Can I change my score?

Project Hail Mary (2026): “Space Panic, Science Jokes, and Peak Ryan Gosling”

Sun, 29 Mar 2026 16:42:59 GMT

In this episode of Can I Change My Score?, Sophie and Matt head straight home from the cinema to talk about Project Hail Mary, a big, funny, surprisingly heartfelt sci-fi adventure powered almost entirely by Ryan Gosling doing what Ryan Gosling does best. There’s a dying sun, a panicked scientist, a spaceship full of problems, and an alien friendship that somehow manages to be both ridiculous and adorable. Sophie weighs up the film’s length against its charm and and Gosling’s ability to make swallowing a tablet feel relatable, while Matt marvels at the comedy and the practical effects, and both agree that this is far more than just “a space film”. It’s funny, warm, weirdly moving, and one of the most entertaining cinema trips they’ve had in a while, even if a few repeated beats stop it from reaching full masterpiece status.

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Peaky Blinders: The Immortal Man (2026): “Brooding, Barges, and a Send-Off That Never Quite Lands”

Mon, 23 Mar 2026 16:56:05 GMT

In this episode of Can I Change My Score?, Sophie and Matt finally tackle Peaky Blinders: The Immortal Man, the long-awaited Netflix follow-up to the gangland saga that gave us hats, brooding, and Cillian Murphy staring into the middle distance like it’s an Olympic sport.

Sophie goes in hoping for atmosphere, style and a proper send-off, only to find herself underwhelmed by fuzzy lighting, flat emotion and a plot that never quite catches fire. Matt is even harsher, questioning the script, the missing spark of the old series, and a certain typewriter-on-a-barge moment that nearly sends him over the edge.

They dig into Rebecca Ferguson’s unconvincing gypsy mystique, Barry Keoghan’s Tommy-lite energy, the absence of the old family chaos that made the series sing, and the awkward truth that without the Peaky Blinders name, this might not feel like much at all. Stylish, brooding and occasionally gripping, but missing the bite, swagger and emotional punch that made the early seasons unforgettable.

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The Fall Guy (2024): “Crash Landings, Crushed Feelings, and an Unexpectedly Great Night In”

Fri, 20 Mar 2026 17:39:09 GMT

In this episode of Can I Change My Score?, Sophie and Matt finally catch up with The Fall Guy, the stunt-filled action comedy they somehow missed in cinemas, only to discover on Netflix that it’s exactly the kind of film that makes you wonder why you didn’t watch it sooner. Ryan Gosling plays Colt Seavers, a stuntman with feelings he can’t quite articulate, Emily Blunt is the director-love-interest Jody Moreno with sharp comic timing and plenty of bite, and together they stumble through explosions, conspiracies, movie-within-a-movie chaos, and a romance that somehow manages to be sweet, funny, and never too syrupy.

They chat about why the film feels like a love letter to old-school Hollywood, how the chemistry between Gosling and Blunt does a lot of heavy lifting, why the second half loses just a little momentum, and how a practical stunt movie about stunt people somehow ended up helping the stunt industry get its long-overdue Oscar category. There’s also room for cowboy-level Ryan Gosling admiration, Miami Vice boat trivia, a hat accident that stayed in the film, and a brief detour into why some actors simply have that movie star thing.

Not every film needs to reinvent cinema; some just need to be funny, charming, practical, and packed with enough crashing cars to make Steven Spielberg happy.

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Sinners (2025): "Vampires, Blues, and the World’s Most Delicious Grilled Cheese"

Sun, 08 Mar 2026 20:25:41 GMT

In this episode of Can I Change My Score?, Sophie and Matt finally catch up with Sinners, the Oscar-magnet genre mash-up set in 1930s Mississippi. What begins as a simple story about two brothers opening a juke joint quickly spirals into vampires, blues music, community politics, and one extremely persistent Irish folk song that refuses to leave Matt’s brain. Sophie bravely navigates the film’s horror elements (after a brief recovery from several jump scares), while Matt dives deep into its themes, from oppression in the Deep South to the surprising historical connections between Irish immigrants and Native American tribes. Along the way, they unpack Michael B. Jordan's portrayal of twins, the hypnotic musical sequences, a surprisingly intimidating Irish jig, and why the film’s working title was apparently Grilled Cheese. They also debate whether the story’s simplicity is part of its charm or a missed opportunity, question a slightly underwhelming final showdown with the vampires, and agree that the film’s atmosphere, performances and music are doing a lot of heavy lifting.

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The Mastermind (2025): “Maintenance Men, Jazz Vibes, and the Heist That Forgot to Be a Heist”

Sat, 31 Jan 2026 09:09:20 GMT

In this episode of Can I Change My Score?, Sophie and Matt wade through Kelly Reichardt’s The Mastermind, a slow-burn, 1970s-set anti-heist movie that looks gorgeous, sounds incredible, and steadfastly refuses to make its audience feel anything. What starts with lush autumnal colours, jazzy needle-drops, and the promise of a clever art theft quickly drifts into an extended study of a man gently… existing. Sophie struggles to locate any actual unraveling, Matt questions the film’s commitment to its own premise, and both hosts wonder why a movie about failure is so allergic to tension, desperation, or emotional consequence. Along the way, they unpack the misused potential of Alana Haim, the mystery of Josh O’Connor’s performance, the difference between slow cinema and stalled cinema, and why watching cars drive around is not a substitute for character development. Stylish, inert, and oddly beig; this is one mastermind that never quite earns the title.

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Can I Change My Score? Christmas Special: Good Movies, Missed Gems, and Brad Pitt's torso

Tue, 23 Dec 2025 17:18:51 GMT

In this Christmas episode of Can I Change My Score?, Sophie and Matt abandon the usual rules and take stock of a year spent in dark cinemas and on slightly uncomfortable sofas. There are films they definitely meant to watch, films they loved more than expected, and films that left them wondering how two hours could feel so long. Sophie defends a few unpopular choices, Matt draws some very firm lines about what should and shouldn’t exist, and both agree that going to the cinema is still the best part — even when the movie isn’t. It’s festive reflection, gentle arguing, and end-of-year honesty, with absolutely no scores changed.

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Wake Up Dead Men (2025): “Churches, Convolutions, and a Mystery That Won’t Sit Still”

Mon, 15 Dec 2025 18:41:12 GMT

In this episode of Can I Change My Score?, Sophie and Matt return to the Knives Out universe for Wake Up Dead Man: A Knives Out Mystery, a murder mystery that arrives armed with religious symbolism, familiar accents, and a runtime that refuses to take the hint. Benoit Blanc is back, sounding more confident than ever, but the case itself sprawls across churches, bars, books-about-books, and a reveal that takes its sweet time getting to the point. The pair unpack why the film feels oddly small despite its ambition, how an all‑star cast ends up sidelined by exposition, and why subverting the murder‑mystery genre for the third time starts to feel like homework. Along the way, they praise a few striking visual moments, question the geography, and wonder when exactly the emotional investment was meant to kick in. Two and a half hours later, the mystery is solved — but the sense of satisfaction never quite arrives.

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The Running Man (2025): “Faux-Empathy, New Dollars, and a Towel That Defies Gravity”

Sun, 16 Nov 2025 15:30:40 GMT

In this episode of Can I Change My Score?, Sophie and Matt sprint head‑first into The Running Man, Edgar Wright’s dystopian game‑show thriller starring Glenn Powell, several baffled supporting actors, and more product placement than a Super Bowl commercial. Sophie battles a full-body vibe rejection within the first ten minutes, Matt questions the film’s understanding of money, physics, and human behaviour, and both hosts struggle to figure out who this movie is for (other than Puma). They break down erratic character choices, inconsistent world‑building, suspiciously shiny six-packs, and a towel scene that raises more questions than the entire plot. Two hours and thirteen minutes later, the only thing still running is their patience.

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Frankenstein (2025): “Gothic Lighting, Handsome Corpses, and Zero Chemistry”

Sun, 09 Nov 2025 17:33:55 GMT

In this episode of Can I Change My Score?, Sophie and Matt dive headfirst into Guillermo del Toro’s long-awaited Frankenstein. Did it reanimate the Gothic classic or just shuffle stylishly across the screen for two and a half hours? Sophie’s confused about the romance subplot, Matt’s baffled by how the monster looks runway-ready, and both agree the most horrifying part was how little they actually felt. It’s a monster mash of big performances, big prosthetics, and missed emotional beats — with extra credit (but not extra stars) for Jacob Elordi’s commitment to the bit.

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ParaNorman (2012): “Stop-Motion Witches, Hockey Masks, and the Chubby King of Our Hearts”

Sat, 01 Nov 2025 18:00:39 GMT

In this episode of Can I Change My Score?, Sophie and Matt head back to the cinema – and back to 2012 – for the 13th anniversary re-release of ParaNorman. It’s spooky season, and this cult stop-motion gem still holds up (and looks even better in faux-3D). Matt’s enchanted by Laika’s craftsmanship, toilet-bound uncles, and Halloween deep cuts; Sophie’s swooning over the chubby charm of Neil and wondering aloud how long someone can stare at a puppet’s butt and still call it art. They discuss zombies, witch trials, parental disappointment, and why stop-motion might be the most unnecessary (yet most magical) way to tell a story.

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The Ballad of a Small Player (2024): “Casino Carpets, Watery Wads of Cash, and Swinton in Disguise”

Fri, 31 Oct 2025 11:03:28 GMT

In this episode of Can I Change My Score?, Sophie and Matt gamble on The Ballad of a Small Player, a slow, spectral tale of vice, fate, and soggy banknotes somewhere off the coast of Macau. Sophie’s taken by the dreamlike mood and neon melancholy; Matt’s hung up on haunted money stashes and Colin Farrell looking like he hasn’t seen a shower since the Bush administration. Tilda Swinton’s somewhere in there, too – maybe. Probably. Definitely? They unpack the film’s elusive plot, its folklore undercurrent, and what happens when a man loses everything but still keeps betting.

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The Bride of Frankenstein (1935): “Ham Sandwich Horror, Swan Impressions, and Wine Good”

Sun, 26 Oct 2025 13:53:06 GMT

In this spookily subterranean episode of Can I Change My Score?, Sophie and Matt emerge from Bristol’s Redcliffe Caves after watching The Bride of Frankenstein—a 1935 classic that’s equal parts gothic, goofy, and glorious. Between Boris Karloff’s earnest grunts and Elsa Lanchester’s five minutes of fame (spent mostly screaming), the hosts wonder: how did something this silly become so iconic? They unpack Boris’s dental drama, drunken cinematographers, and a very confused bat, before realising that “Smoke good. Wine good. Movie… very good.”

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Roofman (2025): “Rear Nudity, Missed Comedy, and Millions of Jeffreys”

Sun, 19 Oct 2025 16:54:34 GMT

In this episode of Can I Change My Score?, Sophie and Matt break into Roofman, the new based-on-a-true-story film starring Channing Tatum (and quite a lot of him) and Kirsten Dunst. They dissect the film’s tone confusion, the strange blend of heist and heart, and why it never quite lands its big emotional swings. Was it meant to be funny? Are we supposed to root for this guy? Also: unrequested nudity, baffling montages, and a moral crisis unfolding between the bike aisle and the Barbie Dreamhouse display. Just another day at the movies.

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One Battle After Another (2025): “Nachos, Revolutions, and Sean Penn’s Pervy Stare”

Sat, 04 Oct 2025 12:36:08 GMT

In this episode of Can I Change My Score?, Sophie and Matt take on Paul Thomas Anderson’s One Battle After Another, a sprawling, noisy, and oddly funny adaptation of Thomas Pynchon’s Vineland. Both hosts land on the same score (a rare feat!) but for very different reasons: Sophie’s swept along by the atmosphere, Matt can’t get over Sean Penn’s twitchy eyelids, and both are floored by how the film nails its sound design but fumbles its finale. Was it a masterpiece trimmed too long, or a messy epic saved by stellar performances? Expect nacho talk, Alana Haim cameos, and at least one argument about whether DiCaprio’s paycheck was worth it.

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The Wonder (2022): “Fasting Girls, Florence Pugh, and the Opium of Art”

Thu, 18 Sep 2025 11:28:41 GMT

In this episode of Can I Change My Score?, Sophie and Matt revisit The Wonder, Sebastián Lelio’s slow-burning tale of miracles, misery, and medicine in post-famine Ireland. Sophie’s swooning over the cinematography and Florence Pugh’s impeccable spoon work, while Matt’s digging deep into the film’s themes of belief, trauma, and small-town control. From fourth wall breaks to real-life mother-daughter casting trivia, the pair dive into why this Netflix sleeper might just be the Florence Pugh film people are sleeping on. It’s haunting, hypnotic, and yes – a bit woeful (in the best way).

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The Roses (2025): “Zingers, Crabs, and a Marriage in Decline”

Sun, 14 Sep 2025 18:24:20 GMT

In this episode of Can I Change My Score?, Sophie and Matt dive into The Roses – a dark comedy about a marriage slowly (and sometimes violently) unravelling. Sophie’s sipping bubbly and hunting for more chaos, Matt’s quietly admiring the script’s British bite, and both wonder if Olivia Colman and Benedict Cumberbatch make the most believable toxic couple in years. Was this the dark romcom they were promised – or did the trailer oversell the carnage? Tune in for thoughts on marriages, murder attempts, and whether British passive aggression is the real villain.

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Formula One (2025): “Old Drivers, Blurred Vision, and Mary Poppins in a Race Car”

Mon, 04 Aug 2025 17:42:04 GMT

In this episode of Can I Change My Score?, Sophie and Matt speed straight from the cinema into the podcast booth to talk all things Formula One, the glossy new Brad Pitt movie that’s basically Cars meets Top Gun: Maverick with a midlife crisis twist. Sophie’s swept away by the racing, the soundtrack and Brad’s perfect abs, while Matt’s deeply unconvinced by the physics, the plot, and the pit stop strategy. Did this high-octane blockbuster cross the finish line? Or did it just spin off into soft-focus nonsense? Tune in to find out.

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Superman (2025): “Red Pants, Bland Baddies, and the Same Old Super Stuff”

Sun, 20 Jul 2025 16:01:04 GMT

In this unusual solo episode of Can I Change My Score?, Matt ventures into the rebooted DC universe without Sophie, who flat-out refused to see another superhero movie. So it’s just him, a cinema ticket, and a whole lot of thoughts on James Gunn’s new Superman. From red pants and infrastructure damage to Lex Luthor’s lack of rizz, Matt muses on masculinity, missed punchlines, and whether we really need another cinematic universe. Is hope enough to save the Man of Steel? Or just another excuse to get punched through a building? Tune in to find out.

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Oppenheimer (2023): “An Almond a Day, Atomic Angst, and the Surprisingly Unboring Biopic”

Sun, 13 Jul 2025 15:13:15 GMT

In this episode of Can I Change My Score?, Sophie and Matt finally watch Oppenheimer – two years late but still armed with Barbenheimer merch. They marvel at Cillian Murphy’s hollowed-out cheekbones (powered by a single almond), admire Christopher Nolan’s unexpectedly accessible storytelling, and grapple with the hour of post-bomb political fallout. It's a film about big ideas, bigger bombs, and very small lunches. Tune in for the full fallout.

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Jurassic World Rebirth (2025): "Not-So-Scary Dinosaurs, Predictable Peril, and 3D Regret"

Sat, 12 Jul 2025 16:40:11 GMT

In this episode of Can I Change My Score?, Sophie and Matt return from their podcast hiatus to tackle Jurassic World Rebirth – a dino-sized sequel Matt hoped would rekindle some '90s movie magic. Sophie’s spooked (but not impressed), Matt’s heartbroken (but unsurprised), and both hosts wonder how a film shot on real film can still feel so flat. Was it a thrilling resurrection or just another fossilised franchise cash-in? Tune in to find out.

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Snow White (2025): "Crone Makeup, Princess Problems, and a Hedgehog That Waves"

Fri, 28 Mar 2025 20:38:32 GMT

In the latest episode of Can I Change My Score?, Sophie and Matt don their imaginary tiaras and head back to the cinema for Disney’s long-awaited live-action Snow White. From balcony seating to bold dwarfs and belting ballads, they dive into the sparkle and spectacle of the updated fairytale. Was Rachel Zegler’s performance truly “stellar”? Did the CGI dwarfs look a bit… Tintin? And was there enough Disney magic to stir the emotions – or did it all feel a little too polished and perfect? The duo talk songs, setpieces, and that hedgehog wave, and then decide if this royal remake deserves a higher score – or a poisoned apple.

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Last Breath (2025): "Deep Sea, Shallow Impact"

Mon, 24 Mar 2025 11:11:19 GMT

In this episode, Sophie and Matt dive into Last Breath, the new survival drama based on the harrowing true story of a deep-sea diver trapped on the ocean floor. Sounds intense? Not quite. Despite a starry cast and life-or-death stakes, our hosts felt surprisingly little tension and even less emotion. Was it too faithful to real events to work as a film? Did Woody Harrelson really need to be there? And why didn’t it feel suspenseful when it absolutely should have? Tune in as they unpack all of it and see if their score go as low as the bottom of the North Sea.

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Matt and Mara (2024): "An Awkward Reunion, a Seven-Year Itch, and One Very Handsome Husband"

Mon, 24 Feb 2025 19:01:47 GMT

In this episode of Can I Change My Score?, Sophie and Matt explore Matt and Mara, a quiet yet captivating Canadian indie film about old flames, life choices, and the subtle tension of wanting more. The film follows Mara, a poetry professor, as the unexpected return of her former friend Matt unsettles her carefully constructed life. They discuss the film’s understated performances, its painfully awkward yet deeply human moments, and the existential dread of poetry classes. Was this a thoughtful character study or just a meandering story about nothing? Listen to the podcast to find out!

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The Brutalist (2024): "Concrete Dreams and Complicated Accents"

Fri, 14 Feb 2025 18:12:28 GMT

In this episode of Can I Change My Score, Sophie and Matt tackle The Brutalist, a three-and-a-half-hour epic packed with architectural ambition, immigrant struggles, and questionable Hungarian accents. They unpack Adrian Brody’s tormented portrayal of a post-war architect, the film’s sweeping cinematography shot in VistaVision, and the unexpectedly welcome built-in intermission. But does the movie’s historical weight hold up when they realise it’s not based on real events? Sophie is enthralled, Matt remains skeptical, and they both question if The Brutalist is a masterpiece – or just a really long film with beautifully grey lighting.

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Smoking Causes Coughing (2023): "Superheroes, Surrealism, and Slabs of Titanium"

Thu, 06 Feb 2025 19:43:04 GMT

In this episode of Can I Change My Score, Sophie and Matt unravel the gloriously unhinged Smoking Causes Coughing, a French satire blending Power Rangers absurdity with horror anthology chaos. From the grotesquely charismatic Chief Didier (a womanising rat puppet oozing green slime) to bizarrely staged campfire horror stories, this film revels in its own surreal nonsense. They debate its deeper meaning—if one exists—while marvelling at its deadpan humour, gory superhero antics, and titanium prison-bed luxury. Matt is all in, Sophie remains unconvinced, but both agree: this is weird cinema at its most ridiculous and unexpectedly brilliant.

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Emilia Pérez (2024): "Singing, Subversion, and Selena Gomez"

Mon, 27 Jan 2025 19:08:44 GMT

In this week's Can I Change My Score, Sophie and Matt tackle the Oscar-dominating sensation Emilia Perez. Described as a “Disney movie on crack,” this genre-bending musical dives into a kaleidoscope of Broadway-esque numbers, emotional upheaval, and dark undertones. They explore Karla Sofia Gascón's powerful portrayal of the titular character and Zoe Saldana’s swan-like grace, while questioning the film’s peculiar tone and setting. From gyrating bed scenes to heartfelt family struggles, the duo debate the film’s unconventional approach, its Netflix marketing woes, and its long-term impact. Scores shift as they ponder: is it too weird or just weird enough?

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Under the Silver Lake (2018): "Conspiracies, Clues, and Complete Chaos"

Sun, 19 Jan 2025 13:49:13 GMT

In today's episode of Can I Change My Score, Sophie and Matt unpack Under the Silver Lake's conspiracy-soaked charm, from surreal owl women to hidden Hollywood secrets. They swoon over how Andrew Garfield’s Sam takes bum-life to new heights in this bizarre scavenger hunt through LA, chasing cryptic codes, mysterious women, and an unearned sense of purpose. Equal parts absurd and mesmerising, this neon-noir is as much about what it doesn’t explain as what it does. They debate Sam’s questionable choices, swoon over the film’s visuals, and agree that beating up kids over a scratched Mustang might just be the highlight. In short, it’s weird, wonderful, and weirdly wonderful.

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Elvis (2022): "Blue Suede Shoes, Velvet Voices, and the King’s Golden Cage"

Sun, 12 Jan 2025 18:00:03 GMT

In this episode of Can I change my score?, Sophie and Matt revisit Baz Luhrmann’s Elvis and wrestle with big feelings about the King of Rock ’n’ Roll. Sophie reflects on the emotional weight of Elvis’s story, while Matt ponders if Tom Hanks should only do villainous roles. They marvel at Austin Butler’s total transformation into Elvis and debate how much the Colonel was to blame for Elvis’s downfall. Between musical highs and heartbreaking lows, they explore fame, control, and what it truly means to be trapped in a “golden cage.” One thing’s for sure – Elvis has definitely stayed in the building.

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Are You There God? It's Me, Margaret. (2023): “God, Bras, and the Art of Growing Up”

Tue, 07 Jan 2025 20:23:28 GMT

In this episode of Can I Change My Score?, Sophie and Matt reminisce about the joys and horrors of adolescence through the lens of Are You There God? It’s Me, Margaret. They celebrate the stellar acting of Abby Ryder Forston as Margaret, who navigates new friendships, puberty, and existential chats with God—all while rocking some hilariously retro ‘70s vibes. Matt marvels at how the film nails universal awkwardness, while Sophie recalls her own bra-buying debacles (to Matt’s mortification). Between laughs and nostalgia, they uncover the film’s relatable charm and its message: growing up is awkward, messy, and wonderfully human.

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Mufasa: The Lion King (2024): "Lions, Lamentations, and Lin-Manuel"

Tue, 31 Dec 2024 17:40:21 GMT

In this week’s Can I Change My Score?, Sophie and Matt tackle Disney’s Mufasa: The Lion King, a prequel that takes the Lion King lore where no one asked it to go. From CGI lions singing with unsettling realism to Scar’s hilariously awkward attempts at romance, the film left them questioning whether this origin story added anything meaningful to the pride. With questionable rhymes and a lacklustre soundtrack from Lin-Manuel Miranda, they reflect on the movie's odd choices and ponder: does every Disney classic need an unnecessary spin-off?

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Conclave (2024): “Cardinals, Crisps, and Cinema Shenanigans”

Fri, 13 Dec 2024 20:52:18 GMT

In Episode 10 of Can I Change My Score, Sophie and Matt tackle Conclave, a movie about cardinals, secrets, and the high drama of papal elections. Matt admits to confusing the title with words like “concave,” while Sophie reveals she was mainly in it for the nachos. The duo dives into the film’s tense violin soundtrack, Ralph Fiennes’ trademark gravitas, and their bafflement over Stanley Tucci’s thick American accent as “Cardinal Bellini.” A rogue cinema-goer armed with the world’s loudest crisp packet nearly steals the spotlight, but ultimately, it’s all about stunning visuals and quirky, unexpected twists.

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Moana 2 (2024): "Where's the Magic?"

Wed, 04 Dec 2024 07:48:42 GMT

This week on Can I Change My Score?, Sophie and Matt dive into Moana 2, a sequel that left them questioning: where’s the Disney magic? From puzzling animation choices (what’s going on with Moana’s lips?) to a team-building montage that felt more like a time-filler, the movie struggles to recapture the charm of its predecessor.

The duo laments the forgettable songs, oversized biceps on Maui, and a villain who wasn’t really villainous—but hey, at least the water behaved. Packed with sharp observations, witty tangents, and a healthy dose of side-eye for toddlers in cinemas, this episode is a must-listen for Disney fans seeking laughs.

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Wolfs (2024): "Lone Wolves, Plotholes, and White Panties"

Fri, 29 Nov 2024 07:00:48 GMT

This week on Can I Change My Score?, Sophie and Matt sink their teeth into Wolfs, a 2024 action-comedy starring Brad Pitt and George Clooney as lone wolf fixers begrudgingly teaming up. The duo dive into the movie’s quirky premise, questionable pacing, and moments that left them scratching their heads—like why everyone seemed obsessed with identical guns and how a kid in white panties outran professional assassins.

From snowy streets to baffling plot twists, Sophie and Matt dissect what worked, what didn’t, and whether Brad Pitt’s trademark hand gestures deserve their own award. Did the movie howl with greatness or trip over its tail? Tune in to find out!

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The Power of the Dog (2021): “Banjos, Bickering, and Benedict Being Benedict”

Sat, 23 Nov 2024 19:36:10 GMT

In Episode 7 of Can I Change My Score, Sophie and Matt tackle The Power of the Dog and somehow manage to turn a brooding Western into a comedy of errors. They fumble through intros like it's an Olympic sport, ponder whether Benedict Cumberbatch is a better cowboy or cucumber, and admire his method acting dedication (spoiler: he really committed to the smell). Sophie swoons over the sweeping vistas; Matt debates if it’s too much acting and not enough movie. Meanwhile, both agree that the banjo deserves its own Oscar. Verdict? A slow-burning Western sprinkled with accidental laughs.

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The Boy and the Heron (2023): “Herons, Hallucinations, and Hayao Hijinks”

Tue, 19 Nov 2024 17:19:51 GMT

In Episode 6, Sophie and Matt dive into The Boy and the Heron, a film so fantastical that Sophie now side-eyes herons and Matt ponders a cultural crash course on Japan. They marvel at Studio Ghibli's signature visuals and music while grappling with a story that’s more cryptic than their podcast intro attempts. Sophie appreciates the art but wonders why parakeets are involved, while Matt declares the movie an artistic coping mechanism for post-war trauma. With tangents ranging from Willem Dafoe’s unmistakable voice to the existential crisis of bird symbolism, they deliver a delightful mix of awe, confusion, and laughter.

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Women of the hour (2024)

Mon, 28 Oct 2024 19:13:07 GMT

This week, Sophie and Matt talk about the Woman of the Hour, the directorial debut of Anna Kendrick. The movie is rated well online, but is it any good? You must listen to the most well-respected movie critics to find out!

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The Wild Robot (2024)

Sat, 19 Oct 2024 18:22:24 GMT

This week, Sophie and Matt discuss the extremely well-rated new animation from Dreamworks, the same studio that gave us the cinematic masterpiece that is Shrek, the hidden gem Megamind and whatever was the Bee Movie. Will we remember The Wild Robot for the right reasons? The dynamic duo's opinion might surprise you... Also, what's the deal with the microphone? We need to figure it out soon.

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Rosemary's Baby (1968)

Sat, 12 Oct 2024 14:44:13 GMT

How do Sophie and Matt feel about the horror classic Rosemary's Baby? Did the movie age well? Was it suspenseful enough for a spooky movie? What do tennis balls have to do with anything? Find out in today's episode of Can I Change My Score!

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Beetlejuice Beetlejuice (2024)

Thu, 10 Oct 2024 06:38:19 GMT

Beetlejuice, Beetlejuice! How does the sequel stack up against the absolutely amazing original? What do Sophie and Matt think about Micheal Keaton reprising his iconic role? Where does Jenna Ortega fit into the movie? Was it necessary to cast Monica Bellucci for the role of Delores? This and more answered in today's episode!

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Beetlejuice (1988)

Thu, 10 Oct 2024 06:30:41 GMT

Sophie and Matt discuss the cult-classic Beetlejuice in anticipation of the sequel coming to the cinemas soon. Can they avoid mentioning the name of the character three times, summoning the Juice? And, most importantly, how do they score the movie? There is only one way to find out!

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