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		<title>Outsider Visions: How the Marginalized Imagined Tomorrow</title>
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		<copyright>Atween Studios</copyright>
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		<itunes:summary><![CDATA[A history of science fiction podcast that centers the voices of those who used the genre to imagine liberation - from Mary Shelley's warning about unchecked power to Octavia Butler's visions of survival, revealing how outsiders have always used sci-fi to challenge the present by reimagining the future.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		<description><![CDATA[A history of science fiction podcast that centers the voices of those who used the genre to imagine liberation - from Mary Shelley's warning about unchecked power to Octavia Butler's visions of survival, revealing how outsiders have always used sci-fi to challenge the present by reimagining the future.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
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        <acast:network id="69304119042629ee0e856634" slug="jon-jardine-69304119042629ee0e856634"><![CDATA[Jon Jardine]]></acast:network>
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				<title>Outsider Visions: How the Marginalized Imagined Tomorrow</title>
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			<title><![CDATA[The Handmaid's Tale's Gilead: Atwood's Theocratic Architecture]]></title>
			<itunes:title><![CDATA[The Handmaid's Tale's Gilead: Atwood's Theocratic Architecture]]></itunes:title>
			<pubDate>Fri, 12 Jun 2026 05:00:00 GMT</pubDate>
			<itunes:duration>21:51</itunes:duration>
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			<itunes:subtitle><![CDATA[Atwood's 1985 novel imagines a Christian fascist state built from real historical atrocities — every detail sourced from something that actually happened, somewhere, to women.]]></itunes:subtitle>
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			<itunes:episode>2</itunes:episode>
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			<description><![CDATA[Margaret Atwood's The Handmaid's Tale (1985) was written in West Berlin while the Wall still stood, at a time when Reagan-era religious conservatism was reshaping American politics. Atwood's rule: nothing in the novel that hasn't happened in history. The handmaid system draws on the Bible (Rachel and Leah), the Lebensborn program, Romanian forced reproduction policy, and the history of American slavery. The architecture of Gilead is the architecture of the female body made into state property: the Commander's house with its color-coded household, the Wall where executed bodies hang, Jezebel's brothel for elite men. This episode examines the novel's historical sourcing, its Reagan-era political context, and why it has become the defining image of reproductive rights activism — from the Dobbs decision protests to Project 2025.<p>SPOILERS! Please note that due to the nature of this podcast, each episode describes a novel in detail, including plot spoilers.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[Margaret Atwood's The Handmaid's Tale (1985) was written in West Berlin while the Wall still stood, at a time when Reagan-era religious conservatism was reshaping American politics. Atwood's rule: nothing in the novel that hasn't happened in history. The handmaid system draws on the Bible (Rachel and Leah), the Lebensborn program, Romanian forced reproduction policy, and the history of American slavery. The architecture of Gilead is the architecture of the female body made into state property: the Commander's house with its color-coded household, the Wall where executed bodies hang, Jezebel's brothel for elite men. This episode examines the novel's historical sourcing, its Reagan-era political context, and why it has become the defining image of reproductive rights activism — from the Dobbs decision protests to Project 2025.<p>SPOILERS! Please note that due to the nature of this podcast, each episode describes a novel in detail, including plot spoilers.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title><![CDATA[The Monster's Mother: Frankenstein and Female Creation]]></title>
			<itunes:title><![CDATA[The Monster's Mother: Frankenstein and Female Creation]]></itunes:title>
			<pubDate>Tue, 09 Jun 2026 14:04:22 GMT</pubDate>
			<itunes:duration>20:33</itunes:duration>
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			<itunes:subtitle><![CDATA[Mary Shelley's 1818 novel as radical political act — a teenage girl inventing science fiction while warning about unchecked male power and the ethics of creation.]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>1</itunes:episode>
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			<description><![CDATA[Mary Shelley wrote Frankenstein at 18, grieving the death of her infant, excluded from formal education, the daughter of feminist Mary Wollstonecraft and anarchist William Godwin. The novel is not a horror story — it is a political manifesto about what happens when men play God without accountability. The laboratory is a masculine space of creation that bypasses the female body; the creature is excluded from every domestic and social space; the scientist's hubris destroys everyone he loves. Written at the dawn of the Industrial Revolution, Frankenstein asks who controls creation, who bears the consequences, and who gets to be human. This episode examines the radical political context of the novel's creation, the Villa Diodati summer of 1816, and why Shelley's warning has only grown more urgent in the age of AI and genetic engineering.<p>SPOILERS! Please note that due to the nature of this podcast, each episode describes a novel in detail, including plot spoilers.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[Mary Shelley wrote Frankenstein at 18, grieving the death of her infant, excluded from formal education, the daughter of feminist Mary Wollstonecraft and anarchist William Godwin. The novel is not a horror story — it is a political manifesto about what happens when men play God without accountability. The laboratory is a masculine space of creation that bypasses the female body; the creature is excluded from every domestic and social space; the scientist's hubris destroys everyone he loves. Written at the dawn of the Industrial Revolution, Frankenstein asks who controls creation, who bears the consequences, and who gets to be human. This episode examines the radical political context of the novel's creation, the Villa Diodati summer of 1816, and why Shelley's warning has only grown more urgent in the age of AI and genetic engineering.<p>SPOILERS! Please note that due to the nature of this podcast, each episode describes a novel in detail, including plot spoilers.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<itunes:category text="Science Fiction"/>
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