Tamm Reynolds is a study in contrasts: grounded, observant, quietly sharp. By day they navigate the ordinary with practiced grace, cataloguing human habits and social theatre; By night they become Midgitte Bardot, their alter ego. Brazen, glittering, unapologetically theatrical.

Midgitte turns wit into spectacle, exaggeration into truth, daring audiences to laugh and look closer. Where Tamm listens, Midgitte proclaims; where Tamm edits, Midgitte improvises.

Together they form a single creative engine, translating lived detail into performance. One gathers the raw material of life; the other distils it into charisma, comedy, and joy. Exist to survive, subvert expectations, and celebrate reinvention.

Tamm Reynolds’ latest solo show is ‘Shooting from Below’ at the Purcell Room (Southbank) from 9-11 April 2026

For more information on Shooting from Below go to

https://www.southbankcentre.co.uk/whats-on/midgitte-bardots-shooting-from-below/

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.co.uk

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

Kellie Miller Arts (KMA) is an artist-owned gallery located in the prestigious, historic heart of the Brighton cultural quarter, a fitting setting for a space sympathetic to the art of storytelling.  

The gallery houses local, national and international artists, with works that speak of the artistic process, where the hand of the artist can be seen.

There are a limited number of tickets available at sussexpaoty.com

Also in this episode is a small introduction to three of the Sussex paoty 2026 finalists:

1. Sarah Hawxwell - @Salty6645

2. Ava Brimilcombe - @AveysArt

3. Milo Hartnoll - @MiloHartnoll

For ticket information for the Sussex Portrait of the year on 28 March go to

https://www.instagram.com/sussexpaoty

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.co.uk

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

In this episode Gary Mansfield speaks to Matt Murphy (@MattMurphyArt)

Matt Murphy is a professional artist specialising in both watercolours and oils. He is best known for his unique abstract portraits created through a modern, non-traditional approach.

With decades of experience, Matt has exhibited in London and across the UK, and his work has been featured in art magazines and podcasts. He has also completed commissions for clients around the world.

There are a limited number of tickets available at sussexpaoty.com

Also in this episode is a small introduction to three of the Sussex paoty 2026 finalists:

1. Sam Telford - @SamTelfordArt

2. Kade Tame - @kad25.00

3. Ryan Holloway - @ RyanHollowayArtist

For ticket information for the Sussex Portrait of the year on 28 March go to

https://www.instagram.com/sussexpaoty

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.co.uk

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

In this episode Gary Mansfield speaks to Sara Reeve (@sarareevedraws)

We are very excited to have Sara Reeve to the Sussex Portrait Artist of the Year 2026 judging panel!⁣

As a former runner-up on Sky’s Portrait @artistoftheyear Sara knows exactly what it’s like to be in a live portrait competition.⁣

⁣

Now, she’s bringing her artistic expertise to @thevenueworthing on 28th March to help us crown Sussex Portrait Artist of the Year 2026⁣

Want to witness the competition live and see Sara in action as a judge? ⁣

There are a limited number of tickets available at sussexpaoty.com

Also in this episode is a small introduction to three of the Sussex paoty 2026 finalists:

1. Tim O’Brien - @ TimOBrien_Artist

2. Chunthu Elgin - @artofit_

3. Tula Parker - @ TulaParker_Artist

For ticket information for the Sussex Portrait of the year on 28 March go to

https://www.instagram.com/sussexpaoty

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.co.uk

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

Maggi Hambling is a prominent British painter and sculptor known for her expressive, often controversial work. Born in 1945 in Sudbury, Suffolk, she studied at the Ipswich School of Art and later at the Royal College of Art. Hambling’s art spans painting, sculpture and public memorials, frequently exploring themes of death, memory and the sea.

One of her most famous public works is the Scallop (2003), a steel sculpture on Aldeburgh beach dedicated to the composer Benjamin Britten. The piece sparked debate but has since become an iconic landmark. Hambling also created the Oscar Wilde Memorial Sculpture near Trafalgar Square.

Her paintings are often energetic and gestural, reflecting strong emotion and movement.

Throughout her career, Hambling has been recognised for her bold artistic voice and her willingness to challenge traditional expectations in British art.

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.co.uk

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

In this episode Gary Mansfield speaks to Calum Hall of Creative Debuts (@CreativeDebuts)

Creative Debuts connect artists with brands, businesses, and art lovers - through art rental, commissions, events, and storytelling that sparks real change.

Founded in 2013 by Forbes 30 Under 30 honouree Calum Hall, Creative Debuts exists to make the art world fairer, bolder, and more accessible.

They’re not just an art platform - They’re a movement. They give underrepresented artists a platform, and help brands bring creativity and culture into their spaces through budget-friendly, flexible art consultancy services.

FACE 2 FACE

On March 5th, Creative Debuts return IRL at Laundry Studios in Hackney, London, for a new chapter of their long-running event series, bringing artists, art lovers, creatives and culture-shapers together once again in a shared space.

The exhibition theme, FACE 2 FACE, puts human connection front and centre.

For more information on the work of Creative Debuts go to

 https://www.creativedebuts.co.uk/

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.co.uk

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

 In this REWIND episode Gary Mansfield talks to sound artist Martyn Ware (@martynware), music producer and founding member of both Human League & Heaven 17.

Martyn co-curated ReAnimate, an exhibition of sound spread over several rooms of the National Portrait Gallery where several artists were invited to create sound portraits, as part of the Late Shift Extra events. For The National Trust’s One and All project Martyn created What Does the Sea Say?, an interactive soundscape housed within a typical British beach hut. 

Although recordings were made by the sea, this work travelled around the UK. Martyn’s latest creation is an urban soundscape is entitled; Everything Old is New Again which accompanied the visual experience of the Forest of Imagination in Bath during the summer of 2019, where statements made by the old were read aloud by the young and vice versa (a link for which is found below).

https://soundcloud.com/martynware/everything-old-is-new-again-stereo-binaural

For more information of Martyn’s sound installations, past and present visit; www.illustriouscompany.co.uk Martyn is touring throughout 2019 with Heaven 17 

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.co.uk

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

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Michelle Heron is best known for her evocative paintings of shop-fronts, which capture the quiet character of everyday streets.

Working primarily in oil, Heron focuses on independent shops, cafés and small businesses, often depicting them closed, weathered or slightly worn. Her work is less about commerce and more about memory, place and passing time. By isolating shop-fronts and removing figures, she invites viewers to reflect on changing high streets and the social histories embedded in familiar buildings.

Her muted colour palettes and careful attention to signage, reflections and typography give each painting a strong sense of atmosphere. Through these seemingly ordinary subjects, Heron elevates overlooked spaces into thoughtful, nostalgic portraits of contemporary British life.

Thank you to Tani Burns for making this conversation happen

For more information on the work of Michelle Heron go to

https:// MichelleHeron.co.uk

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.co.uk

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

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In this REWIND episode (recorded: Feb 2019) Gary Mansfield speaks to Katie Piper OBE (@katiepiper_)

Katie Piper OBE is popular TV presenter/personality, model, writer, activist and a whole lot more.

In 2008 she was horrifically attacked with acid, severely scarring her face and chest; she also lost the sight of her left eye.

Katie later founded the Katie Piper Foundation, helping others’ deal with living with such injuries.

In 2018, Gary Mansfield created an exhibition called FaceValue, where 30 artists would donate a piece of artwork, and I would deface it [aesthetically] in some way. The question was asked, “If something/one has their identity changed by a third-party, are they devalued by society, or viewed as unique?” The artists’ collectively donated the works to the Katie Piper Foundation.

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.co.uk

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

Emily Malice is one of the most sort-after artists in the UK, she is one of the many bold and powerful women that are rebalancing the gender scale of the once heavily male orientated industry.

She is famed for her linear style mouth design, smiling or snarling and showing braces fixed to the teeth.

As well as selling prints of her designs, along with her close friend Stephanie she has started the ethical clothing brand FILTHYCUTELDN.

For full line up of confirmed artists go to www.mizogart.com Email: podcast@mizogart.com Social Media: @mizogart

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Catrin Osborne is a multidisciplinary artist and photographer whose work explores identity, femininity and the shifting nature of the female body. Known for her intimate portraiture and collaborative approach, Osborne focuses on themes often overlooked in mainstream visual culture, giving voice to women’s lived experiences. Her projects combine documentary clarity with a gentle poetic sensibility, resulting in images that feel both grounded and emotionally resonant. Osborne frequently works with her subjects over long periods, allowing trust and authenticity to guide her creative process.

Her latest book, A Portrait of the Menopause, continues this commitment to honest representation. Through photographs and personal testimonies, Osborne highlights the varied realities of menopause—its challenges, its freedoms and its profound physical and emotional transitions. The book provides a platform for women to share their stories, reframing menopause as a powerful, multifaceted stage of life rather than a taboo.

Overall, Osborne’s work contributes meaningfully to contemporary conversations about womanhood, aging and visibility.

For more information on A Portrait of the Menopause go to

https://blackdogonline.com/products/a-portrait-of-menopause

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.co.uk

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

James Payne is a writer, curator and YouTuber, known for demystifying art via his popular YouTube channel Great Art Explained. His newly released book, Great Art Explained: The Stories Behind the World’s Greatest Masterpieces, brings that same clarity to the printed page. It explores 30 iconic works — from Botticelli’s Birth of Venus to Monet’s Water Lilies and Georgia O’Keeffe’s Jimson Weed — unpacking not only their visual features but also the artists’ lives and social context. Payne’s style is refreshingly jargon-free: he explains what makes each piece “great” through clear storytelling and insight. Stephen Fry has called the book “an instant classic.”

For more information on the Great Art Explained: The Stories Behind the World’s Greatest Masterpieces go to

www.welbooks.co.uk/shop/p/great-art-explained-the-stories-behind-the-worlds-greatest-masterpieces-by-james-payne-signed

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to www.ministryofarts.co.uk

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

Gina is a photographic artist that enters once grand and regal buildings to capture images of the last remnants of beauty within those decaying walls.

Back in the studio, her creative process produces artworks that are far from dark or macabre.

She directs your eye, firstly to a strong focal point, then allows it to absorb the rest of the artwork which has equal measures of beauty, decay and intrigue.

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In this episode Gary Mansfield speaks to Dave Buonaguidi (@RealHackneyDave)

Dave Buonaguidi (aka Real Hackney Dave) is best known for his bold, witty, and thought-provoking screen prints that blend vintage imagery with striking typography.

Drawing from his background in advertising, Buonaguidi combines humour, social commentary, and nostalgia to challenge conventional ideas of art and communication.

He often uses found materials, such as old maps or postcards, overlaid with vivid, hand-pulled slogans that create a playful contrast between past and present. His works explore themes of identity, consumerism, and the power of words, making them instantly recognisable and engaging.

Dave  has exhibited widely across the UK, earning a reputation for his distinctive style that bridges pop art and street culture with clever, irreverent energy.

For more information on the work of Dave Buonaguidi go to

https://realhackneydave.com/

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.co.uk

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

Dave Buonaguidi had literally decided to become a screen-printer overnight. He left his job, in advertising on a Friday, went on a one-day screen-printing course at Print Club London on the Saturday and fell in love with the rapid creative process that day.

Dave is best known for laying bold text over found maps, manuscripts and documents. When one of the UK’s largest Estate Agents started using adverts very similar the Dave’s recent work, Dave responded with a highly amusing barrage of ‘fake’ ad’s in the guise of those used by the Estate Agents. Whilst now running his own successful advertising agency Dave still finds the time to fulfil commissions and create his own body of work.

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.co.uk

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

In this episode Gary Mansfield speaks to Stefdies (@StefDies)

Stefdies is a performance and conceptual artist known for her striking photographic series in which she stages her own “death” in public and private spaces. Her work explores themes of vulnerability, mortality, and absurdity within everyday life.

By placing her lifeless body in unexpected environments, she provokes reflection on social norms, detachment, and the human condition. Stefdies’ minimalist yet provocative approach merges performance, photography, and satire to question modern existence and visibility

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.co.uk

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

Mark Wallinger is known for exploring identity, faith, and politics through diverse media. His Labyrinth (2013) project placed unique labyrinth designs across London’s Underground stations, symbolising journeys and introspection. Earlier, his celebrated sculpture Ecce Homo (1999) depicted a life-sized, vulnerable Christ figure on Trafalgar Square’s Fourth Plinth, challenging perceptions of power, humanity, and compassion. Wallinger’s thought-provoking works continue to engage public spaces and question contemporary British identity

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.co.uk

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

Rod Kitson is an artist known for his expressive portraiture and socially engaged art projects. Kitson’s work often explores themes of identity, community, and mental health.

His distinctive style combines bold brushwork with a keen sensitivity to his subjects, capturing emotion and character in equal measure.

Kitson gained national attention for his live portrait projects, in which he paints members of the public in pop-up studios and public spaces. These sessions not only produce intimate works of art but also encourage dialogue around creativity and well-being. He is particularly recognised for his “100 Heads” initiative, where he painted one hundred people in as many days, showcasing the diversity and stories of his local community.

His work has been exhibited across the UK and is often noted for its accessibility and community focus. Kitson continues to blur the lines between artist and facilitator, using portraiture to foster connection and empathy.

For more information on the work of Rod Kitson go to

https://www.rodkitson.com

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.co.uk

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

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Mat Collishaw was a key figure in Damien Hirst's legendary Freeze exhibition, as well as Charles Saatchi's controversial [at the time] Sensations exhibition at the Royal Academy.

Mat has used the latest VR technology to recreate William Henry Fox Talbot's 1839 photography exhibition, even including the Chartist's prodest.

 In his 2018 work, Mask of Youth, Mat collaborated with cutting-edge special effect designers to create a 'truer' interpretation of what Queen Elizabeth I may have looked like around the time her Armada Portrait was painted (the two works sit opposite each-other at The Queens House, Greenwich, London).

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.co.uk

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

Kevin Devonport is a self-taught British artist whose journey from prison to international recognition highlights the life-changing power of art. Raised in Leeds, he left school without qualifications and served several prison terms for drug-related offences.  During a 13-year sentence, he discovered painting through a class run by Care After Combat, a charity supporting ex-service personnel, sparking a profound shift in his life.

While imprisoned, Devonport earned a First-Class Honours BSc in Sociology from the Open University, shaping his artistic themes of identity, consumerism, and social structure. His still-life works use everyday objects to tell personal and social stories.

Based at Assembly House Studios in Leeds, Kevin exhibits widely and mentors others, particularly ex-offenders and veterans, promoting art as a tool for rehabilitation.

For more information on the work of Kevin Devonport go to

https:// KevinDevonport.com/

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.co.uk

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

In this REWIND episode Gary Mansfield speaks to Rugman (@@rugmanart)

Rugman is known for blending street art with fine art influences. His bold work often combines graphic iconography, stencil techniques, and layered textures.

Drawing inspiration from pop culture, politics, and global symbolism, he reimagines familiar imagery with a subversive twist. Rugman frequently explores themes of identity, consumerism, and cultural power.

Exhibiting internationally, he has collaborated with brands and musicians, while maintaining a distinct style rooted in urban creativity and visual storytelling.

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.co.uk

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

In this episode Gary Mansfield speaks to Helen Starr (@themechatroniclibrary)

Helen Starr, a Trinidadian artist and activist, is known for blending digital technology with cultural storytelling. She explores identity, indigeneity, and spirituality through immersive art, often using virtual and augmented reality.

Helen advocates for inclusivity in the arts, challenging colonial narratives and amplifying marginalised voices. Her work connects Caribbean heritage with future-facing media, fostering dialogue on community, environment, and social justice while reimagining how technology shapes human experience.

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.co.uk

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

Helen Starr, a Trinidadian artist and activist, is known for blending digital technology with cultural storytelling. She explores identity, indigeneity, and spirituality through immersive art, often using virtual and augmented reality.

Helen advocates for inclusivity in the arts, challenging colonial narratives and amplifying marginalised voices. Her work connects Caribbean heritage with future-facing media, fostering dialogue on community, environment, and social justice while reimagining how technology shapes human experience.

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

In this REWIND episode Gary Mansfield speaks to Bill Daggs (@billdaggs)

In this episode Gary Mansfield speaks to Bill Daggs, a multidisciplinary artist who weaves painting, sculpture, installation, text, moving image, performance and sound into poetic explorations of urban rituals, memory and community.

Rooted in a background as an MC, his visually narrative works blend social observation and nostalgic storytelling across media

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.co.uk

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

In this episode Gary Mansfield speaks to Graeme Messer (@GraemeMesser)

Graeme Messer is a London-based multidisciplinary artist whose work spans assemblage, photography, text, and performance. Originally from South Africa, he moved to the UK in the 1980s and built a successful early career in theatre, directing works by Shakespeare and Tennessee Williams, and founding the award-winning company Out of Bounds.

Since 2010, Messer has focused solely on visual art, bringing his theatrical flair into the gallery space.

Messer’s work is often autobiographical, exploring themes such as identity, shame, self-worth, and the complex interplay between vulnerability and resilience. He is known for his distinctive mirror pieces—vintage mirrors etched with bold, confrontational or affirming text, illuminated with LED lighting. These works prompt viewers to reflect—both literally and metaphorically—on themselves and the world around them.

Messer continues to push boundaries, using art as a means to question, provoke, and connect.

For more information on the work of Graeme Messer go to

https://www.Graeme Messer.com

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

In this REWIND episode Gary Mansfield speaks to Franko B (@franko_b_artist)

Franko B is a performance and multidisciplinary artist known for using his body to explore themes of pain, love, and politics. Active since the 1990s, his provocative work spans performance, installation, video, and painting. Often confronting taboo subjects, Franko B challenges perceptions of vulnerability and the human condition, leaving a lasting impact on contemporary art.

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.co.uk

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

In this episode Gary Mansfield speaks to Haus of Lucy (@HouseOfLucy)

Haus of Lucy is a contemporary multimedia artist based in Sussex, celebrated for her unique fusion of traditional art with modern culture, often delivered with a satirical twist. With a background in magazine design, she made the leap to full-time artistry in 2019 following a high-profile commission for the Adidas flagship store in London. This key opportunity proved transformative, sparking collaborations with brands including Footlocker, Lazy Oaf, Primark, and Greggs. Her work cleverly disrupts classical conventions by inserting unexpected, often humorous elements into familiar scenes. A 15th-century landscape may feature an EasyJet aircraft, or a porcelain tureen might be repurposed as a KFC gravy boat.

These imaginative juxtapositions invite viewers to reconsider the relationship between fine art and contemporary consumer culture. In addition to her prints, Lucy reimagines discarded ceramic figurines, turning them into provocative modern characters—like a demure Victorian lady armed with a chainsaw or a cherubic baby dabbling in the dark web. These pieces offer wry social commentary while preserving the nostalgic charm of vintage ornamentation.

Working from her Brighton studio, Haus of Lucy continues to intrigue and amuse with work that is both visually striking and intellectually playful.

For more information on the work of Haus of Lucy go to

https://pureevilgallery.com/

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.co.uk

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

Alice Maher is a prominent Irish contemporary artist whose work explores themes of identity, gender, mythology, and the body. Born in 1956 in County Tipperary, Maher studied at the University of Ulster, Belfast, and the San Francisco Art Institute. Her practice spans a wide range of media, including drawing, sculpture, photography, installation, and film.

Maher is known for using unconventional materials such as hair, nettles, thorns, and animal organs, challenging traditional boundaries between nature and culture, the beautiful and the grotesque. Her art frequently references Irish folklore, literature, and feminist theory, creating deeply symbolic and often unsettling imagery. Works like The Axe (and the Waving Girl) and Mnemosyne reflect her interest in memory, transformation, and the female experience.

In addition to her visual work, Maher has collaborated with writers, musicians, and performers, enriching her practice with interdisciplinary influences. She represented Ireland at the São Paulo Bienal in 1994 and has exhibited widely in major galleries, including the Irish Museum of Modern Art. Maher remains a vital figure in contemporary art, both in Ireland and internationally.

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.co.uk

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

In this REWIND episode Gary Mansfield speaks to Simon Callery (@Simon.Callery)

Simon Callery is known for his innovative approach to painting, which bridges the gap between two-dimensional surfaces and three-dimensional space. Born in London in 1960, Callery studied at Campion School and later at Cardiff College of Art. His work challenges traditional definitions of painting by incorporating sculptural elements—his canvases are often cut, pierced, folded, and stained with intense, earthy pigments. These works possess a physicality that invites viewers to engage not only visually but also spatially.

Callery’s artistic process is deeply connected to the landscape and archaeology, particularly the British countryside. Collaborations with archaeologists have influenced his method of working directly on site, allowing his paintings to absorb the environment both physically and conceptually. His paintings are often large in scale, with surfaces that appear worn, layered, and tactile—echoing the processes of erosion and excavation.

By rejecting the illusionistic space of traditional painting, Callery creates works that are both objects and experiences. He has exhibited widely across the UK and Europe, with works held in public collections such as the Tate and Arts Council England.

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.co.uk

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

In this episode Gary Mansfield speaks to SLART (@SLART.ME)

 SLART — a figurative expressionist and proud outsider artist based in Swindon, UK.

He dropped out of his A-level art class after his teacher told him he couldn’t draw large scale. It wasn’t until his late 30s that he picked up pen and ink again, prompted by a blog post that posed three questions about childhood pastimes. His answers were all “drawing and video games”—he chose drawing.

Many life experiences fuel his art, including his adoption, chronic illness, two kidney transplants, the deaths of family members, everyday life, and a fascination with people and their stories — as an observer of others, shaped by chronic shyness and a deep feeling of being an outsider. Now he mainly paints large canvases using oils and acrylics, exploring themes of identity, memory, nostalgia and mortality, but often injects a humorous, self-deprecating element to his work.

He writes about his art practice every Saturday on Substack (Substack www.creamofthecropbyslart.com)

Upcoming solo show 6-18th September www.memementovivere.art

Exhibition Details:

MEMENTO VIVERE (Remember to Live) - Art Exhibition by SLART

The Crypt Gallery, St Pancras Church, Euston Road, London, NW1 2BA

7th September – 18th September 2025

Free Entry

Opening Night Reception: Saturday, 6th September 2025, 6:00 PM – 9:00 PM (Invite only)

In partnership with Beata Maria Rzepecka from Gabriel Fine Arts, invites the public to "MEMENTO VIVERE" (Remember to Live)

"MEMENTO VIVERE" serves as a poignant reminder to embrace the beauty and fragility of existence. The works reflect a deeply personal journey of introspection while touching upon the universal human condition.

"People shy away from death," says SLART, whose work often combines memento mori and spiritual themes with pop culture influences. “This exhibition comes from facing my own health struggles and thinking a lot about life and death. But it’s not all heavy — it’s actually about hope and reflection. It’s a reminder to wake up, notice the little things, and really live — with no regrets. Even when life feels messy, there’s still beauty and meaning to be found."

The exhibition aims to challenge viewers to reflect on their own lives, mortality, and choices, creating an appreciation for the fleeting nature of time. Using raw expression, SLART’s art navigates complex emotions, testifying to human resilience and the drive to live fully during our finite lives.

For more information on the work of SLART go to

https://www.slart.me

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.co.uk

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

In this REWIND episode Gary Mansfield speaks to Si Sapsford (@SiSapsford)

Si Sapsford is a multidisciplinary artist known for her innovative work across performance, installation, and digital media. Her practice explores themes of identity, technology, and the body, often challenging societal norms through provocative and immersive experiences.

Sapsford’s work has been exhibited in galleries and festivals both nationally and internationally, reflecting a commitment to pushing artistic boundaries.

In addition to her creative practice, she is a dedicated educator and serves as a tutor at the University of East London, where she mentors emerging artists and contributes to the development of contemporary art education through her expertise and experience in experimental art forms.

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.co.uk

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

In this episode Gary Mansfield speaks to James Gray & Cafe Art (@CafeArtUK)

In this episode Gary Mansfield speaks to both abstract artist James Gray and to Cafe Art, a group that helps and supports homeless artists.

James has been mentored and supported by Cafe Art, making his journey out of homelessness a smoother transition.

Each year Cafe Art distribute disposable cameras throughout London's homeless groups. With the images they produce, the 'My London' calendar is created.

To purchase a 'My London' calendar or find out more about Cafe Art online, go to: www.cafeart.org.uk

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.co.uk

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

Zack Mennell is a self-taught multidisciplinary artist whose work delves into themes of queerness, neurodivergence, and the complexities of visibility. Through performance, photography, and writing, Zack aims to unsettle familiar spaces, making visible the tensions embedded within them.

Their artistic practice often involves exploring the uncanny, seeking to understand life beyond the constraints of daily survival .

Mennell frequently collaborates with performance artist Martin O’Brien, contributing to significant works such as Sanctuary Ring at the SPILL Festival (2016) and The Last Breath Society at the ICA (2021). Additionally, they have worked with artists like Leon Clowes, Baiba Sprance, and Kane Stonestreet .

Their photographic work is strictly analogue, employing 35mm film to document performances and live events. Mennell's practice is informed by their experiences as a queer, working-class, neurodivergent, and disabled individual, aiming to imagine alternative ways of inhabiting the world.

Thanks to Anna at @AbstraktPublicity for the connection

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

In this episode Gary Mansfield speaks to Carrie Reichardt (@CarrieReichardt)

Carrie Reichardt is not only one of Gary Mansfield's favourite artists, but one of his favourite people. She is such a multi-layerd person, a mosaic artist, a craftivist, she’s vocally opposed to death penalty and an all-round bloody good person, albeit a bit of an eccentric one.

Carrie Reichardt is best known for her mosaic and ceramic work, her amazing home is testament to the quality of her work (look online) although she could start to incorporate textile into her work soon.

Carrie, along with partner Bob Osbourne, have just released a compilation of defaced banknotes by various artists in a hardback book entitled CASH IS KING, which is being launched at The Saatchi Gallery with an accompanying exhibition of a number of the banknotes.  CASH IS KING is also available for £15 at www.rebelnottaken.com

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.co.uk

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

In this episode Gary Mansfield speaks to Jessica Gale (@Jess.Gale.Art)

Jessica Gale is a British landscape artist born in 1967 in Catterick, Yorkshire. She began painting in 2010 during a period living in Amsterdam, inspired by the subdued beauty of a Dutch winter and influenced by Rembrandt's moody palette . Her work encompasses both representational and abstract landscapes. She investigates the interplay of shapes, light, and negative space, manipulating these elements through form and colour to convey the energy of her subjects.

Gale trained at The Heatherley School of Fine Art in Chelsea, London, and currently resides and works in London and Dorset. Her diverse media include oil, acrylic, charcoal, pastels, and printmaking. She has exhibited widely, including at Harvey and Woodd in Edinburgh and the Otter Gallery in Dorset, and participated in the 2024 season of Sky’s Landscape Artist of the Year.

For more information on the work of Jessica Gale go to

https://jessicagalefineart.com

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

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In Episode 2 you get to meet Patrick Hughes, the artist that brought about the mind-boggling Reverse Perspective manner of painting on a 3D surface. The sound quality of this episode is slightly under par, due to a technical difficulty.

Feel free to contact Gary with any queries, comments etc: email: ministryofartsorg@gmail.com All Social Media: @ministryofartsorg

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Erin-Atlanta Argun is an art and fashion historian who works as the Commissioning Editor for Edition Magazine at MyArtBroker. She is widely recognised for her vibrant street interview series, “Excuse Me Girl,” where she asks passersby what artwork they would most love to own and why—making art conversations more inclusive and engaging.

Erin earned her MA in Fashion History from the Courtauld Institute of Art in 2022, following a BA in History of Art from the University of Cambridge. Her professional journey spans roles in galleries and editorial platforms, with a focus on breaking down barriers to the art world.

Through her work at MyArtBroker, she produces insightful content about the prints and editions market, while spotlighting underrepresented voices and fresh perspectives within contemporary art. Her approach merges scholarship with storytelling, bringing both depth and accessibility to art media.

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://wwwministryofarts.co.uk

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

The very first episode of The Mizog Art Podcast features conceptual Maximalist painter Duggie Fields.

Duggie was the very first artist that corresponded with Gary Mansfield whilst he was in prison, Gary states that Duggie is the foundation stone of his new life as an artist, or a 'born again' artist, as Gary Jokingly refers to himself.

See: http://www.mizogart.com for full listing.

Feel free to contact Gary with any queries, comments etc: email: podcast@mizogArt.com All Social Media: @mizogart

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Sara Reeve is a Brighton-based painter and tutor with a primary focus on portraiture and painting people. Her work is characterised by strong use of colour, bold shapes, and impactful compositions. Drawing inspiration from both observation and photography, she has a particular interest in portraying women in her paintings. Sara works with oil paints, a medium she finds ideal for capturing the visceral essence of flesh and faces.

As a tutor at Draw Brighton, Sara leads regular evening courses on Painting Portraits in Oils, weekend workshops on Self-Portraiture, and weekly online life-drawing sessions. She also teaches Life Drawing and Portraiture to local artist groups and schools in the community.

In her personal practice, Sara explores the dynamic tension between subject and viewer, often focusing on a direct gaze. Her work delves into the interaction between what a painting communicates to its audience and the emotional response it evokes. Through her art, Sara aims to uncover deeper layers of connection with both the sitter and the viewer.

Sara was participated in Sky Arts Portrait Artist of the Year, which lead to her being invited to host her own Sky Arts Masterclass episode.

Also mentioned in this episode were: @jakespicerart @draw_brighton @artistoftheyear @sussexpaoty @amy_dury @wendybarrattart @geoffreyharrison @rayrichardson1

For more information on the work of Sara Reeve go to

https://sarareeve.com

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

Carrie Jean Goldsmith is a Canadian-born artist residing in the UK, celebrated for her abstract paintings that emphasize colour, light, and tonal gradation. Her creative process involves layering various media, embracing diverse brush marks and the luminosity of paint to produce unforeseen outcomes. This method allows her to craft imagery that is both compelling and ambiguous, often evoking a sense of light and occasionally drawing subtle connections to landscapes without being site-specific.

Over more than two decades, Carrie's artistic journey has evolved from representational landscapes to a more abstract and gestural approach. Initially inspired by Canadian artist Emily Carr, she began by painting trees and forests, gradually deconstructing these images into shapes and light. The constraints of the COVID-19 lockdowns prompted her to adopt a looser style, characterised by broad swathes of colour and visible brushstrokes, leading to a more intuitive and expressionistic technique.

In her studio practice, Goldsmith begins her day by completing ongoing works to reacquaint herself with her materials and techniques before embarking on new pieces.

She often prepares multiple canvases in advance, allowing her the freedom to explore and experiment without interruption. This approach underscores her commitment to spontaneity and the celebration of serendipitous discoveries in her art.

For more information on the work of Carrie Jean Goldsmith go to

https://www.CarrieJeanGoldsmith.com/

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

Founded by Meg Molloy in 2024, the Working Arts Club is a London-based independent network dedicated to professionals in the arts from working-class backgrounds.

Originally from Margate, Molloy founded the club to confront the isolation and structural barriers often experienced by those from lower-income communities within the arts industry.

The club fosters a strong sense of community through networking events, workshops, and panel discussions featuring influential working-class voices in the creative sector.

Since its inception, it has grown rapidly, with nearly 1,000 members—approximately 75% of whom identify as women. More than just a professional resource, the Working Arts Club provides a space for solidarity and honest conversation about class-based challenges in the arts.

Looking ahead from its first anniversary, Molloy hopes to broaden the club’s reach into schools and universities, encouraging young people from similar backgrounds to pursue and thrive in creative careers.

For more information on the work of Working Arts Club contact workingartsclub@gmail.com

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.co.uk

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

In this episode Gary Mansfield speaks to Daisy Collingridge (@Daisy_Collingridge)

Daisy Collingridge is a artist renowned for her unique and thought-provoking textile sculptures. A graduate of Central Saint Martins with a background in fashion design, her work bridges the gap between fine art, sculpture, and costume.

Her creations are imaginative, surreal, and often playful, characterised by their fleshy, anthropomorphic forms made from intricately stitched layers of fabric. These pieces, which she refers to as "Squishies," explore themes of human anatomy, identity, and the boundaries of the body.

Daisy uses materials like Lycra, jersey, and wadding to craft tactile, exaggerated forms that are both grotesque and endearing. Her sculptures often evoke visceral responses, challenging perceptions of beauty and bodily norms while maintaining an underlying sense of humour. Collingridge’s work has been exhibited in galleries across the UK and internationally, capturing attention for its innovative approach to textile art. Through her practice, she continues to push the boundaries of materiality and storytelling in contemporary sculpture.

For more information on the work of Daisy Collingridge go to https:// DaisyCollingridge.com

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.co.uk

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

In this episode Gary Mansfield speaks to Eden Maseyk (@helmgallery_)

Let’s take a moment to spotlight our incredible guest judges, who have the tough job of choosing the winner at Sussex Portrait Artist of the Year 2025…

Meet Eden Maseyk, co-founder and curator of Brighton’s @helmgallery_

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Passionate about making the art world more accessible, Eden curates a dynamic exhibition programme throughout the year while ensuring an exceptional experience for visitors.⁣

With her fresh perspective and curatorial expertise, Eden is a fantastic addition to our judging panel this year.

⁣

Also in this episode is a small introduction to three of the Sussex paoty 2025 finalists:

1.    Jodie Drew - @jodie_drew_art

2.    Maria Huxstep - @mariaahuxstep

3.    Adrian Sensicle - @assemblageur

Watch the live painting competition on Saturday 22nd March at @thevenueworthing

For ticket information for the Sussex Portrait of the year on 22 March go to

https://www.instagram.com/sussexpaoty

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.co.uk

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

In this episode Gary Mansfield speaks to Amy Dury (@amy_dury)

We are beyond excited to have Amy Dury to the Sussex Portrait Artist of the Year 2025 judging panel!⁣

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As a former participant on Sky’s Portrait @artistoftheyear Amy knows exactly what it’s like to be in a live portrait competition.⁣

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Her masterful paintings explore societal roles, power dynamics, and human connections, earning her exhibitions at @royal_institute_watercolours and @royalsocietyportraitpainters⁣

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Now, she’s bringing her artistic expertise to @thevenueworthing on 22nd March to help us crown Sussex Portrait Artist of the Year 2025 🎨⁣

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Want to witness the competition live and see Amy in action as a judge? ⁣

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There are a limited number of tickets available at sussexpaoty.com

Also in this episode is a small introduction to three of the Sussex paoty 2025 finalists:

1.    Tim Bidwell - @timbidwell

2.    Helen Stone - @helenstone_art

3.    Mandy Worster - @mandyworsterstudio

⁣

For ticket information for the Sussex Portrait of the year on 22 March go to

https://www.instagram.com/sussexpaoty

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.co.uk

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

In this episode Gary Mansfield speaks to Wendy Barratt (@wendybarrattart)

Wendy’s journey is nothing short of inspiring...⁣

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Originally a finalist in Worthing Portrait Artist of the Year (Now Sussex Portrait Artist of the Year) Wendy then went on to win Sky’s Portait Artist of the Year in 2023! ⁣

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Her stunning portrait of Jane Goodall now hangs in the National Portrait Gallery where her self portrait was featured in the Herbert Smith Freehills Portrait Award exhibition in 2024.⁣

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With her first-hand experience as a competitor and a deep understanding of portraiture, Wendy brings invaluable insight to our judging panel.

Also in this episode is a small introduction to three of the Sussex paoty 2025 finalists:

1.    Jake Fern - @ jake_fern_art

2.    Tracey Cranidge - @tjcranidge.art

3.    Tim O’Brien - @timobrien_artist

⁣

For ticket information for the Sussex Portrait of the year on 22 March go to

https://www.instagram.com/sussexpaoty

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.co.uk

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

In this episode Gary Mansfield speaks to Louise Duggan (@louisedugganartist)

Louise Duggan is a Chichester-based multidisciplinary artist whose work is a journey of discovery. After graduating from Leicester University in 1996 with a BA (Hons) in Art and Design, Louise embarked on a successful career in high-end interior design. She worked throughout London before relocating to Dubai, where she spent 23 years designing and producing bespoke artworks for prestigious clients. Her work is featured in many of Dubai’s five-star hotels, including a commission of nine paintings for the world’s first 7-star hotel, the Burj Al Arab.

Her abstract human figures and bold compositions express ideas rather than subjects, inviting viewers to engage with the emotional and subconscious layers of her art.

Louise challenges her own subconscious beliefs through both therapy and her art, capturing and documenting this transformative journey. Her work reflects self-exploration, a medium through which she confronts and evolves her inner world.

In addition to her artistic practice, Louise currently runs Ophelia Art Consultancy LTD, with offices in the UK and Dubai, and the Sussex Creative Art Network CIC (Chichester CAN).

Sussex Portrait Artist of the Year 2025,  22nd March from 1pm at @thevenueworthing  With guest sitters:

1.    Dunstan Bruce @dunstanbruce

2.    Richie Campbell @richkidcampbell

3.    Rich Wilson @iamrichwilson

Ticket info on the Sussex Portrait Artist of the Year 2025 go to @sussexpaoty

For more information on the work of Louise Duggan go to

https://louiseduggan.com/

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

David Shillinglaw is known for his vibrant, dynamic, and eclectic works that explore themes of human connection, identity, and the complexities of modern life. Born in 1982, Shillinglaw’s artistic practice spans a wide range of mediums, including painting, drawing, murals, and installation art. His style is characterised by bold colours, playful symbols, and a fusion of text and imagery, creating visually arresting compositions that invite viewers to engage with his layered narratives.

Shillinglaw's work often incorporates a mix of abstract forms and figurative elements, blending influences from street art, graffiti, and pop culture with philosophical musings and personal reflections. His pieces frequently feature recurring motifs such as hands, eyes, and arrows, which act as metaphors for communication, perception, and direction.

Having exhibited internationally, Shillinglaw’s murals and installations have transformed urban spaces into dynamic art experiences, bridging the gap between public and private spheres. His art is not only visually compelling but also thought-provoking, encouraging audiences to contemplate themes of chaos and order, individualism, and collective humanity.

David Shillinglaw’s ability to merge the playful and the profound has made him a distinctive voice in contemporary art, resonating with audiences across the globe.

For more information on the work of David Shillinglaw go to https://davidshillinglaw.co.uk

Cover image by, and thanks to, Joanna Dudderidge.

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.co.uk

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

In this episode Gary Mansfield speaks to JPR Stitch (@JPR_Stitch)

Dr. Jack Roberts, professionally known as JPR Stitch, specialises in freehand machine embroidery. His work features organic, abstract shapes intricately formed through dense webs of stitching, reflecting the calmness and tranquillity he experiences during creation.

Roberts' artistic journey began under the tutelage of his mother and grandmother, who introduced him to various textile techniques. Over time, he gravitated towards freehand machine embroidery, finding it akin to continuous line drawing.

Academically, Roberts holds a PhD from Manchester Metropolitan University, where he researched artist-dealer relationships, complementing his practical experience as an art dealer and community artist.

In 2021, he shifted his focus entirely to his art, establishing a daily practice that serves as both meditation and creative expression. Roberts often shares his process and insights on Instagram, treating the platform as a digital sketchbook and journal.

For more information on the work of JPR Stitch go to

https://www.jprstitch.com/

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

In this episode Gary Mansfield speaks to Maya Land (@artisticsideoflife_)

Maya Land is a London-based artist known for her surreal collages, meticulously crafted from vintage imagery. Her work explores contemporary social and political issues, reimagined through the lens of nostalgic aesthetics. By blending elements from different eras, she creates compelling pieces that resonate with modern audiences.

Land’s artistic process begins with sourcing materials from vintage magazines, books, and photographs. She carefully assembles these fragments into cohesive narratives, highlighting the contrasts and connections between past and present societal themes. Her innovative approach has earned her international acclaim, with exhibitions in prestigious galleries across Europe, including the Saatchi Gallery in London.

Outside of traditional galleries, Land actively engages with her audience through social media. On Instagram, she shares her creative process and connects with a global following. One notable project celebrated the National Gallery's 200th anniversary, where she reimagined a century-old image in her signature surreal style, seamlessly merging historical and contemporary art.

Maya Land’s distinctive collages encourage viewers to reflect on modern society's complexities while appreciating the enduring beauty and relevance of the past.

For more information on the work of Maya Land go to

https://www.mayalandart.com

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

Jacob Clayton explores the intersection of abstraction, minimalism, and the human experience. His distinctive artistic voice has emerged through a combination of varied mediums, with a focus on painting, sculpture, and installation. His work often delves into themes of memory, identity, and perception, capturing complex emotions and concepts through pared-down, abstract forms.

Clayton's practice is marked by a keen interest in the interplay of colour, shape, and texture. He employs geometric and organic forms, creating a sense of fluidity and tension within his compositions. His works evoke a balance between simplicity and complexity, inviting viewers to engage with them on an intellectual and emotional level. The artist is known for his ability to create atmospheric works that are both meditative and dynamic.

In recent years, Clayton has gained recognition for his bold, yet subtle approach to abstraction. His work has been exhibited in various galleries and shows across the UK, drawing attention from collectors and critics alike.

Through his unique perspective, Clayton continues to push the boundaries of contemporary art, offering new ways of seeing and experiencing the world. His contribution to the UK's art scene is one of quiet innovation and thoughtful exploration.

For more information on the work of Jacob Clayton go to

https://jacobclayton.co.uk

For more information on Thousand-Pointed star goto @teaspoonprojects

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

Andrew Logan is celebrated for his vibrant and eclectic work that blurs the boundaries between art, design, and performance. Born in 1945, Logan is best known for his unique sculptures, mosaics, and installations that incorporate mirrored glass, colourful resins, and a variety of unconventional materials. His creations exude a sense of joy, whimsy, and theatricality, reflecting his fascination with beauty and individuality.

Logan's most iconic contribution to the art world is the Alternative Miss World, an exuberant and inclusive event he founded in 1972. This unconventional pageant celebrates creativity and self-expression, drawing inspiration from traditional beauty contests but focusing on art and imagination rather than conventional standards.

His works have been exhibited in prestigious galleries and museums worldwide, and he is credited with bridging the gap between fine art and popular culture. Logan’s playful, boundary-pushing style has made him a beloved figure in contemporary art, embodying a spirit of celebration and artistic freedom that continues to inspire audiences globally.

For more information on the work of Andrew Logan go to

https://www.andrewlogan.com

Cover image courtesy of: @jamiewoodleyphoto

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

In this episode Gary Mansfield speaks to Patrick Maguire

Patrick Maguire was the youngest member of the "Maguire Seven," a group wrongfully convicted in the 1970s for involvement in IRA bombings in Guildford and Woolwich. At just 13 years old, he was arrested alongside his family in December 1974. The Maguire Seven were accused of operating a bomb-making factory from their London home, based on dubious forensic evidence. Patrick was sentenced to four years in prison, during which he endured solitary confinement and significant psychological trauma.

The convictions of the Maguire Seven were eventually quashed in 1991, acknowledging the miscarriage of justice they had suffered.

In the years following his release, Patrick Maguire turned to art as a means of coping with his experiences. His work often reflects the darkness and confinement he endured during his imprisonment. In 2017, he held an exhibition titled "Out from the Darkness," marking a transition from his earlier, darker pieces to works embracing more colour and light.

Additionally, Patrick co-authored a memoir, "My Father's Watch: The Story of a Child Prisoner in 70s Britain," detailing his experiences and the impact of the wrongful convictions on his life and family.

Patrick Maguire's story stands as a poignant reminder of the profound personal consequences of miscarriages of justice.

Thank you to Anna Goodman for this connection.

For more information on the work of Patrick Maguire contact abstrakt@abstrktpublicity.co.uk or www.abstraktpublicity.co.uk

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.co.uk

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

Patrick Maguire was the youngest member of the "Maguire Seven," a group wrongfully convicted in the 1970s for involvement in IRA bombings in Guildford and Woolwich. At just 13 years old, he was arrested alongside his family in December 1974. The Maguire Seven were accused of operating a bomb-making factory from their London home, based on dubious forensic evidence. Patrick was sentenced to four years in prison, during which he endured solitary confinement and significant psychological trauma.

The convictions of the Maguire Seven were eventually quashed in 1991, acknowledging the miscarriage of justice they had suffered.

In the years following his release, Patrick Maguire turned to art as a means of coping with his experiences. His work often reflects the darkness and confinement he endured during his imprisonment. In 2017, he held an exhibition titled "Out from the Darkness," marking a transition from his earlier, darker pieces to works embracing more colour and light.

Additionally, Patrick co-authored a memoir, "My Father's Watch: The Story of a Child Prisoner in 70s Britain," detailing his experiences and the impact of the wrongful convictions on his life and family.

Patrick Maguire's story stands as a poignant reminder of the profound personal consequences of miscarriages of justice.

Thank you to Anna Goodman for this connection.

For more information on the work of Patrick Maguire contact abstrakt@abstrktpublicity.co.uk or www.abstraktpublicity.co.uk

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.co.uk

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

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In this episode Gary Mansfield speaks to Tim Fowler (@timjfowler)

Tim Fowlers semi abstracted paintings, informed by the migratory plants that accompanied his own DNA, from west Africa, via the Caribbean to the UK, fill his often oversized canvases, overwhelming the viewer with striking compositions, executed in Tim’s signature palette.

Tim’s main concern within his work is exploring the colour field. Although vivid Tim’s works are invariably balanced, using a signature colour palette of extremely bright and intense hues makes his work distinctly recognisable.

He uses a variety of medium within his work combining oil, acrylic, spray, enamel and graffiti inks. Tim subverts traditional and contemporary methods of applying these mediums using brushes, different aperture caps and marker paint mops to orchestrate purposeful marks, strokes, drips, scrapes and smears across the canvas whilst constructing his exciting and dynamic artworks.

Using found and made images as a starting point. Tim builds layers of pigment, adding abstract fragments as well as bold marks, broken lines and liberal strokes to create contours and features, be they of botanicals, building facades, silver screen legends or intimate family scenes. Doing this captures something more interesting than literal representation. This visceral connection to colour is palpably intuitive to Tim, using it as an expression of internal contemplations.

Over the many years of Tim’s career this organic relationship with paint and colour has developed and shines through, as he experiments with opacity, texture combinations, finishes and light. The deconstruction of his subject is rebuilt in a cacophony of colour turning recognisable features into their base elements to highlight unseen splendour.

For more information on the work of Tim Fowler go to https://www.timjfowler.co.uk

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.co.uk

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

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Jeremy Deller is a British conceptual artist renowned for his innovative and socially engaged practice. His work often explores history, politics, memory, and collective identity, blending art with performance, video, and community involvement.

Deller’s approach is notable for its inclusivity—he often collaborates with non-professional participants to produce work that challenges traditional notions of art and authorship.

One of his most significant works is The Battle of Orgreave (2001), a reenactment of the violent 1984 miners' strike confrontation between police and striking miners. The project addressed themes of working-class struggle, historical memory, and the spectacle of violence, raising questions about how history is remembered and represented. This immersive approach to historical events would become a hallmark of Deller’s practice.

Other notable works include English Magic (2013), a politically charged series that critiques British national identity, capitalism, and inequality. Deller’s work often critiques social and political structures while encouraging dialogue and participation. In 2004, he won the Turner Prize for his ability to redefine art's relationship to both the public and its cultural contexts. Deller’s work continues to reflect his belief that art should engage with and speak to the world around it, often offering new ways of understanding the past, present, and future.

For more information on the work of Jeremy Deller go to

https://www.jeremydeller.org

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

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 In this episode Gary Mansfield speaks to John Costi (@bapou_costi)

This is John Costi’s second appearance on the Ministry of Arts Podcast, the first being ep.48. He is known for his conceptual and often collaborative work, which explores themes of culture, identity, and history.

In 2012, Costi had a notable experience traveling to Venice with artist Jeremy Deller. The trip was part of a project facilitated by the Koestler Trust, an organization that supports creative work by prisoners, ex-offenders, and young people at risk. Deller, a renowned artist known for his interest in social contexts, invited Costi to join him in Venice during the Venice Biennale, where they explored the intersections of art, prison reform, and personal narrative.

This journey allowed Costi to engage in a broader dialogue about the transformative potential of art, especially for marginalized communities. The Venice trip exemplified Costi’s approach to art-making—collaborative, reflective, and deeply attuned to the social and political dimensions of creative expression.

John and Jeremy have co-curated Koestler Arts’ annual exhibition at Southbanks, Royal festival Hall, ‘No Comment’ runs until 15th December.

For more information on No Comment at the Royal Festival Hall go to https://koestlerarts.org.uk/

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

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“My work focuses on the themes of origins and belonging and it is this concern that has formed the basis of my practice. Whether collecting and working from found photographs or, as in recent months, working from selfies taken by Instagram users.”

“Through the act of painting I reclaim and invigorates with added permanence and significance, a moment lost in the instant it occurred. Within the portraits there is an echo of that which is lost and sought, it speaks at times to our sense of nostalgia, and at others to our desire to be seen, recognised and valued. The act of retrieving and reviving is at the core of my practice, from the sourcing of material to the process of painting itself.”

“Creating detailed studies in oil, and through a process of working back in to the surface and exploring mark making techniques, I distort, eliminate and manipulate the image to create a visual language. I aim to create a portrait that not only captures a likeness but also has a vibrancy and depth to it as well as the desire to create a painting with which the viewer can establish a point of communication.”

For more information on the work of Ange Bell go to

https://www.angebellart.com

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

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Mr Bingo is an artist, speaker and twat, celebrated for his unique blend of humour and sharp social commentary. Emerging from a background in graphic design, he became widely known for his irreverent hand-drawn postcards that capture the absurdities of modern life. His bold illustrations often feature playful typography and vibrant colours, reflecting his distinctive voice in contemporary art.

One of Mr Bingo’s standout projects is the “Hate Mail” initiative, where he invited fans to send him hate messages, which he then transformed into personalised, humorous artworks. This project not only showcased his creativity but also turned negativity into something positive and engaging, resonating with audiences around the world.

In addition to his illustration work, Mr Bingo has published several books and collaborated with various brands and publications, further expanding his reach in the art community. His pieces often explore themes of relationships, loneliness, and the quirks of human nature, inviting viewers to reflect on their own experiences. Through his engaging style and witty insights, Mr Bingo continues to captivate a diverse audience, making art that is both accessible and thought-provoking, while maintaining a playful edge that is unmistakably his own.

For more information on the work of Mr Bingo go to

https://mr.bingo

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

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“I am a self-taught painter from Somerset UK. I originally trained in Theatre Design specialising in Scenic Painting and prop making. My love for creating immersive spaces informed my approach to painting as I hope to take the viewer into another world, a place of energetic exchange and flow. “

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“I use abstraction to explore concepts of self, and our relationship to the natural world. Taking a meditative approach to my process the paintings are created by layering transparent glazes and opaque marks. There is a vital element of movement in this process: it's physical: using large brushes to lay out the composition of the work and moving with the brushstrokes.”

“I have always loved dance and this deeply informs my practice, I want to take you somewhere in these abstract forms, to a memory or a feeling that sits just out of sight. “

“My paintings are driven by and express a need for harmony, in the movement and the palette I use. There's rhythm in nature and I feel that my unplanned gestures and brushstokes chime with this rhythmic flow. “

For more information on the work of Genevieve Leavold go to

 https://www.genevieveleavold.com/

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

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In this bonus episode Gary Mansfield speaks to Constance Anne (@ConstanceAnne.ca) who is showing in the New Art Fair 2024, at the Truman Brewery, London, from 27-29 September 2024

Constance Anne is an artist based in London UK, her artwork celebrates people and personalties.

Her artwork is inspired by people and connection. By the odd mixes of personality, diversity, and life experiences that make us who we are. Her abstract portraits have a focus on the face in a way that plays on facial proportion, features and the body. She shows how things that are perhaps ‘odd’ or ‘weird’ can also be beautifully interesting. Her paintings explore personality and style through the look each can hold. She loves colour, her expressive and vibrant portrait paintings and artworks are a beautiful statement for interiors.

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The Signatures Collection brings abstract minimalist features, with focus on elongation and a particular positioning of the face. Each face has a completely different personality and all are looking to the viewer's right, looking forward, looking on.

The Classics Collection shows the face as an anchor point, that looks back at you and draws you into thinking about where this character may be going or what they may be doing in the surroundings they are painted in. Each personality has a personal theme explored by their surroundings, clothes or background. The Scenes Collection show the person and theme explored by a scene or location they exist in.

The Scenes Collection show the person and theme explored by a scene they are captured in.

Constance grew up in Liverpool Merseyside in the UK (home to The Beatles) where she takes great inspiration. She is half Welsh and day to day she goes by the name Connie.

Constance is currently based in London and is exhibiting throughout the Uk.

From 27-29 September, Constance will be showing their work at the New Artist Fair at in the Truman Brewery, Brick Lane, London, E1 – For more details go to https://www.newartistfair.com/

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

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I have known The Artist Kitty for over 25 years, all that time and more she has battled severe mental health, namely Paranoid Schizophrenia; sometimes ahead of the battle, others not so.

She was previously very creative, working for a screen printers’, and drawing & painting. I had tried to encourage her to revisit it many times, but confidence and change of route had become a challenge.

Then at the start of lock-down, out of the blue, she ordered several canvases, brushes and an array of paints and started painting. Within no time, she developed her own style; that just ooze happiness & positivity.

She now says that painting is as beneficial as any medication; the BIRDS represent this new-found freedom, FLOWERS her growth and the CAGE that occasionally appears, is her condition... That seems to show itself a lot less nowadays.

I have tried so many times to get Kitty on the pod, but her lack of confidence has always got the upper hand... Until today!

Kitty has never shown her work outside of Instagram, where she has developed a much appreciated following; from 27-29 September, I will be showing/selling her work at the New Artist Fair at in the Truman Brewery, Brick Lane, London, E1 – For more details go to https://www.newartistfair.com/

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

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B Evans Designs, established in March 2019, meant that I could combine two of my greatest passions in my life; my love for painting & animals.

For as long as I can remember, creating art has always been something that has bought me joy. From my parents letting me cover our dining room table in pen, to completing my A-Level in art, it has always stuck with me. B Evans Designs allows me to have my creative freedom and capturing the amazing animals we are lucky enough to live along side of. 

For more information on the work of Beth Evans go to bevansdesigns.com

From 27-29 September, Beth Evans will be showing their work at the New Artist Fair at in the Truman Brewery, Brick Lane, London, E1 – For more details go to https://www.newartistfair.com/

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

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For years I have explored different avenues of creative expression, fully immersing myself in the works of artists and the extensive realm of art history. My expertise primarily stems from self-teaching, supplemented by short courses in drawing, sculpture, mould making, casting, 3D modeling, and product design.

However, it was only three years ago that I made the conscious decision to fully embrace the world of fine art photography, from concept, photography, printing and framing.

Mystyle reflects limitless creativity and a distinct artistic flair, involving the human body and powerfull messages of hope, love and reflection.

For more information on the work of Vitor Lopes go to https://vitorlopes.art

From 27-29 September, Vitor Lopes will be showing their work at the New Artist Fair at in the Truman Brewery, Brick Lane, London, E1 – For more details go to https://www.newartistfair.com/

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

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Nana Sakura Rosalia Tinley Klimek, aka Nana SRT, is a visual artist working primarily in photography. She lives and works between London and Vienna. 

Introduced by her father to the NikonFM as an early teen, Nana picked up photography and darkroom as a voluntary side subject in high school. She shot her first personal series depicting caged zoo animals’ eyes at around the age of 18. 

Around that time she moved to England and quickly became involved in the London dance scene. Her photography remained a private pastime. 

In 2009, NSRT shot her first dance series entitled Move!, which is included in her public portfolio today. 

Finding herself amidst heaps of photographs, in 2019 NSRT decided to share some of these publicly, and took the leap to participate in art fairs, making her debut at The Other Art Fair w Saatchi Art in Brooklyn, New York.

Various art fairs have followed since, including Red Dot at Miami Art Week (2022 and 2023), Art Wynwood (Miami 2023), and Art Santa Fe (2023). 

NSRT has exhibited at some group shows including: at Bergdorff Goodman (NYC), Orchard Galerie (NYC), and some independently run local art events in East London.

She launched her first book DAIDO LOVE at Offspring London and Peckham24, published by Photobook Café Editions, in May 2024. 

Daido Love is stocked in London at The Photographers Gallery, and Photobook Café, and in Vienna at Westlicht.

NSRT continues to immerse herself in the world of dance and draws inspiration from it.

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

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I am an artist strongly influenced by minimalism and geometric abstraction. I use this visual language to create paintings, prints and hand cut paper art . The exploration of colour, process, materials, space and form are central to my practice.

I am interested in taking forms, shapes and patterns and combining these with carefully considered colour combinations. I am continually striving to achieve balance and harmony within my works composition and colour pallet.

Amongst the barrage of visual stimulation and the overall increasingly chaoticness of life, minimalist art is at rest, creating a quiet harmony and balance which offers the viewer a space of calmness and contemplation.

For more information on the work of Jonny Mellor go to jonnymellor.co.uk

From 27-29 September, Jonny Mellor will be showing their work at the New Artist Fair at in the Truman Brewery, Brick Lane, London, E1 – For more details go to https://www.newartistfair.com/

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

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Contemporary geometric artist Stella Zuegel creates unique art using both watercolour on paper, and acrylic and oil paint on canvas. Each piece is painted free hand and takes between 3-24 months to complete.

In her work, Stella plays with shapes and colours to create depth, dimension and cohesion. These curate a journey of free-flowing exploration through individual shapes, larger patterns and the composition as a whole for the audience.

Stella’s work is inspired both by the poignant stories and emotions of herself and the people she meets and by an organic curiosity towards the very nature of self and the universe. Her work is thus a geometric representation of her inner path to discover the essence of her being and her journey towards understanding the world and its people, whilst also being a colourful expression of human experience and emotion.

For more information on the work of Stella Zuegel go to www.stellazuegelart.com

From 27-29 September, Stella Zuegel will be showing their work at the New Artist Fair at in The Truman Brewery, Brick Lane, London, E1 – For more details go to https://www.newartistfair.com/

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

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In this episode Gary Mansfield speaks to Natalie Chapman (@nataliechapmanartist)

Natalie Chapman paints portraits that engage with family identity and issues based around dysfunctional relationships and social documentary. She is influenced by the work of photographers Richard Billingham and Nan Golding, and have similarly focused on spontaneous snapshot- compositions, saturated colour space and incidental objects in order to set a scene of everyday life.

She has returned to the same old photographs of her childhood, to re-arrange her memories and work through family history and its daily struggle. Natalie wants her work to feel edgy and to seduce the viewer into contemplating ambiguous tension, a sense of emptiness, boredom and anxiety.

Her process involves capturing memories using small collages of family portraits with interior scenes recalled from childhood. These studies are scaled up on large canvases to create presence and intensify personal stories using gritty expression and garish colour. She wants to create images about human relationships that are simultaneously tender and dysfunctional.

For more information on the work of Natalie Chapman go to

https://nataliechapmanartist.co.uk

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

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In this bonus episode Gary Mansfield speaks to Gallery No32 (@gallery_no.32)

​Taking inspiration from our grassroots, DIY heritage, 2025's PARK is a space for experimentation. This year, we're not only encouraging fully formed applications, but also ideas, WIPs and sculptural question marks so that together, we can build our 4th and most exciting sculpture park to date.

We have a new venue! We are re-opening Thamesview Golf Course in Thamesmead, South East London for the return of the PARK. The site has been closed to the public for over a decade and we're excited to be reactivating this amazing space with art, culture and exploration.

• Everyone can apply. We encourage applications from artists at all stages of their creative career.
• No fees. Winter Sculpture Park remains free to view, free to show.
• This year our open call welcomes all forms of sculpture, public art, participatory art, land art and architecture. We are also inviting applications for workshops and creative activities.​
• DEADLINE: Sunday 29th September 2024.​

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​Thamesview Golf Centre has been out of use for over a decade, leaving the attached green spaces fenced off and inaccessible to the public. The site hosts a neglected two story clubhouse with rooftop viewing platforms, a paved forecourt and two large fields separated by chain link fencing.

Developing ideas for Winter Sculpture Park submissions requires a consideration of the land for installation and durability. The No.32 team is here to support your plans with this! So do give us a nudge if you have any questions or need some advice.

Thamesview Golf Centre, 2 Fairway Drive, Thamesmead, London SE28 8QN

What3Words: Hedge.Thus.Reward

For more information on the work of Winter Sculpture Park 2025 go to: https://www.galleryno32.co.uk/sculpture2025.html

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

If you would like to promote your work, exhibition or any other creative project, please contact us at:Social Media: @ministryofartsorg

Email: ministryofartsorg@gmail.com

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Tom Hunter is an artist using photography and film, living and working in East London. He is an Honorary Fellow of the Royal Photographic Society and has an Honorary Doctorate from the University of East London. Tom has earned several awards during his career, including the Rose Award for Photography at the Royal Academy, London and the Photographic Portrait Prize at the National Portrait Gallery, London.

Tom graduated from the London College of Printing in 1994 with his work ‘The Ghetto’, which is now on permanent display at the Museum of London. He studied for his MA at the Royal College of Art, where, in 1996, he was awarded the Photography Prize by Fuji Film for his series ‘Travellers’. In 1998 ‘Woman Reading a Possession Order’ from his series ‘Persons Unknown’, won the Photographic Portrait Award at the National Portrait Gallery. In 2006 Tom became the only artist to have a solo photography show at the National Gallery, London with his series ‘Living in Hell and Other Stories’.

For more information on the work of Tom Hunter go to

https://www.tomhunter.org

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

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In this bonus episode Gary Mansfield speaks to Peter Li (@pli.panda)

Peter Li is an Architectural Photographer based in London, renowned for his exceptional architectural artwork. His artistic talent has been widely recognized, with notable achievements including securing first place in the Architecture Category at the Epson International Pano Awards in 2018 and 2022. His work has been shortlisted at esteemed competitions such as the Sony World Photography Awards and the British Photography Awards in 2020. In the same year, Peter was honored with the distinguished title of "Architecture Photographer of the Year" in the amateur division of the International Photography Awards.

Peter's captivating photographs have been featured in publications such as The Times, The Telegraph, Time Out London, Fubiz, Colossal, Beaux Art, My Modern Met, as well as various photography and art publications. His exceptional architectural work have led to a collaboration with Nikon, where he has been selected as one of their Creators in Nikon Europe in 2023.

For more information on the work of Peter Li go to

 https://www.plipictures.com/

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

If you would like to promote your work, exhibition or any other creative project, please contact us at:

Social Media: @ministryofartsorg

Email: ministryofartsorg@gmail.com

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Jessie is an abstract painter and mixed media Artist, based in Bristol. She has exhibited works throughout the UK and sold her vibrant pieces worldwide.

Jessie’s instinctive way of working explores the language of paint and mark making to evoke emotions in the viewer, aiming to communicate how pure abstract work can generate visual energetic joy and pleasure.

The way Jessie experiments with materials, a vibrant colour palette and juxtaposing textures is key to making each piece vividly unique. She looks at the dynamics created when colours, marks, textures and ratios are set with and against each other to create a cohesive piece.

For more information on the work of Jessie Woodward go to

https://www.jessiewoodward.co.uk/

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

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As an artist Katy has performed at performance festivals and venues across Europe as well as squat parties, clubs and raves.

Her debut studio-based performance Workshy, a show about work and the things we do for money, was a smash hit and toured internationally to over 30 cities.

She has received commissions from Battersea Arts Centre, Wellcome Trust, The Yard Theatre, Camden People’s Theatre and Duckie amongst others. Since 2016 she has been artist in residence at queer club night Knickerbocker.

She is currently working on a new solo show entitled Get Off, due to be touring 2023/24

As a Curator she founded and co-produces Steakhouse Live, a DIY platform in London for radical performance practices and is currently Artistic Director of Home Live Art, producers of live events across Hastings, the South East and beyond.

Katy has also worked as an independent producer at Fierce Festival (Birmingham) and Manchester International Festival, as well as a guest lecturer at the University of Chichester, Central School of Speech and Drama, Rose Bruford College, Goldsmiths University, University of East London and University of Dundee.

From 2012-2017 she worked as Coordinator at the Live Art Development Agency in London.

For more information on the work of Katy Baird go to

https://katybaird.com

Thanks to Anna @abstraktpublicity for the connection

*Cover Image via:@JMA.Photo

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

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Luke Hannam’s works are celebrated for their vibrant colours, dynamic compositions, and emotional depth.

Hannam's early exposure to the arts fuelled his passion for painting, leading him to study at Central Saint Martins College of Art and Design.

Hannam's paintings are characterised by their bold use of colour and texture, creating a sense of movement and life on the canvas.

His work draws inspiration from his love 0f literature, music, as well as his personal experiences, resulting in pieces that are both introspective and universally relatable.

In addition to his painting, Hannam is also a professional musician, integrating his artistic sensibilities into his musical endeavours. His multifaceted approach to creativity continues to inspire and captivate audiences, solidifying his reputation as a significant figure in contemporary art.

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

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Rosa Roberts grew up in Norfolk on a fruit farm, and moved to London with her family in her teenage years, later studying Fine Art at Central St Martin's. She ran a business which designed and ran drawing workshops in London Museums for 8 years until deciding to go full-time as a painter in 2020.

Rosa has developed a unique style that combines traditional techniques with modern themes, exploring the nuances of human experience and the natural world. Her work often reflects a deep connection to the landscapes of her native Britain, infusing her canvases with a sense of place and emotional resonance, possibly influenced by the work of her parents, her Father a farmer and her Mother a photographer.

Rosa has exhibited widely across the UK and internationally. Her paintings are characterized by their vibrant colour palettes, dynamic compositions, and an intricate interplay of light and shadow across an array of surfaces.

Her work has been featured in prominent galleries and art fairs, cementing her reputation as a noticeable figure in contemporary British art. Through her paintings, Rosa Roberts continues to inspire and engage audiences, offering a window into her profound appreciation for the world around her.

For more information on the work of Rosa Roberts go to

https:// Rosaroberts.com

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

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In this episode Gary Mansfield speaks to Peter Stapleton (@peterstapletonart)

Peter was born in the city of Manchester, in the UK and his early years were significantly influenced by the complexities of coming from a family heavily in serious crime. Eventually Peter ended up in prison, charged with armed robbery on security vans. After spending several years on the run in South Africa, Peter was arrested and brought back to the UK. 

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It was during his time at a High Security Prison that Peter discovered he had a talent for painting and it was here that his passion for art was born.

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Eventually working his way to an Open Prison for good behaviour, Peter was released from prison every day to attend Staffordshire University, where he gained a BA (Hons) Fine Art.

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Painting in a Hyperrealistic style, Peters work focused on his experiences of Prison life. He looks for drama in a painting and invites the viewer to question what is going on. Painting in a precise and detailed way he likes to work in layers using a rich and saturated palette, giving depth to his paintings.

For more information on the work of Peter Stapleton go to

https://www.peterstapletonart.com

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

Mark McGowan is a British street artist, performance artist, film maker and public protester who has gone by the artist name Chunky Mark and more recently The Artist Taxi Driver.

By profession, McGowan is a London taxi driver and occasional University speaker and arts tutor. McGowan is known internationally for his performance art including shock art, street art and installation art, and as a stuntman, internet personality, video blogger, social commentator, social critic, satirist, political activist, peace activist, and an anti-establishment, anti-war, anti-capitalist anti-monarchist and anti-power elite protester.

Under the artist name "Chunky Mark", McGowan entered the mainstream news in the early 2000s for his unconventional, satirical, sometimes comedic and/or ironic, and often absurd approach to public protest and demonstration. Chunky Mark conducted hundreds of performances in the UK and dozens around the world, stirring up some international attention, further debate on what "art really is", controversy; and both support and mockery alike from intellectuals, the art world, private corporations, the police, the military, the tabloids and the public. Often McGowan has not applied for police permission beforehand.

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

Born in 1981 in Portsmouth, Clarke Reynolds began his life journey with a unique perspective, one shaped by limited sight and profound resilience.

Despite facing the challenges of domestic violence and alcohol abuse in his childhood, Clarke found solace and expression through drawing. His sketchbook became his sanctuary, a space where he could escape and create.Clarke's artistic path took a pivotal turn when he was diagnosed with retinitis pigmentosa, leading to the eventual loss of sight in his right eye at the age of just 6, since then he has lost the sight in his left eye leaving him with just 5 degrees of vision. These life-altering events steered him away from his career as a dental model maker, but also opened a new door to the world of art.

It was through his discovery of textiles that Clarke realised he could translate the tactility of fabrics and the dimension of sound into visual art, crafting pieces that are not only seen but felt.

Embracing his journey, Clarke now dedicates his time to creating art in his Portsmouth studio and teaching Braille, including leading a class named after him at London’s Kings Cross Academy. His passion for Braille, a vital tool for 30,000 people in the UK, is evident in his commitment to promoting its benefits.

Clarke is represented by Grove Gallery for his original artwork.

For more information on the work of Clarke Reynolds go to

https://clarkereynoldsart.com

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

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In this episode Gary Mansfield speaks to Mason Storm (@masonstormgenius)

Masons work has been considered controversial and provocative, however he never try’s to be controversial in his subject matter just for the sake of it, there is always an underlying reason for the work he produces.

Mason is probably best known for his mask. It has become a trademark, hiding his identity whilst creating a mystique which helps with promotion and publicity. He began wearing it when in 2010 he said he was going to reveal the face of the artist Banksy in an oil painting. The whole campaign was nothing more than a big marketing ploy and it worked. The supposed unveiling of Banksy courted a lot of negative publicity and the occasional death threat. Nothing he hasn’t encountered many times in his previous life but he knew the fact that he was remaining anonymous would annoy Banksy’s followers even more. Secondly, in his previous careers he has met and dealt with some extremely dangerous men. There is no risk to his security but he would rather the two worlds never meet. Also he occasionally does freelance work and its better for him if he remain in the shadows so to speak. So the mask, apart from its marketing potential allows him to hide in plain sight.

Text via @reloadgallery

For more information on the work of Mason Storm go to

https://www.masonstormenterprises.co.uk/

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

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For as long as I can remember I have always been making something. In retrospect, I may well have picked this desire to create up from my nan and my mum, who were always making something as well.

I was an analogue child that was closer to the make do and mend generation than the digital children of the 21 century, who have a screen that feeds their desires, but not necessarily their creativity.

​For that I will always be truly grateful.

​

I always loved to embroider, but as the years passed and my life became more focused on single parenting and domestic issues, I seemed to have lost the desire to create. I just lost my creative mojo.

Then one day, several years ago, I attended an exhibition on mental health and saw the most incredible sight. It was a sampler that had been sewn by an inmate of a Victorian Asylum.

​The inmate Mary Frances Heaton had used a needle and thread and other accessible materials to petition Queen Victoria about her own personal experiences of her own social injustice that had befallen her.

In that moment, as I stood there looking at this piece. I was transfixed and amazed by her ingenuity and her passion to be heard.

​

Her passion reignited my desire to create and to use embroidery and textiles as a basis to draw attention to social issues and to empower women, especially those that deserve more attention than afforded them.

Mary was incarcerated for 41 years, but she never gave up using her voice. I like to think you can hear an echo of her in mine.

​

​

For more information on the work of Holly Searle go to

https://www.thesubversivestitcher.com

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

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Heath Kane returns almost five and a half years after he first appeared on the podcast, in episode 09. At the time he had his own branding agency, creating his ‘Rich Enough to be Batman’ prints as an external creative outlet. We simply discuss what’s happened since we first recorded on that bench in Hoxton Square many moons ago...

“Having worked with clients in the luxury goods market for quite a while, I found it hard to understand how some individuals had more wealth than entire countries. And so, I created Rich Enough to be Batman. I knew then that I wanted any art I made to be topical, political and to challenge the conventions of our lifestyles and the world we live in today.

I have always made art in response to what I see happening in the world. Each of my collections explores a different political or social narrative. I want people to look at my art and talk about the issues we face, both individually and as a community.

When politics seems to be moving backwards (and while right wing governments continue to be in power) we need to be more active than ever in moving forwards. In creating art, I now have a voice that can help to bring about change. And, through buying my art perhaps you can join in that choir.

I will continue to create more art that brings awareness to the societal rifts that politics creates. I hope to ridicule these divisions whilst trying to create more tolerance and understanding for each other.”

For more information on the work of Heath Kane go to

https:/heathkane.co.uk

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

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🎙Ministry of Arts Podcast

LINK IN BIO 

In this episode Gary Mansfield speaks to Danielle Tomlinson (@danielletomlinsonart)

Danielle Tomlinson is a successful young British contemporary artist, taking the art world by storm with her bold, abstract paintings focused around her passion for wildlife. 

Before working full time as an artist Danielle was competitive swimmer, competing nationally and internationally for the Olympic Games, Commonwealth Games and the World Trials. 

COVID brought a pause to all training which allowed Danielle to reignite her creative side. Entirely self-taught Danielle's art business was her first job out of university and within 2 months she was earning a full salary. 

Her paintings are flown to collectors all over the world, including the USA, Australia, France, Canada, and many countries throughout Europe. Danielle started painting in her garden shed and three years later she has expanded and now in her third studio.

This transition from competitive swimmer to successful full-time artist Tomlinson says could be down to the determination and drive which comes with competitive sports.

Most of Danielle's buyers discover her work through Instagram and other social media platforms with an engaged and supportive following of 64k+ collectively.

For more information on the work of Danielle Tomlinson go to

https://www.danielletomlinsonart.com

*Thanks to Amy at @lucky8pr for the intro

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

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Georgia Powell and Liza Shapiro are the Founders of CURA Art and The Residency. Through the two platforms, the founders have created an environment that is focused on long-term care and legacy. The Residency is a platform aimed at supporting and sponsoring underrepresented artists, centered around time away from their usual routine at various appropriate spaces. The Residency uses a unique approach, creating a supportive ecosystem through mentorship and community, connecting artists with influential patrons as a catalyst for change. Based in London and Los Angeles, CURA Art offers a personal and trusted approach to caring for varied collections, providing specialized services and expertise to ensure that works of art and other precious objects are preserved, managed, and displayed to the highest standards. Using their training in conservation, museum studies, art history and curation, they focus on advising collectors with the management and care of their collections, as well as with their philanthropy and patronage.

Georgia is a lecturer at Christie’s Education and speaks regularly on the subject of the role of the Collector today. Georgia is Curator to the Estate of Jane McAdam Freud and advisor to the Estate of Feliks Topolski. She is a Trustee of Plain Sight Archive and a mentor for I Like Networking, helping artists and those working in the arts.

For more information on the work of CURA Art go to https://curaart.com

Thanks to @lisabaker_ltd for the connection

To Support this podcast from as little as £3 per month: patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

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He goes by the name “Endless” – a word which embodies his limitless creativity, passion and drive. Endless is a London-based artist, who infuses street and contemporary art techniques and practices.

After 6 years of study, Endless graduated from Cambridge School Of Art, where he specialised in fine art and screen printing. Shortly after this, he moved to London and began sharing his ideas with the world in the form of street-art. The journey from street to gallery has seen Endless' reputation rise, capturing the attention of the art world, museums, brands and the media alike.

Never lacking in meaning or depth, the key messages within the vibrant artwork interpret the artists’ unbiased societal observations, exploring humanity’s relationship with fashion, advertising, brand-worship, consumerism, and celebrity culture. The logo "CHAPEL" is often found in Endless' work, showcasing the contrast between traditional and modern-day symbols of worship with his own take on the iconic Chanel No5 perfume imagery. The name change in Endless' design represents society's brand-obsessed culture shift in one word, 'Chapel' - a world where brands are the new deities; shops are the new churches, glossy magazines are Bibles and celebrities play the part of God. The gods in his works include fashion industry legends like Karl Lagerfeld, Naomi Campbell and Kate Moss.

Today, Endless continues to express ideas through his street-art, but his most exclusive work can be found in Cris Contini Contemporary Galleries and within the homes of collectors world-wide.

For more information on the work of Endless go to

https://www.endlesstheartist.com

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

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In this episode Gary Mansfield speaks to Nicola Turner (@nicolaturner.art)

Turner investigates dissolution of boundaries, liminal states, and continuous exchanges across ecosystems. In doing so, she explores the interconnection of life and death, human and non- human, attraction and repulsion. She combines found objects that hold traces of memory, with the shapes of living forms, and materials from organic ‘dead’ matter such as horsehair - a material used previously for bedding and furniture and, in that regard, alive with history and memory.

She explores how these materials give off energy forces, including how “dead” matter can provoke a visceral aversion and attraction, that can provoke new ways of looking. Her pieces are part of a vital and thriving microcosmos comprised of human and non-human agents which functions mostly beyond our conscious contemplation. Her work resonates with the notion of abjection, the capacity of the world to disorient and connect to primal instinct and, consequently, within the abject there is an acute awareness of melancholy and death. Amid this state of confusion and unsettlement, however, an affirmation of life’s forces is simultaneously allowed to arise.

Turner draws on her own experience of loss, bereavement and medical intrusions. Her work and the materials used provoke awareness of the entanglement of life, challenging individuality and creating awareness of the wider interconnected energies of which we are a part. 

For more information on the work of Nicola Turner go to

https://www.nicolaturner.art

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

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Hercule has been called lots of things throughout his life, an artist certainly wasn’t one of them. But all of that changed one late summer afternoon in 2020 when, whilst trying to coerce his young son into making some thank you cards, he doodled a picture of their family dog. The picture was rubbish, so naturally he stuck it on Facebook with the following comment:

***FOR SALE***

Beautiful hand drawn pictures of your favourite family pets. Just send me a photo and I can produce a unique and wonderful piece of art that will grace any home and make the memories of your furry friends last a lifetime.

Some examples have been posted (I know it’s hard to tell but the photographs are the picture on the left in each one).

£299 ono. No VAT.

Little did he know that his work would go viral and his art would soon be in high demand with requests for portraits flooding into his inbox in their tens of thousands. Request from all over the globe.

Hercule’s self-proclaimed ‘ultra-realistic’ style is akin to that of a small child who has never seen an animal before and is only just learning how to hold a pencil properly, but people like it. A large social media following and worldwide media coverage catapulted Hercule into the limelight and he has used this exposure to raise money for his chosen charities; Turning Tides Ending Local Homelessness and StreetVet.

To date he has raised over £300,000 and counting with his pet portraits and this fundraising has seen Hercule receive a Points of Light Award from the Prime Minister, recognised by The Big Issue as one of their 100 Change Makers for 2021, and named as the ‘Creative Fundraiser of The Year’ at the 2022 Just Giving Awards .

The merchandise and print sales from this site are not direct charity sales, however a minimum of 10% of all profits are donated to the chosen charities.

For more information on the work of Pure Evil go to

https://herculevanwolfwinkle.co.uk

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

In this episode Gary Mansfield speaks to Sara Prinsloo (@saraprinslooart)

Sara Prinsloo is a Sheffield based artist exploring her own mental health and lived experiences through art. “My art is a journey into an unconventional adolescence and those ‘things’ that just stay with you forever. The aim is to make sense of my own life experiences: dealing with grief, coming from a working-class background and the impacts of being reckless as a youth.” Anger and frustration is an emotion often at the forefront of Sara’s work. Raising topics of class insecurities, anxiety, toxic labelling, in the aim to re-think negative emotions and open up conversations of why they exist in the first place. 

In 2019, Sara created the @itsokayproj which provides a platform for others to share their mental health experiences, whilst celebrating the creative ways we express ourselves. By publishing zines, working with over 100 contributors and hosting workshops, she has been able to help defeat negative stigmas in relation to mental health. The project was set up in memory of her sibling. 

Sara was shortlisted for the 2023 Cooper Prize in Barnsley and her work can be seen on display at the Cooper Gallery until April 2024. 

For more information on the work of Sara Prinsloo and to read her essay ‘Cut Before It’s Grown’ go to 

www.saraprinsloo.co.uk 

For more information on the It’s OKAY Project go to 

www.itsokayproject.com 

@itsokayproj

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

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As ever, we had the widest range of guests of any art podcast, from the unknown to the world renowned and all those in between.

Thank you for your support throughout 2023 and look forward to keeping you company through 2024.

For any podcast guest recommendations, please contact @MinistryOfArtsOrg on Instagram

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

Martin O’Brien is an artist and zombie. He works across performance, writing and video art. His work uses long durational actions, short speculative texts and critical rants, and performance processes in order to explore death and dying, what it means to be born with a life shortening disease, and the philosophical implications of living longer than expected. He has shown work throughout the UK; Europe; USA; and Canada, and is well known for his solo performances and collaborations with the legendary LA artist and dominatrix Sheree Rose.

Martin is currently Writer in in Residence 2023, Whitechapel Gallery

He is winner of the Philip Leverhulme Prize for Visual and Performing Arts 2022. He will be writer in residence at Whitechapel Gallery throughout 2023. Martin has cystic fibrosis and all of his work and writing draws upon this experience. In 2018, the book ‘Survival of the Sickest: The Art of Martin O’Brien’ was published by Live Art Development Agency. His work has been featured on BBC radio and Sky Arts television. He is currently senior lecturer in Live Art at Queen Mary University of London.

​

For more information on the work of Martin O'Brien go to

http://www.martinobrienart.co.uk

Thanks to @abstraktpublicity for making this connection

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

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Last week we said goodby Background Bob, the artist with the BIGGEST smile in the art world. In his short time on the art-scene he inspired everyone he came in contact with.

We're re-releasing episode 86, recorded [with his Dad Nathan] just over 3 years ago, at the start of his journry... Keep smiling Background Bob!!

This week Gary Mansfield speaks to Nathan, the Father of Background Bob (@background_bob)

Background Bob is a severely disabled young lad, that just so happened to make hundreds of new friends during lockdown, by collaborating with some of the biggest names on the Street Art scene. Before long he had artists from all over the World contacting him asking him to join in.

He hand-painted 250 cardboard backgrounds to be transformed into new collaborative artworks by his new friends. Background Bob, his family and friends have now created a book titled Background Bob & His Amazing Friends containing images of each collaboration and are selling them with all proceeds going to the local Hospital that has always cared for him.

For your own copy of Background Bob & His Amazing Friends go to his Instagram page @background_bob or visit www. colchesteripswichcharity.org.uk/backgroundbob

For full line up of confirmed artists go to https://www. ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

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Jamie Jones absorbed the artistic and illustrative pop-culture of the 80s and early 90s, bingeing Saturday-morning cartoons, collecting comic books and being mesmerised by the pillars of hip-hop.

Playful, bigger-than-life characters, bold neon colour palates and pop art styles. Jamie works with recognisable characters that evoke nostalgia - reflections of childhood memories that make his work accessible to audiences young and old.

For more information on the work of Jamie Jones go to

https://www.justjamiejones.com

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

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Joelle Taylor is the author of 4 collections of poetry. Her most recent collection C+NTO & Othered Poems won the 2021 T.S Eliot Prize, and the 2022 Polari Book Prize for LGBT authors. C+NTO is currently being adapted for theatre with a view to touring. She is a co- curator and host of Out-Spoken Live at the Southbank Centre, and tours her work nationally and internationally in a diverse range of venues, from Australia to Brazil. She is also a Poetry Fellow of University of East Anglia and the curator of the Koestler Awards 2023.

She has judged several poetry and literary prizes including Jerwood Fellowship, the Forward Prize, and the Ondaatje Prize. Her novel of interconnecting stories The Night Alphabet will be published by Riverrun in Spring of 2024. She is a Fellow of the Royal Society of Literature, and the 2022 Saboteur Spoken Word Artist of the Year. Her most recent acting role was in Blue by Derek Jarman, which was directed by Neil Bartlett and featured Russell Tovey, Jay Bernard, and Travis Alabanza. Blue sold out its run across the UK and more dates are expected for the future.

IN CASE OF EMERGENCY will feature nearly 200 artworks across visual, writing and music categories entered into the 2023 Koestler Awards for art in the criminal justice system, by individuals in prisons, secure mental health facilities, immigration removal centres, young offender institutions and on community sentences across the UK

Cover image credit @fish2commercial

For more information on the work of Joelle Taylor go to

http://joelletaylor.co.uk

For more information on the work of Koestler Artsgo to

https://koestlerarts.org.uk

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

In this episode Gary Mansfield speaks to Chris Atkins (@scatatkins )

Chris Atkins is a British journalist, documentary film maker and best-selling author.

He has made several fiction feature films, feature length documentaries and television documentaries, which have received three BAFTA nominations.

His work is noted for causing controversy and has faced legal action as a result of his films. He gave evidence to the Leveson Inquiry into the ethics of the British press.

In 2016 he was sentenced to five years in prison for tax fraud. He published a book about his time in jail entitled A Bit of a Stretch which became a bestseller in the UK.

In 2021 Chris Atkins released a documentary about The KLF. Who Killed the KLF? The unauthorised documentary includes reconstructions of the band's dramatic gestures, played by actors.

In 2022 Chris Atkins wrote and relesed 'Vardy v Rooney: A Courtroom Drama' a Channel 4 two-part courtroom drama based on the Wagatha Christie events and subsequent high-profile court case

For more information on the work of Chris Atkins go to

https://chrisatkins.co.uk

Thanks to @trishwylieartist for the connection

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

The best summary of what I do is 'storytelling with a side order of off-beat creativity and an occasional sprinkling of optical illusions'. Twins blended into a wall with custom knitwear? Check. A railway line merging into a zipper? Check. A lifestyle shoot featuring a cardboard teenager? Yup, that too.

Clients around the world choose me to create advertising and editorial images and films of people on location or in studio.

I love finding creative solutions and ideas and making sure everyone has fun in the process.

For more information on the work of Joseph Ford go to: https://josephford.net

Thanks to @miss_buggs for the connection

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

If you would like to promote your work, exhibition or any other creative project, please contact us at:

Social Media: @ministryofartsorg

Email: ministryofartsorg@gmail.com

Hosted on Acast. See acast.com/privacy for more information.

Alison Jackson, a contemporary, BAFTA and multi award-winning artist, photographer and filmmaker explores the cult of celebrity – an extraordinary phenomenon manufactured by the media, publicity industries and the public figures themselves. To raise questions about this, Jackson creates celebrity ‘news’ that appears real and plausible but isn’t.

She creates convincingly realistic work portraying the imagined private lives of public figures using cleverly styled lookalikes. Resemblance becomes real, and fantasy touches on the plausible. Jackson creates scenes that the public have all imagined but never seen. It’s an exploration of our insatiable desire to get personal with public personalities, raising questions about the power and seductive nature of imagery which incites voyeurism and our need to believe - Jackson challenges our preconceptions.

Jackson takes portraits of (real!) famous actors, politicians and celebrities, collected by Museum collections, such as at the National Portrait Gallery, The Parliamentary Art Collection in London and SF MOMA, San Francisco amongst many others.

For more information on the work of Alison Jackson go to

https://www.alisonjackson.com/

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

Conart is a social art marketplace, combining the community engagement of a social network with the trust of a curated marketplace. Designed for artists, art lovers and collectors to connect, discover and buy art, all on one app. 

Conart was born out of our personal frustration and struggle to access and purchase original art, online. Our experience on other platforms was overwhelming, impersonal and confusing. In the absence of a true connection with the artist and their story, it was hard for us to emotionally connect with the artwork and feel confident in making a purchase.

As part of this journey, we discovered an extensive passionate community of art lovers that shared these same frustrations, so we set out to solve for this. That’s when we created Conart - an app where the art community can not only connect, engage and discover one another, but also securely purchase quality artwork through a trusted platform. 

We want to better connect artists with a more relevant audience and to give buyers a more personalised and immersive experience of discovering new artwork. 

This platform will facilitate artists to build and grow sustainable careers, at the same time as providing art lovers with an unparalleled experience to discover and buy original art. 

This is not only an art marketplace, but a community of artists and art lovers, wanting to collectively, make a difference. We really look forward to you being part of the journey and joining the Conart community.

For more information on the work of CONART go to: https://www.theconart.com

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

If you would like to promote your work, exhibition or any other creative project, please contact us at:

Social Media: @ministryofartsorg

Email: ministryofartsorg@gmail.com

Hosted on Acast. See acast.com/privacy for more information.

Piers Secunda was born in London in 1976 and studied painting at Chelsea College of Art in London. Since the late nineties Piers has developed a studio practice using paint in a sculptural manner, rejecting the limitations imposed by the canvas.

Piers’ work has developed into a research heavy practice, which examines some of the most significant subjects of our time, such as energy and technology history and the deliberate destruction of culture.

For more information on the work of Piers Secundago to

https://www.pierssecunda.com

Thank you to @taniburns for making this conversation possible

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

In this bonus episode Gary Mansfield speaks to Zoë Allen (@zoedolcevita)

Zoë Allen is the founder and director of Artistic Statements.

Artistic Statements create impactful art installations. Connecting people to place through engaging artistic interventions whilst supporting creative talent by finding unique opportunities to showcase artistic skill.  

Artistic interventions can take many forms; from pop-up immersive displays for events, outdoor graphic murals and temporary interactive installations, to large scale permanent public artworks, digital animation design, lighting sculptures and more. 

Artistic Statements helps answer commercial objectives through art and manages the process from initial brief through to design development and implementation. 

For more information on the work of Zoë Allen go to

https://www.artisticstatements.co.uk

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

If you would like to promote your work, exhibition or any other creative project, please contact us at:

Social Media: @ministryofartsorg

Email: ministryofartsorg@gmail.com

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In this episode Gary Mansfield speaks to Lee Wagstaff (@lee_wagstaff)

Lee Wagstaff was born in 1969 in London, I am an English artist living in Italy.

He studied at Central Saint Martins College of Art and Design and the Royal College of Art in London and Kyoto City University of Arts, Kyoto, Japan.

He has exhibited his body, large format photographic self-portraits and graphite works at art and performance venues worldwide. One performance was featured in the Ornament Und Abstraction show at the Beyeler Foundation, Basel, Switzerland and I was the first Western artist to be featured in the Art Annual, Kobe, Japan.

In 2007 Lee co-founded the artists project space RISE berlin and acted as its director and curator until 2013.

“Shroud”, a self-portrait screen printed in my own blood, was included in the Victoria & Albert Museum exhibition Impressions of the Century — 100 Years of the Fine Art Print.

“The emergence of Lee’s image on the Shroud elevates him to the status of a surrogate divine seemingly without the intervention of God. It comes off as both disquietingly heroic and at the same time spiritually arrogant”

David Bowie

For more information on the work of Lee Wagstaff go to

https://leewagstaff.com/

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

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In this bonus episode Gary Mansfield speaks to Steve Bannatyne (@steve.bannatyne)

Steve Bannatyne was born and raised in Belfast during the troubles. After leaving home at 16, he studied Art and Design at Exeter College, then earned a BA in Graphic Design at Central Saint Martins.

Steve’s work for an environmental protection charity has led him to explore working exclusively with waste materials. Stories can be found within, and memories provoked by, the shapes, textures and visible traces of previous use of discarded materials. His work can be place specific, referencing points on the landscape, or more abstract expressions, inspired by the colours and textures of the materials themselves.

TRIGGER WARNING: This episode contains conversations of early death, bereavement and suicide; If you have been effected by anything you may have heard, please consider contacting groups like @myblackdog_co or Samaritans on 126123

For more information on the work of Steve Bannatyne go to: https://stevebannatyne.squarespace.com/

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

If you would like to promote your work, exhibition or any other creative project, please contact us at:

Social Media: @ministryofartsorg

Email: ministryofartsorg@gmail.com

Hosted on Acast. See acast.com/privacy for more information.

The Cameron Twins are a collaborative artist duo of identical twins who work together in a range of different media including screen print, digital montage, photography, casting, sculpture and installation .Their work has an overall strong and garish style using an oversaturated bright colour palette to create a surreal quality. The vivid colours and child-like naïve aesthetic with chaotic ensembles of images allows them to work playfully, exploring the ideas surrounding childhood imagination and dreams within their art practice.

The Cameron Twins’ practice incorporates many familiar, recognisable, fun images and pop-culture references from childhood, such as Barbie, Trolls and My Little Pony . 'We enjoy using this popular imagery in our sculptures and prints as they add a playful and witty quality to the work and adds to the connectivity of our art across ages and social confines whilst still remaining personal and anecdotal’. The often familiar subject matter and the bright and juvenile colour palette used in the work can create a misleading cheerful aesthetic which then juxtaposes with the more sinister tones and darker imagery often revealed under closer inspection.

The artists want the viewer to question the effect of nostalgia on their own memories and past experiences, and to scratch away at what might, or might not, lie just beneath the surface.

DONT WALK WALK opened in March 2017. We are an independent artist run gallery in Deal, Kent boasting a 'punk rock' ethic and a strong desire to offer something a little different. DWW is a working space with my studio in which I paint. The gallery showcases 40 + artists being emerging and established talents in painting, printmaking, illustration, photography & sculpture from domestic and international shores.  

​

For more information on the work of The Cameron Twins go to

https://www.camerontwins.art

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

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Dameon Preistly's work focuses on times and events of social and cultural change, often set in an historical context, but with direct relevance to the present.

These stories are intensively researched and results in works with a strong narrative and an emphasis on the people involved in the unfolding dramas.

The motivation behind his work is directly related to his childhood growing up in 1970s Belfast. History, culture, politics and social injustice have interested me since an early age. 

In tandem with his personal work, he also regularly undertake private commissions, including portraits. 

Dameon has sold extensively nationally and internationally. He now lives and works in Rochester, UK.

For more information on the work of Dameon Preistly go to

https://www.dameon.co.uk

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

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In this bonus episode Gary Mansfield speaks to Julie Bennett (@Julie_Bennett)

Julie Bennett is a portrait painter living and working in London. Her bold, unapologetically confident portraits appropriate pop culture icons from the music industry and art world, creating contemporary homages to the likes of David Bowie, Elvis, Frida Kahlo, Boy George, Patti Smith, and Her Majesty The Queen.

Defined as British Pop Art, her dripping wet, vibrant, colourful broad-brush marks give the appearance of canvases being fresh out of the studio. Working mostly in oil, led by the paint, she tries to capture the emotional charge of the individual, creating an iconic work of art.

Bennett studied painting at Camberwell College of Arts where she crafted and explored the use of mark-making to convey her fascination with the human face and the immediacy of her paint handling.

Bennett is driven by her lifelong obsession with music and art, spending her teenage years working at a record shop and after graduation, working as a graphic designer at some of the top UK music and celebrity magazines, She is a genuine fan of many of the celebrities she paints.

Text taken from: https://www.degreeart.com/artists/julie-bennett

For more information on the work of Julie Bennett go to: https://www.juliebennett.co.uk

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

If you would like to promote your work, exhibition or any other creative project, please contact us at:

Social Media: @ministryofartsorg

Email: ministryofartsorg@gmail.com

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In this episode Gary Mansfield speaks to Jessica Worrall (@jessicaworralldigitalcollage)

Originally from Yorkshire and now based in Glasgow, I’ve worked as a theatre designer for over 30 years working in both the mainstream and the experimental with my designs being seen from a disused bus in a Bethnal Green car park to the main stage at Shakespeares Globe.

During lockdown I took advantage of the hiatus in my theatre work to explore the creative possibilities of making my own work, initially just playing around with ideas which soon developed into a series of digital collages. These works juxtapose portraits of women from art with images of modern day couture as a way of questioning the external forces that exist within both art and fashion and which shape and enforce our understanding of the ideals around women’s status in society. Initially making the work just for myself I was persuaded by friends to share the work on Instagram where it has gained a steady stream of followers. This led to a bit of a career rethink and though I do still design for theatre I am focussing more and more on this more personal creative practice. This year I made a new series of large scale collage works entitled ‘The Shaping of Beauty’ which were shown on advertising billboards in Glasgow, Dundee and Edinburgh. https://www.buildhollywood.co.uk/work/jessica-worrall-the-shaping-of-beauty/

I also now sell limited edition prints of my work which you can find at my Etsy shop https://www.etsy.com/shop/JWCollage

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

In this episode Gary Mansfield speaks to Junior Tomlin (@juniortomlin)

Junior Tomlin was born and raised in Ladbroke Grove, west London. Renowned for his stunning flyer and record cover art, mostly produced during the golden era of rave culture, Junior’s visionary work combines influences from sci-fi, surrealism, fantasy, Afrofuturism and comics. The result is artwork that defined an era and earned him the title ‘The Salvador Dali of Rave art’.

He worked with promoters from 1989 onwards plus a wide variety of influential labels, such as Kickin’, React, ZTT and Mute. Junior was a colourist on a variety of famous comic titles Judge Dredd, Action Man, Transformers, for Marvel, Panini, Titian, and 2000AD, In 2020 he produced his book "Flyer and cover art" published by Velocity press. https://velocitypress.uk/product/junior-tomlin-book/

For more information on the Kensington Chelsea Art Week & Trail go to

https://www.kcaw.co.uk

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

If you would like to promote your work, exhibition or any other creative project, please contact us at:

Social Media: @ministryofartsorg

Email: ministryofartsorg@gmail.com

Hosted on Acast. See acast.com/privacy for more information.

Jimmy Cauty aka James Cauty, Musician, K Foundation artist, deconstructed rock star, part time model village builder, honorary undertaker, town planner, record producer, wooly-back-misfit, armchair rioter, head composer/conductor/AV mixer for The L-13 Light Industrial Orchestra

Over a diverse and productive anti-career Cauty has distinguished himself by somehow coming up with at least one must-have-counter-culture-design-classic per decade, we are not sure what he does the rest of the time.

Cauty works closely with the L-13 Light Industrial Workshop London to develop projects both ambitious and diminutive, make prints & other artwork editions and convert impractical artistic visions to reality.

A dystopian 1:24 scale model village high rise housing estate, consisting of 4 abandoned tower blocks, housed in a 40ft shipping container currently on tour

Cauty has documented the tower block 2 year design and build process.

For more information on the work of Jimmy Cauty go to

https://jamescauty.com

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

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In this episode Gary Mansfield speaks to Lee Baker of Baker & Borowski @skipgallery

A partnership between artists and curators Lee Baker and Catherine Borowski, Baker & Borowski cultivates and commissions incursions of art into unexpected places.

Baker & Borowski is an artist-curator partnership between sculptor and placemaking specialist Catherine Borowski and painter and music producer Lee Baker. Catherine is the founder and creative director of Produce UK, an event-production consultancy and cultural programmer that works with brands, businesses and developers to conceive and deliver experiential placemaking strategies ranging from installations and exhibitions to large-scale festivals.

The duo is on a mission to bring unexpected eruptions of art into the everyday urban landscape and in 2017 they re-conceived the idea of the exhibition space, launching SKIP Gallery – an ongoing series of collaborative, site-specific artworks housed in skips on public sites. With 15 skip shows under their belt, collaborating with artists such as David Shrigley and Jeremy Deller, Baker & Borowski have spread their wings to begin a new venture, Graphic Rewilding, creating large scale artworks that introduce the diversity and colours of the natural world into urban environments. With these images they hope to inspire and encourage people to connect a little more with nature.

For more information on the Kensington Chelsea Art Week & Trail go to

https://www.kcaw.co.uk

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

In this episode Gary Mansfield speaks to Angry Dan (@angrydan)

Angry Dan is an artist, musician, and a writer from London. He depicts his writing through illustration, animation, and song. Sometimes tragic, sometimes witty, sometimes beautiful, and more often with a hint of irony. His ongoing Instagram project, Angry Dan's Lunchtime Limerick, is intended to be an entry point for his long-form work.

For more information on the work of Angry Dan go to

https://www.angrydan.com

Cover image courtesy of @lauralalis

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

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In this episode Gary Mansfield speaks to Misha Milovanovich (@mishamilovanovich )

Misha is a Belgrade-born artist living and working in London. She works across several mediums, from sculpture to painting and digital art. Characterised by vivid colour, optical movement and energetic visual cadences, Misha's visual work fuses a diverse repertoire of images and forms. 

Misha's work is often a symphonic abstraction. Her colourful, densely layered works are held in a state of tension between order and chaos, rational structure and spontaneity. She combines depth and surface relief, orchestrating bold contrasts of form, texture and space in her pictures. An intimate colour palette of bodily fluids - red, pink, white, black, yellow and brown - animate the writhing forms and the refracted memories of cartoonish cultural production.

Misha’s work is always spirited, humorous and filled with joy. Her playful totemic sculptures, reflect a kind of prism which defines a new form of appropriation and reference-making.  

For more information on the Kensington Chelsea Art Week & Trail go to

https://www.kcaw.co.uk

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

Fredrix Vermin is an interdisciplinary artist from South-East London, the founder of The House of Parakeet as well as part of the micro publishing collective GROTTI.

Working across mediums such as print, object making, performance, video and installation; drawing is always a vital starting point and an integral thread through the work. Collaboration and interaction are considered to be an essential part of practice through organising and curating group shows and including making collaborative pieces. The work regularly takes the form of installed environments or fragments from constructed worlds and plays with the space between repulsion and allure. Connection, Institutional critique and humour are often at the centre.

For more information on the work of Fredrix Vermin go to

https://fredrixvermin.com

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

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In this episode Gary Mansfield speaks to Josephine Chime @jaccartist

Detangling MBS: One Hoopers Court, Knightsbridge Underground Station

‘Detangling The MBS’ is a mixed media sculpture, a response to the confining narratives and contradicting messages of how women should present themselves. Chime’s practice delves into skewing the dominant notion of aesthetic goals, pulling from ancestral symbolic practices and pictographic messages to inform new female forms that transgress what is socially desirable.

MBS means mind, body and soul. Detangling The MBS is a call to service oneself, to create a flow of healthy self-reflection which may enact change. Detangling The MBS speaks of action, a constant action to become a version of yourself that can recognise the myriad of life’s offerings and self-worth. Starting with the self to loosen the knots found in the heart, the muscles and psyche it is a monumental step in feeling free from life’s expectations and societal constraints.

For more information on the Kensington Chelsea Art Week & Trail go to

https://www.kcaw.co.uk

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

Today's episode is one of several featuring some of the artists from the 2023 Kensington & Chelsea Art Week/Trail, for info go to: https://www.kcaw.co.uk or @KCAWlondon

In this episode Gary Mansfield speaks to Lucy Oats @overnit.oats

Lucy Oates is a London based multidisciplinary artist

“I designed a piece for KCAW based off collages I’ve been doing over the years in response to my surrounding environments.

For me painting and designing murals is about uplifting areas and injecting pots of colour in to otherwise mundane/ neglected settings. Colour is really important to me and is something I really enjoy playing around with in my practice, I wanted to use colours that to me represent fun happy emotions in this piece.”

For more information on the Kensington Chelsea Art Week & Trail go to

https://www.kcaw.co.uk

For more information on the Kensington Chelsea Art Week & Trail go to

https://www.kcaw.co.uk

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

Today's episode is one of several featuring some of the artists from the 2023 Kensington & Chelsea Art Week/Trail, for info go to: https://www.kcaw.co.uk

In this episode Gary Mansfield speaks to Satur Chong(@satur.chong)

THE MANHOLE TEA SET CEREMONY by Satur Chong

24 + 25 June

30-minute performances at 1 pm + 3 pm

The Manhole Tea Set is a performance piece where the artist, Satur Chong, and random members of the public are invited to sit down around a manhole, in a pretend ceremony of drinking tea.

A tea set installed on a chosen manhole cover in South Kensington and in Battersea RCA Campus, both the teapot and 2 cups having a matte black texture and the same pattern as the manhole cover 

Satur Chong is a Malaysian artist currently studying at The Royal College of Art, in London. Her practice and research continually focus on exploring the relationship between individual-perspective jewelry as an intimate object and macro-perspective public art. Her recent artworks included mix-media wearable objects, crafts objects, and public installations in various sites for example lifts, streets, and toilets, in pursuit of an interactive, relational, and communication-provoking art form.

For more information on the Kensington Chelsea Art Week & Trail go to

https://www.kcaw.co.uk

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

If you would like to promote your work, exhibition or any other creative project, please contact us at:

Social Media: @ministryofartsorg

Email: ministryofartsorg@gmail.com

Hosted on Acast. See acast.com/privacy for more information.

Today's episode is one of several featuring some of the artists from the 2023 Kensington & Chelsea Art Week/Trail, for info go to: https://www.kcaw.co.uk or @KCAWlondon

In this episode Gary Mansfield speaks to Saira Jamieson @sairajamieson

Born in London, to Pakistani parents, Saira Jamieson was raised in a household of both immense cultural pride as well as deep religiosity. These levers, were the inspiration and rebellious fuel of her early artistic impulses. Through painting and drawing, Saira found escapism, creating otherworldly terrains of symbolism.

Her diarised sketches and “Sarabesque” scripture like forms became a secret language. Unknowingly, it would impact the rest of her life.

Breaking down barriers and preconceptions inside and outside her culture is a constant. Having fought so long to be seen and have a voice, she and her work have now matured. Confident in her skin, she uses not just her art but her voice to champion the unrepresented and particularly female creatives.

For more information on the Kensington Chelsea Art Week & Trail go to

https://www.kcaw.co.uk

To Support this podcast from as little as £3 per month: www.patreon/ministryofarts

For full line up of confirmed artists go to https://www.ministryofarts.org

Email: ministryofartsorg@gmail.com

Social Media: @ministryofartsorg

Hosted on Acast. See acast.com/privacy for more information.

In this bonus episode Gary Mansfield speaks to Malgorzata Lisiecka @malgorzata­_lisiecka