when the subject of this episode is, in part, about anniversaries - which often include remembering when a beloved person dies or, as was the case only a few days ago, honouring a special person - like mothers on Mothers' Day. Who we choose to so honour and how we do so says a great deal about us, not just the persons we are honouring.</p><br><p>In this episode, Linda interview author Christopher DiRaddo about anniversaries, particularly the 10th one for his first novel, <a href="https://christopherdiraddo.com/writing/pluto/" rel="noopener noreferrer" target="_blank"><em>The Geography of Pluto</em></a>, and his reading series (in Montreal), called<em> </em><a href="https://christopherdiraddo.com/2017/01/the-violet-hour/" rel="noopener noreferrer" target="_blank"><em>The Violet Hour.</em></a> Among other topics, they also discuss the following:</p><br><p><br></p><ul><li>family, role of and shape (11.40)</li><li><a href="https://www.nytimes.com/2021/12/22/arts/music/steve-bronski-dead.html" rel="noopener noreferrer" target="_blank">Bronski Beat</a> (16.50)</li><li>His other book, <a href="https://www.vehiculepress.com/q.php?EAN=9781550655650" rel="noopener noreferrer" target="_blank"><em>The Family Way</em></a></li><li>author <a href="https://www.writersunion.ca/member/Licia-Canton" rel="noopener noreferrer" target="_blank">Licia Canton</a> (19.10; 21.45) and her support for Christopher</li><li>Marisa Portolese's<a href="https://montreal.ca/en/events/goose-village-marisa-portolese-67546" rel="noopener noreferrer" target="_blank"> Goose Village </a>(exhibit, 22.32)</li><li>the titles and epigraphs of his novels (25.00), one from <em>Le Petit Prince (27.30) </em>and the other from a Kurt Vonnegut's <a href="https://www.britannica.com/biography/Kurt-Vonnegut" rel="noopener noreferrer" target="_blank"><em>Slaughterhouse-Five</em></a><em>.</em></li></ul><p><br></p><p>And there is a Takeaway in this episode - appropriately (in view of our discussion about anniversaries and commemoration) referencing the Canada Post stamps that <a href="https://store.canadapost-postescanada.ca/store-boutique/en/10/c/stamps-and-collectibles" rel="noopener noreferrer" target="_blank">honour graphic novelists in Canada</a>.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p><br></p><p>Linda begins this episode with a brief acknowledgement of the passing of Nobel Prize winner for the short story, Alice Munro – who died a couple of days before this episode was aired. It's a pertinent moment to take pause when the subject of this episode is, in part, about anniversaries - which often include remembering when a beloved person dies or, as was the case only a few days ago, honouring a special person - like mothers on Mothers' Day. Who we choose to so honour and how we do so says a great deal about us, not just the persons we are honouring.</p><br><p>In this episode, Linda interview author Christopher DiRaddo about anniversaries, particularly the 10th one for his first novel, <a href="https://christopherdiraddo.com/writing/pluto/" rel="noopener noreferrer" target="_blank"><em>The Geography of Pluto</em></a>, and his reading series (in Montreal), called<em> </em><a href="https://christopherdiraddo.com/2017/01/the-violet-hour/" rel="noopener noreferrer" target="_blank"><em>The Violet Hour.</em></a> Among other topics, they also discuss the following:</p><br><p><br></p><ul><li>family, role of and shape (11.40)</li><li><a href="https://www.nytimes.com/2021/12/22/arts/music/steve-bronski-dead.html" rel="noopener noreferrer" target="_blank">Bronski Beat</a> (16.50)</li><li>His other book, <a href="https://www.vehiculepress.com/q.php?EAN=9781550655650" rel="noopener noreferrer" target="_blank"><em>The Family Way</em></a></li><li>author <a href="https://www.writersunion.ca/member/Licia-Canton" rel="noopener noreferrer" target="_blank">Licia Canton</a> (19.10; 21.45) and her support for Christopher</li><li>Marisa Portolese's<a href="https://montreal.ca/en/events/goose-village-marisa-portolese-67546" rel="noopener noreferrer" target="_blank"> Goose Village </a>(exhibit, 22.32)</li><li>the titles and epigraphs of his novels (25.00), one from <em>Le Petit Prince (27.30) </em>and the other from a Kurt Vonnegut's <a href="https://www.britannica.com/biography/Kurt-Vonnegut" rel="noopener noreferrer" target="_blank"><em>Slaughterhouse-Five</em></a><em>.</em></li></ul><p><br></p><p>And there is a Takeaway in this episode - appropriately (in view of our discussion about anniversaries and commemoration) referencing the Canada Post stamps that <a href="https://store.canadapost-postescanada.ca/store-boutique/en/10/c/stamps-and-collectibles" rel="noopener noreferrer" target="_blank">honour graphic novelists in Canada</a>.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title><![CDATA["Learning Gently" about Reconciliation: Andrew Stobo Sniderman & Douglas Sanderson's Valley of the Birdtail]]></title>
			<itunes:title><![CDATA["Learning Gently" about Reconciliation: Andrew Stobo Sniderman & Douglas Sanderson's Valley of the Birdtail]]></itunes:title>
			<pubDate>Wed, 01 May 2024 22:34:08 GMT</pubDate>
			<itunes:duration>1:03:21</itunes:duration>
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			<acast:episodeUrl>learning-gently-about-reconciliation-an-interview-with-andre</acast:episodeUrl>
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			<itunes:season>5</itunes:season>
			<itunes:episode>68</itunes:episode>
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			<description><![CDATA[<p>In this -- the second live episode of <em>Getting Lit With Linda </em>held at the <a href="https://bluemetropolis.org/" rel="noopener noreferrer" target="_blank">Blue Metropolis Literary Festival </a>and co-sponsored by the <a href="https://qwf.org/" rel="noopener noreferrer" target="_blank">Quebec Writers' Federation</a> <em>-- </em>Linda speaks with Andrew Stobo Sniderman and Douglas Sanderson (Amo Binashi, Beaver Clan, of the Opaskwayak Cree Nation) about their book, <a href="https://www.harpercollins.ca/9781443466301/valley-of-the-birdtail/" rel="noopener noreferrer" target="_blank"><em>Valley of the Birdtail: An Indian Reserve, A White Town, and the Road to Reconciliation</em>.</a> The book has been receiving all manner of recognition. Here are some examples of the awards it has garnered:</p><p><br></p><ul><li>Winner – 2023 Stubbendieck Great Plains Distinguished Book Prize </li><li>Winner – 2023 John W. Dafoe Book Prize</li><li>Winner – 2023 High Plains Book Award for Indigenous Writer</li><li>Winner – 2022 Manitoba Historical Society Margaret McWilliams Book Award for Local History</li><li>Winner – 2023 Quebec Writers’ Federation Mavis Gallant Prize for Non-Fiction and Concordia University First Book Prize.</li></ul><p><br></p><p>And deservedly so. In this interview, Douglas and Andrew explain how and why we have arrived at the present moment and how there is hope for finding the pathway toward meaningful reconciliation.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this -- the second live episode of <em>Getting Lit With Linda </em>held at the <a href="https://bluemetropolis.org/" rel="noopener noreferrer" target="_blank">Blue Metropolis Literary Festival </a>and co-sponsored by the <a href="https://qwf.org/" rel="noopener noreferrer" target="_blank">Quebec Writers' Federation</a> <em>-- </em>Linda speaks with Andrew Stobo Sniderman and Douglas Sanderson (Amo Binashi, Beaver Clan, of the Opaskwayak Cree Nation) about their book, <a href="https://www.harpercollins.ca/9781443466301/valley-of-the-birdtail/" rel="noopener noreferrer" target="_blank"><em>Valley of the Birdtail: An Indian Reserve, A White Town, and the Road to Reconciliation</em>.</a> The book has been receiving all manner of recognition. Here are some examples of the awards it has garnered:</p><p><br></p><ul><li>Winner – 2023 Stubbendieck Great Plains Distinguished Book Prize </li><li>Winner – 2023 John W. Dafoe Book Prize</li><li>Winner – 2023 High Plains Book Award for Indigenous Writer</li><li>Winner – 2022 Manitoba Historical Society Margaret McWilliams Book Award for Local History</li><li>Winner – 2023 Quebec Writers’ Federation Mavis Gallant Prize for Non-Fiction and Concordia University First Book Prize.</li></ul><p><br></p><p>And deservedly so. In this interview, Douglas and Andrew explain how and why we have arrived at the present moment and how there is hope for finding the pathway toward meaningful reconciliation.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title><![CDATA[Bad Beauty: Marie Claire Blais' Mad Shadows]]></title>
			<itunes:title><![CDATA[Bad Beauty: Marie Claire Blais' Mad Shadows]]></itunes:title>
			<pubDate>Mon, 15 Apr 2024 18:00:27 GMT</pubDate>
			<itunes:duration>25:14</itunes:duration>
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			<itunes:season>5</itunes:season>
			<itunes:episode>67</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6086d520cfb9e813fa7a63a9/1734310949460-090cb1c1-5103-4cb1-b5a7-46c6d1b44fa9.jpeg"/>
			<description><![CDATA[<p>What does the work of painter Renoir and <a href="https://www.wikiart.org/en/pierre-auguste-renoir/woman-in-a-hat-with-flowers-1917" rel="noopener noreferrer" target="_blank">his paintings of full-bodied women</a> (2.15; 12.34), and tanning beds (2:30) have to do with the Quebecois author&nbsp;<a href="https://www.thecanadianencyclopedia.ca/en/article/marie-claire-blais" rel="noopener noreferrer" target="_blank">Marie Claire Blais </a>(3:15) and <a href="https://www.penguinrandomhouse.com/books/14495/mad-shadows-by-marie-claire-blais-afterword-by-daphne-marlatt-afterword-by-daphne-marlatt/" rel="noopener noreferrer" target="_blank"><em>La Belle Bette/Mad Shadows</em> </a>(3:20)? Have a listen to today’s episode to find out&nbsp;…</p><br><p>In this episode, Linda looks at Blais’s Mad&nbsp;Shadows and its historical importance to Quebec. Among other subjects, she also references:</p><p><a href="https://www.valuevillage.ca/" rel="noopener noreferrer" target="_blank">Value Village</a>, <a href="https://www.holtrenfrew.com/en/h/Womens" rel="noopener noreferrer" target="_blank">Holt Renfrew </a>1:3; 11:58 )</p><p><a href="https://www.thecanadianencyclopedia.ca/en/article/sheila-fischman" rel="noopener noreferrer" target="_blank">Sheila Fischman</a> (3:45)</p><p><a href="https://www.newyorker.com/" rel="noopener noreferrer" target="_blank">New Yorker</a> (4:47; 16:11)</p><p><a href="https://www.britannica.com/biography/Margaret-Atwood" rel="noopener noreferrer" target="_blank">Margaret Atwood </a>(4:58; 16:24&nbsp;)</p><p>Andre Gide, Andre Breton (5:22; 17:04&nbsp;)</p><p>Karen Kain, Veronica Tennant (6:08; 18:02)</p><p>Elle magazine (11:43)</p><p><a href="https://www.fluevog.com/" rel="noopener noreferrer" target="_blank">Fluevog Shoes</a>&nbsp;(11:48)</p><br><p><br></p><p>Quel est le rapport entre l'œuvre du peintre Renoir et <a href="https://www.wikiart.org/en/pierre-auguste-renoir/woman-in-a-hat-with-flowers-1917" rel="noopener noreferrer" target="_blank"><u>ses tableaux de femmes épanouies</u></a> (2.15 ; 12.34), et les lits de bronzage (2:30), et l'auteure québécoise <a href="https://www.thecanadianencyclopedia.ca/en/article/marie-claire-blais" rel="noopener noreferrer" target="_blank"><u>Marie Claire Blais </u></a>(3:15) et <a href="https://www.penguinrandomhouse.com/books/14495/mad-shadows-by-marie-claire-blais-afterword-by-daphne-marlatt-afterword-by-daphne-marlatt/" rel="noopener noreferrer" target="_blank"><em><u>La Belle Bette/Mad Shadows</u></em><u> ( </u></a>3:20) ? Écoutez l'épisode d'aujourd'hui pour le découvrir...</p><br><p>Dans cet épisode, Linda se penche sur <em>La Belle Bette</em> et son importance historique pour le Québec. Parmi d'autres sujets, elle fait également référence à :</p><p><a href="https://www.valuevillage.ca/" rel="noopener noreferrer" target="_blank"><u>Value Village</u></a>, <a href="https://www.holtrenfrew.com/en/h/Womens" rel="noopener noreferrer" target="_blank"><u>Holt Renfrew </u></a>(1:3 ; 11:58)</p><p><a href="https://www.thecanadianencyclopedia.ca/en/article/sheila-fischman" rel="noopener noreferrer" target="_blank"><u>Sheila Fischman</u></a> (3:45)</p><p><a href="https://www.newyorker.com/" rel="noopener noreferrer" target="_blank"><u>New Yorker</u></a> (4:47 ; 16:11)</p><p><a href="https://www.britannica.com/biography/Margaret-Atwood" rel="noopener noreferrer" target="_blank"><u>Margaret Atwood </u></a>(4:58 ; 16:24 )</p><p>André Gide, André Breton (5:22 ; 17:04 )</p><p>Karen Kain, Veronica Tennant (6:08 ; 18:02)</p><p>Elle magazine (11:43)</p><p><a href="https://www.fluevog.com/" rel="noopener noreferrer" target="_blank"><u>Chaussures Fluevog</u></a> (11:48)</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>What does the work of painter Renoir and <a href="https://www.wikiart.org/en/pierre-auguste-renoir/woman-in-a-hat-with-flowers-1917" rel="noopener noreferrer" target="_blank">his paintings of full-bodied women</a> (2.15; 12.34), and tanning beds (2:30) have to do with the Quebecois author&nbsp;<a href="https://www.thecanadianencyclopedia.ca/en/article/marie-claire-blais" rel="noopener noreferrer" target="_blank">Marie Claire Blais </a>(3:15) and <a href="https://www.penguinrandomhouse.com/books/14495/mad-shadows-by-marie-claire-blais-afterword-by-daphne-marlatt-afterword-by-daphne-marlatt/" rel="noopener noreferrer" target="_blank"><em>La Belle Bette/Mad Shadows</em> </a>(3:20)? Have a listen to today’s episode to find out&nbsp;…</p><br><p>In this episode, Linda looks at Blais’s Mad&nbsp;Shadows and its historical importance to Quebec. Among other subjects, she also references:</p><p><a href="https://www.valuevillage.ca/" rel="noopener noreferrer" target="_blank">Value Village</a>, <a href="https://www.holtrenfrew.com/en/h/Womens" rel="noopener noreferrer" target="_blank">Holt Renfrew </a>1:3; 11:58 )</p><p><a href="https://www.thecanadianencyclopedia.ca/en/article/sheila-fischman" rel="noopener noreferrer" target="_blank">Sheila Fischman</a> (3:45)</p><p><a href="https://www.newyorker.com/" rel="noopener noreferrer" target="_blank">New Yorker</a> (4:47; 16:11)</p><p><a href="https://www.britannica.com/biography/Margaret-Atwood" rel="noopener noreferrer" target="_blank">Margaret Atwood </a>(4:58; 16:24&nbsp;)</p><p>Andre Gide, Andre Breton (5:22; 17:04&nbsp;)</p><p>Karen Kain, Veronica Tennant (6:08; 18:02)</p><p>Elle magazine (11:43)</p><p><a href="https://www.fluevog.com/" rel="noopener noreferrer" target="_blank">Fluevog Shoes</a>&nbsp;(11:48)</p><br><p><br></p><p>Quel est le rapport entre l'œuvre du peintre Renoir et <a href="https://www.wikiart.org/en/pierre-auguste-renoir/woman-in-a-hat-with-flowers-1917" rel="noopener noreferrer" target="_blank"><u>ses tableaux de femmes épanouies</u></a> (2.15 ; 12.34), et les lits de bronzage (2:30), et l'auteure québécoise <a href="https://www.thecanadianencyclopedia.ca/en/article/marie-claire-blais" rel="noopener noreferrer" target="_blank"><u>Marie Claire Blais </u></a>(3:15) et <a href="https://www.penguinrandomhouse.com/books/14495/mad-shadows-by-marie-claire-blais-afterword-by-daphne-marlatt-afterword-by-daphne-marlatt/" rel="noopener noreferrer" target="_blank"><em><u>La Belle Bette/Mad Shadows</u></em><u> ( </u></a>3:20) ? Écoutez l'épisode d'aujourd'hui pour le découvrir...</p><br><p>Dans cet épisode, Linda se penche sur <em>La Belle Bette</em> et son importance historique pour le Québec. Parmi d'autres sujets, elle fait également référence à :</p><p><a href="https://www.valuevillage.ca/" rel="noopener noreferrer" target="_blank"><u>Value Village</u></a>, <a href="https://www.holtrenfrew.com/en/h/Womens" rel="noopener noreferrer" target="_blank"><u>Holt Renfrew </u></a>(1:3 ; 11:58)</p><p><a href="https://www.thecanadianencyclopedia.ca/en/article/sheila-fischman" rel="noopener noreferrer" target="_blank"><u>Sheila Fischman</u></a> (3:45)</p><p><a href="https://www.newyorker.com/" rel="noopener noreferrer" target="_blank"><u>New Yorker</u></a> (4:47 ; 16:11)</p><p><a href="https://www.britannica.com/biography/Margaret-Atwood" rel="noopener noreferrer" target="_blank"><u>Margaret Atwood </u></a>(4:58 ; 16:24 )</p><p>André Gide, André Breton (5:22 ; 17:04 )</p><p>Karen Kain, Veronica Tennant (6:08 ; 18:02)</p><p>Elle magazine (11:43)</p><p><a href="https://www.fluevog.com/" rel="noopener noreferrer" target="_blank"><u>Chaussures Fluevog</u></a> (11:48)</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title><![CDATA[Plucking Women's Lives (and Messages) from the Shorelines of History]]></title>
			<itunes:title><![CDATA[Plucking Women's Lives (and Messages) from the Shorelines of History]]></itunes:title>
			<pubDate>Mon, 01 Apr 2024 17:10:18 GMT</pubDate>
			<itunes:duration>35:30</itunes:duration>
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			<itunes:episode>66</itunes:episode>
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			<description><![CDATA[<p>In this episode, Linda and Bryn Turnbull discuss her <a href="https://www.harpercollins.ca/author/cr-195727/bryn-turnbull/" rel="noopener noreferrer" target="_blank">new historical novel, <em>The Paris Deception </em></a><em>- </em>and what it means to represent women's lives historically when there has been inadequate records or representation for them. </p><br><p>Linda considers the <a href="https://www.indigogirls.com/bio" rel="noopener noreferrer" target="_blank">Indigo Girls </a>and their <a href="https://www.youtube.com/watch?v=dEu38h6Ug58&amp;ab_channel=IndigoGirls-Topic" rel="noopener noreferrer" target="_blank">song about Virginia Woolf </a>- and listening attentively to the voices of women through time. Turnbull alludes to <a href="https://www.imdb.com/title/tt2177771/" rel="noopener noreferrer" target="_blank">The Monuments Men </a>(both the movie and <a href="https://www.robertedsel.com/" rel="noopener noreferrer" target="_blank">the book</a>) and her novel as an equivalent for women to such a story. Among other topics, we address</p><ul><li>necessary deceptions (18.56)</li><li>significant visual art work still missing since the Second World War (21.30)</li><li>women are scapegoats during Second World War (27)</li></ul><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode, Linda and Bryn Turnbull discuss her <a href="https://www.harpercollins.ca/author/cr-195727/bryn-turnbull/" rel="noopener noreferrer" target="_blank">new historical novel, <em>The Paris Deception </em></a><em>- </em>and what it means to represent women's lives historically when there has been inadequate records or representation for them. </p><br><p>Linda considers the <a href="https://www.indigogirls.com/bio" rel="noopener noreferrer" target="_blank">Indigo Girls </a>and their <a href="https://www.youtube.com/watch?v=dEu38h6Ug58&amp;ab_channel=IndigoGirls-Topic" rel="noopener noreferrer" target="_blank">song about Virginia Woolf </a>- and listening attentively to the voices of women through time. Turnbull alludes to <a href="https://www.imdb.com/title/tt2177771/" rel="noopener noreferrer" target="_blank">The Monuments Men </a>(both the movie and <a href="https://www.robertedsel.com/" rel="noopener noreferrer" target="_blank">the book</a>) and her novel as an equivalent for women to such a story. Among other topics, we address</p><ul><li>necessary deceptions (18.56)</li><li>significant visual art work still missing since the Second World War (21.30)</li><li>women are scapegoats during Second World War (27)</li></ul><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title><![CDATA["Radical Self-Inclusion" - An Interview with Michael V. Smith]]></title>
			<itunes:title><![CDATA["Radical Self-Inclusion" - An Interview with Michael V. Smith]]></itunes:title>
			<pubDate>Sat, 16 Mar 2024 03:21:31 GMT</pubDate>
			<itunes:duration>48:19</itunes:duration>
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			<itunes:episode>65</itunes:episode>
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			<description><![CDATA[<p><br></p><p><a href="http://www.michaelvsmith.com" rel="noopener noreferrer" target="_blank">Michael V. Smith </a>is a deeply loving, insightful poet and performer – who uses intimacy and humour as tools to explore pain. In this interview, Linda chats with him about power dynamics and bullying, as they address his poetry collection,<em> </em><a href="https://bookhugpress.ca/shop/author/michael-v-smith/queers-like-me-by-michael-v-smith/" rel="noopener noreferrer" target="_blank"><em>Queers Like Me</em> (published by Book*hug in 2023</a>)</p><br><p>Here are some of the subjects we covered:&nbsp;&nbsp;</p><p><br></p><ul><li>on the nature of creative writing and genre (6.15)</li><li>poetic technique, poetic devices, and poetic voice (verbatim poems: 6.45,&nbsp;8.00, 42.43)</li><li>Facebook poem and writing about his father (9.35, 10.48, 27.50, 32.20)</li><li>depictions of masculinity&nbsp;&nbsp;(21.40 mistake with bike/book; 12.05, 21.25)</li><li><a href="https://news.ok.ubc.ca/2023/11/16/the-floating-man-kelowna-documentary-premiere/" rel="noopener noreferrer" target="_blank"><em>The Floating Man</em></a> (13.03, 27.10)</li><li>Agnes Varda (12.12)</li><li>Eloise Marseille (4.18)</li><li>working across genres (16.25)</li><li>Michael reads from “Grandma Cooper’s Corpse” (20.25)</li><li>humour and contrast (22.42, 24.25)</li><li>poetry and knowledge - the function of poetry (37.00)</li><li>his chapbook (23.45)</li><li>dynamics of power and bullying (32, 32.40, 33.40)</li><li>the importance of nuance (34.50)</li><li>gay marriage (36.08)</li><li>Bronwen Wallace (38.30)</li><li>Lorna Crozier (39.20)</li><li>His memoir, <em>My Body is Yours</em> (40.38, published by <a href="https://arsenalpulp.com/Books/M/My-Body-Is-Yours" rel="noopener noreferrer" target="_blank">Arsenal Pulp Press</a>)</li><li>radical inclusion (46.54)</li></ul><p><br></p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p><br></p><p><a href="http://www.michaelvsmith.com" rel="noopener noreferrer" target="_blank">Michael V. Smith </a>is a deeply loving, insightful poet and performer – who uses intimacy and humour as tools to explore pain. In this interview, Linda chats with him about power dynamics and bullying, as they address his poetry collection,<em> </em><a href="https://bookhugpress.ca/shop/author/michael-v-smith/queers-like-me-by-michael-v-smith/" rel="noopener noreferrer" target="_blank"><em>Queers Like Me</em> (published by Book*hug in 2023</a>)</p><br><p>Here are some of the subjects we covered:&nbsp;&nbsp;</p><p><br></p><ul><li>on the nature of creative writing and genre (6.15)</li><li>poetic technique, poetic devices, and poetic voice (verbatim poems: 6.45,&nbsp;8.00, 42.43)</li><li>Facebook poem and writing about his father (9.35, 10.48, 27.50, 32.20)</li><li>depictions of masculinity&nbsp;&nbsp;(21.40 mistake with bike/book; 12.05, 21.25)</li><li><a href="https://news.ok.ubc.ca/2023/11/16/the-floating-man-kelowna-documentary-premiere/" rel="noopener noreferrer" target="_blank"><em>The Floating Man</em></a> (13.03, 27.10)</li><li>Agnes Varda (12.12)</li><li>Eloise Marseille (4.18)</li><li>working across genres (16.25)</li><li>Michael reads from “Grandma Cooper’s Corpse” (20.25)</li><li>humour and contrast (22.42, 24.25)</li><li>poetry and knowledge - the function of poetry (37.00)</li><li>his chapbook (23.45)</li><li>dynamics of power and bullying (32, 32.40, 33.40)</li><li>the importance of nuance (34.50)</li><li>gay marriage (36.08)</li><li>Bronwen Wallace (38.30)</li><li>Lorna Crozier (39.20)</li><li>His memoir, <em>My Body is Yours</em> (40.38, published by <a href="https://arsenalpulp.com/Books/M/My-Body-Is-Yours" rel="noopener noreferrer" target="_blank">Arsenal Pulp Press</a>)</li><li>radical inclusion (46.54)</li></ul><p><br></p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Radical Self-Love, with Eloise Marseille</title>
			<itunes:title>Radical Self-Love, with Eloise Marseille</itunes:title>
			<pubDate>Sat, 02 Mar 2024 00:12:44 GMT</pubDate>
			<itunes:duration>1:03:41</itunes:duration>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>5</itunes:season>
			<itunes:episode>64</itunes:episode>
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			<description><![CDATA[<p><a href="https://powpowpress.com/auteurs/eloise-marseille/" rel="noopener noreferrer" target="_blank">Eloise Marseille </a>is the first guest for Season 5 - yes, season 5! - and, this time, it's English AND French (starting at the 31.55 mark for the French interview). Marseille is a wonderful Quebecoise <a href="https://www.britannica.com/art/graphic-novel" rel="noopener noreferrer" target="_blank">graphic novelist,</a> whose candid and humorous book, <a href="https://powpowpress.com/shop/naked-confessions-of-a-normal-woman/" rel="noopener noreferrer" target="_blank"><em>Naked: The Confessions of a Normal Woman</em></a> /<em> </em><a href="https://editionspowpow.com/auteurs/eloise-marseille/" rel="noopener noreferrer" target="_blank"><em>Confessions d'une Femme Normale</em></a> examines sexuality and self-love--especially as it bears on women, cis- and trans-. Linda begins with a reference to the feminist theory courses she teaches and some of the theorists, like <a href="https://www.law.columbia.edu/faculty/kimberle-w-crenshaw" rel="noopener noreferrer" target="_blank">Kimberlé Crenshaw</a>, and how sometimes students say "do we need feminist theory any more?" Linda wants to unplug students from the Matrix (a reference to the film starring Keanu Reeves) and show them the gritty reality in which we live - yes, we STILL need feminism and Marseille is leading the way/the charge!</p><br><p><br></p><p>With thanks to James Healey, the recording engineer who set up the studio; Raphael Krux for music; and Marco Timpano, Sarah Henzi, and Benoit Cantin for giving this episode an advance listen!</p><br><p>****</p><br><p>Eloise Marseille est la première invitée de la saison 5 - oui, la saison 5 ! - et, cette fois, c'est en anglais ET en français (à partir de 31.55 pour l'entretien en français). Marseille est une merveilleuse écrivaine, dont le livre candide et humoristique, Naked: The Confessions of a Normal Woman / Confessions d'une Femme Normale, examine la sexualité et l'amour de soi, en particulier en ce qui concerne les femmes, cis et trans. Linda commence par évoquer les cours de théorie féministe qu'elle donne et certaines théoriciennes, comme Kimberlé Crenshaw, et comment les étudiants disent parfois "avons-nous encore besoin de la théorie féministe?" Linda veut débrancher les étudiants de la Matrice (référence au film avec Keanu Reeves) et leur montrer la réalité crue dans laquelle nous vivons - oui, nous avons ENCORE besoin du féminisme et Marseille montre la charge!</p><br><p><br></p><p>Merci à James Healey, l'ingénieur du son qui a installé le studio, à Raphael Krux pour la musique, et à Marco Timpano, Sarah Henzi, et Benoit Cantin pour avoir écouté cet épisode en avant-première!</p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p><a href="https://powpowpress.com/auteurs/eloise-marseille/" rel="noopener noreferrer" target="_blank">Eloise Marseille </a>is the first guest for Season 5 - yes, season 5! - and, this time, it's English AND French (starting at the 31.55 mark for the French interview). Marseille is a wonderful Quebecoise <a href="https://www.britannica.com/art/graphic-novel" rel="noopener noreferrer" target="_blank">graphic novelist,</a> whose candid and humorous book, <a href="https://powpowpress.com/shop/naked-confessions-of-a-normal-woman/" rel="noopener noreferrer" target="_blank"><em>Naked: The Confessions of a Normal Woman</em></a> /<em> </em><a href="https://editionspowpow.com/auteurs/eloise-marseille/" rel="noopener noreferrer" target="_blank"><em>Confessions d'une Femme Normale</em></a> examines sexuality and self-love--especially as it bears on women, cis- and trans-. Linda begins with a reference to the feminist theory courses she teaches and some of the theorists, like <a href="https://www.law.columbia.edu/faculty/kimberle-w-crenshaw" rel="noopener noreferrer" target="_blank">Kimberlé Crenshaw</a>, and how sometimes students say "do we need feminist theory any more?" Linda wants to unplug students from the Matrix (a reference to the film starring Keanu Reeves) and show them the gritty reality in which we live - yes, we STILL need feminism and Marseille is leading the way/the charge!</p><br><p><br></p><p>With thanks to James Healey, the recording engineer who set up the studio; Raphael Krux for music; and Marco Timpano, Sarah Henzi, and Benoit Cantin for giving this episode an advance listen!</p><br><p>****</p><br><p>Eloise Marseille est la première invitée de la saison 5 - oui, la saison 5 ! - et, cette fois, c'est en anglais ET en français (à partir de 31.55 pour l'entretien en français). Marseille est une merveilleuse écrivaine, dont le livre candide et humoristique, Naked: The Confessions of a Normal Woman / Confessions d'une Femme Normale, examine la sexualité et l'amour de soi, en particulier en ce qui concerne les femmes, cis et trans. Linda commence par évoquer les cours de théorie féministe qu'elle donne et certaines théoriciennes, comme Kimberlé Crenshaw, et comment les étudiants disent parfois "avons-nous encore besoin de la théorie féministe?" Linda veut débrancher les étudiants de la Matrice (référence au film avec Keanu Reeves) et leur montrer la réalité crue dans laquelle nous vivons - oui, nous avons ENCORE besoin du féminisme et Marseille montre la charge!</p><br><p><br></p><p>Merci à James Healey, l'ingénieur du son qui a installé le studio, à Raphael Krux pour la musique, et à Marco Timpano, Sarah Henzi, et Benoit Cantin pour avoir écouté cet épisode en avant-première!</p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Season 4 - Holiday Wishes ... and Some Hints for Season 5</title>
			<itunes:title>Season 4 - Holiday Wishes ... and Some Hints for Season 5</itunes:title>
			<pubDate>Sat, 23 Dec 2023 04:47:58 GMT</pubDate>
			<itunes:duration>2:20</itunes:duration>
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			<acast:episodeUrl>season-4-holiday-wishes-and-some-hints-for-season</acast:episodeUrl>
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			<itunes:season>4</itunes:season>
			<itunes:episode>63</itunes:episode>
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			<description><![CDATA[Linda wishes her listeners a very happy holiday - and offers a hint about what to expect for at least the first episode of Season 5! Have a restful, joyful period. <em>Getting Lit With Linda </em>returns on March 1, 2024.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[Linda wishes her listeners a very happy holiday - and offers a hint about what to expect for at least the first episode of Season 5! Have a restful, joyful period. <em>Getting Lit With Linda </em>returns on March 1, 2024.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>These Short Cuts Go a Long Way - The SpokenWeb Podcast</title>
			<itunes:title>These Short Cuts Go a Long Way - The SpokenWeb Podcast</itunes:title>
			<pubDate>Fri, 15 Dec 2023 15:29:13 GMT</pubDate>
			<itunes:duration>25:01</itunes:duration>
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			<acast:episodeUrl>these-short-cuts-go-a-long-way-the-spokenweb-podcast</acast:episodeUrl>
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			<itunes:subtitle>With Katherine McLeod</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>4</itunes:season>
			<itunes:episode>62</itunes:episode>
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			<description><![CDATA[<p>In this episode, Linda chats with Dr. Katherine McLeod about her role in the <a href="https://spokenweb.ca/podcast/spokenweb-podcast/" rel="noopener noreferrer" target="_blank">SpokenWeb Podcast</a>, particularly <em>Short Cuts</em>. The conversation covers so much ground in such a short period! We discuss the following: </p><p><br></p><ul><li>The <em>Short Cuts </em>podcast (6.20, 9:21, 14.05, 18:47)</li><li>Women poets, such as <a href="https://www.thecanadianencyclopedia.ca/en/article/gwendolyn-macewen" rel="noopener noreferrer" target="_blank">Gwendolyn MacEwan</a>, <a href="https://poetryinvoice.ca/read/poets/phylliswebb13280" rel="noopener noreferrer" target="_blank">Phyllis Webb</a> (15:27), Muriel Rukeyser, Maxine Gadd, Margaret Atwood (8.22; 8.54; 10:03), <a href="https://www.poetryfoundation.org/poets/daphne-marlatt" rel="noopener noreferrer" target="_blank">Daphne Marlatt </a>(18:55), <a href="https://www.gettinglitwithlinda.com/episodes/an-entry-without-an-exit-dionne-brands-a-map-to-the-door-of-no-return" rel="noopener noreferrer" target="_blank">Dionne Brand</a> (11:23), and Brand with <a href="https://www.thecanadianencyclopedia.ca/en/article/lee-maracle" rel="noopener noreferrer" target="_blank">Lee Maracle</a> (a member of the Stó:lō Nation; 12.05; 15:25)</li><li>Feminist practices of listening (9:20)</li><li>Holding the sound (11:00)&nbsp;</li><li><a href="https://www.cbc.ca/" rel="noopener noreferrer" target="_blank">CBC Radio</a>, the history of; women writers and (15:49) and the radio program “Anthology” (16:28)&nbsp;</li><li>The federal funding body, called<a href="https://www.sshrc-crsh.gc.ca/" rel="noopener noreferrer" target="_blank"> SSHRC</a> (4.32; 6.05)</li><li>Smaro Kamboureli and the TransCanada Institute (16:07)</li><li>The Director of SpokenWeb, Jason Camlot (2:45, 17:33; 22.03) (see Linda's <a href="https://shows.acast.com/getting-lit-with-linda-the-canadian-literature-podcast/episodes/not-fooling-around-jason-camlots-vlarf" rel="noopener noreferrer" target="_blank">previous episode with Camlot, who is also a poet, here)</a></li><li><a href="https://www.mqup.ca/canlit-across-media-products-9780773558663.php" rel="noopener noreferrer" target="_blank"><em>CanLit Across Media</em></a><em>&nbsp;</em>(17:40)</li><li><em>The Women and Words Conference&nbsp;</em>(20:54)</li></ul><p><br></p><p>We talked about SpokenWeb’s beginnings, but here is<a href="https://spokenweb.ca/about-us/spokenweb/" rel="noopener noreferrer" target="_blank"> another example</a>. And, if you're curious, h<a href="https://spokenweb.ca/podcast/episodes/moving-still/" rel="noopener noreferrer" target="_blank">ere is a sample of McLeod talking </a>about “holding the sound” in a&nbsp;<em>ShortCuts&nbsp;</em>episode. And if you want to <a href="about:blank" rel="noopener noreferrer" target="_blank">hear the recording of Dionne Brand speaking with Lee Maracle, try going here</a>. </p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode, Linda chats with Dr. Katherine McLeod about her role in the <a href="https://spokenweb.ca/podcast/spokenweb-podcast/" rel="noopener noreferrer" target="_blank">SpokenWeb Podcast</a>, particularly <em>Short Cuts</em>. The conversation covers so much ground in such a short period! We discuss the following: </p><p><br></p><ul><li>The <em>Short Cuts </em>podcast (6.20, 9:21, 14.05, 18:47)</li><li>Women poets, such as <a href="https://www.thecanadianencyclopedia.ca/en/article/gwendolyn-macewen" rel="noopener noreferrer" target="_blank">Gwendolyn MacEwan</a>, <a href="https://poetryinvoice.ca/read/poets/phylliswebb13280" rel="noopener noreferrer" target="_blank">Phyllis Webb</a> (15:27), Muriel Rukeyser, Maxine Gadd, Margaret Atwood (8.22; 8.54; 10:03), <a href="https://www.poetryfoundation.org/poets/daphne-marlatt" rel="noopener noreferrer" target="_blank">Daphne Marlatt </a>(18:55), <a href="https://www.gettinglitwithlinda.com/episodes/an-entry-without-an-exit-dionne-brands-a-map-to-the-door-of-no-return" rel="noopener noreferrer" target="_blank">Dionne Brand</a> (11:23), and Brand with <a href="https://www.thecanadianencyclopedia.ca/en/article/lee-maracle" rel="noopener noreferrer" target="_blank">Lee Maracle</a> (a member of the Stó:lō Nation; 12.05; 15:25)</li><li>Feminist practices of listening (9:20)</li><li>Holding the sound (11:00)&nbsp;</li><li><a href="https://www.cbc.ca/" rel="noopener noreferrer" target="_blank">CBC Radio</a>, the history of; women writers and (15:49) and the radio program “Anthology” (16:28)&nbsp;</li><li>The federal funding body, called<a href="https://www.sshrc-crsh.gc.ca/" rel="noopener noreferrer" target="_blank"> SSHRC</a> (4.32; 6.05)</li><li>Smaro Kamboureli and the TransCanada Institute (16:07)</li><li>The Director of SpokenWeb, Jason Camlot (2:45, 17:33; 22.03) (see Linda's <a href="https://shows.acast.com/getting-lit-with-linda-the-canadian-literature-podcast/episodes/not-fooling-around-jason-camlots-vlarf" rel="noopener noreferrer" target="_blank">previous episode with Camlot, who is also a poet, here)</a></li><li><a href="https://www.mqup.ca/canlit-across-media-products-9780773558663.php" rel="noopener noreferrer" target="_blank"><em>CanLit Across Media</em></a><em>&nbsp;</em>(17:40)</li><li><em>The Women and Words Conference&nbsp;</em>(20:54)</li></ul><p><br></p><p>We talked about SpokenWeb’s beginnings, but here is<a href="https://spokenweb.ca/about-us/spokenweb/" rel="noopener noreferrer" target="_blank"> another example</a>. And, if you're curious, h<a href="https://spokenweb.ca/podcast/episodes/moving-still/" rel="noopener noreferrer" target="_blank">ere is a sample of McLeod talking </a>about “holding the sound” in a&nbsp;<em>ShortCuts&nbsp;</em>episode. And if you want to <a href="about:blank" rel="noopener noreferrer" target="_blank">hear the recording of Dionne Brand speaking with Lee Maracle, try going here</a>. </p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Feminist Killjoys - An Interview with Erin Wunker</title>
			<itunes:title>Feminist Killjoys - An Interview with Erin Wunker</itunes:title>
			<pubDate>Wed, 29 Nov 2023 16:03:12 GMT</pubDate>
			<itunes:duration>42:15</itunes:duration>
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			<itunes:season>4</itunes:season>
			<itunes:episode>61</itunes:episode>
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			<description><![CDATA[<p>Linda is thrilled to have been able to conduct this interview with one of the foremost feminist scholars in Canada right now—Erin Wunker. They speak about her book <a href="https://bookhugpress.ca/shop/author/erin-wunker/notes-from-a-feminist-killjoy-essays-on-everyday-life-by-erin-wunker/" rel="noopener noreferrer" target="_blank"><em>Notes from a Feminist Killjoy</em>, published by book*hug</a>, and the important work it undertakes in relation to the labour of being a “feminist killjoy.”</p><p>Don’t know what <strong>a feminist killjoy is</strong>? Give this interview a listen to find out more.</p><br><p>Here are only <em>some</em> of the key points of the discussion:</p><p>·&nbsp;&nbsp;&nbsp;&nbsp;About Erin Wunker (2.46)&nbsp;</p><p>&nbsp;·&nbsp;&nbsp;&nbsp;About the book itself: <a href="https://bookhugpress.ca/shop/author/erin-wunker/notes-from-a-feminist-killjoy-essays-on-everyday-life-by-erin-wunker/" rel="noopener noreferrer" target="_blank"><em>Notes from a Feminist Killjoy </em>(book*hug press)<em> </em></a>(1.41)</p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;The meaning of the title (4.39)</p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;What is a killjoy? (1.47)</p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<a href="https://www.saranahmed.com/bio-cv/" rel="noopener noreferrer" target="_blank">Sarah Ahmed</a>, as a thinker and community-engaged intellectual (1.58, 5.40, 8.10, 30.08)</p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;About the feminist killjoy (6.20, 7.09, 9.46, 19.40, 24.56) and intersectional feminism (15.57)</p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Betty Friedan (25.00)</p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;The style of writing (25.30)</p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Collection action, allyship, friendship (18.55)</p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;The podcast <a href="https://podcasts.apple.com/us/podcast/we-can-do-hard-things/id1564530722" rel="noopener noreferrer" target="_blank"><em>We Can Do Hard Things </em>(Glennon Doyle, 13.08)</a></p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<a href="https://hls.harvard.edu/faculty/catharine-a-mackinnon/" rel="noopener noreferrer" target="_blank">Catherine MacKinnon</a> (30.14, 38.04)&nbsp;</p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<a href="https://metoomvmt.org/get-to-know-us/tarana-burke-founder/" rel="noopener noreferrer" target="_blank">Tarana Burke, #MeToo</a>, and <a href="https://en.wikipedia.org/wiki/Jian_Ghomeshi" rel="noopener noreferrer" target="_blank">Jian Ghomeshi</a> (32.58)</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Linda is thrilled to have been able to conduct this interview with one of the foremost feminist scholars in Canada right now—Erin Wunker. They speak about her book <a href="https://bookhugpress.ca/shop/author/erin-wunker/notes-from-a-feminist-killjoy-essays-on-everyday-life-by-erin-wunker/" rel="noopener noreferrer" target="_blank"><em>Notes from a Feminist Killjoy</em>, published by book*hug</a>, and the important work it undertakes in relation to the labour of being a “feminist killjoy.”</p><p>Don’t know what <strong>a feminist killjoy is</strong>? Give this interview a listen to find out more.</p><br><p>Here are only <em>some</em> of the key points of the discussion:</p><p>·&nbsp;&nbsp;&nbsp;&nbsp;About Erin Wunker (2.46)&nbsp;</p><p>&nbsp;·&nbsp;&nbsp;&nbsp;About the book itself: <a href="https://bookhugpress.ca/shop/author/erin-wunker/notes-from-a-feminist-killjoy-essays-on-everyday-life-by-erin-wunker/" rel="noopener noreferrer" target="_blank"><em>Notes from a Feminist Killjoy </em>(book*hug press)<em> </em></a>(1.41)</p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;The meaning of the title (4.39)</p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;What is a killjoy? (1.47)</p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<a href="https://www.saranahmed.com/bio-cv/" rel="noopener noreferrer" target="_blank">Sarah Ahmed</a>, as a thinker and community-engaged intellectual (1.58, 5.40, 8.10, 30.08)</p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;About the feminist killjoy (6.20, 7.09, 9.46, 19.40, 24.56) and intersectional feminism (15.57)</p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Betty Friedan (25.00)</p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;The style of writing (25.30)</p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Collection action, allyship, friendship (18.55)</p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;The podcast <a href="https://podcasts.apple.com/us/podcast/we-can-do-hard-things/id1564530722" rel="noopener noreferrer" target="_blank"><em>We Can Do Hard Things </em>(Glennon Doyle, 13.08)</a></p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<a href="https://hls.harvard.edu/faculty/catharine-a-mackinnon/" rel="noopener noreferrer" target="_blank">Catherine MacKinnon</a> (30.14, 38.04)&nbsp;</p><p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<a href="https://metoomvmt.org/get-to-know-us/tarana-burke-founder/" rel="noopener noreferrer" target="_blank">Tarana Burke, #MeToo</a>, and <a href="https://en.wikipedia.org/wiki/Jian_Ghomeshi" rel="noopener noreferrer" target="_blank">Jian Ghomeshi</a> (32.58)</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Milestones:  A Sixtieth and Live Episode - An interview with Catherine Hernandez and Eva Crocker</title>
			<itunes:title>Milestones:  A Sixtieth and Live Episode - An interview with Catherine Hernandez and Eva Crocker</itunes:title>
			<pubDate>Fri, 17 Nov 2023 19:39:52 GMT</pubDate>
			<itunes:duration>1:14:59</itunes:duration>
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			<acast:episodeUrl>60th-episode-a-live-interview-with-catherine-hernandez-and-e</acast:episodeUrl>
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			<itunes:season>4</itunes:season>
			<itunes:episode>60</itunes:episode>
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			<description><![CDATA[<p>In this episode -- recorded live in<strong> </strong>Tiohtià:ke in the DeSeve Cinema at Concordia University -- Linda interviews award-winning authors, <a href="https://www.catherinehernandezcreates.com" rel="noopener noreferrer" target="_blank">Catherine Hernandez </a>and Eva Crocker. Linda begins by thanking celebrated Montreal-based author, <a href="https://christopherdiraddo.com/about/" rel="noopener noreferrer" target="_blank">Christopher DiRaddo</a>, who is the director of <a href="https://christopherdiraddo.com/2017/01/the-violet-hour/" rel="noopener noreferrer" target="_blank">the Violet Hour</a> and who opens the event with a territorial acknowledgement and with an introduction to the authors. The Violet Hour and the <a href="https://aelaq.org" rel="noopener noreferrer" target="_blank">Association of English-Language Publishers of Quebec </a>(AELAQ) co-sponsored the event, so Linda also recognizes the superb professionalism of the team at AELAQ, including Rebecca West, Alex Sweny, and Elise Moser. She also thanks Stephen Burgess, the audio-visual technician who helped to record the event that day.</p><br><p>The interview begins with Hernandez and considerations of her three novels, <a href="https://arsenalpulp.com/Books/S/Scarborough#:~:text=Scarborough%20%7C%20Arsenal%20Pulp%20Press" rel="noopener noreferrer" target="_blank"><em>Scarborough</em></a> (Arsenal Pulp Press), <a href="https://www.simonandschuster.com/books/Crosshairs/Catherine-Hernandez/9781982146030#:~:text=Crosshairs%20%7C%20Book%20by%20Catherine%20Hernandez,Official%20Publisher%20Page%20%7C%20Simon%20%26%20Schuster" rel="noopener noreferrer" target="_blank"><em>Crosshairs </em></a>(Simon &amp; Schuster), and <a href="https://www.harpercollins.ca/9781443459754/the-story-of-us/" rel="noopener noreferrer" target="_blank"><em>The Story of Us</em></a><em> </em>(HarperCollins). They also speak about her amazing <a href="https://www.catherinehernandezcreates.com/wild-strawberry-homestead.html" rel="noopener noreferrer" target="_blank">Wild Strawberry Homestead</a>. Then, Eva Crocker joins them on the stage and so they also discuss her two novels, <a href="https://houseofanansi.com/products/back-in-the-land-of-the-living" rel="noopener noreferrer" target="_blank"><em>Back in the Land of the Living</em></a> (House of Anansi) and <a href="https://houseofanansi.com/products/all-i-ask#:~:text=All%20I%20Ask%20–%20House%20of%20Anansi%20Press" rel="noopener noreferrer" target="_blank"><em>All I Ask</em></a><em> </em>(House of Anansi).</p><br><p>A question period follows the two interviews, as members in the audience also interact with Hernandez and Crocker. It's a longer episode than usual (which is why there is only ONE this month!), but you will appreciate why: the interview is at turns funny, moving, and warm.</p><br><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode -- recorded live in<strong> </strong>Tiohtià:ke in the DeSeve Cinema at Concordia University -- Linda interviews award-winning authors, <a href="https://www.catherinehernandezcreates.com" rel="noopener noreferrer" target="_blank">Catherine Hernandez </a>and Eva Crocker. Linda begins by thanking celebrated Montreal-based author, <a href="https://christopherdiraddo.com/about/" rel="noopener noreferrer" target="_blank">Christopher DiRaddo</a>, who is the director of <a href="https://christopherdiraddo.com/2017/01/the-violet-hour/" rel="noopener noreferrer" target="_blank">the Violet Hour</a> and who opens the event with a territorial acknowledgement and with an introduction to the authors. The Violet Hour and the <a href="https://aelaq.org" rel="noopener noreferrer" target="_blank">Association of English-Language Publishers of Quebec </a>(AELAQ) co-sponsored the event, so Linda also recognizes the superb professionalism of the team at AELAQ, including Rebecca West, Alex Sweny, and Elise Moser. She also thanks Stephen Burgess, the audio-visual technician who helped to record the event that day.</p><br><p>The interview begins with Hernandez and considerations of her three novels, <a href="https://arsenalpulp.com/Books/S/Scarborough#:~:text=Scarborough%20%7C%20Arsenal%20Pulp%20Press" rel="noopener noreferrer" target="_blank"><em>Scarborough</em></a> (Arsenal Pulp Press), <a href="https://www.simonandschuster.com/books/Crosshairs/Catherine-Hernandez/9781982146030#:~:text=Crosshairs%20%7C%20Book%20by%20Catherine%20Hernandez,Official%20Publisher%20Page%20%7C%20Simon%20%26%20Schuster" rel="noopener noreferrer" target="_blank"><em>Crosshairs </em></a>(Simon &amp; Schuster), and <a href="https://www.harpercollins.ca/9781443459754/the-story-of-us/" rel="noopener noreferrer" target="_blank"><em>The Story of Us</em></a><em> </em>(HarperCollins). They also speak about her amazing <a href="https://www.catherinehernandezcreates.com/wild-strawberry-homestead.html" rel="noopener noreferrer" target="_blank">Wild Strawberry Homestead</a>. Then, Eva Crocker joins them on the stage and so they also discuss her two novels, <a href="https://houseofanansi.com/products/back-in-the-land-of-the-living" rel="noopener noreferrer" target="_blank"><em>Back in the Land of the Living</em></a> (House of Anansi) and <a href="https://houseofanansi.com/products/all-i-ask#:~:text=All%20I%20Ask%20–%20House%20of%20Anansi%20Press" rel="noopener noreferrer" target="_blank"><em>All I Ask</em></a><em> </em>(House of Anansi).</p><br><p>A question period follows the two interviews, as members in the audience also interact with Hernandez and Crocker. It's a longer episode than usual (which is why there is only ONE this month!), but you will appreciate why: the interview is at turns funny, moving, and warm.</p><br><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
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			<title><![CDATA[An Entry Without an Exit: Dionne Brand's A Map to the Door of No Return]]></title>
			<itunes:title><![CDATA[An Entry Without an Exit: Dionne Brand's A Map to the Door of No Return]]></itunes:title>
			<pubDate>Sun, 15 Oct 2023 02:29:34 GMT</pubDate>
			<itunes:duration>18:24</itunes:duration>
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			<description><![CDATA[<p>In this episode, Linda reflects on <a href="https://www.penguinrandomhouse.ca/books/17464/a-map-to-the-door-of-no-return-by-dionne-brand/9781039005815" rel="noopener noreferrer" target="_blank">Dionne Brand's magnificent <em>A Map to the Door of No Return: Notes to Belonging</em></a>, reprinted by Vintage (a division of Random House) in 2023 - but initially published over twenty years ago. That's the staying power of this particular volume - the "Door of No Return" is a particularly harrowing metaphor and, as Linda notes, there are many expressions that use "doors" in contemporary usage. Just not like this book does! <a href="https://www.uoguelph.ca/arts/sets/people/dionne-brand" rel="noopener noreferrer" target="_blank">A prolific and accomplished writer and professor, Brand</a> is referring to the Black diaspora vis-a-vis the Black Atlantic slave trade.</p><br><p>To set up this discussion, Linda considers her personal fascination with "doors" (consider t<a href="https://www.atwaterlibrary.ca/about-us/history/" rel="noopener noreferrer" target="_blank">he gorgeous doors of the Atwater Library</a> in Montreal) and then how they have been used in other works -- like that of <a href="https://www.dukeupress.edu/complaint" rel="noopener noreferrer" target="_blank"><em>Complaint! </em>by Sara Ahmed</a> or <em>T</em><a href="https://bookshop.newestpress.com/products/diamond-grill-10th-anniversary-edition" rel="noopener noreferrer" target="_blank"><em>he Diamond Grill </em>by Fred Wah</a> or <a href="https://www.penguinrandomhouse.ca/books/6123/the-door-by-margaret-atwood/9780771008474#:~:text=The%20Door%20by%20Margaret%20Atwood%20%7C%20Penguin%20Random%20House%20Canada" rel="noopener noreferrer" target="_blank"><em>The Door</em> by Margaret Atwood </a>-- and then compares them to how the image is used in Brand's literary text.</p><br><p>In the Takeaway, Linda gives a shout-out to the annual <a href="https://readquebec.ca/event/read-quebec-book-fair-2023/" rel="noopener noreferrer" target="_blank">Read Quebec Book Fair,</a> that this year is taking place from November 3 to November 4th in the McConnell Building Atrium of Concordia University. Please join her there, where she will be interviewing Catherine Hernandez and Eva Crocker live!</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode, Linda reflects on <a href="https://www.penguinrandomhouse.ca/books/17464/a-map-to-the-door-of-no-return-by-dionne-brand/9781039005815" rel="noopener noreferrer" target="_blank">Dionne Brand's magnificent <em>A Map to the Door of No Return: Notes to Belonging</em></a>, reprinted by Vintage (a division of Random House) in 2023 - but initially published over twenty years ago. That's the staying power of this particular volume - the "Door of No Return" is a particularly harrowing metaphor and, as Linda notes, there are many expressions that use "doors" in contemporary usage. Just not like this book does! <a href="https://www.uoguelph.ca/arts/sets/people/dionne-brand" rel="noopener noreferrer" target="_blank">A prolific and accomplished writer and professor, Brand</a> is referring to the Black diaspora vis-a-vis the Black Atlantic slave trade.</p><br><p>To set up this discussion, Linda considers her personal fascination with "doors" (consider t<a href="https://www.atwaterlibrary.ca/about-us/history/" rel="noopener noreferrer" target="_blank">he gorgeous doors of the Atwater Library</a> in Montreal) and then how they have been used in other works -- like that of <a href="https://www.dukeupress.edu/complaint" rel="noopener noreferrer" target="_blank"><em>Complaint! </em>by Sara Ahmed</a> or <em>T</em><a href="https://bookshop.newestpress.com/products/diamond-grill-10th-anniversary-edition" rel="noopener noreferrer" target="_blank"><em>he Diamond Grill </em>by Fred Wah</a> or <a href="https://www.penguinrandomhouse.ca/books/6123/the-door-by-margaret-atwood/9780771008474#:~:text=The%20Door%20by%20Margaret%20Atwood%20%7C%20Penguin%20Random%20House%20Canada" rel="noopener noreferrer" target="_blank"><em>The Door</em> by Margaret Atwood </a>-- and then compares them to how the image is used in Brand's literary text.</p><br><p>In the Takeaway, Linda gives a shout-out to the annual <a href="https://readquebec.ca/event/read-quebec-book-fair-2023/" rel="noopener noreferrer" target="_blank">Read Quebec Book Fair,</a> that this year is taking place from November 3 to November 4th in the McConnell Building Atrium of Concordia University. Please join her there, where she will be interviewing Catherine Hernandez and Eva Crocker live!</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title><![CDATA[And this is how we get here - Keith Barker's This is How We Got Here]]></title>
			<itunes:title><![CDATA[And this is how we get here - Keith Barker's This is How We Got Here]]></itunes:title>
			<pubDate>Sun, 01 Oct 2023 21:46:44 GMT</pubDate>
			<itunes:duration>41:52</itunes:duration>
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			<itunes:episode>58</itunes:episode>
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			<description><![CDATA[<p>Linda speaks with Métis playwright, actor, and director, <a href="https://www.nativeearth.ca/artists/kbarker/" rel="noopener noreferrer" target="_blank">Keith Barker</a> about his play, <a href="https://www.playwrightscanada.com/Books/T/This-Is-How-We-Got-Here" rel="noopener noreferrer" target="_blank"><em>This is How We Got Here </em>(Playwrights Canada Press)</a> It is a moving interview, as Barker explains the origins and shape of this play.</p><br><p>Their discussions touch on the following subjects (among others!):</p><ul><li>current and past productions of the play (3.00; 28.15; 34.10, 36.00)</li><li>loss and trauma (1.14, 1.50, 4.30, 6.10, 12.56, 19.20, 33.58)</li><li>structure of <em>This is How We Got Here</em> (1.20, 22.28, 23.25)</li><li>representations of grief (3.50, 25.08)</li><li>structure and shape of the play (5.48, 9.05)</li><li>fox figure (10.04, 17.01, 18.58, 20.45, 25.10, 33.00, 36.00)</li><li>play’s epigraph (from <em>Jonathan Livingston Seagull, </em>10.30, 13.16, 15.40)</li><li>discussion of suicide (11.51, 21.40)</li><li>figures from nature (17.58)</li><li>Catholicism (20.45)</li><li>meaning of the title of the play (37.50)</li></ul><p>Linda also invites Barker to read from his play, which he does, selecting the first scene related to the fox figure (25.25).</p><br><p>With a special thanks to James Healey, the podcasting studio manager - and Barker's cats, who also made an appearance in this interview!</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Linda speaks with Métis playwright, actor, and director, <a href="https://www.nativeearth.ca/artists/kbarker/" rel="noopener noreferrer" target="_blank">Keith Barker</a> about his play, <a href="https://www.playwrightscanada.com/Books/T/This-Is-How-We-Got-Here" rel="noopener noreferrer" target="_blank"><em>This is How We Got Here </em>(Playwrights Canada Press)</a> It is a moving interview, as Barker explains the origins and shape of this play.</p><br><p>Their discussions touch on the following subjects (among others!):</p><ul><li>current and past productions of the play (3.00; 28.15; 34.10, 36.00)</li><li>loss and trauma (1.14, 1.50, 4.30, 6.10, 12.56, 19.20, 33.58)</li><li>structure of <em>This is How We Got Here</em> (1.20, 22.28, 23.25)</li><li>representations of grief (3.50, 25.08)</li><li>structure and shape of the play (5.48, 9.05)</li><li>fox figure (10.04, 17.01, 18.58, 20.45, 25.10, 33.00, 36.00)</li><li>play’s epigraph (from <em>Jonathan Livingston Seagull, </em>10.30, 13.16, 15.40)</li><li>discussion of suicide (11.51, 21.40)</li><li>figures from nature (17.58)</li><li>Catholicism (20.45)</li><li>meaning of the title of the play (37.50)</li></ul><p>Linda also invites Barker to read from his play, which he does, selecting the first scene related to the fox figure (25.25).</p><br><p>With a special thanks to James Healey, the podcasting studio manager - and Barker's cats, who also made an appearance in this interview!</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title><![CDATA[Taking Exception to Narratives of Exceptionality - Japanese-Canadian Internment Camps & Canadian Literature]]></title>
			<itunes:title><![CDATA[Taking Exception to Narratives of Exceptionality - Japanese-Canadian Internment Camps & Canadian Literature]]></itunes:title>
			<pubDate>Mon, 18 Sep 2023 16:56:12 GMT</pubDate>
			<itunes:duration>34:26</itunes:duration>
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			<acast:episodeUrl>taking-exception-to-narratives-of-exceptionality-japanese-ca</acast:episodeUrl>
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			<itunes:episode>57</itunes:episode>
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			<description><![CDATA[<p>In this episode, Linda begins by speaking about the kinds of assumptions made about her because of her Italian-Canadian immigrant background - and then expands that consideration to show how making such assumptions can actually be harmful. Case in point? The <a href="https://www.thecanadianencyclopedia.ca/en/article/christie-pits-riot" rel="noopener noreferrer" target="_blank">Christie-Pitts riot on August 16, 1933. </a> There have been two graphic novels written about this riot: one simply titled <a href="http://www.dirtywatercomics.com/shop/christie-pits" rel="noopener noreferrer" target="_blank"><em>Christie Pitts</em></a> and the other titled <a href="https://www.scholastic.ca/books/view/the-good-fight" rel="noopener noreferrer" target="_blank"><em>The Good Fight.</em></a></p><br><p>A second case in point is the Japanese-Canadian internment camps during the Second World War. She considers four works of literature in Canada that address this subject:</p><p><br></p><ul><li>Joy Kogawa's <a href="https://www.penguinrandomhouse.ca/books/391033/obasan-by-joy-kogawa/9780735233706" rel="noopener noreferrer" target="_blank"><em>Obasan</em></a></li><li><a href="https://www.harpercollins.ca/9781443406901/requiem/" rel="noopener noreferrer" target="_blank">Frances Itani's <em>Requiem</em></a></li><li>Kerri Sakamoto's <a href="https://www.penguinrandomhouse.ca/books/159828/one-hundred-million-hearts-by-kerri-sakamoto/9780676975123" rel="noopener noreferrer" target="_blank"><em>One Hundred Million Hearts</em></a></li><li>Mark Sakamoto's<em> </em><a href="https://www.harpercollins.ca/9781443417976/forgiveness/" rel="noopener noreferrer" target="_blank"><em>Forgiveness: A Gift from my Grandparents</em></a></li></ul><p><br></p><p>Then, for the Takeaway, she invites scholar, Jennifer Andrews, who addresses narratives of exceptionality and demonstrates what function they serve (and whose) and why they persist. Using her book, <a href="https://link.springer.com/book/10.1007/978-3-031-22120-0" rel="noopener noreferrer" target="_blank"><em>Canada Through American Eyes </em>(published by Palgrave in 2023</a>), Jennifer chats with Linda about how narratives of exceptionality are rehearsed in both the United States and Canada - and why we need to challenge them.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode, Linda begins by speaking about the kinds of assumptions made about her because of her Italian-Canadian immigrant background - and then expands that consideration to show how making such assumptions can actually be harmful. Case in point? The <a href="https://www.thecanadianencyclopedia.ca/en/article/christie-pits-riot" rel="noopener noreferrer" target="_blank">Christie-Pitts riot on August 16, 1933. </a> There have been two graphic novels written about this riot: one simply titled <a href="http://www.dirtywatercomics.com/shop/christie-pits" rel="noopener noreferrer" target="_blank"><em>Christie Pitts</em></a> and the other titled <a href="https://www.scholastic.ca/books/view/the-good-fight" rel="noopener noreferrer" target="_blank"><em>The Good Fight.</em></a></p><br><p>A second case in point is the Japanese-Canadian internment camps during the Second World War. She considers four works of literature in Canada that address this subject:</p><p><br></p><ul><li>Joy Kogawa's <a href="https://www.penguinrandomhouse.ca/books/391033/obasan-by-joy-kogawa/9780735233706" rel="noopener noreferrer" target="_blank"><em>Obasan</em></a></li><li><a href="https://www.harpercollins.ca/9781443406901/requiem/" rel="noopener noreferrer" target="_blank">Frances Itani's <em>Requiem</em></a></li><li>Kerri Sakamoto's <a href="https://www.penguinrandomhouse.ca/books/159828/one-hundred-million-hearts-by-kerri-sakamoto/9780676975123" rel="noopener noreferrer" target="_blank"><em>One Hundred Million Hearts</em></a></li><li>Mark Sakamoto's<em> </em><a href="https://www.harpercollins.ca/9781443417976/forgiveness/" rel="noopener noreferrer" target="_blank"><em>Forgiveness: A Gift from my Grandparents</em></a></li></ul><p><br></p><p>Then, for the Takeaway, she invites scholar, Jennifer Andrews, who addresses narratives of exceptionality and demonstrates what function they serve (and whose) and why they persist. Using her book, <a href="https://link.springer.com/book/10.1007/978-3-031-22120-0" rel="noopener noreferrer" target="_blank"><em>Canada Through American Eyes </em>(published by Palgrave in 2023</a>), Jennifer chats with Linda about how narratives of exceptionality are rehearsed in both the United States and Canada - and why we need to challenge them.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title><![CDATA[Manatees and Magical Thinking - Amy Jones' Novel, Pebble & Dove]]></title>
			<itunes:title><![CDATA[Manatees and Magical Thinking - Amy Jones' Novel, Pebble & Dove]]></itunes:title>
			<pubDate>Sat, 02 Sep 2023 03:52:34 GMT</pubDate>
			<itunes:duration>33:13</itunes:duration>
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			<itunes:season>4</itunes:season>
			<itunes:episode>56</itunes:episode>
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			<description><![CDATA[<p>This episode focuses on <a href="https://amyjonesauthor.com/" rel="noopener noreferrer" target="_blank">Amy Jones </a>(2.13), author of <a href="https://www.penguinrandomhouse.ca/books/530285/every-little-piece-of-me-by-amy-jones/9780771050671" rel="noopener noreferrer" target="_blank"><em>Every Little Piece of Me</em> (2.27)</a>, <a href="https://amyjonesauthor.com/were-all-in-this-together" rel="noopener noreferrer" target="_blank"><em>We're All in This Together</em></a> (2.27), <a href="https://amyjonesauthor.com/what-boys-like" rel="noopener noreferrer" target="_blank"><em>What Boys Like</em></a> (2.37), and <a href="https://www.penguinrandomhouse.ca/books/673124/pebble-and-dove-by-amy-jones/9780771099311" rel="noopener noreferrer" target="_blank"><em>Pebble &amp; Dove </em>(2.45), published by McClelland &amp; Stewart</a> -- and the focus of this episode.</p><br><p>We also discussed Amy’s appearance at <a href="https://toronto.thewordonthestreet.ca/" rel="noopener noreferrer" target="_blank">Word on the Street </a>(.39 and 9.08) and her forthcoming appearance at the<strong> </strong><a href="https://edenmillswritersfestival.ca/" rel="noopener noreferrer" target="_blank"><strong>Eden Mills Literary Festival</strong></a> (5.12 and 8.53) on <strong>September 9th</strong> (see <a href="https://edenmillswritersfestival.ca/finding-my-voice/" rel="noopener noreferrer" target="_blank">this link for tickets to the event)</a>.</p><br><p>Linda interviews Amy, during which time they chat about </p><ul><li>Family – what it means (7.56), dysfunctional families (9.46), and family secrets (11.00)</li><li>Multiple points of view in narrative form (13.25)</li><li>Motherhood (and templates thereof) (18.45)</li><li>Balancing family and careers, and the impact of family on art (20.30)</li><li>Manatees (22.25)</li><li>Did we say manatees? (22.25 -- or just the entire episode!)</li></ul><p><br></p><p>If you'd like to know more about how to support manatees and the seagrass programs that are important to their survival, visit the <a href="https://www.savethemanatee.org/how-to-help/take-action/floridas-algae-blooms/" rel="noopener noreferrer" target="_blank">Save the Manatee Program</a>.</p><br><p>Hosted by Linda Morra, Co-produced by Linda Morra and Marco Timpano, Music by Raphael Krux, Studio (Concordia University) with James Healey</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>This episode focuses on <a href="https://amyjonesauthor.com/" rel="noopener noreferrer" target="_blank">Amy Jones </a>(2.13), author of <a href="https://www.penguinrandomhouse.ca/books/530285/every-little-piece-of-me-by-amy-jones/9780771050671" rel="noopener noreferrer" target="_blank"><em>Every Little Piece of Me</em> (2.27)</a>, <a href="https://amyjonesauthor.com/were-all-in-this-together" rel="noopener noreferrer" target="_blank"><em>We're All in This Together</em></a> (2.27), <a href="https://amyjonesauthor.com/what-boys-like" rel="noopener noreferrer" target="_blank"><em>What Boys Like</em></a> (2.37), and <a href="https://www.penguinrandomhouse.ca/books/673124/pebble-and-dove-by-amy-jones/9780771099311" rel="noopener noreferrer" target="_blank"><em>Pebble &amp; Dove </em>(2.45), published by McClelland &amp; Stewart</a> -- and the focus of this episode.</p><br><p>We also discussed Amy’s appearance at <a href="https://toronto.thewordonthestreet.ca/" rel="noopener noreferrer" target="_blank">Word on the Street </a>(.39 and 9.08) and her forthcoming appearance at the<strong> </strong><a href="https://edenmillswritersfestival.ca/" rel="noopener noreferrer" target="_blank"><strong>Eden Mills Literary Festival</strong></a> (5.12 and 8.53) on <strong>September 9th</strong> (see <a href="https://edenmillswritersfestival.ca/finding-my-voice/" rel="noopener noreferrer" target="_blank">this link for tickets to the event)</a>.</p><br><p>Linda interviews Amy, during which time they chat about </p><ul><li>Family – what it means (7.56), dysfunctional families (9.46), and family secrets (11.00)</li><li>Multiple points of view in narrative form (13.25)</li><li>Motherhood (and templates thereof) (18.45)</li><li>Balancing family and careers, and the impact of family on art (20.30)</li><li>Manatees (22.25)</li><li>Did we say manatees? (22.25 -- or just the entire episode!)</li></ul><p><br></p><p>If you'd like to know more about how to support manatees and the seagrass programs that are important to their survival, visit the <a href="https://www.savethemanatee.org/how-to-help/take-action/floridas-algae-blooms/" rel="noopener noreferrer" target="_blank">Save the Manatee Program</a>.</p><br><p>Hosted by Linda Morra, Co-produced by Linda Morra and Marco Timpano, Music by Raphael Krux, Studio (Concordia University) with James Healey</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title><![CDATA[People (Do) Change; (C’mon) People, Change - Vivek Shraya's People Change]]></title>
			<itunes:title><![CDATA[People (Do) Change; (C’mon) People, Change - Vivek Shraya's People Change]]></itunes:title>
			<pubDate>Tue, 15 Aug 2023 15:58:08 GMT</pubDate>
			<itunes:duration>18:23</itunes:duration>
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			<itunes:season>4</itunes:season>
			<itunes:episode>55</itunes:episode>
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			<description><![CDATA[<p>In this episode, Linda first celebrates with her co-producer, Marco Timpano, that the podcast has been named a <a href="https://www.podcastawards.com" rel="noopener noreferrer" target="_blank">Finalist for the People's Choice Podcast Awards</a>. Then she chats about the <a href="https://shop.mattel.com/collections/barbie" rel="noopener noreferrer" target="_blank">new Barbie movie </a>around which there has been so much hype. She differentiates between change and transformation in relation to gender, and then applies this to the wonderful literary work of Vivek Shraya, including <a href="https://www.penguinrandomhouse.ca/books/610906/people-change-by-vivek-shraya/9780735238657" rel="noopener noreferrer" target="_blank"><em>People Change</em></a>. If you haven't seen her <a href="https://www.canadianstage.com/show/popstartour" rel="noopener noreferrer" target="_blank"><em>How to Fail as a Popstar</em></a>, join the club: Linda wasn't able to get tickets, but she was able to hear her speak about this work at the <a href="https://writersfest.bc.ca/" rel="noopener noreferrer" target="_blank">Vancouver Literary Festival </a>and read it in book form. Linda also makes reference to her song, <a href="https://vimeo.com/475282865" rel="noopener noreferrer" target="_blank">Showing Up - have a listen here</a> (at the 4.17 mark).</p><br><p>In the Takeaway, she connects <a href="https://bookhugpress.ca/author-bios/shani-mootoo/" rel="noopener noreferrer" target="_blank">Shani Mootoo's <em>Cerebus Blooms at Night </em>and <em>Moving Foreward Sideways Like a Crab</em></a> to the notion of transformation.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode, Linda first celebrates with her co-producer, Marco Timpano, that the podcast has been named a <a href="https://www.podcastawards.com" rel="noopener noreferrer" target="_blank">Finalist for the People's Choice Podcast Awards</a>. Then she chats about the <a href="https://shop.mattel.com/collections/barbie" rel="noopener noreferrer" target="_blank">new Barbie movie </a>around which there has been so much hype. She differentiates between change and transformation in relation to gender, and then applies this to the wonderful literary work of Vivek Shraya, including <a href="https://www.penguinrandomhouse.ca/books/610906/people-change-by-vivek-shraya/9780735238657" rel="noopener noreferrer" target="_blank"><em>People Change</em></a>. If you haven't seen her <a href="https://www.canadianstage.com/show/popstartour" rel="noopener noreferrer" target="_blank"><em>How to Fail as a Popstar</em></a>, join the club: Linda wasn't able to get tickets, but she was able to hear her speak about this work at the <a href="https://writersfest.bc.ca/" rel="noopener noreferrer" target="_blank">Vancouver Literary Festival </a>and read it in book form. Linda also makes reference to her song, <a href="https://vimeo.com/475282865" rel="noopener noreferrer" target="_blank">Showing Up - have a listen here</a> (at the 4.17 mark).</p><br><p>In the Takeaway, she connects <a href="https://bookhugpress.ca/author-bios/shani-mootoo/" rel="noopener noreferrer" target="_blank">Shani Mootoo's <em>Cerebus Blooms at Night </em>and <em>Moving Foreward Sideways Like a Crab</em></a> to the notion of transformation.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title><![CDATA[Morality & Well-Meaning - #BelievingWomen in Erum Shazia Hasan's We Meant Well]]></title>
			<itunes:title><![CDATA[Morality & Well-Meaning - #BelievingWomen in Erum Shazia Hasan's We Meant Well]]></itunes:title>
			<pubDate>Sat, 01 Jul 2023 21:29:16 GMT</pubDate>
			<itunes:duration>29:22</itunes:duration>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>4</itunes:season>
			<itunes:episode>54</itunes:episode>
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			<description><![CDATA[<p><br></p><p>Erum Shazia Hasan’s <a href="https://ecwpress.com/products/we-meant-well" rel="noopener noreferrer" target="_blank"><em>We Meant Well &nbsp;</em>(ECW Press) </a>– Linda raves about this debut novel by Erum Shazia Hasan. In this novel, Maya’s colleague, Marc, has been accused of assaulting a local girl in Likanni, and so Maya is called from Los Angeles to deal with the crisis. The pressures are mounting for Maya as she tries to contend with this situation, grapple with her complex past, and grapple with her present personal life, which threatens to collapse.</p><br><p>In this interview, Hasan talks about how difficult it is to doubt colleagues or people we like or trust, and who have done noble things – things which stand in contrast to the accusations that have been levelled at them. Linda then probes Hasan’s aesthetic choices about this narrative and discusses the following with her:</p><p><br></p><ul><li>Origins of the novel in Haiti (2.36)</li><li>#MeToo and #Believe Women movements (20.45; 22.23)</li><li>Experience and process of writing this novel (5.32)</li><li><a href="https://www.penguinrandomhouse.ca/authors/73526/cs-richardson" rel="noopener noreferrer" target="_blank">C. S. Richardson</a> (4.28)</li><li>Characterization of protagonist, Maya&nbsp;(7.11; 15.27)</li><li>Home country vs. Home culture (8.20, 17.25)</li><li>Third-wave feminism and Western feminism (8:59)</li><li>Role of trauma in decision-making (11.14)</li><li>Moral question related to boundaries (11.50)</li><li>Intersectionality (13.43)</li><li>Personal vs political violences (18.03)</li><li>Love and desire (19.20)</li><li>Intentions and “we meant well” (24.03)</li></ul><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p><br></p><p>Erum Shazia Hasan’s <a href="https://ecwpress.com/products/we-meant-well" rel="noopener noreferrer" target="_blank"><em>We Meant Well &nbsp;</em>(ECW Press) </a>– Linda raves about this debut novel by Erum Shazia Hasan. In this novel, Maya’s colleague, Marc, has been accused of assaulting a local girl in Likanni, and so Maya is called from Los Angeles to deal with the crisis. The pressures are mounting for Maya as she tries to contend with this situation, grapple with her complex past, and grapple with her present personal life, which threatens to collapse.</p><br><p>In this interview, Hasan talks about how difficult it is to doubt colleagues or people we like or trust, and who have done noble things – things which stand in contrast to the accusations that have been levelled at them. Linda then probes Hasan’s aesthetic choices about this narrative and discusses the following with her:</p><p><br></p><ul><li>Origins of the novel in Haiti (2.36)</li><li>#MeToo and #Believe Women movements (20.45; 22.23)</li><li>Experience and process of writing this novel (5.32)</li><li><a href="https://www.penguinrandomhouse.ca/authors/73526/cs-richardson" rel="noopener noreferrer" target="_blank">C. S. Richardson</a> (4.28)</li><li>Characterization of protagonist, Maya&nbsp;(7.11; 15.27)</li><li>Home country vs. Home culture (8.20, 17.25)</li><li>Third-wave feminism and Western feminism (8:59)</li><li>Role of trauma in decision-making (11.14)</li><li>Moral question related to boundaries (11.50)</li><li>Intersectionality (13.43)</li><li>Personal vs political violences (18.03)</li><li>Love and desire (19.20)</li><li>Intentions and “we meant well” (24.03)</li></ul><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
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			<title><![CDATA[Wider Circles of Love and Faith - Lisa Moore's This is How We Love]]></title>
			<itunes:title><![CDATA[Wider Circles of Love and Faith - Lisa Moore's This is How We Love]]></itunes:title>
			<pubDate>Thu, 15 Jun 2023 17:00:45 GMT</pubDate>
			<itunes:duration>31:38</itunes:duration>
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			<itunes:season>4</itunes:season>
			<itunes:episode>53</itunes:episode>
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			<description><![CDATA[Linda and <a href="https://www.writerstrust.com/authors/lisa-moore/books/open/" rel="noopener noreferrer" target="_blank">Lisa Moore</a> converse about her most recent novel, <a href="https://houseofanansi.com/products/this-is-how-we-love" rel="noopener noreferrer" target="_blank"><em>This is How We Love </em>(House of Anansi)</a>. Their conversation traverses various subjects, including the formal aspects of the novel, the job of the novelist (5.40), questions of genre (6.40), the use of <a href="https://www.audible.ca/fr_CA/pd/This-Is-How-We-Love-Livre-Audio/B0B2B1VGWY" rel="noopener noreferrer" target="_blank">Audible</a>, the importance of editors (with a nod to Melanie Little, Lisa's editor, 10.30)and the complexities of loving. One of the most fascinating turns in this discussion relates to Lisa's point about the democracy of loving and voice (8.40 and 27.23), her understanding that reading literature is an anti-capitalist endeavour (16.20). The interview is a wonderful introduction to a compelling, exquisite novel, in which every page is rich in detail and affective complexity.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[Linda and <a href="https://www.writerstrust.com/authors/lisa-moore/books/open/" rel="noopener noreferrer" target="_blank">Lisa Moore</a> converse about her most recent novel, <a href="https://houseofanansi.com/products/this-is-how-we-love" rel="noopener noreferrer" target="_blank"><em>This is How We Love </em>(House of Anansi)</a>. Their conversation traverses various subjects, including the formal aspects of the novel, the job of the novelist (5.40), questions of genre (6.40), the use of <a href="https://www.audible.ca/fr_CA/pd/This-Is-How-We-Love-Livre-Audio/B0B2B1VGWY" rel="noopener noreferrer" target="_blank">Audible</a>, the importance of editors (with a nod to Melanie Little, Lisa's editor, 10.30)and the complexities of loving. One of the most fascinating turns in this discussion relates to Lisa's point about the democracy of loving and voice (8.40 and 27.23), her understanding that reading literature is an anti-capitalist endeavour (16.20). The interview is a wonderful introduction to a compelling, exquisite novel, in which every page is rich in detail and affective complexity.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Bleed - The Unmasking of the Medical System in Endo-Patient Care</title>
			<itunes:title>Bleed - The Unmasking of the Medical System in Endo-Patient Care</itunes:title>
			<pubDate>Sun, 04 Jun 2023 03:32:10 GMT</pubDate>
			<itunes:duration>33:41</itunes:duration>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>4</itunes:season>
			<itunes:episode>52</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6086d520cfb9e813fa7a63a9/1688247015948-ffdadf2ddeb1fafe8fcc10ef7bd57f99.jpeg"/>
			<description><![CDATA[<p>As a fellow endo-patient, Linda makes herself vulnerable in this episode, talking frankly with the author, Tracey Lindeman, by whom she was so inspired. Lindeman, who authored <a href="https://ecwpress.com/products/bleed-misogyny-endometriosis" rel="noopener noreferrer" target="_blank"><em>Bleed: Destroying Myths and Misogyny in Endometriosis Care </em>(published by ECW Pres</a>s in 2023), uses personal experience, interviews, and research to take a deep dive into the healthcare system and the medical treatment (or lack thereof) of endo-patients.</p><br><p>Some of the topics covered include:</p><ul><li>medical gaslighting</li><li>support and advice for endo-patients</li><li>advice for medical doctors</li></ul><p><br></p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>As a fellow endo-patient, Linda makes herself vulnerable in this episode, talking frankly with the author, Tracey Lindeman, by whom she was so inspired. Lindeman, who authored <a href="https://ecwpress.com/products/bleed-misogyny-endometriosis" rel="noopener noreferrer" target="_blank"><em>Bleed: Destroying Myths and Misogyny in Endometriosis Care </em>(published by ECW Pres</a>s in 2023), uses personal experience, interviews, and research to take a deep dive into the healthcare system and the medical treatment (or lack thereof) of endo-patients.</p><br><p>Some of the topics covered include:</p><ul><li>medical gaslighting</li><li>support and advice for endo-patients</li><li>advice for medical doctors</li></ul><p><br></p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>It Really is All About Our Mothers</title>
			<itunes:title>It Really is All About Our Mothers</itunes:title>
			<pubDate>Tue, 16 May 2023 03:29:18 GMT</pubDate>
			<itunes:duration>21:19</itunes:duration>
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			<acast:episodeUrl>it-really-is-all-about-our-mothers</acast:episodeUrl>
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			<itunes:subtitle>Reflections on Loving</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>4</itunes:season>
			<itunes:episode>51</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6086d520cfb9e813fa7a63a9/1619498838832-b9b888b7974be88b0999616b26774336.jpeg"/>
			<description><![CDATA[<p>In this episode, in honour of Mother’s Day, Linda considers four different books that feature discussions about mothers, in whatever form they assume. She tackles four different genres -- non-fiction, the short story, poetry, and a novel/thriller -- to consider how loving and caring actions are given and received - or withheld. The four works include:</p><p><br></p><ul><li>Hannah McGregor, <a href="https://www.wlupress.wlu.ca/Books/A/A-Sentimental-Education" rel="noopener noreferrer" target="_blank"><em>A Sentimental Educatio</em></a><em>n</em> (Wilfrid Laurier University Press, 4.45)</li><li>Margaret Atwood, <a href="https://www.penguinrandomhouse.ca/books/725882/old-babes-in-the-wood-by-margaret-atwood/9780771003721" rel="noopener noreferrer" target="_blank"><em>Old Babes in the Wood </em></a>(McClelland &amp; Stewart, 11.04)</li><li>Jenny Boychuk <a href="https://vehiculepress.com/q.php?EAN=9781550655810" rel="noopener noreferrer" target="_blank">Antonyms for Daughter</a> (Signal, 13.53)</li><li>Charlene Carr’s<em> </em><a href="https://www.harpercollins.ca/9781443468336/hold-my-girl/" rel="noopener noreferrer" target="_blank"><em>Hold My Girl </em></a>(Harper Collins, 16.23)</li></ul><p><br></p><p>In the Takeaway, she recommends Kim Thúy's <a href="https://www.penguinrandomhouse.com/books/588893/secrets-from-my-vietnamese-kitchen-by-kim-thuy/" rel="noopener noreferrer" target="_blank"><em>Secrets from my Vietnamese Kitchen: Simple Recipes from my Many Mothers</em> </a>(Penguin Random House, 19.05) – or really, anything by her!</p><br><p>Linda also references the Almodóvar film, <em>All About My Mother</em> (2.05)&nbsp;and Italian novelist, Alessandro Baricco, and one of his books, <em>Silk </em>(19.47)</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode, in honour of Mother’s Day, Linda considers four different books that feature discussions about mothers, in whatever form they assume. She tackles four different genres -- non-fiction, the short story, poetry, and a novel/thriller -- to consider how loving and caring actions are given and received - or withheld. The four works include:</p><p><br></p><ul><li>Hannah McGregor, <a href="https://www.wlupress.wlu.ca/Books/A/A-Sentimental-Education" rel="noopener noreferrer" target="_blank"><em>A Sentimental Educatio</em></a><em>n</em> (Wilfrid Laurier University Press, 4.45)</li><li>Margaret Atwood, <a href="https://www.penguinrandomhouse.ca/books/725882/old-babes-in-the-wood-by-margaret-atwood/9780771003721" rel="noopener noreferrer" target="_blank"><em>Old Babes in the Wood </em></a>(McClelland &amp; Stewart, 11.04)</li><li>Jenny Boychuk <a href="https://vehiculepress.com/q.php?EAN=9781550655810" rel="noopener noreferrer" target="_blank">Antonyms for Daughter</a> (Signal, 13.53)</li><li>Charlene Carr’s<em> </em><a href="https://www.harpercollins.ca/9781443468336/hold-my-girl/" rel="noopener noreferrer" target="_blank"><em>Hold My Girl </em></a>(Harper Collins, 16.23)</li></ul><p><br></p><p>In the Takeaway, she recommends Kim Thúy's <a href="https://www.penguinrandomhouse.com/books/588893/secrets-from-my-vietnamese-kitchen-by-kim-thuy/" rel="noopener noreferrer" target="_blank"><em>Secrets from my Vietnamese Kitchen: Simple Recipes from my Many Mothers</em> </a>(Penguin Random House, 19.05) – or really, anything by her!</p><br><p>Linda also references the Almodóvar film, <em>All About My Mother</em> (2.05)&nbsp;and Italian novelist, Alessandro Baricco, and one of his books, <em>Silk </em>(19.47)</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title><![CDATA["And the Oscar Goes to ..." - Film Adaptation of Canadian and Indigenous Novels]]></title>
			<itunes:title><![CDATA["And the Oscar Goes to ..." - Film Adaptation of Canadian and Indigenous Novels]]></itunes:title>
			<pubDate>Tue, 02 May 2023 04:27:10 GMT</pubDate>
			<itunes:duration>43:58</itunes:duration>
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			<acast:episodeId>6450911e796e070011fc2d9d</acast:episodeId>
			<acast:showId>6086d520cfb9e813fa7a63a9</acast:showId>
			<acast:episodeUrl>a-love-letter-to-ondaatjes-the-english-patient-adapting-nove</acast:episodeUrl>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>4</itunes:season>
			<itunes:episode>50</itunes:episode>
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			<description><![CDATA[<p>Her guest, Bil Antoniou - Toronto theatre actor and podcast host of <a href="https://podcasts.apple.com/ca/podcast/bgm-bad-gay-movies-bitchy-gay-men-episodes/id612229499" rel="noopener noreferrer" target="_blank"><em>Bad Gay Movies</em></a> and <a href="https://podcasts.apple.com/ca/podcast/my-criterions/id1150928311" rel="noopener noreferrer" target="_blank"><em>My Criterions</em></a><em> </em>- discusses with Linda a series of Canadian and Indigenous novels that have been adapted to the screen, including the most recent Oscar award-winning movie, <a href="https://www.penguinrandomhouse.ca/books/562880/women-talking-by-miriam-toews/9780735273979" rel="noopener noreferrer" target="_blank"><em>Women Talking</em></a><em>, </em>directed by Sarah Polley (original novel by Miriam Toews).</p><br><p>They also discuss the following:</p><p><br></p><ul><li>Yann Martel's <a href="https://www.thecanadianencyclopedia.ca/en/article/life-of-pi" rel="noopener noreferrer" target="_blank"><em>Life of Pi </em></a><em>(</em>Knopf)</li><li>Jane Rule's <a href="https://talonbooks.com/meta-talon/a-valentine-for-desert-of-the-heart" rel="noopener noreferrer" target="_blank"><em>The Desert of the Heart </em> </a>(Talon)</li><li>Michael Ondaatje's <a href="https://www.penguinrandomhouse.ca/campaign/michael-ondaatjes-english-patient" rel="noopener noreferrer" target="_blank"><em>The English Patient</em></a><em> (</em>Penguin Random House)</li><li>and Mordecai Richler's <a href="https://www.penguinrandomhouse.ca/books/154019/barneys-version-by-mordecai-richler/9780345812230" rel="noopener noreferrer" target="_blank"><em>Barney Version</em></a><em> (</em>Penguin Random House)</li></ul><p><br></p><p>The winner of the adaptation award? Listen to find out!</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Her guest, Bil Antoniou - Toronto theatre actor and podcast host of <a href="https://podcasts.apple.com/ca/podcast/bgm-bad-gay-movies-bitchy-gay-men-episodes/id612229499" rel="noopener noreferrer" target="_blank"><em>Bad Gay Movies</em></a> and <a href="https://podcasts.apple.com/ca/podcast/my-criterions/id1150928311" rel="noopener noreferrer" target="_blank"><em>My Criterions</em></a><em> </em>- discusses with Linda a series of Canadian and Indigenous novels that have been adapted to the screen, including the most recent Oscar award-winning movie, <a href="https://www.penguinrandomhouse.ca/books/562880/women-talking-by-miriam-toews/9780735273979" rel="noopener noreferrer" target="_blank"><em>Women Talking</em></a><em>, </em>directed by Sarah Polley (original novel by Miriam Toews).</p><br><p>They also discuss the following:</p><p><br></p><ul><li>Yann Martel's <a href="https://www.thecanadianencyclopedia.ca/en/article/life-of-pi" rel="noopener noreferrer" target="_blank"><em>Life of Pi </em></a><em>(</em>Knopf)</li><li>Jane Rule's <a href="https://talonbooks.com/meta-talon/a-valentine-for-desert-of-the-heart" rel="noopener noreferrer" target="_blank"><em>The Desert of the Heart </em> </a>(Talon)</li><li>Michael Ondaatje's <a href="https://www.penguinrandomhouse.ca/campaign/michael-ondaatjes-english-patient" rel="noopener noreferrer" target="_blank"><em>The English Patient</em></a><em> (</em>Penguin Random House)</li><li>and Mordecai Richler's <a href="https://www.penguinrandomhouse.ca/books/154019/barneys-version-by-mordecai-richler/9780345812230" rel="noopener noreferrer" target="_blank"><em>Barney Version</em></a><em> (</em>Penguin Random House)</li></ul><p><br></p><p>The winner of the adaptation award? Listen to find out!</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title><![CDATA[She Shoots, She Soars - Changing the Face of Hockey & Its Representation in Literature]]></title>
			<itunes:title><![CDATA[She Shoots, She Soars - Changing the Face of Hockey & Its Representation in Literature]]></itunes:title>
			<pubDate>Sun, 16 Apr 2023 01:05:01 GMT</pubDate>
			<itunes:duration>40:24</itunes:duration>
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			<acast:episodeId>643b49bd309d100011f8de07</acast:episodeId>
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			<acast:episodeUrl>she-shoots-she-soars-changing-the-face-of-hockey-its-represe</acast:episodeUrl>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>4</itunes:season>
			<itunes:episode>49</itunes:episode>
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			<description><![CDATA[<p>Linda begins by taking up <em>The Hockey Jersey</em> (1.48; 3.15; 3.22) by Jael Richardson (1.58; 4.45; 26.17; 28.38), whom she interviews in this episode.<em>The Hockey Jersey</em> is a kind of response to <em>The Hockey Sweater</em> by Quebecois writer, Roch Carrier (4.18; 10.15; 14.55). Written in collaboration with the Toronto-based hockey player, Eva Perron (31.37), and with illustrations by Chelsea Charles (6.18), this book was the source of discussion between Linda and Richardson for this episode and how this children’s book, commissioned and supported by Scotiabank (3.20; 4.07, 5.42, 7.22), is directed toward changing the face of hockey.</p><br><p>Linda includes two other voices -- those of settler scholars, Jamie Dopp (9.51) and Sam McKegney (14.55), who also contribute to the vibrant discussion about the history of hockey in literature, both in settler and Indigenous communities.</p><br><p>Some other highlights?:</p><ul><li>Illustrations by Chelsea Charles (6.18)</li><li>The politics of representation (7.35; 26.17; 28.38)</li><li><a href="https://www.indigenoushockeycanada.com/partners" rel="noopener noreferrer" target="_blank">The Indigenous Hockey Research Network</a> (14.30; 24.19)</li><li><a href="https://www.universityresearch.ca/projects/decolonizing-sport-indigeneity-hockey-and-canadian-nationhood/" rel="noopener noreferrer" target="_blank">Decolonizing Sport</a> and Indigenous communities (22.28)</li><li>the Habs hockey player, Maurice Richard (4.22; 14.53; 17.17)</li><li>the origins and history of hockey in literature, including Ralph Connor's <em>Glengarry School Days </em>(19.50; 21.18) and Hugh McLennan's <em>Two Solitudes</em> (19.58; 21.23)</li></ul><p>&nbsp;</p><p>The episode didn’t quite make it to include a very interesting discussion with Dr. McKegney about <a href="https://theconversation.com/bring-back-beardys-blackhawks-indigenous-hockey-team-eliminated-from-sask-league-127597" rel="noopener noreferrer" target="_blank">Beardy’s Blackhawks</a>, so check out <a href="https://theconversation.com/bring-back-beardys-blackhawks-indigenous-hockey-team-eliminated-from-sask-league-127597" rel="noopener noreferrer" target="_blank">this page</a> for more about that. She includes other remarks by McKegney (36.15) and Dopp (33.09) about other literary books that invoke the sport of hockey, including <em>Indian Horse </em>by Anishnaabe novelist, <a href="https://www.thecanadianencyclopedia.ca/en/article/richard-wagamese" rel="noopener noreferrer" target="_blank">Richard Wagamese</a> (36.15).</p><br><p>Written &amp; Hosted by Linda Morra</p><p>Co-produced by Linda Morra &amp; Marco Timpano</p><p>Music by Raphael Krux</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Linda begins by taking up <em>The Hockey Jersey</em> (1.48; 3.15; 3.22) by Jael Richardson (1.58; 4.45; 26.17; 28.38), whom she interviews in this episode.<em>The Hockey Jersey</em> is a kind of response to <em>The Hockey Sweater</em> by Quebecois writer, Roch Carrier (4.18; 10.15; 14.55). Written in collaboration with the Toronto-based hockey player, Eva Perron (31.37), and with illustrations by Chelsea Charles (6.18), this book was the source of discussion between Linda and Richardson for this episode and how this children’s book, commissioned and supported by Scotiabank (3.20; 4.07, 5.42, 7.22), is directed toward changing the face of hockey.</p><br><p>Linda includes two other voices -- those of settler scholars, Jamie Dopp (9.51) and Sam McKegney (14.55), who also contribute to the vibrant discussion about the history of hockey in literature, both in settler and Indigenous communities.</p><br><p>Some other highlights?:</p><ul><li>Illustrations by Chelsea Charles (6.18)</li><li>The politics of representation (7.35; 26.17; 28.38)</li><li><a href="https://www.indigenoushockeycanada.com/partners" rel="noopener noreferrer" target="_blank">The Indigenous Hockey Research Network</a> (14.30; 24.19)</li><li><a href="https://www.universityresearch.ca/projects/decolonizing-sport-indigeneity-hockey-and-canadian-nationhood/" rel="noopener noreferrer" target="_blank">Decolonizing Sport</a> and Indigenous communities (22.28)</li><li>the Habs hockey player, Maurice Richard (4.22; 14.53; 17.17)</li><li>the origins and history of hockey in literature, including Ralph Connor's <em>Glengarry School Days </em>(19.50; 21.18) and Hugh McLennan's <em>Two Solitudes</em> (19.58; 21.23)</li></ul><p>&nbsp;</p><p>The episode didn’t quite make it to include a very interesting discussion with Dr. McKegney about <a href="https://theconversation.com/bring-back-beardys-blackhawks-indigenous-hockey-team-eliminated-from-sask-league-127597" rel="noopener noreferrer" target="_blank">Beardy’s Blackhawks</a>, so check out <a href="https://theconversation.com/bring-back-beardys-blackhawks-indigenous-hockey-team-eliminated-from-sask-league-127597" rel="noopener noreferrer" target="_blank">this page</a> for more about that. She includes other remarks by McKegney (36.15) and Dopp (33.09) about other literary books that invoke the sport of hockey, including <em>Indian Horse </em>by Anishnaabe novelist, <a href="https://www.thecanadianencyclopedia.ca/en/article/richard-wagamese" rel="noopener noreferrer" target="_blank">Richard Wagamese</a> (36.15).</p><br><p>Written &amp; Hosted by Linda Morra</p><p>Co-produced by Linda Morra &amp; Marco Timpano</p><p>Music by Raphael Krux</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title><![CDATA[Not Fooling Around - Jason Camlot's Vlarf]]></title>
			<itunes:title><![CDATA[Not Fooling Around - Jason Camlot's Vlarf]]></itunes:title>
			<pubDate>Sat, 01 Apr 2023 22:17:29 GMT</pubDate>
			<itunes:duration>47:52</itunes:duration>
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			<acast:episodeId>6428ad792f6e7a0012ffe729</acast:episodeId>
			<acast:showId>6086d520cfb9e813fa7a63a9</acast:showId>
			<acast:episodeUrl>not-fooling-around-jason-camlots-vlarf</acast:episodeUrl>
			<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmbKbhgrQiwYShz70Q9/ffXZMTtedvdcRQbP4eiLMjXzCKLPjEYLpGj+NMVKa+5C8pL4u/EOj1Vw4h5MMJYp0lCcFAe0fnxBJy/1ju4Qxy1fh8gO4DvlGA40yms2g0/hOkcrfHIopjTygHFqGwwOPKFIai4SuTvs86Lx3UYCyl6ZszDby2jiOGmzdcdaq9U3NxncFKOwQnSKp5ZGT7iW3HB2CaMSaTmRtjxTiPa/cVj4knSRs4rMwpo5bNsmAXXRc+nmOQl4eBIZyXsO8dGw3DII4AWMdkvqRnbbzgIeCbklq]]></acast:settings>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>4</itunes:season>
			<itunes:episode>48</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6086d520cfb9e813fa7a63a9/1688247103573-bada44ae42fb7f8b07e799ee470bb4ad.jpeg"/>
			<description><![CDATA[<p>In this episode, Linda interviews Jason Camlot about his new collection of poetry, <em>Vlarf </em>- and it includes references to all manner of Victorian writing/writers, such as the following:</p><p><br></p><ul><li>Oscar Wilde</li><li>Samuel Taylor Coleridge</li><li>John Ruskin</li></ul><p><br></p><p>While there is much play and whimsy in this episode, it takes a deep dive into what went into making this collection of Victorianist flarf (and what "flarf" actually is).</p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode, Linda interviews Jason Camlot about his new collection of poetry, <em>Vlarf </em>- and it includes references to all manner of Victorian writing/writers, such as the following:</p><p><br></p><ul><li>Oscar Wilde</li><li>Samuel Taylor Coleridge</li><li>John Ruskin</li></ul><p><br></p><p>While there is much play and whimsy in this episode, it takes a deep dive into what went into making this collection of Victorianist flarf (and what "flarf" actually is).</p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Five Books Worth Leaving Behind the Sunscreen for During the Winter Break</title>
			<itunes:title>Five Books Worth Leaving Behind the Sunscreen for During the Winter Break</itunes:title>
			<pubDate>Wed, 15 Mar 2023 18:26:39 GMT</pubDate>
			<itunes:duration>16:18</itunes:duration>
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			<acast:episodeId>64120ddf060a0e00112c8c1b</acast:episodeId>
			<acast:showId>6086d520cfb9e813fa7a63a9</acast:showId>
			<acast:episodeUrl>five-books-worth-leaving-behind-the-sunscreen-on-the-winter-</acast:episodeUrl>
			<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmbKbhgrQiwYShz70Q9/ffXZMTtedvdcRQbP4eiLMjXzCKLPjEYLpGj+NMVKa+5C8pL4u/EOj1Vw4h5MMJYp0lCcFAe0fnxBJy/1ju4Qxy1fh8gO4DvlGA40yms2g0/hOkcrfHIopjTygHFqGwwOPKFIai4SuTvs86Lx3UYCyl6ZszDby2jiOGmzdcdaq9U3NxncFKOwQnSKp5ZGT7iW3HB0phZbgVBF4tnKTjebpQFg+oeWT2ZfCS0ib8Qi6H4ud5c0LiyiDOamnhNUD8USFaHXpMboJmkBZ8VFOiKEHMWdc]]></acast:settings>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>4</itunes:season>
			<itunes:episode>47</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6086d520cfb9e813fa7a63a9/1619498838832-b9b888b7974be88b0999616b26774336.jpeg"/>
			<description><![CDATA[<p>Linda doesn't care if she has to take less sunscreen when she goes on vacation - if it means she gets to pack an extra couple of books. What five books would she recommend?:</p><p><br></p><ul><li><a href="https://www.penguinrandomhouse.ca/books/177041/stanley-park-by-timothy-taylor/9780676973099" rel="noopener noreferrer" target="_blank">Timothy Taylor's <em>Stanley Park </em>(Vintage/Random House</a>, 2.00)</li><li><a href="https://www.penguinrandomhouse.ca/books/558425/stray-dogs-by-rawi-hage/9780735273634" rel="noopener noreferrer" target="_blank">Rawi Hage's <em>Stray Dogs </em>(Knopf, 4.11)</a></li><li><a href="https://www.penguinrandomhouse.com/books/169361/bang-crunch-by-neil-smith/" rel="noopener noreferrer" target="_blank">Neil Smith's <em>Bang Crunch </em>(Vintage</a>, 7.54)</li><li><a href="https://www.brickbooks.ca/shop/a-really-good-brown-girl-by-marilyn-dumont/" rel="noopener noreferrer" target="_blank">Marilyn Dumont's <em>A Really Good Brown Girl </em>(Metis; Brick Books, 10.18)</a></li><li>A<a href="https://www.penguinrandomhouse.ca/books/104989/goodnight-desdemona-good-morning-juliet-play-by-ann-marie-macdonald/9780676971699" rel="noopener noreferrer" target="_blank">nn-Marie MacDonald's<em> Goodnight Desdemona (Goodmorning Juliet )</em>(Penguin, Random House, 13)</a></li></ul><p><br></p><p>Linda also references Mordecai Richler (at 3.43 and 13.20) and Alice Munro (4.36), the production of <a href="https://nac-cna.ca/en/event/30544" rel="noopener noreferrer" target="_blank">MacDonald's <em>Fall on Your Knees </em>at the National Arts Centre </a>in Ottawa, and M<a href="https://www.concordia.ca/cunews/main/stories/2015/09/24/ann-marie-macdonald-writer-residence-mordecai-richler-room.html" rel="noopener noreferrer" target="_blank">acDonald's term as the inaugural Mordecai Richler writer in residence at Concordia University</a>. Check out MacDonald's <a href="https://www.concordia.ca/cunews/main/stories/2015/11/06/dispatches-ann-marie-macdonald-mordecai-reading-room-walrus.html?c=/artsci/english/research/mordecai-richler-reading-room/writer-in-residence/ann-marie-macdonald" rel="noopener noreferrer" target="_blank">"Dispatches" f</a>rom the latter period, which are downright funny, offering welcome critique of Richler's masculinist tendencies.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Linda doesn't care if she has to take less sunscreen when she goes on vacation - if it means she gets to pack an extra couple of books. What five books would she recommend?:</p><p><br></p><ul><li><a href="https://www.penguinrandomhouse.ca/books/177041/stanley-park-by-timothy-taylor/9780676973099" rel="noopener noreferrer" target="_blank">Timothy Taylor's <em>Stanley Park </em>(Vintage/Random House</a>, 2.00)</li><li><a href="https://www.penguinrandomhouse.ca/books/558425/stray-dogs-by-rawi-hage/9780735273634" rel="noopener noreferrer" target="_blank">Rawi Hage's <em>Stray Dogs </em>(Knopf, 4.11)</a></li><li><a href="https://www.penguinrandomhouse.com/books/169361/bang-crunch-by-neil-smith/" rel="noopener noreferrer" target="_blank">Neil Smith's <em>Bang Crunch </em>(Vintage</a>, 7.54)</li><li><a href="https://www.brickbooks.ca/shop/a-really-good-brown-girl-by-marilyn-dumont/" rel="noopener noreferrer" target="_blank">Marilyn Dumont's <em>A Really Good Brown Girl </em>(Metis; Brick Books, 10.18)</a></li><li>A<a href="https://www.penguinrandomhouse.ca/books/104989/goodnight-desdemona-good-morning-juliet-play-by-ann-marie-macdonald/9780676971699" rel="noopener noreferrer" target="_blank">nn-Marie MacDonald's<em> Goodnight Desdemona (Goodmorning Juliet )</em>(Penguin, Random House, 13)</a></li></ul><p><br></p><p>Linda also references Mordecai Richler (at 3.43 and 13.20) and Alice Munro (4.36), the production of <a href="https://nac-cna.ca/en/event/30544" rel="noopener noreferrer" target="_blank">MacDonald's <em>Fall on Your Knees </em>at the National Arts Centre </a>in Ottawa, and M<a href="https://www.concordia.ca/cunews/main/stories/2015/09/24/ann-marie-macdonald-writer-residence-mordecai-richler-room.html" rel="noopener noreferrer" target="_blank">acDonald's term as the inaugural Mordecai Richler writer in residence at Concordia University</a>. Check out MacDonald's <a href="https://www.concordia.ca/cunews/main/stories/2015/11/06/dispatches-ann-marie-macdonald-mordecai-reading-room-walrus.html?c=/artsci/english/research/mordecai-richler-reading-room/writer-in-residence/ann-marie-macdonald" rel="noopener noreferrer" target="_blank">"Dispatches" f</a>rom the latter period, which are downright funny, offering welcome critique of Richler's masculinist tendencies.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title><![CDATA[It Begins with a Conversation  - Eden Robinson's Monkey Beach]]></title>
			<itunes:title><![CDATA[It Begins with a Conversation  - Eden Robinson's Monkey Beach]]></itunes:title>
			<pubDate>Wed, 01 Mar 2023 15:27:44 GMT</pubDate>
			<itunes:duration>18:11</itunes:duration>
			<enclosure url="https://sphinx.acast.com/p/open/s/6086d520cfb9e813fa7a63a9/e/63ff6ef0c60fff0011ba4a59/media.mp3" length="18978142" type="audio/mpeg"/>
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			<link>https://shows.acast.com/getting-lit-with-linda-the-canadian-literature-podcast/episodes/it-begins-with-a-conversation-eden-robinsons-monkey-beach</link>
			<acast:episodeId>63ff6ef0c60fff0011ba4a59</acast:episodeId>
			<acast:showId>6086d520cfb9e813fa7a63a9</acast:showId>
			<acast:episodeUrl>it-begins-with-a-conversation-eden-robinsons-monkey-beach</acast:episodeUrl>
			<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmbKbhgrQiwYShz70Q9/ffXZMTtedvdcRQbP4eiLMjXzCKLPjEYLpGj+NMVKa+5C8pL4u/EOj1Vw4h5MMJYp0lCcFAe0fnxBJy/1ju4Qxy1fh8gO4DvlGA40yms2g0/hOkcrfHIopjTygHFqGwwOPKFIai4SuTvs86Lx3UYCyl6ZszDby2jiOGmzdcdaq9U3NxncFKOwQnSKp5ZGT7iW3HB2u8cWLl6PWmBUIJTFuykP0gkTgFTX9gix/Uy864u9ndj+P3bANiTOIyXRts4OPyzFd9FwE1UCsdGU+TiXhMt5i]]></acast:settings>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>4</itunes:season>
			<itunes:episode>46</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6086d520cfb9e813fa7a63a9/1619498838832-b9b888b7974be88b0999616b26774336.jpeg"/>
			<description><![CDATA[<p>Season 4 opens with Linda's announcement of the podcast's <a href="www.gettinglitwithlinda.com" rel="noopener noreferrer" target="_blank">new website</a> and then shifts to a discussion about her literary journey - how she came to focus first on Canadian literature and then Indigenous literatures, which all started with a vital conversation. Her first book in the latter field was <a href="https://www.penguinrandomhouse.ca/books/156126/monkey-beach-by-eden-robinson/9780676973228" rel="noopener noreferrer" target="_blank">Eden Robinson's <em>Monkey Beach</em> </a>- and it was a game-changer, sending her off to read and understand a field about which she knew very little when she started her post-graduate studies. With brief nods to Robinson's extraordinary trajectory of writing (including <a href="https://www.penguinrandomhouse.ca/books/532532/son-of-a-trickster-by-eden-robinson/9780345810793" rel="noopener noreferrer" target="_blank"><em>Son of a Trickster)</em></a>, Linda explains why this novel remains a personal favourite. In the Takeaway, she addresses the fact that there is a corresponding movie for <a href="https://monkeybeachmovie.com" rel="noopener noreferrer" target="_blank"><em>Monkey Beach,</em></a><em> </em>which has an ending that is arguably different than that of the novel - or is it? You'll have to read the novel and watch the film to know why ....</p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Season 4 opens with Linda's announcement of the podcast's <a href="www.gettinglitwithlinda.com" rel="noopener noreferrer" target="_blank">new website</a> and then shifts to a discussion about her literary journey - how she came to focus first on Canadian literature and then Indigenous literatures, which all started with a vital conversation. Her first book in the latter field was <a href="https://www.penguinrandomhouse.ca/books/156126/monkey-beach-by-eden-robinson/9780676973228" rel="noopener noreferrer" target="_blank">Eden Robinson's <em>Monkey Beach</em> </a>- and it was a game-changer, sending her off to read and understand a field about which she knew very little when she started her post-graduate studies. With brief nods to Robinson's extraordinary trajectory of writing (including <a href="https://www.penguinrandomhouse.ca/books/532532/son-of-a-trickster-by-eden-robinson/9780345810793" rel="noopener noreferrer" target="_blank"><em>Son of a Trickster)</em></a>, Linda explains why this novel remains a personal favourite. In the Takeaway, she addresses the fact that there is a corresponding movie for <a href="https://monkeybeachmovie.com" rel="noopener noreferrer" target="_blank"><em>Monkey Beach,</em></a><em> </em>which has an ending that is arguably different than that of the novel - or is it? You'll have to read the novel and watch the film to know why ....</p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>February 2023 - A Season is Around the Corner (Teaser)</title>
			<itunes:title>February 2023 - A Season is Around the Corner (Teaser)</itunes:title>
			<pubDate>Sun, 19 Feb 2023 15:58:42 GMT</pubDate>
			<itunes:duration>1:42</itunes:duration>
			<enclosure url="https://sphinx.acast.com/p/open/s/6086d520cfb9e813fa7a63a9/e/63f24732a72d080011a76d37/media.mp3" length="2880065" type="audio/mpeg"/>
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			<link>https://shows.acast.com/getting-lit-with-linda-the-canadian-literature-podcast/episodes/february-2023-a-season-is-around-the-corner-teaser</link>
			<acast:episodeId>63f24732a72d080011a76d37</acast:episodeId>
			<acast:showId>6086d520cfb9e813fa7a63a9</acast:showId>
			<acast:episodeUrl>february-2023-a-season-is-around-the-corner-teaser</acast:episodeUrl>
			<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmbKbhgrQiwYShz70Q9/ffXZMTtedvdcRQbP4eiLMjXzCKLPjEYLpGj+NMVKa+5C8pL4u/EOj1Vw4h5MMJYp0lCcFAe0fnxBJy/1ju4Qxy1fh8gO4DvlGA40yms2g0/hOkcrfHIopjTygHFqGwwOPKFIai4SuTvs86Lx3UYCyl6ZszDby2jiOGmzdcdaq9U3NxncFKOwQnSKp5ZGT7iW3HB17TVB9rftSvpp6kduWVRbiNtgecrCaLT7zMUGgv7nzcwoQApeUFbibgr5f0aSFmnd+4YkmRAMJPxEDt8JsvOUV]]></acast:settings>
			<itunes:episodeType>trailer</itunes:episodeType>
			<itunes:image href="https://assets.pippa.io/shows/6086d520cfb9e813fa7a63a9/1619498838832-b9b888b7974be88b0999616b26774336.jpeg"/>
			<description><![CDATA[<p>Linda informs listeners of a slight change in this year's scheduling of podcast episodes - but otherwise, welcome listeners to Season 4 of Getting Lit With Linda!</p><br><p><br></p><p>Written by Linda Morra</p><p>Co-produced by Linda Morra &amp; Marco Timpano</p><p>Music by Raphael Krux.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Linda informs listeners of a slight change in this year's scheduling of podcast episodes - but otherwise, welcome listeners to Season 4 of Getting Lit With Linda!</p><br><p><br></p><p>Written by Linda Morra</p><p>Co-produced by Linda Morra &amp; Marco Timpano</p><p>Music by Raphael Krux.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Empathy, Sympathy, and the Literary Litmus Test </title>
			<itunes:title>Empathy, Sympathy, and the Literary Litmus Test </itunes:title>
			<pubDate>Sat, 31 Dec 2022 22:34:22 GMT</pubDate>
			<itunes:duration>16:51</itunes:duration>
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			<link>https://shows.acast.com/getting-lit-with-linda-the-canadian-literature-podcast/episodes/empathy-sympathy-and-the-literary-litmus-test</link>
			<acast:episodeId>63b0b8ef66e11a001133bee0</acast:episodeId>
			<acast:showId>6086d520cfb9e813fa7a63a9</acast:showId>
			<acast:episodeUrl>empathy-sympathy-and-the-literary-litmus-test</acast:episodeUrl>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>3</itunes:season>
			<itunes:episode>45</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6086d520cfb9e813fa7a63a9/1619498838832-b9b888b7974be88b0999616b26774336.jpeg"/>
			<description><![CDATA[<p>In this last episode of the season, Linda considers how empathy is often considered a function of literature and may be ideally represented -- as it is in <a href="https://arsenalpulp.com/Books/S/Scarborough" rel="noopener noreferrer" target="_blank">Catherine Hernandez's <em>Scarborough </em>published by Arsenal Pulp Press. </a> In order to explore how this should work, she considers the Classical orator, Cicero (and Aristotle's <em>Poetics </em>and Horace's <em>Ars Poetica</em>) to show how there is a long tradition of arguing that rhetoric and "good literature" should be able to teach, to delight, and to move us. </p><br><p>Other highlights include:</p><ul><li>references to <a href="https://www.google.com/search?q=difference+between+sympathy+and+empathy+brene+brown&amp;client=firefox-b-d&amp;biw=1704&amp;bih=927&amp;tbm=vid&amp;ei=13-wY-6QFsWLytMPvrOgwA4&amp;oq=difference+between+sympathy+and+empathy%2C+brena&amp;gs_lcp=Cg1nd3Mtd2l6LXZpZGVvEAEYADIHCAAQgAQQDTIFCAAQhgMyBQgAEIYDMgUIABCGAzoFCAAQgARQ7w1Y9iVgqTdoAXAAeACAAWGIAYIGkgEBOZgBAKABAcABAQ&amp;sclient=gws-wiz-video#fpstate=ive&amp;vld=cid:c9f23725,vid:1Evwgu369Jw" rel="noopener noreferrer" target="_blank">Brené Brown </a>(2.30)</li><li>the difference between empathy and sympathy (2.45)</li><li>literature and empathy (3.00)</li><li>references to Cicero, Aristotle, Horace (4.05)</li><li>discussion of Hernandez's <em>Scarborough </em>(5.40)</li></ul><p><br></p><p>In the Takeaway, she considers the novel - a thriller - <a href="https://thebestofafrica.org/content/iskanchi-press-showcasing-under-represented-voices" rel="noopener noreferrer" target="_blank"><em>Truth is a Flightless Bird </em>by Akbar Hussain and published by Iskanchi Press. </a>And then she offers her best wishes for the new year.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this last episode of the season, Linda considers how empathy is often considered a function of literature and may be ideally represented -- as it is in <a href="https://arsenalpulp.com/Books/S/Scarborough" rel="noopener noreferrer" target="_blank">Catherine Hernandez's <em>Scarborough </em>published by Arsenal Pulp Press. </a> In order to explore how this should work, she considers the Classical orator, Cicero (and Aristotle's <em>Poetics </em>and Horace's <em>Ars Poetica</em>) to show how there is a long tradition of arguing that rhetoric and "good literature" should be able to teach, to delight, and to move us. </p><br><p>Other highlights include:</p><ul><li>references to <a href="https://www.google.com/search?q=difference+between+sympathy+and+empathy+brene+brown&amp;client=firefox-b-d&amp;biw=1704&amp;bih=927&amp;tbm=vid&amp;ei=13-wY-6QFsWLytMPvrOgwA4&amp;oq=difference+between+sympathy+and+empathy%2C+brena&amp;gs_lcp=Cg1nd3Mtd2l6LXZpZGVvEAEYADIHCAAQgAQQDTIFCAAQhgMyBQgAEIYDMgUIABCGAzoFCAAQgARQ7w1Y9iVgqTdoAXAAeACAAWGIAYIGkgEBOZgBAKABAcABAQ&amp;sclient=gws-wiz-video#fpstate=ive&amp;vld=cid:c9f23725,vid:1Evwgu369Jw" rel="noopener noreferrer" target="_blank">Brené Brown </a>(2.30)</li><li>the difference between empathy and sympathy (2.45)</li><li>literature and empathy (3.00)</li><li>references to Cicero, Aristotle, Horace (4.05)</li><li>discussion of Hernandez's <em>Scarborough </em>(5.40)</li></ul><p><br></p><p>In the Takeaway, she considers the novel - a thriller - <a href="https://thebestofafrica.org/content/iskanchi-press-showcasing-under-represented-voices" rel="noopener noreferrer" target="_blank"><em>Truth is a Flightless Bird </em>by Akbar Hussain and published by Iskanchi Press. </a>And then she offers her best wishes for the new year.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title><![CDATA[Season's Greetings - From GLWL Guests 2022]]></title>
			<itunes:title><![CDATA[Season's Greetings - From GLWL Guests 2022]]></itunes:title>
			<pubDate>Sat, 17 Dec 2022 12:21:03 GMT</pubDate>
			<itunes:duration>9:37</itunes:duration>
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			<itunes:season>3</itunes:season>
			<itunes:episode>44</itunes:episode>
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			<description><![CDATA[<p>In this episode of <em>Getting Lit With Linda</em>, the guests over the course of the 2022 year offer their reading recommendations and their wishes to you for the holidays--including Stephen Collis, Ali Hassan, Terri Favro, Gillian Sze, Marco Timpano, Amanda Barker, Isabella Wang, Amy Spurway, Chantel Lavoie, and Kate Ready. This is our second-last episode of the season (one more before December 31) before we sign off for a break--we will be back at the end of February 2023 for Season Four!</p><br><p>Warmest holiday wishes to all!</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode of <em>Getting Lit With Linda</em>, the guests over the course of the 2022 year offer their reading recommendations and their wishes to you for the holidays--including Stephen Collis, Ali Hassan, Terri Favro, Gillian Sze, Marco Timpano, Amanda Barker, Isabella Wang, Amy Spurway, Chantel Lavoie, and Kate Ready. This is our second-last episode of the season (one more before December 31) before we sign off for a break--we will be back at the end of February 2023 for Season Four!</p><br><p>Warmest holiday wishes to all!</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>To Discover or to Divine </title>
			<itunes:title>To Discover or to Divine </itunes:title>
			<pubDate>Thu, 24 Nov 2022 20:54:12 GMT</pubDate>
			<itunes:duration>17:37</itunes:duration>
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			<acast:episodeUrl>to-discover-or-to-divine</acast:episodeUrl>
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			<itunes:subtitle>With Sheryda Warrener, Graeme Kennedy, and MacKenzie Sewell</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>3</itunes:season>
			<itunes:episode>43</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6086d520cfb9e813fa7a63a9/1619498838832-b9b888b7974be88b0999616b26774336.jpeg"/>
			<description><![CDATA[<p>In this episode, Linda considers the moment she came across the handwritten memoir of Jane Rule at the University of British Columbia Archives and Rare books. She considers the idea of "discovering" or "divining" in the archive and how that relates to meeting poet and instructor, <a href="https://chbooks.com/Authors/W/Warrener-Sheryda" rel="noopener noreferrer" target="_blank">Sheryda Warrener</a>, who invited her to look at the work of her students during one of Linda's visits to the archive. Two poets from that exhibit--Graeme Kennedy and MacKenzie Sewell--are highlighted in this episode, along with Warrener and her collection, <a href="https://chbooks.com/Books/T/Test-Piece" rel="noopener noreferrer" target="_blank">Test Piece (Coach House Books, 2022</a>). The other students who took that class are Bayleigh Marelj, Sinead Tebbutt, Stephanie Okoli, Faria Malik, Ava Kucharski, and Charis Young.</p><br><p>Episode highlights:</p><ul><li>the nature of "discovery" and "divining"</li><li>the importance of process (over "creative product")</li><li>a consideration of <a href="https://www.poetryfoundation.org/learn/glossary-terms/ekphrasis" rel="noopener noreferrer" target="_blank">ekphrasis </a></li></ul><p><br></p><p>In the Takeaway, she recommends Montreal's <a href="https://www.google.com/search?client=safari&amp;rls=en&amp;q=salon+du+livre&amp;ie=UTF-8&amp;oe=UTF-8" rel="noopener noreferrer" target="_blank">Salon du Livre,</a> taking place in Montreal at the moment of this episode's release - and tonight's event (as part of "Salon Dans La Ville"), <a href="https://qwf.org/event/a-conversation-with-david-mitchell/" rel="noopener noreferrer" target="_blank">Sean Michaels and David Mitchell (hosted by the Quebec Writers' Federation) at the Atwater Library.</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode, Linda considers the moment she came across the handwritten memoir of Jane Rule at the University of British Columbia Archives and Rare books. She considers the idea of "discovering" or "divining" in the archive and how that relates to meeting poet and instructor, <a href="https://chbooks.com/Authors/W/Warrener-Sheryda" rel="noopener noreferrer" target="_blank">Sheryda Warrener</a>, who invited her to look at the work of her students during one of Linda's visits to the archive. Two poets from that exhibit--Graeme Kennedy and MacKenzie Sewell--are highlighted in this episode, along with Warrener and her collection, <a href="https://chbooks.com/Books/T/Test-Piece" rel="noopener noreferrer" target="_blank">Test Piece (Coach House Books, 2022</a>). The other students who took that class are Bayleigh Marelj, Sinead Tebbutt, Stephanie Okoli, Faria Malik, Ava Kucharski, and Charis Young.</p><br><p>Episode highlights:</p><ul><li>the nature of "discovery" and "divining"</li><li>the importance of process (over "creative product")</li><li>a consideration of <a href="https://www.poetryfoundation.org/learn/glossary-terms/ekphrasis" rel="noopener noreferrer" target="_blank">ekphrasis </a></li></ul><p><br></p><p>In the Takeaway, she recommends Montreal's <a href="https://www.google.com/search?client=safari&amp;rls=en&amp;q=salon+du+livre&amp;ie=UTF-8&amp;oe=UTF-8" rel="noopener noreferrer" target="_blank">Salon du Livre,</a> taking place in Montreal at the moment of this episode's release - and tonight's event (as part of "Salon Dans La Ville"), <a href="https://qwf.org/event/a-conversation-with-david-mitchell/" rel="noopener noreferrer" target="_blank">Sean Michaels and David Mitchell (hosted by the Quebec Writers' Federation) at the Atwater Library.</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
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			<title><![CDATA[The Baggage of Atlas: Amy Spurway's Crow]]></title>
			<itunes:title><![CDATA[The Baggage of Atlas: Amy Spurway's Crow]]></itunes:title>
			<pubDate>Thu, 10 Nov 2022 18:50:51 GMT</pubDate>
			<itunes:duration>25:42</itunes:duration>
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			<acast:episodeUrl>the-baggage-of-atlas-amy-spurways-crow</acast:episodeUrl>
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			<itunes:season>3</itunes:season>
			<itunes:episode>42</itunes:episode>
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			<description><![CDATA[<p>** Explicit language in this episode</p><br><p>Linda opens this episode on a celebratory note – the fact that <strong><em>Getting Lit with Linda </em></strong>won in the category of <a href="https://canpodawards.ca/award/education/" rel="noopener noreferrer" target="_blank">Outstanding Education Series</a> in the <a href="https://canpodawards.ca/award/" rel="noopener noreferrer" target="_blank">Canadian Podcast Awards</a>. We are grateful to our listeners, voters, and guests on the show! (And Linda recommends reaching out to <a href="http://www.drumcastproductions.com/about-us.html" rel="noopener noreferrer" target="_blank">her producer, Marco Timpano, </a>if you want more information about podcasting in general!)</p><br><p>In this episode, Linda begins with a reflection on the “weight of Atlas” in relation to Greek mythology (no, not the band “T<a href="https://ca.video.search.yahoo.com/yhs/search?fr=yhs-ima-st_mig&amp;ei=UTF-8&amp;hsimp=yhs-st_mig&amp;hspart=ima&amp;p=weight+of+atlas%2C+band%2C+aylor+swift&amp;type=q3000_A0IHV_set_bcrq#id=50&amp;vid=e3666a0ff7e32a9f4e5c5c32790bc653&amp;action=click" rel="noopener noreferrer" target="_blank">he Weight of Atlas” that did a cover of one of Taylor Swift’s songs</a>)&nbsp;and how we use it in the present. She ties that reflection to the themes of <a href="https://gooselane.com/products/crow" rel="noopener noreferrer" target="_blank">Amy Spurway’s <em>Crow </em>(Goose Lane Books</a>), winner of the "IPPY Award for Best First Book - Fiction and Margaret and John Savage First Book Award for Fiction" and <strong>&nbsp;t</strong>he subject of this episode. The narrator, also named Crow, has returned back to her home on the East Coast of Canada, where she must learn that adapting to her environment is no longer enough—real transformation is required, which happens when one puts down the weight--our past baggage--that one has been unnecessarily carrying. The episode also involves:</p><p><br></p><ul><li>Linda's promise to examine other East Coast writers, like <a href="https://www.penguinrandomhouse.ca/authors/6123/michael-crummey" rel="noopener noreferrer" target="_blank">Michael Crummey</a>, <a href="https://www.writerstrust.com/authors/lisa-moore/books/open" rel="noopener noreferrer" target="_blank">Lisa Moore</a>, <a href="https://www.imdb.com/name/nm1097393/" rel="noopener noreferrer" target="_blank">Joel Thomas Hynes</a>, <a href="https://donnamorrissey.org/writer/" rel="noopener noreferrer" target="_blank">Donna Morrissey</a>, and <a href="https://www.britannica.com/biography/Alistair-MacLeod" rel="noopener noreferrer" target="_blank">Alistair MacLeod</a> (5.35); </li><li>Discussions about Spurway’s <em>Crow</em> (GooseLane Books), <a href="https://www.kobo.com/ca/en/ebook/crow-10" rel="noopener noreferrer" target="_blank">with selections from the audiobook, available on Kobo (6.07)</a>;</li><li>references to authors Heather O'Neill and Kevin Lambert and their rendering of class (12.43).</li></ul><p><br></p><p>In the Takeaway (15.10), Linda discusses with a<a href="https://www.imdb.com/name/nm2144639/" rel="noopener noreferrer" target="_blank">ctor and audiobook narrator, Amanda Barker, </a>about what is involved in this kind of work—and especially in relation to <em>Crow</em>, for which she was the reader.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>** Explicit language in this episode</p><br><p>Linda opens this episode on a celebratory note – the fact that <strong><em>Getting Lit with Linda </em></strong>won in the category of <a href="https://canpodawards.ca/award/education/" rel="noopener noreferrer" target="_blank">Outstanding Education Series</a> in the <a href="https://canpodawards.ca/award/" rel="noopener noreferrer" target="_blank">Canadian Podcast Awards</a>. We are grateful to our listeners, voters, and guests on the show! (And Linda recommends reaching out to <a href="http://www.drumcastproductions.com/about-us.html" rel="noopener noreferrer" target="_blank">her producer, Marco Timpano, </a>if you want more information about podcasting in general!)</p><br><p>In this episode, Linda begins with a reflection on the “weight of Atlas” in relation to Greek mythology (no, not the band “T<a href="https://ca.video.search.yahoo.com/yhs/search?fr=yhs-ima-st_mig&amp;ei=UTF-8&amp;hsimp=yhs-st_mig&amp;hspart=ima&amp;p=weight+of+atlas%2C+band%2C+aylor+swift&amp;type=q3000_A0IHV_set_bcrq#id=50&amp;vid=e3666a0ff7e32a9f4e5c5c32790bc653&amp;action=click" rel="noopener noreferrer" target="_blank">he Weight of Atlas” that did a cover of one of Taylor Swift’s songs</a>)&nbsp;and how we use it in the present. She ties that reflection to the themes of <a href="https://gooselane.com/products/crow" rel="noopener noreferrer" target="_blank">Amy Spurway’s <em>Crow </em>(Goose Lane Books</a>), winner of the "IPPY Award for Best First Book - Fiction and Margaret and John Savage First Book Award for Fiction" and <strong>&nbsp;t</strong>he subject of this episode. The narrator, also named Crow, has returned back to her home on the East Coast of Canada, where she must learn that adapting to her environment is no longer enough—real transformation is required, which happens when one puts down the weight--our past baggage--that one has been unnecessarily carrying. The episode also involves:</p><p><br></p><ul><li>Linda's promise to examine other East Coast writers, like <a href="https://www.penguinrandomhouse.ca/authors/6123/michael-crummey" rel="noopener noreferrer" target="_blank">Michael Crummey</a>, <a href="https://www.writerstrust.com/authors/lisa-moore/books/open" rel="noopener noreferrer" target="_blank">Lisa Moore</a>, <a href="https://www.imdb.com/name/nm1097393/" rel="noopener noreferrer" target="_blank">Joel Thomas Hynes</a>, <a href="https://donnamorrissey.org/writer/" rel="noopener noreferrer" target="_blank">Donna Morrissey</a>, and <a href="https://www.britannica.com/biography/Alistair-MacLeod" rel="noopener noreferrer" target="_blank">Alistair MacLeod</a> (5.35); </li><li>Discussions about Spurway’s <em>Crow</em> (GooseLane Books), <a href="https://www.kobo.com/ca/en/ebook/crow-10" rel="noopener noreferrer" target="_blank">with selections from the audiobook, available on Kobo (6.07)</a>;</li><li>references to authors Heather O'Neill and Kevin Lambert and their rendering of class (12.43).</li></ul><p><br></p><p>In the Takeaway (15.10), Linda discusses with a<a href="https://www.imdb.com/name/nm2144639/" rel="noopener noreferrer" target="_blank">ctor and audiobook narrator, Amanda Barker, </a>about what is involved in this kind of work—and especially in relation to <em>Crow</em>, for which she was the reader.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title><![CDATA[Top Five Picks for a Haunting Hallowe-'en]]></title>
			<itunes:title><![CDATA[Top Five Picks for a Haunting Hallowe-'en]]></itunes:title>
			<pubDate>Thu, 27 Oct 2022 15:53:15 GMT</pubDate>
			<itunes:duration>19:53</itunes:duration>
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			<itunes:episode>41</itunes:episode>
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			<description><![CDATA[<p>What does it really mean to be haunted? Is being haunted always a sinister experience? For this Hallowe'en episode, Linda considers</p><ul><li>memory and loss</li><li>trauma</li><li>and the nature of haunting and feeling haunted</li></ul><p>She considers, for example, <a href="https://www.theguardian.com/books/gallery/2018/jul/30/emily-brontes-wuthering-heights-in-charts" rel="noopener noreferrer" target="_blank">Emily Bronte's nineteenth-century British novel <em>Wuthering Heights </em></a>(and <a href="https://ca.video.search.yahoo.com/yhs/search?fr=yhs-ima-st_mig&amp;ei=UTF-8&amp;hsimp=yhs-st_mig&amp;hspart=ima&amp;p=catherine+bush%2C+heathcliff&amp;type=q3000_A0IHV_set_bcrq#id=7&amp;vid=2e52a4758a442563d27facc8a2bb55f2&amp;action=click" rel="noopener noreferrer" target="_blank">Kate Bush's song, "Wuthering Heights" </a>based on the novel) or <a href="https://www.britannica.com/topic/Frankenstein" rel="noopener noreferrer" target="_blank">Mary Shelley's <em>Frankenstein </em></a>as examples outside of literature in Canada. But then she counts down to her top five books that either haunt her or delineate haunting experiences.</p><br><p>Which five works of literature in Canada make the cut? You'll have to listen to find out ...</p><br><p>In the "Takeaway" section, she recommends <a href="https://bcbooks.49thshelf.com/Books/A/All-My-Puny-Sorrows" rel="noopener noreferrer" target="_blank">Miram Toews' <em>All My Puny Sorrows </em></a><em>- </em>an extraordinary novel that challenges us about what our responsibility to others is and means.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>What does it really mean to be haunted? Is being haunted always a sinister experience? For this Hallowe'en episode, Linda considers</p><ul><li>memory and loss</li><li>trauma</li><li>and the nature of haunting and feeling haunted</li></ul><p>She considers, for example, <a href="https://www.theguardian.com/books/gallery/2018/jul/30/emily-brontes-wuthering-heights-in-charts" rel="noopener noreferrer" target="_blank">Emily Bronte's nineteenth-century British novel <em>Wuthering Heights </em></a>(and <a href="https://ca.video.search.yahoo.com/yhs/search?fr=yhs-ima-st_mig&amp;ei=UTF-8&amp;hsimp=yhs-st_mig&amp;hspart=ima&amp;p=catherine+bush%2C+heathcliff&amp;type=q3000_A0IHV_set_bcrq#id=7&amp;vid=2e52a4758a442563d27facc8a2bb55f2&amp;action=click" rel="noopener noreferrer" target="_blank">Kate Bush's song, "Wuthering Heights" </a>based on the novel) or <a href="https://www.britannica.com/topic/Frankenstein" rel="noopener noreferrer" target="_blank">Mary Shelley's <em>Frankenstein </em></a>as examples outside of literature in Canada. But then she counts down to her top five books that either haunt her or delineate haunting experiences.</p><br><p>Which five works of literature in Canada make the cut? You'll have to listen to find out ...</p><br><p>In the "Takeaway" section, she recommends <a href="https://bcbooks.49thshelf.com/Books/A/All-My-Puny-Sorrows" rel="noopener noreferrer" target="_blank">Miram Toews' <em>All My Puny Sorrows </em></a><em>- </em>an extraordinary novel that challenges us about what our responsibility to others is and means.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title><![CDATA[The Stories Behind the Strike: Kevin Lambert's Querelle of Roberval]]></title>
			<itunes:title><![CDATA[The Stories Behind the Strike: Kevin Lambert's Querelle of Roberval]]></itunes:title>
			<pubDate>Fri, 07 Oct 2022 06:06:36 GMT</pubDate>
			<itunes:duration>20:02</itunes:duration>
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			<itunes:episode>40</itunes:episode>
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			<description><![CDATA[<p>In this episode, Linda reflects on a strike in which she was a participant and the real complexities of its participants and affiliated institutions as a way into <a href="http://biblioasis.com/brand/lambert-kevin/" rel="noopener noreferrer" target="_blank">Kevin Lambert'</a>s marvellous new book, <a href="http://biblioasis.com/shop/new-releases/querelle-of-roberval/" rel="noopener noreferrer" target="_blank"><em>Querelle of Roberval (</em>Biblioasis). </a>Invoking the proportions and form of Greek tragedy, Lambert locates the conflict of this book in a small town in Quebec and shows how its participants all have complex motivations for their actions--including hatred, lust, and revenge. </p><br><p>In the Takeaway, Linda highly recommends a column by<a href="https://www.writerstrust.com/authors/casey-plett/" rel="noopener noreferrer" target="_blank"> Casey Plett </a>called "Balls Out: A Column on Being Transgendered" (which appeared in <a href="https://www.mcsweeneys.net/columns/balls-out-a-column-on-being-transgendered" rel="noopener noreferrer" target="_blank"><em>McSweeney's Internet Tendency</em>.</a>), a poignant and engaging series about the process of transitioning. </p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode, Linda reflects on a strike in which she was a participant and the real complexities of its participants and affiliated institutions as a way into <a href="http://biblioasis.com/brand/lambert-kevin/" rel="noopener noreferrer" target="_blank">Kevin Lambert'</a>s marvellous new book, <a href="http://biblioasis.com/shop/new-releases/querelle-of-roberval/" rel="noopener noreferrer" target="_blank"><em>Querelle of Roberval (</em>Biblioasis). </a>Invoking the proportions and form of Greek tragedy, Lambert locates the conflict of this book in a small town in Quebec and shows how its participants all have complex motivations for their actions--including hatred, lust, and revenge. </p><br><p>In the Takeaway, Linda highly recommends a column by<a href="https://www.writerstrust.com/authors/casey-plett/" rel="noopener noreferrer" target="_blank"> Casey Plett </a>called "Balls Out: A Column on Being Transgendered" (which appeared in <a href="https://www.mcsweeneys.net/columns/balls-out-a-column-on-being-transgendered" rel="noopener noreferrer" target="_blank"><em>McSweeney's Internet Tendency</em>.</a>), a poignant and engaging series about the process of transitioning. </p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
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			<title>Ali Hassan Brings Home the Bacon -- and the Joy</title>
			<itunes:title>Ali Hassan Brings Home the Bacon -- and the Joy</itunes:title>
			<pubDate>Thu, 15 Sep 2022 21:56:25 GMT</pubDate>
			<itunes:duration>35:07</itunes:duration>
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			<acast:episodeUrl>bringing-home-the-bacon-and</acast:episodeUrl>
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			<itunes:season>3</itunes:season>
			<itunes:episode>39</itunes:episode>
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			<description><![CDATA[<p>Is there Bacon in Heaven? Maybe – but there’s certainly bacon on earth, Ali Hassan reminds us, and he enjoys it—and he doesn’t mean it simply literally either. In his new book--a memoir titled <a href="https://www.simonandschuster.com/books/Is-There-Bacon-in-Heaven/Ali-Hassan/9781982149178" rel="noopener noreferrer" target="_blank"><em>Is There Bacon in Heaven?</em> (Simon &amp; Schuster)</a> -- he looks at what is good here on earth and how to locate those moments of goodness—in addition to those of humour and comedy and joy. In this interview, Linda and he talk about the fundamentals of his memoir, the boundaries of comedy, and the power of humour—to restore relationships and connect us meaningfully to others.</p><br><p>Some of the topics we broach?:</p><ul><li>9/11 and crossing the border;</li><li>the purposes of comedy;</li><li>the difference between writing for the page and for the stage.</li></ul><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Is there Bacon in Heaven? Maybe – but there’s certainly bacon on earth, Ali Hassan reminds us, and he enjoys it—and he doesn’t mean it simply literally either. In his new book--a memoir titled <a href="https://www.simonandschuster.com/books/Is-There-Bacon-in-Heaven/Ali-Hassan/9781982149178" rel="noopener noreferrer" target="_blank"><em>Is There Bacon in Heaven?</em> (Simon &amp; Schuster)</a> -- he looks at what is good here on earth and how to locate those moments of goodness—in addition to those of humour and comedy and joy. In this interview, Linda and he talk about the fundamentals of his memoir, the boundaries of comedy, and the power of humour—to restore relationships and connect us meaningfully to others.</p><br><p>Some of the topics we broach?:</p><ul><li>9/11 and crossing the border;</li><li>the purposes of comedy;</li><li>the difference between writing for the page and for the stage.</li></ul><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title><![CDATA[Who's on First? Frances Brooke's The History of Emily Montague, with Dr. Kate Ready]]></title>
			<itunes:title><![CDATA[Who's on First? Frances Brooke's The History of Emily Montague, with Dr. Kate Ready]]></itunes:title>
			<pubDate>Fri, 02 Sep 2022 02:58:27 GMT</pubDate>
			<itunes:duration>35:12</itunes:duration>
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			<itunes:episode>38</itunes:episode>
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			<description><![CDATA[<p>Ever wonder what was the "first" book of Canadian literature? How do we even know how to define what that would be? In this episode, Linda chats with eighteenth-century British literature scholar, Dr. Kathryn Ready, about what is sometimes claimed as the first book of Canadian literature--<a href="http://borealispress.com/BookDetail/rid/717/History%20of%20Emily%20Montague" rel="noopener noreferrer" target="_blank">Frances Brooke's The History of Emily Montague</a>. Linda and Dr. Ready may -- or may not -- have tussled over whether this book is British or Canadian, but what they absolutely do is consider the finer aspects of the novel and its global investments.</p><br><p>Linda opens with a consideration of "firsts" (referencing <a href="https://www.youtube.com/watch?v=2ve20PVNZ18&amp;ab_channel=DayStarPoet" rel="noopener noreferrer" target="_blank">Abbott and Costello's comedy routine</a>, "Who's on First?," 1.05) and then turns to Dr. Ready who speaks about the following:</p><ul><li>epistolary narratives, tradition of letter-writing (4.25; 5.15)</li><li>Samuel Richardson's <em>Pamela </em>(4.35, 6.30)</li><li>Frances Brooke (8.25)</li><li>travel writing (11.25)</li><li>aesthetic of the sublime and beautiful (11.40)</li><li>the Seven Years War (12.05)</li></ul><p>And so much more ....</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Ever wonder what was the "first" book of Canadian literature? How do we even know how to define what that would be? In this episode, Linda chats with eighteenth-century British literature scholar, Dr. Kathryn Ready, about what is sometimes claimed as the first book of Canadian literature--<a href="http://borealispress.com/BookDetail/rid/717/History%20of%20Emily%20Montague" rel="noopener noreferrer" target="_blank">Frances Brooke's The History of Emily Montague</a>. Linda and Dr. Ready may -- or may not -- have tussled over whether this book is British or Canadian, but what they absolutely do is consider the finer aspects of the novel and its global investments.</p><br><p>Linda opens with a consideration of "firsts" (referencing <a href="https://www.youtube.com/watch?v=2ve20PVNZ18&amp;ab_channel=DayStarPoet" rel="noopener noreferrer" target="_blank">Abbott and Costello's comedy routine</a>, "Who's on First?," 1.05) and then turns to Dr. Ready who speaks about the following:</p><ul><li>epistolary narratives, tradition of letter-writing (4.25; 5.15)</li><li>Samuel Richardson's <em>Pamela </em>(4.35, 6.30)</li><li>Frances Brooke (8.25)</li><li>travel writing (11.25)</li><li>aesthetic of the sublime and beautiful (11.40)</li><li>the Seven Years War (12.05)</li></ul><p>And so much more ....</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title><![CDATA[Bad Boundaries & Good Relationships: Thomas King & Natasha Donovan]]></title>
			<itunes:title><![CDATA[Bad Boundaries & Good Relationships: Thomas King & Natasha Donovan]]></itunes:title>
			<pubDate>Fri, 19 Aug 2022 04:10:49 GMT</pubDate>
			<itunes:duration>20:19</itunes:duration>
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			<itunes:subtitle>Borders: The Graphic Novel</itunes:subtitle>
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			<itunes:episode>37</itunes:episode>
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			<description><![CDATA[<p>In this episode, Linda reflects on why we say boundaries are "bad" and how "good relationships" stand in contrast. Using <a href="https://www.britannica.com/biography/Thomas-King-writer-and-photographer" rel="noopener noreferrer" target="_blank">Thomas King</a> (author of <a href="https://www.penguinrandomhouse.ca/books/93028/the-inconvenient-indian-by-thomas-king/9780385664226" rel="noopener noreferrer" target="_blank"><em>The Inconvenient Indian</em></a>, <a href="https://www.penguinrandomhouse.ca/books/391563/medicine-river-by-thomas-king/9780143191148" rel="noopener noreferrer" target="_blank"><em>Medicine River,</em></a> <a href="https://www.harpercollins.ca/9781554685257/green-grass-running-water/ https://www.natashadonovan.com/borders" rel="noopener noreferrer" target="_blank"><em>Green Grass, Running Water</em></a>) and <a href="https://www.natashadonovan.com/borders" rel="noopener noreferrer" target="_blank">Natasha Donovan's graphic novel</a>, <a href="https://www.lbyr.com/titles/thomas-king/borders/9780316593069/" rel="noopener noreferrer" target="_blank"><em>Borders</em> </a>(published by Little Brown, 6.55), Linda explores "bad boundaries" -- and bad borders -- in relation to the Blackfoot nation. She also refers to <a href="https://www.ubcpress.ca/daniel-ruck" rel="noopener noreferrer" target="_blank">Daniel Rück’s <em>The Laws and the Land </em>(</a>4.00) and <a href="https://global.oup.com/academic/product/a-line-of-blood-and-dirt-9780197528693?cc=ca&amp;lang=en&amp;" rel="noopener noreferrer" target="_blank">Benjamin Hoy’s <em>A Line of Blood and Dirt</em> </a>(5.55) to explain her thinking around boundaries and borders. Some of her musings encompass the following:</p><p><br></p><ul><li>What are bad boundaries? (2.43; 5.05; 10.40)</li><li>The Canadian-American Border; Blackfoot territory (8.30; 9.00; 12.19; 14.18; 15.00)</li><li>Mapping and cartography as expressions of power (8.40)</li><li>National imagined identities (9.00)</li><li>Blackfoot culture (9.58)</li><li>Relationships (between the mother-daughter, mother-narrator in the story, 11.00; 15.25; 16.35)</li><li>Stories and their importance (15.40)</li></ul><p><br></p><p>The Takeaway is about Joshua Whitehead's <a href="https://talonbooks.com/books/full-metal-indigiqueer" rel="noopener noreferrer" target="_blank"><em>Full Metal Indigiqueer </em>published by Talon Press</a> (17.00),<em> </em>with reference to <a href="https://www.penguinrandomhouse.ca/books/611543/making-love-with-the-land-by-joshua-whitehead/9780735278868" rel="noopener noreferrer" target="_blank"><em>Making Love to the Land </em>by Penguin Random House</a>. She makes reference to the difference between Transgender and Two Spirit, the former referreing to someone whose gender identity differs from the sex assigned at birth, the latter to an Indigenous person who identifies as possessing both a masculine and a feminine spirit.</p><p>&nbsp;</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode, Linda reflects on why we say boundaries are "bad" and how "good relationships" stand in contrast. Using <a href="https://www.britannica.com/biography/Thomas-King-writer-and-photographer" rel="noopener noreferrer" target="_blank">Thomas King</a> (author of <a href="https://www.penguinrandomhouse.ca/books/93028/the-inconvenient-indian-by-thomas-king/9780385664226" rel="noopener noreferrer" target="_blank"><em>The Inconvenient Indian</em></a>, <a href="https://www.penguinrandomhouse.ca/books/391563/medicine-river-by-thomas-king/9780143191148" rel="noopener noreferrer" target="_blank"><em>Medicine River,</em></a> <a href="https://www.harpercollins.ca/9781554685257/green-grass-running-water/ https://www.natashadonovan.com/borders" rel="noopener noreferrer" target="_blank"><em>Green Grass, Running Water</em></a>) and <a href="https://www.natashadonovan.com/borders" rel="noopener noreferrer" target="_blank">Natasha Donovan's graphic novel</a>, <a href="https://www.lbyr.com/titles/thomas-king/borders/9780316593069/" rel="noopener noreferrer" target="_blank"><em>Borders</em> </a>(published by Little Brown, 6.55), Linda explores "bad boundaries" -- and bad borders -- in relation to the Blackfoot nation. She also refers to <a href="https://www.ubcpress.ca/daniel-ruck" rel="noopener noreferrer" target="_blank">Daniel Rück’s <em>The Laws and the Land </em>(</a>4.00) and <a href="https://global.oup.com/academic/product/a-line-of-blood-and-dirt-9780197528693?cc=ca&amp;lang=en&amp;" rel="noopener noreferrer" target="_blank">Benjamin Hoy’s <em>A Line of Blood and Dirt</em> </a>(5.55) to explain her thinking around boundaries and borders. Some of her musings encompass the following:</p><p><br></p><ul><li>What are bad boundaries? (2.43; 5.05; 10.40)</li><li>The Canadian-American Border; Blackfoot territory (8.30; 9.00; 12.19; 14.18; 15.00)</li><li>Mapping and cartography as expressions of power (8.40)</li><li>National imagined identities (9.00)</li><li>Blackfoot culture (9.58)</li><li>Relationships (between the mother-daughter, mother-narrator in the story, 11.00; 15.25; 16.35)</li><li>Stories and their importance (15.40)</li></ul><p><br></p><p>The Takeaway is about Joshua Whitehead's <a href="https://talonbooks.com/books/full-metal-indigiqueer" rel="noopener noreferrer" target="_blank"><em>Full Metal Indigiqueer </em>published by Talon Press</a> (17.00),<em> </em>with reference to <a href="https://www.penguinrandomhouse.ca/books/611543/making-love-with-the-land-by-joshua-whitehead/9780735278868" rel="noopener noreferrer" target="_blank"><em>Making Love to the Land </em>by Penguin Random House</a>. She makes reference to the difference between Transgender and Two Spirit, the former referreing to someone whose gender identity differs from the sex assigned at birth, the latter to an Indigenous person who identifies as possessing both a masculine and a feminine spirit.</p><p>&nbsp;</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title><![CDATA[Night Vigils & Varieties of Looking]]></title>
			<itunes:title><![CDATA[Night Vigils & Varieties of Looking]]></itunes:title>
			<pubDate>Fri, 05 Aug 2022 01:12:27 GMT</pubDate>
			<itunes:duration>39:08</itunes:duration>
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			<acast:episodeUrl>night-vigils-varieties-of-looking</acast:episodeUrl>
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			<itunes:subtitle>An Interview with Gillian Sze</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>3</itunes:season>
			<itunes:episode>36</itunes:episode>
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			<description><![CDATA[<p>Linda opens on a celebratory note: <em>Getting Lit With Linda </em>has received two separate nominations for the Canadian Podcasting Awards, one in the category of <a href="https://canpodawards.ca/vote/education/" rel="noopener noreferrer" target="_blank">Outstanding Educational Series</a> and another in the category of <a href="https://canpodawards.ca/vote/arts/" rel="noopener noreferrer" target="_blank">Outstanding Arts Podcast</a>. She also includes a tribute to the late <a href="http://www.stevenheighton.com/" rel="noopener noreferrer" target="_blank">Steven Heighton</a> (2.39), whom she remembers fondly.</p><br><p>Linda and Gillian Sze -- the guest for this episode -- chat about her new book,<em> </em><a href="https://ecwpress.com/products/quiet-night-think" rel="noopener noreferrer" target="_blank"><em>Quiet Night Think </em>(ECW Press) </a>and participate in “quiet thinking” and "looking," especially when there are competing demands on one's time and competing expectations. They discuss other writers, with an emphasis on <a href="https://www.poetryfoundation.org/poets/li-po" rel="noopener noreferrer" target="_blank">Li Bai </a>(701-7662 AD; 5.11, 16.27, 24.09) and <a href="https://www.poetryfoundation.org/poets/emily-dickinson" rel="noopener noreferrer" target="_blank">Emily Dickinson or “Em”</a> (12.28, 16.27, 24.11, 25.11). They also chat about the following:</p><ul><li>Caregiving, night vigils (19.32; 23.00)</li><li>Origins, parenting, immigrant parents (25.35, 26.28)</li><li>Structure and genre of the collection (20.27, 21.39)</li><li>Learning Mandarin (7.22)</li><li>Poetry and relationships (8.28 ; her father, 9.45, 27.03)</li><li>the Chinese generation poem (8.39)</li><li>Ekphrastic poetry (14.12)</li><li>looking, and the nature of looking (cosmic, artistic; the flaneur;13.20, 17.30, 18.12)</li><li>Cezanne (17.50)</li><li>Fountain pens (18.38)</li><li>Canlit and questions of gender (25.50)</li><li>Sitting in the Moon, postpartum care (4.57, 16.45, 33.18)</li><li>Insomnia (17.00)</li></ul><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Linda opens on a celebratory note: <em>Getting Lit With Linda </em>has received two separate nominations for the Canadian Podcasting Awards, one in the category of <a href="https://canpodawards.ca/vote/education/" rel="noopener noreferrer" target="_blank">Outstanding Educational Series</a> and another in the category of <a href="https://canpodawards.ca/vote/arts/" rel="noopener noreferrer" target="_blank">Outstanding Arts Podcast</a>. She also includes a tribute to the late <a href="http://www.stevenheighton.com/" rel="noopener noreferrer" target="_blank">Steven Heighton</a> (2.39), whom she remembers fondly.</p><br><p>Linda and Gillian Sze -- the guest for this episode -- chat about her new book,<em> </em><a href="https://ecwpress.com/products/quiet-night-think" rel="noopener noreferrer" target="_blank"><em>Quiet Night Think </em>(ECW Press) </a>and participate in “quiet thinking” and "looking," especially when there are competing demands on one's time and competing expectations. They discuss other writers, with an emphasis on <a href="https://www.poetryfoundation.org/poets/li-po" rel="noopener noreferrer" target="_blank">Li Bai </a>(701-7662 AD; 5.11, 16.27, 24.09) and <a href="https://www.poetryfoundation.org/poets/emily-dickinson" rel="noopener noreferrer" target="_blank">Emily Dickinson or “Em”</a> (12.28, 16.27, 24.11, 25.11). They also chat about the following:</p><ul><li>Caregiving, night vigils (19.32; 23.00)</li><li>Origins, parenting, immigrant parents (25.35, 26.28)</li><li>Structure and genre of the collection (20.27, 21.39)</li><li>Learning Mandarin (7.22)</li><li>Poetry and relationships (8.28 ; her father, 9.45, 27.03)</li><li>the Chinese generation poem (8.39)</li><li>Ekphrastic poetry (14.12)</li><li>looking, and the nature of looking (cosmic, artistic; the flaneur;13.20, 17.30, 18.12)</li><li>Cezanne (17.50)</li><li>Fountain pens (18.38)</li><li>Canlit and questions of gender (25.50)</li><li>Sitting in the Moon, postpartum care (4.57, 16.45, 33.18)</li><li>Insomnia (17.00)</li></ul><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Leos, Lovers, Loss - and Lunar Tides</title>
			<itunes:title>Leos, Lovers, Loss - and Lunar Tides</itunes:title>
			<pubDate>Thu, 21 Jul 2022 17:32:32 GMT</pubDate>
			<itunes:duration>21:55</itunes:duration>
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			<acast:episodeUrl>leos-lovers-loss-and-lunar-tides</acast:episodeUrl>
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			<itunes:subtitle>An Interview with Shannon Webb Campbell</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>3</itunes:season>
			<itunes:episode>35</itunes:episode>
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			<description><![CDATA[<ul><li>In this loving and lovely interview that took place in Montreal during the lunar eclipse of May 15-16, 2022, Linda interviews <a href="https://bookhugpress.ca/shop/author/shannon-webb-campbell/lunar-tides-by-shannon-webb-campbell/" rel="noopener noreferrer" target="_blank">Shannon Webb-Campbell </a>(a member of the Qalipu Mi’kmaq First Nation) about her new book of poetry, <em>Lunar Tides </em>(<a href="https://bookhugpress.ca" rel="noopener noreferrer" target="_blank">Book*hug</a>). The conversation ranges from Montreal as a city for "Leos &amp; lovers" (3.30), to themes of maternal loss and longing (4.45 and 6.15), to the following:</li></ul><p><br></p><ul><li>1.0&nbsp;<a href="https://bookhugpress.ca" rel="noopener noreferrer" target="_blank">Book*hug</a>, and its other authors, including Shani Mootoo (<a href="https://bookhugpress.ca/shop/author/shani-mootoo/cane-fire-by-shani-mootoo/" rel="noopener noreferrer" target="_blank">author of <em>Cane Fire</em></a>) (1.0)</li><li>Following Webb Campbell on<a href="@swebbcampbell" rel="noopener noreferrer" target="_blank"> Instagram</a> (1.50)</li><li><a href="https://bookhugpress.ca/shop/author/shannon-webb-campbell/lunar-tides-by-shannon-webb-campbell/" rel="noopener noreferrer" target="_blank">Lunar Tides </a>(4.30)</li><li>Her poem, “You were never a visitor to this world" (9.00)</li><li>Her poem, "Time: A Biography" (5.25, 8.50, 14.35)</li><li>Birthing poetry (9.50)</li><li>Webb-Campbell's new novel (12.04)</li><li>the ACCUTE conference (13.21)</li><li>Lee Maracle (13.30)</li><li><a href="https://duoconcertante.com" rel="noopener noreferrer" target="_blank">Duo Concertante</a> (19.30) and "Ecology of Being"</li><li><a href="https://duoconcertante.com/ecology-of-being/" rel="noopener noreferrer" target="_blank">the film based on "Ecology of Being</a>) (21.00)</li></ul><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<ul><li>In this loving and lovely interview that took place in Montreal during the lunar eclipse of May 15-16, 2022, Linda interviews <a href="https://bookhugpress.ca/shop/author/shannon-webb-campbell/lunar-tides-by-shannon-webb-campbell/" rel="noopener noreferrer" target="_blank">Shannon Webb-Campbell </a>(a member of the Qalipu Mi’kmaq First Nation) about her new book of poetry, <em>Lunar Tides </em>(<a href="https://bookhugpress.ca" rel="noopener noreferrer" target="_blank">Book*hug</a>). The conversation ranges from Montreal as a city for "Leos &amp; lovers" (3.30), to themes of maternal loss and longing (4.45 and 6.15), to the following:</li></ul><p><br></p><ul><li>1.0&nbsp;<a href="https://bookhugpress.ca" rel="noopener noreferrer" target="_blank">Book*hug</a>, and its other authors, including Shani Mootoo (<a href="https://bookhugpress.ca/shop/author/shani-mootoo/cane-fire-by-shani-mootoo/" rel="noopener noreferrer" target="_blank">author of <em>Cane Fire</em></a>) (1.0)</li><li>Following Webb Campbell on<a href="@swebbcampbell" rel="noopener noreferrer" target="_blank"> Instagram</a> (1.50)</li><li><a href="https://bookhugpress.ca/shop/author/shannon-webb-campbell/lunar-tides-by-shannon-webb-campbell/" rel="noopener noreferrer" target="_blank">Lunar Tides </a>(4.30)</li><li>Her poem, “You were never a visitor to this world" (9.00)</li><li>Her poem, "Time: A Biography" (5.25, 8.50, 14.35)</li><li>Birthing poetry (9.50)</li><li>Webb-Campbell's new novel (12.04)</li><li>the ACCUTE conference (13.21)</li><li>Lee Maracle (13.30)</li><li><a href="https://duoconcertante.com" rel="noopener noreferrer" target="_blank">Duo Concertante</a> (19.30) and "Ecology of Being"</li><li><a href="https://duoconcertante.com/ecology-of-being/" rel="noopener noreferrer" target="_blank">the film based on "Ecology of Being</a>) (21.00)</li></ul><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title><![CDATA[Indigenous Voices Awards - "Where Your Heart is Leading You"]]></title>
			<itunes:title><![CDATA[Indigenous Voices Awards - "Where Your Heart is Leading You"]]></itunes:title>
			<pubDate>Sun, 19 Jun 2022 09:38:25 GMT</pubDate>
			<itunes:duration>25:48</itunes:duration>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>3</itunes:season>
			<itunes:episode>34</itunes:episode>
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			<description><![CDATA[<p>In this episode, while I am away in Germany, I reflect upon the upcoming <a href="https://indigenousvoicesawards.org" rel="noopener noreferrer" target="_blank">Indigenous Voices Awards</a>, which is set to take place on June 21st (and this occasions an early release of the episode!).</p><br><p>After a quick opening teaser with the most extraordinary Dene storyteller and writer -- and the MC of this year's IVAs -- <a href="https://richardvancamp.com" rel="noopener noreferrer" target="_blank">Richard van Camp</a>, I then hold a brief interview with Cree-Metis scholar/professor and co-organizer of the IVAS, <a href="https://www.sfu.ca/indg/about/people/deanna-reder.html" rel="noopener noreferrer" target="_blank">Deanna Reder </a>(2.50) who explains the history of the awards and talks about this year's event.</p><br><p>I also had the opportunity to speak to two dynamite short-listed writers:</p><ul><li><a href="https://www.tenillecampbell.com" rel="noopener noreferrer" target="_blank">Tenille Campbell</a> (13.15), the Dene-Metis author of <a href="https://arsenalpulp.com/Books/N/nedi-nezu-Good-Medicine" rel="noopener noreferrer" target="_blank"><em>Nedi Nazu </em></a>who elegantly discusses how women need to give themselves permission to love themselves.</li><li><a href="https://senatorboyer.ca/metis-art-gallery/lisa-boivin/" rel="noopener noreferrer" target="_blank">Lisa Boivin </a>(18.14), a member of the Deninu Kue, who speaks about her children's book, <a href="https://www.portageandmainpress.com/Contributors/B/Boivin-Lisa" rel="noopener noreferrer" target="_blank">We Dream Medicine Dreams</a>, and her departure from scholarly work to write children’s literature.&nbsp;</li></ul><p><br></p><p>And last (and certainly not least!), I speak with the magnificent Haisla/Heltsuk writer, <a href="https://www.penguinrandomhouse.ca/authors/25830/eden-robinson" rel="noopener noreferrer" target="_blank">Eden Robinson </a>(22.13), one of this year's jurors for the IVAs, about the responsibilities of being a juror (and yes, you will hear her contagious laugh!)</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode, while I am away in Germany, I reflect upon the upcoming <a href="https://indigenousvoicesawards.org" rel="noopener noreferrer" target="_blank">Indigenous Voices Awards</a>, which is set to take place on June 21st (and this occasions an early release of the episode!).</p><br><p>After a quick opening teaser with the most extraordinary Dene storyteller and writer -- and the MC of this year's IVAs -- <a href="https://richardvancamp.com" rel="noopener noreferrer" target="_blank">Richard van Camp</a>, I then hold a brief interview with Cree-Metis scholar/professor and co-organizer of the IVAS, <a href="https://www.sfu.ca/indg/about/people/deanna-reder.html" rel="noopener noreferrer" target="_blank">Deanna Reder </a>(2.50) who explains the history of the awards and talks about this year's event.</p><br><p>I also had the opportunity to speak to two dynamite short-listed writers:</p><ul><li><a href="https://www.tenillecampbell.com" rel="noopener noreferrer" target="_blank">Tenille Campbell</a> (13.15), the Dene-Metis author of <a href="https://arsenalpulp.com/Books/N/nedi-nezu-Good-Medicine" rel="noopener noreferrer" target="_blank"><em>Nedi Nazu </em></a>who elegantly discusses how women need to give themselves permission to love themselves.</li><li><a href="https://senatorboyer.ca/metis-art-gallery/lisa-boivin/" rel="noopener noreferrer" target="_blank">Lisa Boivin </a>(18.14), a member of the Deninu Kue, who speaks about her children's book, <a href="https://www.portageandmainpress.com/Contributors/B/Boivin-Lisa" rel="noopener noreferrer" target="_blank">We Dream Medicine Dreams</a>, and her departure from scholarly work to write children’s literature.&nbsp;</li></ul><p><br></p><p>And last (and certainly not least!), I speak with the magnificent Haisla/Heltsuk writer, <a href="https://www.penguinrandomhouse.ca/authors/25830/eden-robinson" rel="noopener noreferrer" target="_blank">Eden Robinson </a>(22.13), one of this year's jurors for the IVAs, about the responsibilities of being a juror (and yes, you will hear her contagious laugh!)</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>The Robot Keepers - Part 2 of an Interview with Terri Favro</title>
			<itunes:title>The Robot Keepers - Part 2 of an Interview with Terri Favro</itunes:title>
			<pubDate>Thu, 09 Jun 2022 20:06:12 GMT</pubDate>
			<itunes:duration>29:40</itunes:duration>
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			<itunes:episode>33</itunes:episode>
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			<description><![CDATA[<p>This is the second part of Linda's interview with Terri Favro, who opens this part with her thoughts about gender and the genre of science fiction, making reference to </p><ul><li><a href="https://www.ursulakleguin.com/" rel="noopener noreferrer" target="_blank">Ursula LeGuin </a>(1.05) </li><li> <a href="https://www.britannica.com/biography/Doris-Lessing" rel="noopener noreferrer" target="_blank">Doris Lessing</a> (2.45)</li><li><a href="https://margaretatwood.ca/" rel="noopener noreferrer" target="_blank">Margaret Atwood </a>(2.45)</li></ul><p>Linda and she then turn their attention to the challenges of writing a trilogy (3.45) and the effects of the pandemic on writing her last instalment, <a href="https://ecwpress.com/products/sisters-sputnik" rel="noopener noreferrer" target="_blank"><em>The Sisters Sputnik </em>(ECW).</a><em> </em>The two consider the <a href="https://www.cdc.gov/flu/pandemic-resources/1918-pandemic-h1n1.html" rel="noopener noreferrer" target="_blank">Spanish Flu</a> (9.35, 10.45, 12.23) and <a href="https://www.theatlantic.com/magazine/archive/1927/03/the-case-of-sacco-and-vanzetti/306625/" rel="noopener noreferrer" target="_blank">Sacco and Vanzetti </a>(12.07), early Italian immigrants who were accused of theft and murder -- and explain the kind of anti-Italian sentiment that had a bearing on Favro's family (and many Italian immigrants). She speaks about how, first, she learned how stories were important to <em>la bella figura </em>(16.34) -- an Italian expression that captures the idea of holding a respectable outward form to the world (even if one's private life was a mess!), and, second, how her father was a source of inspiration as a "robot keeper" (19.37). That robot, incidentally, she adds, <a href="https://www.theatlantic.com/technology/archive/2011/08/unimate-robot-on-johnny-carsons-tonight-show-1966/469779/" rel="noopener noreferrer" target="_blank">made an appearance on Johnny Carson (the "unimate," 25 and 29.12).</a></p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>This is the second part of Linda's interview with Terri Favro, who opens this part with her thoughts about gender and the genre of science fiction, making reference to </p><ul><li><a href="https://www.ursulakleguin.com/" rel="noopener noreferrer" target="_blank">Ursula LeGuin </a>(1.05) </li><li> <a href="https://www.britannica.com/biography/Doris-Lessing" rel="noopener noreferrer" target="_blank">Doris Lessing</a> (2.45)</li><li><a href="https://margaretatwood.ca/" rel="noopener noreferrer" target="_blank">Margaret Atwood </a>(2.45)</li></ul><p>Linda and she then turn their attention to the challenges of writing a trilogy (3.45) and the effects of the pandemic on writing her last instalment, <a href="https://ecwpress.com/products/sisters-sputnik" rel="noopener noreferrer" target="_blank"><em>The Sisters Sputnik </em>(ECW).</a><em> </em>The two consider the <a href="https://www.cdc.gov/flu/pandemic-resources/1918-pandemic-h1n1.html" rel="noopener noreferrer" target="_blank">Spanish Flu</a> (9.35, 10.45, 12.23) and <a href="https://www.theatlantic.com/magazine/archive/1927/03/the-case-of-sacco-and-vanzetti/306625/" rel="noopener noreferrer" target="_blank">Sacco and Vanzetti </a>(12.07), early Italian immigrants who were accused of theft and murder -- and explain the kind of anti-Italian sentiment that had a bearing on Favro's family (and many Italian immigrants). She speaks about how, first, she learned how stories were important to <em>la bella figura </em>(16.34) -- an Italian expression that captures the idea of holding a respectable outward form to the world (even if one's private life was a mess!), and, second, how her father was a source of inspiration as a "robot keeper" (19.37). That robot, incidentally, she adds, <a href="https://www.theatlantic.com/technology/archive/2011/08/unimate-robot-on-johnny-carsons-tonight-show-1966/469779/" rel="noopener noreferrer" target="_blank">made an appearance on Johnny Carson (the "unimate," 25 and 29.12).</a></p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title><![CDATA[There's Motive For You, Part 2 - An Interview with Marissa Stapley]]></title>
			<itunes:title><![CDATA[There's Motive For You, Part 2 - An Interview with Marissa Stapley]]></itunes:title>
			<pubDate>Fri, 27 May 2022 22:17:47 GMT</pubDate>
			<itunes:duration>25:41</itunes:duration>
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			<itunes:episode>32</itunes:episode>
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			<description><![CDATA[<p>In this second part of this episode, Linda chats with Marissa Stapley, whose book <em>Lucky </em>(published by<a href="https://www.simonandschuster.ca/books/Lucky/Marissa-Stapley/9781982157500" rel="noopener noreferrer" target="_blank"> Simon &amp; Schuster</a> and available on <a href="https://www.googleadservices.com/pagead/aclk?sa=L&amp;ai=CLHWidEyRYu-4OIbBowa00pmAAe-4m5hotLu69MsP78-I9b8BCAAQAiC5VCgCYP3oooHwA6ABot7J5gPIAQHIA9ggqgRfT9DuJS2EGA88VUHdIslkH5Eui7a29FCUbKvkeodvY9poB4rr4wlVTFUiHnuZi3WHBH8F57qUdJpg2tNWu0M8guB91ks9z_HppSXBBC_TYd5Pb2iW6md2un70jH9vYnrABP-J6NGyA4AFkE6IBfvcpswroAZZgAfGobYZiAcBkAcBqAemvhuoB7masQKoB_PRG6gH7tIbqAf_nLECqAfK3BuoB9imsQKgCKWFqQSwCAHSCAwQAiCEATICgkA6AQCaCTFodHRwczovL3d3dy5hdWRpb2Jvb2tzLmNvbS9hdWRpb2Jvb2svbHVja3kvNTQ2MTgwsQkY8KGQBHmXkrkJGPChkAR5l5L4CQGYCwGqDAIIAbgMAegMBoIUBAg9EgDQFQGYFgH4FgGAFwGSFwkSBwgBEAMYsAE&amp;ae=2&amp;ved=2ahUKEwjRkYWn2YD4AhUwhIkEHbxXC-AQ0Qx6BAgpEAE&amp;dct=1&amp;cid=CAASFeRoX02rMmEmXZt-PXh9P6tFkUTzPQ&amp;dblrd=1&amp;sival=AF15MED8o0uqR-vunKBYxvSrVKMJoUJcoUruoRqBOzu06X71ll7hNxN9BNB-7SyCe4S2gR66aHyklY_QEHAEeu2mor0OlKvks35B96I1gN7ykP9-KxfL4FD5r0BlA4W5IOWnWNeSEiqKT9yV1JtOBzFNOn1Y3ljmMtLPl2umFhuLlv7ijL3X9FHDmh2vYUyX9R20W6wGTNvs&amp;sig=AOD64_29uAqOl-F69miarc9aqX5D0xcXpw&amp;adurl=https://www.audiobooks.com/audiobook/lucky/546180%3FrefId%3D40779" rel="noopener noreferrer" target="_blank">Audible</a>) was just picked up as the <a href="https://www.cbc.ca/books/lucky-by-toronto-author-marissa-stapley-is-latest-reese-witherspoon-s-book-club-pick-1.6279391" rel="noopener noreferrer" target="_blank">first Canadian book on Reese's Book Club picks</a>. Linda has a personal response to this book, which she references as she speaks about Stapley's interview with <a href="https://www.cbc.ca/listen/live-radio/1-67-the-next-chapter/clip/15838910-marissa-stapley-lucky" rel="noopener noreferrer" target="_blank">Shelagh Rogers on The Next Chapter</a>. She also asks Stapley about the kind of research she undertakes to write this kind of book, and the characters about whom she writes. </p><br><p>If you'd like to hear Stapley live -- or learn from her -- she is speaking and <a href="https://festivalofauthors.ca/event/masterclass-marissa-stapley/" rel="noopener noreferrer" target="_blank">giving a master class</a> (insert: Linda <em>wishes </em>she could be in Toronto for this!) at <a href="https://festivalofauthors.ca/motive/" rel="noopener noreferrer" target="_blank">MOTIVE, on June 3 to June 5, at the Harbourfront Centre in Toronto</a>. </p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this second part of this episode, Linda chats with Marissa Stapley, whose book <em>Lucky </em>(published by<a href="https://www.simonandschuster.ca/books/Lucky/Marissa-Stapley/9781982157500" rel="noopener noreferrer" target="_blank"> Simon &amp; Schuster</a> and available on <a href="https://www.googleadservices.com/pagead/aclk?sa=L&amp;ai=CLHWidEyRYu-4OIbBowa00pmAAe-4m5hotLu69MsP78-I9b8BCAAQAiC5VCgCYP3oooHwA6ABot7J5gPIAQHIA9ggqgRfT9DuJS2EGA88VUHdIslkH5Eui7a29FCUbKvkeodvY9poB4rr4wlVTFUiHnuZi3WHBH8F57qUdJpg2tNWu0M8guB91ks9z_HppSXBBC_TYd5Pb2iW6md2un70jH9vYnrABP-J6NGyA4AFkE6IBfvcpswroAZZgAfGobYZiAcBkAcBqAemvhuoB7masQKoB_PRG6gH7tIbqAf_nLECqAfK3BuoB9imsQKgCKWFqQSwCAHSCAwQAiCEATICgkA6AQCaCTFodHRwczovL3d3dy5hdWRpb2Jvb2tzLmNvbS9hdWRpb2Jvb2svbHVja3kvNTQ2MTgwsQkY8KGQBHmXkrkJGPChkAR5l5L4CQGYCwGqDAIIAbgMAegMBoIUBAg9EgDQFQGYFgH4FgGAFwGSFwkSBwgBEAMYsAE&amp;ae=2&amp;ved=2ahUKEwjRkYWn2YD4AhUwhIkEHbxXC-AQ0Qx6BAgpEAE&amp;dct=1&amp;cid=CAASFeRoX02rMmEmXZt-PXh9P6tFkUTzPQ&amp;dblrd=1&amp;sival=AF15MED8o0uqR-vunKBYxvSrVKMJoUJcoUruoRqBOzu06X71ll7hNxN9BNB-7SyCe4S2gR66aHyklY_QEHAEeu2mor0OlKvks35B96I1gN7ykP9-KxfL4FD5r0BlA4W5IOWnWNeSEiqKT9yV1JtOBzFNOn1Y3ljmMtLPl2umFhuLlv7ijL3X9FHDmh2vYUyX9R20W6wGTNvs&amp;sig=AOD64_29uAqOl-F69miarc9aqX5D0xcXpw&amp;adurl=https://www.audiobooks.com/audiobook/lucky/546180%3FrefId%3D40779" rel="noopener noreferrer" target="_blank">Audible</a>) was just picked up as the <a href="https://www.cbc.ca/books/lucky-by-toronto-author-marissa-stapley-is-latest-reese-witherspoon-s-book-club-pick-1.6279391" rel="noopener noreferrer" target="_blank">first Canadian book on Reese's Book Club picks</a>. Linda has a personal response to this book, which she references as she speaks about Stapley's interview with <a href="https://www.cbc.ca/listen/live-radio/1-67-the-next-chapter/clip/15838910-marissa-stapley-lucky" rel="noopener noreferrer" target="_blank">Shelagh Rogers on The Next Chapter</a>. She also asks Stapley about the kind of research she undertakes to write this kind of book, and the characters about whom she writes. </p><br><p>If you'd like to hear Stapley live -- or learn from her -- she is speaking and <a href="https://festivalofauthors.ca/event/masterclass-marissa-stapley/" rel="noopener noreferrer" target="_blank">giving a master class</a> (insert: Linda <em>wishes </em>she could be in Toronto for this!) at <a href="https://festivalofauthors.ca/motive/" rel="noopener noreferrer" target="_blank">MOTIVE, on June 3 to June 5, at the Harbourfront Centre in Toronto</a>. </p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title><![CDATA[There's Motive For You - An Interview with Roland Gulliver]]></title>
			<itunes:title><![CDATA[There's Motive For You - An Interview with Roland Gulliver]]></itunes:title>
			<pubDate>Fri, 27 May 2022 02:59:33 GMT</pubDate>
			<itunes:duration>22:47</itunes:duration>
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			<itunes:episode>31</itunes:episode>
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			<description><![CDATA[<p>If you love crime and mystery writing, you will <strong><em>love</em></strong> <a href="https://festivalofauthors.ca/motive/" rel="noopener noreferrer" target="_blank">MOTIVE</a> - the <strong>Crime &amp; Mystery Festival </strong>slated to take place between <a href="https://festivalofauthors.ca/motive/festival-events/" rel="noopener noreferrer" target="_blank">June 3 and June 5, 2022</a> at the Harborfront Centre in Toronto. The line-up of authors either speaking or giving workshops is nothing short of impressive: it features writers from Canada, of the ilk of <a href="https://festivalofauthors.ca/event/deep-house-thomas-king/" rel="noopener noreferrer" target="_blank">Thomas King (who will be interviewed by CBC's Shelagh Rogers)</a>, but also international writers like <a href="https://festivalofauthors.ca/event/bitter-flowers/" rel="noopener noreferrer" target="_blank">Gunnar Staalesen</a>, <a href="https://festivalofauthors.ca/event/bitter-flowers/" rel="noopener noreferrer" target="_blank">Thomas Enger</a>,and <a href="https://festivalofauthors.ca/event/the-sleeping-nymph-ilaria-tuti/" rel="noopener noreferrer" target="_blank">Ilaria Tuti</a>. I had the opportunity to chat with Roland Gulliver, the Director of <a href="https://festivalofauthors.ca/our-history/" rel="noopener noreferrer" target="_blank">The International Festival of Authors</a>, of which Motive is an offshoot. We spoke about the fact that this is the first time since 2020 (any clues why?) that the event will be held <strong>onsite</strong> -- although there will be some <strong>hybrid events</strong> as well. I asked him about some of the writers being featured -- and he had a hard time whittling the list down, but he did happen to mention the following writers:</p><ul><li><a href="https://festivalofauthors.ca/event/cold-cold-bones-kathy-reichs/" rel="noopener noreferrer" target="_blank">Kathy Reichs</a></li><li><a href="https://festivalofauthors.ca/event/not-a-happy-family-shari-lapena/" rel="noopener noreferrer" target="_blank">Shari Lapena</a></li><li><a href="https://festivalofauthors.ca/event/rabbit-hole/" rel="noopener noreferrer" target="_blank">Mark Billingham</a></li><li><a href="https://festivalofauthors.ca/event/my-annihilation-fuminori-nakamura/" rel="noopener noreferrer" target="_blank">Fuminori Nakamura</a></li></ul><p>And many more.</p><p>I've bought my <a href="https://festivalofauthors.ca/motive/tickets/" rel="noopener noreferrer" target="_blank">tickets</a> already (for online, hybrid events)! Don't miss out on MOTIVE!</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>If you love crime and mystery writing, you will <strong><em>love</em></strong> <a href="https://festivalofauthors.ca/motive/" rel="noopener noreferrer" target="_blank">MOTIVE</a> - the <strong>Crime &amp; Mystery Festival </strong>slated to take place between <a href="https://festivalofauthors.ca/motive/festival-events/" rel="noopener noreferrer" target="_blank">June 3 and June 5, 2022</a> at the Harborfront Centre in Toronto. The line-up of authors either speaking or giving workshops is nothing short of impressive: it features writers from Canada, of the ilk of <a href="https://festivalofauthors.ca/event/deep-house-thomas-king/" rel="noopener noreferrer" target="_blank">Thomas King (who will be interviewed by CBC's Shelagh Rogers)</a>, but also international writers like <a href="https://festivalofauthors.ca/event/bitter-flowers/" rel="noopener noreferrer" target="_blank">Gunnar Staalesen</a>, <a href="https://festivalofauthors.ca/event/bitter-flowers/" rel="noopener noreferrer" target="_blank">Thomas Enger</a>,and <a href="https://festivalofauthors.ca/event/the-sleeping-nymph-ilaria-tuti/" rel="noopener noreferrer" target="_blank">Ilaria Tuti</a>. I had the opportunity to chat with Roland Gulliver, the Director of <a href="https://festivalofauthors.ca/our-history/" rel="noopener noreferrer" target="_blank">The International Festival of Authors</a>, of which Motive is an offshoot. We spoke about the fact that this is the first time since 2020 (any clues why?) that the event will be held <strong>onsite</strong> -- although there will be some <strong>hybrid events</strong> as well. I asked him about some of the writers being featured -- and he had a hard time whittling the list down, but he did happen to mention the following writers:</p><ul><li><a href="https://festivalofauthors.ca/event/cold-cold-bones-kathy-reichs/" rel="noopener noreferrer" target="_blank">Kathy Reichs</a></li><li><a href="https://festivalofauthors.ca/event/not-a-happy-family-shari-lapena/" rel="noopener noreferrer" target="_blank">Shari Lapena</a></li><li><a href="https://festivalofauthors.ca/event/rabbit-hole/" rel="noopener noreferrer" target="_blank">Mark Billingham</a></li><li><a href="https://festivalofauthors.ca/event/my-annihilation-fuminori-nakamura/" rel="noopener noreferrer" target="_blank">Fuminori Nakamura</a></li></ul><p>And many more.</p><p>I've bought my <a href="https://festivalofauthors.ca/motive/tickets/" rel="noopener noreferrer" target="_blank">tickets</a> already (for online, hybrid events)! Don't miss out on MOTIVE!</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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		<item>
			<title><![CDATA[Robots & Radioactivity: An Interview with Terri Favro]]></title>
			<itunes:title><![CDATA[Robots & Radioactivity: An Interview with Terri Favro]]></itunes:title>
			<pubDate>Thu, 05 May 2022 17:26:24 GMT</pubDate>
			<itunes:duration>45:40</itunes:duration>
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			<acast:episodeUrl>robots-radioactivity-an-interview-with-terri-favro</acast:episodeUrl>
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			<itunes:subtitle>(Part One)</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>3</itunes:season>
			<itunes:episode>30</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6086d520cfb9e813fa7a63a9/1663336181829-300ef12500d83c1c6da7e714c62d2b05.jpeg"/>
			<description><![CDATA[<p>Linda chats with <a href="https://www.terrifavro.ca" rel="noopener noreferrer" target="_blank">Terri Favro, </a>an Toronto-based, Italian-Canadian author who is poised to release her next novel, <a href="https://ecwpress.com/products/sisters-sputnik" rel="noopener noreferrer" target="_blank"><em>The Sisters Sputnik</em></a><em>, </em>a sequel to her acclaimed speculative fiction novel, <a href="https://ecwpress.com/products/sputniks-children" rel="noopener noreferrer" target="_blank"><em>Sputnik's Children</em>.</a> They have a leisurely conversation -- in this, the first part of their two-part interview -- discussing all manner of subjects, from</p><ul><li>the importance of storytelling</li><li>to the appropriate terminology for robots</li><li>to growing up in an era of nuclear uncertainty (and not so unlike now either).</li><li><br></li></ul><p>There is also a lengthier discussion about <a href="https://www.harpercollins.ca/9781443434874/station-eleven/" rel="noopener noreferrer" target="_blank">Eli Mandel's <em>Station Eleven </em>(published by HarperCollins) </a>and the wonderful <a href="https://www.audiobooks.com/audiobook/station-eleven-a-novel/217699?refId=40779&amp;gclid=CjwKCAjw682TBhATEiwA9crl3_8lcrGb9SY8W1GgKKx494nnhN3ysoQ02hivDu6PEW2hFPURg6YTGhoC7vsQAvD_BwE" rel="noopener noreferrer" target="_blank">audiobook version read by Kirsten Potter</a> (around the 30-minute mark). Stay tuned for part 2 of this episode!</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Linda chats with <a href="https://www.terrifavro.ca" rel="noopener noreferrer" target="_blank">Terri Favro, </a>an Toronto-based, Italian-Canadian author who is poised to release her next novel, <a href="https://ecwpress.com/products/sisters-sputnik" rel="noopener noreferrer" target="_blank"><em>The Sisters Sputnik</em></a><em>, </em>a sequel to her acclaimed speculative fiction novel, <a href="https://ecwpress.com/products/sputniks-children" rel="noopener noreferrer" target="_blank"><em>Sputnik's Children</em>.</a> They have a leisurely conversation -- in this, the first part of their two-part interview -- discussing all manner of subjects, from</p><ul><li>the importance of storytelling</li><li>to the appropriate terminology for robots</li><li>to growing up in an era of nuclear uncertainty (and not so unlike now either).</li><li><br></li></ul><p>There is also a lengthier discussion about <a href="https://www.harpercollins.ca/9781443434874/station-eleven/" rel="noopener noreferrer" target="_blank">Eli Mandel's <em>Station Eleven </em>(published by HarperCollins) </a>and the wonderful <a href="https://www.audiobooks.com/audiobook/station-eleven-a-novel/217699?refId=40779&amp;gclid=CjwKCAjw682TBhATEiwA9crl3_8lcrGb9SY8W1GgKKx494nnhN3ysoQ02hivDu6PEW2hFPURg6YTGhoC7vsQAvD_BwE" rel="noopener noreferrer" target="_blank">audiobook version read by Kirsten Potter</a> (around the 30-minute mark). Stay tuned for part 2 of this episode!</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title><![CDATA[Biographer's Regret - Alice Munro and the Autobiographer's Right]]></title>
			<itunes:title><![CDATA[Biographer's Regret - Alice Munro and the Autobiographer's Right]]></itunes:title>
			<pubDate>Thu, 21 Apr 2022 23:12:14 GMT</pubDate>
			<itunes:duration>24:36</itunes:duration>
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			<acast:episodeId>6261e4ceadceaa0014aba48e</acast:episodeId>
			<acast:showId>6086d520cfb9e813fa7a63a9</acast:showId>
			<acast:episodeUrl>biographers-regret-alice-munro-and-the-autobiographers-right</acast:episodeUrl>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>3</itunes:season>
			<itunes:episode>29</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6086d520cfb9e813fa7a63a9/1619498838832-b9b888b7974be88b0999616b26774336.jpeg"/>
			<description><![CDATA[<p><em>What do you want to know for? </em>This is the question Linda considers as she writes her biography about Jane Rule - one that Nobel-Prize winning writer, Alice Munro, has considered many times as she weaves autobiography and fiction in her work, specifically in the book under discussion in this episode, <a href="https://www.penguinrandomhouse.com/books/118624/the-view-from-castle-rock-by-alice-munro/9781400077922/readers-guide/" rel="noopener noreferrer" target="_blank"><em>The View from Castlerock</em></a>. Linda discuses:</p><ul><li>Questions of biography (2.32, 19.00)</li><li>Jane Rule (3.00)</li><li>Alice Munro's autobiographical impulses (3.10, 6.33)</li><li>Munro's <em>Dear Life </em>(4.30)</li><li>Munro's <em>The View from Castle Rock </em>(5.08, 8.00, 9.32)</li><li>Her story, "What Do You Want to Know For" (19.32)</li></ul><p>In the Takeaway, Linda looks at Zoe Whittall's book, <a href="https://www.harpercollins.ca/9781443455244/the-spectacular/" rel="noopener noreferrer" target="_blank">The Spectacular </a> (published by HarperCollins) -- which it really is. She does consider the polarized reviews, and then suggests why it may be that <a href="https://www.cbc.ca/books/the-spectacular-1.6114451" rel="noopener noreferrer" target="_blank">some were positive</a> and <a href="https://www.nytimes.com/2021/10/08/books/review/the-house-of-rust-khadija-abdalla-bajaber-the-swank-hotel-lucy-corin-the-spectacular-zoe-whittall.html" rel="noopener noreferrer" target="_blank">others not as much</a>. Ultimately, she sees Whitall's book as falling within the tradition of the short story cycle, the very genre in which Munro specializes.</p><p>For more scholarship about celebrity autobiography and memoirs in Canada, check out Katja Lee's <a href="https://www.wlupress.wlu.ca/Books/L/Limelight" rel="noopener noreferrer" target="_blank"><em>Limelight: Canadian Women and the Rise of Celebrity Autobiography</em></a><em> </em>(WLUP, shortlisted for the Gabrielle Roy Prize in 2020), or <a href="https://utpdistribution.com/9781771122221/celebrity-cultures-in-canada/" rel="noopener noreferrer" target="_blank">Lorraine York and Katia Lee's <em>Celebrity Cultures in Canada </em>(UTP 2016).</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p><em>What do you want to know for? </em>This is the question Linda considers as she writes her biography about Jane Rule - one that Nobel-Prize winning writer, Alice Munro, has considered many times as she weaves autobiography and fiction in her work, specifically in the book under discussion in this episode, <a href="https://www.penguinrandomhouse.com/books/118624/the-view-from-castle-rock-by-alice-munro/9781400077922/readers-guide/" rel="noopener noreferrer" target="_blank"><em>The View from Castlerock</em></a>. Linda discuses:</p><ul><li>Questions of biography (2.32, 19.00)</li><li>Jane Rule (3.00)</li><li>Alice Munro's autobiographical impulses (3.10, 6.33)</li><li>Munro's <em>Dear Life </em>(4.30)</li><li>Munro's <em>The View from Castle Rock </em>(5.08, 8.00, 9.32)</li><li>Her story, "What Do You Want to Know For" (19.32)</li></ul><p>In the Takeaway, Linda looks at Zoe Whittall's book, <a href="https://www.harpercollins.ca/9781443455244/the-spectacular/" rel="noopener noreferrer" target="_blank">The Spectacular </a> (published by HarperCollins) -- which it really is. She does consider the polarized reviews, and then suggests why it may be that <a href="https://www.cbc.ca/books/the-spectacular-1.6114451" rel="noopener noreferrer" target="_blank">some were positive</a> and <a href="https://www.nytimes.com/2021/10/08/books/review/the-house-of-rust-khadija-abdalla-bajaber-the-swank-hotel-lucy-corin-the-spectacular-zoe-whittall.html" rel="noopener noreferrer" target="_blank">others not as much</a>. Ultimately, she sees Whitall's book as falling within the tradition of the short story cycle, the very genre in which Munro specializes.</p><p>For more scholarship about celebrity autobiography and memoirs in Canada, check out Katja Lee's <a href="https://www.wlupress.wlu.ca/Books/L/Limelight" rel="noopener noreferrer" target="_blank"><em>Limelight: Canadian Women and the Rise of Celebrity Autobiography</em></a><em> </em>(WLUP, shortlisted for the Gabrielle Roy Prize in 2020), or <a href="https://utpdistribution.com/9781771122221/celebrity-cultures-in-canada/" rel="noopener noreferrer" target="_blank">Lorraine York and Katia Lee's <em>Celebrity Cultures in Canada </em>(UTP 2016).</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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		<item>
			<title><![CDATA[Just Sayin'/Not Saying, Part 2: An Interview with Stephen Collis ]]></title>
			<itunes:title><![CDATA[Just Sayin'/Not Saying, Part 2: An Interview with Stephen Collis ]]></itunes:title>
			<pubDate>Thu, 07 Apr 2022 07:39:20 GMT</pubDate>
			<itunes:duration>25:24</itunes:duration>
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			<acast:episodeUrl>just-sayinnot-saying-part-2-an-interview-with-stephen-collis</acast:episodeUrl>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>3</itunes:season>
			<itunes:episode>28</itunes:episode>
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			<description><![CDATA[<p>In this episode, the second part of her interview with<a href="https://www.sfu.ca/people/scollis/" rel="noopener noreferrer" target="_blank">&nbsp;Stephen Collis</a>, Linda goes in greater depth about Collis's poetry, speaking to him about his most recent collection of poetry,&nbsp;<a href="https://talonbooks.com/books/a-history-of-the-theories-of-rain" rel="noopener noreferrer" target="_blank"><em>A History of the Theories of Rain</em></a>&nbsp;(<a href="https://talonbooks.com/" rel="noopener noreferrer" target="_blank">Talon Books</a>).</p><br><p> In the Takeaway section, Linda refers to <a href="https://www.cbc.ca/books/canadareads" rel="noopener noreferrer" target="_blank">Canada Read</a>s and considers the results of this year's competition, with reference to:</p><ul><li>Michelle Good's <a href="https://www.cbc.ca/books/canadareads/christian-allaire-championing-five-little-indians-by-michelle-good-wins-canada-reads-2022-1.6403622" rel="noopener noreferrer" target="_blank"><em>Five Little Indians</em></a></li><li>Catherine Hernandez's <a href="https://www.cbc.ca/books/canadareads/canada-reads-2022-watch-the-finale-replay-1.6396338" rel="noopener noreferrer" target="_blank"><em>Scarborough</em></a></li></ul><p><br></p><br><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode, the second part of her interview with<a href="https://www.sfu.ca/people/scollis/" rel="noopener noreferrer" target="_blank">&nbsp;Stephen Collis</a>, Linda goes in greater depth about Collis's poetry, speaking to him about his most recent collection of poetry,&nbsp;<a href="https://talonbooks.com/books/a-history-of-the-theories-of-rain" rel="noopener noreferrer" target="_blank"><em>A History of the Theories of Rain</em></a>&nbsp;(<a href="https://talonbooks.com/" rel="noopener noreferrer" target="_blank">Talon Books</a>).</p><br><p> In the Takeaway section, Linda refers to <a href="https://www.cbc.ca/books/canadareads" rel="noopener noreferrer" target="_blank">Canada Read</a>s and considers the results of this year's competition, with reference to:</p><ul><li>Michelle Good's <a href="https://www.cbc.ca/books/canadareads/christian-allaire-championing-five-little-indians-by-michelle-good-wins-canada-reads-2022-1.6403622" rel="noopener noreferrer" target="_blank"><em>Five Little Indians</em></a></li><li>Catherine Hernandez's <a href="https://www.cbc.ca/books/canadareads/canada-reads-2022-watch-the-finale-replay-1.6396338" rel="noopener noreferrer" target="_blank"><em>Scarborough</em></a></li></ul><p><br></p><br><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title><![CDATA["Just Sayin' / Not Saying": An Interview with Stephen Collis (Part 1)]]></title>
			<itunes:title><![CDATA["Just Sayin' / Not Saying": An Interview with Stephen Collis (Part 1)]]></itunes:title>
			<pubDate>Thu, 24 Mar 2022 08:57:40 GMT</pubDate>
			<itunes:duration>23:31</itunes:duration>
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			<itunes:episode>27</itunes:episode>
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			<description><![CDATA[<p>In this episode, Linda interviews<a href="https://www.sfu.ca/people/scollis/" rel="noopener noreferrer" target="_blank"> Stephen Collis</a> about his most recent collection of poetry, <a href="https://talonbooks.com/books/a-history-of-the-theories-of-rain" rel="noopener noreferrer" target="_blank"><em>A History of the Theories of Rain</em></a> (<a href="https://talonbooks.com" rel="noopener noreferrer" target="_blank">Talon Books</a>). The next episode is the second part of that interview. For now, just a couple of points of clarification: <a href="https://www.sfu.ca" rel="noopener noreferrer" target="_blank">SFU,</a> the acronym that Collis and Linda use in this interview, stands for <a href="https://www.sfu.ca" rel="noopener noreferrer" target="_blank">Simon Fraser University.</a> Also, they refer to the SLAPP suit by which Collis was confronted. For those of you who may have never heard of this before, a SLAPP suit is a civil lawsuit or counterclaim that alleges defamation but is really initiated for the purposes of intimidating, burdening, punishing, or harassing – and usually it is filed against people or organizations who speak out about issues of public interest.&nbsp;</p><p>Linda and Stephen cover several topics, including</p><ul><li>10.40 his activism</li><li>13.13 Kinder Morgan</li><li>14.00 Collis’s poetry as used in a legal setting</li><li>16.12 <em>A History of the Theories of Rain</em></li><li>16.23 grief</li><li>19. Greta Thunberg and recent political shortcomings</li></ul><p><br></p><p>In the Takeaway portion of the podcast, Linda introduces her listeners to the young poet, Isabella Wang, whose collection, <a href="https://nightwoodeditions.com/collections/isabella-wang" rel="noopener noreferrer" target="_blank"><em>Pebble Swing </em>(Nightwood Editions)</a>, and the poetry that appeared in <a href="https://thecapilanoreview.com" rel="noopener noreferrer" target="_blank"><em>The Capilano Review,</em></a><em> </em>showcase a burgeoning talent.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode, Linda interviews<a href="https://www.sfu.ca/people/scollis/" rel="noopener noreferrer" target="_blank"> Stephen Collis</a> about his most recent collection of poetry, <a href="https://talonbooks.com/books/a-history-of-the-theories-of-rain" rel="noopener noreferrer" target="_blank"><em>A History of the Theories of Rain</em></a> (<a href="https://talonbooks.com" rel="noopener noreferrer" target="_blank">Talon Books</a>). The next episode is the second part of that interview. For now, just a couple of points of clarification: <a href="https://www.sfu.ca" rel="noopener noreferrer" target="_blank">SFU,</a> the acronym that Collis and Linda use in this interview, stands for <a href="https://www.sfu.ca" rel="noopener noreferrer" target="_blank">Simon Fraser University.</a> Also, they refer to the SLAPP suit by which Collis was confronted. For those of you who may have never heard of this before, a SLAPP suit is a civil lawsuit or counterclaim that alleges defamation but is really initiated for the purposes of intimidating, burdening, punishing, or harassing – and usually it is filed against people or organizations who speak out about issues of public interest.&nbsp;</p><p>Linda and Stephen cover several topics, including</p><ul><li>10.40 his activism</li><li>13.13 Kinder Morgan</li><li>14.00 Collis’s poetry as used in a legal setting</li><li>16.12 <em>A History of the Theories of Rain</em></li><li>16.23 grief</li><li>19. Greta Thunberg and recent political shortcomings</li></ul><p><br></p><p>In the Takeaway portion of the podcast, Linda introduces her listeners to the young poet, Isabella Wang, whose collection, <a href="https://nightwoodeditions.com/collections/isabella-wang" rel="noopener noreferrer" target="_blank"><em>Pebble Swing </em>(Nightwood Editions)</a>, and the poetry that appeared in <a href="https://thecapilanoreview.com" rel="noopener noreferrer" target="_blank"><em>The Capilano Review,</em></a><em> </em>showcase a burgeoning talent.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title><![CDATA["Of What Use is Poetry at a Time Like This?" An Interview with Shani Mootoo]]></title>
			<itunes:title><![CDATA["Of What Use is Poetry at a Time Like This?" An Interview with Shani Mootoo]]></itunes:title>
			<pubDate>Wed, 09 Mar 2022 07:50:18 GMT</pubDate>
			<itunes:duration>52:39</itunes:duration>
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			<itunes:episode>26</itunes:episode>
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			<description><![CDATA[<p>In today's episode - for International Women's Day - Linda chats with <a href="https://www.penguinrandomhouse.ca/authors/21152/shani-mootoo" rel="noopener noreferrer" target="_blank">Shani Mootoo</a> about her forthcoming book of poetry, <a href="https://bookhugpress.ca/shop/author/shani-mootoo/cane-fire-by-shani-mootoo/" rel="noopener noreferrer" target="_blank"><em>Cane Fire </em>(Book *Hug</a>) and the collaborative nature of its production. We also discuss the following:</p><ul><li>her archival materials at <a href="https://www.sfu.ca/archives.html" rel="noopener noreferrer" target="_blank">Simon Fraser University </a>(20.58)</li><li>erotic poetry (22.45)</li><li>working in different genres (26.26)</li><li>her forthcoming memoir (34.27)</li><li><a href="https://oenogallery.com/artists/shani-mootoo/" rel="noopener noreferrer" target="_blank">Oeno Gallery</a> (34.27)</li><li>the Ukrainian invasion and poetry (47.53)</li></ul><p>And so much more! Please stay tuned for the forthcoming onsite exhibit at Simon Fraser University in which one of the archival materials from Shani Mootoo's archive will be featured.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In today's episode - for International Women's Day - Linda chats with <a href="https://www.penguinrandomhouse.ca/authors/21152/shani-mootoo" rel="noopener noreferrer" target="_blank">Shani Mootoo</a> about her forthcoming book of poetry, <a href="https://bookhugpress.ca/shop/author/shani-mootoo/cane-fire-by-shani-mootoo/" rel="noopener noreferrer" target="_blank"><em>Cane Fire </em>(Book *Hug</a>) and the collaborative nature of its production. We also discuss the following:</p><ul><li>her archival materials at <a href="https://www.sfu.ca/archives.html" rel="noopener noreferrer" target="_blank">Simon Fraser University </a>(20.58)</li><li>erotic poetry (22.45)</li><li>working in different genres (26.26)</li><li>her forthcoming memoir (34.27)</li><li><a href="https://oenogallery.com/artists/shani-mootoo/" rel="noopener noreferrer" target="_blank">Oeno Gallery</a> (34.27)</li><li>the Ukrainian invasion and poetry (47.53)</li></ul><p>And so much more! Please stay tuned for the forthcoming onsite exhibit at Simon Fraser University in which one of the archival materials from Shani Mootoo's archive will be featured.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Ever Receding Fruit: Wayde Compton, the Black Archive, and the Call for a Black Cultural Centre</title>
			<itunes:title>Ever Receding Fruit: Wayde Compton, the Black Archive, and the Call for a Black Cultural Centre</itunes:title>
			<pubDate>Mon, 28 Feb 2022 20:07:13 GMT</pubDate>
			<itunes:duration>34:37</itunes:duration>
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			<itunes:episode>25</itunes:episode>
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			<description><![CDATA[<p>In this episode, Linda has the great pleasure of chatting with <a href="https://arsenalpulp.com/Contributors/C/Compton-Wayde" rel="noopener noreferrer" target="_blank">Wayde Compton</a>, the writer, scholar, publisher, and current <a href="https://www.douglascollege.ca/programs-courses/explore-programs-courses/faculties/language-literature-and-performing-arts/creative-writing/faculty" rel="noopener noreferrer" target="_blank">Chair of Creative Writing at Douglas College (in New Westminster, BC). </a> He is the author of several books, including <em>49th Parallel Psalm </em>(finalist for the Dorothy Livesay Poetry Prize); <em>Performance Bond</em>; <a href="https://arsenalpulp.com/Books/A/After-Canaan" rel="noopener noreferrer" target="_blank"><em>After Canaan: Essays on Race, Writing, and Region</em></a> (finalist for the City of Vancouver Book Award); the graphic novel, <a href="https://arsenalpulp.com/Books/T/The-Blue-Road" rel="noopener noreferrer" target="_blank"><em>The Blue Road</em></a>;<em> </em>and <a href="https://arsenalpulp.com/Books/T/The-Outer-Harbour" rel="noopener noreferrer" target="_blank">The Outer Harbour</a> (winner of the City of Vancouver Book Award). He has also edited two anthologies: <a href="https://arsenalpulp.com/Books/B/Bluesprint" rel="noopener noreferrer" target="_blank"><em>Bluesprint: Black British Columbian Literature</em> </a>and<em> Orature and The Revolving City: 51 Poems and the Stories Behind Them</em> (finalist for the City of Vancouver Book Award).</p><br><p>During this interview, we also speak about</p><ul><li>the Black population in Vancouver compared to that of Nova Scotia (17.15)</li><li><a href="https://en.wikipedia.org/wiki/May_Ayim" rel="noopener noreferrer" target="_blank">May Ayin</a> (22)</li><li>the Black Cultural Archive (4.30 and 8)</li><li>What to read (and his own reading patterns, 30)</li></ul><p><br></p><p>Compton is a co-founder of the <a href="https://www.hogansalleysociety.org/" rel="noopener noreferrer" target="_blank">Hogan’s Alley Memorial Projec</a>t (8), an organization formed to raise awareness about the history of Vancouver’s black community, and was one of the co-founders of <a href="https://en.wikipedia.org/wiki/Commodore_Books" rel="noopener noreferrer" target="_blank">Commodore Books</a> (11.40), with Karina Vernon and David Chariandy. For February, he has been an active social media presence, for Black History Month.&nbsp;If you follow him on Twitter—and if you don’t, we highly recommend that you do at @WaydeCompton – you’ll know that he’s been tweeting stories about people of African descent in Vancouver.</p><br><p>So, just in time for Black History Month, we hope you enjoy this interview with Wayde Compton.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode, Linda has the great pleasure of chatting with <a href="https://arsenalpulp.com/Contributors/C/Compton-Wayde" rel="noopener noreferrer" target="_blank">Wayde Compton</a>, the writer, scholar, publisher, and current <a href="https://www.douglascollege.ca/programs-courses/explore-programs-courses/faculties/language-literature-and-performing-arts/creative-writing/faculty" rel="noopener noreferrer" target="_blank">Chair of Creative Writing at Douglas College (in New Westminster, BC). </a> He is the author of several books, including <em>49th Parallel Psalm </em>(finalist for the Dorothy Livesay Poetry Prize); <em>Performance Bond</em>; <a href="https://arsenalpulp.com/Books/A/After-Canaan" rel="noopener noreferrer" target="_blank"><em>After Canaan: Essays on Race, Writing, and Region</em></a> (finalist for the City of Vancouver Book Award); the graphic novel, <a href="https://arsenalpulp.com/Books/T/The-Blue-Road" rel="noopener noreferrer" target="_blank"><em>The Blue Road</em></a>;<em> </em>and <a href="https://arsenalpulp.com/Books/T/The-Outer-Harbour" rel="noopener noreferrer" target="_blank">The Outer Harbour</a> (winner of the City of Vancouver Book Award). He has also edited two anthologies: <a href="https://arsenalpulp.com/Books/B/Bluesprint" rel="noopener noreferrer" target="_blank"><em>Bluesprint: Black British Columbian Literature</em> </a>and<em> Orature and The Revolving City: 51 Poems and the Stories Behind Them</em> (finalist for the City of Vancouver Book Award).</p><br><p>During this interview, we also speak about</p><ul><li>the Black population in Vancouver compared to that of Nova Scotia (17.15)</li><li><a href="https://en.wikipedia.org/wiki/May_Ayim" rel="noopener noreferrer" target="_blank">May Ayin</a> (22)</li><li>the Black Cultural Archive (4.30 and 8)</li><li>What to read (and his own reading patterns, 30)</li></ul><p><br></p><p>Compton is a co-founder of the <a href="https://www.hogansalleysociety.org/" rel="noopener noreferrer" target="_blank">Hogan’s Alley Memorial Projec</a>t (8), an organization formed to raise awareness about the history of Vancouver’s black community, and was one of the co-founders of <a href="https://en.wikipedia.org/wiki/Commodore_Books" rel="noopener noreferrer" target="_blank">Commodore Books</a> (11.40), with Karina Vernon and David Chariandy. For February, he has been an active social media presence, for Black History Month.&nbsp;If you follow him on Twitter—and if you don’t, we highly recommend that you do at @WaydeCompton – you’ll know that he’s been tweeting stories about people of African descent in Vancouver.</p><br><p>So, just in time for Black History Month, we hope you enjoy this interview with Wayde Compton.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title><![CDATA[You Have to Decide: Rita Wong's Forage and Clayton Thomas-Muller's Life in the City of Dirty Water]]></title>
			<itunes:title><![CDATA[You Have to Decide: Rita Wong's Forage and Clayton Thomas-Muller's Life in the City of Dirty Water]]></itunes:title>
			<pubDate>Fri, 11 Feb 2022 00:59:57 GMT</pubDate>
			<itunes:duration>23:00</itunes:duration>
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			<itunes:episode>24</itunes:episode>
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			<description><![CDATA[<p>Linda is delighted to be back for her third season of Getting Lit With Linda!</p><br><p>In this first episode of the season, she considers the movie, <a href="https://www.imdb.com/title/tt11286314/" rel="noopener noreferrer" target="_blank"><em>Don't Look Up</em></a> (dir. by Adam McKay, 1.13, 2.49), the nature of satire (with reference to <a href="https://www.thecanadianencyclopedia.ca/en/article/mordecai-richler" rel="noopener noreferrer" target="_blank">Mordecai Richler</a>, 2.00, and <a href="https://www.gutenberg.org/files/1080/1080-h/1080-h.htm" rel="noopener noreferrer" target="_blank">Jonathan Swift,</a> 2.11), and the looming environmental crisis. It's a topic that poet, <a href="https://www.connect.ecuad.ca/people/profile/14259" rel="noopener noreferrer" target="_blank">Rita Wong</a> (4.32) has addressed unflinchingly in her work, especially <a href="https://harbourpublishing.com/collections/rita-wong" rel="noopener noreferrer" target="_blank"><em>forage </em></a>(published by Nightwood Editions, winner of the Dorothy Livesay Prize, 6.09). Linda recalls getting in touch with Wong when her former student, Morgan Cohen (5.25), used her work in an independent study (<a href="https://canlit.ca/article/can-you-tell-the-rhetorical-difference-foraging-and-fodder-in-rita-wongs-forage/" rel="noopener noreferrer" target="_blank">which has since gone on to be published)</a>. In so doing, Linda is shocked to discover Wong's<a href="https://pencanada.ca/news/vancouver-poet-rita-wong-incarcerated-for-4-weeks-for-peaceful-anti-pipeline-protest/  " rel="noopener noreferrer" target="_blank"> legal entanglement</a> (7.44), but, in the process, she realizes and is inspired by Wong, who has made a clear decision to be a land protector.</p><br><p>Appropriately, Clayton Thomas-Muller's book, <a href="https://www.penguinrandomhouse.ca/authors/2210713/clayton-thomas-muller" rel="noopener noreferrer" target="_blank"><em>Life in the City of Dirty Water</em></a><em> </em>(16.30) came to her attention while working on this episode--his work as an activist emerges from the realization that self-healing is essential to the process. This fascinating book has since been shortlisted for the <a href="https://www.cbc.ca/books/canadareads/meet-the-canada-reads-2022-contenders-1.6326413" rel="noopener noreferrer" target="_blank">Canada Reads competition</a>, which includes the following writers this year:</p><p><br></p><ul><li>Michelle Good's <a href="https://www.harpercollins.ca/9781443459181/five-little-indians/" rel="noopener noreferrer" target="_blank"><em>Five Little Indians</em></a></li><li>Catherine Hernandez's <a href="https://www.catherinehernandezcreates.com" rel="noopener noreferrer" target="_blank"><em>Scarborough</em></a></li><li>Esi Edugyan's <a href="https://www.penguinrandomhouse.com/books/573017/washington-black-by-esi-edugyan/" rel="noopener noreferrer" target="_blank"><em>Washington Black</em></a><em> </em>and</li><li>Omar El Akkad's <a href="https://www.penguinrandomhouse.com/books/617062/what-strange-paradise-by-omar-el-akkad/" rel="noopener noreferrer" target="_blank"><em>What Strange Paradise</em></a></li></ul><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Linda is delighted to be back for her third season of Getting Lit With Linda!</p><br><p>In this first episode of the season, she considers the movie, <a href="https://www.imdb.com/title/tt11286314/" rel="noopener noreferrer" target="_blank"><em>Don't Look Up</em></a> (dir. by Adam McKay, 1.13, 2.49), the nature of satire (with reference to <a href="https://www.thecanadianencyclopedia.ca/en/article/mordecai-richler" rel="noopener noreferrer" target="_blank">Mordecai Richler</a>, 2.00, and <a href="https://www.gutenberg.org/files/1080/1080-h/1080-h.htm" rel="noopener noreferrer" target="_blank">Jonathan Swift,</a> 2.11), and the looming environmental crisis. It's a topic that poet, <a href="https://www.connect.ecuad.ca/people/profile/14259" rel="noopener noreferrer" target="_blank">Rita Wong</a> (4.32) has addressed unflinchingly in her work, especially <a href="https://harbourpublishing.com/collections/rita-wong" rel="noopener noreferrer" target="_blank"><em>forage </em></a>(published by Nightwood Editions, winner of the Dorothy Livesay Prize, 6.09). Linda recalls getting in touch with Wong when her former student, Morgan Cohen (5.25), used her work in an independent study (<a href="https://canlit.ca/article/can-you-tell-the-rhetorical-difference-foraging-and-fodder-in-rita-wongs-forage/" rel="noopener noreferrer" target="_blank">which has since gone on to be published)</a>. In so doing, Linda is shocked to discover Wong's<a href="https://pencanada.ca/news/vancouver-poet-rita-wong-incarcerated-for-4-weeks-for-peaceful-anti-pipeline-protest/  " rel="noopener noreferrer" target="_blank"> legal entanglement</a> (7.44), but, in the process, she realizes and is inspired by Wong, who has made a clear decision to be a land protector.</p><br><p>Appropriately, Clayton Thomas-Muller's book, <a href="https://www.penguinrandomhouse.ca/authors/2210713/clayton-thomas-muller" rel="noopener noreferrer" target="_blank"><em>Life in the City of Dirty Water</em></a><em> </em>(16.30) came to her attention while working on this episode--his work as an activist emerges from the realization that self-healing is essential to the process. This fascinating book has since been shortlisted for the <a href="https://www.cbc.ca/books/canadareads/meet-the-canada-reads-2022-contenders-1.6326413" rel="noopener noreferrer" target="_blank">Canada Reads competition</a>, which includes the following writers this year:</p><p><br></p><ul><li>Michelle Good's <a href="https://www.harpercollins.ca/9781443459181/five-little-indians/" rel="noopener noreferrer" target="_blank"><em>Five Little Indians</em></a></li><li>Catherine Hernandez's <a href="https://www.catherinehernandezcreates.com" rel="noopener noreferrer" target="_blank"><em>Scarborough</em></a></li><li>Esi Edugyan's <a href="https://www.penguinrandomhouse.com/books/573017/washington-black-by-esi-edugyan/" rel="noopener noreferrer" target="_blank"><em>Washington Black</em></a><em> </em>and</li><li>Omar El Akkad's <a href="https://www.penguinrandomhouse.com/books/617062/what-strange-paradise-by-omar-el-akkad/" rel="noopener noreferrer" target="_blank"><em>What Strange Paradise</em></a></li></ul><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title><![CDATA[Holiday Wishes & A Gift from the Archives - An Interview with Ali Hassan (from 2020)]]></title>
			<itunes:title><![CDATA[Holiday Wishes & A Gift from the Archives - An Interview with Ali Hassan (from 2020)]]></itunes:title>
			<pubDate>Sat, 25 Dec 2021 05:54:47 GMT</pubDate>
			<itunes:duration>43:33</itunes:duration>
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			<itunes:episode>23</itunes:episode>
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			<description><![CDATA[<p>Linda and several of this season's contributors--Chantel Lavoie, Marco Timpano, Amanda Barker, and Michael Nest--render their book recommendations for the holidays:</p><p><br></p><ol><li>Ivan Coyote's <a href="https://www.penguinrandomhouse.ca/books/671051/care-of-by-ivan-coyote/9780771051722" rel="noopener noreferrer" target="_blank"><em>Care Of</em></a></li><li>Margaret Atwood's <a href="https://www.penguinrandomhouse.ca/books/6123/the-door-by-margaret-atwood/9780771008474" rel="noopener noreferrer" target="_blank"><em>The Door,</em></a></li><li>David Chariandy's <a href="https://www.penguinrandomhouse.ca/books/574598/ive-been-meaning-to-tell-you-by-david-chariandy/9780771018077" rel="noopener noreferrer" target="_blank"><em>I've Been Meaning to Tell You</em></a></li><li>Zoe Whittall's <a href="https://www.penguinrandomhouse.com/books/555555/the-best-kind-of-people-by-zoe-whittall/" rel="noopener noreferrer" target="_blank"><em>The Best Kind of People</em></a></li><li>Anne-Marie MacDonald's <a href="https://www.penguinrandomhouse.ca/books/104987/fall-on-your-knees-by-ann-marie-macdonald/9780394281780" rel="noopener noreferrer" target="_blank"><em>Fall on your Knees</em></a>),</li></ol><p><br></p><p>Linda offers her listeners a gift for the holidays - from the archives, her previously-unpublished interview with <a href="https://standupali.com" rel="noopener noreferrer" target="_blank">Ali Hassan</a>, the host of <a href="https://www.cbc.ca/books/canadareads" rel="noopener noreferrer" target="_blank">Canada Reads</a>. The interview, from 2020 (and <a href="https://www.cbc.ca/books/canadareads/meet-the-canada-reads-2020-contenders-1.5433115" rel="noopener noreferrer" target="_blank">Canada Reads 2020-2021</a>), alludes to the background of the pandemic, which (alas!) remains relevant. Drawing back the curtain to allow us see the inner workings of <a href="https://www.cbc.ca/books/canadareads" rel="noopener noreferrer" target="_blank">Canada Reads</a>, Ali Hassan offers interesting insights about this national literary competition and about his role in it.</p><br><p>Happy holidays everyone - The third season of <em>Getting Lit with Linda </em>will return in early February 2022.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Linda and several of this season's contributors--Chantel Lavoie, Marco Timpano, Amanda Barker, and Michael Nest--render their book recommendations for the holidays:</p><p><br></p><ol><li>Ivan Coyote's <a href="https://www.penguinrandomhouse.ca/books/671051/care-of-by-ivan-coyote/9780771051722" rel="noopener noreferrer" target="_blank"><em>Care Of</em></a></li><li>Margaret Atwood's <a href="https://www.penguinrandomhouse.ca/books/6123/the-door-by-margaret-atwood/9780771008474" rel="noopener noreferrer" target="_blank"><em>The Door,</em></a></li><li>David Chariandy's <a href="https://www.penguinrandomhouse.ca/books/574598/ive-been-meaning-to-tell-you-by-david-chariandy/9780771018077" rel="noopener noreferrer" target="_blank"><em>I've Been Meaning to Tell You</em></a></li><li>Zoe Whittall's <a href="https://www.penguinrandomhouse.com/books/555555/the-best-kind-of-people-by-zoe-whittall/" rel="noopener noreferrer" target="_blank"><em>The Best Kind of People</em></a></li><li>Anne-Marie MacDonald's <a href="https://www.penguinrandomhouse.ca/books/104987/fall-on-your-knees-by-ann-marie-macdonald/9780394281780" rel="noopener noreferrer" target="_blank"><em>Fall on your Knees</em></a>),</li></ol><p><br></p><p>Linda offers her listeners a gift for the holidays - from the archives, her previously-unpublished interview with <a href="https://standupali.com" rel="noopener noreferrer" target="_blank">Ali Hassan</a>, the host of <a href="https://www.cbc.ca/books/canadareads" rel="noopener noreferrer" target="_blank">Canada Reads</a>. The interview, from 2020 (and <a href="https://www.cbc.ca/books/canadareads/meet-the-canada-reads-2020-contenders-1.5433115" rel="noopener noreferrer" target="_blank">Canada Reads 2020-2021</a>), alludes to the background of the pandemic, which (alas!) remains relevant. Drawing back the curtain to allow us see the inner workings of <a href="https://www.cbc.ca/books/canadareads" rel="noopener noreferrer" target="_blank">Canada Reads</a>, Ali Hassan offers interesting insights about this national literary competition and about his role in it.</p><br><p>Happy holidays everyone - The third season of <em>Getting Lit with Linda </em>will return in early February 2022.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title><![CDATA["Show Me Yours" ]]></title>
			<itunes:title><![CDATA["Show Me Yours" ]]></itunes:title>
			<pubDate>Fri, 17 Dec 2021 19:19:57 GMT</pubDate>
			<itunes:duration>19:11</itunes:duration>
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			<itunes:subtitle><![CDATA[Richard Van Camp's The Moon of Letting Go and Brian Fawcett's Cambodia]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>2</itunes:season>
			<itunes:episode>22</itunes:episode>
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			<description><![CDATA[<p>In this episode, Linda considers <a href="https://richardvancamp.com" rel="noopener noreferrer" target="_blank">Richard Van Camp</a>, a Dene author who wrangles with what masculinity is, what it looks for those who identify as men, and how and why that may (or should) change. Published by <a href="https://www.greatplains.mb.ca/product/the-moon-of-letting-go-2/" rel="noopener noreferrer" target="_blank">Great Plains Publications</a>, <em>The Moon of Letting Go</em> is the book of focus in this episode, particularly the story, "Show me Yours" (7.27) - and yes, it means exactly what you think it does, but maybe not showing exactly what you think it might. Linda refers to one of the preeminent scholars of Van Camp's work, <a href="https://www.queensu.ca/english/people/sam-mckegney" rel="noopener noreferrer" target="_blank">Dr. Sam McKegney</a> (6.01), and cites from his work, <a href="https://uofrpress.ca/Books/C/Carrying-the-Burden-of-Peace" rel="noopener noreferrer" target="_blank"><em>The Burden of Peace </em>(</a>University of Regina Press, 2021)<em>, </em>to explore what Van Camp is trying to accomplish in this work.</p><br><p>In the Takeaway portion, she links the concept of masculinity that in part informs her understanding of <a href="https://talonbooks.com/authors/brian-fawcett" rel="noopener noreferrer" target="_blank">Brian Fawcett</a>'s <a href="https://talonbooks.com/books/cambodia" rel="noopener noreferrer" target="_blank"><em>Cambodia: A Book for People Who Find Television to Slow (</em>Talon Books)</a><em> </em>(13.10), published in 1986. Clearly, it's not a recent book - but it was so prescient in terms of what it anticipated about the effects of corporatization and the media, and it does so in a voice that is savvy, smart, and satirical.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode, Linda considers <a href="https://richardvancamp.com" rel="noopener noreferrer" target="_blank">Richard Van Camp</a>, a Dene author who wrangles with what masculinity is, what it looks for those who identify as men, and how and why that may (or should) change. Published by <a href="https://www.greatplains.mb.ca/product/the-moon-of-letting-go-2/" rel="noopener noreferrer" target="_blank">Great Plains Publications</a>, <em>The Moon of Letting Go</em> is the book of focus in this episode, particularly the story, "Show me Yours" (7.27) - and yes, it means exactly what you think it does, but maybe not showing exactly what you think it might. Linda refers to one of the preeminent scholars of Van Camp's work, <a href="https://www.queensu.ca/english/people/sam-mckegney" rel="noopener noreferrer" target="_blank">Dr. Sam McKegney</a> (6.01), and cites from his work, <a href="https://uofrpress.ca/Books/C/Carrying-the-Burden-of-Peace" rel="noopener noreferrer" target="_blank"><em>The Burden of Peace </em>(</a>University of Regina Press, 2021)<em>, </em>to explore what Van Camp is trying to accomplish in this work.</p><br><p>In the Takeaway portion, she links the concept of masculinity that in part informs her understanding of <a href="https://talonbooks.com/authors/brian-fawcett" rel="noopener noreferrer" target="_blank">Brian Fawcett</a>'s <a href="https://talonbooks.com/books/cambodia" rel="noopener noreferrer" target="_blank"><em>Cambodia: A Book for People Who Find Television to Slow (</em>Talon Books)</a><em> </em>(13.10), published in 1986. Clearly, it's not a recent book - but it was so prescient in terms of what it anticipated about the effects of corporatization and the media, and it does so in a voice that is savvy, smart, and satirical.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title><![CDATA[The Quebec Writers' Federation Finalists & the Janet Savage Blachford Prize for Children's and Young Adult Literature]]></title>
			<itunes:title><![CDATA[The Quebec Writers' Federation Finalists & the Janet Savage Blachford Prize for Children's and Young Adult Literature]]></itunes:title>
			<pubDate>Thu, 18 Nov 2021 20:00:40 GMT</pubDate>
			<itunes:duration>11:48</itunes:duration>
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			<itunes:season>2</itunes:season>
			<itunes:episode>21</itunes:episode>
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			<description><![CDATA[<p>As #winterstormwarnings arrive, perhaps you may want to curl up with some of the writers' books that were shortlisted for the <a href="https://qwf.org/" rel="noopener noreferrer" target="_blank">Quebec Writers' Federation</a> awards - Linda speaks to some of the writers shortlisted for the <a href="https://qwf.org/awards" rel="noopener noreferrer" target="_blank">Janet Savage Blachford Prize for Children's and Young Adult Literature</a>, in addition to one of the poets shortlisted for the A.M. Klein Prize for Poetry. She also spoke about the <a href="https://qwf.org/awards2021/" rel="noopener noreferrer" target="_blank">QWF Gala</a> and the times she slipped on floor-length ballgowns over her jeans for the <a href="https://www.gg.ca/en/honours/governor-generals-awards" rel="noopener noreferrer" target="_blank">Governor General's Awards</a> before entering Rideau Hall in Ottawa. So she asked the writers interviewed for this episode how they felt about being shortlisted. Here are the writers who are featured in this episode:</p><p><br></p><ul><li><a href="http://www.moniquepolak.com/books-by-monique-polak/room-for-one-more" rel="noopener noreferrer" target="_blank">Monique Polak</a> (<em>Room for One More, </em><a href="https://www.karben.com/Room-for-One-More_p_1071.html" rel="noopener noreferrer" target="_blank">Kar-Ben Books</a>)</li><li>Su J Sukol (<a href="https://nimbus.ca/store/zee.html" rel="noopener noreferrer" target="_blank"><em>Zee</em></a><em> </em>by <a href="https://nimbus.ca/store/zee.html" rel="noopener noreferrer" target="_blank">Nimbus Publishing</a>)</li><li>Nadine Neema (<a href="https://www.heritagehouse.ca/book/journal-of-a-travelling-girl/" rel="noopener noreferrer" target="_blank"><em>Journal of a Traveling Girl </em></a>by <a href="https://www.heritagehouse.ca/book/journal-of-a-travelling-girl/" rel="noopener noreferrer" target="_blank">Wandering Fox, Heritage House Press</a>)</li><li><a href="http://www.sarahvenart.com/" rel="noopener noreferrer" target="_blank">Sarah Venart</a> (<a href="https://www.brickbooks.ca/books/i-am-the-big-heart/" rel="noopener noreferrer" target="_blank"><em>I am the Big Heart</em></a> by <a href="https://www.brickbooks.ca/books/i-am-the-big-heart/" rel="noopener noreferrer" target="_blank">Brick Books</a>)</li></ul><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>As #winterstormwarnings arrive, perhaps you may want to curl up with some of the writers' books that were shortlisted for the <a href="https://qwf.org/" rel="noopener noreferrer" target="_blank">Quebec Writers' Federation</a> awards - Linda speaks to some of the writers shortlisted for the <a href="https://qwf.org/awards" rel="noopener noreferrer" target="_blank">Janet Savage Blachford Prize for Children's and Young Adult Literature</a>, in addition to one of the poets shortlisted for the A.M. Klein Prize for Poetry. She also spoke about the <a href="https://qwf.org/awards2021/" rel="noopener noreferrer" target="_blank">QWF Gala</a> and the times she slipped on floor-length ballgowns over her jeans for the <a href="https://www.gg.ca/en/honours/governor-generals-awards" rel="noopener noreferrer" target="_blank">Governor General's Awards</a> before entering Rideau Hall in Ottawa. So she asked the writers interviewed for this episode how they felt about being shortlisted. Here are the writers who are featured in this episode:</p><p><br></p><ul><li><a href="http://www.moniquepolak.com/books-by-monique-polak/room-for-one-more" rel="noopener noreferrer" target="_blank">Monique Polak</a> (<em>Room for One More, </em><a href="https://www.karben.com/Room-for-One-More_p_1071.html" rel="noopener noreferrer" target="_blank">Kar-Ben Books</a>)</li><li>Su J Sukol (<a href="https://nimbus.ca/store/zee.html" rel="noopener noreferrer" target="_blank"><em>Zee</em></a><em> </em>by <a href="https://nimbus.ca/store/zee.html" rel="noopener noreferrer" target="_blank">Nimbus Publishing</a>)</li><li>Nadine Neema (<a href="https://www.heritagehouse.ca/book/journal-of-a-travelling-girl/" rel="noopener noreferrer" target="_blank"><em>Journal of a Traveling Girl </em></a>by <a href="https://www.heritagehouse.ca/book/journal-of-a-travelling-girl/" rel="noopener noreferrer" target="_blank">Wandering Fox, Heritage House Press</a>)</li><li><a href="http://www.sarahvenart.com/" rel="noopener noreferrer" target="_blank">Sarah Venart</a> (<a href="https://www.brickbooks.ca/books/i-am-the-big-heart/" rel="noopener noreferrer" target="_blank"><em>I am the Big Heart</em></a> by <a href="https://www.brickbooks.ca/books/i-am-the-big-heart/" rel="noopener noreferrer" target="_blank">Brick Books</a>)</li></ul><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title><![CDATA["Sharing the Light" - Interview with Mitali Ruths]]></title>
			<itunes:title><![CDATA["Sharing the Light" - Interview with Mitali Ruths]]></itunes:title>
			<pubDate>Thu, 04 Nov 2021 19:10:22 GMT</pubDate>
			<itunes:duration>28:19</itunes:duration>
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			<acast:episodeUrl>sharing-the-light-interview-with-mitali-ruths</acast:episodeUrl>
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			<itunes:subtitle>Archie Celebrates Diwali</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>2</itunes:season>
			<itunes:episode>20</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6086d520cfb9e813fa7a63a9/1636052929409-10f2f12aebd3b4ad9a43f3da3612fca6.jpeg"/>
			<description><![CDATA[<p>Linda opens this episode with a dedication to her nephew -- and then "shares the light" of Diwali with children's literature author, <a href="https://www.mitaliruths.com/" rel="noopener noreferrer" target="_blank">Mitali Ruths</a>, with whom she chats about her book <a href="https://www.charlesbridge.com/pages/mitali-banerjee-ruths " rel="noopener noreferrer" target="_blank"><em>Archie Celebrates Diwali.</em></a><em> </em>Published this year by <a href="https://www.charlesbridge.com/pages/about-us" rel="noopener noreferrer" target="_blank">Charlesbridge </a><em>Archie Celebrates Diwali</em> is based on an epic, <a href="https://www.chroniclebooks.com/products/ramayana" rel="noopener noreferrer" target="_blank">Ramayana</a>, and focuses on the South-Asian festival of lights (3.45, 8.45, and 10.30). Mitali addresses Diwali's origins (3.45 and 4.37), how it is celebrated (15.11), and the reasons for writing this story (7.30, 8.45, 10.30 and 18.30). She makes reference to Sanjay Patel's <em>Ramayana: Divine Loophole</em> (8.27); the significance of Archie's name (a reference to archana and to the Emmy-winning British actress, <a href="https://www.imdb.com/name/nm0659544/" rel="noopener noreferrer" target="_blank">Archie Panjabi</a>, 20); her fabulous illustrator, <a href="https://www.advocate-art.com/parwinder-singh" rel="noopener noreferrer" target="_blank">Parwinder Singh</a> (4 and 4.15); and, more generally, the plot and meaning of the book (20.30). Mitali also locates this book as one among several in a renaissance of South-Asian stories (9.35). </p><br><p>Special shout-outs (among others) to:</p><ul><li><a href="https://www.hgliterary.com" rel="noopener noreferrer" target="_blank">HG Literary Group</a> (11.28)</li><li>Victoria Wells (11.28)</li><li>her publisher,<a href="https://www.charlesbridge.com/pages/about-us" rel="noopener noreferrer" target="_blank"> Charlesbridge </a>(12.28 and 16.09)</li><li>the <a href="https://www.scbwi.org" rel="noopener noreferrer" target="_blank">Society for Children's Book Writers and Illustrators </a>(10.33)</li></ul><p><br></p><p>At 26.10, Mitali makes a special offer to listeners of the podcast -- and I want "in" on that too! </p><br><p>Join me on the next episode when I chat with some of the finalists for the Quebec Literary prizes (hosted by the Quebec Writers' Federation).</p><br><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Linda opens this episode with a dedication to her nephew -- and then "shares the light" of Diwali with children's literature author, <a href="https://www.mitaliruths.com/" rel="noopener noreferrer" target="_blank">Mitali Ruths</a>, with whom she chats about her book <a href="https://www.charlesbridge.com/pages/mitali-banerjee-ruths " rel="noopener noreferrer" target="_blank"><em>Archie Celebrates Diwali.</em></a><em> </em>Published this year by <a href="https://www.charlesbridge.com/pages/about-us" rel="noopener noreferrer" target="_blank">Charlesbridge </a><em>Archie Celebrates Diwali</em> is based on an epic, <a href="https://www.chroniclebooks.com/products/ramayana" rel="noopener noreferrer" target="_blank">Ramayana</a>, and focuses on the South-Asian festival of lights (3.45, 8.45, and 10.30). Mitali addresses Diwali's origins (3.45 and 4.37), how it is celebrated (15.11), and the reasons for writing this story (7.30, 8.45, 10.30 and 18.30). She makes reference to Sanjay Patel's <em>Ramayana: Divine Loophole</em> (8.27); the significance of Archie's name (a reference to archana and to the Emmy-winning British actress, <a href="https://www.imdb.com/name/nm0659544/" rel="noopener noreferrer" target="_blank">Archie Panjabi</a>, 20); her fabulous illustrator, <a href="https://www.advocate-art.com/parwinder-singh" rel="noopener noreferrer" target="_blank">Parwinder Singh</a> (4 and 4.15); and, more generally, the plot and meaning of the book (20.30). Mitali also locates this book as one among several in a renaissance of South-Asian stories (9.35). </p><br><p>Special shout-outs (among others) to:</p><ul><li><a href="https://www.hgliterary.com" rel="noopener noreferrer" target="_blank">HG Literary Group</a> (11.28)</li><li>Victoria Wells (11.28)</li><li>her publisher,<a href="https://www.charlesbridge.com/pages/about-us" rel="noopener noreferrer" target="_blank"> Charlesbridge </a>(12.28 and 16.09)</li><li>the <a href="https://www.scbwi.org" rel="noopener noreferrer" target="_blank">Society for Children's Book Writers and Illustrators </a>(10.33)</li></ul><p><br></p><p>At 26.10, Mitali makes a special offer to listeners of the podcast -- and I want "in" on that too! </p><br><p>Join me on the next episode when I chat with some of the finalists for the Quebec Literary prizes (hosted by the Quebec Writers' Federation).</p><br><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>The Body / Book in the Doghouse</title>
			<itunes:title>The Body / Book in the Doghouse</itunes:title>
			<pubDate>Thu, 28 Oct 2021 22:59:11 GMT</pubDate>
			<itunes:duration>15:10</itunes:duration>
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			<acast:episodeId>617a1ee23aaad00013042235</acast:episodeId>
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			<acast:episodeUrl>the-body-book-in-the-doghouse</acast:episodeUrl>
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			<itunes:subtitle><![CDATA[Kevin Lambert's You Will Love What You Have Killed and the Return of the Repressed]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>2</itunes:season>
			<itunes:episode>19</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6086d520cfb9e813fa7a63a9/1619498838832-b9b888b7974be88b0999616b26774336.jpeg"/>
			<description><![CDATA[<p><br></p><p><strong>Happy Hallowe-en</strong>! This episode tackles a book that deals with ghosts, gruesome accidents, and murder -- <a href="http://biblioasis.com/shop/international-translation-series/you-will-love-what-you-have-killed/" rel="noopener noreferrer" target="_blank">Kevin Lambert's <em>You Will Love What You Have Killed</em>,</a> translated by Donald Winkler (published by Biblioasis 2020) from the French (T<a href="https://www.editionsheliotrope.com/livres/tu-aimeras-ce-que-tu-as-tue-romans/" rel="noopener noreferrer" target="_blank">u Aimeras Ce Que Tu As Tué</a>, 5.40). Linda begins this episode with a personal anecdote about a dead body that was found in a dog house (on the property of her parents' neighbours): she uses this narrative to explore the idea of the "repressed," that is, those emotions or moments or stories we would prefer to forget. Lambert, she argues, not only does <strong>not</strong> allow us to forget the repressed, he insists we grapple with its elements--it makes for a disorienting and yet bewitching read, as even <a href="https://www.ledevoir.com/lire/638379/kevin-lambert-toujours-en-lice-pour-le-medicis" rel="noopener noreferrer" target="_blank"><em>Le Devoir </em>in its review of the book noted</a> (11.43)! Like reigning horror writer from Quebec, <a href="http://www.patricksenecal.net/" rel="noopener noreferrer" target="_blank">Patrick Senecal</a> (5.16), Lambert is skilfully eliciting a sense of our horror, highlighting its effects by locating the events of the book in <a href="https://www.thecanadianencyclopedia.ca/en/article/chicoutimi" rel="noopener noreferrer" target="_blank">Chicoutimi, Quebec </a>(6.26) and toppling stereotypical notions of romance, or picturesque rural areas as featured in books like <a href="https://www.thecanadianencyclopedia.ca/en/article/maria-chapdelaine" rel="noopener noreferrer" target="_blank"><em>Maria Chapdelaine</em></a> (7.00).If you want to read other reviews about Lambert's book, you can visit <a href="https://www.cbc.ca/books/you-will-love-what-you-have-killed-1.5706689" rel="noopener noreferrer" target="_blank">CBC book reviews here</a> or <a href="https://xtramagazine.com/culture/kevin-lambert-love-killed-181279" rel="noopener noreferrer" target="_blank"><em>Xtra</em></a><em> </em>here).</p><br><p>In the Takeaway section, Linda praises other translations from the French, those of Virginia Pesamapeo Bordeleau 's <a href="https://www.inanna.ca/product/blue-bear-woman/#:~:text=Blue%20Bear%20Woman%20is%20the%20first%20novel%20written,her%20second%20novel%20to%20be%20translated%20into%20English." rel="noopener noreferrer" target="_blank">Blue Bear Woman (published by Inanna) </a>and <a href="https://freehand-books.com/product/the-lover-the-lake/" rel="noopener noreferrer" target="_blank">The Lover, The Lake (Freehand Books)</a>  (13.30).</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p><br></p><p><strong>Happy Hallowe-en</strong>! This episode tackles a book that deals with ghosts, gruesome accidents, and murder -- <a href="http://biblioasis.com/shop/international-translation-series/you-will-love-what-you-have-killed/" rel="noopener noreferrer" target="_blank">Kevin Lambert's <em>You Will Love What You Have Killed</em>,</a> translated by Donald Winkler (published by Biblioasis 2020) from the French (T<a href="https://www.editionsheliotrope.com/livres/tu-aimeras-ce-que-tu-as-tue-romans/" rel="noopener noreferrer" target="_blank">u Aimeras Ce Que Tu As Tué</a>, 5.40). Linda begins this episode with a personal anecdote about a dead body that was found in a dog house (on the property of her parents' neighbours): she uses this narrative to explore the idea of the "repressed," that is, those emotions or moments or stories we would prefer to forget. Lambert, she argues, not only does <strong>not</strong> allow us to forget the repressed, he insists we grapple with its elements--it makes for a disorienting and yet bewitching read, as even <a href="https://www.ledevoir.com/lire/638379/kevin-lambert-toujours-en-lice-pour-le-medicis" rel="noopener noreferrer" target="_blank"><em>Le Devoir </em>in its review of the book noted</a> (11.43)! Like reigning horror writer from Quebec, <a href="http://www.patricksenecal.net/" rel="noopener noreferrer" target="_blank">Patrick Senecal</a> (5.16), Lambert is skilfully eliciting a sense of our horror, highlighting its effects by locating the events of the book in <a href="https://www.thecanadianencyclopedia.ca/en/article/chicoutimi" rel="noopener noreferrer" target="_blank">Chicoutimi, Quebec </a>(6.26) and toppling stereotypical notions of romance, or picturesque rural areas as featured in books like <a href="https://www.thecanadianencyclopedia.ca/en/article/maria-chapdelaine" rel="noopener noreferrer" target="_blank"><em>Maria Chapdelaine</em></a> (7.00).If you want to read other reviews about Lambert's book, you can visit <a href="https://www.cbc.ca/books/you-will-love-what-you-have-killed-1.5706689" rel="noopener noreferrer" target="_blank">CBC book reviews here</a> or <a href="https://xtramagazine.com/culture/kevin-lambert-love-killed-181279" rel="noopener noreferrer" target="_blank"><em>Xtra</em></a><em> </em>here).</p><br><p>In the Takeaway section, Linda praises other translations from the French, those of Virginia Pesamapeo Bordeleau 's <a href="https://www.inanna.ca/product/blue-bear-woman/#:~:text=Blue%20Bear%20Woman%20is%20the%20first%20novel%20written,her%20second%20novel%20to%20be%20translated%20into%20English." rel="noopener noreferrer" target="_blank">Blue Bear Woman (published by Inanna) </a>and <a href="https://freehand-books.com/product/the-lover-the-lake/" rel="noopener noreferrer" target="_blank">The Lover, The Lake (Freehand Books)</a>  (13.30).</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title><![CDATA["A Certain Kind of Activism": Witnessing and Jordan Abel's "Nishga"]]></title>
			<itunes:title><![CDATA["A Certain Kind of Activism": Witnessing and Jordan Abel's "Nishga"]]></itunes:title>
			<pubDate>Thu, 14 Oct 2021 22:19:46 GMT</pubDate>
			<itunes:duration>44:14</itunes:duration>
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			<itunes:subtitle>An Interview with Jordan Abel</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>2</itunes:season>
			<itunes:episode>18</itunes:episode>
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			<description><![CDATA[In this episode, multiple award-winning Nisga'a author <a href="https://www.jordanabel.ca/" rel="noopener noreferrer" target="_blank">Jordan Abel </a>and host Linda Morra discuss his most recent book, <a href="https://www.penguinrandomhouse.ca/books/610846/nishga-by-jordan-abel/9780771007903" rel="noopener noreferrer" target="_blank">Nishga (published by McClelland &amp; Stewart in 2020),</a> the intergenerational legacies of trauma for residential school survivors, and the importance of not only listening to, but also "witnessing" their stories. He speaks about his relationship with his father's art and the kinds of "activism" that writing might perform.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[In this episode, multiple award-winning Nisga'a author <a href="https://www.jordanabel.ca/" rel="noopener noreferrer" target="_blank">Jordan Abel </a>and host Linda Morra discuss his most recent book, <a href="https://www.penguinrandomhouse.ca/books/610846/nishga-by-jordan-abel/9780771007903" rel="noopener noreferrer" target="_blank">Nishga (published by McClelland &amp; Stewart in 2020),</a> the intergenerational legacies of trauma for residential school survivors, and the importance of not only listening to, but also "witnessing" their stories. He speaks about his relationship with his father's art and the kinds of "activism" that writing might perform.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title><![CDATA[Paper Postcards - Eden Robinson's "Traplines"]]></title>
			<itunes:title><![CDATA[Paper Postcards - Eden Robinson's "Traplines"]]></itunes:title>
			<pubDate>Fri, 01 Oct 2021 01:51:35 GMT</pubDate>
			<itunes:duration>18:08</itunes:duration>
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			<acast:episodeUrl>paper-postcards-eden-robinsons-traplines</acast:episodeUrl>
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			<itunes:season>2</itunes:season>
			<itunes:episode>17</itunes:episode>
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			<description><![CDATA[<p>Linda focuses on Indigenous writers in this podcast in view of <a href="https://www.orangeshirtday.org" rel="noopener noreferrer" target="_blank">Orange Shirt Day</a> (every child matters!) and the inaugural <a href="https://www.canada.ca/en/canadian-heritage/campaigns/national-day-truth-reconciliation.html" rel="noopener noreferrer" target="_blank">National Day for Truth and Reconciliation</a>. She recommends several writers (some of them featured on <a href="https://49thshelf.com/Blog/2021/09/23/16-Indigenous-Reads-A-List-from-Kobo" rel="noopener noreferrer" target="_blank">49th shel</a>f), including <a href="https://cheriedimaline.com" rel="noopener noreferrer" target="_blank">Cherie Dimaline</a> and <a href="https://arsenalpulp.com/Books/J/Jonny-Appleseed" rel="noopener noreferrer" target="_blank">Joshua Whitehead.</a></p><br><p>Postcards may offer glossy images of success or experiences that aren't real - instead, sometimes those images may obscure the turbulent underside of our lives. Beginning with her experience with depression (trigger warning), Linda addresses how misunderstandings arise from expectations about what one should feel and what one actually feels; she thus considers the Apple TV character, <a href="https://www.imdb.com/title/tt10986410/" rel="noopener noreferrer" target="_blank">Ted Lasso</a>, and his sage advice, "Be curious, not judgemental." She then looks at <a href="https://www.penguinrandomhouse.ca/authors/25830/eden-robinson" rel="noopener noreferrer" target="_blank">Eden Robinson'</a>s magnificent (and painful) story, "Traplines" (<a href="https://www.penguinrandomhouse.ca/books/156127/traplines-by-eden-robinson/9780676970265" rel="noopener noreferrer" target="_blank">from the book of the same name, <em>Traplines, </em>published by Penguin/Random House</a>) in which the narrator, Will, must navigate an abusive context (more trigger warnings) and try to discern how to act and what is options really are. All of this is rendered more complex by his deep sense of hunger (real and otherwise).</p><br><p>Then, in the Takeaway, Linda recommends <a href="https://houseofanansi.com/products/manikanetish" rel="noopener noreferrer" target="_blank">Naomi Fontaine's Manikanetish</a> (translated by Luise von Flotow, published by <a href="https://houseofanansi.com/products/manikanetish" rel="noopener noreferrer" target="_blank">House of Anansi)</a>, which was shortlisted for the Governor General's Award. You can find a longer review of this book in the<a href="https://mtlreviewofbooks.ca" rel="noopener noreferrer" target="_blank"> Montreal Review of Books</a>.</p><br><p>She also thanks some of her listeners, including Arpita Ghosal at <a href="https://www.sesayarts.com/getting-lit-with-linda/" rel="noopener noreferrer" target="_blank">SesayArts Magazine</a>.</p><br><p>If you are suffering from depression,<a href="https://www.canada.ca/en/public-health/services/mental-health-services/mental-health-get-help.html" rel="noopener noreferrer" target="_blank"> please reach out and get support</a>. You are not alone.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Linda focuses on Indigenous writers in this podcast in view of <a href="https://www.orangeshirtday.org" rel="noopener noreferrer" target="_blank">Orange Shirt Day</a> (every child matters!) and the inaugural <a href="https://www.canada.ca/en/canadian-heritage/campaigns/national-day-truth-reconciliation.html" rel="noopener noreferrer" target="_blank">National Day for Truth and Reconciliation</a>. She recommends several writers (some of them featured on <a href="https://49thshelf.com/Blog/2021/09/23/16-Indigenous-Reads-A-List-from-Kobo" rel="noopener noreferrer" target="_blank">49th shel</a>f), including <a href="https://cheriedimaline.com" rel="noopener noreferrer" target="_blank">Cherie Dimaline</a> and <a href="https://arsenalpulp.com/Books/J/Jonny-Appleseed" rel="noopener noreferrer" target="_blank">Joshua Whitehead.</a></p><br><p>Postcards may offer glossy images of success or experiences that aren't real - instead, sometimes those images may obscure the turbulent underside of our lives. Beginning with her experience with depression (trigger warning), Linda addresses how misunderstandings arise from expectations about what one should feel and what one actually feels; she thus considers the Apple TV character, <a href="https://www.imdb.com/title/tt10986410/" rel="noopener noreferrer" target="_blank">Ted Lasso</a>, and his sage advice, "Be curious, not judgemental." She then looks at <a href="https://www.penguinrandomhouse.ca/authors/25830/eden-robinson" rel="noopener noreferrer" target="_blank">Eden Robinson'</a>s magnificent (and painful) story, "Traplines" (<a href="https://www.penguinrandomhouse.ca/books/156127/traplines-by-eden-robinson/9780676970265" rel="noopener noreferrer" target="_blank">from the book of the same name, <em>Traplines, </em>published by Penguin/Random House</a>) in which the narrator, Will, must navigate an abusive context (more trigger warnings) and try to discern how to act and what is options really are. All of this is rendered more complex by his deep sense of hunger (real and otherwise).</p><br><p>Then, in the Takeaway, Linda recommends <a href="https://houseofanansi.com/products/manikanetish" rel="noopener noreferrer" target="_blank">Naomi Fontaine's Manikanetish</a> (translated by Luise von Flotow, published by <a href="https://houseofanansi.com/products/manikanetish" rel="noopener noreferrer" target="_blank">House of Anansi)</a>, which was shortlisted for the Governor General's Award. You can find a longer review of this book in the<a href="https://mtlreviewofbooks.ca" rel="noopener noreferrer" target="_blank"> Montreal Review of Books</a>.</p><br><p>She also thanks some of her listeners, including Arpita Ghosal at <a href="https://www.sesayarts.com/getting-lit-with-linda/" rel="noopener noreferrer" target="_blank">SesayArts Magazine</a>.</p><br><p>If you are suffering from depression,<a href="https://www.canada.ca/en/public-health/services/mental-health-services/mental-health-get-help.html" rel="noopener noreferrer" target="_blank"> please reach out and get support</a>. You are not alone.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title><![CDATA[Wayson Choy's The Jade Peony - Connecting Across Generations & Genders]]></title>
			<itunes:title><![CDATA[Wayson Choy's The Jade Peony - Connecting Across Generations & Genders]]></itunes:title>
			<pubDate>Fri, 17 Sep 2021 02:18:36 GMT</pubDate>
			<itunes:duration>27:46</itunes:duration>
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			<acast:episodeId>6143fafc60f1ab0014b7b113</acast:episodeId>
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			<acast:episodeUrl>wayson-choys-the-jade-peony-connecting-across-generations-ge</acast:episodeUrl>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>2</itunes:season>
			<itunes:episode>16</itunes:episode>
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			<description><![CDATA[<p>Remember Shirley Temple, that Hollywood cinema's icon of idealized (white) girlhood? Linda looks up a short clip, "<a href="https://www.youtube.com/watch?v=WLLSqpYyPD8" rel="noopener noreferrer" target="_blank">On the Good Ship Lollipop</a>," and feels uncomfortable (trigger warning here) and explains why she and some of her students shared that experience. She considers the importance of contextualizing or historicizing our responses to cultural artefacts -- but, even so, there is good reason to feel uncomfortable about Temple's childhood performances. That's not necessarily the case for our interpretation of the heroine of the first part of <a href="https://library.ryerson.ca/asianheritage/authors/choy/" rel="noopener noreferrer" target="_blank">Wayson Choy</a>'s <a href="https://douglas-mcintyre.com/products/9781550544688" rel="noopener noreferrer" target="_blank">The Jade Peony</a>.</p><br><p>Topics include:</p><ul><li>Shirley Temple's "<a href="https://www.youtube.com/watch?v=WLLSqpYyPD8" rel="noopener noreferrer" target="_blank">On the Good Ship Lollipop</a>"</li><li>Wayson Choy's <a href="https://douglas-mcintyre.com/products/9781550544688" rel="noopener noreferrer" target="_blank">The Jade Peony </a></li><li>Chinatown, Vancouver</li><li>Patriarchy and the male gaze</li><li>Repatriation of Chinese bones</li></ul><p><br></p><p>In the Takeaway section, she looks at <a href="https://madelainelongman.com" rel="noopener noreferrer" target="_blank">Madelaine Caritas Longman</a>'s marvellous debut collection, The Danger <a href="https://www.mqup.ca/danger-model--the-products-9780773558854.php?page_id=120021&amp;" rel="noopener noreferrer" target="_blank">Model (McGill Queen's Press</a>), which unsurprisingly won the Concordia First Book Prize by the <a href="www.qwf.org" rel="noopener noreferrer" target="_blank">Quebec Writers' Federation</a>.</p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Remember Shirley Temple, that Hollywood cinema's icon of idealized (white) girlhood? Linda looks up a short clip, "<a href="https://www.youtube.com/watch?v=WLLSqpYyPD8" rel="noopener noreferrer" target="_blank">On the Good Ship Lollipop</a>," and feels uncomfortable (trigger warning here) and explains why she and some of her students shared that experience. She considers the importance of contextualizing or historicizing our responses to cultural artefacts -- but, even so, there is good reason to feel uncomfortable about Temple's childhood performances. That's not necessarily the case for our interpretation of the heroine of the first part of <a href="https://library.ryerson.ca/asianheritage/authors/choy/" rel="noopener noreferrer" target="_blank">Wayson Choy</a>'s <a href="https://douglas-mcintyre.com/products/9781550544688" rel="noopener noreferrer" target="_blank">The Jade Peony</a>.</p><br><p>Topics include:</p><ul><li>Shirley Temple's "<a href="https://www.youtube.com/watch?v=WLLSqpYyPD8" rel="noopener noreferrer" target="_blank">On the Good Ship Lollipop</a>"</li><li>Wayson Choy's <a href="https://douglas-mcintyre.com/products/9781550544688" rel="noopener noreferrer" target="_blank">The Jade Peony </a></li><li>Chinatown, Vancouver</li><li>Patriarchy and the male gaze</li><li>Repatriation of Chinese bones</li></ul><p><br></p><p>In the Takeaway section, she looks at <a href="https://madelainelongman.com" rel="noopener noreferrer" target="_blank">Madelaine Caritas Longman</a>'s marvellous debut collection, The Danger <a href="https://www.mqup.ca/danger-model--the-products-9780773558854.php?page_id=120021&amp;" rel="noopener noreferrer" target="_blank">Model (McGill Queen's Press</a>), which unsurprisingly won the Concordia First Book Prize by the <a href="www.qwf.org" rel="noopener noreferrer" target="_blank">Quebec Writers' Federation</a>.</p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title><![CDATA[When the Body Complains - Jane Rule's Taking My Life and Sara Ahmed's Complaint!]]></title>
			<itunes:title><![CDATA[When the Body Complains - Jane Rule's Taking My Life and Sara Ahmed's Complaint!]]></itunes:title>
			<pubDate>Mon, 06 Sep 2021 05:06:08 GMT</pubDate>
			<itunes:duration>31:09</itunes:duration>
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			<acast:episodeUrl>when-the-body-complains-jane-rules-taking-my-life-and-sara-a</acast:episodeUrl>
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			<itunes:season>2</itunes:season>
			<itunes:episode>15</itunes:episode>
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			<description><![CDATA[<p>In this episode, addressing Jane Rule's <a href="https://talonbooks.com/books/taking-my-life" rel="noopener noreferrer" target="_blank"><em>Taking My Life</em></a><em> </em>(Talon Books), Linda discusses why bodies "complain" and what it means when they do. In the Takeaway section, she reviews <a href="https://www.saranahmed.com" rel="noopener noreferrer" target="_blank">Sara Ahmed's</a> new book, <a href="Complaint (Duke University Press)." rel="noopener noreferrer" target="_blank">Complaint (Duke University Press).</a> In <em>Complaint!</em>, Ahmed examines institutional harassment and bullying, and how to read complaints that are lodged against such institutions. In the entirety of the episode, Linda is discussing how we respond to different forms of "grooming" (Ahmed) or bodily coercion - and why indeed the body complains.</p><br><p>If you want to know more generally about Jane Rule, please visit the <a href="https://podcasts.apple.com/us/podcast/queer-legends-jane-rule/id1587625685?i=1000537968600" rel="noopener noreferrer" target="_blank">Queer Legends </a>podcast, in which Shawn Dearn interviews Linda Morra about her life and work.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode, addressing Jane Rule's <a href="https://talonbooks.com/books/taking-my-life" rel="noopener noreferrer" target="_blank"><em>Taking My Life</em></a><em> </em>(Talon Books), Linda discusses why bodies "complain" and what it means when they do. In the Takeaway section, she reviews <a href="https://www.saranahmed.com" rel="noopener noreferrer" target="_blank">Sara Ahmed's</a> new book, <a href="Complaint (Duke University Press)." rel="noopener noreferrer" target="_blank">Complaint (Duke University Press).</a> In <em>Complaint!</em>, Ahmed examines institutional harassment and bullying, and how to read complaints that are lodged against such institutions. In the entirety of the episode, Linda is discussing how we respond to different forms of "grooming" (Ahmed) or bodily coercion - and why indeed the body complains.</p><br><p>If you want to know more generally about Jane Rule, please visit the <a href="https://podcasts.apple.com/us/podcast/queer-legends-jane-rule/id1587625685?i=1000537968600" rel="noopener noreferrer" target="_blank">Queer Legends </a>podcast, in which Shawn Dearn interviews Linda Morra about her life and work.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title><![CDATA["What Blossoms Long For" - Chantel Lavoie]]></title>
			<itunes:title><![CDATA["What Blossoms Long For" - Chantel Lavoie]]></itunes:title>
			<pubDate>Thu, 19 Aug 2021 15:40:50 GMT</pubDate>
			<itunes:duration>38:45</itunes:duration>
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			<itunes:subtitle>Interview with Chantel Lavoie about Margaret Atwood</itunes:subtitle>
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			<itunes:season>2</itunes:season>
			<itunes:episode>14</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6086d520cfb9e813fa7a63a9/1629387065887-4b2a19c29364c24ec73fcebccab93559.jpeg"/>
			<description><![CDATA[<p>In this episode, and as part of the Sealey challenge, Linda interviews poet and scholar, Chantel Lavoie, about her love for the poetry of Margaret Atwood - in particular, the collections <a href="https://www.penguinrandomhouse.ca/books/6110/morning-in-the-burned-house-by-margaret-atwood/9780771008337" rel="noopener noreferrer" target="_blank"><em>Morning in the Burned House</em></a><em> </em>(Penguin Random House), <a href="https://www.penguinrandomhouse.ca/books/6123/the-door-by-margaret-atwood/9780771008474" rel="noopener noreferrer" target="_blank"><em>The Door</em></a><em> (</em>Penguin Random House), and <a href="https://www.harpercollins.com/products/dearly-margaret-atwood?variant=32117459779618" rel="noopener noreferrer" target="_blank"><em>Dearly</em></a><em> </em>(HarperCollins).</p><br><p>Lavoie is herself a poet, as Linda notes at the outset of the episode: she published <a href="http://quattrobooks.ca/books/where-the-terror-lies/" rel="noopener noreferrer" target="_blank"><em>Where The Terror Lies </em>with Quattro Books</a> in 2012 and <a href="http://mansfieldpress.net/2021/02/this-is-about-angels-women-and-men/" rel="noopener noreferrer" target="_blank"><em>This is About Angels, Women, and Men</em> with Manfield Press</a> in 2019. Linda reflects on her first meeting with Lavoie, several years ago, when she had won the <a href="http://www.booksincanada.com/article_view.asp?id=1511" rel="noopener noreferrer" target="_blank">Books in Canada Prize</a>, and cites from Lavoie's poems that won that year.</p><br><p>Lavoie and Linda also invent a new cocktail - called the "Atwood martini."</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode, and as part of the Sealey challenge, Linda interviews poet and scholar, Chantel Lavoie, about her love for the poetry of Margaret Atwood - in particular, the collections <a href="https://www.penguinrandomhouse.ca/books/6110/morning-in-the-burned-house-by-margaret-atwood/9780771008337" rel="noopener noreferrer" target="_blank"><em>Morning in the Burned House</em></a><em> </em>(Penguin Random House), <a href="https://www.penguinrandomhouse.ca/books/6123/the-door-by-margaret-atwood/9780771008474" rel="noopener noreferrer" target="_blank"><em>The Door</em></a><em> (</em>Penguin Random House), and <a href="https://www.harpercollins.com/products/dearly-margaret-atwood?variant=32117459779618" rel="noopener noreferrer" target="_blank"><em>Dearly</em></a><em> </em>(HarperCollins).</p><br><p>Lavoie is herself a poet, as Linda notes at the outset of the episode: she published <a href="http://quattrobooks.ca/books/where-the-terror-lies/" rel="noopener noreferrer" target="_blank"><em>Where The Terror Lies </em>with Quattro Books</a> in 2012 and <a href="http://mansfieldpress.net/2021/02/this-is-about-angels-women-and-men/" rel="noopener noreferrer" target="_blank"><em>This is About Angels, Women, and Men</em> with Manfield Press</a> in 2019. Linda reflects on her first meeting with Lavoie, several years ago, when she had won the <a href="http://www.booksincanada.com/article_view.asp?id=1511" rel="noopener noreferrer" target="_blank">Books in Canada Prize</a>, and cites from Lavoie's poems that won that year.</p><br><p>Lavoie and Linda also invent a new cocktail - called the "Atwood martini."</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title><![CDATA[Thomas King's One Good Story, That One: Relationships & Stories]]></title>
			<itunes:title><![CDATA[Thomas King's One Good Story, That One: Relationships & Stories]]></itunes:title>
			<pubDate>Thu, 05 Aug 2021 22:51:19 GMT</pubDate>
			<itunes:duration>22:37</itunes:duration>
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			<acast:episodeId>610c644396a6bf001299cc12</acast:episodeId>
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			<acast:episodeUrl>thomas-kings-one-good-story-that-one-sharing-stories-is-abou</acast:episodeUrl>
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			<itunes:subtitle>Relationships are about Sharing Stories</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>2</itunes:season>
			<itunes:episode>13</itunes:episode>
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			<description><![CDATA[We develop relationships with people and communities as we share stories with them--in fact, that is a sign of our role or place within the community--but we don't get to demand to hear them, especially when we are not a part of that community. In this episode, Linda examines Thomas King's collection, <em>O</em><a href="https://www.harpercollins.ca/9780006485254/one-good-story-that-one-tpb/" rel="noopener noreferrer" target="_blank"><em>ne Good Story, That One </em>(published by HarperCollins),</a> and particularly the story of the same title, with this idea in mind. She considers his literary technique in relation to <a href="https://www.vangoghexhibit.ca/" rel="noopener noreferrer" target="_blank">Van Gogh's <em>Starry Night</em></a><em> </em>(you can check out the painting in this <a href="https://www.vangoghexhibit.ca/" rel="noopener noreferrer" target="_blank">Van Gogh immersive exhibition</a>) and then his other story and graphic novel,<a href="https://www.harpercollins.ca/9781443460675/borders/" rel="noopener noreferrer" target="_blank"><em> Borders.</em></a> The latter is relevant in relation to the Takeway portion of the podcast, in which she interviews her former student Darrin Prine about the genre. Darrin introduced her to<em> Spice &amp; Wolf </em>(by Isuna Hasekura, with illustrations by Jū Ayakura), and in this section, he also makes reference to <em>Goblin Slayer</em> (by Kumo Kagyu), <a href="https://www.dccomics.com/" rel="noopener noreferrer" target="_blank"><em>Watchmen </em></a>(by Alan Moore and Dave Gibbon), <a href="https://imagecomics.com/comics/releases/middlewest-1" rel="noopener noreferrer" target="_blank"><em>Middlewest</em></a><em> </em>(by Skottie Young and Jorge Corona), and <em>Full Metal Alchemist </em>(by Hiromu Arakawa).<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[We develop relationships with people and communities as we share stories with them--in fact, that is a sign of our role or place within the community--but we don't get to demand to hear them, especially when we are not a part of that community. In this episode, Linda examines Thomas King's collection, <em>O</em><a href="https://www.harpercollins.ca/9780006485254/one-good-story-that-one-tpb/" rel="noopener noreferrer" target="_blank"><em>ne Good Story, That One </em>(published by HarperCollins),</a> and particularly the story of the same title, with this idea in mind. She considers his literary technique in relation to <a href="https://www.vangoghexhibit.ca/" rel="noopener noreferrer" target="_blank">Van Gogh's <em>Starry Night</em></a><em> </em>(you can check out the painting in this <a href="https://www.vangoghexhibit.ca/" rel="noopener noreferrer" target="_blank">Van Gogh immersive exhibition</a>) and then his other story and graphic novel,<a href="https://www.harpercollins.ca/9781443460675/borders/" rel="noopener noreferrer" target="_blank"><em> Borders.</em></a> The latter is relevant in relation to the Takeway portion of the podcast, in which she interviews her former student Darrin Prine about the genre. Darrin introduced her to<em> Spice &amp; Wolf </em>(by Isuna Hasekura, with illustrations by Jū Ayakura), and in this section, he also makes reference to <em>Goblin Slayer</em> (by Kumo Kagyu), <a href="https://www.dccomics.com/" rel="noopener noreferrer" target="_blank"><em>Watchmen </em></a>(by Alan Moore and Dave Gibbon), <a href="https://imagecomics.com/comics/releases/middlewest-1" rel="noopener noreferrer" target="_blank"><em>Middlewest</em></a><em> </em>(by Skottie Young and Jorge Corona), and <em>Full Metal Alchemist </em>(by Hiromu Arakawa).<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title><![CDATA[Our Daily Heroes: Nino Ricci's Lives of the Saints]]></title>
			<itunes:title><![CDATA[Our Daily Heroes: Nino Ricci's Lives of the Saints]]></itunes:title>
			<pubDate>Sat, 24 Jul 2021 20:49:27 GMT</pubDate>
			<itunes:duration>16:41</itunes:duration>
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			<acast:episodeId>60fc7cd7eef76e0019606a55</acast:episodeId>
			<acast:showId>6086d520cfb9e813fa7a63a9</acast:showId>
			<acast:episodeUrl>our-daily-heroes-nino-riccis-lives-of-the-saints</acast:episodeUrl>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>2</itunes:season>
			<itunes:episode>12</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6086d520cfb9e813fa7a63a9/1629411910537-58e0a2e1647eea22063a0710546b5f78.jpeg"/>
			<description><![CDATA[In reflecting about her father and her visit with him to his small Italian village some years ago, Linda draws comparisons with <a href="https://ninoricci.com/book/lives-of-the-saints-trilogy" rel="noopener noreferrer" target="_blank">Nino Ricci</a>'s Lives of the Saints (<a href="https://www.penguinrandomhouse.ca/books/153652/lives-of-the-saints-by-nino-ricci/9780385696050" rel="noopener noreferrer" target="_blank">Penguin/Random House</a>), in which the young male protagonist, Vittorio, must work out how he feels about his mother who flies in the face of the strict moral codes of the Italian town. With reference to other Italian-Canadian writers -- <a href="https://www.terrifavro.ca" rel="noopener noreferrer" target="_blank">Terri Favro</a>, <a href="https://alllitup.ca/contributors/G/Guzzo-McParland-Connie" rel="noopener noreferrer" target="_blank">Connie Guzzo-McParland</a>, <a href="https://canadian-writers.athabascau.ca/english/writers/pgdicicco/pgdicicco.php" rel="noopener noreferrer" target="_blank">Pier Giorgio Di Cicco</a> -- and also<a href="https://www.penguinrandomhouse.ca/books/153652/lives-of-the-saints-by-nino-ricci/9780385696050" rel="noopener noreferrer" target="_blank"> the audio book</a> read by <a href="marcotimpano.com" rel="noopener noreferrer" target="_blank">Marco Timpano</a> (with great thanks to Penguin/Random House for permissions), the <a href="https://www.imdb.com/title/tt0367360/" rel="noopener noreferrer" target="_blank">television version of Ricci's novel</a> and <a href="https://www.francesmayesbooks.com/books/under-the-tuscan-sun-tr" rel="noopener noreferrer" target="_blank">Frances Mayes, Under the Tuscan Sun</a>, and <a href="https://www.imdb.com/title/tt12872150/" rel="noopener noreferrer" target="_blank">Madelena</a>, the episode addresses the patriarchal conditions for women in Italy, but also what it means to see our parents as more than just parents, but as people with their own lives, dreams, and regrets. In the Takeaway section -- and perhaps a counterpoint to the episode's discussion -- Linda looks at and recommends <a href="https://www.dior.com" rel="noopener noreferrer" target="_blank">Dior's</a> <a href="https://www.dior.com/couture/fr_fr/la-maison-dior/les-livres/the-little-dictionary-of-fashion" rel="noopener noreferrer" target="_blank">Petit Dictionnaire de La Mode</a>, which she picked up at the recent <a href="https://www.musee-mccord.qc.ca/en/exhibitions/christian-dior/" rel="noopener noreferrer" target="_blank">Dior Exhibit at the McCord Museum</a> in Montreal, Quebec.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[In reflecting about her father and her visit with him to his small Italian village some years ago, Linda draws comparisons with <a href="https://ninoricci.com/book/lives-of-the-saints-trilogy" rel="noopener noreferrer" target="_blank">Nino Ricci</a>'s Lives of the Saints (<a href="https://www.penguinrandomhouse.ca/books/153652/lives-of-the-saints-by-nino-ricci/9780385696050" rel="noopener noreferrer" target="_blank">Penguin/Random House</a>), in which the young male protagonist, Vittorio, must work out how he feels about his mother who flies in the face of the strict moral codes of the Italian town. With reference to other Italian-Canadian writers -- <a href="https://www.terrifavro.ca" rel="noopener noreferrer" target="_blank">Terri Favro</a>, <a href="https://alllitup.ca/contributors/G/Guzzo-McParland-Connie" rel="noopener noreferrer" target="_blank">Connie Guzzo-McParland</a>, <a href="https://canadian-writers.athabascau.ca/english/writers/pgdicicco/pgdicicco.php" rel="noopener noreferrer" target="_blank">Pier Giorgio Di Cicco</a> -- and also<a href="https://www.penguinrandomhouse.ca/books/153652/lives-of-the-saints-by-nino-ricci/9780385696050" rel="noopener noreferrer" target="_blank"> the audio book</a> read by <a href="marcotimpano.com" rel="noopener noreferrer" target="_blank">Marco Timpano</a> (with great thanks to Penguin/Random House for permissions), the <a href="https://www.imdb.com/title/tt0367360/" rel="noopener noreferrer" target="_blank">television version of Ricci's novel</a> and <a href="https://www.francesmayesbooks.com/books/under-the-tuscan-sun-tr" rel="noopener noreferrer" target="_blank">Frances Mayes, Under the Tuscan Sun</a>, and <a href="https://www.imdb.com/title/tt12872150/" rel="noopener noreferrer" target="_blank">Madelena</a>, the episode addresses the patriarchal conditions for women in Italy, but also what it means to see our parents as more than just parents, but as people with their own lives, dreams, and regrets. In the Takeaway section -- and perhaps a counterpoint to the episode's discussion -- Linda looks at and recommends <a href="https://www.dior.com" rel="noopener noreferrer" target="_blank">Dior's</a> <a href="https://www.dior.com/couture/fr_fr/la-maison-dior/les-livres/the-little-dictionary-of-fashion" rel="noopener noreferrer" target="_blank">Petit Dictionnaire de La Mode</a>, which she picked up at the recent <a href="https://www.musee-mccord.qc.ca/en/exhibitions/christian-dior/" rel="noopener noreferrer" target="_blank">Dior Exhibit at the McCord Museum</a> in Montreal, Quebec.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title><![CDATA[Literature Heals and Connects Us: Heather O'Neill's "Messages in Bottles"]]></title>
			<itunes:title><![CDATA[Literature Heals and Connects Us: Heather O'Neill's "Messages in Bottles"]]></itunes:title>
			<pubDate>Thu, 08 Jul 2021 14:00:55 GMT</pubDate>
			<itunes:duration>20:45</itunes:duration>
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			<acast:episodeId>60e6204de0c9da0013f33f79</acast:episodeId>
			<acast:showId>6086d520cfb9e813fa7a63a9</acast:showId>
			<acast:episodeUrl>literature-heals-and-connects-us-heather-oneills-messages-in</acast:episodeUrl>
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			<itunes:subtitle><![CDATA[Literature Heals and Connects Us: Heather O'Neill's "Messages in Bottles"]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>2</itunes:season>
			<itunes:episode>11</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6086d520cfb9e813fa7a63a9/1625694347726-e0ef7b12c17250c1ffbd2b60da6b46e0.jpeg"/>
			<description><![CDATA[In this episode, Heather O'Neill's short story, "Messages in Bottles" (from <a href="https://www.harpercollins.ca/9781554684519/daydreams-of-angels/" rel="noopener noreferrer" target="_blank"><em>Daydreams of Angels</em></a><em>, </em>published by HarperCollins in 2014) becomes the focal point of a discussion about why distance does not necessarily impede intimacy--sometimes, in fact, it helps us to be or feel more closely connected--and in that process, literature may play an important part. In her takeaway, Linda chats about her newest "discovery," Souvankham Thammavongsa's <a href="http://www.pedlarpress.com/news/souvankham-thammavongsa-poetry/" rel="noopener noreferrer" target="_blank"><em>Found</em> (Pedlar Press 2007</a>). Check out <a href="https://www.youtube.com/watch?v=0ATKsOBFQ2U" rel="noopener noreferrer" target="_blank">this video with Thammavongsa </a>speaking about and reading from <em>Found</em>.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[In this episode, Heather O'Neill's short story, "Messages in Bottles" (from <a href="https://www.harpercollins.ca/9781554684519/daydreams-of-angels/" rel="noopener noreferrer" target="_blank"><em>Daydreams of Angels</em></a><em>, </em>published by HarperCollins in 2014) becomes the focal point of a discussion about why distance does not necessarily impede intimacy--sometimes, in fact, it helps us to be or feel more closely connected--and in that process, literature may play an important part. In her takeaway, Linda chats about her newest "discovery," Souvankham Thammavongsa's <a href="http://www.pedlarpress.com/news/souvankham-thammavongsa-poetry/" rel="noopener noreferrer" target="_blank"><em>Found</em> (Pedlar Press 2007</a>). Check out <a href="https://www.youtube.com/watch?v=0ATKsOBFQ2U" rel="noopener noreferrer" target="_blank">this video with Thammavongsa </a>speaking about and reading from <em>Found</em>.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title><![CDATA[Bonus Episode: Interview with Lori Schubert, Executive Director of the Quebec Writers' Federation]]></title>
			<itunes:title><![CDATA[Bonus Episode: Interview with Lori Schubert, Executive Director of the Quebec Writers' Federation]]></itunes:title>
			<pubDate>Fri, 25 Jun 2021 02:02:56 GMT</pubDate>
			<itunes:duration>25:51</itunes:duration>
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			<link>https://shows.acast.com/getting-lit-with-linda-the-canadian-literature-podcast/episodes/interview-with-lori-schubert-executive-director-of-the-quebe</link>
			<acast:episodeId>60d539509328f300193cd644</acast:episodeId>
			<acast:showId>6086d520cfb9e813fa7a63a9</acast:showId>
			<acast:episodeUrl>interview-with-lori-schubert-executive-director-of-the-quebe</acast:episodeUrl>
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			<itunes:subtitle><![CDATA[Bonus Episode: Interview with Lori Schubert, Executive Director of the Quebec Writers' Federation]]></itunes:subtitle>
			<itunes:episodeType>bonus</itunes:episodeType>
			<itunes:season>2</itunes:season>
			<itunes:episode>10</itunes:episode>
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			<description><![CDATA[Linda sits in the backyard of Lori Schubert, the Executive Director of the <a href="https://qwf.org/" rel="noopener noreferrer" target="_blank">Quebec Writers' Federation,</a> to chat with her about the organization's history, her role in it, and the programs it offers to its members across the province of Quebec, including its <a href="http://quebecbooks.qwf.org/" rel="noopener noreferrer" target="_blank">database of Quebec writers</a> and its <a href="https://qwf.org/awards/awards-overview/" rel="noopener noreferrer" target="_blank">awards</a>. And the two just enjoy a beautiful day outside, at the end of a long period of pandemic restrictions....<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[Linda sits in the backyard of Lori Schubert, the Executive Director of the <a href="https://qwf.org/" rel="noopener noreferrer" target="_blank">Quebec Writers' Federation,</a> to chat with her about the organization's history, her role in it, and the programs it offers to its members across the province of Quebec, including its <a href="http://quebecbooks.qwf.org/" rel="noopener noreferrer" target="_blank">database of Quebec writers</a> and its <a href="https://qwf.org/awards/awards-overview/" rel="noopener noreferrer" target="_blank">awards</a>. And the two just enjoy a beautiful day outside, at the end of a long period of pandemic restrictions....<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title><![CDATA[How Remembering Defines You - Lorena Gale's Je Me Souviens]]></title>
			<itunes:title><![CDATA[How Remembering Defines You - Lorena Gale's Je Me Souviens]]></itunes:title>
			<pubDate>Fri, 25 Jun 2021 01:42:28 GMT</pubDate>
			<itunes:duration>19:59</itunes:duration>
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			<acast:episodeId>60d53484f623e8001966f7f8</acast:episodeId>
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			<acast:episodeUrl>how-remembering-defines-you-lorena-gales-je-me-souviens</acast:episodeUrl>
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			<itunes:subtitle><![CDATA[Lorena Gale's Je Me Souviens]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>2</itunes:season>
			<itunes:episode>9</itunes:episode>
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			<description><![CDATA[In this episode, Linda remembers how she met actor and writer Lorena Gale in Vancouver, British Columbia - and how acts of remembering define who you are, as Gale's play,<em> </em><a href="https://talonbooks.com/books/je-me-souviens" rel="noopener noreferrer" target="_blank"><em>Je Me Souviens </em>(Talon Press)</a>, renders clear; she connects the history and significance of license plates in Quebec to Gale's journey of self-discovery to show how Gale navigates carefully the challenges of identity in the province -- both when Gale lived there and then in retrospect. In the take-away section, Linda considers the collection, <a href="https://www.guernicaeditions.com/title/9781771836579" rel="noopener noreferrer" target="_blank"><em>Chronicling the Days: Dispatches from a Pandemic</em>,</a> a project conceived by the <a href="https://qwf.org" rel="noopener noreferrer" target="_blank">Quebec Writers' Federation</a> and produced in conjunction with Guernica Press, as an early provincial-based response to the pandemic. (With apologies for the recording's lack of clarity this episode!)<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[In this episode, Linda remembers how she met actor and writer Lorena Gale in Vancouver, British Columbia - and how acts of remembering define who you are, as Gale's play,<em> </em><a href="https://talonbooks.com/books/je-me-souviens" rel="noopener noreferrer" target="_blank"><em>Je Me Souviens </em>(Talon Press)</a>, renders clear; she connects the history and significance of license plates in Quebec to Gale's journey of self-discovery to show how Gale navigates carefully the challenges of identity in the province -- both when Gale lived there and then in retrospect. In the take-away section, Linda considers the collection, <a href="https://www.guernicaeditions.com/title/9781771836579" rel="noopener noreferrer" target="_blank"><em>Chronicling the Days: Dispatches from a Pandemic</em>,</a> a project conceived by the <a href="https://qwf.org" rel="noopener noreferrer" target="_blank">Quebec Writers' Federation</a> and produced in conjunction with Guernica Press, as an early provincial-based response to the pandemic. (With apologies for the recording's lack of clarity this episode!)<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Bonus Episode: Interview with Marco Timpano, Author of 25 Things I Wish I Knew Before I Started My Podcast</title>
			<itunes:title>Bonus Episode: Interview with Marco Timpano, Author of 25 Things I Wish I Knew Before I Started My Podcast</itunes:title>
			<pubDate>Thu, 10 Jun 2021 22:28:12 GMT</pubDate>
			<itunes:duration>24:15</itunes:duration>
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			<acast:episodeUrl>interview-with-marco-timpano-author-of-25-things-i-wish-i-kn</acast:episodeUrl>
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			<itunes:episodeType>bonus</itunes:episodeType>
			<itunes:season>2</itunes:season>
			<itunes:episode>8</itunes:episode>
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			<description><![CDATA[In this episode, Linda chats with her co-producer (yes, that's right - her co-producer) and long-standing friend, <a href="http://www.marcotimpano.com" rel="noopener noreferrer" target="_blank">Marco Timpano</a>, about his career as a podcaster, and his recent publication, <a href="https://www.amazon.ca/Things-Wish-Before-Started-Podcast/dp/B08C47SVC8" rel="noopener noreferrer" target="_blank">25 Things I Wish I Knew Before I Started My Podcast</a>. He reads from the book and, drawing upon his own experiences as a podcaster, explains some of the things he really wished he did know. <hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[In this episode, Linda chats with her co-producer (yes, that's right - her co-producer) and long-standing friend, <a href="http://www.marcotimpano.com" rel="noopener noreferrer" target="_blank">Marco Timpano</a>, about his career as a podcaster, and his recent publication, <a href="https://www.amazon.ca/Things-Wish-Before-Started-Podcast/dp/B08C47SVC8" rel="noopener noreferrer" target="_blank">25 Things I Wish I Knew Before I Started My Podcast</a>. He reads from the book and, drawing upon his own experiences as a podcaster, explains some of the things he really wished he did know. <hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title><![CDATA[The Languages & Sounds That Are Home: Kaie Kellough's Magnetic Equator]]></title>
			<itunes:title><![CDATA[The Languages & Sounds That Are Home: Kaie Kellough's Magnetic Equator]]></itunes:title>
			<pubDate>Thu, 10 Jun 2021 16:00:49 GMT</pubDate>
			<itunes:duration>19:23</itunes:duration>
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			<acast:episodeId>60bff439ecf577001943c7ed</acast:episodeId>
			<acast:showId>6086d520cfb9e813fa7a63a9</acast:showId>
			<acast:episodeUrl>the-sounds-that-draw-you-home-kaie-kelloughs-magnetic-equato</acast:episodeUrl>
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			<itunes:subtitle><![CDATA[Kaie Kellough's Magnetic Equator]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>2</itunes:season>
			<itunes:episode>7</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6086d520cfb9e813fa7a63a9/1619498838832-b9b888b7974be88b0999616b26774336.jpeg"/>
			<description><![CDATA[<p>In this episode, Linda begins with the sound of her father's old espresso machine, to explain how she sees -- or hears -- sound working in <a href="https://www.penguinrandomhouse.ca/books/599494/magnetic-equator-by-kaie-kellough/9780771043116" rel="noopener noreferrer" target="_blank"><em>Magnetic Equator </em>(published by McClelland &amp; Stewart</a>) by international poet, novelist, and sound performer <a href="https://kaie.ca/" rel="noopener noreferrer" target="_blank">Kaie Kellough</a>. You can hear a sample of his sound poetry<a href="https://www.youtube.com/watch?v=XPa6gUYdbMM" rel="noopener noreferrer" target="_blank"> here.</a> This episode includes a small excerpt read by Kellough himself (with permission by Kellough).</p><br><p>In the "take-away" section, Linda talks about a biography she recently read by <a href="https://pwias.ubc.ca/profile/sherrill-grace" rel="noopener noreferrer" target="_blank">Sherrill Grace</a>, about Canadian author <a href="https://www.wlupress.wlu.ca/Books/T/Tiff" rel="noopener noreferrer" target="_blank">Timothy Findley</a> (published by Wilfrid Laurier University Press).</p><br><p>If you'd like to know more about sound poetry, and about Kaie Kellough as a sound poet, check out Adam Sol's blog post about Kellough on <a href="https://howapoemmoves.wordpress.com/2021/10/13/kaie-kellough-alphabet/" rel="noopener noreferrer" target="_blank">"How a Poem Moves." </a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode, Linda begins with the sound of her father's old espresso machine, to explain how she sees -- or hears -- sound working in <a href="https://www.penguinrandomhouse.ca/books/599494/magnetic-equator-by-kaie-kellough/9780771043116" rel="noopener noreferrer" target="_blank"><em>Magnetic Equator </em>(published by McClelland &amp; Stewart</a>) by international poet, novelist, and sound performer <a href="https://kaie.ca/" rel="noopener noreferrer" target="_blank">Kaie Kellough</a>. You can hear a sample of his sound poetry<a href="https://www.youtube.com/watch?v=XPa6gUYdbMM" rel="noopener noreferrer" target="_blank"> here.</a> This episode includes a small excerpt read by Kellough himself (with permission by Kellough).</p><br><p>In the "take-away" section, Linda talks about a biography she recently read by <a href="https://pwias.ubc.ca/profile/sherrill-grace" rel="noopener noreferrer" target="_blank">Sherrill Grace</a>, about Canadian author <a href="https://www.wlupress.wlu.ca/Books/T/Tiff" rel="noopener noreferrer" target="_blank">Timothy Findley</a> (published by Wilfrid Laurier University Press).</p><br><p>If you'd like to know more about sound poetry, and about Kaie Kellough as a sound poet, check out Adam Sol's blog post about Kellough on <a href="https://howapoemmoves.wordpress.com/2021/10/13/kaie-kellough-alphabet/" rel="noopener noreferrer" target="_blank">"How a Poem Moves." </a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Bonus Episode: Interview with Michael Nest, author of Cold Case North</title>
			<itunes:title>Bonus Episode: Interview with Michael Nest, author of Cold Case North</itunes:title>
			<pubDate>Thu, 27 May 2021 21:44:02 GMT</pubDate>
			<itunes:duration>50:02</itunes:duration>
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			<acast:episodeUrl>bonus-episode-interview-with-michael-nest-author-of-cold-cas</acast:episodeUrl>
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			<itunes:episodeType>bonus</itunes:episodeType>
			<itunes:season>2</itunes:season>
			<itunes:episode>6.2</itunes:episode>
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			<description><![CDATA[Linda chats with author, Michael Nest, about <em>Cold Case North</em>, a finalist for the Crime Writers of Canada for its 2021 Best True Crime Award. We chat about the challenges involved in researching the disappearance of Jim Brady (Metis) and Absolom Halkett (Cree), the fundamental nature of collaboration in this kind of endeavour, and what it might look like this in this kind of moment and context.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[Linda chats with author, Michael Nest, about <em>Cold Case North</em>, a finalist for the Crime Writers of Canada for its 2021 Best True Crime Award. We chat about the challenges involved in researching the disappearance of Jim Brady (Metis) and Absolom Halkett (Cree), the fundamental nature of collaboration in this kind of endeavour, and what it might look like this in this kind of moment and context.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Bonus Episode: Interview with Dr. Deanna Reder (Cree Métis), collaborator behind Cold Case North</title>
			<itunes:title>Bonus Episode: Interview with Dr. Deanna Reder (Cree Métis), collaborator behind Cold Case North</itunes:title>
			<pubDate>Thu, 27 May 2021 19:30:09 GMT</pubDate>
			<itunes:duration>28:56</itunes:duration>
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			<acast:episodeUrl>bonus-episode-interview-with-dr-deanna-reder-cree-metis-coll</acast:episodeUrl>
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			<itunes:episodeType>bonus</itunes:episodeType>
			<itunes:season>2</itunes:season>
			<itunes:episode>6.1</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6086d520cfb9e813fa7a63a9/1629411854138-ca2378faed6fbfb5704d735da84181e3.jpeg"/>
			<description><![CDATA[Bonus Episode: Linda chats with Dr. Deanna Reder about the history related to James Brady (Métis) and Abby Halkett, the community that experienced this traumatic loss, and the making of this book.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[Bonus Episode: Linda chats with Dr. Deanna Reder about the history related to James Brady (Métis) and Abby Halkett, the community that experienced this traumatic loss, and the making of this book.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Cold Case North is Smoking Hot</title>
			<itunes:title>Cold Case North is Smoking Hot</itunes:title>
			<pubDate>Thu, 27 May 2021 18:40:00 GMT</pubDate>
			<itunes:duration>17:16</itunes:duration>
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			<acast:episodeId>60afd093a4a32f001255bc1c</acast:episodeId>
			<acast:showId>6086d520cfb9e813fa7a63a9</acast:showId>
			<acast:episodeUrl>cold-case-north-is-smoking-hot</acast:episodeUrl>
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			<itunes:subtitle>Cold Case North: The Search For James Brady and Absolom Halkett</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>2</itunes:season>
			<itunes:episode>6</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6086d520cfb9e813fa7a63a9/1619498838832-b9b888b7974be88b0999616b26774336.jpeg"/>
			<description><![CDATA[Linda discusses the narrative of <a href="https://uofrpress.ca/Books/C/Cold-Case-North" rel="noopener noreferrer" target="_blank">Cold Case North (published by the University of Regina Press) -</a>- an investigation that was poorly conducted and re-opened by ... a Cree-Métis scholar, <a href="https://www.sfu.ca/indg/about/people/deanna-reder.html" rel="noopener noreferrer" target="_blank">Dr. Deanna Reder, </a>Eric Bell, and Michael Nest. Shortlisted by the Crime Writers of Canada for the 2021 Best True Crime Award, <a href="https://www.facebook.com/Cold-Case-North-104609051707222/?fref=tag" rel="noopener noreferrer" target="_blank">Cold Case North </a>is a powerful, moving account of how and why the Métis leader James Brady and Cree Band Councillor Absolom Halkett disappeared and their case remains unresolved. Dr. Deanna Reder reads from sections of the book as part of the episode.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[Linda discusses the narrative of <a href="https://uofrpress.ca/Books/C/Cold-Case-North" rel="noopener noreferrer" target="_blank">Cold Case North (published by the University of Regina Press) -</a>- an investigation that was poorly conducted and re-opened by ... a Cree-Métis scholar, <a href="https://www.sfu.ca/indg/about/people/deanna-reder.html" rel="noopener noreferrer" target="_blank">Dr. Deanna Reder, </a>Eric Bell, and Michael Nest. Shortlisted by the Crime Writers of Canada for the 2021 Best True Crime Award, <a href="https://www.facebook.com/Cold-Case-North-104609051707222/?fref=tag" rel="noopener noreferrer" target="_blank">Cold Case North </a>is a powerful, moving account of how and why the Métis leader James Brady and Cree Band Councillor Absolom Halkett disappeared and their case remains unresolved. Dr. Deanna Reder reads from sections of the book as part of the episode.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title><![CDATA[Apocalypse Now (and Then) - Saleema Nawaz's Songs for the End of the World]]></title>
			<itunes:title><![CDATA[Apocalypse Now (and Then) - Saleema Nawaz's Songs for the End of the World]]></itunes:title>
			<pubDate>Thu, 27 May 2021 18:30:14 GMT</pubDate>
			<itunes:duration>20:12</itunes:duration>
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			<acast:episodeUrl>apocalypse-now-and-then</acast:episodeUrl>
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			<itunes:subtitle><![CDATA[Saleema Nawaz's Songs for the End of the World]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>2</itunes:season>
			<itunes:episode>5</itunes:episode>
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			<description><![CDATA[Linda considers the two central meanings of apocalypse in view of recent global events, environmental crises, and political upheavals. She uses these two meanings to approach Saleema Nawaz's <a href="https://www.penguinrandomhouse.ca/authors/2152194/saleema-nawaz" rel="noopener noreferrer" target="_blank"><em>Songs for the End of the World </em></a>(published by McClelland &amp; Stewart). In the "Takeaway" section of the podcast, she continues to pursue the idea of revelation in relation to Klara DuPlessis's <a href="https://palimpsestpress.ca/books/hell-light-flesh/" rel="noopener noreferrer" target="_blank"><em>Hell Light Flesh</em></a> (published by Palimpsest Press).<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[Linda considers the two central meanings of apocalypse in view of recent global events, environmental crises, and political upheavals. She uses these two meanings to approach Saleema Nawaz's <a href="https://www.penguinrandomhouse.ca/authors/2152194/saleema-nawaz" rel="noopener noreferrer" target="_blank"><em>Songs for the End of the World </em></a>(published by McClelland &amp; Stewart). In the "Takeaway" section of the podcast, she continues to pursue the idea of revelation in relation to Klara DuPlessis's <a href="https://palimpsestpress.ca/books/hell-light-flesh/" rel="noopener noreferrer" target="_blank"><em>Hell Light Flesh</em></a> (published by Palimpsest Press).<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Hiatus / Teaser Episode</title>
			<itunes:title>Hiatus / Teaser Episode</itunes:title>
			<pubDate>Tue, 25 May 2021 03:52:05 GMT</pubDate>
			<itunes:duration>1:17</itunes:duration>
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			<acast:showId>6086d520cfb9e813fa7a63a9</acast:showId>
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			<itunes:episodeType>full</itunes:episodeType>
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			<description><![CDATA[<p>We are so grateful for the really enthusiastic response we have had to the podcast! We're coming right back - but, in response to some of our listeners's requests, we have provided you with a list of some of the writers (and a little time to read their books!) that Linda will be discussing in future episodes.&nbsp;</p><p></p><p>Have some other suggestions for us? Drop us a line at gettinglitwithlinda@gmail.com or follow us on Twitter (@LLitWith) and Instagram!</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>We are so grateful for the really enthusiastic response we have had to the podcast! We're coming right back - but, in response to some of our listeners's requests, we have provided you with a list of some of the writers (and a little time to read their books!) that Linda will be discussing in future episodes.&nbsp;</p><p></p><p>Have some other suggestions for us? Drop us a line at gettinglitwithlinda@gmail.com or follow us on Twitter (@LLitWith) and Instagram!</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title><![CDATA[Episode 3: My Body is a Record - Madeleine Thien's Do Not Say We Have Nothing]]></title>
			<itunes:title><![CDATA[Episode 3: My Body is a Record - Madeleine Thien's Do Not Say We Have Nothing]]></itunes:title>
			<pubDate>Sun, 23 May 2021 15:02:35 GMT</pubDate>
			<itunes:duration>21:06</itunes:duration>
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			<acast:episodeId>6086d52987b91a43127387b9</acast:episodeId>
			<acast:showId>6086d520cfb9e813fa7a63a9</acast:showId>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>3</itunes:episode>
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			<description><![CDATA[<p>Our bodies hold memory: they contain narratives that exceed the present moment and extend back generations. This episode calls upon writer and host Linda's personal experience to understand and explore Madeleine Thien's remarkable novel, <em>Do Not Say We Have Nothing, </em>published by Knopf (a division of <a href="https://www.penguinrandomhouse.ca/books/259732/do-not-say-we-have-nothing-by-madeleine-thien/9780345810434">Penguin Random House</a>). The Take-Away for this episode involves two collections by the Italian-Canadian poet, <a href="https://www.giannapatriarca.com/about">Gianna Patriarca</a> --<em> Italian Women and Other Tragedies</em> and <em>Daughters for Sale</em>, both published by<a href="https://www.guernicaeditions.com"> Guernica Press</a>.</p><p></p><br><p></p><p><strong>Episode Credits:</strong>Writer and host: Linda Morra</p><p>Associate Producers: Linda Morra and Marco TimpanoMusic: Rafael Krux</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Our bodies hold memory: they contain narratives that exceed the present moment and extend back generations. This episode calls upon writer and host Linda's personal experience to understand and explore Madeleine Thien's remarkable novel, <em>Do Not Say We Have Nothing, </em>published by Knopf (a division of <a href="https://www.penguinrandomhouse.ca/books/259732/do-not-say-we-have-nothing-by-madeleine-thien/9780345810434">Penguin Random House</a>). The Take-Away for this episode involves two collections by the Italian-Canadian poet, <a href="https://www.giannapatriarca.com/about">Gianna Patriarca</a> --<em> Italian Women and Other Tragedies</em> and <em>Daughters for Sale</em>, both published by<a href="https://www.guernicaeditions.com"> Guernica Press</a>.</p><p></p><br><p></p><p><strong>Episode Credits:</strong>Writer and host: Linda Morra</p><p>Associate Producers: Linda Morra and Marco TimpanoMusic: Rafael Krux</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title><![CDATA[Episode 2: This is the Present Me - Rawi Hage's DeNiro's Game]]></title>
			<itunes:title><![CDATA[Episode 2: This is the Present Me - Rawi Hage's DeNiro's Game]]></itunes:title>
			<pubDate>Thu, 20 Aug 2020 15:00:00 GMT</pubDate>
			<itunes:duration>25:05</itunes:duration>
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			<acast:episodeId>6086d52987b91a43127387ba</acast:episodeId>
			<acast:showId>6086d520cfb9e813fa7a63a9</acast:showId>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>2</itunes:episode>
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			<description><![CDATA[<p>In this episode, Linda begins by focusing on one of her personal favourites: <em>DeNiro's Game</em><a href="https://houseofanansi.com/products/de-niros-game" rel="noopener noreferrer" target="_blank"> </a>by the award-winning, Quebec-based author, Rawi Have (with reference to two of his other novels). The "Take-away" section briefly recommends Megan Gail Coles's <a href="https://theconversation.com/megan-gail-coless-novel-teaches-us-that-love-means-we-believewomen-129176" rel="noopener noreferrer" target="_blank"><em>Small Game Hunting at the Local Coward's Gun Club</em></a> published by the <a href="https://houseofanansi.com/products/small-game-hunting-at-the-local-coward-gun-club" rel="noopener noreferrer" target="_blank">House of Anansi</a>, while promising to look at other East-Coast writers in Canada in the future, including Alistair MacLeod, Michael Crummey, Lisa Moore, Donna Morrissey, and Michael Winter.</p><br><p>Episode Credits: <a href="http://lindamorra.com" rel="noopener noreferrer" target="_blank">Linda Morra</a>: Host, Writer, Associate Producer <a href="http://www.marcotimpano.com" rel="noopener noreferrer" target="_blank">Marco Timpano</a>: Associate Producer Raphael Krux: Music&nbsp;</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode, Linda begins by focusing on one of her personal favourites: <em>DeNiro's Game</em><a href="https://houseofanansi.com/products/de-niros-game" rel="noopener noreferrer" target="_blank"> </a>by the award-winning, Quebec-based author, Rawi Have (with reference to two of his other novels). The "Take-away" section briefly recommends Megan Gail Coles's <a href="https://theconversation.com/megan-gail-coless-novel-teaches-us-that-love-means-we-believewomen-129176" rel="noopener noreferrer" target="_blank"><em>Small Game Hunting at the Local Coward's Gun Club</em></a> published by the <a href="https://houseofanansi.com/products/small-game-hunting-at-the-local-coward-gun-club" rel="noopener noreferrer" target="_blank">House of Anansi</a>, while promising to look at other East-Coast writers in Canada in the future, including Alistair MacLeod, Michael Crummey, Lisa Moore, Donna Morrissey, and Michael Winter.</p><br><p>Episode Credits: <a href="http://lindamorra.com" rel="noopener noreferrer" target="_blank">Linda Morra</a>: Host, Writer, Associate Producer <a href="http://www.marcotimpano.com" rel="noopener noreferrer" target="_blank">Marco Timpano</a>: Associate Producer Raphael Krux: Music&nbsp;</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Episode 1: Not All About Atwood</title>
			<itunes:title>Episode 1: Not All About Atwood</itunes:title>
			<pubDate>Wed, 19 Aug 2020 15:00:00 GMT</pubDate>
			<itunes:duration>14:17</itunes:duration>
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			<itunes:episode>1</itunes:episode>
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			<description><![CDATA[<p>What does it mean to "Get Lit with Linda"? This episode introduces listeners to Linda and what she will be chatting about in future episodes--Canadian and other literary forms. Sometimes, she will also chat with literary writers and icons, to develop a broad sense of what "getting literature" really means.</p><p></p><br><p></p><p><strong>Episode Credits</strong>:<a href="http://lindamorra.com">Linda Morra</a>: Host &amp; Writer, Associate Producer<a href="http://www.marcotimpano.com">Marco Timpano</a>: &nbsp;Associate ProducerRaphael Krux: Music</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>What does it mean to "Get Lit with Linda"? This episode introduces listeners to Linda and what she will be chatting about in future episodes--Canadian and other literary forms. Sometimes, she will also chat with literary writers and icons, to develop a broad sense of what "getting literature" really means.</p><p></p><br><p></p><p><strong>Episode Credits</strong>:<a href="http://lindamorra.com">Linda Morra</a>: Host &amp; Writer, Associate Producer<a href="http://www.marcotimpano.com">Marco Timpano</a>: &nbsp;Associate ProducerRaphael Krux: Music</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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		<item>
			<title>Introduction to Getting Lit with Linda</title>
			<itunes:title>Introduction to Getting Lit with Linda</itunes:title>
			<pubDate>Thu, 09 Jul 2020 12:00:00 GMT</pubDate>
			<itunes:duration>0:45</itunes:duration>
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			<link>https://shows.acast.com/getting-lit-with-linda-the-canadian-literature-podcast/episodes/6086d52987b91a43127387bb</link>
			<acast:episodeId>6086d52987b91a43127387bb</acast:episodeId>
			<acast:showId>6086d520cfb9e813fa7a63a9</acast:showId>
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			<itunes:episodeType>trailer</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:image href="https://assets.pippa.io/shows/6086d520cfb9e813fa7a63a9/1619498838832-b9b888b7974be88b0999616b26774336.jpeg"/>
			<description><![CDATA[<p>Using her expertise as a seasoned literature professor, Linda M. Morra develops provocative, timely insights about books from Canada and elsewhere to show why stories are relevant for all of us. Hosted and written by Linda Morra, produced by Linda Morra and Marco Timpano. Our podcast launches on August 19, 2020!</p><p></p><br><p></p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Using her expertise as a seasoned literature professor, Linda M. Morra develops provocative, timely insights about books from Canada and elsewhere to show why stories are relevant for all of us. Hosted and written by Linda Morra, produced by Linda Morra and Marco Timpano. Our podcast launches on August 19, 2020!</p><p></p><br><p></p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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    	<itunes:category text="Education"/>
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