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		<title>One For The Bose</title>
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		<copyright>Jacob Rose</copyright>
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		<itunes:author>Jacob Rose</itunes:author>
		<itunes:subtitle><![CDATA[Jacob's Audio Adventures]]></itunes:subtitle>
		<itunes:summary><![CDATA[<p>Any time I do an analysis of sound specifically, it'll come here!</p><br><p>@one.for.the.rose on instagram if you want to talk about any of the films I've talked about !</p><br><p>Photo courtesy of Sirun 'Tommy' Tang, @sxhaloe on instagram</p><p>(Photo ruined in photopea by me later on)</p><br><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		<description><![CDATA[<p>Any time I do an analysis of sound specifically, it'll come here!</p><br><p>@one.for.the.rose on instagram if you want to talk about any of the films I've talked about !</p><br><p>Photo courtesy of Sirun 'Tommy' Tang, @sxhaloe on instagram</p><p>(Photo ruined in photopea by me later on)</p><br><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
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				<title>One For The Bose</title>
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			<title><![CDATA["Did It Even Happen?" - A Musical Analysis of Luca Guadagnino's 'Queer' (2024)]]></title>
			<itunes:title><![CDATA["Did It Even Happen?" - A Musical Analysis of Luca Guadagnino's 'Queer' (2024)]]></itunes:title>
			<pubDate>Sun, 15 Dec 2024 00:28:26 GMT</pubDate>
			<itunes:duration>16:21</itunes:duration>
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			<itunes:subtitle><![CDATA[How Luca Guadagnino's Queer explores time, memory, and influence through its soundtrack ]]></itunes:subtitle>
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			<description><![CDATA[<p>Looking at Luca Guadagnino's latest film <em>Queer</em>, Jacob asks: does its soundtrack just supplement the narrative?</p><br><p>Looking at the use of two songs from Nirvana (one a Sinead O'Connor cover), Jacob first explores the relationship between licensed music and artifacting, a key process of <em>Queer</em>. </p><br><p>Going further into <em>Queer</em>'s soundtrack (composed by Trent Reznor and Atticus Ross), Jacob considers the role of motifs in music, and the ways in which the paratext of the soundtrack can inform more upon <em>Queer</em> as a whole.</p><br><p>It's me, I'm Jacob.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Looking at Luca Guadagnino's latest film <em>Queer</em>, Jacob asks: does its soundtrack just supplement the narrative?</p><br><p>Looking at the use of two songs from Nirvana (one a Sinead O'Connor cover), Jacob first explores the relationship between licensed music and artifacting, a key process of <em>Queer</em>. </p><br><p>Going further into <em>Queer</em>'s soundtrack (composed by Trent Reznor and Atticus Ross), Jacob considers the role of motifs in music, and the ways in which the paratext of the soundtrack can inform more upon <em>Queer</em> as a whole.</p><br><p>It's me, I'm Jacob.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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