60 acast.com AI Futures for Art + Design https://shows.acast.com/ai-futures-for-art-design en Kate Armstrong AI,Art,Design Kate Armstrong

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]]> false Kate Armstrong info+65c178939bd8110015b8fb00@mg-eu.acast.com 65c178939bd8110015b8fb00 ai-futures-for-art-design episodic https://assets.pippa.io/shows/65c178939bd8110015b8fb00/1707847562709-6eeaa88c138ce498aed06e65533d438c.jpeg https://shows.acast.com/ai-futures-for-art-design AI Futures for Art + Design When Machines Forget: Rethinking AI Through Humor and Critique When Machines Forget: Rethinking AI Through Humor and Critique Tue, 09 Sep 2025 22:21:21 GMT 25:20 68c0a8610e15f0d45537c459 false 68c0a8610e15f0d45537c459 65c178939bd8110015b8fb00 when-machines-forget A Dialogue with Jonah Brucker-Cohen full 1 3 Jonah Brucker-Cohen is an award-winning artist, writer, and researcher whose work critically examines networked systems, interface culture, and emerging technologies. He is an Associate Professor of Digital Media and Networked Culture at Lehman College (CUNY) and a former visiting artist at Cornell Tech. His interactive artworks—often blending humor with subversion explore themes of control, surveillance, and system disruption.


Brucker-Cohen’s projects have been exhibited internationally at leading institutions including the Whitney Museum of American Art (where two of his works are in the permanent collection), ZKM, Tate Modern, Ars Electronica, Transmediale, MoMA, and SFMOMA. He has served as chair of the SIGGRAPH Art Gallery (2016) and Labs Chair (2024), and is co-founder of the Dublin Art and Technology Association (DATA Group).


Listen now on Spotify or join the AI Futures for Art + Design newsletter for written transcript and future announcements. Read it!


  • Jonah Brucker-Cohen discusses his experiments with “machine forgetting,” including a clock that only displays the time you last looked at it, as a critique of permanence and surveillance in digital culture
  • He describes interactive works that deliberately create friction, such as a hacked mouse that resists user control, in order to expose dynamics of power, autonomy, and coercion in AI systems
  • The artist explores Expression of Memory, a calendar that uses facial recognition and sentiment analysis to record not just events but emotional states, reframing how we archive time and feeling
  • Reflections on AI art that misinterprets, refuses, or fails, and on practices that make visible the biases, infrastructures, and hidden labor behind artificial intelligence


ClockWise

Link

Expression of Memory

Link

AGRO-MOUSE

Link

Saver

Link

Weather The Times

Link

Subtask 

Link

Trophy Camera Dries Depoorter

Link

The Prosthetic Photographer Peter Buczkowski

Link

The Ghostwriter Arvind Sanjeev

Link

Atlas of AI by Kate Crawford

Link


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]]> Jonah Brucker-Cohen is an award-winning artist, writer, and researcher whose work critically examines networked systems, interface culture, and emerging technologies. He is an Associate Professor of Digital Media and Networked Culture at Lehman College (CUNY) and a former visiting artist at Cornell Tech. His interactive artworks—often blending humor with subversion explore themes of control, surveillance, and system disruption.


Brucker-Cohen’s projects have been exhibited internationally at leading institutions including the Whitney Museum of American Art (where two of his works are in the permanent collection), ZKM, Tate Modern, Ars Electronica, Transmediale, MoMA, and SFMOMA. He has served as chair of the SIGGRAPH Art Gallery (2016) and Labs Chair (2024), and is co-founder of the Dublin Art and Technology Association (DATA Group).


Listen now on Spotify or join the AI Futures for Art + Design newsletter for written transcript and future announcements. Read it!


  • Jonah Brucker-Cohen discusses his experiments with “machine forgetting,” including a clock that only displays the time you last looked at it, as a critique of permanence and surveillance in digital culture
  • He describes interactive works that deliberately create friction, such as a hacked mouse that resists user control, in order to expose dynamics of power, autonomy, and coercion in AI systems
  • The artist explores Expression of Memory, a calendar that uses facial recognition and sentiment analysis to record not just events but emotional states, reframing how we archive time and feeling
  • Reflections on AI art that misinterprets, refuses, or fails, and on practices that make visible the biases, infrastructures, and hidden labor behind artificial intelligence


ClockWise

Link

Expression of Memory

Link

AGRO-MOUSE

Link

Saver

Link

Weather The Times

Link

Subtask 

Link

Trophy Camera Dries Depoorter

Link

The Prosthetic Photographer Peter Buczkowski

Link

The Ghostwriter Arvind Sanjeev

Link

Atlas of AI by Kate Crawford

Link


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]]> Exploring the Intersection of Photography and Generative Adversarial Networks: A Dialogue with Ivona Tau Exploring the Intersection of Photography and Generative Adversarial Networks: A Dialogue with Ivona Tau Tue, 19 Mar 2024 22:03:58 GMT 39:28 65d7d4cd4393e500168c0d08 false https://shows.acast.com/ai-futures-for-art-design/episodes/exploring-the-intersection-of-photography-and-generative-adv 65d7d4cd4393e500168c0d08 65c178939bd8110015b8fb00 exploring-the-intersection-of-photography-and-generative-adv full 1 2 Dr. Ivona Tau is a generative A.I. artist from Vilnius, Lithuania, specializing in experimental photography and motion painting. With 15 years of combined experience in professional photography and A.I. research, she has received several awards, including the best award in the Digital Ars 2020 contest for art created with AI, the Computer Animation category award in Computer Space International Computer Art Forum 2021, and was elected as one of the TOP 10 Women in AI 2022 by the Women in Tech Foundation. She holds a Ph.D. in Artificial Intelligence from the Polish-Japanese Academy of Information Technology. 


Listen now on Spotify or join the AI Futures for Art + Design newsletter for written transcript and future announcements.


In today’s episode: 

  • Tau delves into her artistic process, discussing her fascination with animating still images using GANs, and introduces the concept of "motion painting.”
  • How AI transforms personal memories into universal experiences and allows for the emergence of different perspectives
  • The overlap and distinctions between generative art and AI art, the importance of data in AI art, and the the conceptual possibilities of blending AI with traditional generative techniques
  • Reflections on the materiality of data
  • A world where AI becomes as ubiquitous and foundational as electricity


Until next time, 

Kate


Hosted on Acast. See acast.com/privacy for more information.

]]> Dr. Ivona Tau is a generative A.I. artist from Vilnius, Lithuania, specializing in experimental photography and motion painting. With 15 years of combined experience in professional photography and A.I. research, she has received several awards, including the best award in the Digital Ars 2020 contest for art created with AI, the Computer Animation category award in Computer Space International Computer Art Forum 2021, and was elected as one of the TOP 10 Women in AI 2022 by the Women in Tech Foundation. She holds a Ph.D. in Artificial Intelligence from the Polish-Japanese Academy of Information Technology. 


Listen now on Spotify or join the AI Futures for Art + Design newsletter for written transcript and future announcements.


In today’s episode: 

  • Tau delves into her artistic process, discussing her fascination with animating still images using GANs, and introduces the concept of "motion painting.”
  • How AI transforms personal memories into universal experiences and allows for the emergence of different perspectives
  • The overlap and distinctions between generative art and AI art, the importance of data in AI art, and the the conceptual possibilities of blending AI with traditional generative techniques
  • Reflections on the materiality of data
  • A world where AI becomes as ubiquitous and foundational as electricity


Until next time, 

Kate


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]]> Reflections on Computational Creativity with Ross Goodwin Reflections on Computational Creativity with Ross Goodwin Thu, 22 Feb 2024 00:12:20 GMT 33:05 65c1794ac238270017504db9 false https://shows.acast.com/ai-futures-for-art-design/episodes/interview-with-ross-goodwin 65c1794ac238270017504db9 65c178939bd8110015b8fb00 interview-with-ross-goodwin AND he wrote a novel by driving a car across the United States using the car as a pen full 1 1 Ross Goodwin employs machine learning, natural language processing, and other computational tools to realize new forms and interfaces for written language. From word.camera, a camera that expressively narrates its photographs in real time using artificial neural networks, to SUNSPRING (with Oscar Sharp, starring Thomas Middleditch), the world’s first film created from an AI-written screenplay; from making London’s Trafalgar Square lions roar poetry (“Please Feed The Lions” with Es Devlin), to writing a novel with a car (1 the Road), Goodwin’s projects and collaborations have earned international acclaim. 


Listen now on Spotify or join the AI Futures for Art + Design newsletter for written transcript and future announcements.


In today’s episode: 

  • Goodwin's work reflects his interest in experimenting with the intersection of writing and computation
  • The evolution of language models, from Markov chains to sophisticated large language models like GPT-4 and reflections on the field of computational creativity.
  • Ross Goodwin's projects, such as Sunspring and 1 the Road, demonstrate the intersection of art and AI, creating new narratives and experiences.
  • 1 the Road highlights the unique narrative possibilities and constraints associated with location, time, and imagery
  • word.camera narrates photographs in real time using artificial neural networks, redefining the photographic experience and exploring the expressive potential of AI.
  • Goodwin's collaboration with the Allen Ginsberg Foundation trains a large language model on Ginsberg’s archive and creates new texts 
  • Everyone loves David Hasselhoff


Until next time, 

Kate

Hosted on Acast. See acast.com/privacy for more information.

]]> Ross Goodwin employs machine learning, natural language processing, and other computational tools to realize new forms and interfaces for written language. From word.camera, a camera that expressively narrates its photographs in real time using artificial neural networks, to SUNSPRING (with Oscar Sharp, starring Thomas Middleditch), the world’s first film created from an AI-written screenplay; from making London’s Trafalgar Square lions roar poetry (“Please Feed The Lions” with Es Devlin), to writing a novel with a car (1 the Road), Goodwin’s projects and collaborations have earned international acclaim. 


Listen now on Spotify or join the AI Futures for Art + Design newsletter for written transcript and future announcements.


In today’s episode: 

  • Goodwin's work reflects his interest in experimenting with the intersection of writing and computation
  • The evolution of language models, from Markov chains to sophisticated large language models like GPT-4 and reflections on the field of computational creativity.
  • Ross Goodwin's projects, such as Sunspring and 1 the Road, demonstrate the intersection of art and AI, creating new narratives and experiences.
  • 1 the Road highlights the unique narrative possibilities and constraints associated with location, time, and imagery
  • word.camera narrates photographs in real time using artificial neural networks, redefining the photographic experience and exploring the expressive potential of AI.
  • Goodwin's collaboration with the Allen Ginsberg Foundation trains a large language model on Ginsberg’s archive and creates new texts 
  • Everyone loves David Hasselhoff


Until next time, 

Kate

Hosted on Acast. See acast.com/privacy for more information.

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