Emmett reflects on his return to the stage with Triumph, sharing how preparing for the upcoming tour has renewed his sense of purpose, discipline, and creativity. He opens up about aging, managing physical limitations, and what it means to keep moving forward—both as an artist and as a person.

The conversation also explores his latest work as a poet, including the themes behind his new book and the idea of “leaning into it”—embracing challenge, uncertainty, and the creative process itself. Emmett offers candid insights on technology, the modern digital world, and the tension between innovation and humanity.

Plus, he looks back on Toronto’s storied live music scene, sharing vivid memories of venues like the Gasworks and the early days of building Triumph into a band that aimed far beyond the bar stage.

A reflective, honest, and inspiring discussion with one of Canada’s most iconic voices in music.

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He shared stories from his early performances at The Gasworks, emphasizing its significance in his career and expressing concerns about the current viability of music venues. Jordan reminisced about Toronto's vibrant music scene, particularly the role of Yonge Street in making live music accessible, while acknowledging the changes in artist support and promotion over the years.

He underscored the importance of authenticity in his songwriting, a principle recognized by his publishers, and noted that the biography serves as a way to share his life stories with his children, with the book available for purchase online and in local bookstores.

Insights on Biography and Music Industry Dynamics

In a conversation with Karim Kanji, Marc Jordan shared insights about his biography, which was written by Don Breithaupt. He recounted how revisiting his past, including his struggles with dyslexia and substance use, provided him with a new understanding of his life. Marc emphasized the importance of authenticity in art and mentioned that he offers advice to his son only when asked, acknowledging the generational differences in the music industry.

Memories of The Gasworks

In a discussion about The Gasworks, Marc Jordan recounted his early performances there, describing the fear he felt as a new musician. He noted that it was one of the first significant venues he played, which contributed to his growth as an artist. Karim Kanji and Marc also discussed the changes that have occurred at other venues.

The Evolution of Toronto's Music Scene

Marc Jordan reflected on the historical importance of The Gasworks, noting it was a top venue where many great bands performed. He described the Yonge Street Strip as the heart of Toronto's music scene, where clubs thrived due to their central location. Jordan shared personal memories of discovering music as a teenager, emphasizing the excitement of hearing live performances from artists like Ronnie Hawkins and David Clayton Thomas.

Insights on Biography and Music Career

Marc Jordan reflected on the writing of his biography, "Rhythm of My Heart," emphasizing the joy of sharing his story with his family. He noted that his approach to songwriting has always been driven by personal meaning rather than commercial considerations, which his publishers recognized early on. Jordan appreciated the freedom he was given to create music authentically.

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The discussion focused on Rik Emmett's creative journey, technical challenges, and insights into his latest projects. Emmett shared a humorous anecdote about a past miscommunication with a journalist. He elaborated on the artistic collaboration behind the cover of his book, highlighting the artist's steampunk design and his own contributions. The conversation also touched on Emmett's new Telecaster guitar, named "Babs," emphasizing its ergonomic features designed for aging musicians, and his plans to develop a prototype.

Emmett discussed his recent live performances aimed at promoting his book, expressing enjoyment in the creative process despite the pressures of the music industry. He reflected on his decision to step away from teaching due to stress and the changing landscape of the music business. Emmett emphasized the importance of family in his life and shared his unconventional approach to music notation.

For more information on Ten Telecaster Tales visit ECW Press.

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The hosts welcomed Chris MacDonald, who introduced his book "Days and Days," which combines personal travel narratives with the story of the punk band Leatherface. The discussion covered themes of nostalgia, friendship, and the significance of lost music venues, with a focus on the Duchess in Leeds. Chris concluded by mentioning he is working on a ghost story for his next book.

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The journey of Saukrates' album was a focal point, detailing the recording process from 2004 to 2009 while signed to Def Jam. He explained the challenges he faced with delays due to label priorities and how he ultimately took control of the release to align with his artistic vision. Additionally, he recounted a recent collaboration with the Washington Capitals for Black History Month, which led to an Emmy nomination, emphasizing the importance of networking and being in the right place at the right time in the music industry.

Saukrates shared anecdotes about performing at notable venues in Toronto, such as the Opera House, reflecting on their historical significance. He expressed excitement about returning to the El Mocambo after many years and discussed the importance of artistic freedom in music appreciation, advocating for listeners to enjoy a variety of artists without feeling pressured to choose sides. The conversation concluded with details about his upcoming album release strategy, including availability on digital platforms and physical formats, as well as the collaborative efforts behind the album's production and artwork.

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Karim Kanji and Gregg Tilston initiated a discussion centered around U2's "Unforgettable Fire" and its role in the band's evolution. They welcomed guests David Diamond and Zero from The Kings, who shared their experiences in the music industry. The conversation covered topics such as new music releases, touring experiences, and challenges faced in venues that have since closed.

The dialogue shifted to the Heat Wave Festival, with Gregg discussing its legendary status and the performances, particularly by Teenage Head. The discussion highlighted Teenage Head's influence on other Canadian bands and the historical significance of the festival.

Karim engaged the guests in a conversation about their iconic song "This Beat Goes On/Switching to Glide," discussing its creation, structure, success on radio, and performance on American Bandstand. The conversation also touched on the humorous anecdote involving a dog named Sadie and her image on their album cover.

The episode concluded with discussions about the new single "There's nowhere to go but gone," the collaboration with producers for their new album "The Longest Story Ever Told," and plans for future projects. The conversation explored the evolving landscape of radio music formats, the blending of genres, and the challenges facing modern rock and alternative stations. The episode was marked by a spirit of collaboration, nostalgia, and enthusiasm for the future of music.

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Margo has built a career on her passion for both photography and blues music. She shared her personal journey, starting with her first blues concert and expanding to visiting clubs in Boston and Mississippi to fully immerse herself in the lives and stories of the musicians she admires. What began as a deep appreciation for the blues turned into a mission for Margo—to capture not just the performances but the personal histories of the musicians themselves. Her work has led her to encounter influential figures such as Luther "Guitar Jr." Johnson and members of the Muddy Waters Tribute Band.

As the conversation progressed, we dove deeper into Margo’s work, including her upcoming book, which is a treasure trove for blues enthusiasts. She explained how her background as a public defender fueled her desire to document the voices and lives of these musicians, ensuring their stories are told in their own words. Her transition from law to photography has opened doors to meaningful encounters and collaborations with both veteran and emerging musicians.

This episode was a whirlwind of topics—from rock concerts to photography exhibits to the rich history of blues music. With Margo Cooper’s stories and experiences as the centerpiece, it was a reminder of the power of storytelling through both music and photography, and how these mediums continue to shape our cultural understanding.

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The episode begins with Joel Plaskett discussing his new record and the changing relationship with the songs once they are released. Joel explored the impact of audience interpretation and the challenges of articulating the original intent without unraveling it. Joel also shared his experience with using analog technology to record his music, emphasizing the nostalgic and human qualities that the limitations of this technology bring to the recordings. We also engaged in a deep exploration of the theme of shadows and the tension of opposites in the record.

The conversation then shifted to Joel's cross Canada tour and his approach to presenting the new album. He expressed a preference for a relaxed atmosphere during the performances and discussed the potential impact of limiting phone use to enhance audience engagement. Additionally, Joel mentioned his intention to honor requests for older catalog songs while looking forward to showcasing the new material.

The episode concluded with Joel Plaskett sharing his excitement for the release of his new album and discussing his current musical preferences. He also delved into the artwork for his album, created by his wife, Rebecca Kraatz, and explained how it played a significant role in the album's creation.

Visit Joel Plaskett online at https://joelplaskett.com/

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Here's a recap of today's episode!

Hosts Gregg and Karim discussed their recent experiences at various shows. Karim shared his experience at the Storry concert, where he and his wife, Minaz, enjoyed the performance despite initial confusion about the event. They both expressed their enjoyment of the shows and Storry's performance.

Karim and Gregg discussed their recent experiences at music shows. Karim attended a Shaggy concert and a Trews concert, while Gregg planned to attend a Milky Chance and K-Flay concert. Karim also mentioned seeing the re-release of the Oasis documentary and his brother's upcoming trip to Wembley Stadium to see Oasis perform. They speculated about Oasis potentially opening with "Rock and Roll Star" and Kendrick Lamar possibly bringing Oasis to the Super Bowl halftime show. Gregg mentioned a 20% probability of Oasis splitting up before completing their tour, and they discussed how betting money would impact the probability.

Karim and Gregg discussed the dynamic pricing issue with Ticketmaster, comparing it to Uber's surge pricing during mass shootings. Karim suggested that bands and musicians are making as much money as they can due to the decline in music streaming revenue, and the high ticket prices are a result of this. Gregg mentioned that fans are willing to pay high prices for special events like an Oasis concert.

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Bif also shares her passion for animal welfare and health-related charities, including her personal experiences with breast cancer. She offers insightful advice for those interested in social justice and activism. Bif reflects on her honorary doctorates, the influence of her father on her educational pursuits, and her thoughts on maintaining a positive outlook.

This episode is a must-listen for fans of Bif Naked and anyone interested in music, social activism, and the challenges of navigating the digital age. Tune in for a mix of personal anecdotes, professional insights, and Bif's vibrant energy as she talks about her love for dance music, her eclectic musical influences, and where to catch her upcoming gigs.

Key Topics:

- Casual Conversation and Birthday Wishes

- Bif Naked's Journey to Releasing Her Album

- Discussion on the Song "Jim"

- Makeup and Hair Talk, Touring Experience

- Reflections on Education and Titles

- Maintaining Positivity

- Bif Naked's Digital Dilemma and Musical Projects

- Charity Work and Social Justice

- Bif Naked's Music Preferences and Where to Find Her Music

Join us for an insightful and entertaining conversation with Bif Naked, packed with stories, advice, and laughter. Don't forget to subscribe, rate, and review on Apple Podcasts! 🎧🎤

https://herroyalmajestys.com/bif-naked/music/

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Orpheus shared his love for the 60s era and the depth of artists from that time, contrasting it with the current music scene. He emphasized the importance of artists having something meaningful to say and shared his musical influences, including Prince, Rick James, Thames, Emily King, and Miles Davis.

Orpheus also provided details on where people can find his music and follow his journey, highlighting his presence on various social media platforms and his upcoming book "Black Cherokee" for Simon & Schuster in New York.

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The episode began with Orin sharing his experiences working on the CBC's Olympic coverage, emphasizing the collaborative nature of the project and the diverse musical approaches required. This insight set the stage for a broader discussion about his career.

Orin recounted his early days playing in bands, leading to his transition into music production and television music direction. His work on shows like Canadian Idol and the Juno Awards showcased his adaptability and breadth of talent, illustrating the diverse opportunities within the music industry.

Orin argued that the sense of community built through shared musical experiences can be more impactful than formal education. This idea sparked a discussion about how personal and communal interactions in music foster growth and learning. They emphasized the significant role musical communities play in nurturing talent and passion.

The conversation touched on the connection between music and math, with Orin sharing how his musical background enhanced his math skills in practical situations. This discussion highlighted the cognitive benefits of musical training, suggesting that music can improve mathematical thinking.

Karim Kanji's conversation with Orin Isaacs offered a comprehensive look at his diverse career, the importance of musical communities, and the cognitive benefits of music. This episode stands out as a testament to the power of music in shaping careers, communities, and minds.

Stay tuned for more episodes of "Welcome To The Music," where we explore the stories behind the music with industry insiders and creative talents.

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Join hosts Karim Kanji and Jahaan Kanji on "Welcome to the Music" as they explore the remarkable journey of Celeigh Cardinal, a Canadian folk singer-songwriter from Alberta. Celeigh blends blues, folk, and R&B/Soul, achieving chart-topping success on platforms like the Indigenous Music Countdown and CBC Music Top 20 Countdown. Her debut album, "Everything and Nothing at All," received critical acclaim, solidifying her presence in the Canadian music scene.

In this episode, Celeigh shares her story, from the creation of her album "Boundless Possibilities" to winning the prestigious Juno Award in 2020. She discusses the deep passion and purpose behind each track, stating, "This is truly like the thing that I'm supposed to do. I had to pursue it because I'm miserable doing anything else."

Celeigh's music is a powerful conduit for Indigenous voices, paying homage to those often unheard. Rooted in her heritage, her artistry serves as a vessel for storytelling and healing, echoing the resilience of generations past while igniting hope for the future.

Beyond her musical achievements, Celeigh is committed to using her platform for positive change, advocating for social justice issues close to her heart. Her authenticity and passion inspire fans worldwide to embrace their unique journeys and make a difference in their communities.

Tune in to this captivating episode to discover more about Celeigh Cardinal's inspiring journey and the power of her music. For more about Celeigh, visit her official website at celeighcardinal.com.

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Val's technical expertise in vocal tracking and Katrina's creative input and communication skills were highlighted. They discussed strategies for reimagining classic songs and teased upcoming singles and albums. They also reflected on the nostalgia associated with music venues in Toronto and Los Angeles and the effects of urban development on these cultural spaces.

Check out the song here: https://tmapr.com/kwbde/

Katrina on Instagram: https://www.instagram.com/KatrinaMusic

Val on Instagram: https://www.instagram.com/valltd/

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Catching Up and Album Discussion

Keysha and Karim reminisce about the changes since the pandemic and express their surprise at the return to normalcy. They also discuss Keysha's upcoming album, "Pretty Boys Break My Heart,". Keysha shares that the album is personal and expresses her excitement for its release on August 16th.

Keysha's Album and Music Plans

Keysha shares details about her upcoming album, including the artists she worked with and the diverse themes explored in the music. She expresses her enthusiasm for performing the new music at local shows and emphasizes the significance of creating a cohesive album rather than just releasing singles. Additionally, she discusses her plans to release one or two songs before the album launch.

Collaboration on Children's Album

Keysha reflects on her confidence and connection to the character of Julia the Great, expressing her enthusiasm for the project. She highlights the challenges and joys of collaborating with Maestro Fresh Wes, emphasizing his creativity and their successful nomination for a Juno award.

Recognition of Hip Hop and Rap at the Junos

Keysha and Karim reflect on the recognition of hip hop and rap at the Junos, specifically mentioning the induction of a legend into the Canadian Music Hall of Fame and the celebration of 50 years of hip hop. They also discuss the team's efforts in highlighting the contributions of hip hop and rap, expressing appreciation for the hard work put in despite time constraints.

Impact of Bishop Brigante on Canadian Hip-Hop Culture

Karim Kanji inquires about Bishop Brigante's influence on Canadian rap and hip-hop culture. Keysha discusses Bishop's extensive history in the industry, his role as an entrepreneur, and his impact as a battle rapper, emphasizing his contributions to the scene and his ability to collaborate with prominent artists.

* Bishop Brigante and his impact on the rap and hip-hop culture in Canada

Importance of Women in the Music Industry

Keysha passionately emphasizes the pivotal role of women in hip hop, citing examples of female artists who have been instrumental in shaping the genre's history. She underscores the importance of recognizing and celebrating the contributions of women in the music industry, urging for their stories to be told and preserved for future generations.

* The evolution of hip hop and the contributions of various artists

* The importance of storytelling in hip hop history

Karim Kanji and Keysha Discuss Music and Future Album Release

Karim Kanji and Keysha engage in a lively conversation about their music preferences, with Keysha expressing her love for Afrobeats and promoting her upcoming album release, providing details on where to find her music and stay updated. Karim expresses enthusiasm and interest in staying connected with Keysha and looks forward to her new album release.

* Keysha's new album "Pretty Boys, Break My Heart"

https://keyshaonline.com/

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Gene shares insights into his illustrious music career and his latest EP, reminiscing about iconic lost music venues and their impact on his journey. He delves into his creative process, revealing his love for early 70s power pop and rock and roll, and the hands-on approach he took for his solo record—playing every instrument, and handling the recording, production, and engineering himself.

Listeners will get a behind-the-scenes look at Gene’s transition from band member to solo artist, and his methodical yet passionate approach to music creation. He describes his recording process in detail, from initial earworms to the assembly line production that brings his songs to life.

The episode also features a heartfelt discussion about overcoming illness. Gene and Karim share personal stories of resilience, the struggle for normalcy, and the joy of returning to simple pleasures like driving and walking. Their conversation is a testament to the human spirit's enduring drive to move forward and pursue passions despite challenges.

Tune in for an episode filled with inspiration, nostalgia, and a deep love for music.

Visit Gene online at: https://linktr.ee/genechampagne_official

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They also shared their experiences with music during the pandemic, with Shawn Clarke and Gregg Tilston expressing their mutual appreciation for Britney Spears' "Toxic" and discussing the characteristics of a great pop song. During the discussion, Shawn Clarke shared the origin of the album title "Softer Scissors," revealing that it came from an auditory hallucination and a recording process using an eight-track cassette recorder. He also performed "Tall Trees" live, offering a personal and emotive rendition that captures the depth of his songwriting. 

Visit Shawn's website here: https://www.shawnwilliamclarke.com/

Visit Shawn's Bandcamp here: https://shawnclarke.bandcamp.com/

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In this episode, we sit down with legendary musician Andy Kim for an insightful conversation about his life and career. Andy shares his thoughts on the importance of cherishing time with loved ones, living in the present moment, and not dwelling on missed opportunities. 

Episode Highlights:

- Value of Time: Andy discusses the preciousness of time and the significance of living life to the fullest.

- Journey from Montreal to New York: Hear about Andy's early life in Montreal and his bold move to New York City, driven by his passion for music.

- Influence of the Brill Building: Discover how the iconic Brill Building shaped Andy's musical career.

- Origins of "Rock Me Gently": Learn the fascinating story behind the creation of the hit song "Sugar Sugar" and its journey to commercial success.

- Starting His Own Record Company: Andy shares the challenges he faced in the music industry and his decision to start his own record company to get his music heard.

- Achieving Success: Listen to Andy recount how he took control of his career, leading to significant success on the Billboard charts and a resurgence in Canadian radio play.

- Personal Stories and Reflections: Andy opens up about his family background, the role of faith in his life, and his encounters with music legends like John Lennon.

Join us for this heartfelt episode as Andy Kim reflects on his incredible journey in the music industry, sharing wisdom and inspiration for aspiring artists and fans alike. 

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Gregg and Karim begin the Pre Show sharing their positive experiences at recent concerts and recommended the musical Beautiful Scars, praising the theatre and the story of Tom Wilson. The conversation also included a description of the theater and the outstanding music in the musical, as well as an encounter with Tom Wilson and his art installation, which left a lasting impression on Karim.

The discussion then shifted to Dan-e-o, a local hip hop legend, and his upcoming album release and a listening party. Dan-e-o and Karim discussed the influences and upbringing that shaped Dan-e-o's sound. Dan-e-o also reflected on his childhood experiences with vinyl records, emphasizing the impact of Bob Marley and Michael Jackson's Thriller on his love for music and entertainment.

The conversation then revolved around the transformative impact of technology on music production and distribution, with Dan-e-o highlighting the positive aspects of collaborating with artists from different parts of the world. He also addressed the downside of technology enabling laziness in music creation. The speakers also touched on the changing landscape of music distribution and the impact of technology on feuds and battles in the music industry, illustrating the profound influence of digital platforms on the dissemination of music to a global audience. The meeting ended with a powerful spoken word performance by Dan-e-o and a discussion about the promotion and availability of his album "Vigilante."

Check out Dan-e-o's work on his website -> https://urbnet.com/dan-e-o

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The episode begins with the Pre-Show with Gregg and Karim sharing their enthusiasm for live music while reminiscing about past concert experiences. 

Derry shared stories of the band's humble beginnings, their breakthrough in winning a contest and getting signed, and their subsequent success. 

Derry and Gregg engaged in a lively discussion about their encounters with influential musicians and their experiences collaborating with them. Derry shared stories about watching artists like Billy Gibbons, Steve Stevens, and Dave Navarro perform, expressing their admiration and respect for these musicians. Additionally, Derry recounted their interactions with Nuno Bettencourt, Rick Nielsen, and Michael McDonald, detailing the collaborative and inspiring moments they shared.

The conversation also touched on Derry’s involvement in recording for Frozen Ghost's first album and the connections he made with other musicians throughout their careers.

Follow Honeymoon Suite -> https://honeymoonsuiteband.com/

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They then introduced Rannie Turingan from the Vinyljunkie Podcast, and the conversation shifted to Rannie's impressive vinyl collection. The group also discussed their early encounters with vinyl collecting and their favourite live albums.

The conversation then turned to Record Store Day and upcoming releases, with the group expressing their enthusiasm for the new Pearl Jam album and specific releases they were looking forward to. They also discussed the opening of HMV mini shops in Toys R Us stores and Rannie's upcoming podcast interview with Derek Antonio from Pop Music.

Discussion on Music Preferences -

Rannie, Karim, and Gregg engage in a lively discussion about their music preferences, particularly regarding Neil Young and Rush. Rannie expresses a dislike for Rush, citing Geddy Lee's voice as a factor. Karim shares his recent interaction with Neil Young and explores the impact of vocal styles on music enjoyment, leading to a light-hearted exchange about potential show guests.

Vinyl Collecting Origins -

Rannie and Karim delve into their childhood experiences with vinyl collecting, recalling the influence of their fathers' record collections and the diverse range of music they were exposed to. They share anecdotes about visiting record stores and discovering new artists, emphasizing the formative role of vinyl in shaping their musical tastes and memories.

Sharing First Vinyl and Live Album Memories -

Rannie, Karim, and Gregg reminisce about their first vinyl purchases, with Rannie recalling Madonna's "Like a Prayer" and Gregg mentioning Michael Jackson's "Starting Something." They also discuss their favourite live albums, including U2's "Under a Blood Red Sky" and a rare Death Cab for Cutie record store release that Rannie cherishes.

Finding Time for Vinyl Listening -

Karim talks about his scheduled vinyl listening time and a game he plays with family members. Rannie mentions his current frequency of vinyl listening compared to the past, while Gregg shares that he listens to vinyl at the end of his working day.

Stories about Meeting the Barenaked Ladies -

Karim, Rannie, and Gregg discuss their encounters with the Barenaked Ladies, sharing stories of attending early gigs, meeting band members at different venues, and personal connections. They reflect on the band's humble beginnings and how Canadian celebrities live among the public.

Discussion on Record Store Day and upcoming releases -

Rannie, Gregg, and Karim engage in a lively discussion about Record Store Day and upcoming releases. They express their anticipation for new albums from artists like Pearl Jam and David Bowie, and share their plans for shopping on Record Store Day. Rannie also mentions specific releases he is looking forward to, including a Cranberries release and Dolores O'Riordan's solo album.

Rannie discusses his collection of Peter and the Wolf recordings, highlighting the different narrators and versions he has collected over the years.

Visit Rannie's show:    / @vinyljunkiepodcast  

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Join us as we explore Rob's fascinating journey from joining The Spoons at 15 to coaching Rami Malek in Bohemian Rhapsody. We cover everything from musical influences to the impact of CFNY and Spirit Radio on the scene.

Plus, we tackle the role of AI in pop music and the challenges of the industry while emphasizing the importance of passion over technicality.

Tune in for an insightful and nostalgic conversation! 🎶 #Podcast #MusicIndustry #Creativity #AI #Passion

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Yet, the conversation extends beyond individual experiences to explore broader industry themes. Grey candidly reflects on the challenges musicians face today, including the relentless pressure to conform to mainstream trends and the looming presence of AI in music creation. She emphasizes the importance of artistic integrity and staying true to oneself amidst an ever-changing landscape.

Grey also offers insights into her own creative process and the impact of the pandemic on her work.

Throughout the discussion, the importance of mentorship and influential figures in the industry becomes evident, with nods to renowned music producer Steve Lillywhite.

In essence, this episode sheds light on both the triumphs and tribulations encountered by modern-day musicians. From the quest for authenticity to navigating the evolving industry landscape, this discussion will resonate with aspiring artists and music enthusiasts alike, offering both inspiration and valuable insights.

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Karim Kanji and Gregg Tilston start the episode off by reflecting on the recent Juno Awards, expressing their enjoyment of the performances and the celebration of Scarborough.

They also discussed their upcoming interview with Ron Hawkins, lead singer of Lowest of the Low, and planned to ask him about his quotes, political themes in his songs, and his thoughts on the Junos. The meeting progressed with a brief discussion about past encounters and the start of the conversation with Ron Hawkins.

The conversation with Ron Hawkins covered a range of topics, including the impact of past successes on fan expectations, the changing dynamics of concert scheduling, and the evolving needs of the audience. Hawkins also shared his approach to balancing multiple projects and emphasized the importance of conveying a meaningful message through his music. The episode concluded with expressions of gratitude and anticipation for upcoming shows.

Lowest Of The Low is touring this spring! Check out dates starting April 2024 in St. Catherines, Toronto and more: https://lowestofthelow.com/site/tour/

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Meredith joined the meeting and discussed her musical influences, past hitchhiking experiences, and unique venue performances. She also opened up about her songwriting process and performed a song from her album, "Constellations."

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Karim Kanji in conversation with Adrian Sutherland from Attawapiskat.

The meeting began with a discussion about recent travels and the new album "Precious Diamonds." The album features two fully Cree songs and was recorded with a live band in Nashville. Adrian emphasized the importance of including songs in his native language for his indigenous fan base and the positive feedback received for the song in Cree. The conversation also touched on the significance of music as a means of self-expression and communication for performers, particularly in allowing them to convey emotions and aspects of their identity that may be challenging to express verbally.

The discussion then shifted to the difficulties faced by Adrian's community, including housing shortages, lack of clean water, and an opioid crisis.

Adrian Sutherland provided insights into his upcoming album release and live performance plans, highlighting his intention to play shows in Toronto, northwestern Ontario, Manitoba, and Quebec, as well as engage with schools and youth. The conversation concluded with information on where to find Adrian's music online.

http://AdrianSutherlandMusic.com

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Vin Rock is a founding member of the Grammy Award-winning American hip hop trio Naughty By Nature, which hails from East Orange, New Jersey. Born on September 17, 1970, he is known for his work with the group, which has produced iconic tracks like "O.P.P." and "Hip Hop Hooray".

This conversation took place in the fall of 2020.

Prior to Vin Rock joining the show’s hosts, Gregg and Karim delved into a detailed conversation about Post Malone's then recent collaboration with the Red Hot Chili Peppers, expressing varying opinions on his musical direction. They analyzed his potential shift from pop to rock music, speculating on his motivations and the impact on his fan base. The discussion also touched on the financial aspects of his choices and the surprise and curiosity surrounding his performance, with Grergg and Karim both  expressing skepticism and while also praising the unexpected move.

When Vin Rock joined the episode the conversation started with a conversation about the disproportionate effect of COVID-19 on African American and Latino communities, citing underlying health conditions and limited access to healthcare as contributing factors. They also highlighted efforts to support local communities and businesses during the pandemic, including the distribution of PPE and support for local restaurants. The conversation underscored the need for adaptation and support for vulnerable communities in the face of the pandemic's challenges.

The hosts then delved into a discussion about Vin’s  entrepreneurial endeavors, including the creation of an interactive e-book, the launch of a Google TV app, and the establishment of a new digitally driven record label. Vin underscored the importance of being independent and self-sufficient in the current market landscape, especially in the wake of the COVID-19 pandemic's impact on the entertainment and music industry. Additionally, Vin touched on the potential opportunities arising from the changing business environment, such as direct-to-consumer engagement and the evolving financial transactions landscape.

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In light of Wes Williams, also known as Maestro Fresh Wes, being named the recipient of the Governor General’s Award for Performing Arts, we revisit this noteworthy conversation. 

The episode commenced with Wes Williams and Karim Kanji indulging in reflections on their early encounters with music and the hip-hop culture. Wes recounted anecdotes about his father's music collection, acknowledging the influence of his grade four teacher and a close friend on his musical inclinations. He further elaborated on the profound impact of Michie Mee and Stevie B on his artistic journey, highlighting the instrumental role played by Electric Circus in securing his inaugural record deal.

The dialogue then transitioned into a discussion about the significance of utilizing music as a platform for social commentary. Wes underscored the imperative for artists to inspire and uplift through their musical endeavors. Both Wes and Karim fervently delved into topics surrounding the mistreatment of Indigenous peoples, racial injustice in Canada, systemic racism, and the lack of acknowledgment for black achievements. Their critique extended to the celebration of Thanksgiving and the disparities in media representation, emphasizing the pressing need for unity and empowerment within the black community.

The conversation also delved into personal experiences, including individual audition anecdotes and Maestro Fresh Wes's reflections on fatherhood and political satire within rap music. The audience actively participated in discussions about music and influences, posing inquiries about Living Colour and exploring the fusion of rap with other musical styles. This segment concluded with audience members sharing personal stories and directing questions to Maestro Fresh Wes, covering a range of topics including his impact on the Toronto hip-hop scene, aspirations in music, film, and literature, and his approach to engaging and inspiring young audiences.

This special live recording provided a comprehensive and captivating exploration of the evolution of hip-hop culture in Canada, the imperative of using music as a vehicle for social commentary, and the personal experiences and influences that have shaped Wes's artistic journey.

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Karim Kanji and Gregg Tilston welcome to the show, Mike Bruce and Andrew Lauzon from Grant Avennue Studio.

In a captivating virtual tour on Welcome To The Music, the Grant Avenue Studio control room unfolded its rich history, hosting a discussion on notable visitors, the essence of maintaining a "house sound," and personal anecdotes that breathed life into the studio's narrative.

Located in the heart of Hamilton, Mike and Andrew shared their journey of moving to the studio, offering a glimpse into the behind-the-scenes experiences that shaped their connection with the space. The discussion delved into the intricacies of the studio, featuring a comprehensive showcase of the mixing and editing suite, boasting both high-end gear and an affordable environment tailored for independent producers.

Mike Bruce and Andrew Lauzon not only shared personal stories connecting them to music but also unfolded their visionary plans for the studio's future. Their expansion includes services ranging from live streaming and podcasting to potential documentary production, marking a significant evolution for Grant Avenue Studio.

The discussion pivoted to the enduring charm of vintage gear in music production, with a keen focus on the unique sonic qualities of equipment like the Neumann M49B mic and an aged console. Unpacking the concept of "house sound," the Andrew passionately emphasized the irreplaceable value of vintage gear in crafting a distinct sonic signature that stands unparalleled.

The conversation resonated with the idea that a studio's historical legacy serves as a wellspring of inspiration for artists, underscoring the importance of continuing to craft new musical stories. The virtual journey concluded with a promising note about upcoming talent in Hamilton, hinting at the exciting prospects that lie ahead for the local music scene. The Grant Avenue Studio tour not only unveiled the technical marvels within its walls but also celebrated the essence of musical storytelling and its potential to shape the future of sound.

For more information visit: https://www.grantavenuestudio.com/

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The episode begins with a discussion on the creation of the Trans Cañada Highwaymen album Explosive Hits Vol 1, a K-Tel tribute album, sharing anecdotes about the song selection process, remote recording during the pandemic, and the creation of the infomercial for the album. They also explored the profound impact of growing up in Scarborough on Steven's musical influences and personal identity, discussing how the multicultural environment and music programs in Scarborough played a pivotal role in shaping his perspectives and ultimately contributed to the formation of the band the Barenaked Ladies. 

Steven Page shared personal anecdotes about his enduring friendship with fellow musicians, past collaborations, and current work on a new record. He also emotionally recounted the experience of singing Leonard Cohen's "Hallelujah" at Jack Layton's memorial service, expressing the pressure and honor of fulfilling Layton's request. Additionally, he performed a song from his recent album and discussed his regular live streams during the pandemic, where he plays his own songs and covers. 

The meeting also involved discussions about lost venues, Steven's music preferences, and the details of the upcoming show on Easter weekend.

For more information check out https://transcanadahighwaymen.ca/

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Henman recently wrote his memoir, High Adventure: Tales of Canadian Rock & Roll Survival. Get is book here: https://www.ritchiehenman.com/high-adventure

They congratulated Henman on his recent achievements in the Canadian Music Hall of Fame and Juno Hall of Fame. Henman reflected on his long-standing friendship with Myles Goodwyn, emphasizing their admiration for each other's musical abilities and stage presence. He also delved into his musical journey with his brother, David, and his decision to write the book, citing his concern about preserving his memories due to a family history of Alzheimer's.

The conversation then shifted to Henman's wife, Claire, and her profound impact on his musical career, with a hint at the potential for her to write a book about her remarkable adventures in the entertainment industry. They also discussed Henman's memories of playing in Sudbury and Ontario Place, as well as his diverse music preferences, ranging from classical composers to contemporary artists.

Topics discussed:

• Remembering Myles Goodwyn
• Ritchie's musical journey and evolution
• Motivation for writing the book
• Ritchie's wife's influence on his career
• Memories of Sudbury and Ontario Place
• Ritchie reads a paragraph from his book
• The music Ritchie listens to today

Image: https://www.ritchiehenman.com/

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The episode began with a discussion on the influence of drugs on the Grateful Dead and the philosophy of life that the band embodied. Ray explained why he chose to write a book about 50 shows and how he came up with the number. He also talked about the challenge of weaving short stories around each show around the band's timeline to tell the story. Ray discussed the aesthetic philosophy of the Grateful Dead and how they were beatniks rather than hippies.

Ray and Gregg also discussed the Grateful Dead's unique approach to music-making and how they attracted fans with their un-corporate, outsider image. They explored the tension between flirting with the mainstream and maintaining their misfit power, and the band's legacy in inspiring a sense of community and ceremony among fans. They also touched on the band's influence on other musicians, such as Pearl Jam and Chris Robinson, and the importance of encouraging bootleg culture in the current music industry.

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The meeting began with Karim Kanji and Gregg Tilston discussing the George Michael documentary (The Real George Michael) before introducing Simon Napier-Bell, who shared insights into George Michael's unique writing process and the making of the "Freedom" video. They also discussed George Michael's legal battle with Sony and his multilayered personality. Simon Napier-Bell explained his decision to let people who knew George Michael speak without any commentary in the documentary, and the group discussed the differences between American and British documentaries.

The conversation then shifted to the music industry's monetization methods and the importance of understanding contracts and fair deals. Simon Napier-Bell shared his experience of guiding Wham! to become the biggest group in the world in just one year, including the challenges he faced in making the band the first Western group to play in China. The group also discussed the complex personalities of George Michael and Sinead O'Connor and how they would like to be remembered.

In the final section of the meeting, Simon Napier-Bell shared his thoughts on the music industry and how it operates to sell music and monetize it. The participants wrapped up the conversation by discussing upcoming episodes and confirming email addresses, with a light-hearted and friendly tone throughout.

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Canadian rock band Odds released their seventh studio album, "Crash the Time Machine," co-produced by Steven Page earlier this year. The album explores themes of struggle and community, showcasing the band's evolution into new musical directions while maintaining their dark ironic signature.

The first track, "Staring at a Blank Page," is described as defiantly joyful, offering a perspective on overcoming immovable obstacles by altering one's own outlook.

Singer and guitarist Craig Northey emphasizes the significance of friendship as a form of immortality, acknowledging the collaborative influence of friends, including the late John Mann of Spirit of the West, on the album. The band, consisting of Northey, bassist Doug Elliott, drummer Pat Steward, and guitarist Murray Atkinson, reflects on their musical journey, rooted in the present but informed by a rich past dating back to their founding in 1987.

Odds gained recognition with their 1991 debut, "Neopolitan," and continued to achieve success with Gold-selling releases like "Bedbugs" in 1993 and Platinum-selling "Good Weird Feeling" in 1995. After a hiatus in 1999, they regrouped in 2007 to embark on the second chapter of their recording career with the release of "Cheerleader" in 2008.

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Topics:

• Tom Wilson's journey as a modern Mohawk artist
• Junkhouse's 30th Anniversary Re-release and Tour
• Tom Wilson talks about the upcoming ticketed shows for Junkhouse's 30th anniversary and the sentimental value of the band and Sony Music.
• He also discusses the loss of Dan Achen and the guitarists who have filled in for him.
• Karim Kanji and Tom Wilson discuss the importance of creating a comfortable environment for creativity. Wilson shares how his living room hosts writers and musicians, and how this environment breeds great ideas. He also talks about the renovation of Massey Hall and how it has affected the backstage and dressing rooms.
• Karim Kanji and Tom Wilson discuss the importance of celebrating indigenous culture and art, including Steve Salas' documentary "Rumble" and Wilson's upcoming play based on his book "Beautiful Scars." They also touch on the significance of telling indigenous stories and the impact of colonialism, with Wilson emphasizing the need to put Mohawk culture into the light and celebrate it. They also briefly mention Patrick Hunter, an artist who paints feathers.
• The influence of indigenous music on rock and roll
• The development of a play based on the book "Beautiful Scars"
• Karim Kanji asks Tom Wilson about his journey of creating art and educating people about truth and reconciliation. Wilson talks about how he is inspired 24/7 as a Mohawk, and how he has messages to get out. He emphasizes the need for people to open their hearts to one another and to stop being an authority over others, and to move away from sources like Twitter and Fox News.

JUNKHOUSE Tour Dates

November 29 - London Music Hall - London

November 30 - Maxwell’s - Waterloo

December 1 - Bridgeworks - Hamilton

December 2 - Horseshoe Tavern - Toronto

PHOTO: Marta-Hewson-Hamilton-City-Magazine

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We discuss Classified's music career spanning over 25 years, the creative process behind music production, Lost Venues, and Classified's recent music preferences.

We end off the conversation introducing Classified's latest single, "People," which is described as a song that brings people together over banging hip-hop beats and a unifying message.

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David McPherson joined the conversation to discuss his book on Canadian music facts, sharing interesting stories about musicians and their experiences in the industry. The group also talked about guitars and musicians, highlighting the importance of chance encounters and the role they can play in success.

The episode continued with David McPherson sharing an interesting story about the Maple Leaf Forever guitar, which was made using wood from a tree that inspired Canada's unofficial national anthem. He also discussed his upcoming book tour. The group discussed the Much Comes Out initiative and its significance in Canadian music history, as well as various topics related to music, including Neil Young's recording process and The Kings' performance at the Heatwave Festival. David McPherson shared the inspiring story of Adrian Sutherland, an artist who created his debut solo record during Covid using an old shipping container as a studio.

The episode concluded with David McPherson discussing his music preferences and promoting his book, "101 Fascinating Canadian Music Facts."

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Karim and Gregg also mention the performances of Trooper and Crown Lands, who nailed their respective songs. They also raved about the performances by Lee Aaron, Platinum Blonde, Rough Trade, Parachute Club, Chilliwack, Lighthouse and others.

The hosts also discuss their differing opinions on approaching famous musicians and rock stars. They discuss the Canadian culture of not bothering famous people and how it can be different in other countries. They also talk about the importance of being introduced to famous people through mutual friends rather than approaching them directly. 

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• Ed The Sock whose favourite memory was his time covering Woodstock 99
• Steve Anthony who reminisced about his annual Christmas tree tosses
• Monica Deol who spoke to us about meeting Tupac Shakur, doing Electric Circus live and sharing her success with her kids
• Sook-Yin Lee remembered going bonkers with former Much Music VJ, Bradford How
• Musician Andy Kim, also stopped to speak with us on the red carpet . He's responsible for hit songs such as Rock Me Gently and Baby I Love You. Don't miss his yearly Christmas Show fundraiser at Massey Hall
• Denise Donlon proudest moment was helping Much Music be the first mainstream broadcaster to have a float at Pride Day! She also clarified that a Eubie Blake video was first video shown on Much Music

Thanks to Laurie Januska for the photos!

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**Music Unleashed:**

Michael's fervent dedication to the world of music unfolded as he shared tales from his journey in the industry. The conversation danced through his experiences, his love for Living Color, and exciting news of their upcoming tour and album.

**Diversity and Independence in Music:**

The trio delved into deeper waters, discussing the paramount importance of diversity and independence in the music and media realms. Michael reminisced about the rock and roll radio stations of Cleveland and the warm, welcoming ambiance of Montreal.

**Future Ventures:**

The horizon appears promising for Michael, as he unveiled upcoming projects, including a highly anticipated Living Color tour and the potential for an engaging radio show. His vision of an all-request concert series and residencies across Canada ignited the imaginations of all involved.

**A Road Less Traveled:**

The trio also took a fascinating detour into Michael's early music career in Vancouver, where he served as a road and tour manager for bands like Pointed Sticks and Payolas. His fervor for music and the desire to share it with fans shone brightly, through his innovative festival, the Slocan City International Music and Art Festival, and his passion for DJing.

**An Engaging Symphony:**

In the end, this meeting wasn't just a simple exchange of words. It was a vivacious symphony of thoughts, ideas, and anecdotes that brought the world of music and the experiences of those within it to life. Dive into this captivating conversation, and discover the soul of the music industry like never before.

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The upcoming release AHEM is a metaphorical throat clearing, a demand for attention, and a commanding of the floor. While 52 SONGS was a 52-course meal, the four tracks on AHEM are a power snack, like a banana with a Red Bull chaser, an amuse-bouche for the ears. Lead singles “Dive In”, “Everygirl” and now “Waiting on a Sign That’s Already There” are compelling fun and introspective songs about self-belief, pursuing love, and embracing the weird and wonderful in life.

Image: Cassandra Popescu

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Soon, Hermania was a global phenomenon. Harvey had found his vocation. In this uproarious, frank and moving autobiography, he reveals the excesses of life on the road with Herman’s Hermits; the frustration of championing unknowns Tim Rice and Andrew Lloyd Webber; the highs and lows of managing the brilliant 10cc; the utter madness of looking after snooker bad boys Alex ‘Hurricane’ Higgins and Jimmy ‘Whirlwind’ White and much, much more. Many other artists benefitted from Harvey’s guidance during this time, including Tony Christie, Barclay James Harvest, Sad Café and the Chameleons.

“I’m Into Something Good “is his account of a life that started in Salford and ended up in Palm Springs; a life in which he travelled the world, met heroes and villains, fulfilled his dreams, spent a fortune on good living, family and friends, and never took himself or his achievements too seriously.

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There may be no more joyous iteration in all of music than 1980s hard rock. It was an era where the musical and cultural ideals of rebellion and freedom of the great rock ’n’ roll of the ’50s, ’60s, and ’70s were taken to dizzying heights of neon excess. Attention to songcraft, showmanship, and musical virtuosity (especially in the realm of the electric guitar) were at an all-time high, and radio and MTV were delivering the goods en masse to the corn-fed children of America and beyond.

Time hasn’t always been kind to artists of that gold and platinum era, but Don’t Call It Hair Metal analyzes the sonic evolution, musical diversity, and artistic intention of ’80s commercial hard rock through interviews with members of such hard rock luminaries as Twisted Sister, Def Leppard, Poison, Whitesnake, Ratt, Skid Row, Quiet Riot, Guns N’ Roses, Dokken, Mr. Big, and others.

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With unprecedented access to the MuchMusic archives, “299 Queen Street West” tells the story of a scrappy television upstart from the perspective of the VJ’s. At the time, they had no prior TV hosting experience, were given no scripts, no direction and went live to air across the country.

The channels rise in popularity intersected with rap music entering the mainstream, the birth of grunge and alternative rock and pop stars caused teenage hysteria at the iconic street level studio.

Directed by Sean Menard (The Carter Effect), the feature doc dives into the storied MuchMusic archives with interviews from ground-breaking VJs who helped shape the brand and inspire generations of music fans

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But, like many of us, the fallout from the pandemic left Lily seriously questioning her future as a creative entity. Was there any point in carrying on if there were no opportunities to play shows? Was this the time to throw in the towel and move in a different direction?

As Lily searched for answers, loyal fans, promoters and her neighbour, producer Aaron Goldstein (Daniel Romano, Le Ren, Lee Harvey Osmond) convinced her she was a “lifer” and that there was so much music she still needed to share. Aarons’s drive convinced Lily to gather all the best songs from her overflowing arsenal and they set to work bringing together her raw and real piano-based material. The results are contained on Decompression, a Lily Frost album unlike anything else in her catalogue.

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They re-invent those nostalgic sounds and feelings from the genre’s history, while adding modern elements and a different energy. Judgement's music focuses on topics that are surrounded by societal issues that they feel are often judged or overlooked, including mental illness, domestic violence, personal growth, society's expectations, and equality to name a few.

Judgement was 2018's recipient of the Best Emerging Artist Award at the first annual Oshawa Music Awards. In addition to this acknowledgment, the band was awarded a Certificate of Congratulations by The House Of Commons Canada for their efforts.

Listen and Watch their latest single: FACELESS - https://www.youtube.com/watch?v=5IT7y7eu8LA

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Raised in a military family, he played his first competitive baseball in Newfoundland and Labrador, and, with the family now in San Antonio, Texas, Gibby, a catcher, developed into a first-round draft pick of the New York Mets. While Gibbons only played 18 major league games, he did earn a World Series ring as the 1986 Mets bullpen catcher and knew all the characters from that team, including Doc Gooden, Darryl Strawberry, Lenny Dykstra, and Gary Carter. In 1990, Gibby began his journey as a coach and manager. An old teammate, J.P. Ricciardi, hired him to work with the Jays, and he moved his way up the ranks and into the hearts of baseball fans.

https://welcometothemusic.com/

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Her current research has her combining her roots in occupational biomechanics and neurophysiology with her love of music to study drummers. The drum set is arguably the most physically intense instrument to play, which leads to lots of interesting questions about drummers' athleticism, performance, and injuries.

Her overall goal is to do for drummers what sport science is doing for athletes: She wants to help them achieve their peak performance while reducing their risk of injuries.

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Canadian musician Marc Jordan, known for writing the classic pop hit "Rhythm of My Heart" for Rod Stewart, has announced the release of his new solo album "Waiting for the Sun to Rise" on April 21, 2023. The album features jazz-tinged, original songs arranged for piano and orchestra by acclaimed producer Lou Pomanti, with trumpet solos from Grammy-winning artist Randy Brecker. Jordan's new album also includes cover versions of Tears For Fears' "Everybody Wants to Rule the World" and The Blue Nile's "The Downtown Lights."

Jordan has worked with several renowned producers, recorded with Lunch at Allen's, and starred in the film Score: A Hockey Musical with Olivia Newton-John.

He is married to singer-songwriter Amy Sky.

Photo by Marc Lostracco

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WIMC is a registered non-profit organization, who has the aim to fostering gender equality in the music industry through the support and advancement of female identifying professionals. Their goal is to strengthen the social-economic and creative balance of the music industry by providing resources FREE to our membership and the greater community.

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Skye Wallace is a Canadian singer-songwriter who has carved a niche for herself with her ability to blend rock, folk and pop into a unique and refreshing sound. Her guitar playing skills are also a notable feature, with the ability to create memorable moments on stage. Her live performances are electrifying and guaranteed to leave you feeling exhilarated.

Her latest album, Terribly Good, is a candid self-exploration that invites listeners to join her on a journey of self-discovery. Wallace's ability to stare down the harder takes and own her mistakes is a testament to her authenticity and honesty. The album is bookended by songs that explore the turbulence of Wallace's inner voyage through spiraling galaxies. Opener "Tooth & Nail" sets the tone for the album, with its grungy, determined sound, while album closer "Tear A Piece (Bite Me)" is an acerbic double dog dare, a take-down of those who keep the gates shut.

The album is not without its gentler moments, with songs like "Everything Is Fine," a sorcery of transforming uncertainty into confidence, and "Keeper," a song ironically about letting go. "The Doubt" is the song that most directly names and tames intrusive thoughts, and finds Skye at her darkest moment of feeling unworthy.

Shaped by an upbringing of constant motion and a career that has seen her tour the country endlessly with respected acts such as Matt Mays and Crown Lands, Wallace is at home with the idea that change, especially in oneself, is a constant. This truism has shaped these new songs, finished during lockdown but dealing with a time when staying in one place was wishful thinking. For Wallace, there's both comfort and conflict in remembering and reconciling the versions of herself formed at the many stops along the way.

Terribly Good is Wallace's Six Shooter Records debut, and showcases her skill at creating a visceral and honest sound that permeates equal parts Courtney Barnett, Patti Smith, and Neil Young's Marshall Stack era. The album is a testament to Skye's willingness to explore the messiness of life and the beauty of growing and moving through it.

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Ed The Sock is a Canadian television personality and puppet character created and performed by Steven Kerzner. Ed is a cigar-smoking, sock puppet who first rose to prominence in the 1990s as the host of the late-night talk show "Fromage," which aired on the Citytv network in Toronto, Canada.

Ed quickly gained a following for his irreverent and often controversial commentary on popular culture, politics, and current events, which he delivered with a no-holds-barred attitude and a sharp wit. He also interviewed a variety of celebrity guests on the show, ranging from musicians to actors to politicians, and was known for his unapologetic style of questioning.

After "Fromage" ended, Ed went on to host several other television shows, including "Ed's Nite In," "This Movie Sucks!," and "I Hate Hollywood," among others. He also appeared on several Canadian news programs as a commentator and has made appearances on various radio shows and podcasts.

Ed is known for his satirical and often provocative sense of humor, and has been involved in several controversies over the years. However, he has continued to maintain a strong presence in Canadian media, and is beloved by many for his unique brand of humor and commentary.

Overall, Ed The Sock is a beloved and iconic figure in Canadian pop culture, known for his irreverent humor, sharp commentary, and willingness to tackle controversial topics. He continues to be a major influence in the Canadian entertainment industry and remains a fixture in the hearts and minds of many Canadians.

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Other side notes and interesting facts!

• Studied opera at University of Toronto
• Spent time growing up and studying in between Toronto and Montreal, and now divides time between Canada and London, UK
• Multidisciplinary artist that creates oil paintings (primarily portraits), animation films 
• Loves cooking plant-based foods
• Has directed her own music videos including animating a Claymation called Up, which has been featured in numerous film festivals – read on here.
• Certified yoga instructor. 
• Loves animals and chocolate - dark chocolate (72-85% to be precise!)

This episode also includes a special Performance of You Don’t Know Me.

STORRY also shared a glimpse of her new album, Chapter 2: Run.

Find STORRY online at https://www.storrymusic.com/.

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Until now, Spark of Desire has never been available on streaming services. However, on a lucky trip to his well-organized storage space during the pandemic, Ward found the master tapes, and Warner Music Canada was able to bake them back into existence and remaster this delightful debut.

The single, “Once In A Longtime” was written when Ward was just your average, ambitious kid trying to make it in the biz. “In 1975 I was scuffling,” Ward remembers. “Writing songs late at night and by day chasing whatever gigs I could find on the Toronto singer-songwriter circuit. I regularly pestered record companies with my latest demo tapes, which were created in dingy basements, taking my dog with me to appointments.”

Like fans of classic singer-songwriters of the 1970s, Ward is aware that Spark of Desire has continued through the decades as a beloved album, even if it hasn’t been readily available. “To this day, the songs get played on the radio and, I know from the reaction that I see online, hold a special place in many people’s hearts,” Ward says. “For this, I’m grateful.”

As far as resumes go, Ward’s is among the nation’s most prolific: He was a recording artist throughout the ’70s, a television icon and founding VJ through the ’80s, and a hit songwriter in the ’90s. He’s written songs for many – including Diana Ross, Amanda Marshall, Colin James, and the Backstreet Boys – as well as for CTV’s Instant Star, the Degrassi franchise, Cirque du Soleil, and more. His songs have been performed on Idol shows around the world, and he’s won a JUNO Award for Songwriter of the Year. Ward has also authored three novels and an oral history of MuchMusic titled Is This Live?. He also co-hosts a podcast called Famous Lost Words.

His album Spark of Desire, featuring the single “Once In A Longtime,” is available now.

Image: Susan Willemsen

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Daniel Mangan (born April 28, 1983) is a Canadian musician. He has won two Juno Awards and has toured extensively throughout North America, Europe and Australia, having released 5 studio LPs and numerous EPs and singles. He has scored for feature film, as well as television for Netflix and AMC. He is also a co-founder of Side Door, a marketplace platform connecting artists with alternative venue spaces for in-person & online shows.

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Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.