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		<title>HumorUs — Funny Short Stories</title>
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		<copyright>Don McDonald</copyright>
		<itunes:keywords>funny short stories, comedy fiction, humorous fiction, short stories read aloud, classic comedy, audio fiction, narrated short stories, O. Henry, Ellis Parker Butler, W.W. Jacobs, comedy podcast, short story podcast, bedtime stories for adults, satire, storytelling podcast</itunes:keywords>
		<itunes:author>Don McDonald</itunes:author>
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		<itunes:summary><![CDATA[Comedy is the oldest trick in the book (or the short story), and HumorUs goes digging for the funniest classic tale with a few new ones sprinkled in. Each episode is one short story, narrated with care and a raised eyebrow. Bureaucratic guinea pigs that simply will not stop multiplying, courtesy of Ellis Parker Butler. A backwoods divorce that doubles right back into a wedding, by way of O. Henry. A shipwreck that strands exactly the wrong man, from the dry wit of W.W. Jacobs. A committee so devoted to oversight it forms a committee to oversee itself. Some of these tales are a hundred years old. Some are brand new. All of them prove the same stubborn little fact, that a good laugh never goes out of print. So pour something, settle in, and let the great humorists, famous and forgotten alike, humor us. <strong>A comedy fiction podcast from Short Storyverses.</strong><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		<description><![CDATA[Comedy is the oldest trick in the book (or the short story), and HumorUs goes digging for the funniest classic tale with a few new ones sprinkled in. Each episode is one short story, narrated with care and a raised eyebrow. Bureaucratic guinea pigs that simply will not stop multiplying, courtesy of Ellis Parker Butler. A backwoods divorce that doubles right back into a wedding, by way of O. Henry. A shipwreck that strands exactly the wrong man, from the dry wit of W.W. Jacobs. A committee so devoted to oversight it forms a committee to oversee itself. Some of these tales are a hundred years old. Some are brand new. All of them prove the same stubborn little fact, that a good laugh never goes out of print. So pour something, settle in, and let the great humorists, famous and forgotten alike, humor us. <strong>A comedy fiction podcast from Short Storyverses.</strong><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
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			<itunes:name>Don McDonald</itunes:name>
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				<title>HumorUs — Funny Short Stories</title>
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			<title>The £1,000,000 Bank-Note — A Classic Tale by Mark Twain</title>
			<itunes:title>The £1,000,000 Bank-Note — A Classic Tale by Mark Twain</itunes:title>
			<pubDate>Wed, 01 Jul 2026 21:56:19 GMT</pubDate>
			<itunes:duration>45:06</itunes:duration>
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			<itunes:subtitle>A Penniless Man and a Preposterous Note</itunes:subtitle>
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			<description><![CDATA[<p>Henry Adams has one dollar to his name, a coat gone thin at the elbows, and a hunger that's stopped being polite about it. Then two rich old brothers hand him an envelope and vanish for thirty days, leaving him holding the single strangest piece of paper in London. It isn't counterfeit. It isn't a joke. And it is worth more than Henry can spend, prove, or even safely admit to owning. Mark Twain turns a penniless clerk loose on Victorian high society and lets the absurdity do exactly what it wants.</p><br><p>Mark Twain, born Samuel Langhorne Clemens, remains one of America's sharpest satirists, a writer who could turn a tall tale into a mirror held up to an entire society. Published in 1893, "The £1,000,000 Bank-Note" takes his gift for skewering wealth and appearances and sets it loose on Victorian London, decades before Hollywood borrowed the premise more than once.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Henry Adams has one dollar to his name, a coat gone thin at the elbows, and a hunger that's stopped being polite about it. Then two rich old brothers hand him an envelope and vanish for thirty days, leaving him holding the single strangest piece of paper in London. It isn't counterfeit. It isn't a joke. And it is worth more than Henry can spend, prove, or even safely admit to owning. Mark Twain turns a penniless clerk loose on Victorian high society and lets the absurdity do exactly what it wants.</p><br><p>Mark Twain, born Samuel Langhorne Clemens, remains one of America's sharpest satirists, a writer who could turn a tall tale into a mirror held up to an entire society. Published in 1893, "The £1,000,000 Bank-Note" takes his gift for skewering wealth and appearances and sets it loose on Victorian London, decades before Hollywood borrowed the premise more than once.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Nevada Funeral – Scotty Briggs and the Clergyman by Mark Twain</title>
			<itunes:title>Nevada Funeral – Scotty Briggs and the Clergyman by Mark Twain</itunes:title>
			<pubDate>Wed, 01 Jul 2026 21:08:46 GMT</pubDate>
			<itunes:duration>10:57</itunes:duration>
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			<itunes:subtitle><![CDATA[Frontier slang meets the King's English]]></itunes:subtitle>
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			<description><![CDATA[<p>Out in the Nevada mining camps of the 1870s, men learned to speak a language all their own, part slang, part swagger, part pure invention, and woe to the outsider who couldn't keep up. When a rough-hewn miner named Scotty Briggs marches into town to fetch a proper burial for a fallen friend, he finds himself face to face with a young, freshly minted clergyman who speaks only the King's English, and neither man has the faintest idea what the other is talking about. What follows is one of Mark Twain's funniest, and strangely most tender, character sketches, a collision of two American dialects, two worlds, and two men who, despite everything, manage to understand each other where it counts.</p><br><p>Before he was Mark Twain, he was Samuel Langhorne Clemens, a Missouri riverboat pilot who traded the Mississippi for the Nevada silver fields and, when the mining didn't pan out, picked up a pen instead of a pickaxe. He spent the 1860s knocking around the boomtowns of the Comstock Lode, filing dispatches for the Territorial Enterprise under a borrowed riverboat term, a leadsman's call meaning safe water, two fathoms deep. The camps he covered, and the characters who populated them, miners, con men, preachers, and everyone in between, gave him a lifetime's worth of material and an ear for the peculiar poetry of American speech. He'd go on to write the books that made him famous, but the West made him a writer first.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Out in the Nevada mining camps of the 1870s, men learned to speak a language all their own, part slang, part swagger, part pure invention, and woe to the outsider who couldn't keep up. When a rough-hewn miner named Scotty Briggs marches into town to fetch a proper burial for a fallen friend, he finds himself face to face with a young, freshly minted clergyman who speaks only the King's English, and neither man has the faintest idea what the other is talking about. What follows is one of Mark Twain's funniest, and strangely most tender, character sketches, a collision of two American dialects, two worlds, and two men who, despite everything, manage to understand each other where it counts.</p><br><p>Before he was Mark Twain, he was Samuel Langhorne Clemens, a Missouri riverboat pilot who traded the Mississippi for the Nevada silver fields and, when the mining didn't pan out, picked up a pen instead of a pickaxe. He spent the 1860s knocking around the boomtowns of the Comstock Lode, filing dispatches for the Territorial Enterprise under a borrowed riverboat term, a leadsman's call meaning safe water, two fathoms deep. The camps he covered, and the characters who populated them, miners, con men, preachers, and everyone in between, gave him a lifetime's worth of material and an ear for the peculiar poetry of American speech. He'd go on to write the books that made him famous, but the West made him a writer first.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title><![CDATA[Eve's Diary — Translated from the Original by Mark Twain]]></title>
			<itunes:title><![CDATA[Eve's Diary — Translated from the Original by Mark Twain]]></itunes:title>
			<pubDate>Wed, 01 Jul 2026 20:06:16 GMT</pubDate>
			<itunes:duration>41:50</itunes:duration>
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			<itunes:subtitle>Genesis, She Said</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
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			<description><![CDATA[<p>Where Adam's diary gave us one grumpy, bewildered account of those first days in Eden, Twain gives Eve her own version, and it changes everything. She's curious about everything, endlessly talkative, and cheerfully certain she's right about most of it. It's Twain at his funniest, and, by the end, at his most tender. This one will surprise you.</p><br><p>Mark Twain, born Samuel Langhorne Clemens in 1835, remains one of America's most enduring literary voices, celebrated for wit as sharp as his social criticism.&nbsp;<em>Eve's Diary</em>&nbsp;stands apart in his body of work, a companion piece to&nbsp;<em>Extracts from Adam's Diary</em>&nbsp;that reveals a gentler, more affectionate side of a writer usually known for satire. Twain wrote it, in part, as a tribute to his own wife, Olivia.</p><br><p>For more great stories, visit <a href="shortstoryverses.com" rel="noopener noreferrer" target="_blank">shortstoryverses.com</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Where Adam's diary gave us one grumpy, bewildered account of those first days in Eden, Twain gives Eve her own version, and it changes everything. She's curious about everything, endlessly talkative, and cheerfully certain she's right about most of it. It's Twain at his funniest, and, by the end, at his most tender. This one will surprise you.</p><br><p>Mark Twain, born Samuel Langhorne Clemens in 1835, remains one of America's most enduring literary voices, celebrated for wit as sharp as his social criticism.&nbsp;<em>Eve's Diary</em>&nbsp;stands apart in his body of work, a companion piece to&nbsp;<em>Extracts from Adam's Diary</em>&nbsp;that reveals a gentler, more affectionate side of a writer usually known for satire. Twain wrote it, in part, as a tribute to his own wife, Olivia.</p><br><p>For more great stories, visit <a href="shortstoryverses.com" rel="noopener noreferrer" target="_blank">shortstoryverses.com</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title><![CDATA[Excerpts from Adam's Diary by Mark Twain]]></title>
			<itunes:title><![CDATA[Excerpts from Adam's Diary by Mark Twain]]></itunes:title>
			<pubDate>Wed, 01 Jul 2026 19:39:23 GMT</pubDate>
			<itunes:duration>27:10</itunes:duration>
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			<itunes:subtitle>Genesis, He Said</itunes:subtitle>
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			<description><![CDATA[<p>Before there was marriage counseling, there was Adam's diary. Mark Twain's comic monologue imagines the Garden of Eden's first resident keeping a running, increasingly exasperated account of the strange new creature who's moved in, started naming his animals, and rewritten the rules of the place without asking. It's Genesis as domestic comedy, and it's every bit as sharp as Twain at his best.</p><br><p>Mark Twain, born Samuel Langhorne Clemens in 1835, remains one of America's most enduring literary voices, known for wit as sharp as his social criticism. From&nbsp;<em>The Adventures of Huckleberry Finn</em>&nbsp;to shorter satirical pieces like this one, Twain had a gift for finding the absurd in the everyday, even when the everyday happened to be the Garden of Eden.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Before there was marriage counseling, there was Adam's diary. Mark Twain's comic monologue imagines the Garden of Eden's first resident keeping a running, increasingly exasperated account of the strange new creature who's moved in, started naming his animals, and rewritten the rules of the place without asking. It's Genesis as domestic comedy, and it's every bit as sharp as Twain at his best.</p><br><p>Mark Twain, born Samuel Langhorne Clemens in 1835, remains one of America's most enduring literary voices, known for wit as sharp as his social criticism. From&nbsp;<em>The Adventures of Huckleberry Finn</em>&nbsp;to shorter satirical pieces like this one, Twain had a gift for finding the absurd in the everyday, even when the everyday happened to be the Garden of Eden.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title><![CDATA[The Baker's Dozen — A Humorous Playlet by Saki]]></title>
			<itunes:title><![CDATA[The Baker's Dozen — A Humorous Playlet by Saki]]></itunes:title>
			<pubDate>Wed, 01 Jul 2026 15:45:22 GMT</pubDate>
			<itunes:duration>11:53</itunes:duration>
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			<acast:episodeUrl>the-bakers-dozen-a-humorous-playlet-by-saki</acast:episodeUrl>
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			<itunes:subtitle>A Widower, a Widow, and Rather Too Many Children</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
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			<description><![CDATA[<p>Major Richard Dumbarton and Emily Carewe haven't seen each other in years, not since old grudges and other marriages got in the way. A chance reunion aboard an eastward-bound steamer changes that fast, deck chairs bribed into place and all. But romance runs into arithmetic when the subject of children comes up, and the resulting scramble to make the numbers work is pure Saki mischief. A quick, witty shipboard farce about love, superstition, and creative counting.</p><br><p>Hector Hugh Munro, better known by his pen name Saki, was a British writer active in the early twentieth century, celebrated for short fiction that pairs drawing-room manners with a sly, sometimes wicked wit. His stories favor sudden reversals and characters whose composure cracks under the weight of their own absurdities, whether the setting is a country house, a dinner table, or, here, the deck of an ocean liner. Saki wrote several of his pieces as brief one-act playlets, letting dialogue alone carry the comic timing. He died in 1916, but his stories remain a staple of Edwardian comic fiction for their brevity, their bite, and their refusal to take romance, or superstition, entirely seriously.</p><br><p>Be sure to check out all of our narrative podcasts at shortstoryverses.com</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Major Richard Dumbarton and Emily Carewe haven't seen each other in years, not since old grudges and other marriages got in the way. A chance reunion aboard an eastward-bound steamer changes that fast, deck chairs bribed into place and all. But romance runs into arithmetic when the subject of children comes up, and the resulting scramble to make the numbers work is pure Saki mischief. A quick, witty shipboard farce about love, superstition, and creative counting.</p><br><p>Hector Hugh Munro, better known by his pen name Saki, was a British writer active in the early twentieth century, celebrated for short fiction that pairs drawing-room manners with a sly, sometimes wicked wit. His stories favor sudden reversals and characters whose composure cracks under the weight of their own absurdities, whether the setting is a country house, a dinner table, or, here, the deck of an ocean liner. Saki wrote several of his pieces as brief one-act playlets, letting dialogue alone carry the comic timing. He died in 1916, but his stories remain a staple of Edwardian comic fiction for their brevity, their bite, and their refusal to take romance, or superstition, entirely seriously.</p><br><p>Be sure to check out all of our narrative podcasts at shortstoryverses.com</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Pigs is Pigs — A Classic Farce by Ellis Parker Butler</title>
			<itunes:title>Pigs is Pigs — A Classic Farce by Ellis Parker Butler</itunes:title>
			<pubDate>Wed, 01 Jul 2026 15:12:14 GMT</pubDate>
			<itunes:duration>22:20</itunes:duration>
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			<acast:episodeId>6a452e4e75e7a3e9612c4323</acast:episodeId>
			<acast:showId>6a4432666771af4aa4111213</acast:showId>
			<acast:episodeUrl>pigs-is-pigs-a-classic-farce-by-ellis-parker-butler</acast:episodeUrl>
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			<itunes:subtitle>Red tape meets rapid reproduction</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
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			<description><![CDATA[<p>This story a small masterpiece of exasperation from 1905. Ellis Parker Butler wrote "Pigs Is Pigs" as a jab at corporate red tape, and somehow, more than a hundred years on, it has only gotten funnier. Two guinea pigs arrive at a railway express office. A clerk named Mike Flannery decides they are pigs, the customer insists they are pets, and a single nickel of disagreement sets off a cascade of letters, departments, and, well, arithmetic. You'll see.</p><br><p>Ellis Parker Butler, 1869 to 1937, was one of America's most prolific humorists, an Iowa-born writer who turned out thousands of stories, essays, and poems across a long career. He published more than thirty books, helped found the Authors' League of America, and wrote for nearly every major magazine of his day. Yet it was a single short story, "Pigs Is Pigs," dashed off in 1905, that made his name. It sold in the hundreds of thousands, inspired stage and screen adaptations, and quietly seeded a whole comic tradition of small creatures multiplying beyond all reason, a lineage that runs straight through to the tribbles of Star Trek. Not bad for two guinea pigs and a stubborn clerk.</p><br><p>HumorUs is part of Short Storyverses, a growing network of fiction podcasts bringing the world's best stories to your ears. Explore all of our story universes, Litreading,  FRIGHTLY, Readastorus, Season's Readings, and more wherever you listen or at <a href="shortstoryverses.com" rel="noopener noreferrer" target="_blank">shortstoryverses.com</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>This story a small masterpiece of exasperation from 1905. Ellis Parker Butler wrote "Pigs Is Pigs" as a jab at corporate red tape, and somehow, more than a hundred years on, it has only gotten funnier. Two guinea pigs arrive at a railway express office. A clerk named Mike Flannery decides they are pigs, the customer insists they are pets, and a single nickel of disagreement sets off a cascade of letters, departments, and, well, arithmetic. You'll see.</p><br><p>Ellis Parker Butler, 1869 to 1937, was one of America's most prolific humorists, an Iowa-born writer who turned out thousands of stories, essays, and poems across a long career. He published more than thirty books, helped found the Authors' League of America, and wrote for nearly every major magazine of his day. Yet it was a single short story, "Pigs Is Pigs," dashed off in 1905, that made his name. It sold in the hundreds of thousands, inspired stage and screen adaptations, and quietly seeded a whole comic tradition of small creatures multiplying beyond all reason, a lineage that runs straight through to the tribbles of Star Trek. Not bad for two guinea pigs and a stubborn clerk.</p><br><p>HumorUs is part of Short Storyverses, a growing network of fiction podcasts bringing the world's best stories to your ears. Explore all of our story universes, Litreading,  FRIGHTLY, Readastorus, Season's Readings, and more wherever you listen or at <a href="shortstoryverses.com" rel="noopener noreferrer" target="_blank">shortstoryverses.com</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Two Hearts Beat As One — A Classic Story by Frank Norris</title>
			<itunes:title>Two Hearts Beat As One — A Classic Story by Frank Norris</itunes:title>
			<pubDate>Tue, 30 Jun 2026 22:16:14 GMT</pubDate>
			<itunes:duration>27:47</itunes:duration>
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			<acast:episodeId>6a44402e75e7a3e961df1af0</acast:episodeId>
			<acast:showId>6a4432666771af4aa4111213</acast:showId>
			<acast:episodeUrl>two-hearts-beat-as-one-a-classic-story-by-frank-norris</acast:episodeUrl>
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			<itunes:subtitle>A beauty, a brawl, and a punchline.</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:image href="https://assets.pippa.io/shows/6a4432666771af4aa4111213/1782921225009-796658f3-ff50-485f-8bca-1441f16a3671.jpeg"/>
			<description><![CDATA[<p>Frank Norris could grind a man down to nothing in three hundred naturalist pages. He could also, when the rent was due, write something this loose and this funny. "Two Hearts That Beat as One" sends two soldiers of fortune, one American, one English, gunrunning down the Pacific coast, where they make the oldest mistake there is and fall for the same woman. The cure they settle on is a boxing match. It does not cure them.</p><br><p>Frank Norris was thirty-two when he died, in 1902, which is the kind of fact that stops you cold, because by then he'd already written McTeague and The Octopus, the big grinding novels they still hand out on syllabi. But he wrote lighter things too, and the Three Black Crows were his rowdiest invention, three guns-for-hire who turn up in four different stories getting into trouble on land, at sea, and once or twice somewhere stranger. This was their first time out. It was collected after his death, in a book called A Deal in Wheat, in 1903.</p><br><p>If you liked this one, there's a whole shelf of stories waiting for you across the Short Storyverses network, over at <a href="shortstoryverses.com" rel="noopener noreferrer" target="_blank">shortstoryverses.com</a>.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Frank Norris could grind a man down to nothing in three hundred naturalist pages. He could also, when the rent was due, write something this loose and this funny. "Two Hearts That Beat as One" sends two soldiers of fortune, one American, one English, gunrunning down the Pacific coast, where they make the oldest mistake there is and fall for the same woman. The cure they settle on is a boxing match. It does not cure them.</p><br><p>Frank Norris was thirty-two when he died, in 1902, which is the kind of fact that stops you cold, because by then he'd already written McTeague and The Octopus, the big grinding novels they still hand out on syllabi. But he wrote lighter things too, and the Three Black Crows were his rowdiest invention, three guns-for-hire who turn up in four different stories getting into trouble on land, at sea, and once or twice somewhere stranger. This was their first time out. It was collected after his death, in a book called A Deal in Wheat, in 1903.</p><br><p>If you liked this one, there's a whole shelf of stories waiting for you across the Short Storyverses network, over at <a href="shortstoryverses.com" rel="noopener noreferrer" target="_blank">shortstoryverses.com</a>.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>The Facts Concerning the Recent Carnival of Crime in Connecticut by Mark Twain</title>
			<itunes:title>The Facts Concerning the Recent Carnival of Crime in Connecticut by Mark Twain</itunes:title>
			<pubDate>Tue, 30 Jun 2026 21:46:47 GMT</pubDate>
			<itunes:duration>37:25</itunes:duration>
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			<link>https://shows.acast.com/humorus-funny-short-stories/episodes/the-facts-concerning-the-recent-carnival-of-crime-in-connect</link>
			<acast:episodeId>6a4439476771af4aa412ce31</acast:episodeId>
			<acast:showId>6a4432666771af4aa4111213</acast:showId>
			<acast:episodeUrl>the-facts-concerning-the-recent-carnival-of-crime-in-connect</acast:episodeUrl>
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			<itunes:subtitle>Getting the better of your conscience</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:image href="https://assets.pippa.io/shows/6a4432666771af4aa4111213/1782921243949-235bf93e-1eaa-4eed-afa7-35195d118dde.jpeg"/>
			<description><![CDATA[<p>A man meets his Conscience face to face, and decides the world would be a far pleasanter place without it. Mark Twain's 1876 satire "The Facts Concerning the Recent Carnival of Crime in Connecticut" turns guilt into a grotesque little houseguest and moral improvement into a spree. Sharp, absurd, and surprisingly modern in its contempt for performative virtue. Originally recorded by Don McDonald in 2018</p><br><p>So there it is. One dead Conscience, a tidy heap of fresh sins, and a man who has never felt better. Twain wrote it in 1876, but the target hasn't moved an inch, all of us still half in love with our own guilt, still mistaking the wince for the virtue. If it made you laugh in the wrong places, good. That was the idea.</p><br><p>Mark Twain, born Samuel Langhorne Clemens in 1835, was America's great humorist and its sharpest moral mischief-maker, a former riverboat pilot who turned a frontier wit into some of the most enduring books in the language.&nbsp;<em>The Adventures of Tom Sawyer</em>&nbsp;and&nbsp;<em>Adventures of Huckleberry Finn</em>&nbsp;made him famous; his shorter satires made him dangerous. "The Facts Concerning the Recent Carnival of Crime in Connecticut," published in 1876, is Twain in miniature, funny, savage, and aimed squarely at the comfortable hypocrisies of his age. He never could resist puncturing a sacred cow, especially a well-fed one. He died in 1910, having promised to go out with Halley's Comet, and did.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>A man meets his Conscience face to face, and decides the world would be a far pleasanter place without it. Mark Twain's 1876 satire "The Facts Concerning the Recent Carnival of Crime in Connecticut" turns guilt into a grotesque little houseguest and moral improvement into a spree. Sharp, absurd, and surprisingly modern in its contempt for performative virtue. Originally recorded by Don McDonald in 2018</p><br><p>So there it is. One dead Conscience, a tidy heap of fresh sins, and a man who has never felt better. Twain wrote it in 1876, but the target hasn't moved an inch, all of us still half in love with our own guilt, still mistaking the wince for the virtue. If it made you laugh in the wrong places, good. That was the idea.</p><br><p>Mark Twain, born Samuel Langhorne Clemens in 1835, was America's great humorist and its sharpest moral mischief-maker, a former riverboat pilot who turned a frontier wit into some of the most enduring books in the language.&nbsp;<em>The Adventures of Tom Sawyer</em>&nbsp;and&nbsp;<em>Adventures of Huckleberry Finn</em>&nbsp;made him famous; his shorter satires made him dangerous. "The Facts Concerning the Recent Carnival of Crime in Connecticut," published in 1876, is Twain in miniature, funny, savage, and aimed squarely at the comfortable hypocrisies of his age. He never could resist puncturing a sacred cow, especially a well-fed one. He died in 1910, having promised to go out with Halley's Comet, and did.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<itunes:category text="Comedy Fiction"/>
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			<itunes:category text="Performing Arts"/>
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