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		<title>Short Stories: 200 Years of the Royal Academy of Music </title>
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		<copyright>The Royal Academy of Music </copyright>
		<itunes:keywords>Music,Classical Music,Opera,Instruments,History,Royal Academy of Music,Dickens,Women in Music, Harriet Cohen,Edmund T. Jenkins,Music School,Violin</itunes:keywords>
		<itunes:author>The Royal Academy of Music </itunes:author>
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		<itunes:summary><![CDATA[<p>Since the Royal Academy of Music was founded in 1822, its aim has been to shape the future of music by discovering and nurturing talent wherever it exists. To mark our bicentenary, we've created this podcast to celebrate and uncover some of the stories of those people, past and present, that resonate throughout our building and define the institution. You'll hear about those working and studying at the Academy today, some of the famous people that have passed through our doors as well as those whose musical lives might have been overlooked but deserve to be told.</p><br><p>Presenter: Anna Picard</p><p>Producer: Natalie Steed</p><p>Executive Producers, Royal Academy of Music: George Chambers, Jonathan Freeman-Attwood, Safi Schlicht</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		<description><![CDATA[<p>Since the Royal Academy of Music was founded in 1822, its aim has been to shape the future of music by discovering and nurturing talent wherever it exists. To mark our bicentenary, we've created this podcast to celebrate and uncover some of the stories of those people, past and present, that resonate throughout our building and define the institution. You'll hear about those working and studying at the Academy today, some of the famous people that have passed through our doors as well as those whose musical lives might have been overlooked but deserve to be told.</p><br><p>Presenter: Anna Picard</p><p>Producer: Natalie Steed</p><p>Executive Producers, Royal Academy of Music: George Chambers, Jonathan Freeman-Attwood, Safi Schlicht</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
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			<itunes:name>The Royal Academy of Music </itunes:name>
			<itunes:email>royalacademyofmusic@gmail.com</itunes:email>
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				<title>Short Stories: 200 Years of the Royal Academy of Music </title>
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			<title>Treasure Seekers </title>
			<itunes:title>Treasure Seekers </itunes:title>
			<pubDate>Fri, 05 Aug 2022 06:00:39 GMT</pubDate>
			<itunes:duration>38:48</itunes:duration>
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			<itunes:episode>5</itunes:episode>
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			<description><![CDATA[<p>From the bees on the roof to one of the finest violins in the world, the Academy is full of surprising treasures. In this episode, Anna Picard introduces people and parts of the building that listeners might not know about, and discovers what goes on behind the scenes to ensure that the Academy’s remarkable collection of instruments will be played by generations to come. Including singing from an original Elizabethan part book, an introduction to Oliver Knussen’s beloved collection of owls, and violinist James Ehnes playing a priceless Stradivarius, the stories behind these objects unlock the history of the Academy.</p><p>&nbsp;</p><p>Presenter: Anna Picard</p><p>Producer: Natalie Steed</p><p>&nbsp;</p><p>Contributors: Jonathan Freeman-Attwood, Ian Brearey, Kathryn Adamson, Patrick Russill, Barbara Meyer, IJmkje van der Werfe, James Ehnes, Sheldon Gabriel, Philip Cashian</p><p>&nbsp;</p><p>Executive Producers, Royal Academy of Music: George Chambers, Jonathan Freeman-Attwood, Safi Schlicht</p><p>&nbsp;</p><p>Featured music:</p><p>&nbsp;</p><p><strong>JS Bach</strong> Adagio from Sonata in G minor, BWV 1001, performed by James Ehnes</p><p><strong>Beethoven</strong> Symphony No 8 in F, Op 93, performed by the Academy Chamber Orchestra with Lorenza Borrani</p><p><strong>Mendelssohn</strong> A Midsummer Night’s Dream performed by the Academy Symphony Orchestra with Andrew Gourlay</p><p><strong>Tallis</strong> O Nata Lux performed by Academy students Isla MacEwan, Anita Monserrat, Samuel Kibble, Henry Ross, Charles Cunliffe</p><p><strong>JS Bach</strong> Largo from Sonata in C, BWV 1005, performed by James Ehnes</p><p><strong>Stravinsky</strong> Marche triomphale du diable from L’histoire du soldat performed by the Academy Manson Ensemble with Oliver Knussen</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>From the bees on the roof to one of the finest violins in the world, the Academy is full of surprising treasures. In this episode, Anna Picard introduces people and parts of the building that listeners might not know about, and discovers what goes on behind the scenes to ensure that the Academy’s remarkable collection of instruments will be played by generations to come. Including singing from an original Elizabethan part book, an introduction to Oliver Knussen’s beloved collection of owls, and violinist James Ehnes playing a priceless Stradivarius, the stories behind these objects unlock the history of the Academy.</p><p>&nbsp;</p><p>Presenter: Anna Picard</p><p>Producer: Natalie Steed</p><p>&nbsp;</p><p>Contributors: Jonathan Freeman-Attwood, Ian Brearey, Kathryn Adamson, Patrick Russill, Barbara Meyer, IJmkje van der Werfe, James Ehnes, Sheldon Gabriel, Philip Cashian</p><p>&nbsp;</p><p>Executive Producers, Royal Academy of Music: George Chambers, Jonathan Freeman-Attwood, Safi Schlicht</p><p>&nbsp;</p><p>Featured music:</p><p>&nbsp;</p><p><strong>JS Bach</strong> Adagio from Sonata in G minor, BWV 1001, performed by James Ehnes</p><p><strong>Beethoven</strong> Symphony No 8 in F, Op 93, performed by the Academy Chamber Orchestra with Lorenza Borrani</p><p><strong>Mendelssohn</strong> A Midsummer Night’s Dream performed by the Academy Symphony Orchestra with Andrew Gourlay</p><p><strong>Tallis</strong> O Nata Lux performed by Academy students Isla MacEwan, Anita Monserrat, Samuel Kibble, Henry Ross, Charles Cunliffe</p><p><strong>JS Bach</strong> Largo from Sonata in C, BWV 1005, performed by James Ehnes</p><p><strong>Stravinsky</strong> Marche triomphale du diable from L’histoire du soldat performed by the Academy Manson Ensemble with Oliver Knussen</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Harriet, Myra and Uncle Tobs</title>
			<itunes:title>Harriet, Myra and Uncle Tobs</itunes:title>
			<pubDate>Fri, 22 Jul 2022 06:00:12 GMT</pubDate>
			<itunes:duration>33:58</itunes:duration>
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			<itunes:episode>4</itunes:episode>
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			<description><![CDATA[<p>In the early part of the 20th century, Harriet Cohen, an Academy alumna, was a household name. Superficially known for her beauty and glamour, she wielded influence with some of the most important literary, political and cultural figures of her time – and she was a remarkable pianist. In this episode, Anna Picard explores Harriet’s life and legacy, placing her alongside her pianist contemporaries Myra Hess and Irene Scharrer, and the man who taught them all, Tobias Matthay. We explore the Academy’s pedagogical tradition, discuss the ‘male gaze’ with Joanna MacGregor and hear from the late, great Quentin Crisp.</p><p>&nbsp;</p><p>Presenter: Anna Picard</p><p>Producer: Natalie Steed</p><p>&nbsp;</p><p>Contributors: Helen Fry, Joanna MacGregor, Stephen Siek, Jonathan Freeman-Attwood, Allyson Devenish, Rebecca Leung</p><p>&nbsp;</p><p>Executive Producers, Royal Academy of Music: George Chambers, Jonathan Freeman-Attwood, Safi Schlicht</p><p>&nbsp;</p><p>Featured music:</p><p>&nbsp;</p><p><strong>JS Bach</strong> Piano Concerto No 1 in D minor, BWV 1052, performed by Harriet Cohen</p><p><strong>JS Bach</strong> Prelude No 1 in C, BWV 846, performed by Harriet Cohen</p><p><strong>JS Bach arr Cohen</strong> Liebster Jesu, wir sind hier<em>,</em> BWV 731, performed by Harriet Cohen</p><p><strong>Mozart</strong> Piano Sonata No 5 in G, K 283, performed by Irene Scharrer</p><p><strong>Ravel</strong> Pavane pour une infante défunte performed by Myra Hess</p><p><strong>JS Bach</strong> Prelude and Fugue in F sharp, BWV 858, performed by Academy student Rebecca Leung</p><p><strong>Kabalevsky</strong> Piano Sonatina in C, Op 13 No 1, performed by Harriet Cohen</p><p><strong>Bax</strong> A Mountain Mood performed by Harriet Cohen</p><p>&nbsp;</p><p>With thanks to APR recordings for the use of their transfers of the historic recordings listed above. All are available on at aprrecordings.co.uk.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In the early part of the 20th century, Harriet Cohen, an Academy alumna, was a household name. Superficially known for her beauty and glamour, she wielded influence with some of the most important literary, political and cultural figures of her time – and she was a remarkable pianist. In this episode, Anna Picard explores Harriet’s life and legacy, placing her alongside her pianist contemporaries Myra Hess and Irene Scharrer, and the man who taught them all, Tobias Matthay. We explore the Academy’s pedagogical tradition, discuss the ‘male gaze’ with Joanna MacGregor and hear from the late, great Quentin Crisp.</p><p>&nbsp;</p><p>Presenter: Anna Picard</p><p>Producer: Natalie Steed</p><p>&nbsp;</p><p>Contributors: Helen Fry, Joanna MacGregor, Stephen Siek, Jonathan Freeman-Attwood, Allyson Devenish, Rebecca Leung</p><p>&nbsp;</p><p>Executive Producers, Royal Academy of Music: George Chambers, Jonathan Freeman-Attwood, Safi Schlicht</p><p>&nbsp;</p><p>Featured music:</p><p>&nbsp;</p><p><strong>JS Bach</strong> Piano Concerto No 1 in D minor, BWV 1052, performed by Harriet Cohen</p><p><strong>JS Bach</strong> Prelude No 1 in C, BWV 846, performed by Harriet Cohen</p><p><strong>JS Bach arr Cohen</strong> Liebster Jesu, wir sind hier<em>,</em> BWV 731, performed by Harriet Cohen</p><p><strong>Mozart</strong> Piano Sonata No 5 in G, K 283, performed by Irene Scharrer</p><p><strong>Ravel</strong> Pavane pour une infante défunte performed by Myra Hess</p><p><strong>JS Bach</strong> Prelude and Fugue in F sharp, BWV 858, performed by Academy student Rebecca Leung</p><p><strong>Kabalevsky</strong> Piano Sonatina in C, Op 13 No 1, performed by Harriet Cohen</p><p><strong>Bax</strong> A Mountain Mood performed by Harriet Cohen</p><p>&nbsp;</p><p>With thanks to APR recordings for the use of their transfers of the historic recordings listed above. All are available on at aprrecordings.co.uk.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Women of the Academy </title>
			<itunes:title>Women of the Academy </itunes:title>
			<pubDate>Fri, 08 Jul 2022 06:00:46 GMT</pubDate>
			<itunes:duration>38:05</itunes:duration>
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			<description><![CDATA[<p>When the Royal Academy of Music opened its doors to its first 20 students in 1823, there were equal numbers of boys and girls. In this first episode, Anna Picard traces the stories of some of the women of the Academy including Fanny Dickens, the elder sister of Charles Dickens. We also hear from the participants of a pioneering women-only conducting course and try to unravel what playing in a gendered way might mean. Along the way there is, as always, some glorious music from Academy students.</p><p>&nbsp;</p><p>Presenter: Anna Picard</p><p>Producer: Natalie Steed</p><p>&nbsp;</p><p>Contributors: Kathryn Adamson, Briony Cox-Williams, Phyllis Weliver, Jonathan Freeman- Attwood, Hannah Stell, Elizabeth Kenny, Lucy Powell, Sian Edwards, Peggy Wu, Beth Fitzpatrick&nbsp;&nbsp;</p><p>&nbsp;</p><p>Voice of Frederick Corder: Michael Bertenshaw</p><p>&nbsp;</p><p>Executive Producers, Royal Academy of Music: George Chambers, Jonathan Freeman-Attwood, Safi Schlicht</p><p>&nbsp;</p><p>All the music in this episode is performed by Royal Academy of Music students:</p><p>&nbsp;</p><p><strong>Mozart</strong> Serenade in B flat, K 361, ‘Gran Partita’, performed by Royal Academy of Music Symphonic Wind</p><p><strong>Haydn</strong> String Quartet in G, Op 77 No 1 (second movement), performed by the Echea Quartet</p><p><strong>Ferdinand David</strong> Trombone Concertino, Op 4, performed by Hannah Stell</p><p><strong>Tchaikovsky</strong> The Queen of Spades, Op 68, performed by Hannah Stell</p><p><strong>Wagner</strong> Ride of the Valkyries performed by Hannah Stell</p><p><strong>Rebecca Clarke</strong> Ave Maria performed by Milette Gillow and Ivy Liang</p><p><strong>Rebecca Clarke</strong> The Cloths of Heaven performed by Lauren Macleod and Stella Marie Lorenz</p><p><strong>Schubert</strong> Symphony No 4 in C minor, D 417, 'Tragic', performed by the Academy Chamber Orchestra with Lorenza Borrani</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>When the Royal Academy of Music opened its doors to its first 20 students in 1823, there were equal numbers of boys and girls. In this first episode, Anna Picard traces the stories of some of the women of the Academy including Fanny Dickens, the elder sister of Charles Dickens. We also hear from the participants of a pioneering women-only conducting course and try to unravel what playing in a gendered way might mean. Along the way there is, as always, some glorious music from Academy students.</p><p>&nbsp;</p><p>Presenter: Anna Picard</p><p>Producer: Natalie Steed</p><p>&nbsp;</p><p>Contributors: Kathryn Adamson, Briony Cox-Williams, Phyllis Weliver, Jonathan Freeman- Attwood, Hannah Stell, Elizabeth Kenny, Lucy Powell, Sian Edwards, Peggy Wu, Beth Fitzpatrick&nbsp;&nbsp;</p><p>&nbsp;</p><p>Voice of Frederick Corder: Michael Bertenshaw</p><p>&nbsp;</p><p>Executive Producers, Royal Academy of Music: George Chambers, Jonathan Freeman-Attwood, Safi Schlicht</p><p>&nbsp;</p><p>All the music in this episode is performed by Royal Academy of Music students:</p><p>&nbsp;</p><p><strong>Mozart</strong> Serenade in B flat, K 361, ‘Gran Partita’, performed by Royal Academy of Music Symphonic Wind</p><p><strong>Haydn</strong> String Quartet in G, Op 77 No 1 (second movement), performed by the Echea Quartet</p><p><strong>Ferdinand David</strong> Trombone Concertino, Op 4, performed by Hannah Stell</p><p><strong>Tchaikovsky</strong> The Queen of Spades, Op 68, performed by Hannah Stell</p><p><strong>Wagner</strong> Ride of the Valkyries performed by Hannah Stell</p><p><strong>Rebecca Clarke</strong> Ave Maria performed by Milette Gillow and Ivy Liang</p><p><strong>Rebecca Clarke</strong> The Cloths of Heaven performed by Lauren Macleod and Stella Marie Lorenz</p><p><strong>Schubert</strong> Symphony No 4 in C minor, D 417, 'Tragic', performed by the Academy Chamber Orchestra with Lorenza Borrani</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>The Class of 1918</title>
			<itunes:title>The Class of 1918</itunes:title>
			<pubDate>Fri, 08 Jul 2022 06:00:40 GMT</pubDate>
			<itunes:duration>39:59</itunes:duration>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>3</itunes:episode>
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			<description><![CDATA[<p>In a pair of old photos outside the Academy's Library of the class of 1918, there are two black students – composer and multi-instrumentalist Edmund T Jenkins and mezzo-soprano Evelyn Dove. In this episode, Anna Picard explores who they were, how they both forged successful careers and what their stories tell us about ‘high’ and ‘low’ art at that moment in history. We bring Edmund and Evelyn's worlds to life with rare recordings of their music, and we hear from Edmund’s great-nephew, who is keeping his music alive for a new generation.</p><p>&nbsp;</p><p>Presenter: Anna Picard</p><p>Producer: Natalie Steed</p><p>&nbsp;</p><p>Contributors: Stephen Bourne, Melissa Doody, Julius P Williams, Allyson Devenish, Tuffus Zimbabwe</p><p>Executive Producers, Royal Academy of Music: George Chambers, Jonathan Freeman-Attwood, Safi Schlicht</p><p>&nbsp;</p><p>Featured music:</p><p>&nbsp;</p><p><strong>Gershwin</strong> Rhapsody in Blue performed by the Academy Symphony Orchestra with Edward Gardner and Adrian Brendel (piano)</p><p><strong>Busse, Johnson and Mueller</strong> Wang Wang Blues performed by Jack Hylton’s Jazz Band (restored masters provided by Bear Family Records)</p><p><strong>Spiritual arr Burleigh</strong> I Couldn’t Hear Nobody Pray performed by Evelyn Dove (restored masters provided by Bear Family Records)</p><p><strong>Gershwin</strong> The Man I Love<em> </em>performed by Academy students Imogen Churchill (vocals), Toby Yapp (double bass), Scottie Thompson (piano)</p><p><strong>Coleridge-Taylor</strong> Nonet performed by Royal Academy of Music Students</p><p><strong>Jenkins arr T Zimbabwe</strong> <em>Folk Rhapsody</em> performed by Berklee Contemporary Symphony Orchestra with Julius P Williams</p><p><strong>Shields/Ragas</strong> <em>Clarinet Marmalade</em> performed by James Rees Europe’s 369th US Infantry ‘Hell Fighters’ Band</p><p><strong>Jenkins arr Plush</strong> <em>Charlestonia</em> performed by Studio orchestra &amp; Philip Brunelle (Conductor)</p><p><strong>Jenkins arr Tuffus Zimbabwe</strong> Dance of Love performed by Tuffus Zimbabwe</p><p>Composer and composition unknown performed by Jenkins Orphanage Band</p><p><strong>Kern</strong> The Bullfrog Patrol performed by Queen’s Dance Orchestra featuring Edmund T Jenkins (restored masters provided by Bear Family Records)</p><p><strong>Spiritual arr Laurence Brown</strong> Ev’ry Time I Feel the Spirit performed by Evelyn Dove (restored masters provided by Bear Family Records)</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In a pair of old photos outside the Academy's Library of the class of 1918, there are two black students – composer and multi-instrumentalist Edmund T Jenkins and mezzo-soprano Evelyn Dove. In this episode, Anna Picard explores who they were, how they both forged successful careers and what their stories tell us about ‘high’ and ‘low’ art at that moment in history. We bring Edmund and Evelyn's worlds to life with rare recordings of their music, and we hear from Edmund’s great-nephew, who is keeping his music alive for a new generation.</p><p>&nbsp;</p><p>Presenter: Anna Picard</p><p>Producer: Natalie Steed</p><p>&nbsp;</p><p>Contributors: Stephen Bourne, Melissa Doody, Julius P Williams, Allyson Devenish, Tuffus Zimbabwe</p><p>Executive Producers, Royal Academy of Music: George Chambers, Jonathan Freeman-Attwood, Safi Schlicht</p><p>&nbsp;</p><p>Featured music:</p><p>&nbsp;</p><p><strong>Gershwin</strong> Rhapsody in Blue performed by the Academy Symphony Orchestra with Edward Gardner and Adrian Brendel (piano)</p><p><strong>Busse, Johnson and Mueller</strong> Wang Wang Blues performed by Jack Hylton’s Jazz Band (restored masters provided by Bear Family Records)</p><p><strong>Spiritual arr Burleigh</strong> I Couldn’t Hear Nobody Pray performed by Evelyn Dove (restored masters provided by Bear Family Records)</p><p><strong>Gershwin</strong> The Man I Love<em> </em>performed by Academy students Imogen Churchill (vocals), Toby Yapp (double bass), Scottie Thompson (piano)</p><p><strong>Coleridge-Taylor</strong> Nonet performed by Royal Academy of Music Students</p><p><strong>Jenkins arr T Zimbabwe</strong> <em>Folk Rhapsody</em> performed by Berklee Contemporary Symphony Orchestra with Julius P Williams</p><p><strong>Shields/Ragas</strong> <em>Clarinet Marmalade</em> performed by James Rees Europe’s 369th US Infantry ‘Hell Fighters’ Band</p><p><strong>Jenkins arr Plush</strong> <em>Charlestonia</em> performed by Studio orchestra &amp; Philip Brunelle (Conductor)</p><p><strong>Jenkins arr Tuffus Zimbabwe</strong> Dance of Love performed by Tuffus Zimbabwe</p><p>Composer and composition unknown performed by Jenkins Orphanage Band</p><p><strong>Kern</strong> The Bullfrog Patrol performed by Queen’s Dance Orchestra featuring Edmund T Jenkins (restored masters provided by Bear Family Records)</p><p><strong>Spiritual arr Laurence Brown</strong> Ev’ry Time I Feel the Spirit performed by Evelyn Dove (restored masters provided by Bear Family Records)</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Revolution</title>
			<itunes:title>Revolution</itunes:title>
			<pubDate>Fri, 08 Jul 2022 06:00:16 GMT</pubDate>
			<itunes:duration>36:07</itunes:duration>
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			<acast:episodeId>62b9c8c11a62a100123f931d</acast:episodeId>
			<acast:showId>62b9bcd0ceba5f001259727b</acast:showId>
			<acast:episodeUrl>revolution</acast:episodeUrl>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>2</itunes:episode>
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			<description><![CDATA[<p>1968 saw a worldwide escalation of protest, invention and upheaval among a generation of students, musicians included. This episode takes the temperature of this time at the Academy, and investigates the tensions and reconciliations between tradition and the new. Anna Picard talks to some of the figures from that period, explores the longer history of ‘new music’ at the Academy (including a surprising choice of rehearsal venue by John Barbirolli), discusses Stravinsky with conductor Edward Gardner, takes a walk in the park with some musical trees, and finds out whether that revolutionary spirit of artistic experimentation and invention is still alive at the Academy today.</p><p>&nbsp;</p><p>Presenter: Anna Picard</p><p>Producer: Natalie Steed</p><p>&nbsp;</p><p>Contributors: Hugh Shrapnel, Melissa Doody, Elizabeth Kenny, Jonathan Freeman-Attwood, Edward Gardner, Philip Cashian, Alex Hills, Lydia Walquist, Jessica Walker</p><p>&nbsp;</p><p>Executive Producers, Royal Academy of Music: George Chambers, Jonathan Freeman-Attwood, Safi Schlicht</p><p>&nbsp;</p><p>All the music in this episode is performed by Royal Academy of Music students:</p><p>&nbsp;</p><p><strong>Paul Paterson</strong> Rebecca</p><p><strong>Cardew</strong> Treatise</p><p><strong>Birtwistle</strong> Chorale from a Toy Shop – For Igor Stravinsky (Version for Strings) performed by Academy Manson Ensemble with Oliver Knussen</p><p><strong>Ravel</strong> String Quartet in F</p><p><strong>Stravinsky</strong> The Rite of Spring<em> </em>performed by the Academy Symphony Orchestra and The Juilliard School Orchestra with Edward Gardner</p><p>Music for Trees written and performed by <strong>Joseph Graydon, Arnau Brichs Ponce </strong>and <strong>Ellen Drew</strong></p><p><strong>Louise Drewett</strong> Pizzica<em> </em>performed by Bianca Beng</p><p><strong>Erik Griswold</strong> Action Music</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>1968 saw a worldwide escalation of protest, invention and upheaval among a generation of students, musicians included. This episode takes the temperature of this time at the Academy, and investigates the tensions and reconciliations between tradition and the new. Anna Picard talks to some of the figures from that period, explores the longer history of ‘new music’ at the Academy (including a surprising choice of rehearsal venue by John Barbirolli), discusses Stravinsky with conductor Edward Gardner, takes a walk in the park with some musical trees, and finds out whether that revolutionary spirit of artistic experimentation and invention is still alive at the Academy today.</p><p>&nbsp;</p><p>Presenter: Anna Picard</p><p>Producer: Natalie Steed</p><p>&nbsp;</p><p>Contributors: Hugh Shrapnel, Melissa Doody, Elizabeth Kenny, Jonathan Freeman-Attwood, Edward Gardner, Philip Cashian, Alex Hills, Lydia Walquist, Jessica Walker</p><p>&nbsp;</p><p>Executive Producers, Royal Academy of Music: George Chambers, Jonathan Freeman-Attwood, Safi Schlicht</p><p>&nbsp;</p><p>All the music in this episode is performed by Royal Academy of Music students:</p><p>&nbsp;</p><p><strong>Paul Paterson</strong> Rebecca</p><p><strong>Cardew</strong> Treatise</p><p><strong>Birtwistle</strong> Chorale from a Toy Shop – For Igor Stravinsky (Version for Strings) performed by Academy Manson Ensemble with Oliver Knussen</p><p><strong>Ravel</strong> String Quartet in F</p><p><strong>Stravinsky</strong> The Rite of Spring<em> </em>performed by the Academy Symphony Orchestra and The Juilliard School Orchestra with Edward Gardner</p><p>Music for Trees written and performed by <strong>Joseph Graydon, Arnau Brichs Ponce </strong>and <strong>Ellen Drew</strong></p><p><strong>Louise Drewett</strong> Pizzica<em> </em>performed by Bianca Beng</p><p><strong>Erik Griswold</strong> Action Music</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Short Stories: 200 Years of the Royal Academy of Music - The Extended Trailer </title>
			<itunes:title>Short Stories: 200 Years of the Royal Academy of Music - The Extended Trailer </itunes:title>
			<pubDate>Thu, 07 Jul 2022 06:30:34 GMT</pubDate>
			<itunes:duration>17:53</itunes:duration>
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			<acast:episodeId>62b9be7323517300137d7fa9</acast:episodeId>
			<acast:showId>62b9bcd0ceba5f001259727b</acast:showId>
			<acast:episodeUrl>the-extended-trailer</acast:episodeUrl>
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			<itunes:episodeType>trailer</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:image href="https://assets.pippa.io/shows/62b9bcd0ceba5f001259727b/1656689836498-d9a3f0effaf12d82287b768ed50d160a.jpeg"/>
			<description><![CDATA[<p>Presenter: Anna Picard</p><p>Producer: Natalie Steed</p><p>Executive Producers, Royal Academy of Music: George Chambers, Jonathan Freeman-Attwood, Safi Schlicht</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Presenter: Anna Picard</p><p>Producer: Natalie Steed</p><p>Executive Producers, Royal Academy of Music: George Chambers, Jonathan Freeman-Attwood, Safi Schlicht</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Short Stories: 200 Years of the Royal Academy of Music - The Short Trailer </title>
			<itunes:title>Short Stories: 200 Years of the Royal Academy of Music - The Short Trailer </itunes:title>
			<pubDate>Wed, 06 Jul 2022 09:14:08 GMT</pubDate>
			<itunes:duration>2:05</itunes:duration>
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			<acast:episodeId>62b9c9571a62a100123f9562</acast:episodeId>
			<acast:showId>62b9bcd0ceba5f001259727b</acast:showId>
			<acast:episodeUrl>theshortrailer</acast:episodeUrl>
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			<itunes:episodeType>trailer</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:image href="https://assets.pippa.io/shows/62b9bcd0ceba5f001259727b/1656689782938-0e4b8bf06c8a7a90b04cb812a8a81db3.jpeg"/>
			<description><![CDATA[<p>Presenter: Anna Picard</p><p>Producer: Natalie Steed</p><p>Executive Producers, Royal Academy of Music: George Chambers, Jonathan Freeman-Attwood, Safi Schlicht</p><p>&nbsp;</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Presenter: Anna Picard</p><p>Producer: Natalie Steed</p><p>Executive Producers, Royal Academy of Music: George Chambers, Jonathan Freeman-Attwood, Safi Schlicht</p><p>&nbsp;</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
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			<itunes:category text="Music History"/>
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		<itunes:category text="Music">
			<itunes:category text="Music Commentary"/>
		</itunes:category>
		<itunes:category text="Society &amp; Culture">
			<itunes:category text="History"/>
		</itunes:category>
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