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		<title>At The Mermaid</title>
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		<copyright>Home of Metal </copyright>
		<itunes:keywords>Music,Grindcore,Oral History,Birmingham,Mermaid,Napalm Death</itunes:keywords>
		<itunes:author>Home of Metal</itunes:author>
		<itunes:subtitle>A history of The Mermaid pub in Sparkhill, in Birmingham - and the music played there.</itunes:subtitle>
		<itunes:summary><![CDATA[<p><a href="www.homeofmetal.com" rel="noopener noreferrer" target="_blank">Home of Metal</a> presents 'At The Mermaid'. The Mermaid was a large, dilapidated pub in Sparkhill, a working-class neighbourhood three miles south of Birmingham city centre. The laid-back landlords welcomed teenage punks, hippies and rockers to play weirdo music in the upstairs room, charging very little money for very bad cider. The Mermaid became a hub of DIY music scene in the 1980s, with £1 gigs, punk all-dayers, 'zine and tape swapping. It was also a site of political education for many, and hunt saboteurs gathered at the Mermaid before taking direct action.</p><p>&nbsp;</p><p>In creating this podcast, we interviewed people who were part of the Mermaid scene, featuring contributions from Justin Broadrick (Napalm Death, Godflesh, Final), Nicholas Bullen (Napalm Death), Stig C Miller (Amebix), Steve Charlesworth (Heresy), Steve Watson (Cerebral Fix), Mark Freeth (Ausgang) and more musicians and fans who made the Mermaid a vital place for underground music.</p><p>&nbsp;</p><p>Music heritage is all about the stories we tell around these little scenes, shining a torch on underground histories that could otherwise be forgotten in a haze of scrumpy and mushrooms.</p><br><p>Created by <a href="https://homeofmetal.com/" rel="noopener noreferrer" target="_blank">Home of Metal</a>, presented by Sarah Lafford, produced by <a href="https://twitter.com/alicerosy" rel="noopener noreferrer" target="_blank">Alice Rosenthal</a>.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		<description><![CDATA[<p><a href="www.homeofmetal.com" rel="noopener noreferrer" target="_blank">Home of Metal</a> presents 'At The Mermaid'. The Mermaid was a large, dilapidated pub in Sparkhill, a working-class neighbourhood three miles south of Birmingham city centre. The laid-back landlords welcomed teenage punks, hippies and rockers to play weirdo music in the upstairs room, charging very little money for very bad cider. The Mermaid became a hub of DIY music scene in the 1980s, with £1 gigs, punk all-dayers, 'zine and tape swapping. It was also a site of political education for many, and hunt saboteurs gathered at the Mermaid before taking direct action.</p><p>&nbsp;</p><p>In creating this podcast, we interviewed people who were part of the Mermaid scene, featuring contributions from Justin Broadrick (Napalm Death, Godflesh, Final), Nicholas Bullen (Napalm Death), Stig C Miller (Amebix), Steve Charlesworth (Heresy), Steve Watson (Cerebral Fix), Mark Freeth (Ausgang) and more musicians and fans who made the Mermaid a vital place for underground music.</p><p>&nbsp;</p><p>Music heritage is all about the stories we tell around these little scenes, shining a torch on underground histories that could otherwise be forgotten in a haze of scrumpy and mushrooms.</p><br><p>Created by <a href="https://homeofmetal.com/" rel="noopener noreferrer" target="_blank">Home of Metal</a>, presented by Sarah Lafford, produced by <a href="https://twitter.com/alicerosy" rel="noopener noreferrer" target="_blank">Alice Rosenthal</a>.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
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			<itunes:name>Home of Metal</itunes:name>
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				<title>At The Mermaid</title>
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			<title><![CDATA[4 - Punk's Not Dead]]></title>
			<itunes:title><![CDATA[4 - Punk's Not Dead]]></itunes:title>
			<pubDate>Thu, 22 Jun 2023 03:30:01 GMT</pubDate>
			<itunes:duration>53:10</itunes:duration>
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			<itunes:subtitle>We explore the lasting impact of The Mermaid</itunes:subtitle>
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			<itunes:episode>4</itunes:episode>
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			<description><![CDATA[<p>Our final episode looks at the lasting impact of The Mermaid, and its effects on people's lives.  What it meant to be an outsider, and the power to be gained from finding your people. To create this podcast, we interviewed people who were part of the Mermaid scene, including Justin Broadrick (Napalm Death, Godflesh, Final), Nicholas Bullen (Napalm Death), Stig C. Miller (Amebix), Steve Charlesworth (Heresy), Steve Watson (Cerebral Fix), Mark Freeth (Ausgang) and more musicians and fans who made the Mermaid a vital place for underground music.</p><p>&nbsp;</p><p>Music heritage is all about the stories we tell around these little scenes, shining a torch on underground histories that could otherwise be forgotten in a haze of scrumpy and mushrooms.</p><br><p>Created by <a href="https://homeofmetal.com/" rel="noopener noreferrer" target="_blank">Home of Metal</a>, presented by Sarah Lafford, produced by <a href="https://twitter.com/alicerosy" rel="noopener noreferrer" target="_blank">Alice Rosenthal</a>.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Our final episode looks at the lasting impact of The Mermaid, and its effects on people's lives.  What it meant to be an outsider, and the power to be gained from finding your people. To create this podcast, we interviewed people who were part of the Mermaid scene, including Justin Broadrick (Napalm Death, Godflesh, Final), Nicholas Bullen (Napalm Death), Stig C. Miller (Amebix), Steve Charlesworth (Heresy), Steve Watson (Cerebral Fix), Mark Freeth (Ausgang) and more musicians and fans who made the Mermaid a vital place for underground music.</p><p>&nbsp;</p><p>Music heritage is all about the stories we tell around these little scenes, shining a torch on underground histories that could otherwise be forgotten in a haze of scrumpy and mushrooms.</p><br><p>Created by <a href="https://homeofmetal.com/" rel="noopener noreferrer" target="_blank">Home of Metal</a>, presented by Sarah Lafford, produced by <a href="https://twitter.com/alicerosy" rel="noopener noreferrer" target="_blank">Alice Rosenthal</a>.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>3 - Louder, Faster, Noisier</title>
			<itunes:title>3 - Louder, Faster, Noisier</itunes:title>
			<pubDate>Thu, 15 Jun 2023 03:30:43 GMT</pubDate>
			<itunes:duration>54:05</itunes:duration>
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			<itunes:subtitle>A journey through the loud, fast and noisy gigs at The Mermaid</itunes:subtitle>
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			<itunes:episode>3</itunes:episode>
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			<description><![CDATA[<p>In this episode we hear about the iconic gigs at The Mermaid - it's seen by many as the birthplace of grindcore - and there was lots of other noise being made in this pub in Sparkhill too. Napalm Death were regulars on the stage, but, it seems, they weren't responsible for the loudest gig ever to be played on that corner of the Stratford Road... To create this podcast, we interviewed people who were part of the Mermaid scene, including Justin Broadrick (Napalm Death, Godflesh, Final), Nicholas Bullen (Napalm Death), Stig C. Miller (Amebix), Steve Charlesworth (Heresy), Steve Watson (Cerebral Fix), Mark Freeth (Ausgang) and more musicians and fans who made the Mermaid a vital place for underground music.</p><p>&nbsp;</p><p>Music heritage is all about the stories we tell around these little scenes, shining a torch on underground histories that could otherwise be forgotten in a haze of scrumpy and mushrooms.</p><br><p>Created by <a href="https://homeofmetal.com/" rel="noopener noreferrer" target="_blank">Home of Metal</a>, presented by Sarah Lafford, produced by <a href="https://twitter.com/alicerosy" rel="noopener noreferrer" target="_blank">Alice Rosenthal</a>.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode we hear about the iconic gigs at The Mermaid - it's seen by many as the birthplace of grindcore - and there was lots of other noise being made in this pub in Sparkhill too. Napalm Death were regulars on the stage, but, it seems, they weren't responsible for the loudest gig ever to be played on that corner of the Stratford Road... To create this podcast, we interviewed people who were part of the Mermaid scene, including Justin Broadrick (Napalm Death, Godflesh, Final), Nicholas Bullen (Napalm Death), Stig C. Miller (Amebix), Steve Charlesworth (Heresy), Steve Watson (Cerebral Fix), Mark Freeth (Ausgang) and more musicians and fans who made the Mermaid a vital place for underground music.</p><p>&nbsp;</p><p>Music heritage is all about the stories we tell around these little scenes, shining a torch on underground histories that could otherwise be forgotten in a haze of scrumpy and mushrooms.</p><br><p>Created by <a href="https://homeofmetal.com/" rel="noopener noreferrer" target="_blank">Home of Metal</a>, presented by Sarah Lafford, produced by <a href="https://twitter.com/alicerosy" rel="noopener noreferrer" target="_blank">Alice Rosenthal</a>.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>2 - Punks, Politics, Performance</title>
			<itunes:title>2 - Punks, Politics, Performance</itunes:title>
			<pubDate>Thu, 08 Jun 2023 03:30:12 GMT</pubDate>
			<itunes:duration>58:09</itunes:duration>
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			<itunes:subtitle>A look at the political side of the Mermaid - and the backdrop of 1980s Birmingham</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>2</itunes:episode>
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			<description><![CDATA[<p>In this episode we learn more about The Mermaid - how it was a hub for some groups - and the political background of 1980s Birmingham. The Mermaid was a hub for alternative thinking aswell as music, and is seen by many as the birthplace of grindcore. To create this podcast, we interviewed people who were part of the Mermaid scene, including Justin Broadrick (Napalm Death, Godflesh, Final), Nicholas Bullen (Napalm Death), Stig C. Miller (Amebix), Steve Charlesworth (Heresy), Steve Watson (Cerebral Fix), Mark Freeth (Ausgang) and more musicians and fans who made the Mermaid a vital place for underground music.</p><p>&nbsp;</p><p>Music heritage is all about the stories we tell around these little scenes, shining a torch on underground histories that could otherwise be forgotten in a haze of scrumpy and mushrooms.</p><br><p>Created by <a href="https://homeofmetal.com/" rel="noopener noreferrer" target="_blank">Home of Metal</a>, presented by Sarah Lafford, produced by <a href="https://twitter.com/alicerosy" rel="noopener noreferrer" target="_blank">Alice Rosenthal</a>.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode we learn more about The Mermaid - how it was a hub for some groups - and the political background of 1980s Birmingham. The Mermaid was a hub for alternative thinking aswell as music, and is seen by many as the birthplace of grindcore. To create this podcast, we interviewed people who were part of the Mermaid scene, including Justin Broadrick (Napalm Death, Godflesh, Final), Nicholas Bullen (Napalm Death), Stig C. Miller (Amebix), Steve Charlesworth (Heresy), Steve Watson (Cerebral Fix), Mark Freeth (Ausgang) and more musicians and fans who made the Mermaid a vital place for underground music.</p><p>&nbsp;</p><p>Music heritage is all about the stories we tell around these little scenes, shining a torch on underground histories that could otherwise be forgotten in a haze of scrumpy and mushrooms.</p><br><p>Created by <a href="https://homeofmetal.com/" rel="noopener noreferrer" target="_blank">Home of Metal</a>, presented by Sarah Lafford, produced by <a href="https://twitter.com/alicerosy" rel="noopener noreferrer" target="_blank">Alice Rosenthal</a>.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>1 - Setting the Stage</title>
			<itunes:title>1 - Setting the Stage</itunes:title>
			<pubDate>Thu, 01 Jun 2023 03:30:14 GMT</pubDate>
			<itunes:duration>49:56</itunes:duration>
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			<itunes:subtitle>An introduction to The Mermaid</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>1</itunes:episode>
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			<description><![CDATA[<p>In this episode we're introduced to The Mermaid, a large dilapidated pub in Sparkhill, in Birmingham. In the 1980s it was a hub for alternative music, and is seen by many as the birthplace of grindcore. To create this podcast, we interviewed people who were part of the Mermaid scene, including Justin Broadrick (Napalm Death, Godflesh, Final), Nicholas Bullen (Napalm Death), Stig C. Miller (Amebix), Steve Charlesworth (Heresy), Steve Watson (Cerebral Fix), Mark Freeth (Ausgang) and more musicians and fans who made the Mermaid a vital place for underground music.</p><p>&nbsp;</p><p>Music heritage is all about the stories we tell around these little scenes, shining a torch on underground histories that could otherwise be forgotten in a haze of scrumpy and mushrooms.</p><br><p>Created by <a href="https://homeofmetal.com/" rel="noopener noreferrer" target="_blank">Home of Metal</a>, presented by Sarah Lafford, produced by <a href="https://twitter.com/alicerosy" rel="noopener noreferrer" target="_blank">Alice Rosenthal</a>.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode we're introduced to The Mermaid, a large dilapidated pub in Sparkhill, in Birmingham. In the 1980s it was a hub for alternative music, and is seen by many as the birthplace of grindcore. To create this podcast, we interviewed people who were part of the Mermaid scene, including Justin Broadrick (Napalm Death, Godflesh, Final), Nicholas Bullen (Napalm Death), Stig C. Miller (Amebix), Steve Charlesworth (Heresy), Steve Watson (Cerebral Fix), Mark Freeth (Ausgang) and more musicians and fans who made the Mermaid a vital place for underground music.</p><p>&nbsp;</p><p>Music heritage is all about the stories we tell around these little scenes, shining a torch on underground histories that could otherwise be forgotten in a haze of scrumpy and mushrooms.</p><br><p>Created by <a href="https://homeofmetal.com/" rel="noopener noreferrer" target="_blank">Home of Metal</a>, presented by Sarah Lafford, produced by <a href="https://twitter.com/alicerosy" rel="noopener noreferrer" target="_blank">Alice Rosenthal</a>.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>At The Mermaid - Trailer</title>
			<itunes:title>At The Mermaid - Trailer</itunes:title>
			<pubDate>Wed, 24 May 2023 15:43:23 GMT</pubDate>
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			<link>http://www.homeofmetal.com</link>
			<acast:episodeId>646e309e4c586000121b7387</acast:episodeId>
			<acast:showId>646e2f974c586000121b51ac</acast:showId>
			<acast:episodeUrl>at-the-mermaid-trailer</acast:episodeUrl>
			<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmbKbhgrQiwYShz70Q9/ffXZMTtedvdcRQbP4eiLMjXzCKLPjEYLpGj+NMVKa+5C8pL4u/EOj1Vw4h5MMJYp0lCcFAe0fnxBJy/1ju4Qxy1fh8gO4DvlGA40yms2g0/hOkcrfHIopjTygHFqGwwOPKFIai4SuTvs86Lx3UYCyl6ZsBMOO03R0v1EKkLpN6XQQ/zKv2kiSk/hVOOsUYbu3JVSqMbNi/xk0MZidTp1doRUj2YaAUmaiEuaQ+Ei7rC0uj/PKsR9l2tP022sSl7KoYuPLIG+Tbl42s7K2IdIEuKiR]]></acast:settings>
			<itunes:subtitle>Coming soon</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>1</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/cover/1684942611178-f43e1ca00e1ab9e3659a6e6441860117.jpeg"/>
			<description><![CDATA[<p>&nbsp;</p><p>Home of Metal presents 'At The Mermaid'. The Mermaid was a large, dilapidated pub in Sparkhill, a working-class neighbourhood three miles south of Birmingham city centre. The laid-back landlords welcomed teenage punks, hippies and rockers to play weirdo music in the upstairs room, charging very little money for very bad cider. The Mermaid became a hub of DIY music scene in the 1980s, with £1 gigs, punk all-dayers, zine and tape swapping. It was also a site of political education for many, and hunt saboteurs gathered at the Mermaid before taking direct action.</p><p>&nbsp;</p><p>In creating this podcast, we interviewed people who were part of the Mermaid scene, featuring contributions from Justin Broadrick (Napalm Death, Godflesh, Final), Nicholas Bullen (Napalm Death), Stig C Miller (Amebix), Steve Charlesworth (Heresy), Steve Watson (Cerebral Fix), Mark Freeth (Ausgang) and more musicians and fans who made the Mermaid a vital place for underground music.</p><p>&nbsp;</p><p>Music heritage is all about the stories we tell around these little scenes, shining a torch on underground histories that could otherwise be forgotten in a haze of scrumpy and mushrooms.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>&nbsp;</p><p>Home of Metal presents 'At The Mermaid'. The Mermaid was a large, dilapidated pub in Sparkhill, a working-class neighbourhood three miles south of Birmingham city centre. The laid-back landlords welcomed teenage punks, hippies and rockers to play weirdo music in the upstairs room, charging very little money for very bad cider. The Mermaid became a hub of DIY music scene in the 1980s, with £1 gigs, punk all-dayers, zine and tape swapping. It was also a site of political education for many, and hunt saboteurs gathered at the Mermaid before taking direct action.</p><p>&nbsp;</p><p>In creating this podcast, we interviewed people who were part of the Mermaid scene, featuring contributions from Justin Broadrick (Napalm Death, Godflesh, Final), Nicholas Bullen (Napalm Death), Stig C Miller (Amebix), Steve Charlesworth (Heresy), Steve Watson (Cerebral Fix), Mark Freeth (Ausgang) and more musicians and fans who made the Mermaid a vital place for underground music.</p><p>&nbsp;</p><p>Music heritage is all about the stories we tell around these little scenes, shining a torch on underground histories that could otherwise be forgotten in a haze of scrumpy and mushrooms.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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    	<itunes:category text="History"/>
		<itunes:category text="Arts">
			<itunes:category text="Performing Arts"/>
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