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		<title>A Bit Lit</title>
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		<copyright>A Bit Lit 2020-2021</copyright>
		<itunes:keywords>theater, sexuality, literature, shakespeare, film, books, drama, gender, history, plays, theatre, early modern, conversations, race,wrestling</itunes:keywords>
		<itunes:author>A Bit Lit</itunes:author>
		<itunes:subtitle>Celebrating research and creativity of all kinds</itunes:subtitle>
		<itunes:summary><![CDATA[As much of the world went into lockdown in spring 2020, we wanted to provide a platform for research and creativity, championing the brilliant arts and knowledge-making going on in the world right now across different sectors, time periods and disciplines in an informal, fun fashion. A Bit Lit is the result.Our website www.abitlit.co hosts conversations, talks, Q&As, readings and creative work from cool, groovy and interesting people. At a time when it can be easy to be caught between the two options of panicking or trying to switch our brains off, we hope this will be a fun and silly and good place to put your brain for a few minutes.Explore our library of conversation between researchers, performers, creatives, and makers of all sorts, where we discuss what it means to think about history, culture, and creativity.  We also make videos driven by the passion of research and creative practice that are directed at all learners interested in exploring these questions at home.www.abitlit.co and follow us on twitter at @a_bit_lit<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		<description><![CDATA[As much of the world went into lockdown in spring 2020, we wanted to provide a platform for research and creativity, championing the brilliant arts and knowledge-making going on in the world right now across different sectors, time periods and disciplines in an informal, fun fashion. A Bit Lit is the result.Our website www.abitlit.co hosts conversations, talks, Q&As, readings and creative work from cool, groovy and interesting people. At a time when it can be easy to be caught between the two options of panicking or trying to switch our brains off, we hope this will be a fun and silly and good place to put your brain for a few minutes.Explore our library of conversation between researchers, performers, creatives, and makers of all sorts, where we discuss what it means to think about history, culture, and creativity.  We also make videos driven by the passion of research and creative practice that are directed at all learners interested in exploring these questions at home.www.abitlit.co and follow us on twitter at @a_bit_lit<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
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        <acast:network id="6269894803aa7300124d22a7" slug="james-oprey"><![CDATA[James Oprey]]></acast:network>
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			<title>The Gunpowder Plot</title>
			<itunes:title>The Gunpowder Plot</itunes:title>
			<pubDate>Wed, 28 Sep 2022 11:00:00 GMT</pubDate>
			<itunes:duration>28:25</itunes:duration>
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			<itunes:subtitle>The Gunpowder Plot, the Tower of London, and Tracy Borman</itunes:subtitle>
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			<itunes:season>1</itunes:season>
			<itunes:episode>55</itunes:episode>
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			<description><![CDATA[<p>The Tower of London is hosting an immersive experience that combines live performance and digital technology to explore the 1605 Gunpowder Plot to kill the King and Parliament. Audiences get to decide whose side they are on as they encounter the world the plotters inhabited.</p><br><p>In this film, historian Tracy Borman, joint Chief Curator of Historic Royal Palaces, tells us about the Gunpowder Plot experience, its place at the Tower of London and the research and creative work behind the show. Tracy offers us a history of the Tower itself, from its early purpose to 'subdue the evil inhabitants of London' for William the Conquerer, to its emergence as a tourist attraction and its later Victorian revamps. Finally, we hear about Tracy's own extensive publishing career, her 15 books ranging across fiction and non-fiction, with a focus on the cultural impact of the British monarchy.</p><br><p>For more information on The Gunpowder Plot, and to book, go to: https://gunpowderimmersive.com</p><br><p>For more information on Tracy Borman, go to: http://www.tracyborman.co.uk</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>The Tower of London is hosting an immersive experience that combines live performance and digital technology to explore the 1605 Gunpowder Plot to kill the King and Parliament. Audiences get to decide whose side they are on as they encounter the world the plotters inhabited.</p><br><p>In this film, historian Tracy Borman, joint Chief Curator of Historic Royal Palaces, tells us about the Gunpowder Plot experience, its place at the Tower of London and the research and creative work behind the show. Tracy offers us a history of the Tower itself, from its early purpose to 'subdue the evil inhabitants of London' for William the Conquerer, to its emergence as a tourist attraction and its later Victorian revamps. Finally, we hear about Tracy's own extensive publishing career, her 15 books ranging across fiction and non-fiction, with a focus on the cultural impact of the British monarchy.</p><br><p>For more information on The Gunpowder Plot, and to book, go to: https://gunpowderimmersive.com</p><br><p>For more information on Tracy Borman, go to: http://www.tracyborman.co.uk</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Sacha Coward on queer history, museums and mermaids</title>
			<itunes:title>Sacha Coward on queer history, museums and mermaids</itunes:title>
			<pubDate>Sun, 06 Feb 2022 20:00:00 GMT</pubDate>
			<itunes:duration>39:11</itunes:duration>
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			<itunes:subtitle>Sacha Coward on queer history, museums and mermaids</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:episode>54</itunes:episode>
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			<description><![CDATA[Sacha Coward tells us about life as a queer tour guide, graveyard explorer, folklore expert, escape room designer and mermaid enthusiast - what a CV! All of these things, he tells us, are rooted in storytelling, in a conversation that ranges across 'the strange tension between life and death', Zelda and the Muppets.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[Sacha Coward tells us about life as a queer tour guide, graveyard explorer, folklore expert, escape room designer and mermaid enthusiast - what a CV! All of these things, he tells us, are rooted in storytelling, in a conversation that ranges across 'the strange tension between life and death', Zelda and the Muppets.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Engendering the Stage</title>
			<itunes:title>Engendering the Stage</itunes:title>
			<pubDate>Sun, 06 Feb 2022 20:00:00 GMT</pubDate>
			<itunes:duration>45:09</itunes:duration>
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			<itunes:subtitle><![CDATA[We're joined by the project team behind new research project Engendering the Stage.]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:episode>53</itunes:episode>
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			<description><![CDATA[Engendering the Stage are re-investigating the evidence base for early modern theatre, and using these findings to make space for an inclusive performance history that involves female-identified and gender-non-conforming performers as well as performers of colour. We discuss failed performance, the porousness of theatre, the politics of domestic performance, rope-dancing, tumblers, sword-dancing, performing masculinity, dynamic femininity, androgynous clothing, the famous ‘Jumping Judy’, cocoanut shies, forbidden students, The Roaring Girl, the Fortune playhouse, female shareholders, archival research in an age of Covid, practice-as-research, and more...<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[Engendering the Stage are re-investigating the evidence base for early modern theatre, and using these findings to make space for an inclusive performance history that involves female-identified and gender-non-conforming performers as well as performers of colour. We discuss failed performance, the porousness of theatre, the politics of domestic performance, rope-dancing, tumblers, sword-dancing, performing masculinity, dynamic femininity, androgynous clothing, the famous ‘Jumping Judy’, cocoanut shies, forbidden students, The Roaring Girl, the Fortune playhouse, female shareholders, archival research in an age of Covid, practice-as-research, and more...<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title><![CDATA[ABL Richard O'Brien]]></title>
			<itunes:title><![CDATA[ABL Richard O'Brien]]></itunes:title>
			<pubDate>Fri, 04 Feb 2022 12:00:00 GMT</pubDate>
			<itunes:duration>39:54</itunes:duration>
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			<itunes:subtitle><![CDATA[Richard O'Brien on poetry, dolphins and indie music!]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:episode>52</itunes:episode>
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			<description><![CDATA[Richard O’Brien discusses his new collection, The Dolphin House, a poetic exploration of “a failed NASA research project to teach a dolphin the English language in a flooded apartment on a Caribbean Island.” He introduces us to this strange and compelling story and the people involved, and reads from the collection, while also discussing his other poetic hats, including his tenure as Poet Laureate of Birmingham (2018-20), which features the first public reading of his poem written for Warstone Lane Cemetery. We also hear about the benefits of poetic forms, the relationship between indie music and poetry, and visual and material elements of printed poetry pamphlets (by way of Broken Sleep Books and the Emma Press).<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[Richard O’Brien discusses his new collection, The Dolphin House, a poetic exploration of “a failed NASA research project to teach a dolphin the English language in a flooded apartment on a Caribbean Island.” He introduces us to this strange and compelling story and the people involved, and reads from the collection, while also discussing his other poetic hats, including his tenure as Poet Laureate of Birmingham (2018-20), which features the first public reading of his poem written for Warstone Lane Cemetery. We also hear about the benefits of poetic forms, the relationship between indie music and poetry, and visual and material elements of printed poetry pamphlets (by way of Broken Sleep Books and the Emma Press).<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>ABL 134 Mira Katantaris</title>
			<itunes:title>ABL 134 Mira Katantaris</itunes:title>
			<pubDate>Sun, 23 Jan 2022 12:00:00 GMT</pubDate>
			<itunes:duration>57:46</itunes:duration>
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			<acast:episodeId>6269894b03aa7300124d22b2</acast:episodeId>
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			<itunes:subtitle>Mira Assaf Kafantaris and Jennifer Higginbotham on royalty, race and gender</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:episode>51</itunes:episode>
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			<description><![CDATA[Mira Assaf Kafantaris (Butler University) talks to her mentor, friend, and collaborator Jennifer Higginbotham (The Ohio State University) about the politics of racialization and the embodied threat of foreign ruling women in the early modern period. They discuss how early moderns grappled with the racialized presence of foreign queens and how they became loci of competing ideologies. Finally, Assaf Kafantaris and Higginbotham reflect on the conversation surrounding Meghan Markle’s marriage into the British royal family, which sparked transatlantic, even global, conversations about race, nation, belonging, and reproduction. For more details on our films and further resources, go to our website at https://abitlit.co<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[Mira Assaf Kafantaris (Butler University) talks to her mentor, friend, and collaborator Jennifer Higginbotham (The Ohio State University) about the politics of racialization and the embodied threat of foreign ruling women in the early modern period. They discuss how early moderns grappled with the racialized presence of foreign queens and how they became loci of competing ideologies. Finally, Assaf Kafantaris and Higginbotham reflect on the conversation surrounding Meghan Markle’s marriage into the British royal family, which sparked transatlantic, even global, conversations about race, nation, belonging, and reproduction. For more details on our films and further resources, go to our website at https://abitlit.co<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>ABL 136 Improvising Shakespeare</title>
			<itunes:title>ABL 136 Improvising Shakespeare</itunes:title>
			<pubDate>Sun, 23 Jan 2022 12:00:00 GMT</pubDate>
			<itunes:duration>53:17</itunes:duration>
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			<itunes:subtitle>Ronan Hatfull, Rebecca Macmillan, and Tom Wilkinson about improvising Shakespeare</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:episode>48</itunes:episode>
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			<description><![CDATA[Ronan Hatfull speaks with Rebecca MacMillan and Tom Wilkinson from Impromptu Shakespeare about improvisation.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[Ronan Hatfull speaks with Rebecca MacMillan and Tom Wilkinson from Impromptu Shakespeare about improvisation.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>ABL140 Phoenix Andrews</title>
			<itunes:title>ABL140 Phoenix Andrews</itunes:title>
			<pubDate>Fri, 21 Jan 2022 12:00:00 GMT</pubDate>
			<itunes:duration>47:08</itunes:duration>
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			<link>https://a-bit-lit.simplecast.com/episodes/abl140-phoenix-andrews-DlijTVdb</link>
			<acast:episodeId>6269894b03aa7300124d22b4</acast:episodeId>
			<acast:showId>6269894703aa7300124d22a5</acast:showId>
			<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmbKbhgrQiwYShz70Q9/ffXZ/Ynvgc/bVSlxbfa1LTdZ/NS0G6+1uBWmuf3KXrHlJ0izxnDClosxN1ZvN1RuhNrlNxSMkAxgWqz5j8lkuNVlCKBoQ1JMqr5SDfpxRq6QDFAQl9ZZsx56xNsh2WgLR26Uyc9FA/v0k7grZZlEXaDi6]]></acast:settings>
			<itunes:subtitle><![CDATA[ABL143: Phoenix Andrews on bright colours, Ed Balls, goats, fan & internet cultures.]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:episode>50</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6269894703aa7300124d22a5/show-cover.jpg"/>
			<description><![CDATA[<p>The very polymathic Phoenix Andrews talks us through some of the polys that they math. We hear about the development of fan and internet cultures via Ed Balls, which Phoenix uses to work up a really rich and convincing political history of the early twenty-first century across the UK and US. Visit ABitLit.co for more conversations, and to book our brand-new courses and events. How to Make an Elizabethan Theatre starts on 14 February 2022: https://www.eventbrite.com/e/how-to-make-an-elizabethan-theatre-tickets-198132237857 Warning: some strong language.</p><p> </p><p> </p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>The very polymathic Phoenix Andrews talks us through some of the polys that they math. We hear about the development of fan and internet cultures via Ed Balls, which Phoenix uses to work up a really rich and convincing political history of the early twenty-first century across the UK and US. Visit ABitLit.co for more conversations, and to book our brand-new courses and events. How to Make an Elizabethan Theatre starts on 14 February 2022: https://www.eventbrite.com/e/how-to-make-an-elizabethan-theatre-tickets-198132237857 Warning: some strong language.</p><p> </p><p> </p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Eric Weiskott on his new book, Meter and Modernity</title>
			<itunes:title>Eric Weiskott on his new book, Meter and Modernity</itunes:title>
			<pubDate>Fri, 15 Oct 2021 11:00:00 GMT</pubDate>
			<itunes:duration>37:49</itunes:duration>
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			<link>https://a-bit-lit.simplecast.com/episodes/eric-weiskott-on-his-new-book-meter-and-modernity-nHpZFvmw</link>
			<acast:episodeId>6269894b03aa7300124d22b5</acast:episodeId>
			<acast:showId>6269894703aa7300124d22a5</acast:showId>
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			<itunes:subtitle>Eric Weiskott on his new book, Meter and Modernity</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:episode>47</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6269894703aa7300124d22a5/show-cover.jpg"/>
			<description><![CDATA[In this film Eric Weiskott tells us about his new book, Meter and Modernity in English Verse, 1350-1650 which explores English poetry across its forms and across time periods often divided up and isolated in conventional academic discussion. The book is, Eric tells us, an attempt to 'get around the retrospective reading of form'. The book traces three metrical traditions across 300 years: alliterative (that is, lines features words starting with the same letter), tetrameter (lines of usually 8 syllables) and pentameter (lines of usually 10 syllables). This historical and cross-metrical approach allows the book to identify iambic pentameter, in its earliest years, as a specifically London-based compositional practice. Asked to define 'literature', Eric says that it recognises and responds to life, and invites us all to turn to the poem Piers Plowman as a poem about close reading practices. For more details on our films and further resources, go to our website at https://abitlit.co<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[In this film Eric Weiskott tells us about his new book, Meter and Modernity in English Verse, 1350-1650 which explores English poetry across its forms and across time periods often divided up and isolated in conventional academic discussion. The book is, Eric tells us, an attempt to 'get around the retrospective reading of form'. The book traces three metrical traditions across 300 years: alliterative (that is, lines features words starting with the same letter), tetrameter (lines of usually 8 syllables) and pentameter (lines of usually 10 syllables). This historical and cross-metrical approach allows the book to identify iambic pentameter, in its earliest years, as a specifically London-based compositional practice. Asked to define 'literature', Eric says that it recognises and responds to life, and invites us all to turn to the poem Piers Plowman as a poem about close reading practices. For more details on our films and further resources, go to our website at https://abitlit.co<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>ira Assaf Kafantaris and Jennifer Higginbotham on royalty, race and gender</title>
			<itunes:title>ira Assaf Kafantaris and Jennifer Higginbotham on royalty, race and gender</itunes:title>
			<pubDate>Fri, 15 Oct 2021 11:00:00 GMT</pubDate>
			<itunes:duration>57:46</itunes:duration>
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			<link>https://a-bit-lit.simplecast.com/episodes/ira-assaf-kafantaris-and-jennifer-higginbotham-on-royalty-race-and-gender-AWQhY5W2</link>
			<acast:episodeId>6269894b03aa7300124d22b6</acast:episodeId>
			<acast:showId>6269894703aa7300124d22a5</acast:showId>
			<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmbKbhgrQiwYShz70Q9/ffXZ/Ynvgc/bVSlxbfa1LTdZ/NS0G6+1uBWmuf3KXrHlJ0izxnDClosxN1ZvN1RuhNrlNxSMkAxgWqz5j8lkuNVlCKBoQ1JMqr5SDfpxRq6QDFAQl9ZZsx56xNsh2WgLR26UOzcZePvHAlSz6SA0/ti+W]]></acast:settings>
			<itunes:subtitle>Mira Assaf Kafantaris and Jennifer Higginbotham on royalty, race and gender</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:episode>46</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6269894703aa7300124d22a5/show-cover.jpg"/>
			<description><![CDATA[Mira Assaf Kafantaris (Butler University) talks to her mentor, friend, and collaborator Jennifer Higginbotham (The Ohio State University) about the politics of racialization and the embodied threat of foreign ruling women in the early modern period. They discuss how early moderns grappled with the racialized presence of foreign queens and how they became loci of competing ideologies. Finally, Assaf Kafantaris and Higginbotham reflect on the conversation surrounding Meghan Markle’s marriage into the British royal family, which sparked transatlantic, even global, conversations about race, nation, belonging, and reproduction. For more details on our films and further resources, go to our website at https://abitlit.co<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[Mira Assaf Kafantaris (Butler University) talks to her mentor, friend, and collaborator Jennifer Higginbotham (The Ohio State University) about the politics of racialization and the embodied threat of foreign ruling women in the early modern period. They discuss how early moderns grappled with the racialized presence of foreign queens and how they became loci of competing ideologies. Finally, Assaf Kafantaris and Higginbotham reflect on the conversation surrounding Meghan Markle’s marriage into the British royal family, which sparked transatlantic, even global, conversations about race, nation, belonging, and reproduction. For more details on our films and further resources, go to our website at https://abitlit.co<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title><![CDATA[Luke Kennard's new book, Notes on the Sonnets]]></title>
			<itunes:title><![CDATA[Luke Kennard's new book, Notes on the Sonnets]]></itunes:title>
			<pubDate>Sat, 18 Sep 2021 13:26:01 GMT</pubDate>
			<itunes:duration>32:29</itunes:duration>
			<enclosure url="https://sphinx.acast.com/p/open/s/6269894703aa7300124d22a5/e/bc23db51-9968-4f10-8de1-612f4101a34c/media.mp3" length="31194995" type="audio/mpeg"/>
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			<itunes:explicit>true</itunes:explicit>
			<link>https://a-bit-lit.simplecast.com/episodes/luke-kennards-new-book-notes-on-the-sonnets-owIgU8s8</link>
			<acast:episodeId>6269894b03aa7300124d22b7</acast:episodeId>
			<acast:showId>6269894703aa7300124d22a5</acast:showId>
			<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmbKbhgrQiwYShz70Q9/ffXZ/Ynvgc/bVSlxbfa1LTdZ/NS0G6+1uBWmuf3KXrHlJ0izxnDClosxN1ZvN1RuhNrlNxSMkAxgWqz5j8lkuNVlCKBoQ1JMqr5SDfpxRq6QDFAQl9ZZsx56xNsh2WgLR26Vk3Lg3sPFzA2o4EJ4S4vwr]]></acast:settings>
			<itunes:subtitle><![CDATA[In this film Luke Kennard tells us about his new collection of prose poems, Notes on the Sonnets, which responds to Shakespeare's sonnets from the point of view of someone at a really bad party.]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:episode>49</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6269894703aa7300124d22a5/show-cover.jpg"/>
			<description><![CDATA[In this film Luke Kennard tells us about his new collection of prose poems, Notes on the Sonnets, which responds to Shakespeare's sonnets from the point of view of someone at a really bad party. We at A Bit Lit love a really bad party, so we were excited from this discussion! Luke tells us that Shakespeare's poetry is obsessed with avoiding wrinkles, as though written by the 'military-industrial beauty complex', and he wants his poems to be somewhere between insolent and impudent in their relation to Shakespeare's work. For more details on our films and further resources, go to our website at https://abitlit.co<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[In this film Luke Kennard tells us about his new collection of prose poems, Notes on the Sonnets, which responds to Shakespeare's sonnets from the point of view of someone at a really bad party. We at A Bit Lit love a really bad party, so we were excited from this discussion! Luke tells us that Shakespeare's poetry is obsessed with avoiding wrinkles, as though written by the 'military-industrial beauty complex', and he wants his poems to be somewhere between insolent and impudent in their relation to Shakespeare's work. For more details on our films and further resources, go to our website at https://abitlit.co<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Trevor, Carla, Shakespeare and Latinidad</title>
			<itunes:title>Trevor, Carla, Shakespeare and Latinidad</itunes:title>
			<pubDate>Sat, 18 Sep 2021 13:24:16 GMT</pubDate>
			<itunes:duration>37:47</itunes:duration>
			<enclosure url="https://sphinx.acast.com/p/open/s/6269894703aa7300124d22a5/e/0ccc481b-65b2-44f5-aa6b-73a11998f10c/media.mp3" length="36287000" type="audio/mpeg"/>
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			<itunes:explicit>true</itunes:explicit>
			<link>https://a-bit-lit.simplecast.com/episodes/trevor-carla-shakespeare-and-latinidad-f3nbE_2J</link>
			<acast:episodeId>6269894b03aa7300124d22b8</acast:episodeId>
			<acast:showId>6269894703aa7300124d22a5</acast:showId>
			<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmbKbhgrQiwYShz70Q9/ffXZ/Ynvgc/bVSlxbfa1LTdZ/NS0G6+1uBWmuf3KXrHlJ0izxnDClosxN1ZvN1RuhNrlNxSMkAxgWqz5j8lkuNVlCKBoQ1JMqr5SDfpxRq6QDFAQl9ZZsx56xNsh2WgLR26XdlyeA5qRLXjwuGs2rw63p]]></acast:settings>
			<itunes:subtitle><![CDATA[In this film Trevor Boffone and Carla Della Gatta tell us about their new book, Shakespeare and Latinidad, which they hope will be 'of value to anyone wanting to make culturally-relevant Shakespeare' productions.]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:episode>45</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6269894703aa7300124d22a5/show-cover.jpg"/>
			<description><![CDATA[In this film Trevor Boffone and Carla Della Gatta tell us about their new book, Shakespeare and Latinidad, which they hope will be 'of value to anyone wanting to make culturally-relevant Shakespeare' productions. The book contains 25 essays by both theatre scholars and practitioners and celebrates the more than 130 Latinx productions of Shakespeare taking place since 1969. Trevor and Carla emphasise the importance of co-creation between art and knowledge, practitioners and scholars, and exploring new ways for theatres to create self-documentation and archiving practices. Both literature and theatre are made by 'living and breathing real people', they tell us, and they stress the need to ground ourselves in the orality, sound, noise and silences of creative work. For more details on our films and further resources, go to our website at https://abitlit.co<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[In this film Trevor Boffone and Carla Della Gatta tell us about their new book, Shakespeare and Latinidad, which they hope will be 'of value to anyone wanting to make culturally-relevant Shakespeare' productions. The book contains 25 essays by both theatre scholars and practitioners and celebrates the more than 130 Latinx productions of Shakespeare taking place since 1969. Trevor and Carla emphasise the importance of co-creation between art and knowledge, practitioners and scholars, and exploring new ways for theatres to create self-documentation and archiving practices. Both literature and theatre are made by 'living and breathing real people', they tell us, and they stress the need to ground ourselves in the orality, sound, noise and silences of creative work. For more details on our films and further resources, go to our website at https://abitlit.co<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Richard Katz on the joys of being a clown</title>
			<itunes:title>Richard Katz on the joys of being a clown</itunes:title>
			<pubDate>Fri, 03 Sep 2021 11:00:00 GMT</pubDate>
			<itunes:duration>41:22</itunes:duration>
			<enclosure url="https://sphinx.acast.com/p/open/s/6269894703aa7300124d22a5/e/0b997e9e-ffd8-4490-ac3e-98c6e01367c3/media.mp3" length="39721801" type="audio/mpeg"/>
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			<itunes:explicit>true</itunes:explicit>
			<link>https://a-bit-lit.simplecast.com/episodes/richard-katz-on-the-joys-of-being-a-clown-N_N8eAaE</link>
			<acast:episodeId>6269894b03aa7300124d22b9</acast:episodeId>
			<acast:showId>6269894703aa7300124d22a5</acast:showId>
			<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmbKbhgrQiwYShz70Q9/ffXZ/Ynvgc/bVSlxbfa1LTdZ/NS0G6+1uBWmuf3KXrHlJ0izxnDClosxN1ZvN1RuhNrlNxSMkAxgWqz5j8lkuNVlCKBoQ1JMqr5SDfpxRq6QDFAQl9ZZsx56xNsh2WgLR26Xu7acNE17E2JfGvg/vPiUE]]></acast:settings>
			<itunes:subtitle>The actor and writer Richard Katz tells us about devising work, the creative space between play and playtext and the joys of being a clown.</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:episode>41</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6269894703aa7300124d22a5/show-cover.jpg"/>
			<description><![CDATA[<p>The actor and writer Richard Katz tells us about devising work, the creative space between play and playtext and the joys of being a clown. In devised work, Richard tells us, everyone directs, and there is no power structure in which the director is in charge of a group of actors. Clowning involves being in the moment, escaping the Freudian need to ask why a character does something. This film is a fascinating insight on theatre from a performer who has worked across The Royal Shakespeare Company, Shakespeare's Globe, Complicité, Told By an Idiot and Improbable.</p><p>For more details on our films and further resources, go to our website at https://abitlit.co</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>The actor and writer Richard Katz tells us about devising work, the creative space between play and playtext and the joys of being a clown. In devised work, Richard tells us, everyone directs, and there is no power structure in which the director is in charge of a group of actors. Clowning involves being in the moment, escaping the Freudian need to ask why a character does something. This film is a fascinating insight on theatre from a performer who has worked across The Royal Shakespeare Company, Shakespeare's Globe, Complicité, Told By an Idiot and Improbable.</p><p>For more details on our films and further resources, go to our website at https://abitlit.co</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Edwards Boys The Fawn 2 The Company</title>
			<itunes:title>Edwards Boys The Fawn 2 The Company</itunes:title>
			<pubDate>Wed, 01 Sep 2021 11:48:09 GMT</pubDate>
			<itunes:duration>40:25</itunes:duration>
			<enclosure url="https://sphinx.acast.com/p/open/s/6269894703aa7300124d22a5/e/6f271a70-5bff-4b06-853a-e0ce69a04d82/media.mp3" length="38803950" type="audio/mpeg"/>
			<guid isPermaLink="false">6f271a70-5bff-4b06-853a-e0ce69a04d82</guid>
			<itunes:explicit>true</itunes:explicit>
			<link>https://a-bit-lit.simplecast.com/episodes/edwards-boys-the-fawn-2-the-company-RQYTsFki</link>
			<acast:episodeId>6269894b03aa7300124d22ba</acast:episodeId>
			<acast:showId>6269894703aa7300124d22a5</acast:showId>
			<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmbKbhgrQiwYShz70Q9/ffXZ/Ynvgc/bVSlxbfa1LTdZ/NS0G6+1uBWmuf3KXrHlJ0izxnDClosxN1ZvN1RuhNrlNxSMkAxgWqz5j8lkuNVlCKBoQ1JMqr5SDfpxRq6QDFAQl9ZZsx56xNsh2WgLR26Vhqk3jYMWzF/t2AldqfD0c]]></acast:settings>
			<itunes:subtitle>Members of the company talk about working on the production of The Fawn</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:episode>44</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6269894703aa7300124d22a5/show-cover.jpg"/>
			<description><![CDATA[In this film we hear from Felix, Jamie, Johan, Ewan and Will about performing in Edwards' Boys' forthcoming production of John Marston's The Fawn. The boys tell us about the play and their experience of working in this boys company, based at King Edward VI School, Stratford-upon-Avon.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[In this film we hear from Felix, Jamie, Johan, Ewan and Will about performing in Edwards' Boys' forthcoming production of John Marston's The Fawn. The boys tell us about the play and their experience of working in this boys company, based at King Edward VI School, Stratford-upon-Avon.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Edwards Boys The Fawn 1 Perry</title>
			<itunes:title>Edwards Boys The Fawn 1 Perry</itunes:title>
			<pubDate>Wed, 01 Sep 2021 11:47:54 GMT</pubDate>
			<itunes:duration>32:18</itunes:duration>
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			<link>https://a-bit-lit.simplecast.com/episodes/edwards-boys-the-fawn-1-perry-qXuMptVM</link>
			<acast:episodeId>6269894b03aa7300124d22bb</acast:episodeId>
			<acast:showId>6269894703aa7300124d22a5</acast:showId>
			<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmbKbhgrQiwYShz70Q9/ffXZ/Ynvgc/bVSlxbfa1LTdZ/NS0G6+1uBWmuf3KXrHlJ0izxnDClosxN1ZvN1RuhNrlNxSMkAxgWqz5j8lkuNVlCKBoQ1JMqr5SDfpxRq6QDFAQl9ZZsx56xNsh2WgLR26VGQQDDHYByzzyzVm9ykRGL]]></acast:settings>
			<itunes:subtitle>Director Perry Mills talks about the production</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:episode>43</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6269894703aa7300124d22a5/show-cover.jpg"/>
			<description><![CDATA[Perry Mills tells us about his forthcoming production of John Marston's The Fawn, on sale now and onstage in early October. See http://edwardsboys.org for more.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[Perry Mills tells us about his forthcoming production of John Marston's The Fawn, on sale now and onstage in early October. See http://edwardsboys.org for more.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>The devil on holiday in eighteenth-century England</title>
			<itunes:title>The devil on holiday in eighteenth-century England</itunes:title>
			<pubDate>Fri, 06 Aug 2021 11:00:00 GMT</pubDate>
			<itunes:duration>32:47</itunes:duration>
			<enclosure url="https://sphinx.acast.com/p/open/s/6269894703aa7300124d22a5/e/d28736fa-bc64-47f1-8bca-c03c7104f6f3/media.mp3" length="31473348" type="audio/mpeg"/>
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			<link>https://a-bit-lit.simplecast.com/episodes/abl-the-devil-on-holiday-in-eighteenth-century-england-RqYytbr8</link>
			<acast:episodeId>6269894b03aa7300124d22be</acast:episodeId>
			<acast:showId>6269894703aa7300124d22a5</acast:showId>
			<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmbKbhgrQiwYShz70Q9/ffXZ/Ynvgc/bVSlxbfa1LTdZ/NS0G6+1uBWmuf3KXrHlJ0izxnDClosxN1ZvN1RuhNrlNxSMkAxgWqz5j8lkuNVlCKBoQ1JMqr5SDfpxRq6QDFAQl9ZZsx56xNsh2WgLR26UJFu1VLDS6ZdQtks7WHfni]]></acast:settings>
			<itunes:subtitle>Daniel Froid tells us about the place of the devil in eighteenth-century English literature, describing the devil in this age of secularisation as a mode of inquiry, a provocation to thinking and a way to investigate knowledge.</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:episode>40</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6269894703aa7300124d22a5/show-cover.jpg"/>
			<description><![CDATA[<p>He talks us through The Devil upon Two Sticks, which sees the devil looking into people's houses, which feels both spooky and also like an early version of reality TV. John Milton's Paradise Lost, Daniel Defoe's A Political History of the Devil and Eliza Heywood's A Spy upon the Conjuror all also feature, as does the anonymous The Adventures of Lucifer in London, in which the devil is a kind of human connoisseur and body-hops his way around England's capital city.</p><p>For more details on our films and further resources, go to our website at https://abitlit.co</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>He talks us through The Devil upon Two Sticks, which sees the devil looking into people's houses, which feels both spooky and also like an early version of reality TV. John Milton's Paradise Lost, Daniel Defoe's A Political History of the Devil and Eliza Heywood's A Spy upon the Conjuror all also feature, as does the anonymous The Adventures of Lucifer in London, in which the devil is a kind of human connoisseur and body-hops his way around England's capital city.</p><p>For more details on our films and further resources, go to our website at https://abitlit.co</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Studying English and Creative Writing</title>
			<itunes:title>Studying English and Creative Writing</itunes:title>
			<pubDate>Fri, 06 Aug 2021 11:00:00 GMT</pubDate>
			<itunes:duration>32:18</itunes:duration>
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			<link>https://a-bit-lit.simplecast.com/episodes/abl-studying-english-and-creative-writing-LhirB1j7</link>
			<acast:episodeId>6269894b03aa7300124d22bc</acast:episodeId>
			<acast:showId>6269894703aa7300124d22a5</acast:showId>
			<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmbKbhgrQiwYShz70Q9/ffXZ/Ynvgc/bVSlxbfa1LTdZ/NS0G6+1uBWmuf3KXrHlJ0izxnDClosxN1ZvN1RuhNrlNxSMkAxgWqz5j8lkuNVlCKBoQ1JMqr5SDfpxRq6QDFAQl9ZZsx56xNsh2WgLR26VdKxcBa0LafWgK7RI88xY2]]></acast:settings>
			<itunes:subtitle>In this film Oli Simmonds and Lauren Sharp tell us about their experiences studying for English Literature and Creative Writing degrees at Roehampton.</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:episode>39</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6269894703aa7300124d22a5/show-cover.jpg"/>
			<description><![CDATA[<p>We hear about moving from short stories to the novel as a creative writer, and the balance between historical and contemporary issues in the study of literature. We also hear what it has been like to study at a time of Covid, both the good and the bad sides of lockdown learning.</p><p>Oli and Lauren also tell us about Fincham Press, Roehampton's own publishing house, which nurtures new writing from students and staff. We hear about student trips to Paris and across the streets of London, bringing literature back into the real world that produced it and where it is set. They both speak powerfully about love, literature and stories, and working as a student community to take each other seriously and help one another to develop. Literature, they tell us, is something that records who we are and who we might be, and documents our lives even as it changes them.</p><p>For more details on our films and further resources, go to our website at https://abitlit.co</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>We hear about moving from short stories to the novel as a creative writer, and the balance between historical and contemporary issues in the study of literature. We also hear what it has been like to study at a time of Covid, both the good and the bad sides of lockdown learning.</p><p>Oli and Lauren also tell us about Fincham Press, Roehampton's own publishing house, which nurtures new writing from students and staff. We hear about student trips to Paris and across the streets of London, bringing literature back into the real world that produced it and where it is set. They both speak powerfully about love, literature and stories, and working as a student community to take each other seriously and help one another to develop. Literature, they tell us, is something that records who we are and who we might be, and documents our lives even as it changes them.</p><p>For more details on our films and further resources, go to our website at https://abitlit.co</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Theatre of Wrestling: Unruly Music Hall Sport Interview</title>
			<itunes:title>Theatre of Wrestling: Unruly Music Hall Sport Interview</itunes:title>
			<pubDate>Fri, 06 Aug 2021 11:00:00 GMT</pubDate>
			<itunes:duration>30:21</itunes:duration>
			<enclosure url="https://sphinx.acast.com/p/open/s/6269894703aa7300124d22a5/e/8fb09e3a-3799-4b8a-ab02-94bcb49dea34/media.mp3" length="29141138" type="audio/mpeg"/>
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			<itunes:explicit>true</itunes:explicit>
			<link>https://a-bit-lit.simplecast.com/episodes/new-wrestling-mKK_FQ0A</link>
			<acast:episodeId>6269894b03aa7300124d22bd</acast:episodeId>
			<acast:showId>6269894703aa7300124d22a5</acast:showId>
			<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmbKbhgrQiwYShz70Q9/ffXZ/Ynvgc/bVSlxbfa1LTdZ/NS0G6+1uBWmuf3KXrHlJ0izxnDClosxN1ZvN1RuhNrlNxSMkAxgWqz5j8lkuNVlCKBoQ1JMqr5SDfpxRq6QDFAQl9ZZsx56xNsh2WgLR26XYfHZI0qh9Dfawi0hEQ5Qg]]></acast:settings>
			<itunes:subtitle>‘Theatre of Wrestling’ is a new series of short films from Wrestling Resurgence in which innovative combat-artists explore and challenge notions of showmanship, stage fighting and theatrical violence.</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:episode>38</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6269894703aa7300124d22a5/show-cover.jpg"/>
			<description><![CDATA[<p>The project draws on the transgressive histories of British popular theatre, including the Victorian music hall, variety theatre, the Shakespearean stage, and fairgrounds and circuses. In a far cry from the polite theatre that dominates today, Music Halls were bold and scandalous spaces where feats of strength and exhibitions of wrestling were interwoven with comedy, popular songs, and other variety acts such as human statuary and animal performances. In this interview, Richard Summers-Calvert and Sam West tell us about making these films, celebrating a time 'before wrestling was pinned down' and fixed, and instead mingled with other art and festival forms in what Claire Warden has called a 'queer music hall sport'. This work allows us to 'see wrestling differently', and connect wrestlers to the long history of their craft. Richard and Sam tell us about recreating and reimagining rare archival footage, and creating an 'experimental learning space' as a 'structure in which only wrestlers could thrive' - celebrating the unique skillset of a wrestler. The film also celebrates the importance of failure in any form of performance experiment, which is music to Andy Kesson's ears! You can see the documentary itself in our previous film, and be sure to check out our other wrestling films with Claire Warden and Sam West at Wrestling Resurgence, and the wrestlers Nick Radford, Chuck Mambo, RJ City, The OJMO and Josef Kafka. </p><p>For more details on our films and further resources, go to our website at https://abitlit.co</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>The project draws on the transgressive histories of British popular theatre, including the Victorian music hall, variety theatre, the Shakespearean stage, and fairgrounds and circuses. In a far cry from the polite theatre that dominates today, Music Halls were bold and scandalous spaces where feats of strength and exhibitions of wrestling were interwoven with comedy, popular songs, and other variety acts such as human statuary and animal performances. In this interview, Richard Summers-Calvert and Sam West tell us about making these films, celebrating a time 'before wrestling was pinned down' and fixed, and instead mingled with other art and festival forms in what Claire Warden has called a 'queer music hall sport'. This work allows us to 'see wrestling differently', and connect wrestlers to the long history of their craft. Richard and Sam tell us about recreating and reimagining rare archival footage, and creating an 'experimental learning space' as a 'structure in which only wrestlers could thrive' - celebrating the unique skillset of a wrestler. The film also celebrates the importance of failure in any form of performance experiment, which is music to Andy Kesson's ears! You can see the documentary itself in our previous film, and be sure to check out our other wrestling films with Claire Warden and Sam West at Wrestling Resurgence, and the wrestlers Nick Radford, Chuck Mambo, RJ City, The OJMO and Josef Kafka. </p><p>For more details on our films and further resources, go to our website at https://abitlit.co</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>A celebration of Eleanor Janega and Neil Max Emmanuel’s The Middle Ages: A Graphic History</title>
			<itunes:title>A celebration of Eleanor Janega and Neil Max Emmanuel’s The Middle Ages: A Graphic History</itunes:title>
			<pubDate>Sun, 11 Jul 2021 17:40:00 GMT</pubDate>
			<itunes:duration>33:33</itunes:duration>
			<enclosure url="https://sphinx.acast.com/p/open/s/6269894703aa7300124d22a5/e/edc08662-d318-4211-a626-b84b6ae55c93/media.mp3" length="32215234" type="audio/mpeg"/>
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			<link>https://a-bit-lit.simplecast.com/episodes/a-celebration-of-eleanor-janega-and-neil-max-emmanuels-the-middle-ages-a-graphic-history-THnrTdDy</link>
			<acast:episodeId>6269894b03aa7300124d22bf</acast:episodeId>
			<acast:showId>6269894703aa7300124d22a5</acast:showId>
			<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmbKbhgrQiwYShz70Q9/ffXZ/Ynvgc/bVSlxbfa1LTdZ/NS0G6+1uBWmuf3KXrHlJ0izxnDClosxN1ZvN1RuhNrlNxSMkAxgWqz5j8lkuNVlCKBoQ1JMqr5SDfpxRq6QDFAQl9ZZsx56xNsh2WgLR26VX5M6lE+ZBOErQvVl05Sen]]></acast:settings>
			<itunes:subtitle>Eleanor Janega tells us about her new book, ‘The Middle Ages: A Graphic History’, illustrated by Neil Max Emmanuel. She tells us about the Eurocentric and Italian ways that history has been told, seeing the very concept of time periods as an Italian, impe</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:episode>37</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6269894703aa7300124d22a5/show-cover.jpg"/>
			<description><![CDATA[Eleanor Janega tells us about her new book, ‘The Middle Ages: A Graphic History’, illustrated by Neil Max Emmanuel. She tells us about the Eurocentric and Italian ways that history has been told, seeing the very concept of time periods as an Italian, impe<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[Eleanor Janega tells us about her new book, ‘The Middle Ages: A Graphic History’, illustrated by Neil Max Emmanuel. She tells us about the Eurocentric and Italian ways that history has been told, seeing the very concept of time periods as an Italian, impe<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title><![CDATA[Muriel Spark, the impossible experimenter: a celebration of James Bailey's new book]]></title>
			<itunes:title><![CDATA[Muriel Spark, the impossible experimenter: a celebration of James Bailey's new book]]></itunes:title>
			<pubDate>Fri, 25 Jun 2021 12:00:00 GMT</pubDate>
			<itunes:duration>50:23</itunes:duration>
			<enclosure url="https://sphinx.acast.com/p/open/s/6269894703aa7300124d22a5/e/40fceaff-1e24-4312-9061-67faba0372fc/media.mp3" length="48384821" type="audio/mpeg"/>
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			<link>https://a-bit-lit.simplecast.com/episodes/muriel-spark-the-impossible-experimenter-a-celebration-of-james-baileys-new-book-uiJ8Di1j</link>
			<acast:episodeId>6269894b03aa7300124d22c4</acast:episodeId>
			<acast:showId>6269894703aa7300124d22a5</acast:showId>
			<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmbKbhgrQiwYShz70Q9/ffXZ/Ynvgc/bVSlxbfa1LTdZ/NS0G6+1uBWmuf3KXrHlJ0izxnDClosxN1ZvN1RuhNrlNxSMkAxgWqz5j8lkuNVlCKBoQ1JMqr5SDfpxRq6QDFAQl9ZZsx56xNsh2WgLR26VCHQXAbfa0XX3uYP2wZ+Rz]]></acast:settings>
			<itunes:subtitle><![CDATA[In this film, Noreen Masud talks to James Bailey about his new book, Muriel Spark's Early Fiction: Literary Subversion and Experiments with Form. They discuss Spark's brevity, polish and precision, 'the impossibility of her novels', the way Spark was able]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:episode>32</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6269894703aa7300124d22a5/show-cover.jpg"/>
			<description><![CDATA[In this film, Noreen Masud talks to James Bailey about his new book, Muriel Spark's Early Fiction: Literary Subversion and Experiments with Form. They discuss Spark's brevity, polish and precision, 'the impossibility of her novels', the way Spark was able<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[In this film, Noreen Masud talks to James Bailey about his new book, Muriel Spark's Early Fiction: Literary Subversion and Experiments with Form. They discuss Spark's brevity, polish and precision, 'the impossibility of her novels', the way Spark was able<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Nedda Mehdizadeh on early modern Persian and English connections</title>
			<itunes:title>Nedda Mehdizadeh on early modern Persian and English connections</itunes:title>
			<pubDate>Fri, 25 Jun 2021 12:00:00 GMT</pubDate>
			<itunes:duration>39:16</itunes:duration>
			<enclosure url="https://sphinx.acast.com/p/open/s/6269894703aa7300124d22a5/e/07ac11f0-12c9-488f-b895-44d8b5928ede/media.mp3" length="37710143" type="audio/mpeg"/>
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			<link>https://a-bit-lit.simplecast.com/episodes/nedda-mehdizadeh-on-early-modern-persian-and-english-connections-Q6U5mtWC</link>
			<acast:episodeId>6269894b03aa7300124d22c3</acast:episodeId>
			<acast:showId>6269894703aa7300124d22a5</acast:showId>
			<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmbKbhgrQiwYShz70Q9/ffXZ/Ynvgc/bVSlxbfa1LTdZ/NS0G6+1uBWmuf3KXrHlJ0izxnDClosxN1ZvN1RuhNrlNxSMkAxgWqz5j8lkuNVlCKBoQ1JMqr5SDfpxRq6QDFAQl9ZZsx56xNsh2WgLR26XGFBRGTJB5J4RLVgm8XCPQ]]></acast:settings>
			<itunes:subtitle>Nedda Mehdizadeh tells us about the networks existing between Safavid Persia and Tudor and Stuart England, and how English fantasies of ancient Persia as a fallen Empire affected their ability to interact with the contemporary country they actually encoun</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:episode>33</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6269894703aa7300124d22a5/show-cover.jpg"/>
			<description><![CDATA[Nedda Mehdizadeh tells us about the networks existing between Safavid Persia and Tudor and Stuart England, and how English fantasies of ancient Persia as a fallen Empire affected their ability to interact with the contemporary country they actually encoun<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[Nedda Mehdizadeh tells us about the networks existing between Safavid Persia and Tudor and Stuart England, and how English fantasies of ancient Persia as a fallen Empire affected their ability to interact with the contemporary country they actually encoun<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Erik Wade on the global origins of sex and race in English literature</title>
			<itunes:title>Erik Wade on the global origins of sex and race in English literature</itunes:title>
			<pubDate>Fri, 25 Jun 2021 12:00:00 GMT</pubDate>
			<itunes:duration>33:18</itunes:duration>
			<enclosure url="https://sphinx.acast.com/p/open/s/6269894703aa7300124d22a5/e/9ca651a8-0df0-41ee-87cf-e2dd0face5c7/media.mp3" length="31974057" type="audio/mpeg"/>
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			<link>https://a-bit-lit.simplecast.com/episodes/erik-wade-on-the-global-origins-of-sex-and-race-in-english-literature-UWjJL8R1</link>
			<acast:episodeId>6269894b03aa7300124d22c1</acast:episodeId>
			<acast:showId>6269894703aa7300124d22a5</acast:showId>
			<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmbKbhgrQiwYShz70Q9/ffXZ/Ynvgc/bVSlxbfa1LTdZ/NS0G6+1uBWmuf3KXrHlJ0izxnDClosxN1ZvN1RuhNrlNxSMkAxgWqz5j8lkuNVlCKBoQ1JMqr5SDfpxRq6QDFAQl9ZZsx56xNsh2WgLR26Xa1wzwFnF5CQRyEu+Ge1J3]]></acast:settings>
			<itunes:subtitle><![CDATA[Erik Wade tells us about the global origins of the ideas of sex and race in early English literature and language. We hear about Alfred the Great and his search for 'books most needful to know', and the need to work across text and images to understand th]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:episode>35</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6269894703aa7300124d22a5/show-cover.jpg"/>
			<description><![CDATA[Erik Wade tells us about the global origins of the ideas of sex and race in early English literature and language. We hear about Alfred the Great and his search for 'books most needful to know', and the need to work across text and images to understand th<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[Erik Wade tells us about the global origins of the ideas of sex and race in early English literature and language. We hear about Alfred the Great and his search for 'books most needful to know', and the need to work across text and images to understand th<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title><![CDATA[Posthumanism and Ethics: Kazuo Ishiguro's new novel Klara and the Sun]]></title>
			<itunes:title><![CDATA[Posthumanism and Ethics: Kazuo Ishiguro's new novel Klara and the Sun]]></itunes:title>
			<pubDate>Fri, 25 Jun 2021 12:00:00 GMT</pubDate>
			<itunes:duration>1:07:42</itunes:duration>
			<enclosure url="https://sphinx.acast.com/p/open/s/6269894703aa7300124d22a5/e/9fe11703-ac20-4865-a872-10c7a7ec867a/media.mp3" length="65004124" type="audio/mpeg"/>
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			<link>https://a-bit-lit.simplecast.com/episodes/posthumanism-and-ethics-kazuo-ishiguros-new-novel-klara-and-the-sun-CLHRr2Dh</link>
			<acast:episodeId>6269894b03aa7300124d22c2</acast:episodeId>
			<acast:showId>6269894703aa7300124d22a5</acast:showId>
			<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmbKbhgrQiwYShz70Q9/ffXZ/Ynvgc/bVSlxbfa1LTdZ/NS0G6+1uBWmuf3KXrHlJ0izxnDClosxN1ZvN1RuhNrlNxSMkAxgWqz5j8lkuNVlCKBoQ1JMqr5SDfpxRq6QDFAQl9ZZsx56xNsh2WgLR26UnIgHfVv2uc9XCZhzqibzf]]></acast:settings>
			<itunes:subtitle>Klara and the Sun, the eighth novel by Nobel Prize winner Kazuo Ishiguro, was published in March 2021.  Ishiguro is well-known for the combination of a subtle, understated style of narration, often delivered by unreliable and compromised narrators, with d</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:episode>34</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6269894703aa7300124d22a5/show-cover.jpg"/>
			<description><![CDATA[Klara and the Sun, the eighth novel by Nobel Prize winner Kazuo Ishiguro, was published in March 2021.  Ishiguro is well-known for the combination of a subtle, understated style of narration, often delivered by unreliable and compromised narrators, with d<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[Klara and the Sun, the eighth novel by Nobel Prize winner Kazuo Ishiguro, was published in March 2021.  Ishiguro is well-known for the combination of a subtle, understated style of narration, often delivered by unreliable and compromised narrators, with d<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Catherine Fletcher on public engagement, academic labour and her book on the Renaissance</title>
			<itunes:title>Catherine Fletcher on public engagement, academic labour and her book on the Renaissance</itunes:title>
			<pubDate>Fri, 21 May 2021 11:00:00 GMT</pubDate>
			<itunes:duration>1:00:45</itunes:duration>
			<enclosure url="https://sphinx.acast.com/p/open/s/6269894703aa7300124d22a5/e/e7bd5d15-b550-49a5-9f61-19425c6660dc/media.mp3" length="58322630" type="audio/mpeg"/>
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			<link>https://a-bit-lit.simplecast.com/episodes/catherine-fletcher-on-public-engagement-academic-labour-and-her-book-on-the-renaissance-rgRDQtZa</link>
			<acast:episodeId>6269894b03aa7300124d22c5</acast:episodeId>
			<acast:showId>6269894703aa7300124d22a5</acast:showId>
			<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmbKbhgrQiwYShz70Q9/ffXZ/Ynvgc/bVSlxbfa1LTdZ/NS0G6+1uBWmuf3KXrHlJ0izxnDClosxN1ZvN1RuhNrlNxSMkAxgWqz5j8lkuNVlCKBoQ1JMqr5SDfpxRq6QDFAQl9ZZsx56xNsh2WgLR26X56s0yqZk7Rlm6h7RVHVT2]]></acast:settings>
			<itunes:subtitle><![CDATA[In this film we celebrate Catherine Fletcher's new book, The Beauty and the Terror: An Alternative History of the Italian Renaissance. Catherine also talks to us about the opportunities and challenges of writing for the public as an academic, and we discu]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:episode>31</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6269894703aa7300124d22a5/show-cover.jpg"/>
			<description><![CDATA[In this film we celebrate Catherine Fletcher's new book, The Beauty and the Terror: An Alternative History of the Italian Renaissance. Catherine also talks to us about the opportunities and challenges of writing for the public as an academic, and we discu<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[In this film we celebrate Catherine Fletcher's new book, The Beauty and the Terror: An Alternative History of the Italian Renaissance. Catherine also talks to us about the opportunities and challenges of writing for the public as an academic, and we discu<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Before Trans and Before Queer with Rachel Mesch and Dustin Friedman</title>
			<itunes:title>Before Trans and Before Queer with Rachel Mesch and Dustin Friedman</itunes:title>
			<pubDate>Fri, 07 May 2021 11:00:00 GMT</pubDate>
			<itunes:duration>57:02</itunes:duration>
			<enclosure url="https://sphinx.acast.com/p/open/s/6269894703aa7300124d22a5/e/f2323371-cc2a-4901-98fa-884e68175877/media.mp3" length="54762460" type="audio/mpeg"/>
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			<link>https://a-bit-lit.simplecast.com/episodes/before-trans-and-before-queer-with-rachel-mesch-and-dustin-friedman-ona0WiYV</link>
			<acast:episodeId>6269894b03aa7300124d22c6</acast:episodeId>
			<acast:showId>6269894703aa7300124d22a5</acast:showId>
			<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmbKbhgrQiwYShz70Q9/ffXZ/Ynvgc/bVSlxbfa1LTdZ/NS0G6+1uBWmuf3KXrHlJ0izxnDClosxN1ZvN1RuhNrlNxSMkAxgWqz5j8lkuNVlCKBoQ1JMqr5SDfpxRq6QDFAQl9ZZsx56xNsh2WgLR26Xe23RUlTp2x6Se0KsjnHjg]]></acast:settings>
			<itunes:subtitle>Rachel Mesch has recently published her new book, Before Trans: Three Gender Stories from Nineteenth-Century France, and Dustin Friedman has recently published Before Queer Theory: Victorian Aestheticism and the Self. In this film, we bring the two of the</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:episode>30</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6269894703aa7300124d22a5/show-cover.jpg"/>
			<description><![CDATA[Rachel Mesch has recently published her new book, Before Trans: Three Gender Stories from Nineteenth-Century France, and Dustin Friedman has recently published Before Queer Theory: Victorian Aestheticism and the Self. In this film, we bring the two of the<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[Rachel Mesch has recently published her new book, Before Trans: Three Gender Stories from Nineteenth-Century France, and Dustin Friedman has recently published Before Queer Theory: Victorian Aestheticism and the Self. In this film, we bring the two of the<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Bodie Ashton on German nationhood, unexpected snails and the Pet Shop Boys</title>
			<itunes:title>Bodie Ashton on German nationhood, unexpected snails and the Pet Shop Boys</itunes:title>
			<pubDate>Fri, 30 Apr 2021 11:00:00 GMT</pubDate>
			<itunes:duration>36:16</itunes:duration>
			<enclosure url="https://sphinx.acast.com/p/open/s/6269894703aa7300124d22a5/e/b666ab77-db9c-43ee-bbd0-62669ee6175a/media.mp3" length="34826217" type="audio/mpeg"/>
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			<link>https://a-bit-lit.simplecast.com/episodes/bodie-ashton-on-snails-deviance-and-the-pet-shop-boys-V9oBjAg3</link>
			<acast:episodeId>6269894b03aa7300124d22c7</acast:episodeId>
			<acast:showId>6269894703aa7300124d22a5</acast:showId>
			<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmbKbhgrQiwYShz70Q9/ffXZ/Ynvgc/bVSlxbfa1LTdZ/NS0G6+1uBWmuf3KXrHlJ0izxnDClosxN1ZvN1RuhNrlNxSMkAxgWqz5j8lkuNVlCKBoQ1JMqr5SDfpxRq6QDFAQl9ZZsx56xNsh2WgLR26VfwDnUFmN9Y4S6M/V4rRVA]]></acast:settings>
			<itunes:subtitle>Bodie Ashton tells us about the nineteenth-century formation of Germany as country and concept, exploring issues such as work, communal ritual, religious belief, language and dialect, and the Brothers Grimm and their role in forming a German brand of folk</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:episode>29</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6269894703aa7300124d22a5/show-cover.jpg"/>
			<description><![CDATA[Bodie Ashton tells us about the nineteenth-century formation of Germany as country and concept, exploring issues such as work, communal ritual, religious belief, language and dialect, and the Brothers Grimm and their role in forming a German brand of folk<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[Bodie Ashton tells us about the nineteenth-century formation of Germany as country and concept, exploring issues such as work, communal ritual, religious belief, language and dialect, and the Brothers Grimm and their role in forming a German brand of folk<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Reading Greek Tragedy Online</title>
			<itunes:title>Reading Greek Tragedy Online</itunes:title>
			<pubDate>Fri, 23 Apr 2021 11:15:00 GMT</pubDate>
			<itunes:duration>46:15</itunes:duration>
			<enclosure url="https://sphinx.acast.com/p/open/s/6269894703aa7300124d22a5/e/4e223593-6819-4e7f-84d8-d697bbabfc42/media.mp3" length="44401252" type="audio/mpeg"/>
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			<link>https://a-bit-lit.simplecast.com/episodes/reading-greek-tragedy-online-1Fz3Xi_y</link>
			<acast:episodeId>6269894b03aa7300124d22c8</acast:episodeId>
			<acast:showId>6269894703aa7300124d22a5</acast:showId>
			<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmbKbhgrQiwYShz70Q9/ffXZ/Ynvgc/bVSlxbfa1LTdZ/NS0G6+1uBWmuf3KXrHlJ0izxnDClosxN1ZvN1RuhNrlNxSMkAxgWqz5j8lkuNVlCKBoQ1JMqr5SDfpxRq6QDFAQl9ZZsx56xNsh2WgLR26XasJYMRYp6mG6KBRRvLE8G]]></acast:settings>
			<itunes:subtitle>Reading Greek Tragedy Online started in response to the UK lockdown and is a long-lost twin of A Bit Lit! In this film, Paul O’Mahony speaks to the actor Evelyn Miller and the classics professor Joel Christensen about bringing actors and academics togethe</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:episode>28</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6269894703aa7300124d22a5/show-cover.jpg"/>
			<description><![CDATA[Reading Greek Tragedy Online started in response to the UK lockdown and is a long-lost twin of A Bit Lit! In this film, Paul O’Mahony speaks to the actor Evelyn Miller and the classics professor Joel Christensen about bringing actors and academics togethe<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[Reading Greek Tragedy Online started in response to the UK lockdown and is a long-lost twin of A Bit Lit! In this film, Paul O’Mahony speaks to the actor Evelyn Miller and the classics professor Joel Christensen about bringing actors and academics togethe<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Andy Kesson on public scholarship, creative practice and collaboration</title>
			<itunes:title>Andy Kesson on public scholarship, creative practice and collaboration</itunes:title>
			<pubDate>Fri, 16 Apr 2021 11:00:00 GMT</pubDate>
			<itunes:duration>35:42</itunes:duration>
			<enclosure url="https://sphinx.acast.com/p/open/s/6269894703aa7300124d22a5/e/97c3a9b0-d9bc-4474-981e-c77e27be84cc/media.mp3" length="34284977" type="audio/mpeg"/>
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			<link>https://a-bit-lit.simplecast.com/episodes/andy-kesson-on-public-scholarship-creative-practice-and-collaboration-AgDh2Fuh</link>
			<acast:episodeId>6269894b03aa7300124d22cc</acast:episodeId>
			<acast:showId>6269894703aa7300124d22a5</acast:showId>
			<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmbKbhgrQiwYShz70Q9/ffXZ/Ynvgc/bVSlxbfa1LTdZ/NS0G6+1uBWmuf3KXrHlJ0izxnDClosxN1ZvN1RuhNrlNxSMkAxgWqz5j8lkuNVlCKBoQ1JMqr5SDfpxRq6QDFAQl9ZZsx56xNsh2WgLR26Wb5m2AI51FHZjs4RYQjQlJ]]></acast:settings>
			<itunes:subtitle>Jeffrey Wilson gets to turn the tables on Andy Kesson and asks him about his public-facing work, in particular Before Shakespeare and A Bit Lit. Jeff and Andy discuss the art of collaboration, what public audiences and creative practitioners can bring to </itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:episode>26</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6269894703aa7300124d22a5/show-cover.jpg"/>
			<description><![CDATA[Jeffrey Wilson gets to turn the tables on Andy Kesson and asks him about his public-facing work, in particular Before Shakespeare and A Bit Lit. Jeff and Andy discuss the art of collaboration, what public audiences and creative practitioners can bring to <hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[Jeffrey Wilson gets to turn the tables on Andy Kesson and asks him about his public-facing work, in particular Before Shakespeare and A Bit Lit. Jeff and Andy discuss the art of collaboration, what public audiences and creative practitioners can bring to <hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Derek Dunne, Tom Harrison and Paul Salzman discuss Ben Jonson’s The Alchemist</title>
			<itunes:title>Derek Dunne, Tom Harrison and Paul Salzman discuss Ben Jonson’s The Alchemist</itunes:title>
			<pubDate>Fri, 16 Apr 2021 11:00:00 GMT</pubDate>
			<itunes:duration>25:23</itunes:duration>
			<enclosure url="https://sphinx.acast.com/p/open/s/6269894703aa7300124d22a5/e/69f6f0d9-4be4-4823-bb5e-4fbf59e263ce/media.mp3" length="24377665" type="audio/mpeg"/>
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			<itunes:explicit>true</itunes:explicit>
			<link>https://a-bit-lit.simplecast.com/episodes/derek-dunne-tom-harrison-and-paul-salzman-discuss-ben-jonsons-the-alchemist-nt_JmlXT</link>
			<acast:episodeId>6269894b03aa7300124d22ca</acast:episodeId>
			<acast:showId>6269894703aa7300124d22a5</acast:showId>
			<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmbKbhgrQiwYShz70Q9/ffXZ/Ynvgc/bVSlxbfa1LTdZ/NS0G6+1uBWmuf3KXrHlJ0izxnDClosxN1ZvN1RuhNrlNxSMkAxgWqz5j8lkuNVlCKBoQ1JMqr5SDfpxRq6QDFAQl9ZZsx56xNsh2WgLR26X9HQYq/7OOUCo/b/B8YjJB]]></acast:settings>
			<itunes:subtitle>Derek Dunne, Tom Harrison and Paul Salzman discuss Ben Jonson’s The Alchemist.</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:episode>23</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6269894703aa7300124d22a5/show-cover.jpg"/>
			<description><![CDATA[Derek Dunne, Tom Harrison and Paul Salzman discuss Ben Jonson’s The Alchemist.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[Derek Dunne, Tom Harrison and Paul Salzman discuss Ben Jonson’s The Alchemist.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>The writer and historian Mathew Lyons with thoughts on all of us moving indoors</title>
			<itunes:title>The writer and historian Mathew Lyons with thoughts on all of us moving indoors</itunes:title>
			<pubDate>Fri, 16 Apr 2021 11:00:00 GMT</pubDate>
			<itunes:duration>15:31</itunes:duration>
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			<itunes:subtitle>Mathew Lyons puts the current lockdown into historical perspectives, and suggests that ‘though we are separated by space, we aren’t necessarily separated by time’.</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:episode>27</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6269894703aa7300124d22a5/show-cover.jpg"/>
			<description><![CDATA[Mathew Lyons puts the current lockdown into historical perspectives, and suggests that ‘though we are separated by space, we aren’t necessarily separated by time’.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[Mathew Lyons puts the current lockdown into historical perspectives, and suggests that ‘though we are separated by space, we aren’t necessarily separated by time’.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Becky Yearling talks to Tom Harrison about early modern satire</title>
			<itunes:title>Becky Yearling talks to Tom Harrison about early modern satire</itunes:title>
			<pubDate>Fri, 16 Apr 2021 11:00:00 GMT</pubDate>
			<itunes:duration>33:24</itunes:duration>
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			<itunes:subtitle>Becky Yearling and Tom Harrison discuss early modern satire, a popular genre for the stage and page which achieved its greatest notoriety in the 1590s, when the Bishops’ Ban resulted in the censoring and burning of satirical texts. Becky and Tom look in p</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:episode>25</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6269894703aa7300124d22a5/show-cover.jpg"/>
			<description><![CDATA[Becky Yearling and Tom Harrison discuss early modern satire, a popular genre for the stage and page which achieved its greatest notoriety in the 1590s, when the Bishops’ Ban resulted in the censoring and burning of satirical texts. Becky and Tom look in p<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[Becky Yearling and Tom Harrison discuss early modern satire, a popular genre for the stage and page which achieved its greatest notoriety in the 1590s, when the Bishops’ Ban resulted in the censoring and burning of satirical texts. Becky and Tom look in p<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Aphra Behn’s works on stage and page</title>
			<itunes:title>Aphra Behn’s works on stage and page</itunes:title>
			<pubDate>Fri, 16 Apr 2021 11:00:00 GMT</pubDate>
			<itunes:duration>47:56</itunes:duration>
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			<itunes:subtitle>Tom Harrison talks about the works of Aphra Behn with Elaine Hobby and Claire Bowditch, two of the general editors of the new Cambridge Edition of Aphra Behn (published 2021-5). Topics include The Rover, authorial personas, cheeky chimney sweeps, the exci</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:episode>24</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6269894703aa7300124d22a5/show-cover.jpg"/>
			<description><![CDATA[Tom Harrison talks about the works of Aphra Behn with Elaine Hobby and Claire Bowditch, two of the general editors of the new Cambridge Edition of Aphra Behn (published 2021-5). Topics include The Rover, authorial personas, cheeky chimney sweeps, the exci<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[Tom Harrison talks about the works of Aphra Behn with Elaine Hobby and Claire Bowditch, two of the general editors of the new Cambridge Edition of Aphra Behn (published 2021-5). Topics include The Rover, authorial personas, cheeky chimney sweeps, the exci<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Research and creative work: TIDE Project: travel, transculturality and identity in England</title>
			<itunes:title>Research and creative work: TIDE Project: travel, transculturality and identity in England</itunes:title>
			<pubDate>Wed, 14 Apr 2021 11:00:00 GMT</pubDate>
			<itunes:duration>46:00</itunes:duration>
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			<itunes:subtitle>Professor Nandini Das and Preti Taneja introduce us to the TIDE project, which asks how mobility in the great age of travel and discovery shaped English perceptions of human identity based on cultural identification and difference. We hear in particular a</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:episode>22</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6269894703aa7300124d22a5/show-cover.jpg"/>
			<description><![CDATA[Professor Nandini Das and Preti Taneja introduce us to the TIDE project, which asks how mobility in the great age of travel and discovery shaped English perceptions of human identity based on cultural identification and difference. We hear in particular a<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[Professor Nandini Das and Preti Taneja introduce us to the TIDE project, which asks how mobility in the great age of travel and discovery shaped English perceptions of human identity based on cultural identification and difference. We hear in particular a<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Harry McCarthy tells us about boy performance in early modern and contemporary theatre</title>
			<itunes:title>Harry McCarthy tells us about boy performance in early modern and contemporary theatre</itunes:title>
			<pubDate>Fri, 09 Apr 2021 11:00:00 GMT</pubDate>
			<itunes:duration>28:07</itunes:duration>
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			<itunes:subtitle>Harry McCarthy explores the relationship between theatre history and contemporary performance as a way of learning about the past.</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:episode>17</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6269894703aa7300124d22a5/show-cover.jpg"/>
			<description><![CDATA[Harry McCarthy explores the relationship between theatre history and contemporary performance as a way of learning about the past.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[Harry McCarthy explores the relationship between theatre history and contemporary performance as a way of learning about the past.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Why dramaturgy is like cartography Anne G. Morgan on what a dramaturg actually does</title>
			<itunes:title>Why dramaturgy is like cartography Anne G. Morgan on what a dramaturg actually does</itunes:title>
			<pubDate>Fri, 09 Apr 2021 11:00:00 GMT</pubDate>
			<itunes:duration>25:32</itunes:duration>
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			<itunes:subtitle>Anne G. Morgan talks to Emma Whipday about why dramaturgy is like cartography, new writing, how literature connects us, and what a dramaturg actually does</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:episode>21</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6269894703aa7300124d22a5/show-cover.jpg"/>
			<description><![CDATA[Anne G. Morgan talks to Emma Whipday about why dramaturgy is like cartography, new writing, how literature connects us, and what a dramaturg actually does<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[Anne G. Morgan talks to Emma Whipday about why dramaturgy is like cartography, new writing, how literature connects us, and what a dramaturg actually does<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Theatre design: history and practice with Ella Hawkins and E. M. Parry</title>
			<itunes:title>Theatre design: history and practice with Ella Hawkins and E. M. Parry</itunes:title>
			<pubDate>Fri, 09 Apr 2021 11:00:00 GMT</pubDate>
			<itunes:duration>50:14</itunes:duration>
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			<itunes:subtitle><![CDATA[Artist and theatre-maker E. M. Parry and design historian Ella Hawkins tell us about acts of 'worlding', of world-creation, visual dramaturgy and material-making. They shift us away from traditional ways of seeing theatre design as secondary to text, a be]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:episode>18</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6269894703aa7300124d22a5/show-cover.jpg"/>
			<description><![CDATA[Artist and theatre-maker E. M. Parry and design historian Ella Hawkins tell us about acts of 'worlding', of world-creation, visual dramaturgy and material-making. They shift us away from traditional ways of seeing theatre design as secondary to text, a be<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[Artist and theatre-maker E. M. Parry and design historian Ella Hawkins tell us about acts of 'worlding', of world-creation, visual dramaturgy and material-making. They shift us away from traditional ways of seeing theatre design as secondary to text, a be<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>The first English playhouse? Holger Syme on the new archaeological discovery of the Red Lion</title>
			<itunes:title>The first English playhouse? Holger Syme on the new archaeological discovery of the Red Lion</itunes:title>
			<pubDate>Fri, 09 Apr 2021 11:00:00 GMT</pubDate>
			<itunes:duration>1:01:26</itunes:duration>
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			<itunes:subtitle>Last month, archaeologist Stephen White of University College London announced the discovery of the Red Lion site, an often-forgotten Elizabethan playhouse that is the earliest we know of. Theatre historian Holger Syme discusses the implications of this d</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:episode>19</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6269894703aa7300124d22a5/show-cover.jpg"/>
			<description><![CDATA[Last month, archaeologist Stephen White of University College London announced the discovery of the Red Lion site, an often-forgotten Elizabethan playhouse that is the earliest we know of. Theatre historian Holger Syme discusses the implications of this d<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[Last month, archaeologist Stephen White of University College London announced the discovery of the Red Lion site, an often-forgotten Elizabethan playhouse that is the earliest we know of. Theatre historian Holger Syme discusses the implications of this d<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title><![CDATA[Clowns and kings: Sophie Russell on playing Richard III at Shakespeare's Globe]]></title>
			<itunes:title><![CDATA[Clowns and kings: Sophie Russell on playing Richard III at Shakespeare's Globe]]></itunes:title>
			<pubDate>Fri, 09 Apr 2021 11:00:00 GMT</pubDate>
			<itunes:duration>32:29</itunes:duration>
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			<itunes:subtitle><![CDATA[Sophie Russell tells us about clowning and performing Shakespeare, especially playing Richard III at Shakespeare's Globe]]></itunes:subtitle>
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			<itunes:episode>20</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6269894703aa7300124d22a5/show-cover.jpg"/>
			<description><![CDATA[Sophie Russell tells us about clowning and performing Shakespeare, especially playing Richard III at Shakespeare's Globe<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[Sophie Russell tells us about clowning and performing Shakespeare, especially playing Richard III at Shakespeare's Globe<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Sathnam Sanghera on the British Empire and its legacy</title>
			<itunes:title>Sathnam Sanghera on the British Empire and its legacy</itunes:title>
			<pubDate>Wed, 07 Apr 2021 11:00:00 GMT</pubDate>
			<itunes:duration>24:15</itunes:duration>
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			<itunes:subtitle><![CDATA[Sathnam Sanghera tells us about his new book, Empireland, on the historical and contemporary legacy of the British Empire. Sathnam's book asks where the history of empire sits in the UK's current education system and cultural debate, at a time when concep]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:episode>16</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6269894703aa7300124d22a5/show-cover.jpg"/>
			<description><![CDATA[Sathnam Sanghera tells us about his new book, Empireland, on the historical and contemporary legacy of the British Empire. Sathnam's book asks where the history of empire sits in the UK's current education system and cultural debate, at a time when concep<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[Sathnam Sanghera tells us about his new book, Empireland, on the historical and contemporary legacy of the British Empire. Sathnam's book asks where the history of empire sits in the UK's current education system and cultural debate, at a time when concep<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Stephen Guy-Bray on queer theory, poetics and representation in Shakespeare</title>
			<itunes:title>Stephen Guy-Bray on queer theory, poetics and representation in Shakespeare</itunes:title>
			<pubDate>Fri, 02 Apr 2021 11:00:00 GMT</pubDate>
			<itunes:duration>39:09</itunes:duration>
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			<itunes:subtitle><![CDATA[Happy Canada Day! In celebration, Canada's finest and wisest queer poetics professor tells us about his new book, Shakespeare and Queer Representation and literature as an art of construction and decoration, an 'aesthetically-ambitious art made out of wor]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:episode>14</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6269894703aa7300124d22a5/show-cover.jpg"/>
			<description><![CDATA[Happy Canada Day! In celebration, Canada's finest and wisest queer poetics professor tells us about his new book, Shakespeare and Queer Representation and literature as an art of construction and decoration, an 'aesthetically-ambitious art made out of wor<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[Happy Canada Day! In celebration, Canada's finest and wisest queer poetics professor tells us about his new book, Shakespeare and Queer Representation and literature as an art of construction and decoration, an 'aesthetically-ambitious art made out of wor<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Will Tosh chats about poetry, sexual identity, and literature as consolation</title>
			<itunes:title>Will Tosh chats about poetry, sexual identity, and literature as consolation</itunes:title>
			<pubDate>Fri, 02 Apr 2021 11:00:00 GMT</pubDate>
			<itunes:duration>37:05</itunes:duration>
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			<itunes:subtitle>Will Tosh, Research Fellow and Lecturer at Shakespeare’s Globe, talks to Emma Whipday about little-known Elizabethan sonneteer (and friend of Shakespeare) Richard Barnfield, sexual identity, literature as consolation and why sexual desire is like a nest o</itunes:subtitle>
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			<itunes:episode>13</itunes:episode>
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			<description><![CDATA[Will Tosh, Research Fellow and Lecturer at Shakespeare’s Globe, talks to Emma Whipday about little-known Elizabethan sonneteer (and friend of Shakespeare) Richard Barnfield, sexual identity, literature as consolation and why sexual desire is like a nest o<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[Will Tosh, Research Fellow and Lecturer at Shakespeare’s Globe, talks to Emma Whipday about little-known Elizabethan sonneteer (and friend of Shakespeare) Richard Barnfield, sexual identity, literature as consolation and why sexual desire is like a nest o<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Sound, body and imagination: Alison Bomber tells us about voice coaching and theatre</title>
			<itunes:title>Sound, body and imagination: Alison Bomber tells us about voice coaching and theatre</itunes:title>
			<pubDate>Fri, 02 Apr 2021 11:00:00 GMT</pubDate>
			<itunes:duration>41:51</itunes:duration>
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			<itunes:subtitle><![CDATA[Alison Bomber, voice coach, tells us about making the 'right noise', using breath and vibration to make connections between sounds, bodies and imagination. You'll never think about inspiration in the same way again.]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:episode>11</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6269894703aa7300124d22a5/show-cover.jpg"/>
			<description><![CDATA[Alison Bomber, voice coach, tells us about making the 'right noise', using breath and vibration to make connections between sounds, bodies and imagination. You'll never think about inspiration in the same way again.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[Alison Bomber, voice coach, tells us about making the 'right noise', using breath and vibration to make connections between sounds, bodies and imagination. You'll never think about inspiration in the same way again.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Shakespeare for snowflakes: Ian Burrows chats to Emma Whipday</title>
			<itunes:title>Shakespeare for snowflakes: Ian Burrows chats to Emma Whipday</itunes:title>
			<pubDate>Fri, 02 Apr 2021 11:00:00 GMT</pubDate>
			<itunes:duration>26:56</itunes:duration>
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			<itunes:subtitle><![CDATA[Ian Burrows chats to Emma Whipday about slapstick, so-called ‘snowflake’ students, and content warnings for ShakespeareIan works on early modern drama, and is particularly interested in how actors' physicality was presented and interpreted on stage and ]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:episode>12</itunes:episode>
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			<description><![CDATA[Ian Burrows chats to Emma Whipday about slapstick, so-called ‘snowflake’ students, and content warnings for ShakespeareIan works on early modern drama, and is particularly interested in how actors' physicality was presented and interpreted on stage and <hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[Ian Burrows chats to Emma Whipday about slapstick, so-called ‘snowflake’ students, and content warnings for ShakespeareIan works on early modern drama, and is particularly interested in how actors' physicality was presented and interpreted on stage and <hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Nick Radford, the poet laureate of pro wrestling, on poetry in the ring</title>
			<itunes:title>Nick Radford, the poet laureate of pro wrestling, on poetry in the ring</itunes:title>
			<pubDate>Fri, 02 Apr 2021 11:00:00 GMT</pubDate>
			<itunes:duration>49:37</itunes:duration>
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			<itunes:subtitle>Nick Radford is the poet laureate of pro wrestling, and tells us about how he uses the writing and reading literature in his matches. He explores the crossovers between wrestling and eroticism and reflects on the changes in professional wrestling over the</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:episode>15</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6269894703aa7300124d22a5/show-cover.jpg"/>
			<description><![CDATA[Nick Radford is the poet laureate of pro wrestling, and tells us about how he uses the writing and reading literature in his matches. He explores the crossovers between wrestling and eroticism and reflects on the changes in professional wrestling over the<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[Nick Radford is the poet laureate of pro wrestling, and tells us about how he uses the writing and reading literature in his matches. He explores the crossovers between wrestling and eroticism and reflects on the changes in professional wrestling over the<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>The Cavendishes with Lisa Hopkins and Tom Rutter</title>
			<itunes:title>The Cavendishes with Lisa Hopkins and Tom Rutter</itunes:title>
			<pubDate>Fri, 26 Mar 2021 11:14:43 GMT</pubDate>
			<itunes:duration>31:19</itunes:duration>
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			<itunes:subtitle><![CDATA[Who were the important Cavendish family? Lisa Hopkins and Tom Rutter talk about their new volume on the family's extraordinary cultural innovation and social importance, in particular women's "right to write" and the many different forms of media covered ]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:episode>10</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6269894703aa7300124d22a5/show-cover.jpg"/>
			<description><![CDATA[Who were the important Cavendish family? Lisa Hopkins and Tom Rutter talk about their new volume on the family's extraordinary cultural innovation and social importance, in particular women's "right to write" and the many different forms of media covered <hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[Who were the important Cavendish family? Lisa Hopkins and Tom Rutter talk about their new volume on the family's extraordinary cultural innovation and social importance, in particular women's "right to write" and the many different forms of media covered <hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Suzannah Lipscomb: research, TV and gender in the archives</title>
			<itunes:title>Suzannah Lipscomb: research, TV and gender in the archives</itunes:title>
			<pubDate>Fri, 26 Mar 2021 11:14:32 GMT</pubDate>
			<itunes:duration>23:07</itunes:duration>
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			<itunes:subtitle>Suzannah Lipscomb talks to Andy Kesson about working between the worlds of research and TV, the Tudor court, a French Protestant community of women, and why academics should be more like upside-down swans.</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:episode>9</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6269894703aa7300124d22a5/show-cover.jpg"/>
			<description><![CDATA[Suzannah Lipscomb talks to Andy Kesson about working between the worlds of research and TV, the Tudor court, a French Protestant community of women, and why academics should be more like upside-down swans.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[Suzannah Lipscomb talks to Andy Kesson about working between the worlds of research and TV, the Tudor court, a French Protestant community of women, and why academics should be more like upside-down swans.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title><![CDATA[Secrets of Jane Austen's House with Sophie Reynolds]]></title>
			<itunes:title><![CDATA[Secrets of Jane Austen's House with Sophie Reynolds]]></itunes:title>
			<pubDate>Fri, 26 Mar 2021 11:14:17 GMT</pubDate>
			<itunes:duration>43:30</itunes:duration>
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			<itunes:subtitle><![CDATA[Sophie Reynolds from  Jane Austen's House chats to Emma Whipday about Jane Austen's life, why her heroines are always searching for a home, the miraculous survival of the house where she was finally able to finish her novels - and the mysterious circumsta]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:episode>8</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6269894703aa7300124d22a5/show-cover.jpg"/>
			<description><![CDATA[Sophie Reynolds from  Jane Austen's House chats to Emma Whipday about Jane Austen's life, why her heroines are always searching for a home, the miraculous survival of the house where she was finally able to finish her novels - and the mysterious circumsta<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[Sophie Reynolds from  Jane Austen's House chats to Emma Whipday about Jane Austen's life, why her heroines are always searching for a home, the miraculous survival of the house where she was finally able to finish her novels - and the mysterious circumsta<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Box Office Bears #1: a new research project on animal-baiting</title>
			<itunes:title>Box Office Bears #1: a new research project on animal-baiting</itunes:title>
			<pubDate>Fri, 26 Mar 2021 11:14:06 GMT</pubDate>
			<itunes:duration>41:52</itunes:duration>
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			<acast:episodeId>6269894b03aa7300124d22dd</acast:episodeId>
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			<itunes:subtitle><![CDATA[Box Office Bears: Animal-Baiting in Early Modern England is a new Arts and Humanities Research Council-funded project that begins today. In our first film for the project, its lead researchers - Hannah O'Regan, Greger Larson and Andy Kesson - have a preli]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:episode>7</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6269894703aa7300124d22a5/show-cover.jpg"/>
			<description><![CDATA[Box Office Bears: Animal-Baiting in Early Modern England is a new Arts and Humanities Research Council-funded project that begins today. In our first film for the project, its lead researchers - Hannah O'Regan, Greger Larson and Andy Kesson - have a preli<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[Box Office Bears: Animal-Baiting in Early Modern England is a new Arts and Humanities Research Council-funded project that begins today. In our first film for the project, its lead researchers - Hannah O'Regan, Greger Larson and Andy Kesson - have a preli<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Ambereen Dadabhoy on early modern race and the English playhouse</title>
			<itunes:title>Ambereen Dadabhoy on early modern race and the English playhouse</itunes:title>
			<pubDate>Fri, 26 Mar 2021 11:13:51 GMT</pubDate>
			<itunes:duration>43:13</itunes:duration>
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			<acast:episodeId>6269894b03aa7300124d22de</acast:episodeId>
			<acast:showId>6269894703aa7300124d22a5</acast:showId>
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			<itunes:subtitle><![CDATA[Ambereen Dadabhoy tells us about the early modern Mediterranean, the English playhouse and the history of race. We hear about the lack of racial literacy in early modern studies, the way 'a white way of knowing' has dominated scholarship, and how to 'foll]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:episode>6</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6269894703aa7300124d22a5/show-cover.jpg"/>
			<description><![CDATA[Ambereen Dadabhoy tells us about the early modern Mediterranean, the English playhouse and the history of race. We hear about the lack of racial literacy in early modern studies, the way 'a white way of knowing' has dominated scholarship, and how to 'foll<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[Ambereen Dadabhoy tells us about the early modern Mediterranean, the English playhouse and the history of race. We hear about the lack of racial literacy in early modern studies, the way 'a white way of knowing' has dominated scholarship, and how to 'foll<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>The actor Marc Elliott on performing in Eastenders, Holby City, musicals and Shakespeare</title>
			<itunes:title>The actor Marc Elliott on performing in Eastenders, Holby City, musicals and Shakespeare</itunes:title>
			<pubDate>Fri, 12 Mar 2021 17:40:10 GMT</pubDate>
			<itunes:duration>30:11</itunes:duration>
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			<itunes:subtitle>Marc Elliott tells us about acting as a kind of ‘pretending to be lots of different people’, and how TV acting can often feel just as live as in the theatre. We hear about the surprising similarities between modern TV script learning and repertory system </itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:episode>5</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6269894703aa7300124d22a5/show-cover.jpg"/>
			<description><![CDATA[Marc Elliott tells us about acting as a kind of ‘pretending to be lots of different people’, and how TV acting can often feel just as live as in the theatre. We hear about the surprising similarities between modern TV script learning and repertory system <hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[Marc Elliott tells us about acting as a kind of ‘pretending to be lots of different people’, and how TV acting can often feel just as live as in the theatre. We hear about the surprising similarities between modern TV script learning and repertory system <hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Eleanor Janega on medieval sex positivity, Black Death and revolution</title>
			<itunes:title>Eleanor Janega on medieval sex positivity, Black Death and revolution</itunes:title>
			<pubDate>Fri, 12 Mar 2021 17:39:56 GMT</pubDate>
			<itunes:duration>30:02</itunes:duration>
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			<acast:showId>6269894703aa7300124d22a5</acast:showId>
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			<itunes:subtitle>Eleanor Janega tells us about medieval European sex positivity, Black Death and revolution, and argues that the fourteenth century was ‘the best century’.</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:episode>4</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6269894703aa7300124d22a5/show-cover.jpg"/>
			<description><![CDATA[Eleanor Janega tells us about medieval European sex positivity, Black Death and revolution, and argues that the fourteenth century was ‘the best century’.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[Eleanor Janega tells us about medieval European sex positivity, Black Death and revolution, and argues that the fourteenth century was ‘the best century’.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title><![CDATA[RJ City tells Andy Kesson about stories, expectations & audiences]]></title>
			<itunes:title><![CDATA[RJ City tells Andy Kesson about stories, expectations & audiences]]></itunes:title>
			<pubDate>Fri, 12 Mar 2021 17:39:42 GMT</pubDate>
			<itunes:duration>33:33</itunes:duration>
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			<acast:episodeId>6269894b03aa7300124d22e1</acast:episodeId>
			<acast:showId>6269894703aa7300124d22a5</acast:showId>
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			<itunes:subtitle>The wrestler, writer and comedian RJ City tells Andy Kesson about storytelling with the body, playing against genre conventions and wrestling as a kind of exploration of bodily intimacy and care. Basil Fawlty, Roland Barthes and Bertolt Brecht also featur</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:episode>3</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6269894703aa7300124d22a5/show-cover.jpg"/>
			<description><![CDATA[The wrestler, writer and comedian RJ City tells Andy Kesson about storytelling with the body, playing against genre conventions and wrestling as a kind of exploration of bodily intimacy and care. Basil Fawlty, Roland Barthes and Bertolt Brecht also featur<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[The wrestler, writer and comedian RJ City tells Andy Kesson about storytelling with the body, playing against genre conventions and wrestling as a kind of exploration of bodily intimacy and care. Basil Fawlty, Roland Barthes and Bertolt Brecht also featur<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title><![CDATA[Samira Ahmed on her broadcasting career, the news & the recent history of critical thinking]]></title>
			<itunes:title><![CDATA[Samira Ahmed on her broadcasting career, the news & the recent history of critical thinking]]></itunes:title>
			<pubDate>Fri, 12 Mar 2021 17:39:30 GMT</pubDate>
			<itunes:duration>34:55</itunes:duration>
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			<itunes:subtitle><![CDATA[The broadcaster Samira Ahmed tells us about her career covering international news and culture, and reflects on the relationship between 'hard news' and cultural events. We move from the UK culture secretary to the art of Persia, O.J. Simpson to Madonna, ]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:episode>2</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6269894703aa7300124d22a5/show-cover.jpg"/>
			<description><![CDATA[The broadcaster Samira Ahmed tells us about her career covering international news and culture, and reflects on the relationship between 'hard news' and cultural events. We move from the UK culture secretary to the art of Persia, O.J. Simpson to Madonna, <hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[The broadcaster Samira Ahmed tells us about her career covering international news and culture, and reflects on the relationship between 'hard news' and cultural events. We move from the UK culture secretary to the art of Persia, O.J. Simpson to Madonna, <hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Miles Grier on inkface, blackface, Othello and fraternities of white men</title>
			<itunes:title>Miles Grier on inkface, blackface, Othello and fraternities of white men</itunes:title>
			<pubDate>Fri, 12 Mar 2021 17:39:14 GMT</pubDate>
			<itunes:duration>43:06</itunes:duration>
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			<link>https://a-bit-lit.simplecast.com/episodes/miles-grier-on-inkface-blackface-othello-and-fraternities-of-white-men-ACnoZJAB</link>
			<acast:episodeId>6269894b03aa7300124d22e3</acast:episodeId>
			<acast:showId>6269894703aa7300124d22a5</acast:showId>
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			<itunes:subtitle>Miles Grier is a book and theatre historian, and tells us about the place of Shakespeare’s Othello in a ‘long moment of shared vernacular literacy as a colonising tool’. Grier insists that this is a play that ‘implicitly summons an audience of white exper</itunes:subtitle>
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			<itunes:episode>1</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6269894703aa7300124d22a5/show-cover.jpg"/>
			<description><![CDATA[Miles Grier is a book and theatre historian, and tells us about the place of Shakespeare’s Othello in a ‘long moment of shared vernacular literacy as a colonising tool’. Grier insists that this is a play that ‘implicitly summons an audience of white exper<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[Miles Grier is a book and theatre historian, and tells us about the place of Shakespeare’s Othello in a ‘long moment of shared vernacular literacy as a colonising tool’. Grier insists that this is a play that ‘implicitly summons an audience of white exper<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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		<itunes:category text="Arts">
			<itunes:category text="Performing Arts"/>
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			<itunes:category text="Books"/>
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		<itunes:category text="Education">
			<itunes:category text="Courses"/>
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