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		<title>Close Enough for Jazz</title>
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		<copyright>Birch Grove</copyright>
		<itunes:keywords>jazz,avant garde,modern music,interview,new york music,659404</itunes:keywords>
		<itunes:author>Birch Grove</itunes:author>
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		<itunes:summary><![CDATA[Tired of the old jazz paradigm? We call this <em>Close Enough for Jazz</em> because "Modern-Avant-Garde-Polyrhythmic-Sound-Art" was too long for the RSS feed.&nbsp;Join Lindsay and Alan Bjorklund (Birch Grove Media) for unfiltered dialogues with the composers and improvisers pushing the boundaries of the modern and avant-garde jazz scene.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		<description><![CDATA[Tired of the old jazz paradigm? We call this <em>Close Enough for Jazz</em> because "Modern-Avant-Garde-Polyrhythmic-Sound-Art" was too long for the RSS feed.&nbsp;Join Lindsay and Alan Bjorklund (Birch Grove Media) for unfiltered dialogues with the composers and improvisers pushing the boundaries of the modern and avant-garde jazz scene.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
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			<title>Josh Lopes: Dither, John Zorn, and the Art of Blasting White Noise</title>
			<itunes:title>Josh Lopes: Dither, John Zorn, and the Art of Blasting White Noise</itunes:title>
			<pubDate>Thu, 21 May 2026 13:00:00 GMT</pubDate>
			<itunes:duration>56:13</itunes:duration>
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			<description><![CDATA[<p>Guitarist and composer Josh Lopes opens up about the intersection of classical chamber music discipline and underground experimentation. He walks through the collaborative history of Dither, the psychology of working directly under John Zorn, translating Laurie Spiegel’s planetary orbit tracking data to fretted instruments, and how an iPad mechanical failure turned a performance at the Stone into a living nightmare.</p><br><p><strong>Timestamps:</strong></p><p>00:00 - Intro</p><p>00:25 - From Rhode Island to the Avant-Garde Scene</p><p>01:46 - Euphoniums, Marching Band, and Transferring Schools</p><p>03:44 - William Paterson University and the "Bossa Nova" Trap</p><p>05:44 - Unlearning Jazz Robot Habits and Developing Soft Skills</p><p>06:39 - Getting Academic Probation for Breaking Into Shea</p><p>09:25 - The Difference Between Chamber Musicians and Jazz Players</p><p>11:47 - Forming the Electric Guitar Quartet</p><p>14:22 - The Intensity of Performing John Zorn's Game Pieces</p><p>18:39 - A Shattered iPad During a Solo Bagatelle</p><p>20:09 - A Weird Mother's Day Encounter with John Zorn</p><p>22:23 - Playing "Rugby" at The Kitchen</p><p>23:22 - Translating Laurie Spiegel's Electronic Scores</p><p>26:50 - The Pretentious Venice Biennale Concert</p><p>28:37 - Blasting White Noise for Sensory Deprivation Music</p><p>33:03 - The $100 Vintage Japanese Guitar Project</p><p>35:15 - Learning Tuvan Throat Singing in a Trader Joe's Milk Cooler</p><p>37:37 - Discovering "Genghis Blues" and Ham Radio Harmonics</p><p>41:56 - Teaching Music in Newark to Kids Who Don't Listen to Music</p><p>44:29 - Replacing Standard Notation with YouTube QR Codes</p><p>49:49 - Why Good Guitarists Secretly Have Mental Disorders</p><p>51:13 - Missing the Grit of the Old Stone</p><br><p><strong>BIRCH GROVE MEDIA</strong></p><ul><li><strong>Web: </strong>birchgrove.io</li><li><strong>Follow us: </strong>@birch.grove.media on Instagram.</li><li><strong>Watch on YouTube: </strong>youtube.com/@BirchGroveMedia</li><li><strong>Get the Record: </strong>Shop our current 180g LP and digital releases on our website. Rate and review us on Apple Podcasts or Spotify.</li></ul><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Guitarist and composer Josh Lopes opens up about the intersection of classical chamber music discipline and underground experimentation. He walks through the collaborative history of Dither, the psychology of working directly under John Zorn, translating Laurie Spiegel’s planetary orbit tracking data to fretted instruments, and how an iPad mechanical failure turned a performance at the Stone into a living nightmare.</p><br><p><strong>Timestamps:</strong></p><p>00:00 - Intro</p><p>00:25 - From Rhode Island to the Avant-Garde Scene</p><p>01:46 - Euphoniums, Marching Band, and Transferring Schools</p><p>03:44 - William Paterson University and the "Bossa Nova" Trap</p><p>05:44 - Unlearning Jazz Robot Habits and Developing Soft Skills</p><p>06:39 - Getting Academic Probation for Breaking Into Shea</p><p>09:25 - The Difference Between Chamber Musicians and Jazz Players</p><p>11:47 - Forming the Electric Guitar Quartet</p><p>14:22 - The Intensity of Performing John Zorn's Game Pieces</p><p>18:39 - A Shattered iPad During a Solo Bagatelle</p><p>20:09 - A Weird Mother's Day Encounter with John Zorn</p><p>22:23 - Playing "Rugby" at The Kitchen</p><p>23:22 - Translating Laurie Spiegel's Electronic Scores</p><p>26:50 - The Pretentious Venice Biennale Concert</p><p>28:37 - Blasting White Noise for Sensory Deprivation Music</p><p>33:03 - The $100 Vintage Japanese Guitar Project</p><p>35:15 - Learning Tuvan Throat Singing in a Trader Joe's Milk Cooler</p><p>37:37 - Discovering "Genghis Blues" and Ham Radio Harmonics</p><p>41:56 - Teaching Music in Newark to Kids Who Don't Listen to Music</p><p>44:29 - Replacing Standard Notation with YouTube QR Codes</p><p>49:49 - Why Good Guitarists Secretly Have Mental Disorders</p><p>51:13 - Missing the Grit of the Old Stone</p><br><p><strong>BIRCH GROVE MEDIA</strong></p><ul><li><strong>Web: </strong>birchgrove.io</li><li><strong>Follow us: </strong>@birch.grove.media on Instagram.</li><li><strong>Watch on YouTube: </strong>youtube.com/@BirchGroveMedia</li><li><strong>Get the Record: </strong>Shop our current 180g LP and digital releases on our website. Rate and review us on Apple Podcasts or Spotify.</li></ul><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Sam Ospovat: From Cecil Taylor to Blight Music</title>
			<itunes:title>Sam Ospovat: From Cecil Taylor to Blight Music</itunes:title>
			<pubDate>Thu, 14 May 2026 13:00:00 GMT</pubDate>
			<itunes:duration>1:05:28</itunes:duration>
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			<description><![CDATA[<p>Drummer Sam Ospovat discusses his technical evolution and the historical weight of performing with masters like Cecil Taylor. He breaks down the differences between the New York and Nordic music communities, the creation of his project Blight Music in a Brooklyn warehouse, and the discipline required to maintain a creative voice across different continents.</p><br><p><strong>Timestamps</strong>:</p><ul><li>00:00 - Intro: The difficulty of moving to New York</li><li>01:13 - Formative years at UC Santa Cruz</li><li>04:16 - Mills College: An incubator for the avant-garde</li><li>05:32 - Two weeks with Cecil Taylor: Focus and improvisation</li><li>08:12 - Moving to NYC and the influence of mentors</li><li>11:46 - Relocating to Finland and the Nordic scene</li><li>19:07 - Classical music as a Finnish national identity</li><li>26:19 - Rhythmic ratios: Composing with prime numbers</li><li>29:39 - Virtuosity and the feeling of total abandon</li><li>32:11 - The "Blight Music" concept and the warehouse scene</li><li>39:51 - Writing for non-specialists in complex structures</li><li>44:19 - Timbre and the intellectual component of music</li><li>50:13 - The Brooklyn warehouse and the Blight Music festival</li><li>56:10 - Identifying the true originals in the current era</li><li>1:03:59 - How to find Sam Ospovat’s music</li></ul><p><br></p><p><strong>BIRCH GROVE MEDIA</strong></p><ul><li><strong>Web: </strong>birchgrove.io</li><li><strong>Follow us: </strong>@birch.grove.media on Instagram.</li><li><strong>Watch on YouTube: </strong>youtube.com/@BirchGroveMedia</li><li><strong>Get the Record: </strong>Shop our current 180g LP and digital releases on our website. Rate and review us on Apple Podcasts or Spotify.</li></ul><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Drummer Sam Ospovat discusses his technical evolution and the historical weight of performing with masters like Cecil Taylor. He breaks down the differences between the New York and Nordic music communities, the creation of his project Blight Music in a Brooklyn warehouse, and the discipline required to maintain a creative voice across different continents.</p><br><p><strong>Timestamps</strong>:</p><ul><li>00:00 - Intro: The difficulty of moving to New York</li><li>01:13 - Formative years at UC Santa Cruz</li><li>04:16 - Mills College: An incubator for the avant-garde</li><li>05:32 - Two weeks with Cecil Taylor: Focus and improvisation</li><li>08:12 - Moving to NYC and the influence of mentors</li><li>11:46 - Relocating to Finland and the Nordic scene</li><li>19:07 - Classical music as a Finnish national identity</li><li>26:19 - Rhythmic ratios: Composing with prime numbers</li><li>29:39 - Virtuosity and the feeling of total abandon</li><li>32:11 - The "Blight Music" concept and the warehouse scene</li><li>39:51 - Writing for non-specialists in complex structures</li><li>44:19 - Timbre and the intellectual component of music</li><li>50:13 - The Brooklyn warehouse and the Blight Music festival</li><li>56:10 - Identifying the true originals in the current era</li><li>1:03:59 - How to find Sam Ospovat’s music</li></ul><p><br></p><p><strong>BIRCH GROVE MEDIA</strong></p><ul><li><strong>Web: </strong>birchgrove.io</li><li><strong>Follow us: </strong>@birch.grove.media on Instagram.</li><li><strong>Watch on YouTube: </strong>youtube.com/@BirchGroveMedia</li><li><strong>Get the Record: </strong>Shop our current 180g LP and digital releases on our website. Rate and review us on Apple Podcasts or Spotify.</li></ul><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Smirk: Not Your Grandfather’s Jazz and the Birth of a Label</title>
			<itunes:title>Smirk: Not Your Grandfather’s Jazz and the Birth of a Label</itunes:title>
			<pubDate>Thu, 07 May 2026 13:00:00 GMT</pubDate>
			<itunes:duration>36:02</itunes:duration>
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			<description><![CDATA[<p>Alan and Lindsay Bjorklund explore the decade-long journey of the album Not Your Grandfather’s Jazz featuring Tyshawn Sorey, Matt Mitchell, Jeremy Viner, Travis Reuter, and Kim Cass. They break down the band history of Smirk, the process of recording world-class improvisers at GSI Studios, and why they chose to build an independent platform for creative music.</p><br><p><strong>Timestamps:</strong></p><p>00:00 - Intro: Reflecting on the label’s first release</p><p>01:00 - The origins of Smirk (2011 at Ibeam)</p><p>02:00 - Smirk vs. Face: Electric and Acoustic quintets</p><p>04:14 - Expanding to a sextet with Matt Mitchell</p><p>09:29 - Personnel rotations and sub-players</p><p>11:44 - Writing specifically for the 5-string electric bass</p><p>12:04 - Bass chemistry with Tyshawn Sorey</p><p>15:28 - Meeting Tyshawn Sorey and early collaborations</p><p>19:51 - Inside the 2017 GSI recording session</p><p>22:38 - The decision to fund a project and start a label</p><p>25:58 - Interconnectedness: The Merry Poppins session</p><p>30:05 - The Nublu release gig and the live energy</p><p>31:14 - Tyshawn’s perfectly timed stick drop</p><p>32:39 - Nostalgia for the 55 Bar and intimate spaces</p><br><p><strong>BIRCH GROVE MEDIA</strong></p><ul><li><strong>Web: </strong>birchgrove.io</li><li><strong>Follow us: </strong>@birch.grove.media on Instagram.</li><li><strong>Watch on YouTube: </strong>youtube.com/@BirchGroveMedia</li><li><strong>Get the Record: </strong>Shop our current 180g LP and digital releases on our website. Rate and review us on Apple Podcasts or Spotify.</li></ul><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Alan and Lindsay Bjorklund explore the decade-long journey of the album Not Your Grandfather’s Jazz featuring Tyshawn Sorey, Matt Mitchell, Jeremy Viner, Travis Reuter, and Kim Cass. They break down the band history of Smirk, the process of recording world-class improvisers at GSI Studios, and why they chose to build an independent platform for creative music.</p><br><p><strong>Timestamps:</strong></p><p>00:00 - Intro: Reflecting on the label’s first release</p><p>01:00 - The origins of Smirk (2011 at Ibeam)</p><p>02:00 - Smirk vs. Face: Electric and Acoustic quintets</p><p>04:14 - Expanding to a sextet with Matt Mitchell</p><p>09:29 - Personnel rotations and sub-players</p><p>11:44 - Writing specifically for the 5-string electric bass</p><p>12:04 - Bass chemistry with Tyshawn Sorey</p><p>15:28 - Meeting Tyshawn Sorey and early collaborations</p><p>19:51 - Inside the 2017 GSI recording session</p><p>22:38 - The decision to fund a project and start a label</p><p>25:58 - Interconnectedness: The Merry Poppins session</p><p>30:05 - The Nublu release gig and the live energy</p><p>31:14 - Tyshawn’s perfectly timed stick drop</p><p>32:39 - Nostalgia for the 55 Bar and intimate spaces</p><br><p><strong>BIRCH GROVE MEDIA</strong></p><ul><li><strong>Web: </strong>birchgrove.io</li><li><strong>Follow us: </strong>@birch.grove.media on Instagram.</li><li><strong>Watch on YouTube: </strong>youtube.com/@BirchGroveMedia</li><li><strong>Get the Record: </strong>Shop our current 180g LP and digital releases on our website. Rate and review us on Apple Podcasts or Spotify.</li></ul><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Kevin Scott: Scene Building and the Dancing Poodle</title>
			<itunes:title>Kevin Scott: Scene Building and the Dancing Poodle</itunes:title>
			<pubDate>Thu, 30 Apr 2026 13:00:00 GMT</pubDate>
			<itunes:duration>1:11:09</itunes:duration>
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			<itunes:season>1</itunes:season>
			<itunes:episode>9</itunes:episode>
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			<description><![CDATA[<p>Bassist Kevin Scott shares lessons from the road and the technical secrets of playing "out" while keeping the pocket. From touring with Gov't Mule to the manifestation stories that led to playing with his idols, Kevin discusses the necessity of artistic sacrifice and the "Dancing Poodle" analogy that defines the industry landscape.</p><br><p><strong>Timestamps:</strong></p><p>00:00 - The reality of the professional music environment</p><p>00:26 - Touring with a "Raccoon Ambassador"</p><p>03:49 - Tour Hacks: Bus etiquette and sideman logistics</p><p>08:34 - Maintaining health and gym routines on the road</p><p>09:53 - Resonant Paths: Hiring Greg Osby and Ryan Clackner</p><p>13:42 - Manifestation: Joining Warren Haynes’ solo band</p><p>20:46 - Handling nerves when playing when being a “fanboy”</p><p>28:09 - The 55 Bar legacy and the 2026 NYC scene</p><p>35:36 - Building collaborative communities through sacrifice</p><p>44:19 - Playing "out" while maintaining the pocket</p><p>49:31 - The "Abusive Partner" analogy: Double Bass vs. Electric</p><p>53:14 - Electric Bass: The history of the "Ultimate Bastard" instrument</p><p>56:26 - The Mythic Pursuit: Col. Bruce Hampton and moving to Atlanta</p><p>01:06:16 - The Dancing Poodle Analogy: Why it always wins</p><p>01:10:19 - Upcoming records with Matt Chamberlain and Ryan Clackner</p><br><p><strong>BIRCH GROVE MEDIA</strong></p><ul><li><strong>Web: </strong>birchgrove.io</li><li><strong>Follow us: </strong>@birch.grove.media on Instagram.</li><li><strong>Watch on YouTube: </strong>youtube.com/@BirchGroveMedia</li><li><strong>Get the Record: </strong>Shop our current 180g LP and digital releases on our website. Rate and review us on Apple Podcasts or Spotify.</li></ul><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Bassist Kevin Scott shares lessons from the road and the technical secrets of playing "out" while keeping the pocket. From touring with Gov't Mule to the manifestation stories that led to playing with his idols, Kevin discusses the necessity of artistic sacrifice and the "Dancing Poodle" analogy that defines the industry landscape.</p><br><p><strong>Timestamps:</strong></p><p>00:00 - The reality of the professional music environment</p><p>00:26 - Touring with a "Raccoon Ambassador"</p><p>03:49 - Tour Hacks: Bus etiquette and sideman logistics</p><p>08:34 - Maintaining health and gym routines on the road</p><p>09:53 - Resonant Paths: Hiring Greg Osby and Ryan Clackner</p><p>13:42 - Manifestation: Joining Warren Haynes’ solo band</p><p>20:46 - Handling nerves when playing when being a “fanboy”</p><p>28:09 - The 55 Bar legacy and the 2026 NYC scene</p><p>35:36 - Building collaborative communities through sacrifice</p><p>44:19 - Playing "out" while maintaining the pocket</p><p>49:31 - The "Abusive Partner" analogy: Double Bass vs. Electric</p><p>53:14 - Electric Bass: The history of the "Ultimate Bastard" instrument</p><p>56:26 - The Mythic Pursuit: Col. Bruce Hampton and moving to Atlanta</p><p>01:06:16 - The Dancing Poodle Analogy: Why it always wins</p><p>01:10:19 - Upcoming records with Matt Chamberlain and Ryan Clackner</p><br><p><strong>BIRCH GROVE MEDIA</strong></p><ul><li><strong>Web: </strong>birchgrove.io</li><li><strong>Follow us: </strong>@birch.grove.media on Instagram.</li><li><strong>Watch on YouTube: </strong>youtube.com/@BirchGroveMedia</li><li><strong>Get the Record: </strong>Shop our current 180g LP and digital releases on our website. Rate and review us on Apple Podcasts or Spotify.</li></ul><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Recording Unobtainium: The Bear Skinner Session</title>
			<itunes:title>Recording Unobtainium: The Bear Skinner Session</itunes:title>
			<pubDate>Thu, 23 Apr 2026 13:00:00 GMT</pubDate>
			<itunes:duration>51:22</itunes:duration>
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			<acast:episodeUrl>recording-unobtainium-the-bear-skinner-session</acast:episodeUrl>
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			<itunes:season>1</itunes:season>
			<itunes:episode>8</itunes:episode>
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			<description><![CDATA[<p>Alan and Lindsay Bjorklund join Matt Scollante to explore the intensive process of recording the new Bear Skinner album, Unobtainium. They discuss the technical challenge of live tracking during a snowstorm, the discipline of creating original audio patches, and the infrastructure required to document high-level creative music.</p><br><p><strong>BIRCH GROVE MEDIA</strong></p><ul><li><strong>Web: </strong>birchgrove.io</li><li><strong>Follow us: </strong>@birch.grove.media on Instagram.</li><li><strong>Watch on YouTube: </strong>youtube.com/@BirchGroveMedia</li><li><strong>Get the Record: </strong>Shop our current 180g LP and digital releases on our website. Rate and review us on Apple Podcasts or Spotify.</li></ul><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Alan and Lindsay Bjorklund join Matt Scollante to explore the intensive process of recording the new Bear Skinner album, Unobtainium. They discuss the technical challenge of live tracking during a snowstorm, the discipline of creating original audio patches, and the infrastructure required to document high-level creative music.</p><br><p><strong>BIRCH GROVE MEDIA</strong></p><ul><li><strong>Web: </strong>birchgrove.io</li><li><strong>Follow us: </strong>@birch.grove.media on Instagram.</li><li><strong>Watch on YouTube: </strong>youtube.com/@BirchGroveMedia</li><li><strong>Get the Record: </strong>Shop our current 180g LP and digital releases on our website. Rate and review us on Apple Podcasts or Spotify.</li></ul><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Trevor Lagrange on the Philosophy of Performance</title>
			<itunes:title>Trevor Lagrange on the Philosophy of Performance</itunes:title>
			<pubDate>Thu, 16 Apr 2026 13:00:00 GMT</pubDate>
			<itunes:duration>31:54</itunes:duration>
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			<acast:episodeUrl>trevor-lagrange-on-the-philosophy-of-performance</acast:episodeUrl>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>7</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/69a7b8282fb50a2e17913fc0/1778164568166-16bd79b0-9132-4d99-94de-faa2fdd64d83.jpeg"/>
			<description><![CDATA[<p>Keyboardist Trevor Lagrange joins the show to discuss the evolution of his creative voice and the necessity of visual entertainment in live music. He breaks down the history of the Brooklyn loft scene, the influence of his classical training, and the mental tools he uses to master the advanced rhythms of the <strong>Bear Skinner</strong> project.</p><br><p><strong>BIRCH GROVE MEDIA</strong></p><ul><li><strong>Web</strong>: <a href="https://birchgrove.io/" rel="noopener noreferrer" target="_blank">birchgrove.io</a></li><li><strong>Follow us</strong>: @birch.grove.media on Instagram.</li><li><strong>Watch on YouTube</strong>: <a href="https://www.youtube.com/@BirchGroveMedia" rel="noopener noreferrer" target="_blank">youtube.com/@BirchGroveMedia</a></li><li><strong>Get the Record</strong>: Shop our current 180g LP and digital releases on our website at <a href="https://birchgrove.io/" rel="noopener noreferrer" target="_blank">birchgrove.io</a> Rate and review us on Apple Podcasts or Spotify.</li></ul><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Keyboardist Trevor Lagrange joins the show to discuss the evolution of his creative voice and the necessity of visual entertainment in live music. He breaks down the history of the Brooklyn loft scene, the influence of his classical training, and the mental tools he uses to master the advanced rhythms of the <strong>Bear Skinner</strong> project.</p><br><p><strong>BIRCH GROVE MEDIA</strong></p><ul><li><strong>Web</strong>: <a href="https://birchgrove.io/" rel="noopener noreferrer" target="_blank">birchgrove.io</a></li><li><strong>Follow us</strong>: @birch.grove.media on Instagram.</li><li><strong>Watch on YouTube</strong>: <a href="https://www.youtube.com/@BirchGroveMedia" rel="noopener noreferrer" target="_blank">youtube.com/@BirchGroveMedia</a></li><li><strong>Get the Record</strong>: Shop our current 180g LP and digital releases on our website at <a href="https://birchgrove.io/" rel="noopener noreferrer" target="_blank">birchgrove.io</a> Rate and review us on Apple Podcasts or Spotify.</li></ul><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>The Producer’s Craft: Alan Bjorklund Interviewed by Matt Scollante</title>
			<itunes:title>The Producer’s Craft: Alan Bjorklund Interviewed by Matt Scollante</itunes:title>
			<pubDate>Thu, 09 Apr 2026 13:00:00 GMT</pubDate>
			<itunes:duration>54:49</itunes:duration>
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			<acast:episodeUrl>the-producers-craft-alan-bjorklund-interviewed-by-matt-scoll</acast:episodeUrl>
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			<itunes:season>1</itunes:season>
			<itunes:episode>6</itunes:episode>
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			<description><![CDATA[<p>Matt Scollante interviews Alan Bjorklund on the technical and philosophical evolution of the producer's role in creative music. Alan breaks down the high-level vision for Birch Grove Media, his specific audio choices for the band <strong>Smirk</strong>, and the expansive influences that shape the label's identity.</p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Matt Scollante interviews Alan Bjorklund on the technical and philosophical evolution of the producer's role in creative music. Alan breaks down the high-level vision for Birch Grove Media, his specific audio choices for the band <strong>Smirk</strong>, and the expansive influences that shape the label's identity.</p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Big Ears 2026: The Festival Experience</title>
			<itunes:title>Big Ears 2026: The Festival Experience</itunes:title>
			<pubDate>Thu, 02 Apr 2026 13:00:00 GMT</pubDate>
			<itunes:duration>34:26</itunes:duration>
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			<link>https://birchgrove.io/home/podcast/cefj-05/</link>
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			<acast:showId>69a7b8282fb50a2e17913fc0</acast:showId>
			<acast:episodeUrl>big-ears-2026-the-festival-experience</acast:episodeUrl>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>5</itunes:episode>
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			<description><![CDATA[<p>Alan &amp; Lindsay Bjorklund and Ryan Clackner gather in Knoxville to review a weekend of live performance. They discuss the importance of "play" in improvised sets, the local venues that support the scene, and the long-awaited reunion duo of <strong>Ryan Clackner and Tyshawn Sorey</strong>.</p><br><p><br></p><p><strong>BIRCH GROVE MEDIA</strong></p><ul><li><strong>Web:</strong> <a href="https://birchgrove.io/" rel="noopener noreferrer" target="_blank">birchgrove.io</a></li><li><strong>Follow us:</strong> @birch.grove.media on Instagram.</li><li><strong>Watch on YouTube:</strong> <a href="https://www.youtube.com/@BirchGroveMedia" rel="noopener noreferrer" target="_blank">youtube.com/@BirchGroveMedia</a></li><li><strong>Get the Record:</strong> Shop our current 180g LP and digital releases on our website. Rate and review us on Apple Podcasts or Spotify.</li></ul><p><br></p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Alan &amp; Lindsay Bjorklund and Ryan Clackner gather in Knoxville to review a weekend of live performance. They discuss the importance of "play" in improvised sets, the local venues that support the scene, and the long-awaited reunion duo of <strong>Ryan Clackner and Tyshawn Sorey</strong>.</p><br><p><br></p><p><strong>BIRCH GROVE MEDIA</strong></p><ul><li><strong>Web:</strong> <a href="https://birchgrove.io/" rel="noopener noreferrer" target="_blank">birchgrove.io</a></li><li><strong>Follow us:</strong> @birch.grove.media on Instagram.</li><li><strong>Watch on YouTube:</strong> <a href="https://www.youtube.com/@BirchGroveMedia" rel="noopener noreferrer" target="_blank">youtube.com/@BirchGroveMedia</a></li><li><strong>Get the Record:</strong> Shop our current 180g LP and digital releases on our website. Rate and review us on Apple Podcasts or Spotify.</li></ul><p><br></p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title><![CDATA[Versatility and the "Soft Prune": Nick Jost ]]></title>
			<itunes:title><![CDATA[Versatility and the "Soft Prune": Nick Jost ]]></itunes:title>
			<pubDate>Wed, 25 Mar 2026 13:01:00 GMT</pubDate>
			<itunes:duration>36:44</itunes:duration>
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			<acast:episodeUrl>versatility-and-the-soft-prune-nick-jost</acast:episodeUrl>
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			<itunes:episode>4</itunes:episode>
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			<description><![CDATA[<p>Bassist <strong>Nick Jost</strong> joins Lindsay to discuss his "prepped-for-anything" mindset and the reality of the creative music scene. He breaks down his roots in St. Louis, his technical tools for learning odd meters, and why the best music comes from leaving your ego at the door.</p><br><p><strong>BIRCH GROVE MEDIA</strong></p><ul><li><strong>Web:</strong> <a href="https://birchgrove.io/" rel="noopener noreferrer" target="_blank">birchgrove.io</a></li><li><strong>Follow us:</strong> @birch.grove.media on Instagram.</li><li><strong>Watch on YouTube:</strong> <a href="https://www.youtube.com/@BirchGroveMedia" rel="noopener noreferrer" target="_blank">youtube.com/@BirchGroveMedia</a></li><li><strong>Get the Record:</strong> Shop our current 180g LP and digital releases on our website. Rate and review us on Apple Podcasts or Spotify.</li></ul><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Bassist <strong>Nick Jost</strong> joins Lindsay to discuss his "prepped-for-anything" mindset and the reality of the creative music scene. He breaks down his roots in St. Louis, his technical tools for learning odd meters, and why the best music comes from leaving your ego at the door.</p><br><p><strong>BIRCH GROVE MEDIA</strong></p><ul><li><strong>Web:</strong> <a href="https://birchgrove.io/" rel="noopener noreferrer" target="_blank">birchgrove.io</a></li><li><strong>Follow us:</strong> @birch.grove.media on Instagram.</li><li><strong>Watch on YouTube:</strong> <a href="https://www.youtube.com/@BirchGroveMedia" rel="noopener noreferrer" target="_blank">youtube.com/@BirchGroveMedia</a></li><li><strong>Get the Record:</strong> Shop our current 180g LP and digital releases on our website. Rate and review us on Apple Podcasts or Spotify.</li></ul><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
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			<title>Exit NYC: Building a Home Studio Near the Poconos </title>
			<itunes:title>Exit NYC: Building a Home Studio Near the Poconos </itunes:title>
			<pubDate>Wed, 18 Mar 2026 12:30:00 GMT</pubDate>
			<itunes:duration>21:49</itunes:duration>
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			<itunes:episode>3</itunes:episode>
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			<description><![CDATA[<p>Alan and Lindsay break down the move from New York City to their new headquarters in Blairstown, NJ. They discuss the "obsessive" process of building a professional-grade home studio, the difficulty of booking bands in the city post-2022, and the local history of the Delaware Water Gap.</p><br><p><strong>BIRCH GROVE MEDIA</strong></p><ul><li><strong>Web:</strong> <a href="https://birchgrove.io/" rel="noopener noreferrer" target="_blank">birchgrove.io</a></li><li><strong>Follow us:</strong> @birch.grove.media on Instagram.</li><li><strong>Watch on YouTube:</strong> <a href="https://www.youtube.com/@BirchGroveMedia" rel="noopener noreferrer" target="_blank">youtube.com/@BirchGroveMedia</a></li><li><strong>Get the Record:</strong> Shop our current 180g LP and digital releases on our website. Rate and review us on Apple Podcasts or Spotify.</li></ul><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Alan and Lindsay break down the move from New York City to their new headquarters in Blairstown, NJ. They discuss the "obsessive" process of building a professional-grade home studio, the difficulty of booking bands in the city post-2022, and the local history of the Delaware Water Gap.</p><br><p><strong>BIRCH GROVE MEDIA</strong></p><ul><li><strong>Web:</strong> <a href="https://birchgrove.io/" rel="noopener noreferrer" target="_blank">birchgrove.io</a></li><li><strong>Follow us:</strong> @birch.grove.media on Instagram.</li><li><strong>Watch on YouTube:</strong> <a href="https://www.youtube.com/@BirchGroveMedia" rel="noopener noreferrer" target="_blank">youtube.com/@BirchGroveMedia</a></li><li><strong>Get the Record:</strong> Shop our current 180g LP and digital releases on our website. Rate and review us on Apple Podcasts or Spotify.</li></ul><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
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			<title>Ryan Clackner on the Death of Creative Music</title>
			<itunes:title>Ryan Clackner on the Death of Creative Music</itunes:title>
			<pubDate>Fri, 06 Mar 2026 03:16:37 GMT</pubDate>
			<itunes:duration>52:10</itunes:duration>
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			<link>https://birchgrove.io/home/podcast/cefj-02/</link>
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			<description><![CDATA[<p>Guitarist Ryan Clackner joins the show to discuss why jazz guitar often fails to harness the true power of the electric instrument. From the "incestuous" habits of guitar players to the soul-crushing influence of academia, Ryan breaks down what’s wrong with the scene today—and why he had to move to the "Bermuda Triangle of Appalachia" to find his own voice.</p><br><p><strong>Timestamps</strong>:</p><br><p>01:30 - The "Sound Riddle": From Holdsworth to Scofield </p><p>03:49 - The hurdle of "straight-ahead" proficiency </p><p>11:10 - How the "classical sickness" infected jazz </p><p>16:46 - From eighth-grade Metallica to jazz band </p><p>22:03 - The cultural importance of the Garwood Crossroads scene </p><p>28:31 - Why Nashville actually "hates musicians" </p><p>37:43 - Details on the upcoming Big Ears Festival duo performance&nbsp;</p><br><p><strong>BIRCH GROVE MEDIA</strong></p><ul><li><strong>Web:</strong> <a href="https://birchgrove.io" rel="noopener noreferrer" target="_blank">birchgrove.io</a></li><li><strong>Follow us:</strong> @birch.grove.media on Instagram.</li><li><strong>Watch the episodes:</strong> <a href="https://www.youtube.com/@BirchGroveMedia" rel="noopener noreferrer" target="_blank">youtube.com/@BirchGroveMedia</a></li><li><strong>Support the music:</strong> Rate and review us on Apple Podcasts or Spotify. Visit our site to shop our latest physical media and vinyl releases.</li></ul><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Guitarist Ryan Clackner joins the show to discuss why jazz guitar often fails to harness the true power of the electric instrument. From the "incestuous" habits of guitar players to the soul-crushing influence of academia, Ryan breaks down what’s wrong with the scene today—and why he had to move to the "Bermuda Triangle of Appalachia" to find his own voice.</p><br><p><strong>Timestamps</strong>:</p><br><p>01:30 - The "Sound Riddle": From Holdsworth to Scofield </p><p>03:49 - The hurdle of "straight-ahead" proficiency </p><p>11:10 - How the "classical sickness" infected jazz </p><p>16:46 - From eighth-grade Metallica to jazz band </p><p>22:03 - The cultural importance of the Garwood Crossroads scene </p><p>28:31 - Why Nashville actually "hates musicians" </p><p>37:43 - Details on the upcoming Big Ears Festival duo performance&nbsp;</p><br><p><strong>BIRCH GROVE MEDIA</strong></p><ul><li><strong>Web:</strong> <a href="https://birchgrove.io" rel="noopener noreferrer" target="_blank">birchgrove.io</a></li><li><strong>Follow us:</strong> @birch.grove.media on Instagram.</li><li><strong>Watch the episodes:</strong> <a href="https://www.youtube.com/@BirchGroveMedia" rel="noopener noreferrer" target="_blank">youtube.com/@BirchGroveMedia</a></li><li><strong>Support the music:</strong> Rate and review us on Apple Podcasts or Spotify. Visit our site to shop our latest physical media and vinyl releases.</li></ul><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
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			<title>Introducing Birch Grove Media - Sovereignty, Vinyl, and 180 Grams of Jazz</title>
			<itunes:title>Introducing Birch Grove Media - Sovereignty, Vinyl, and 180 Grams of Jazz</itunes:title>
			<pubDate>Fri, 06 Mar 2026 03:16:23 GMT</pubDate>
			<itunes:duration>28:21</itunes:duration>
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			<link>https://birchgrove.io/home/podcast/cefj-01/</link>
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			<acast:episodeUrl>introducing-birch-grove-media</acast:episodeUrl>
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			<itunes:season>1</itunes:season>
			<itunes:episode>1</itunes:episode>
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			<description><![CDATA[<p>In the debut episode, founders Alan and Lindsay discuss why they decided to "choose themselves" and launch Birch Grove Media. They break down the importance of physical media, the roles of a creative director versus a label manager, and why their podcast won't sound like your typical "soothing" NPR jazz show. </p><br><p><strong>Timestamps:</strong></p><ul><li>01:15 - Looking back at the first release: <em>Smirk</em> </li><li>02:37 - What makes a Birch Grove Media project? </li><li>09:00 - The philosophy of independent publishing </li><li>10:47 - Why we insist on 180g vinyl and gatefold packaging </li><li>14:45 - Building a label from scratch (literally, including the fonts) </li><li>20:54 - Introducing the quartet: Bear Skinner </li></ul><p><br></p><p><strong>BIRCH GROVE MEDIA</strong></p><ul><li><strong>Web:</strong> <a href="https://birchgrove.io" rel="noopener noreferrer" target="_blank">birchgrove.io</a></li><li><strong>Follow us:</strong> @birch.grove.media on Instagram.</li><li><strong>Watch the episodes:</strong> <a href="https://www.youtube.com/@BirchGroveMedia" rel="noopener noreferrer" target="_blank">youtube.com/@BirchGroveMedia</a></li><li><strong>Support the music:</strong> Rate and review us on Apple Podcasts or Spotify. Visit our site to shop our latest physical media and vinyl releases.</li></ul><p><br></p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In the debut episode, founders Alan and Lindsay discuss why they decided to "choose themselves" and launch Birch Grove Media. They break down the importance of physical media, the roles of a creative director versus a label manager, and why their podcast won't sound like your typical "soothing" NPR jazz show. </p><br><p><strong>Timestamps:</strong></p><ul><li>01:15 - Looking back at the first release: <em>Smirk</em> </li><li>02:37 - What makes a Birch Grove Media project? </li><li>09:00 - The philosophy of independent publishing </li><li>10:47 - Why we insist on 180g vinyl and gatefold packaging </li><li>14:45 - Building a label from scratch (literally, including the fonts) </li><li>20:54 - Introducing the quartet: Bear Skinner </li></ul><p><br></p><p><strong>BIRCH GROVE MEDIA</strong></p><ul><li><strong>Web:</strong> <a href="https://birchgrove.io" rel="noopener noreferrer" target="_blank">birchgrove.io</a></li><li><strong>Follow us:</strong> @birch.grove.media on Instagram.</li><li><strong>Watch the episodes:</strong> <a href="https://www.youtube.com/@BirchGroveMedia" rel="noopener noreferrer" target="_blank">youtube.com/@BirchGroveMedia</a></li><li><strong>Support the music:</strong> Rate and review us on Apple Podcasts or Spotify. Visit our site to shop our latest physical media and vinyl releases.</li></ul><p><br></p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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		<itunes:category text="Arts">
			<itunes:category text="Performing Arts"/>
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