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		<title>The Lost Ancients</title>
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		<itunes:summary><![CDATA[<p>Wind moves over a city half buried in desert sand, and somewhere beneath it a stone doorway has waited thousands of years for someone to find it. The Lost Ancients is a podcast about lost civilizations, ancient sites and ancient artifacts, from the first builders of the Stone Age to the great cultures that vanished. Who built these places, how did they do it, and why did the world forget them?</p><br><p>Here you follow the builders and rulers of the ancient world, and the explorers and scholars who staked their names on what those people left behind. Every episode brings the pull of a mystery that keeps opening as each new clue comes out of the ground. Each one is a real story told from the first stone laid to the latest find, with suspense, dry humor and honesty about the evidence. Every episode is a complete story, so you can start with any one of them.</p><br><p>The show also follows the ordinary people of the ancient world, the workers who cut and hauled the stone, the families who lived in these places and the descendants who still remember them. Their lives are the reason the ruins matter, because every wall and every buried tool was once part of someone&#39;s day.</p><br><p>Much of what we know about the distant past rests on a handful of excavations, scattered fragments and dates that keep shifting as new methods arrive, so the show tells you where the evidence is solid and where it is still a guess. New episodes arrive every Friday at 5 AM. Follow The Lost Ancients so you never miss an episode.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		<description><![CDATA[<p>Wind moves over a city half buried in desert sand, and somewhere beneath it a stone doorway has waited thousands of years for someone to find it. The Lost Ancients is a podcast about lost civilizations, ancient sites and ancient artifacts, from the first builders of the Stone Age to the great cultures that vanished. Who built these places, how did they do it, and why did the world forget them?</p><br><p>Here you follow the builders and rulers of the ancient world, and the explorers and scholars who staked their names on what those people left behind. Every episode brings the pull of a mystery that keeps opening as each new clue comes out of the ground. Each one is a real story told from the first stone laid to the latest find, with suspense, dry humor and honesty about the evidence. Every episode is a complete story, so you can start with any one of them.</p><br><p>The show also follows the ordinary people of the ancient world, the workers who cut and hauled the stone, the families who lived in these places and the descendants who still remember them. Their lives are the reason the ruins matter, because every wall and every buried tool was once part of someone&#39;s day.</p><br><p>Much of what we know about the distant past rests on a handful of excavations, scattered fragments and dates that keep shifting as new methods arrive, so the show tells you where the evidence is solid and where it is still a guess. New episodes arrive every Friday at 5 AM. Follow The Lost Ancients so you never miss an episode.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
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			<itunes:name>Creators Obomedia</itunes:name>
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				<title>The Lost Ancients</title>
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			<title>Baghdad Battery: The Clay Jar That Carries a Charge</title>
			<itunes:title>Baghdad Battery: The Clay Jar That Carries a Charge</itunes:title>
			<pubDate>Fri, 13 Nov 2026 10:00:00 GMT</pubDate>
			<itunes:duration>48:54</itunes:duration>
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			<description><![CDATA[At noon on the Avenue of the Dead, white lime plaster blazes so bright it forces your eyes toward the mountains rather than the stones beneath your feet, and not one of those stones carries the name of the person who ordered it laid. A city larger than imperial Rome rose in central Mexico around one hundred BCE, housed one hundred twenty five thousand people inside a precisely aligned grid, and left the archaeological record without a single deciphered inscription naming a ruler or a dynasty. I think that silence rewrites what we believe is necessary for a civilization to function at that scale. Who built the greatest city of ancient America, and did they choose to leave no name behind?This episode was created with artificial intelligence: AI-assisted script and AI-generated (synthetic) voice.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[At noon on the Avenue of the Dead, white lime plaster blazes so bright it forces your eyes toward the mountains rather than the stones beneath your feet, and not one of those stones carries the name of the person who ordered it laid. A city larger than imperial Rome rose in central Mexico around one hundred BCE, housed one hundred twenty five thousand people inside a precisely aligned grid, and left the archaeological record without a single deciphered inscription naming a ruler or a dynasty. I think that silence rewrites what we believe is necessary for a civilization to function at that scale. Who built the greatest city of ancient America, and did they choose to leave no name behind?This episode was created with artificial intelligence: AI-assisted script and AI-generated (synthetic) voice.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>The Oldest Temple on Earth Was Built Before Farming</title>
			<itunes:title>The Oldest Temple on Earth Was Built Before Farming</itunes:title>
			<pubDate>Fri, 06 Nov 2026 10:00:00 GMT</pubDate>
			<itunes:duration>40:59</itunes:duration>
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			<description><![CDATA[In nineteen ninety four, Klaus Schmidt, a German archaeologist, climbs a bare hill in southeastern Turkey and finds only flint and broken stone. Experts have already written the place off, and the answer could rewrite how we see the ancient past. Beneath the field, ten ton pillars are waiting, cut by people who had no metal, no wheel and no farms.This episode was created with artificial intelligence: AI-assisted script and AI-generated (synthetic) voice.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[In nineteen ninety four, Klaus Schmidt, a German archaeologist, climbs a bare hill in southeastern Turkey and finds only flint and broken stone. Experts have already written the place off, and the answer could rewrite how we see the ancient past. Beneath the field, ten ton pillars are waiting, cut by people who had no metal, no wheel and no farms.This episode was created with artificial intelligence: AI-assisted script and AI-generated (synthetic) voice.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Machu Picchu: The Royal Estate That Kept the Wrong Kind of Secrets</title>
			<itunes:title>Machu Picchu: The Royal Estate That Kept the Wrong Kind of Secrets</itunes:title>
			<pubDate>Fri, 06 Nov 2026 01:38:29 GMT</pubDate>
			<itunes:duration>51:54</itunes:duration>
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			<description><![CDATA[An unfinished clay tablet was still baking in its kiln when the city of Ugarit burned around twelve hundred BCE, a message calling for urgent military help that was never sent and never answered. Within roughly fifty years, at least seven of the most sophisticated palace civilizations the ancient world had ever built vanished, taking their writing systems, their trade networks and three centuries of accumulated knowledge with them. I think this collapse is the most consequential catastrophe in recorded human history, the near-extinction of the very conditions that made literate civilization possible. Why did the grain storerooms at Ugarit burn full rather than empty? And if the Sea Peoples were destroyers, why did they arrive at the Nile delta with their families loaded into ox carts?This episode was created with artificial intelligence: AI-assisted script and AI-generated (synthetic) voice.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[An unfinished clay tablet was still baking in its kiln when the city of Ugarit burned around twelve hundred BCE, a message calling for urgent military help that was never sent and never answered. Within roughly fifty years, at least seven of the most sophisticated palace civilizations the ancient world had ever built vanished, taking their writing systems, their trade networks and three centuries of accumulated knowledge with them. I think this collapse is the most consequential catastrophe in recorded human history, the near-extinction of the very conditions that made literate civilization possible. Why did the grain storerooms at Ugarit burn full rather than empty? And if the Sea Peoples were destroyers, why did they arrive at the Nile delta with their families loaded into ox carts?This episode was created with artificial intelligence: AI-assisted script and AI-generated (synthetic) voice.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Sacsayhuaman: The Walls That Fit Too Well to Explain</title>
			<itunes:title>Sacsayhuaman: The Walls That Fit Too Well to Explain</itunes:title>
			<pubDate>Fri, 06 Nov 2026 01:38:22 GMT</pubDate>
			<itunes:duration>35:06</itunes:duration>
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			<description><![CDATA[From a light aircraft in nineteen forty one, an American historian looked down at the coastal desert of southern Peru and saw something that should not exist, hundreds of enormous figures scratched into pale gravel, perfectly formed, stretching across four hundred and fifty square kilometers of bone-dry plateau. I think what those figures imply about pre-literate civilization is far more radical than the astronomy theories ever were. Why would a culture invest generations of labor in drawings no human eye could fully see from the ground? And why does the spider, nearly a hundred and fifty feet across, trace its shape in a single unbroken groove that never once crosses itself?This episode was created with artificial intelligence: AI-assisted script and AI-generated (synthetic) voice.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[From a light aircraft in nineteen forty one, an American historian looked down at the coastal desert of southern Peru and saw something that should not exist, hundreds of enormous figures scratched into pale gravel, perfectly formed, stretching across four hundred and fifty square kilometers of bone-dry plateau. I think what those figures imply about pre-literate civilization is far more radical than the astronomy theories ever were. Why would a culture invest generations of labor in drawings no human eye could fully see from the ground? And why does the spider, nearly a hundred and fifty feet across, trace its shape in a single unbroken groove that never once crosses itself?This episode was created with artificial intelligence: AI-assisted script and AI-generated (synthetic) voice.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Teotihuacan: The City That Named Itself After Gods It Never Knew</title>
			<itunes:title>Teotihuacan: The City That Named Itself After Gods It Never Knew</itunes:title>
			<pubDate>Fri, 06 Nov 2026 01:38:17 GMT</pubDate>
			<itunes:duration>48:06</itunes:duration>
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			<description><![CDATA[In nineteen twenty nine, a librarian unrolled a piece of gazelle skin in the Topkapi Palace and found a map dated fifteen thirteen that showed a southern coastline where, by every record we were taught, nothing should have been. I think that discovery quietly challenges how confident we are about when the world was fully known. Who drew the source charts that Piri Reis himself admitted he could not identify, and why has not one of those charts ever been found?This episode was created with artificial intelligence: AI-assisted script and AI-generated (synthetic) voice.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[In nineteen twenty nine, a librarian unrolled a piece of gazelle skin in the Topkapi Palace and found a map dated fifteen thirteen that showed a southern coastline where, by every record we were taught, nothing should have been. I think that discovery quietly challenges how confident we are about when the world was fully known. Who drew the source charts that Piri Reis himself admitted he could not identify, and why has not one of those charts ever been found?This episode was created with artificial intelligence: AI-assisted script and AI-generated (synthetic) voice.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Nazca Lines: The Drawings Only the Sky Was Meant to See</title>
			<itunes:title>Nazca Lines: The Drawings Only the Sky Was Meant to See</itunes:title>
			<pubDate>Fri, 06 Nov 2026 01:38:10 GMT</pubDate>
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			<description><![CDATA[Three pale amber blocks sit thirty feet above the ground in the western wall of the Temple of Jupiter at Baalbek, Lebanon, each one longer than a passenger jet and weighing approximately eight hundred tons. I think the gap between those numbers and the one hundred ton maximum of any documented Roman crane is one of the most consequential unsolved problems in the history of ancient construction. A fourth stone, discovered in the quarry in two thousand fourteen, weighs one thousand six hundred and fifty tons and has never moved. Who dressed the course beneath the trilithon, and when were those stones last touched by light?This episode was created with artificial intelligence: AI-assisted script and AI-generated (synthetic) voice.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[Three pale amber blocks sit thirty feet above the ground in the western wall of the Temple of Jupiter at Baalbek, Lebanon, each one longer than a passenger jet and weighing approximately eight hundred tons. I think the gap between those numbers and the one hundred ton maximum of any documented Roman crane is one of the most consequential unsolved problems in the history of ancient construction. A fourth stone, discovered in the quarry in two thousand fourteen, weighs one thousand six hundred and fifty tons and has never moved. Who dressed the course beneath the trilithon, and when were those stones last touched by light?This episode was created with artificial intelligence: AI-assisted script and AI-generated (synthetic) voice.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Bronze Age Collapse: When the Whole World Forgot How to Be Civilized</title>
			<itunes:title>Bronze Age Collapse: When the Whole World Forgot How to Be Civilized</itunes:title>
			<pubDate>Fri, 06 Nov 2026 01:38:05 GMT</pubDate>
			<itunes:duration>36:40</itunes:duration>
			<enclosure url="https://sphinx.acast.com/p/open/s/6aebf9c014241cd977773daf/e/6aed2f7dd7ee414f97073b8f/media.mp3" length="17603604" type="audio/mpeg"/>
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			<acast:episodeId>6aed2f7dd7ee414f97073b8f</acast:episodeId>
			<acast:showId>6aebf9c014241cd977773daf</acast:showId>
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			<itunes:image href="https://assets.pippa.io/users/6ad7771ea314c51ecb6bf29e/pre-show-covers/1793849746263-b9cd38b9-1f69-478e-91f3-4caf42869749.jpeg"/>
			<description><![CDATA[A painted swallow hangs mid-flight on a buried wall in Akrotiri, preserved under volcanic ash for four thousand years, inside a town that emptied before the eruption ever peaked. I think the absence of bodies there changes the entire story we tell about how the Minoans ended, and mainstream archaeology has not fully reckoned with what that emptiness implies. The Thera eruption was massive and real, but the palace destructions on Crete came later, and the radiocarbon dates and Egyptian records disagree by over a century about when. If the Minoans survived the volcano and were finished by something slower, what actually ended them, and why does their script still refuse to tell us?This episode was created with artificial intelligence: AI-assisted script and AI-generated (synthetic) voice.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[A painted swallow hangs mid-flight on a buried wall in Akrotiri, preserved under volcanic ash for four thousand years, inside a town that emptied before the eruption ever peaked. I think the absence of bodies there changes the entire story we tell about how the Minoans ended, and mainstream archaeology has not fully reckoned with what that emptiness implies. The Thera eruption was massive and real, but the palace destructions on Crete came later, and the radiocarbon dates and Egyptian records disagree by over a century about when. If the Minoans survived the volcano and were finished by something slower, what actually ended them, and why does their script still refuse to tell us?This episode was created with artificial intelligence: AI-assisted script and AI-generated (synthetic) voice.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Piri Reis Map: The Chart That Should Not Know Antarctica</title>
			<itunes:title>Piri Reis Map: The Chart That Should Not Know Antarctica</itunes:title>
			<pubDate>Fri, 06 Nov 2026 01:37:59 GMT</pubDate>
			<itunes:duration>47:08</itunes:duration>
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			<acast:episodeId>6aed2f7774a96cc5a4f45129</acast:episodeId>
			<acast:showId>6aebf9c014241cd977773daf</acast:showId>
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			<itunes:image href="https://assets.pippa.io/users/6ad7771ea314c51ecb6bf29e/pre-show-covers/1793849746263-b9cd38b9-1f69-478e-91f3-4caf42869749.jpeg"/>
			<description><![CDATA[Beneath a flat plateau in central Turkey, a complete city descends eighteen stories into volcanic rock, with rolling stone doors weighing a thousand pounds each, fifteen thousand ventilation shafts, and space enough for twenty thousand people. A local man broke through a wall in his basement in nineteen sixty three and found the entrance to something that had been sealed for centuries, and I think what he found shifts the accepted timeline of organized civilization in ways the textbooks have not yet caught up with. Every door in the complex locks only from the inside, and each one carries a hole cut at exactly the height of a human chest on the corridor side. Who planned this city as a single unified fortress before the first chisel stroke, and what threat was large and sustained enough that an entire population built their roads underground to escape it?This episode was created with artificial intelligence: AI-assisted script and AI-generated (synthetic) voice.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[Beneath a flat plateau in central Turkey, a complete city descends eighteen stories into volcanic rock, with rolling stone doors weighing a thousand pounds each, fifteen thousand ventilation shafts, and space enough for twenty thousand people. A local man broke through a wall in his basement in nineteen sixty three and found the entrance to something that had been sealed for centuries, and I think what he found shifts the accepted timeline of organized civilization in ways the textbooks have not yet caught up with. Every door in the complex locks only from the inside, and each one carries a hole cut at exactly the height of a human chest on the corridor side. Who planned this city as a single unified fortress before the first chisel stroke, and what threat was large and sustained enough that an entire population built their roads underground to escape it?This episode was created with artificial intelligence: AI-assisted script and AI-generated (synthetic) voice.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Derinkuyu: The City That Swallowed Its People Whole</title>
			<itunes:title>Derinkuyu: The City That Swallowed Its People Whole</itunes:title>
			<pubDate>Fri, 06 Nov 2026 01:37:53 GMT</pubDate>
			<itunes:duration>38:57</itunes:duration>
			<enclosure url="https://sphinx.acast.com/p/open/s/6aebf9c014241cd977773daf/e/6aed2f713a774bc7316cfdde/media.mp3" length="18702628" type="audio/mpeg"/>
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			<acast:episodeId>6aed2f713a774bc7316cfdde</acast:episodeId>
			<acast:showId>6aebf9c014241cd977773daf</acast:showId>
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			<itunes:image href="https://assets.pippa.io/users/6ad7771ea314c51ecb6bf29e/pre-show-covers/1793849746263-b9cd38b9-1f69-478e-91f3-4caf42869749.jpeg"/>
			<description><![CDATA[In nineteen hundred and one, sponge divers hauling bronze statues from a Roman-era shipwreck off a small Greek island also brought up a corroded lump the size of a hardback book that sat unrecognized in an Athens museum for a full year. Inside it were at least thirty bronze gears encoding the motions of the Sun, Moon and planets with a precision that should not have existed for another thousand years. To me, if this device was not unique, the entire timeline of precision mechanical technology must be moved back by centuries. Who had the knowledge to build it, and why did no other object like it survive?This episode was created with artificial intelligence: AI-assisted script and AI-generated (synthetic) voice.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[In nineteen hundred and one, sponge divers hauling bronze statues from a Roman-era shipwreck off a small Greek island also brought up a corroded lump the size of a hardback book that sat unrecognized in an Athens museum for a full year. Inside it were at least thirty bronze gears encoding the motions of the Sun, Moon and planets with a precision that should not have existed for another thousand years. To me, if this device was not unique, the entire timeline of precision mechanical technology must be moved back by centuries. Who had the knowledge to build it, and why did no other object like it survive?This episode was created with artificial intelligence: AI-assisted script and AI-generated (synthetic) voice.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>The Terrace That Drinks the Sky</title>
			<itunes:title>The Terrace That Drinks the Sky</itunes:title>
			<pubDate>Fri, 06 Nov 2026 01:37:47 GMT</pubDate>
			<itunes:duration>40:49</itunes:duration>
			<enclosure url="https://sphinx.acast.com/p/open/s/6aebf9c014241cd977773daf/e/6aed2f6b3be80be7f3ec143b/media.mp3" length="19593508" type="audio/mpeg"/>
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			<itunes:explicit>false</itunes:explicit>
			<link>https://shows.acast.com/the-lost-ancients/episodes/6aed2f6b3be80be7f3ec143b</link>
			<acast:episodeId>6aed2f6b3be80be7f3ec143b</acast:episodeId>
			<acast:showId>6aebf9c014241cd977773daf</acast:showId>
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			<itunes:image href="https://assets.pippa.io/users/6ad7771ea314c51ecb6bf29e/pre-show-covers/1793849746263-b9cd38b9-1f69-478e-91f3-4caf42869749.jpeg"/>
			<description><![CDATA[Ryan Green, a survey technician, lies under a tarp on a salt-crusted terrace at 4 a.m., listening to water tick into a jar from a wall that should be dry. A pipeline engineer and a December deadline stand between the stones and the excavators, and what counts as proof of a lost people hangs on the argument. No pottery, no inscriptions, no name has ever been found, only a wall that gives water in the fog.This episode was created with artificial intelligence: AI-assisted script and AI-generated (synthetic) voice.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[Ryan Green, a survey technician, lies under a tarp on a salt-crusted terrace at 4 a.m., listening to water tick into a jar from a wall that should be dry. A pipeline engineer and a December deadline stand between the stones and the excavators, and what counts as proof of a lost people hangs on the argument. No pottery, no inscriptions, no name has ever been found, only a wall that gives water in the fog.This episode was created with artificial intelligence: AI-assisted script and AI-generated (synthetic) voice.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>The Bell People of the Drowned Road</title>
			<itunes:title>The Bell People of the Drowned Road</itunes:title>
			<pubDate>Fri, 06 Nov 2026 01:37:41 GMT</pubDate>
			<itunes:duration>43:24</itunes:duration>
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			<acast:episodeId>6aed2f65f50bb5eb69f23c41</acast:episodeId>
			<acast:showId>6aebf9c014241cd977773daf</acast:showId>
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			<itunes:image href="https://assets.pippa.io/users/6ad7771ea314c51ecb6bf29e/pre-show-covers/1793849746263-b9cd38b9-1f69-478e-91f3-4caf42869749.jpeg"/>
			<description><![CDATA[On a November dawn, Denise Price, a regional surveyor in Wales, kneels beside an iron tide bell to measure a black oak beam that a storm has just scoured from the estuary. The Dyfi Estuary Trust says it is driftwood and has set a vote that will bury the site under a cable trench. Who builds a road into a sea that will take it, and why did no one ever write them down?This episode was created with artificial intelligence: AI-assisted script and AI-generated (synthetic) voice.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[On a November dawn, Denise Price, a regional surveyor in Wales, kneels beside an iron tide bell to measure a black oak beam that a storm has just scoured from the estuary. The Dyfi Estuary Trust says it is driftwood and has set a vote that will bury the site under a cable trench. Who builds a road into a sea that will take it, and why did no one ever write them down?This episode was created with artificial intelligence: AI-assisted script and AI-generated (synthetic) voice.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>The Island That Plato Should Not Have Described</title>
			<itunes:title>The Island That Plato Should Not Have Described</itunes:title>
			<pubDate>Fri, 06 Nov 2026 01:37:36 GMT</pubDate>
			<itunes:duration>37:37</itunes:duration>
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			<link>https://shows.acast.com/the-lost-ancients/episodes/6aed2f602cf7bf424477c27d</link>
			<acast:episodeId>6aed2f602cf7bf424477c27d</acast:episodeId>
			<acast:showId>6aebf9c014241cd977773daf</acast:showId>
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			<itunes:image href="https://assets.pippa.io/users/6ad7771ea314c51ecb6bf29e/pre-show-covers/1793849746263-b9cd38b9-1f69-478e-91f3-4caf42869749.jpeg"/>
			<description><![CDATA[A lamp burns in an Athenian study around 360 BC while the philosopher Plato writes of an island that sank in a day and a night. Later seekers, scholars and doubters will argue over where it lay, and what it says about how we picture the ancient past. The tale rests on two dialogues alone, and the second one stops in the middle of a sentence.This episode was created with artificial intelligence: AI-assisted script and AI-generated (synthetic) voice.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[A lamp burns in an Athenian study around 360 BC while the philosopher Plato writes of an island that sank in a day and a night. Later seekers, scholars and doubters will argue over where it lay, and what it says about how we picture the ancient past. The tale rests on two dialogues alone, and the second one stops in the middle of a sentence.This episode was created with artificial intelligence: AI-assisted script and AI-generated (synthetic) voice.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
    	<itunes:category text="History"/>
    	<itunes:category text="Education"/>
    	<itunes:category text="Society &amp; Culture"/>
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