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		<title>Crossing Currents: Aotearoa New Zealand Artists in Venice</title>
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		<itunes:keywords>contemporary art,venice biennale ,maori art,golden lion ,installation ,Aotearoa,Mataaho Collective,Areez Katki ,Brett Graham,exhibition,installation,interview,artist interview</itunes:keywords>
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		<itunes:summary><![CDATA[<p>Even without a national pavilion, 2024 proved to be an historic year for Aotearoa artists in Venice, with the most artists from Aotearoa New Zealand – and the most Ngā toi Māori artists –&nbsp;to ever feature at the Venice Biennale and parallel events. Listen to the artists as they unravel the processes, inspirations and politics behind presenting at the world’s most prestigious contemporary art event and simultaneous exhibitions in Venice.</p><br><p>FEATURED ARTISTS</p><p>Areez Katki</p><p>Brett Graham (Ngāti Koroki Kahukura, Tainui)</p><p>Caitlin Devoy</p><p>Elisapeta Hinemoa Heta (Ngātiwai, Ngāpuhi, Waikato Tainui, Sāmoan, Tokelauan)</p><p>Fred Graham (Ngāti Koroki Kahukura, Tainui)</p><p>Mataaho Collective</p><p>Robert Jahnke (Ngāi Taharora, Te Whānau a Iritekura, Te Whānau a Rakairo o Ngāti Porou)</p><p>Sandy Adsett (Ngāti Pahauwera)</p><br><p>New episodes are released every Saturday from 22 June 2024. Visit Contemporary HUM for more info: <a href="https://contemporaryhum.com/projects/crossing-currents-aotearoa-new-zealand-artists-in-venice" rel="noopener noreferrer" target="_blank">https://contemporaryhum.com/projects/crossing-currents-aotearoa-new-zealand-artists-in-venice</a></p><br><p>CREDITS</p><p>Producer: Alena Kavka</p><p>Production Manager and Communications: Genista Jurgens</p><p>Editing and Mixing: Hamish Petersen</p><p>Cultural Advisory: Matariki Williams</p><p>Graphic Design: Emma Kaniuk</p><p>Music: João Veríssimo</p><p>This series is produced with the support of Creative New Zealand Toi Aotearoa.</p><br><p>SUPPORT</p><p>If you are interested in sponsoring a future podcast series produced by Contemporary HUM or in making a donation to support our work, please reach out: hello@contemporaryhum.com</p><br><p><a href="https://contemporaryhum.com/" rel="noopener noreferrer" target="_blank">Contemporary HUM</a> is a hub for Aotearoa arts abroad. We champion the international projects of New Zealand creative practitioners through publishing, events and partnerships.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		<description><![CDATA[<p>Even without a national pavilion, 2024 proved to be an historic year for Aotearoa artists in Venice, with the most artists from Aotearoa New Zealand – and the most Ngā toi Māori artists –&nbsp;to ever feature at the Venice Biennale and parallel events. Listen to the artists as they unravel the processes, inspirations and politics behind presenting at the world’s most prestigious contemporary art event and simultaneous exhibitions in Venice.</p><br><p>FEATURED ARTISTS</p><p>Areez Katki</p><p>Brett Graham (Ngāti Koroki Kahukura, Tainui)</p><p>Caitlin Devoy</p><p>Elisapeta Hinemoa Heta (Ngātiwai, Ngāpuhi, Waikato Tainui, Sāmoan, Tokelauan)</p><p>Fred Graham (Ngāti Koroki Kahukura, Tainui)</p><p>Mataaho Collective</p><p>Robert Jahnke (Ngāi Taharora, Te Whānau a Iritekura, Te Whānau a Rakairo o Ngāti Porou)</p><p>Sandy Adsett (Ngāti Pahauwera)</p><br><p>New episodes are released every Saturday from 22 June 2024. Visit Contemporary HUM for more info: <a href="https://contemporaryhum.com/projects/crossing-currents-aotearoa-new-zealand-artists-in-venice" rel="noopener noreferrer" target="_blank">https://contemporaryhum.com/projects/crossing-currents-aotearoa-new-zealand-artists-in-venice</a></p><br><p>CREDITS</p><p>Producer: Alena Kavka</p><p>Production Manager and Communications: Genista Jurgens</p><p>Editing and Mixing: Hamish Petersen</p><p>Cultural Advisory: Matariki Williams</p><p>Graphic Design: Emma Kaniuk</p><p>Music: João Veríssimo</p><p>This series is produced with the support of Creative New Zealand Toi Aotearoa.</p><br><p>SUPPORT</p><p>If you are interested in sponsoring a future podcast series produced by Contemporary HUM or in making a donation to support our work, please reach out: hello@contemporaryhum.com</p><br><p><a href="https://contemporaryhum.com/" rel="noopener noreferrer" target="_blank">Contemporary HUM</a> is a hub for Aotearoa arts abroad. We champion the international projects of New Zealand creative practitioners through publishing, events and partnerships.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
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				<title>Crossing Currents: Aotearoa New Zealand Artists in Venice</title>
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			<title>Sandy Adsett at the 60th Venice Biennale</title>
			<itunes:title>Sandy Adsett at the 60th Venice Biennale</itunes:title>
			<pubDate>Sat, 17 Aug 2024 07:30:45 GMT</pubDate>
			<itunes:duration>34:21</itunes:duration>
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			<description><![CDATA[<p><em>Contemporary HUM</em> speaks with Aotearoa New Zealand artist Sandy Adsett (Ngāti Pahauwera), a pioneer in the customary artform of kōwhaiwhai and an active figure in the emergence and presentation of contemporary Māori art on the national and international scenes. In the episode, he discusses his work <em>Waipuna </em>(1978), featured in the 60th International Exhibition of the Venice Biennale, his early work as an Arts Specialist appointed by the Ministry of Education to introduce Māori art in the school curriculum, and the question of the uses and future of Māori representation at events such as the Biennale.</p><br><p>Visit <em>Contemporary HUM </em>for an edited transcript of this episode published with images from Venice: <a href="https://contemporaryhum.com/writing/crossing-currents-episode-8/?utm_source=a-cast&amp;utm_medium=podcast&amp;utm_id=2024_crossing-currents_sandy-adsett" rel="noopener noreferrer" target="_blank">https://contemporaryhum.com/writing/crossing-currents-episode-8/</a></p><br><p>This series is produced with the support of Creative New Zealand Toi Aotearoa, with editing and mixing by Hamish Petersen. Cultural advisory is provided by Matariki Williams, graphic design by Emma Kaniuk, and music by João Veríssimo. </p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p><em>Contemporary HUM</em> speaks with Aotearoa New Zealand artist Sandy Adsett (Ngāti Pahauwera), a pioneer in the customary artform of kōwhaiwhai and an active figure in the emergence and presentation of contemporary Māori art on the national and international scenes. In the episode, he discusses his work <em>Waipuna </em>(1978), featured in the 60th International Exhibition of the Venice Biennale, his early work as an Arts Specialist appointed by the Ministry of Education to introduce Māori art in the school curriculum, and the question of the uses and future of Māori representation at events such as the Biennale.</p><br><p>Visit <em>Contemporary HUM </em>for an edited transcript of this episode published with images from Venice: <a href="https://contemporaryhum.com/writing/crossing-currents-episode-8/?utm_source=a-cast&amp;utm_medium=podcast&amp;utm_id=2024_crossing-currents_sandy-adsett" rel="noopener noreferrer" target="_blank">https://contemporaryhum.com/writing/crossing-currents-episode-8/</a></p><br><p>This series is produced with the support of Creative New Zealand Toi Aotearoa, with editing and mixing by Hamish Petersen. Cultural advisory is provided by Matariki Williams, graphic design by Emma Kaniuk, and music by João Veríssimo. </p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Robert Jahnke in Personal Structures</title>
			<itunes:title>Robert Jahnke in Personal Structures</itunes:title>
			<pubDate>Sat, 10 Aug 2024 07:25:35 GMT</pubDate>
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			<description><![CDATA[<p>Robert Jahnke (Ngāi Taharora, Te Whānau a Iritekura, Te Whānau a Rakairo o Ngāti Porou) speaks to <em>Contemporary HUM</em> about his work <em>Te Wepu MMXXIII</em>, which is featured in the 7th edition of<em> Personal Structures</em> in Venice. Jahnke discusses the source of the symbols featured in <em>Te Wepu MMXXIII</em>, which were derived from the battle flag of the 19th-century Māori prophet Te Kooti. In this layered and historically ranging conversation, Jahnke highlights a formal whakapapa (genealogy) between Te Kooti, who was not only a religious visionary but an artistic innovator in his own right, and contemporary uses of the symbols, including by the late sculptor and painter Paratene Matchitt.</p><br><p>Visit <em>Contemporary HUM</em> for an edited transcript published with images from Venice: <a href="https://contemporaryhum.com/writing/crossing-currents-episode-7/?utm_source=a-cast&amp;utm_medium=podcast&amp;utm_id=2024_crossing-currents_robert-jahnke" rel="noopener noreferrer" target="_blank">https://contemporaryhum.com/writing/crossing-currents-episode-7/</a></p><br><p>This series is produced with the support of Creative New Zealand Toi Aotearoa, with editing and mixing by Hamish Petersen. Cultural advisory is provided by Matariki Williams, graphic design by Emma Kaniuk, and music by João Veríssimo. New episodes are released on Saturdays starting 22 June 2024.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Robert Jahnke (Ngāi Taharora, Te Whānau a Iritekura, Te Whānau a Rakairo o Ngāti Porou) speaks to <em>Contemporary HUM</em> about his work <em>Te Wepu MMXXIII</em>, which is featured in the 7th edition of<em> Personal Structures</em> in Venice. Jahnke discusses the source of the symbols featured in <em>Te Wepu MMXXIII</em>, which were derived from the battle flag of the 19th-century Māori prophet Te Kooti. In this layered and historically ranging conversation, Jahnke highlights a formal whakapapa (genealogy) between Te Kooti, who was not only a religious visionary but an artistic innovator in his own right, and contemporary uses of the symbols, including by the late sculptor and painter Paratene Matchitt.</p><br><p>Visit <em>Contemporary HUM</em> for an edited transcript published with images from Venice: <a href="https://contemporaryhum.com/writing/crossing-currents-episode-7/?utm_source=a-cast&amp;utm_medium=podcast&amp;utm_id=2024_crossing-currents_robert-jahnke" rel="noopener noreferrer" target="_blank">https://contemporaryhum.com/writing/crossing-currents-episode-7/</a></p><br><p>This series is produced with the support of Creative New Zealand Toi Aotearoa, with editing and mixing by Hamish Petersen. Cultural advisory is provided by Matariki Williams, graphic design by Emma Kaniuk, and music by João Veríssimo. New episodes are released on Saturdays starting 22 June 2024.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Mataaho Collective at the 60th Venice Biennale</title>
			<itunes:title>Mataaho Collective at the 60th Venice Biennale</itunes:title>
			<pubDate>Sat, 03 Aug 2024 07:30:54 GMT</pubDate>
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			<description><![CDATA[<p>Contemporary HUM speaks with Mataaho Collective on the occasion of an historic edition of the Venice Biennale for Aotearoa New Zealand, where the Collective took home one of the Biennale’s top prizes, the Golden Lion, for their work <em>Takapau</em>. Mataaho Collective discuss the logistics of transforming <em>Takapau </em>for the Biennale, as well as working within a continuum of contemporary Māori art practice that also situates them alongside the intergenerational contingent of Māori artists presenting at this year’s Biennale. HUM also speaks with artist, writer and researcher Rychèl Thérin.</p><br><p>Visit Contemporary HUM for an edited transcript of this episode, published with images from Venice: <a href="https://contemporaryhum.com/writing/crossing-currents-episode-6/?utm_source=a-cast&amp;utm_medium=podcast&amp;utm_id=2024_crossing-currents_mataaho-collective" rel="noopener noreferrer" target="_blank">https://contemporaryhum.com/writing/crossing-currents-episode-6/</a></p><br><p>This series is produced with the support of Creative New Zealand Toi Aotearoa, with editing and mixing by Hamish Petersen. Cultural advisory is provided by Matariki Williams, graphic design by Emma Kaniuk, and music by João Veríssimo. New episodes are released on Saturdays starting 22 June 2024.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Contemporary HUM speaks with Mataaho Collective on the occasion of an historic edition of the Venice Biennale for Aotearoa New Zealand, where the Collective took home one of the Biennale’s top prizes, the Golden Lion, for their work <em>Takapau</em>. Mataaho Collective discuss the logistics of transforming <em>Takapau </em>for the Biennale, as well as working within a continuum of contemporary Māori art practice that also situates them alongside the intergenerational contingent of Māori artists presenting at this year’s Biennale. HUM also speaks with artist, writer and researcher Rychèl Thérin.</p><br><p>Visit Contemporary HUM for an edited transcript of this episode, published with images from Venice: <a href="https://contemporaryhum.com/writing/crossing-currents-episode-6/?utm_source=a-cast&amp;utm_medium=podcast&amp;utm_id=2024_crossing-currents_mataaho-collective" rel="noopener noreferrer" target="_blank">https://contemporaryhum.com/writing/crossing-currents-episode-6/</a></p><br><p>This series is produced with the support of Creative New Zealand Toi Aotearoa, with editing and mixing by Hamish Petersen. Cultural advisory is provided by Matariki Williams, graphic design by Emma Kaniuk, and music by João Veríssimo. New episodes are released on Saturdays starting 22 June 2024.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Fred Graham at the 60th Venice Biennale</title>
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			<pubDate>Sat, 27 Jul 2024 07:30:00 GMT</pubDate>
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			<description><![CDATA[<p><em>Contemporary HUM</em> speaks to esteemed Māori sculptor Fred Graham, a pioneering figure in the history and emergence of contemporary Māori art. Reflecting on his practice of over 70 years, Graham discusses the influence of his teaching and the importance of friends and family, as well as the experience of exhibiting alongside his son, Brett Graham, in the 60th Venice Biennale.</p><br><p>Visit<em> Contemporary HUM</em> for an edited transcript of this episode, published with images from Venice: <a href="https://contemporaryhum.com/writing/crossing-currents-episode-5/?utm_source=a-cast&amp;utm_medium=podcast&amp;utm_id=2024_crossing-currents_fred-graham" rel="noopener noreferrer" target="_blank">https://contemporaryhum.com/writing/crossing-currents-episode-5/</a></p><br><p><em>Contemporary HUM</em> is a hub for Aotearoa arts abroad. We champion the international projects of New Zealand creative practitioners through publishing, events and partnerships.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p><em>Contemporary HUM</em> speaks to esteemed Māori sculptor Fred Graham, a pioneering figure in the history and emergence of contemporary Māori art. Reflecting on his practice of over 70 years, Graham discusses the influence of his teaching and the importance of friends and family, as well as the experience of exhibiting alongside his son, Brett Graham, in the 60th Venice Biennale.</p><br><p>Visit<em> Contemporary HUM</em> for an edited transcript of this episode, published with images from Venice: <a href="https://contemporaryhum.com/writing/crossing-currents-episode-5/?utm_source=a-cast&amp;utm_medium=podcast&amp;utm_id=2024_crossing-currents_fred-graham" rel="noopener noreferrer" target="_blank">https://contemporaryhum.com/writing/crossing-currents-episode-5/</a></p><br><p><em>Contemporary HUM</em> is a hub for Aotearoa arts abroad. We champion the international projects of New Zealand creative practitioners through publishing, events and partnerships.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Elisapeta Hinemoa Heta in Re-Stor(y)ing Oceania</title>
			<itunes:title>Elisapeta Hinemoa Heta in Re-Stor(y)ing Oceania</itunes:title>
			<pubDate>Sat, 13 Jul 2024 07:31:16 GMT</pubDate>
			<itunes:duration>48:32</itunes:duration>
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			<acast:episodeUrl>elisapeta-hinemoa-heta-in-re-storying-oceania</acast:episodeUrl>
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			<description><![CDATA[<p>Architect, artist and mother Elisapeta Hinemoa Heta speaks to <em>Contemporary HUM</em> about her presentation <em>The Body of Wainuiātea</em>, which is featured alongside work by Latai Taumoepeau in <em>Re-Stor(y)ing Oceania</em>, an exhibition curated by Taloi Havini at TBA21–Academy’s Ocean Space in Venice. She discusses the influence of the Māori pūrākau (mythological tradition) of the atua (deity) Wainuiātea, the need to re-establish a sacred relationship to the ocean and the conversations that guided the creation of the work, including with Havini and Taumoepeau.</p><br><p>Visit <em>Contemporary HUM</em> to read an edited transcript of this episode, published alongside images from Venice: <a href="https://contemporaryhum.com/writing/crossing-currents-episode-4/?utm_source=a-cast&amp;utm_medium=podcast&amp;utm_id=2024_crossing-currents_elisapeta-heta" rel="noopener noreferrer" target="_blank">https://contemporaryhum.com/writing/crossing-currents-episode-4/</a></p><br><p>New episodes of <em>Crossing Currents: Aotearoa New Zealand Artists in Venice</em> are released every Saturday from 22 June 2024.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Architect, artist and mother Elisapeta Hinemoa Heta speaks to <em>Contemporary HUM</em> about her presentation <em>The Body of Wainuiātea</em>, which is featured alongside work by Latai Taumoepeau in <em>Re-Stor(y)ing Oceania</em>, an exhibition curated by Taloi Havini at TBA21–Academy’s Ocean Space in Venice. She discusses the influence of the Māori pūrākau (mythological tradition) of the atua (deity) Wainuiātea, the need to re-establish a sacred relationship to the ocean and the conversations that guided the creation of the work, including with Havini and Taumoepeau.</p><br><p>Visit <em>Contemporary HUM</em> to read an edited transcript of this episode, published alongside images from Venice: <a href="https://contemporaryhum.com/writing/crossing-currents-episode-4/?utm_source=a-cast&amp;utm_medium=podcast&amp;utm_id=2024_crossing-currents_elisapeta-heta" rel="noopener noreferrer" target="_blank">https://contemporaryhum.com/writing/crossing-currents-episode-4/</a></p><br><p>New episodes of <em>Crossing Currents: Aotearoa New Zealand Artists in Venice</em> are released every Saturday from 22 June 2024.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Caitlin Devoy in Personal Structures</title>
			<itunes:title>Caitlin Devoy in Personal Structures</itunes:title>
			<pubDate>Sat, 06 Jul 2024 07:37:49 GMT</pubDate>
			<itunes:duration>28:15</itunes:duration>
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			<description><![CDATA[<p><em>Contemporary HUM</em> speaks to artist Caitlin Devoy about <em>BODYOBJECTS</em>, her presentation in the 2024 edition of <em>Personal Structures</em>. Devoy discusses how her works challenge the power relations encoded in gallery spaces. Using humour as a feminist strategy, Devoy’s soft, tactile artworks subvert the Cartesian binaries that have historically dictated art viewership, refusing disembodied objectivity in favour of tactility, subjectivity and intuition.</p><p>&nbsp;</p><p>Visit<em> Contemporary HUM</em> for an edited transcript of this episode published with images from Venice: <a href="https://contemporaryhum.com/writing/crossing-currents-episode-3/?utm_source=a-cast&amp;utm_medium=podcast&amp;utm_id=2024_crossing-currents_caitlin-devoy" rel="noopener noreferrer" target="_blank">https://contemporaryhum.com/writing/crossing-currents-episode-3</a></p><br><p>New episodes of <em>Crossing Currents: Aotearoa New Zealand Artists in Venice</em> are released every Saturday from 22 June 2024.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p><em>Contemporary HUM</em> speaks to artist Caitlin Devoy about <em>BODYOBJECTS</em>, her presentation in the 2024 edition of <em>Personal Structures</em>. Devoy discusses how her works challenge the power relations encoded in gallery spaces. Using humour as a feminist strategy, Devoy’s soft, tactile artworks subvert the Cartesian binaries that have historically dictated art viewership, refusing disembodied objectivity in favour of tactility, subjectivity and intuition.</p><p>&nbsp;</p><p>Visit<em> Contemporary HUM</em> for an edited transcript of this episode published with images from Venice: <a href="https://contemporaryhum.com/writing/crossing-currents-episode-3/?utm_source=a-cast&amp;utm_medium=podcast&amp;utm_id=2024_crossing-currents_caitlin-devoy" rel="noopener noreferrer" target="_blank">https://contemporaryhum.com/writing/crossing-currents-episode-3</a></p><br><p>New episodes of <em>Crossing Currents: Aotearoa New Zealand Artists in Venice</em> are released every Saturday from 22 June 2024.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Brett Graham at the 60th Venice Biennale</title>
			<itunes:title>Brett Graham at the 60th Venice Biennale</itunes:title>
			<pubDate>Sat, 29 Jun 2024 07:00:00 GMT</pubDate>
			<itunes:duration>30:02</itunes:duration>
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			<description><![CDATA[<p><em>Contemporary HUM </em>speaks to Brett Graham (Ngāti Koroki Kahukura, Tainui) about <em>Wastelands</em> (2024), his work in <em>Stranieri Ovunque – Foreigners Everywhere</em>, the 60th International Art Exhibition of the Venice Biennale. Graham joins three other artists and one collective from Aotearoa, who make up the largest number of Aotearoa artists to ever be featured in the Biennale at once, despite there being no New Zealand Pavilion in this edition. Graham discusses <em>Wastelands </em>as a commentary on extractive attitudes to land, the logistics of exhibiting at the Venice Biennale and what it’s like to be included alongside an intergenerational selection of Māori artists, including his father, Fred Graham.</p><br><p>Visit <em>Contemporary HUM</em> for an edited transcript of this episode, published with images from Venice: <a href="https://contemporaryhum.com/writing/crossing-currents-episode-2/" rel="noopener noreferrer" target="_blank">https://contemporaryhum.com/writing/crossing-currents-episode-2/</a></p><br><p>New episodes of <em>Crossing Currents: Aotearoa New Zealand Artists in Venice</em> are released every Saturday from 22 June 2024.&nbsp;</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p><em>Contemporary HUM </em>speaks to Brett Graham (Ngāti Koroki Kahukura, Tainui) about <em>Wastelands</em> (2024), his work in <em>Stranieri Ovunque – Foreigners Everywhere</em>, the 60th International Art Exhibition of the Venice Biennale. Graham joins three other artists and one collective from Aotearoa, who make up the largest number of Aotearoa artists to ever be featured in the Biennale at once, despite there being no New Zealand Pavilion in this edition. Graham discusses <em>Wastelands </em>as a commentary on extractive attitudes to land, the logistics of exhibiting at the Venice Biennale and what it’s like to be included alongside an intergenerational selection of Māori artists, including his father, Fred Graham.</p><br><p>Visit <em>Contemporary HUM</em> for an edited transcript of this episode, published with images from Venice: <a href="https://contemporaryhum.com/writing/crossing-currents-episode-2/" rel="noopener noreferrer" target="_blank">https://contemporaryhum.com/writing/crossing-currents-episode-2/</a></p><br><p>New episodes of <em>Crossing Currents: Aotearoa New Zealand Artists in Venice</em> are released every Saturday from 22 June 2024.&nbsp;</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Areez Katki in Personal Structures</title>
			<itunes:title>Areez Katki in Personal Structures</itunes:title>
			<pubDate>Sat, 22 Jun 2024 07:00:09 GMT</pubDate>
			<itunes:duration>34:29</itunes:duration>
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			<description><![CDATA[<p>Contemporary Aotearoa New Zealand artist Areez Katki speaks to <em>Contemporary HUM</em> about <em>The Rhapsode’s Tools Will Build the Rhapsode’s House</em>, his presentation in the 7th edition of <em>Personal Structures</em> in Venice. Katki discusses being invited to present in <em>Personal Structures </em>and the processes behind creating the works for the exhibition, including the influence of his 2023 Tylee Cottage Residency in Whanganui, Aotearoa New Zealand. Employing queer, cross-temporal relationalities, Katki discusses his works as an attempt to restore pedagogy to an instinctual, affectual realm of play, recuperating modes of knowing and learning from the dictates of hegemonic, patriarchal and ethno-religious structures.</p><br><p>Visit <em>Contemporary HUM</em> for an edited transcript of this episode published with images from Venice: <a href="https://contemporaryhum.com/writing/crossing-currents-episode-1?utm_source=a-cast&amp;utm_medium=podcast&amp;utm_campaign=2024_crossing-currents_areez-katki" rel="noopener noreferrer" target="_blank">https://contemporaryhum.com/writing/crossing-currents-episode-1</a></p><br><p>New episodes of <em>Crossing Currents: Aotearoa New Zealand Artists in Venice</em> are released every Saturday from 22 June 2024.&nbsp;</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Contemporary Aotearoa New Zealand artist Areez Katki speaks to <em>Contemporary HUM</em> about <em>The Rhapsode’s Tools Will Build the Rhapsode’s House</em>, his presentation in the 7th edition of <em>Personal Structures</em> in Venice. Katki discusses being invited to present in <em>Personal Structures </em>and the processes behind creating the works for the exhibition, including the influence of his 2023 Tylee Cottage Residency in Whanganui, Aotearoa New Zealand. Employing queer, cross-temporal relationalities, Katki discusses his works as an attempt to restore pedagogy to an instinctual, affectual realm of play, recuperating modes of knowing and learning from the dictates of hegemonic, patriarchal and ethno-religious structures.</p><br><p>Visit <em>Contemporary HUM</em> for an edited transcript of this episode published with images from Venice: <a href="https://contemporaryhum.com/writing/crossing-currents-episode-1?utm_source=a-cast&amp;utm_medium=podcast&amp;utm_campaign=2024_crossing-currents_areez-katki" rel="noopener noreferrer" target="_blank">https://contemporaryhum.com/writing/crossing-currents-episode-1</a></p><br><p>New episodes of <em>Crossing Currents: Aotearoa New Zealand Artists in Venice</em> are released every Saturday from 22 June 2024.&nbsp;</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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