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		<title>Shows that Go On</title>
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		<copyright>Malika Browne</copyright>
		<itunes:keywords>exhibitions, culture,art ,museums,shows  ,galleries ,architecture,curator</itunes:keywords>
		<itunes:author>Malika Browne</itunes:author>
		<itunes:subtitle>Landmark Exhibitions </itunes:subtitle>
		<itunes:summary><![CDATA[Why do some museum exhibitions achieve  legendary status? Why are some shows still talked and thought about long after they are over? From Tutankhamen (1972) to Francis Bacon (1988), from the Surrealists exhibition (1923) to Sensation (1997), in every episode I discuss a show that changed everything with an expert. <hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		<description><![CDATA[Why do some museum exhibitions achieve  legendary status? Why are some shows still talked and thought about long after they are over? From Tutankhamen (1972) to Francis Bacon (1988), from the Surrealists exhibition (1923) to Sensation (1997), in every episode I discuss a show that changed everything with an expert. <hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
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			<itunes:name>Malika Browne</itunes:name>
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				<title>Shows that Go On</title>
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			<title>S3:E4 Constantinople in Olympia, London 1893</title>
			<itunes:title>S3:E4 Constantinople in Olympia, London 1893</itunes:title>
			<pubDate>Mon, 30 Mar 2026 18:40:53 GMT</pubDate>
			<itunes:duration>44:50</itunes:duration>
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			<itunes:subtitle>In this episode, Malika Browne talks to Andrew Finkel about Constantinople or The Revels of the East, at Olympia in 1893</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>3</itunes:season>
			<itunes:episode>4</itunes:episode>
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			<description><![CDATA[<p><br></p><p>Andrew’s novel: The Adventure of the Second Wife is published by Even Keel Press.</p><p> <a href="https://www.cornucopia.net/store/books/the-adventure-of-the-second-wife/" rel="noopener noreferrer" target="_blank">https://www.cornucopia.net/store/books/the-adventure-of-the-second-wife/</a></p><br><p>This is a Froody Music production. </p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p><br></p><p>Andrew’s novel: The Adventure of the Second Wife is published by Even Keel Press.</p><p> <a href="https://www.cornucopia.net/store/books/the-adventure-of-the-second-wife/" rel="noopener noreferrer" target="_blank">https://www.cornucopia.net/store/books/the-adventure-of-the-second-wife/</a></p><br><p>This is a Froody Music production. </p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>S3:E3 Lutyens, The Work of the English Architect </title>
			<itunes:title>S3:E3 Lutyens, The Work of the English Architect </itunes:title>
			<pubDate>Fri, 23 Jan 2026 16:42:49 GMT</pubDate>
			<itunes:duration>46:49</itunes:duration>
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			<itunes:subtitle>In this episode Malika Browne talks to Clive Aslet about the landmark exhibition about Sir Edwin Lutyens at the Hayward Gallery in 1981 </itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>3</itunes:season>
			<itunes:episode>3</itunes:episode>
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			<description><![CDATA[<p>In this episode Malika Browne talks to former Country Life editor, architectural writer and podcaster Clive Aslet, about the Edwin Lutyens exhibition at the Hayward Gallery in London in 1981. The exhibition was huge, immersive, and led to a reappraisal of Sir Edwin Lutyens as a great English architect. Its success also led to the founding of the Lutyens Trust.</p><br><p>www.lutyenstrust.org.uk</p><p>www.<a href="https://lutyenstrustamerica.com/" rel="noopener noreferrer" target="_blank">lutyenstrustamerica.com</a></p><br><p><u>Further Reading:</u></p><p>Sir Edwin Lutyens: Britain’s Greatest Architect? By Clive Aslet. Triglyph Books 2024</p><br><p><u>Further Listening:</u></p><p><a href="https://open.spotify.com/episode/0r4BTNzAzBUazclUALqqKa?si=otC85t8WRFGvb3zkLePTHA" rel="noopener noreferrer" target="_blank">https://open.spotify.com/episode/0r4BTNzAzBUazclUALqqKa?si=otC85t8WRFGvb3zkLePTHA</a></p><br><p>This is a www.froodymusic.com production, recorded and edited by Martin Lumsden </p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode Malika Browne talks to former Country Life editor, architectural writer and podcaster Clive Aslet, about the Edwin Lutyens exhibition at the Hayward Gallery in London in 1981. The exhibition was huge, immersive, and led to a reappraisal of Sir Edwin Lutyens as a great English architect. Its success also led to the founding of the Lutyens Trust.</p><br><p>www.lutyenstrust.org.uk</p><p>www.<a href="https://lutyenstrustamerica.com/" rel="noopener noreferrer" target="_blank">lutyenstrustamerica.com</a></p><br><p><u>Further Reading:</u></p><p>Sir Edwin Lutyens: Britain’s Greatest Architect? By Clive Aslet. Triglyph Books 2024</p><br><p><u>Further Listening:</u></p><p><a href="https://open.spotify.com/episode/0r4BTNzAzBUazclUALqqKa?si=otC85t8WRFGvb3zkLePTHA" rel="noopener noreferrer" target="_blank">https://open.spotify.com/episode/0r4BTNzAzBUazclUALqqKa?si=otC85t8WRFGvb3zkLePTHA</a></p><br><p>This is a www.froodymusic.com production, recorded and edited by Martin Lumsden </p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>S3:E2 Jim Dine: London 1966</title>
			<itunes:title>S3:E2 Jim Dine: London 1966</itunes:title>
			<pubDate>Wed, 26 Nov 2025 13:36:25 GMT</pubDate>
			<itunes:duration>26:19</itunes:duration>
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			<itunes:subtitle>In this episode, Malika Browne talks to Harriet Vyner, co-founder of Cheerio Publishing and author of Groovy Bob: The Life and Times of Robert Fraser, about a notorious exhibition at the Robert Fraser Gallery in Duke Street, London in 1966.</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>3</itunes:season>
			<itunes:episode>2</itunes:episode>
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			<description><![CDATA[<p>Note: explicit content! </p><p>In this episode, Malika Browne talks to Harriet Vyner, co-founder of Cheerio Publishing and author of Groovy Bob: The Life and Times of Robert Fraser, about an exhibition at the Robert Fraser Gallery in Duke Street, London in 1966. The show was of prints by Jim Dine, on which he collaborated with Eduardo Paolozzi, and it was shut down by the police on grounds of obscenity. A must-listen for anyone interested in Swinging London, in the art world, and in the fascinating figure of Robert Fraser.</p><p>This episode has been generously supported by Cheerio Publishing. Visit Www.cheeriopublishing.com to learn more about their publications and films. </p><br><p>#RobertFraser #JimDine #EduardoPaolozzi #MichaelCooper #BrianRobertson #RolandPenrose #BrianClarke #RollingStones #MickJagger #JohnLennon #ColinSelf #RichardHamilton </p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Note: explicit content! </p><p>In this episode, Malika Browne talks to Harriet Vyner, co-founder of Cheerio Publishing and author of Groovy Bob: The Life and Times of Robert Fraser, about an exhibition at the Robert Fraser Gallery in Duke Street, London in 1966. The show was of prints by Jim Dine, on which he collaborated with Eduardo Paolozzi, and it was shut down by the police on grounds of obscenity. A must-listen for anyone interested in Swinging London, in the art world, and in the fascinating figure of Robert Fraser.</p><p>This episode has been generously supported by Cheerio Publishing. Visit Www.cheeriopublishing.com to learn more about their publications and films. </p><br><p>#RobertFraser #JimDine #EduardoPaolozzi #MichaelCooper #BrianRobertson #RolandPenrose #BrianClarke #RollingStones #MickJagger #JohnLennon #ColinSelf #RichardHamilton </p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>S3: E1: Exposition Universelle, Paris 1900 </title>
			<itunes:title>S3: E1: Exposition Universelle, Paris 1900 </itunes:title>
			<pubDate>Tue, 16 Sep 2025 22:00:35 GMT</pubDate>
			<itunes:duration>53:35</itunes:duration>
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			<itunes:subtitle><![CDATA[Malika Browne talks to Muriel Zagha, writer, broadcaster and co-host of the podcast Garlic & Pearls about the Exposition Universelle in Paris, in 1900]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>3</itunes:season>
			<itunes:episode>1</itunes:episode>
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			<description><![CDATA[<p>In this episode Malika Browne talks to writer and broadcaster Muriel Zagha about the spectacular Exposition Universelle that transformed Paris in 1900, and discusses how it created the image of Paris as the City of Lights. A must-listen for anyone who loves Paris, who is interested in French culture, and anyone who is fascinated by world expos! </p><br><p><u>Further Reading:</u></p><p>Paul Morand, 1900</p><p>Albert Robida, Le Vingtième Siècle (1883), La Guerre au Vingtième Siècle (1887), Le Vingtième Siècle (la Vie électrique) (1890)</p><br><p>Watch:</p><p>Colourised footage of the Trottoir Roulant at the Expo <a href="https://youtu.be/VvMH0sGQh8M" rel="noopener noreferrer" target="_blank">https://youtu.be/VvMH0sGQh8M</a> </p><br><p><strong>This is a Froody Music production. Thank you to Martin Lumsden for producing. </strong></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode Malika Browne talks to writer and broadcaster Muriel Zagha about the spectacular Exposition Universelle that transformed Paris in 1900, and discusses how it created the image of Paris as the City of Lights. A must-listen for anyone who loves Paris, who is interested in French culture, and anyone who is fascinated by world expos! </p><br><p><u>Further Reading:</u></p><p>Paul Morand, 1900</p><p>Albert Robida, Le Vingtième Siècle (1883), La Guerre au Vingtième Siècle (1887), Le Vingtième Siècle (la Vie électrique) (1890)</p><br><p>Watch:</p><p>Colourised footage of the Trottoir Roulant at the Expo <a href="https://youtu.be/VvMH0sGQh8M" rel="noopener noreferrer" target="_blank">https://youtu.be/VvMH0sGQh8M</a> </p><br><p><strong>This is a Froody Music production. Thank you to Martin Lumsden for producing. </strong></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>S2:E6 Britain can make it, 1946</title>
			<itunes:title>S2:E6 Britain can make it, 1946</itunes:title>
			<pubDate>Thu, 08 May 2025 22:47:17 GMT</pubDate>
			<itunes:duration>36:57</itunes:duration>
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			<itunes:subtitle>In this episode Malika Browne talks to Harriet Atkinson of Brighton university about a landmark exhibition in 1946 that was the precursor to (and perhaps eclipsed by?) the Festival of Britain in 1951 and the emergence of postwar British design </itunes:subtitle>
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			<itunes:season>2</itunes:season>
			<itunes:episode>6</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6577144059a0980012c9531d/1746702640651-644f57b6-4809-492b-8f02-887108aba8ca.jpeg"/>
			<description><![CDATA[<p><br></p><p><strong>King George VI opening the exhibition</strong>: <a href="https://www.youtube.com/watch?v=vRkHfgP9gRQ" rel="noopener noreferrer" target="_blank">https://www.youtube.com/watch?v=vRkHfgP9gRQ</a></p><br><p><strong>Harriet Atkinson is AHRC Leadership Fellow and Senior Lecturer in History of Art and Design at University of Brighton</strong></p><br><p><strong>Her latest book is Showing resistance: Propaganda and Modernist exhibitions in Britain, 1933–53</strong></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p><br></p><p><strong>King George VI opening the exhibition</strong>: <a href="https://www.youtube.com/watch?v=vRkHfgP9gRQ" rel="noopener noreferrer" target="_blank">https://www.youtube.com/watch?v=vRkHfgP9gRQ</a></p><br><p><strong>Harriet Atkinson is AHRC Leadership Fellow and Senior Lecturer in History of Art and Design at University of Brighton</strong></p><br><p><strong>Her latest book is Showing resistance: Propaganda and Modernist exhibitions in Britain, 1933–53</strong></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>S2: E5 The Weather Project, 2003</title>
			<itunes:title>S2: E5 The Weather Project, 2003</itunes:title>
			<pubDate>Wed, 09 Apr 2025 14:56:55 GMT</pubDate>
			<itunes:duration>32:34</itunes:duration>
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			<acast:episodeUrl>the-weather-project</acast:episodeUrl>
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			<itunes:subtitle>Malika Browne talks to Will Gompertz about The Weather Project, Tate Modern in 2003 </itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>2</itunes:season>
			<itunes:episode>5</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6577144059a0980012c9531d/1744209717816-eeb107d2-06a5-43ec-9b43-6e7c91430c4b.jpeg"/>
			<description><![CDATA[<p>In this episode Malika Browne talks to art historian, author and museum director Will Gompertz about Olafur Eliasson’s unforgettable installation in the Turbine Hall at Tate Modern in 2003. Was it an exhibition in the strictest sense of the word? Or was it an installation, a happening or even an ‘environment’?  It was certainly a landmark event in London that decade. Will worked at Tate at the time, and has fascinating insights into the exhibition and how it came about. </p><br><p><br></p><p>This is a Froody Music production. Thanks to Martin Lumsden</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode Malika Browne talks to art historian, author and museum director Will Gompertz about Olafur Eliasson’s unforgettable installation in the Turbine Hall at Tate Modern in 2003. Was it an exhibition in the strictest sense of the word? Or was it an installation, a happening or even an ‘environment’?  It was certainly a landmark event in London that decade. Will worked at Tate at the time, and has fascinating insights into the exhibition and how it came about. </p><br><p><br></p><p>This is a Froody Music production. Thanks to Martin Lumsden</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>S2: E4 Cybernetic Serendipity, 1968</title>
			<itunes:title>S2: E4 Cybernetic Serendipity, 1968</itunes:title>
			<pubDate>Wed, 26 Feb 2025 14:00:00 GMT</pubDate>
			<itunes:duration>33:49</itunes:duration>
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			<acast:episodeUrl>cybernetic-serendipity</acast:episodeUrl>
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			<itunes:subtitle><![CDATA[Malika Browne talks to Melanie Lenz, digital curator of the V&A about Cybernetic Serendipity at the ICA in 1968]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>2</itunes:season>
			<itunes:episode>4</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6577144059a0980012c9531d/1740577798502-91b821dc-e47e-4c14-b7fe-679ba2d9fc27.jpeg"/>
			<description><![CDATA[<p>In this episode Malika Browne talks to Melanie Lenz, digital curator at the V&amp;A about the groundbreaking exhibition Cybernetic Serendipity at the ICA in `London in 1968 in a discussion that explores the origins and the military uses of cybernetics, the difference between cybernetics and AI, and the effect this show had on its visitors in the pre-computer age.</p><br><p><strong>DO NOT MISS Electric Dreams at Tate Modern on til 1st June 2025, about art and technology before the internet. It has a whole room about Cybernetic Serendipity! </strong></p><br><p><u>Further Reading:</u></p><p><a href=" https://www.historyofinformation.com/detail.php?entryid=1089 " rel="noopener noreferrer" target="_blank">"Cybernetic Serendipity": The First Widely-Attended International Exhibition of Computer Art</a></p><p><a href="https://www.youtube.com/watch?v=n8TJx8n9UsA" rel="noopener noreferrer" target="_blank">Seven minute piece of footage from 1968 of curator Jasia Reichardt explaining her fascinating show </a></p><br><p>This is a Froody Music production. Thanks to Martin Lumsden</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode Malika Browne talks to Melanie Lenz, digital curator at the V&amp;A about the groundbreaking exhibition Cybernetic Serendipity at the ICA in `London in 1968 in a discussion that explores the origins and the military uses of cybernetics, the difference between cybernetics and AI, and the effect this show had on its visitors in the pre-computer age.</p><br><p><strong>DO NOT MISS Electric Dreams at Tate Modern on til 1st June 2025, about art and technology before the internet. It has a whole room about Cybernetic Serendipity! </strong></p><br><p><u>Further Reading:</u></p><p><a href=" https://www.historyofinformation.com/detail.php?entryid=1089 " rel="noopener noreferrer" target="_blank">"Cybernetic Serendipity": The First Widely-Attended International Exhibition of Computer Art</a></p><p><a href="https://www.youtube.com/watch?v=n8TJx8n9UsA" rel="noopener noreferrer" target="_blank">Seven minute piece of footage from 1968 of curator Jasia Reichardt explaining her fascinating show </a></p><br><p>This is a Froody Music production. Thanks to Martin Lumsden</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>S2: E3 Sensation, 1997</title>
			<itunes:title>S2: E3 Sensation, 1997</itunes:title>
			<pubDate>Sat, 21 Dec 2024 12:16:09 GMT</pubDate>
			<itunes:duration>48:56</itunes:duration>
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			<acast:episodeUrl>s2-e3-sensation-1997</acast:episodeUrl>
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			<itunes:subtitle>Malika Browne talks to Dr Ben Street about the Sensation show at the Royal Academy in 1997</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>2</itunes:season>
			<itunes:episode>3</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6577144059a0980012c9531d/1734782796558-41b33d50-31f3-46c5-9ee4-64f59d2e289d.jpeg"/>
			<description><![CDATA[<p><br></p><p>In this episode Malika Browne talks to art historian and author Dr Ben Street about the shocking exhibition Sensation at the Royal Academy in London in 1997, and describes the rise of the YBAs (Young British Artists) and what a pivotal moment it was for British art in the decade when the UK was dubbed Cool Britannia. </p><br><p><u>Further Reading:</u></p><p>Lucky Kunst by Gregor Muir</p><br><p>This is a Froody Music production. Thanks to Martin Lumsden </p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p><br></p><p>In this episode Malika Browne talks to art historian and author Dr Ben Street about the shocking exhibition Sensation at the Royal Academy in London in 1997, and describes the rise of the YBAs (Young British Artists) and what a pivotal moment it was for British art in the decade when the UK was dubbed Cool Britannia. </p><br><p><u>Further Reading:</u></p><p>Lucky Kunst by Gregor Muir</p><br><p>This is a Froody Music production. Thanks to Martin Lumsden </p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>S2: E2 The Great Exhibition 1851</title>
			<itunes:title>S2: E2 The Great Exhibition 1851</itunes:title>
			<pubDate>Wed, 20 Nov 2024 22:43:21 GMT</pubDate>
			<itunes:duration>43:59</itunes:duration>
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			<acast:episodeId>673e5f6493bec8617f577bbf</acast:episodeId>
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			<acast:episodeUrl>s2-e2-the-great-exhibition-of-1851</acast:episodeUrl>
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			<itunes:subtitle>Malika Browne talks to A N Wilson about the Great Exhibition of 1851</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>2</itunes:season>
			<itunes:episode>2</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6577144059a0980012c9531d/1732144222308-6c916cac-aa18-40d6-a5b0-8820f39d6791.jpeg"/>
			<description><![CDATA[<p>In this episode Malika Browne talks to journalist, novelist and biographer A N Wilson about the Great Exhibition of 1851, which took place in Hyde Park over six months and attracted over 6 million visitors. The profit from the wildly popular international commercial exhibition led to the founding of London’s now famous South Kensington museums, and the area known as Albertopolis. The Royal Commission for the 1851 exhibition goes on to this day, dispensing grants to scientists.</p><br><p><u>Further Reading:</u></p><p>Prince Albert: The man who saved the monarchy by A N Wilson</p><p>The World for a Shilling by Michael Leapman</p><br><p><a href="https://royalcommission1851.org/" rel="noopener noreferrer" target="_blank">https://royalcommission1851.org/</a></p><br><p>This is a Froody Music production. Thanks to Martin Lumsden </p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode Malika Browne talks to journalist, novelist and biographer A N Wilson about the Great Exhibition of 1851, which took place in Hyde Park over six months and attracted over 6 million visitors. The profit from the wildly popular international commercial exhibition led to the founding of London’s now famous South Kensington museums, and the area known as Albertopolis. The Royal Commission for the 1851 exhibition goes on to this day, dispensing grants to scientists.</p><br><p><u>Further Reading:</u></p><p>Prince Albert: The man who saved the monarchy by A N Wilson</p><p>The World for a Shilling by Michael Leapman</p><br><p><a href="https://royalcommission1851.org/" rel="noopener noreferrer" target="_blank">https://royalcommission1851.org/</a></p><br><p>This is a Froody Music production. Thanks to Martin Lumsden </p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>S2: E1 Manet and the Post Impressionists 1910</title>
			<itunes:title>S2: E1 Manet and the Post Impressionists 1910</itunes:title>
			<pubDate>Wed, 23 Oct 2024 12:54:50 GMT</pubDate>
			<itunes:duration>43:28</itunes:duration>
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			<acast:episodeId>6718e5b083ac9fccac0778ec</acast:episodeId>
			<acast:showId>6577144059a0980012c9531d</acast:showId>
			<acast:episodeUrl>s2-ep1-manet-and-the-post-impressionists</acast:episodeUrl>
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			<itunes:subtitle>Malika Browne talks to David Boyd Haycock about the Manet and Post Impressionists show in 1910.</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>2</itunes:season>
			<itunes:episode>1</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6577144059a0980012c9531d/1729688074383-2c74ec58-fde1-41e0-97b7-738cda923bf4.jpeg"/>
			<description><![CDATA[<p>In this episode, art historian and curator David Boyd Haycock describes Roger Fry’’s legendary exhibition, Manet and the Post Impressionists held at the Grafton Galleries in 1910. In her essay Mr Bennett and Mrs Brown, Virginia Woolf wrote that on or about 1910, “human character changed”, a statement generally accepted to be a reference to the Post Impressionists show. </p><br><p><u>Further Reading:</u></p><p>A Crisis of Brilliance by David Boyd Haycock</p><p>Roger Fry, an autobiography by Virginia Woolf </p><p>The Sultan of Zanzibar by Martyn Downer about the spectacular hoaxes of Horace de Vere Cole, including the Dreadnought Hoax of 1910. </p><p>Mr Bennett and Mrs Brown - an essay by Virginia Woolf</p><br><p>This is an Ictus Media production, edited by Leo Hornak and produced by Howie Shannon </p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode, art historian and curator David Boyd Haycock describes Roger Fry’’s legendary exhibition, Manet and the Post Impressionists held at the Grafton Galleries in 1910. In her essay Mr Bennett and Mrs Brown, Virginia Woolf wrote that on or about 1910, “human character changed”, a statement generally accepted to be a reference to the Post Impressionists show. </p><br><p><u>Further Reading:</u></p><p>A Crisis of Brilliance by David Boyd Haycock</p><p>Roger Fry, an autobiography by Virginia Woolf </p><p>The Sultan of Zanzibar by Martyn Downer about the spectacular hoaxes of Horace de Vere Cole, including the Dreadnought Hoax of 1910. </p><p>Mr Bennett and Mrs Brown - an essay by Virginia Woolf</p><br><p>This is an Ictus Media production, edited by Leo Hornak and produced by Howie Shannon </p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>S1: E6 The Armory Show, 1913</title>
			<itunes:title>S1: E6 The Armory Show, 1913</itunes:title>
			<pubDate>Tue, 09 Jul 2024 09:45:41 GMT</pubDate>
			<itunes:duration>37:53</itunes:duration>
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			<acast:episodeId>668d023bd6a41d01e73e1030</acast:episodeId>
			<acast:showId>6577144059a0980012c9531d</acast:showId>
			<acast:episodeUrl>s1-e6-the-armory-show-1913</acast:episodeUrl>
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			<itunes:subtitle>Malika Browne talks to Dr Irene Walsh about the landmark International Exhibition of Modern Art (better known as the Armory Show) in New York in 1913</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>6</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6577144059a0980012c9531d/1720517802678-a68e0a2615a2d2371228f32e04cc16a0.jpeg"/>
			<description><![CDATA[<p>In this episode, art historian Irene Walsh describes the now legendary Armory Show of 1913 in New York City. Irene wrote her PhD on art collector Lillie P Bliss, and she tells us about the groundbreaking show's shock value, the mockery that surrounded some of the paintings in it, and their unexpected effects on the American public and the art market. She tells us how the show led to the founding of New York's MoMa in 1929.</p><br><p><u>Further Reading:</u></p><p><strong>The Story of the Armory Show</strong> by Milton W Brown, Abbeville Press Inc.,U.S. 1988</p><p><strong>The Armory Show at 100: Modernism and Revolution</strong> by Kushner, Orcutt and Blake, 2013</p><p>The chapter on the Armory show in <strong>The Shock of the New: Seven Historic Exhibitions of Modern Art </strong>by Ian Dunlop, 1972</p><br><p><strong>This is an Ictus Media production, edited by Leo Hornak</strong></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode, art historian Irene Walsh describes the now legendary Armory Show of 1913 in New York City. Irene wrote her PhD on art collector Lillie P Bliss, and she tells us about the groundbreaking show's shock value, the mockery that surrounded some of the paintings in it, and their unexpected effects on the American public and the art market. She tells us how the show led to the founding of New York's MoMa in 1929.</p><br><p><u>Further Reading:</u></p><p><strong>The Story of the Armory Show</strong> by Milton W Brown, Abbeville Press Inc.,U.S. 1988</p><p><strong>The Armory Show at 100: Modernism and Revolution</strong> by Kushner, Orcutt and Blake, 2013</p><p>The chapter on the Armory show in <strong>The Shock of the New: Seven Historic Exhibitions of Modern Art </strong>by Ian Dunlop, 1972</p><br><p><strong>This is an Ictus Media production, edited by Leo Hornak</strong></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>S1: E5 Seeing Salvation, 2000</title>
			<itunes:title>S1: E5 Seeing Salvation, 2000</itunes:title>
			<pubDate>Sun, 02 Jun 2024 09:51:05 GMT</pubDate>
			<itunes:duration>39:28</itunes:duration>
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			<acast:episodeId>665c3f226dda780012f5c7ff</acast:episodeId>
			<acast:showId>6577144059a0980012c9531d</acast:showId>
			<acast:episodeUrl>s1-e5-seeing-salvation-2000</acast:episodeUrl>
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			<itunes:subtitle>Malika Browne talks to Dr Xavier Bray about the surprise hit of 2000: Seeing Salvation at the National Gallery</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>5</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6577144059a0980012c9531d/1717321498972-e19a3d31db1c171ec66f70446a767a8c.jpeg"/>
			<description><![CDATA[<p>In this episode, guest Dr Xavier Bray, director of the Wallace Collection, describes the surprise hit exhibition in London in 2000: Seeing Salvation, Image of Christ, at the National Gallery. He shares his memories of being an assistant (and very junior) curator of the show and explains why images of Christ still resonate and matter. He talks about the impact of art on us and suggests what sort of exhibition the world perhaps needs at this troubled time.</p><br><p><strong><u>Further Reading:</u></strong></p><p>The Image of Christ: The Catalogue of the Exhibition "Seeing Salvation" (National Gallery of London) by Gabriele Finaldi (2000-11-10)</p><p>Seeing Salvation by Neil MacGregor and Erika Langmuir (2000)</p><br><p><strong>This is an Ictus Media production, edited by Leo Hornak</strong></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode, guest Dr Xavier Bray, director of the Wallace Collection, describes the surprise hit exhibition in London in 2000: Seeing Salvation, Image of Christ, at the National Gallery. He shares his memories of being an assistant (and very junior) curator of the show and explains why images of Christ still resonate and matter. He talks about the impact of art on us and suggests what sort of exhibition the world perhaps needs at this troubled time.</p><br><p><strong><u>Further Reading:</u></strong></p><p>The Image of Christ: The Catalogue of the Exhibition "Seeing Salvation" (National Gallery of London) by Gabriele Finaldi (2000-11-10)</p><p>Seeing Salvation by Neil MacGregor and Erika Langmuir (2000)</p><br><p><strong>This is an Ictus Media production, edited by Leo Hornak</strong></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>S1:E4 Beaton Portraits, 1968</title>
			<itunes:title>S1:E4 Beaton Portraits, 1968</itunes:title>
			<pubDate>Fri, 31 May 2024 15:29:46 GMT</pubDate>
			<itunes:duration>46:57</itunes:duration>
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			<link>https://shows.acast.com/shows-that-go-on-landmark-exhibitions/episodes/s1e4-beaton-portraits-1928-1968</link>
			<acast:episodeId>6659e7276db2e000120a0a2e</acast:episodeId>
			<acast:showId>6577144059a0980012c9531d</acast:showId>
			<acast:episodeUrl>s1e4-beaton-portraits-1928-1968</acast:episodeUrl>
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			<itunes:subtitle>Malika Browne talks to Susanna Brown about the enormous impact of Beaton Portraits at the National Portrait Gallery in 1968, the first photography show in a museum in Britain.</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>4</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6577144059a0980012c9531d/1717167905288-c2ce2ba8b8a5e09931ec2555b457cb6e.jpeg"/>
			<description><![CDATA[<p><br></p><p>In this episode, guest Susanna Brown explains why the Cecil Beaton show of 1968 was groundbreaking, both for photography as an art, as well as for the National Portrait Gallery. Both its content and its design changed the museum, exhibitions, and photograph in Britain forever.</p><br><p><u>Further Reading: </u></p><p>Cecil Beaton's diaries in 6 parts in particular The Parting Years: 1963-74, Sapere Books, 2018</p><p>The Roy Strong Diaries 1967-1987, Weidenfeld &amp; Nicholson 1997</p><p>Beaton's Bright Young Things, Robin Muir, National Portrait Gallery, 2020</p><br><p><br></p><p>Beaton by Bailey - watch on Youtube</p><br><p><br></p><p><strong>This is an Ictus Media production, edited by Leo Hornak</strong></p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p><br></p><p>In this episode, guest Susanna Brown explains why the Cecil Beaton show of 1968 was groundbreaking, both for photography as an art, as well as for the National Portrait Gallery. Both its content and its design changed the museum, exhibitions, and photograph in Britain forever.</p><br><p><u>Further Reading: </u></p><p>Cecil Beaton's diaries in 6 parts in particular The Parting Years: 1963-74, Sapere Books, 2018</p><p>The Roy Strong Diaries 1967-1987, Weidenfeld &amp; Nicholson 1997</p><p>Beaton's Bright Young Things, Robin Muir, National Portrait Gallery, 2020</p><br><p><br></p><p>Beaton by Bailey - watch on Youtube</p><br><p><br></p><p><strong>This is an Ictus Media production, edited by Leo Hornak</strong></p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>S1: E3 54-64 Painting and Sculpture of a Decade 1964</title>
			<itunes:title>S1: E3 54-64 Painting and Sculpture of a Decade 1964</itunes:title>
			<pubDate>Tue, 30 Apr 2024 08:39:43 GMT</pubDate>
			<itunes:duration>23:08</itunes:duration>
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			<link>https://shows.acast.com/shows-that-go-on-landmark-exhibitions/episodes/54-64-painting-and-sculpture-of-a-decade</link>
			<acast:episodeId>66300669cc81b80012c33dbb</acast:episodeId>
			<acast:showId>6577144059a0980012c9531d</acast:showId>
			<acast:episodeUrl>54-64-painting-and-sculpture-of-a-decade</acast:episodeUrl>
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			<itunes:subtitle><![CDATA[Malika Browne talks to Ian Dunlop about the landmark exhibition of painting and sculpture at London's Tate in 1964, at the height of London's Swinging Decade]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>3</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6577144059a0980012c9531d/1715076537328-b0c6a5396a6c64d969e6842207d6714b.jpeg"/>
			<description><![CDATA[<p>Malika Browne talks to former art critic Ian Dunlop about the landmark art show for Swinging London at the Tate, in 1964 for which the museum's Duveen Galleries were turned into a claustrophobic labyrinth of new art from America and Europe, putting London firmly on the art map.</p><br><p><strong><u>Further reading:</u></strong></p><br><p><strong><em>The Shock of the New: Seven Historic Exhibitions of Modern Art&nbsp;by Ian Dunlop, 1972 </em></strong></p><br><p>This is an Ictus Media production, edited by Leo Hornak</p><p><strong><em>London’s New Scene: Art and Culture in the 1960s by Professor Lisa Tickner, Yale University Press in 2020.</em></strong></p><br><p><strong><u>Watching: </u></strong></p><br><p><strong><em>Pop Goes the Easel by Ken Russell, 1962</em></strong></p><p><strong><em>Blow Up by Michelangelo Antonioni, 1966</em></strong></p><p><strong><em> </em></strong></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Malika Browne talks to former art critic Ian Dunlop about the landmark art show for Swinging London at the Tate, in 1964 for which the museum's Duveen Galleries were turned into a claustrophobic labyrinth of new art from America and Europe, putting London firmly on the art map.</p><br><p><strong><u>Further reading:</u></strong></p><br><p><strong><em>The Shock of the New: Seven Historic Exhibitions of Modern Art&nbsp;by Ian Dunlop, 1972 </em></strong></p><br><p>This is an Ictus Media production, edited by Leo Hornak</p><p><strong><em>London’s New Scene: Art and Culture in the 1960s by Professor Lisa Tickner, Yale University Press in 2020.</em></strong></p><br><p><strong><u>Watching: </u></strong></p><br><p><strong><em>Pop Goes the Easel by Ken Russell, 1962</em></strong></p><p><strong><em>Blow Up by Michelangelo Antonioni, 1966</em></strong></p><p><strong><em> </em></strong></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>S1:E2 The Destruction of the Country House Show, 1974</title>
			<itunes:title>S1:E2 The Destruction of the Country House Show, 1974</itunes:title>
			<pubDate>Tue, 30 Apr 2024 08:36:49 GMT</pubDate>
			<itunes:duration>39:45</itunes:duration>
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			<link>https://shows.acast.com/shows-that-go-on-landmark-exhibitions/episodes/the-destruction-of-the-country-house-show-1974</link>
			<acast:episodeId>6630049af51ce100139c3e54</acast:episodeId>
			<acast:showId>6577144059a0980012c9531d</acast:showId>
			<acast:episodeUrl>the-destruction-of-the-country-house-show-1974</acast:episodeUrl>
			<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmbKbhgrQiwYShz70Q9/ffXZMTtedvdcRQbP4eiLMjXzCKLPjEYLpGj+NMVKa+5C8pL4u/EOj1Vw4h5MMJYp0lCcFAe0fnxBJy/1ju4Qxy1fh8gO4DvlGA40yms2g0/hOkcrfHIopjTygHFqGwwOPKFIai4SuTvs86Lx3UYCyl6ZsRi+FBuy9+n/vrxpmt1wIaQ1Hk9u0VAva2PjHQUZRIW9ew4+P9yI9DofPglunTW/VzuXp8L2qSy2kR59Kb/4k0/K0VA67pGx65XIVeJVi4ykn9dYQRA2bJzfMOOvWBHkN]]></acast:settings>
			<itunes:subtitle><![CDATA[Malika Browne talks to Simon Jenkins about the landmark exhibition at London's V&A in 1974, and how it changed government policy and public attitudes towards heritage]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>2</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6577144059a0980012c9531d/1715076358210-374203bc772a19f7999fad78c1150212.jpeg"/>
			<description><![CDATA[<p><br></p><p>In this episode, guest Sir Simon Jenkins explains how a simple yet powerful exhibition of black and white photographs shamed and shocked the government and the public, and brought about a change in policy towards country houses.</p><br><p><u>Further Reading: </u></p><p><strong> England's 1000 best Houses (2003) by Simon Jenkins </strong></p><p><strong><em>Life in the English Country House: A Social and Architectural History</em>&nbsp;(1978) by Marc Girouard</strong></p><br><p>This is an Ictus Media production, edited by Leo Hornak</p><br><p><strong><em>The Destruction of The Country House 1875-1975&nbsp;by Roy Strong, Marcus Binney and John Harris</em></strong></p><p><strong><em>England's Lost Houses: From the Archives of Country Life</em>&nbsp;(2002) Aurum Press by Giles Worsley </strong></p><br><p><br></p><p><strong> </strong></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p><br></p><p>In this episode, guest Sir Simon Jenkins explains how a simple yet powerful exhibition of black and white photographs shamed and shocked the government and the public, and brought about a change in policy towards country houses.</p><br><p><u>Further Reading: </u></p><p><strong> England's 1000 best Houses (2003) by Simon Jenkins </strong></p><p><strong><em>Life in the English Country House: A Social and Architectural History</em>&nbsp;(1978) by Marc Girouard</strong></p><br><p>This is an Ictus Media production, edited by Leo Hornak</p><br><p><strong><em>The Destruction of The Country House 1875-1975&nbsp;by Roy Strong, Marcus Binney and John Harris</em></strong></p><p><strong><em>England's Lost Houses: From the Archives of Country Life</em>&nbsp;(2002) Aurum Press by Giles Worsley </strong></p><br><p><br></p><p><strong> </strong></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>S1: E1 Bacon in Moscow, 1988</title>
			<itunes:title>S1: E1 Bacon in Moscow, 1988</itunes:title>
			<pubDate>Tue, 30 Apr 2024 08:35:11 GMT</pubDate>
			<itunes:duration>40:12</itunes:duration>
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			<link>https://shows.acast.com/shows-that-go-on-landmark-exhibitions/episodes/bacon-in-moscow</link>
			<acast:episodeId>663004c6fdc68b001226803f</acast:episodeId>
			<acast:showId>6577144059a0980012c9531d</acast:showId>
			<acast:episodeUrl>bacon-in-moscow</acast:episodeUrl>
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			<itunes:subtitle><![CDATA[Malika Browne talks to James Birch about Francis Bacon's exhibition at the Union of Artists in Moscow in 1988, the first by a foreign artist in the USSR since 1917.]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>1</itunes:episode>
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			<description><![CDATA[<p>Malika Browne talks to James Birch about Francis Bacon's exhibition at the Union of Artists in Moscow in 1988, the first by a foreign artist in the USSR since 1917. Why did Francis Bacon agree to it? How hard was it to organise a Western art show in the USSR in 1988? Find out by listening!</p><br><p><strong><u>Further reading:</u></strong></p><br><p><strong><em>Bacon in Moscow by James Birch, </em></strong>Cheerio 2022</p><p><strong><em>With Gilbert and George in Moscow by Dan Farson</em></strong>, Bloomsbury 1991</p><br><p>This is an Ictus Media production, edited by Leo Hornak</p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Malika Browne talks to James Birch about Francis Bacon's exhibition at the Union of Artists in Moscow in 1988, the first by a foreign artist in the USSR since 1917. Why did Francis Bacon agree to it? How hard was it to organise a Western art show in the USSR in 1988? Find out by listening!</p><br><p><strong><u>Further reading:</u></strong></p><br><p><strong><em>Bacon in Moscow by James Birch, </em></strong>Cheerio 2022</p><p><strong><em>With Gilbert and George in Moscow by Dan Farson</em></strong>, Bloomsbury 1991</p><br><p>This is an Ictus Media production, edited by Leo Hornak</p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Trailer </title>
			<itunes:title>Trailer </itunes:title>
			<pubDate>Mon, 29 Apr 2024 20:18:09 GMT</pubDate>
			<itunes:duration>0:39</itunes:duration>
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			<description><![CDATA[This is an Ictus Media production, edited by Leo Hornak<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[This is an Ictus Media production, edited by Leo Hornak<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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    	<itunes:category text="Society &amp; Culture"/>
    	<itunes:category text="History"/>
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