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		<title>CAPOLAVORO! </title>
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		<itunes:keywords>Italian cinema ,capolavoro,classic italian movies</itunes:keywords>
		<itunes:author>Ken Barrett</itunes:author>
		<itunes:subtitle>Masterworks of Italian Cinema</itunes:subtitle>
		<itunes:summary><![CDATA[In this podcast Russell Kilbourn, Professor of Literature and Film at Wilfrid Laurier University, Ontario discusses classic Italian movies, old and new with Ken Barrett, host of the Brainland podcast, visual artist and former neuropsychiatrist. Each episode focuses on one film and lasts about 30 minutes.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		<description><![CDATA[In this podcast Russell Kilbourn, Professor of Literature and Film at Wilfrid Laurier University, Ontario discusses classic Italian movies, old and new with Ken Barrett, host of the Brainland podcast, visual artist and former neuropsychiatrist. Each episode focuses on one film and lasts about 30 minutes.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
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				<title>CAPOLAVORO! </title>
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			<title><![CDATA[CINEMA DELL'ANIMA]]></title>
			<itunes:title><![CDATA[CINEMA DELL'ANIMA]]></itunes:title>
			<pubDate>Thu, 22 Jan 2026 11:17:23 GMT</pubDate>
			<itunes:duration>34:53</itunes:duration>
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			<itunes:subtitle>In conversation with Maria Giménez Cavallo</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>2</itunes:season>
			<itunes:episode>2</itunes:episode>
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			<description><![CDATA[<p>In this podcast we discuss Maria Giménez Cavallo's concept of 'cinema dell'anima', (Cinema of the Soul), an idea triggered by three Italian films from the last two decades. Maria's concept has three elements and she highlights a film for each: transcendental - ' Le Quattro Volte' (2010) directed by Michelangelo Frammartino; posthumanism - 'Bella e Perduta' (2015) directed by Pietro Marcello; poetic realism - 'Lazzaro Felice' (2018) directed by Alice Rohrwacher. Maria outlines the story of each film and the aspects that support her thesis and we go on to discuss other films that can be categorised in this way and writers who have influenced Maria's thinking, including Paul Schrader's book 'Transcendental style in film' and Gilles Deleuze's Cinema 2, and other directors. Maria also speaks about having worked with Marcello and Rohrwacher on their recent documentary 'Futura' and how filming in Sardinia&nbsp;led to her own first&nbsp;feature 'Anime Galleggianti' (Wandering Souls) a reimagining of Ovid's 'Metamorphoses', and she also talks about her upcoming film.</p><p>Participants:</p><p>Maria Giménez Cavallo, director, writer.<a href=" https://animafilms.net/maria-gimenez-cavallo/" rel="noopener noreferrer" target="_blank"> https://animafilms.net/maria-gimenez-cavallo/</a></p><p>Russ Kilbourn, Professor of English and Film Studies, Wilfrid Laurier University, Waterloo, Ontario (Canada) <a href="http://rjakilbourn.com/" rel="noopener noreferrer" target="_blank">http://rjakilbourn.com/</a></p><p>Ken Barrett, UK based visual artist, writer, podcaster and short film producer <a href="http://www.kenbarrettstudio.co.uk/" rel="noopener noreferrer" target="_blank">http://www.kenbarrettstudio.co.uk/</a></p><br><p>To view Maria's film, 'Anime Galleggianti' contact Maria via the email address on her website.</p><p>Maria's video essay: <a href="https://animafilms.net/cinema-dellanima/" rel="noopener noreferrer" target="_blank">https://animafilms.net/cinema-dellanima/</a>.</p><p>The films discussed: Le Quattro Volte ( Michelangelo Frammartino, 2010):<a href=" https://www.imdb.com/title/tt1646975/" rel="noopener noreferrer" target="_blank"> https://www.imdb.com/title/tt1646975/</a></p><p>Bella e Perduta (Pietro Marcello, 2015): <a href="https://www.imdb.com/title/tt2188860/?ref_=fn_t_1" rel="noopener noreferrer" target="_blank">https://www.imdb.com/title/tt2188860/?ref_=fn_t_1</a></p><p>Lazzaro Felice (Alice Rohrwacher, 2018): <a href="https://www.imdb.com/title/tt6752992/?ref_=fn_i_1" rel="noopener noreferrer" target="_blank">https://www.imdb.com/title/tt6752992/?ref_=fn_i_1</a></p><p>Paul Schrader's 'Transcendental style in film': <a href="https://www.ucpress.edu/books/transcendental-style-in-film/paper" rel="noopener noreferrer" target="_blank">https://www.ucpress.edu/books/transcendental-style-in-film/paper</a></p><br><p>Theme music: <em>Tarantella </em>composed by Stephen Brown.</p><p>Artwork by KB</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this podcast we discuss Maria Giménez Cavallo's concept of 'cinema dell'anima', (Cinema of the Soul), an idea triggered by three Italian films from the last two decades. Maria's concept has three elements and she highlights a film for each: transcendental - ' Le Quattro Volte' (2010) directed by Michelangelo Frammartino; posthumanism - 'Bella e Perduta' (2015) directed by Pietro Marcello; poetic realism - 'Lazzaro Felice' (2018) directed by Alice Rohrwacher. Maria outlines the story of each film and the aspects that support her thesis and we go on to discuss other films that can be categorised in this way and writers who have influenced Maria's thinking, including Paul Schrader's book 'Transcendental style in film' and Gilles Deleuze's Cinema 2, and other directors. Maria also speaks about having worked with Marcello and Rohrwacher on their recent documentary 'Futura' and how filming in Sardinia&nbsp;led to her own first&nbsp;feature 'Anime Galleggianti' (Wandering Souls) a reimagining of Ovid's 'Metamorphoses', and she also talks about her upcoming film.</p><p>Participants:</p><p>Maria Giménez Cavallo, director, writer.<a href=" https://animafilms.net/maria-gimenez-cavallo/" rel="noopener noreferrer" target="_blank"> https://animafilms.net/maria-gimenez-cavallo/</a></p><p>Russ Kilbourn, Professor of English and Film Studies, Wilfrid Laurier University, Waterloo, Ontario (Canada) <a href="http://rjakilbourn.com/" rel="noopener noreferrer" target="_blank">http://rjakilbourn.com/</a></p><p>Ken Barrett, UK based visual artist, writer, podcaster and short film producer <a href="http://www.kenbarrettstudio.co.uk/" rel="noopener noreferrer" target="_blank">http://www.kenbarrettstudio.co.uk/</a></p><br><p>To view Maria's film, 'Anime Galleggianti' contact Maria via the email address on her website.</p><p>Maria's video essay: <a href="https://animafilms.net/cinema-dellanima/" rel="noopener noreferrer" target="_blank">https://animafilms.net/cinema-dellanima/</a>.</p><p>The films discussed: Le Quattro Volte ( Michelangelo Frammartino, 2010):<a href=" https://www.imdb.com/title/tt1646975/" rel="noopener noreferrer" target="_blank"> https://www.imdb.com/title/tt1646975/</a></p><p>Bella e Perduta (Pietro Marcello, 2015): <a href="https://www.imdb.com/title/tt2188860/?ref_=fn_t_1" rel="noopener noreferrer" target="_blank">https://www.imdb.com/title/tt2188860/?ref_=fn_t_1</a></p><p>Lazzaro Felice (Alice Rohrwacher, 2018): <a href="https://www.imdb.com/title/tt6752992/?ref_=fn_i_1" rel="noopener noreferrer" target="_blank">https://www.imdb.com/title/tt6752992/?ref_=fn_i_1</a></p><p>Paul Schrader's 'Transcendental style in film': <a href="https://www.ucpress.edu/books/transcendental-style-in-film/paper" rel="noopener noreferrer" target="_blank">https://www.ucpress.edu/books/transcendental-style-in-film/paper</a></p><br><p>Theme music: <em>Tarantella </em>composed by Stephen Brown.</p><p>Artwork by KB</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title><![CDATA[FEDERICO FELLINI'S DREAMWORK]]></title>
			<itunes:title><![CDATA[FEDERICO FELLINI'S DREAMWORK]]></itunes:title>
			<pubDate>Wed, 31 Dec 2025 23:59:00 GMT</pubDate>
			<itunes:duration>53:42</itunes:duration>
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			<itunes:subtitle>In conversation with Frank Burke</itunes:subtitle>
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			<itunes:season>2</itunes:season>
			<itunes:episode>1</itunes:episode>
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			<description><![CDATA[<p>Frank Burke is a leading film scholar with a long interest in Italian director Federico Fellini (1920-1993). Few artists were more obsessed with their dreams than Fellini. In this conversation we talk about his early interest in puppets and circus, and his jobs, before moving into film, as an illustrator and caracaturist. Drawing was always an important part of his preparation for movies but he also kept a graphic, drawn dream diary in the '60s and '70s, at the suggestion of Jungian analyst Ernst Bernhard. We discuss his interest in the work of another analyst, James Hillman who leaned more to the mystical and symbolic, and explore the recurring themes in those diaries (published postumously). Films in which dreams feature large are also discussed - we mention several but we focus on four including the feted 'Eight and a half'( 1963) and the vilified 'City of Women' (1980). To close Frank suggests movies that listeners new to Fellini may watch as an as a way into his work (depending on their interests and state of intoxication).</p><br><p>Participants:</p><p>Frank Burke, I<em>ndependent film scholar and Professor Emeritus, Department of Film and Media, Queen’s University, Ontario, Canada. </em><a href="https://www.queensu.ca/filmandmedia/people-search/frank-burke" rel="noopener noreferrer" target="_blank">https://www.queensu.ca/filmandmedia/people-search/frank-burke</a></p><p>Ken Barrett, visual artist, writer and retired neuropsychiatrist: <a href="http://www.kenbarrettstudio.co.uk" rel="noopener noreferrer" target="_blank">http://www.kenbarrettstudio.co.uk</a></p><br><p>More on Federico Fellini: <a href="https://en.wikipedia.org/wiki/Federico_Fellini" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Federico_Fellini</a></p><p>Some films discussed:</p><p>Eight and a Half: <a href="https://www.imdb.com/title/tt0056801/" rel="noopener noreferrer" target="_blank">https://www.imdb.com/title/tt0056801/</a></p><p>Juliet of the spirits:<a href="https://www.imdb.com/title/tt0059229/?ref_=nv_sr_srsg_0_tt_6_nm_2_in_0_q_%2520%2520Juliet%2520of%2520the%2520spirits" rel="noopener noreferrer" target="_blank"> https://www.imdb.com/title/tt0059229/?ref_=nv_sr_srsg_0_tt_6_nm_2_in_0_q_%2520%2520Juliet%2520of%2520the%2520spirits</a></p><p>City of Women:<a href="https://www.imdb.com/title/tt0080539/" rel="noopener noreferrer" target="_blank"> https://www.imdb.com/title/tt0080539/</a></p><p>More on James Hillman<a href="https://open.acast.com/networks/6452b6516dd22500113dc7d2/shows/6452b6516dd22500113dc7ca/episodes/: https://en.wikipedia.org/wiki/James_HillmanParticipant:" rel="noopener noreferrer" target="_blank">: https://en.wikipedia.org/wiki/James_HillmanParticipant:</a></p><p>More on Carlos Castaneda: <a href="https://en.wikipedia.org/wiki/Carlos_Castaneda" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Carlos_Castaneda</a></p><br><p>A version of this conversation was first released on the Brainland podcast in November 2025 (<a href="https://shows.acast.com/brainland" rel="noopener noreferrer" target="_blank">https://shows.acast.com/brainland</a>)</p><p>Theme music: <em>Tarantella </em>composed by Stephen Brown</p><p>Collage by KB illustration</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Frank Burke is a leading film scholar with a long interest in Italian director Federico Fellini (1920-1993). Few artists were more obsessed with their dreams than Fellini. In this conversation we talk about his early interest in puppets and circus, and his jobs, before moving into film, as an illustrator and caracaturist. Drawing was always an important part of his preparation for movies but he also kept a graphic, drawn dream diary in the '60s and '70s, at the suggestion of Jungian analyst Ernst Bernhard. We discuss his interest in the work of another analyst, James Hillman who leaned more to the mystical and symbolic, and explore the recurring themes in those diaries (published postumously). Films in which dreams feature large are also discussed - we mention several but we focus on four including the feted 'Eight and a half'( 1963) and the vilified 'City of Women' (1980). To close Frank suggests movies that listeners new to Fellini may watch as an as a way into his work (depending on their interests and state of intoxication).</p><br><p>Participants:</p><p>Frank Burke, I<em>ndependent film scholar and Professor Emeritus, Department of Film and Media, Queen’s University, Ontario, Canada. </em><a href="https://www.queensu.ca/filmandmedia/people-search/frank-burke" rel="noopener noreferrer" target="_blank">https://www.queensu.ca/filmandmedia/people-search/frank-burke</a></p><p>Ken Barrett, visual artist, writer and retired neuropsychiatrist: <a href="http://www.kenbarrettstudio.co.uk" rel="noopener noreferrer" target="_blank">http://www.kenbarrettstudio.co.uk</a></p><br><p>More on Federico Fellini: <a href="https://en.wikipedia.org/wiki/Federico_Fellini" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Federico_Fellini</a></p><p>Some films discussed:</p><p>Eight and a Half: <a href="https://www.imdb.com/title/tt0056801/" rel="noopener noreferrer" target="_blank">https://www.imdb.com/title/tt0056801/</a></p><p>Juliet of the spirits:<a href="https://www.imdb.com/title/tt0059229/?ref_=nv_sr_srsg_0_tt_6_nm_2_in_0_q_%2520%2520Juliet%2520of%2520the%2520spirits" rel="noopener noreferrer" target="_blank"> https://www.imdb.com/title/tt0059229/?ref_=nv_sr_srsg_0_tt_6_nm_2_in_0_q_%2520%2520Juliet%2520of%2520the%2520spirits</a></p><p>City of Women:<a href="https://www.imdb.com/title/tt0080539/" rel="noopener noreferrer" target="_blank"> https://www.imdb.com/title/tt0080539/</a></p><p>More on James Hillman<a href="https://open.acast.com/networks/6452b6516dd22500113dc7d2/shows/6452b6516dd22500113dc7ca/episodes/: https://en.wikipedia.org/wiki/James_HillmanParticipant:" rel="noopener noreferrer" target="_blank">: https://en.wikipedia.org/wiki/James_HillmanParticipant:</a></p><p>More on Carlos Castaneda: <a href="https://en.wikipedia.org/wiki/Carlos_Castaneda" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Carlos_Castaneda</a></p><br><p>A version of this conversation was first released on the Brainland podcast in November 2025 (<a href="https://shows.acast.com/brainland" rel="noopener noreferrer" target="_blank">https://shows.acast.com/brainland</a>)</p><p>Theme music: <em>Tarantella </em>composed by Stephen Brown</p><p>Collage by KB illustration</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>SEASON ONE TRAILER</title>
			<itunes:title>SEASON ONE TRAILER</itunes:title>
			<pubDate>Tue, 16 Sep 2025 11:40:39 GMT</pubDate>
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			<itunes:subtitle>20 movies by 20 directors </itunes:subtitle>
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			<itunes:episode>21</itunes:episode>
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			<description><![CDATA[<p>Introducing the Capolavoro podcast: 20 movies from 20 different directors, from Luchino Visconti’s influential 1943‘Ossessione’ to Maura Delpero’s brilliant 2024 ‘Vermiglio’. If you want to know more about post-war Italian cinema the Capolavoro podcast is a great place to start.</p><br><p>Participants:</p><p>Russ Kilbourn, Professor of English and Film Studies, Wilfrid Laurier University, Waterloo, Ontario (Canada) <a href="http://rjakilbourn.com/" rel="noopener noreferrer" target="_blank">http://rjakilbourn.com/</a></p><p>Ken Barrett, UK based visual artist, writer, podcaster and short film producer <a href="http://www.kenbarrettstudio.co.uk/" rel="noopener noreferrer" target="_blank">http://www.kenbarrettstudio.co.uk/</a></p><br><p>The film and the movie poster we discussed: <a href="https://www.imdb.com/title/tt0064116/" rel="noopener noreferrer" target="_blank">https://www.imdb.com/title/tt0064116/</a></p><p>Theme music: <em>Tarantella </em>composed by Stephen Brown.</p><p>Portrait print by KB.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Introducing the Capolavoro podcast: 20 movies from 20 different directors, from Luchino Visconti’s influential 1943‘Ossessione’ to Maura Delpero’s brilliant 2024 ‘Vermiglio’. If you want to know more about post-war Italian cinema the Capolavoro podcast is a great place to start.</p><br><p>Participants:</p><p>Russ Kilbourn, Professor of English and Film Studies, Wilfrid Laurier University, Waterloo, Ontario (Canada) <a href="http://rjakilbourn.com/" rel="noopener noreferrer" target="_blank">http://rjakilbourn.com/</a></p><p>Ken Barrett, UK based visual artist, writer, podcaster and short film producer <a href="http://www.kenbarrettstudio.co.uk/" rel="noopener noreferrer" target="_blank">http://www.kenbarrettstudio.co.uk/</a></p><br><p>The film and the movie poster we discussed: <a href="https://www.imdb.com/title/tt0064116/" rel="noopener noreferrer" target="_blank">https://www.imdb.com/title/tt0064116/</a></p><p>Theme music: <em>Tarantella </em>composed by Stephen Brown.</p><p>Portrait print by KB.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>ONCE UPON A TIME IN THE WEST (1968)</title>
			<itunes:title>ONCE UPON A TIME IN THE WEST (1968)</itunes:title>
			<pubDate>Tue, 16 Sep 2025 11:18:08 GMT</pubDate>
			<itunes:duration>50:26</itunes:duration>
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			<itunes:subtitle><![CDATA[Sergio Leone's operatic 'spaghetti western']]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>20</itunes:episode>
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			<description><![CDATA[<p>In this extended series finale we talk about 1968 film 'Once Upon a Timer in the West', Sergio Leone's operatic and big budget return to the Spaghetti Western. Russ discusses the script, elements of the story assembled from earlier westerns, the main characters and the cinematography. We discuss the central role of Claudia Cardinale and a problematic scene with Bronson, Fonda's inspired casting against type and Robard's masterly performance. Morrecone's score is centre stage and we discuss his inclusion of a musical theme for each of the main characters ( a practice common in opera) how rehearsals of set pieces were accompanied by the music and how some shots were synchronised with the music. We touch on possible political resonances, critical responses to the film and the classic movie poster also gets a mention.</p><br><p>Participants:</p><p>Russ Kilbourn, Professor of English and Film Studies, Wilfrid Laurier University, Waterloo, Ontario (Canada) <a href="http://rjakilbourn.com/" rel="noopener noreferrer" target="_blank">http://rjakilbourn.com/</a></p><p>Ken Barrett, UK based visual artist, writer, podcaster and short film producer <a href="http://www.kenbarrettstudio.co.uk/" rel="noopener noreferrer" target="_blank">http://www.kenbarrettstudio.co.uk/</a></p><br><p>The film and the movie poster we discussed: <a href="https://www.imdb.com/title/tt0064116/" rel="noopener noreferrer" target="_blank">https://www.imdb.com/title/tt0064116/</a></p><p>Theme music: <em>Tarantella </em>composed by Stephen Brown.</p><p>Portrait print by KB.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this extended series finale we talk about 1968 film 'Once Upon a Timer in the West', Sergio Leone's operatic and big budget return to the Spaghetti Western. Russ discusses the script, elements of the story assembled from earlier westerns, the main characters and the cinematography. We discuss the central role of Claudia Cardinale and a problematic scene with Bronson, Fonda's inspired casting against type and Robard's masterly performance. Morrecone's score is centre stage and we discuss his inclusion of a musical theme for each of the main characters ( a practice common in opera) how rehearsals of set pieces were accompanied by the music and how some shots were synchronised with the music. We touch on possible political resonances, critical responses to the film and the classic movie poster also gets a mention.</p><br><p>Participants:</p><p>Russ Kilbourn, Professor of English and Film Studies, Wilfrid Laurier University, Waterloo, Ontario (Canada) <a href="http://rjakilbourn.com/" rel="noopener noreferrer" target="_blank">http://rjakilbourn.com/</a></p><p>Ken Barrett, UK based visual artist, writer, podcaster and short film producer <a href="http://www.kenbarrettstudio.co.uk/" rel="noopener noreferrer" target="_blank">http://www.kenbarrettstudio.co.uk/</a></p><br><p>The film and the movie poster we discussed: <a href="https://www.imdb.com/title/tt0064116/" rel="noopener noreferrer" target="_blank">https://www.imdb.com/title/tt0064116/</a></p><p>Theme music: <em>Tarantella </em>composed by Stephen Brown.</p><p>Portrait print by KB.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>NOSTALGIA (2022)</title>
			<itunes:title>NOSTALGIA (2022)</itunes:title>
			<pubDate>Sat, 30 Aug 2025 12:13:15 GMT</pubDate>
			<itunes:duration>26:26</itunes:duration>
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			<acast:episodeId>68a8909c718453410e4f7205</acast:episodeId>
			<acast:showId>67ab6f20c6f97f89d80e2d26</acast:showId>
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			<itunes:subtitle><![CDATA[Mario Martone's award winning Neopolitan return-to-roots drama.]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>19</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/67ab6f20c6f97f89d80e2d26/1755877525288-366d3f65-765d-4f8d-8fe8-14205e12e8c0.jpeg"/>
			<description><![CDATA[<p>In Mario Martone's 2022 movie, based on Ermanno Rea's 2016 novel, 'nostalgia' is not a bittersweet reflection on the past but an obsessive need to return to the Naples of the main character's youth. We talk about the contrast with 'Gomorah', another movie involving the Camorah discussed earlier in the series, and the excellent award winning performances, particularly Pierfrancesco Favino as Felice and Aurora Quattrocchi who plays his elderly and infirm mother. The effective and unusual (in terms of presentation) use of flashback gets a mention and the central importance of the old district of <em>Sanità </em>where is is shot. We also talk about the music, a play list rather than score, featuring particularly the long established German electronic band <em>Tangerine dream.</em></p><br><p>Participants:</p><p>Russ Kilbourn, Professor of Literature and Film, Wilfrid Laurier University, Waterloo, Ontario (Canada) <a href="http://rjakilbourn.com/" rel="noopener noreferrer" target="_blank">http://rjakilbourn.com/</a></p><p>Ken Barrett, UK based visual artist, writer, podcaster and short film producer <a href="http://www.kenbarrettstudio.co.uk/" rel="noopener noreferrer" target="_blank">http://www.kenbarrettstudio.co.uk/</a></p><br><p>The film: <a href="https://www.imdb.com/title/tt14034614/" rel="noopener noreferrer" target="_blank">https://www.imdb.com/title/tt14034614/</a></p><p>Ermano Rea:</p><p><a href="https://en.wikipedia.org/wiki/Ermanno_Rea" rel="noopener noreferrer" target="_blank"><em>https://en.wikipedia.org/wiki/Ermanno_Rea</em></a></p><p>Tangerine dream:</p><p><a href="https://en.wikipedia.org/wiki/Tangerine_Dream" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Tangerine_Dream</a></p><p>Theme music: <em>Tarantella </em>composed by Stephen Brown.</p><p>Portrait print by KB.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In Mario Martone's 2022 movie, based on Ermanno Rea's 2016 novel, 'nostalgia' is not a bittersweet reflection on the past but an obsessive need to return to the Naples of the main character's youth. We talk about the contrast with 'Gomorah', another movie involving the Camorah discussed earlier in the series, and the excellent award winning performances, particularly Pierfrancesco Favino as Felice and Aurora Quattrocchi who plays his elderly and infirm mother. The effective and unusual (in terms of presentation) use of flashback gets a mention and the central importance of the old district of <em>Sanità </em>where is is shot. We also talk about the music, a play list rather than score, featuring particularly the long established German electronic band <em>Tangerine dream.</em></p><br><p>Participants:</p><p>Russ Kilbourn, Professor of Literature and Film, Wilfrid Laurier University, Waterloo, Ontario (Canada) <a href="http://rjakilbourn.com/" rel="noopener noreferrer" target="_blank">http://rjakilbourn.com/</a></p><p>Ken Barrett, UK based visual artist, writer, podcaster and short film producer <a href="http://www.kenbarrettstudio.co.uk/" rel="noopener noreferrer" target="_blank">http://www.kenbarrettstudio.co.uk/</a></p><br><p>The film: <a href="https://www.imdb.com/title/tt14034614/" rel="noopener noreferrer" target="_blank">https://www.imdb.com/title/tt14034614/</a></p><p>Ermano Rea:</p><p><a href="https://en.wikipedia.org/wiki/Ermanno_Rea" rel="noopener noreferrer" target="_blank"><em>https://en.wikipedia.org/wiki/Ermanno_Rea</em></a></p><p>Tangerine dream:</p><p><a href="https://en.wikipedia.org/wiki/Tangerine_Dream" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Tangerine_Dream</a></p><p>Theme music: <em>Tarantella </em>composed by Stephen Brown.</p><p>Portrait print by KB.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>THE TREE OF WOODEN CLOGS (1978)</title>
			<itunes:title>THE TREE OF WOODEN CLOGS (1978)</itunes:title>
			<pubDate>Thu, 21 Aug 2025 16:44:07 GMT</pubDate>
			<itunes:duration>30:08</itunes:duration>
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			<acast:showId>67ab6f20c6f97f89d80e2d26</acast:showId>
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			<itunes:subtitle><![CDATA[Ermano Olmi's extraordinary and moving evocation of late 19th century peasant life.]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>18</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/67ab6f20c6f97f89d80e2d26/1755792664410-013a7ed2-239d-4106-bc3c-b89ebdb5abbc.jpeg"/>
			<description><![CDATA[<p>In this episode we discuss the 1978 film - ‘L'albero degli zoccoli’, 'The tree of wooden clogs', directed, scripted, shot and edited by Ermano Olmi. We talk about the four stories that make up the film, the way in which Olmi slowly evokes the lives of his protagonists, all local people rather than professional actors ,and the extraordinary performances he gets from them.  Russ talk about the links that have been made to this film and the neorealist cinema of the late '40s and early '50s including underlying political messages and ths subtle why these are handled here. We discuss key characters, scenes and story arcs, the look of the film and the high regard in which it is held, inlcuding by the Italian Ministry of Culture who include it in their list of 100 films that ''changed the collective memory of the country'. A great watch, and it can be seen for free - see the link below.</p><br><p>Participants:</p><p>Russ Kilbourn, Professor of Literature and Film, Wilfrid Laurier University, Waterloo, Ontario (Canada) <a href="http://rjakilbourn.com/" rel="noopener noreferrer" target="_blank">http://rjakilbourn.com/</a></p><p>Ken Barrett, UK based visual artist, writer, podcaster and short film producer <a href="http://www.kenbarrettstudio.co.uk/" rel="noopener noreferrer" target="_blank">http://www.kenbarrettstudio.co.uk/</a></p><br><p>The film: <a href="https://www.imdb.com/title/tt0077138/" rel="noopener noreferrer" target="_blank">https://www.imdb.com/title/tt0077138/</a></p><p>Watch for free on the Internet Archive: <a href="https://archive.org/details/the-tree-of-wooden-clogs-1978" rel="noopener noreferrer" target="_blank">https://archive.org/details/the-tree-of-wooden-clogs-1978</a></p><p>Theme music: <em>Tarantella </em>composed by Stephen Brown.</p><p>Portrait print by KB.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode we discuss the 1978 film - ‘L'albero degli zoccoli’, 'The tree of wooden clogs', directed, scripted, shot and edited by Ermano Olmi. We talk about the four stories that make up the film, the way in which Olmi slowly evokes the lives of his protagonists, all local people rather than professional actors ,and the extraordinary performances he gets from them.  Russ talk about the links that have been made to this film and the neorealist cinema of the late '40s and early '50s including underlying political messages and ths subtle why these are handled here. We discuss key characters, scenes and story arcs, the look of the film and the high regard in which it is held, inlcuding by the Italian Ministry of Culture who include it in their list of 100 films that ''changed the collective memory of the country'. A great watch, and it can be seen for free - see the link below.</p><br><p>Participants:</p><p>Russ Kilbourn, Professor of Literature and Film, Wilfrid Laurier University, Waterloo, Ontario (Canada) <a href="http://rjakilbourn.com/" rel="noopener noreferrer" target="_blank">http://rjakilbourn.com/</a></p><p>Ken Barrett, UK based visual artist, writer, podcaster and short film producer <a href="http://www.kenbarrettstudio.co.uk/" rel="noopener noreferrer" target="_blank">http://www.kenbarrettstudio.co.uk/</a></p><br><p>The film: <a href="https://www.imdb.com/title/tt0077138/" rel="noopener noreferrer" target="_blank">https://www.imdb.com/title/tt0077138/</a></p><p>Watch for free on the Internet Archive: <a href="https://archive.org/details/the-tree-of-wooden-clogs-1978" rel="noopener noreferrer" target="_blank">https://archive.org/details/the-tree-of-wooden-clogs-1978</a></p><p>Theme music: <em>Tarantella </em>composed by Stephen Brown.</p><p>Portrait print by KB.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>VERMIGLIO (2024)</title>
			<itunes:title>VERMIGLIO (2024)</itunes:title>
			<pubDate>Sun, 10 Aug 2025 23:00:00 GMT</pubDate>
			<itunes:duration>26:56</itunes:duration>
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			<itunes:subtitle>Maura Delpero’s stunning hymn to the Trentino of her forebears. </itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>17</itunes:episode>
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			<description><![CDATA[<p>In this episode we discuss the 2024 multi-award winning film 'Vermiglio' written and directed by Maura Delpero, set in Trentino and based on interviews and her own family history.  We discuss the casting, of many untrained local children and adults alongside experienced professional actors, the extraordinary colour palate, inspired in part by paintings by nineteenth century artist Giovanni Segantini and the unusual mix of very familiar music (such as Vivaldi's Four Seasons) with a more spare modernist score by Matteo Franceschini. A great contemorary classic worth seeing at the cinema if you can. </p><br><p>Participants:</p><p>Russ Kilbourn, Professor of Literature and Film, Wilfrid Laurier University, Waterloo, Ontario (Canada) <a href="http://rjakilbourn.com/" rel="noopener noreferrer" target="_blank">http://rjakilbourn.com/</a></p><p>Ken Barrett, UK based visual artist, writer, podcaster and short film producer <a href="http://www.kenbarrettstudio.co.uk/" rel="noopener noreferrer" target="_blank">http://www.kenbarrettstudio.co.uk/</a></p><br><p>The film: <a href="https://en.wikipedia.org/wiki/Vermiglio_(film)" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Vermiglio_(film)</a></p><p>Conversation between Maura Delpero and Alice Rohrwacher:<a href="https://www.youtube.com/watch?v=CZsno5SSiJc" rel="noopener noreferrer" target="_blank">https://www.youtube.com/watch?v=CZsno5SSiJc</a></p><p>Giovanni Segantini paintings: <a href="https://www.artrenewal.org/artists/giovanni-segantini/5713" rel="noopener noreferrer" target="_blank">https://www.artrenewal.org/artists/giovanni-segantini/5713</a></p><p>The version of Four Seasons we discuss: <a href="https://open.spotify.com/track/0VQMAup2VdeQWLCvM14Uz2?si=71fed2d1b56d443e" rel="noopener noreferrer" target="_blank">https://open.spotify.com/track/0VQMAup2VdeQWLCvM14Uz2?si=71fed2d1b56d443e</a></p><p>Theme music: <em>Tarantella </em>composed by Stephen Brown.</p><p>Portrait print by KB.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode we discuss the 2024 multi-award winning film 'Vermiglio' written and directed by Maura Delpero, set in Trentino and based on interviews and her own family history.  We discuss the casting, of many untrained local children and adults alongside experienced professional actors, the extraordinary colour palate, inspired in part by paintings by nineteenth century artist Giovanni Segantini and the unusual mix of very familiar music (such as Vivaldi's Four Seasons) with a more spare modernist score by Matteo Franceschini. A great contemorary classic worth seeing at the cinema if you can. </p><br><p>Participants:</p><p>Russ Kilbourn, Professor of Literature and Film, Wilfrid Laurier University, Waterloo, Ontario (Canada) <a href="http://rjakilbourn.com/" rel="noopener noreferrer" target="_blank">http://rjakilbourn.com/</a></p><p>Ken Barrett, UK based visual artist, writer, podcaster and short film producer <a href="http://www.kenbarrettstudio.co.uk/" rel="noopener noreferrer" target="_blank">http://www.kenbarrettstudio.co.uk/</a></p><br><p>The film: <a href="https://en.wikipedia.org/wiki/Vermiglio_(film)" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/Vermiglio_(film)</a></p><p>Conversation between Maura Delpero and Alice Rohrwacher:<a href="https://www.youtube.com/watch?v=CZsno5SSiJc" rel="noopener noreferrer" target="_blank">https://www.youtube.com/watch?v=CZsno5SSiJc</a></p><p>Giovanni Segantini paintings: <a href="https://www.artrenewal.org/artists/giovanni-segantini/5713" rel="noopener noreferrer" target="_blank">https://www.artrenewal.org/artists/giovanni-segantini/5713</a></p><p>The version of Four Seasons we discuss: <a href="https://open.spotify.com/track/0VQMAup2VdeQWLCvM14Uz2?si=71fed2d1b56d443e" rel="noopener noreferrer" target="_blank">https://open.spotify.com/track/0VQMAup2VdeQWLCvM14Uz2?si=71fed2d1b56d443e</a></p><p>Theme music: <em>Tarantella </em>composed by Stephen Brown.</p><p>Portrait print by KB.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>THE GARDEN OF THE FINZI-CONTINIS (1970)</title>
			<itunes:title>THE GARDEN OF THE FINZI-CONTINIS (1970)</itunes:title>
			<pubDate>Thu, 31 Jul 2025 17:59:13 GMT</pubDate>
			<itunes:duration>30:05</itunes:duration>
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			<acast:showId>67ab6f20c6f97f89d80e2d26</acast:showId>
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			<itunes:subtitle><![CDATA[Vittorio De Sica's multi-award winning adaptation of the Bassani novel.]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>16</itunes:episode>
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			<description><![CDATA[<p>In this episode we discuss the penultimate film of Vittorio De Sica, one of the giants of Italian cinema. 'The Garden of the Finzi-Continis' (1970) is based closely on the 1962 semi-autobiographical novel by Georgio Bassani andtells the story of a group of people, mostly in the Jewish community in Ferrara, as racial laws are introduced in fascist Italy in 1938 and the aftermath in 1940s. We discuss similarlities and differences between the novel and the film, the period cinematography, role of the music by De Sica's son Manuela, the acting and more. Anotehr holocast film but from a very different perspective to and less contravertial than 'The Night Porter'.</p><br><p>Participants:</p><p>Russ Kilbourn, Professor of Literature and Film, Wilfrid Laurier University, Waterloo, Ontario (Canada) <a href="http://rjakilbourn.com/" rel="noopener noreferrer" target="_blank">http://rjakilbourn.com/</a></p><p>Ken Barrett, UK based visual artist, writer, podcaster and short film producer  <a href="http://www.kenbarrettstudio.co.uk/" rel="noopener noreferrer" target="_blank">http://www.kenbarrettstudio.co.uk/</a></p><p>The novel:  <a href="https://en.wikipedia.org/wiki/The_Garden_of_the_Finzi-Continis" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/The_Garden_of_the_Finzi-Continis</a></p><p>The film: <a href="https://www.imdb.com/title/tt0065777/" rel="noopener noreferrer" target="_blank">https://www.imdb.com/title/tt0065777/</a></p><p>Theme music: <em>Tarantella </em>composed by Stephen Brown.</p><p>Portrait print by KB.</p><p>A Brainland Collective production.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode we discuss the penultimate film of Vittorio De Sica, one of the giants of Italian cinema. 'The Garden of the Finzi-Continis' (1970) is based closely on the 1962 semi-autobiographical novel by Georgio Bassani andtells the story of a group of people, mostly in the Jewish community in Ferrara, as racial laws are introduced in fascist Italy in 1938 and the aftermath in 1940s. We discuss similarlities and differences between the novel and the film, the period cinematography, role of the music by De Sica's son Manuela, the acting and more. Anotehr holocast film but from a very different perspective to and less contravertial than 'The Night Porter'.</p><br><p>Participants:</p><p>Russ Kilbourn, Professor of Literature and Film, Wilfrid Laurier University, Waterloo, Ontario (Canada) <a href="http://rjakilbourn.com/" rel="noopener noreferrer" target="_blank">http://rjakilbourn.com/</a></p><p>Ken Barrett, UK based visual artist, writer, podcaster and short film producer  <a href="http://www.kenbarrettstudio.co.uk/" rel="noopener noreferrer" target="_blank">http://www.kenbarrettstudio.co.uk/</a></p><p>The novel:  <a href="https://en.wikipedia.org/wiki/The_Garden_of_the_Finzi-Continis" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/The_Garden_of_the_Finzi-Continis</a></p><p>The film: <a href="https://www.imdb.com/title/tt0065777/" rel="noopener noreferrer" target="_blank">https://www.imdb.com/title/tt0065777/</a></p><p>Theme music: <em>Tarantella </em>composed by Stephen Brown.</p><p>Portrait print by KB.</p><p>A Brainland Collective production.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>THE NIGHT PORTER (1974)</title>
			<itunes:title>THE NIGHT PORTER (1974)</itunes:title>
			<pubDate>Wed, 09 Jul 2025 20:15:37 GMT</pubDate>
			<itunes:duration>34:15</itunes:duration>
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			<acast:showId>67ab6f20c6f97f89d80e2d26</acast:showId>
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			<itunes:subtitle><![CDATA[Liliana Cavani's controversial contribution to the cinema of the Holocaust.]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>15</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/67ab6f20c6f97f89d80e2d26/1752091550091-f56cbb91-cf08-4a8d-ac6f-7f53b090115e.jpeg"/>
			<description><![CDATA[<p>After discussing Liliana Cavani's backstory, which included documentaries on the 3rd Reich and women in WW2, we unpick the unusual mix of storylines in 'The Night Porter', an English languarge film that, despite a critical mauling in the US and UK on release, has endured and perhaps increased in stature. After discussing the extraordinary lead performances, the marketing use made of critical accusations of depravity, and much else, Russ talks us through some of the more recent critical thinking on the film. </p><p>Participants:</p><p>Russ Kilbourn, Professor of Literature and Film, Wilfrid Laurier University, Waterloo, Ontario (Canada) <a href="http://rjakilbourn.com/" rel="noopener noreferrer" target="_blank">http://rjakilbourn.com/</a></p><p>Ken Barrett, visual artist, writer, podcaster and former neuropsychiatrist (UK) <a href="http://www.kenbarrettstudio.co.uk/" rel="noopener noreferrer" target="_blank">http://www.kenbarrettstudio.co.uk/</a></p><br><p>The film: <a href="https://www.imdb.com/title/tt0071910/" rel="noopener noreferrer" target="_blank">https://www.imdb.com/title/tt0071910/</a></p><p>Theme music: <em>Tarantella </em>composed by Stephen Brown.</p><p>Portrait print by KB.</p><p>A Brainland Collective production.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>After discussing Liliana Cavani's backstory, which included documentaries on the 3rd Reich and women in WW2, we unpick the unusual mix of storylines in 'The Night Porter', an English languarge film that, despite a critical mauling in the US and UK on release, has endured and perhaps increased in stature. After discussing the extraordinary lead performances, the marketing use made of critical accusations of depravity, and much else, Russ talks us through some of the more recent critical thinking on the film. </p><p>Participants:</p><p>Russ Kilbourn, Professor of Literature and Film, Wilfrid Laurier University, Waterloo, Ontario (Canada) <a href="http://rjakilbourn.com/" rel="noopener noreferrer" target="_blank">http://rjakilbourn.com/</a></p><p>Ken Barrett, visual artist, writer, podcaster and former neuropsychiatrist (UK) <a href="http://www.kenbarrettstudio.co.uk/" rel="noopener noreferrer" target="_blank">http://www.kenbarrettstudio.co.uk/</a></p><br><p>The film: <a href="https://www.imdb.com/title/tt0071910/" rel="noopener noreferrer" target="_blank">https://www.imdb.com/title/tt0071910/</a></p><p>Theme music: <em>Tarantella </em>composed by Stephen Brown.</p><p>Portrait print by KB.</p><p>A Brainland Collective production.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>OSSESSIONE (1943)</title>
			<itunes:title>OSSESSIONE (1943)</itunes:title>
			<pubDate>Thu, 26 Jun 2025 16:19:14 GMT</pubDate>
			<itunes:duration>30:39</itunes:duration>
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			<acast:episodeId>6854251c0bed216db7c1e264</acast:episodeId>
			<acast:showId>67ab6f20c6f97f89d80e2d26</acast:showId>
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			<itunes:subtitle><![CDATA[Luchino Visconti's forerunner to Italian Neo-realism.]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>14</itunes:episode>
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			<description><![CDATA[<p>In this podcast we talk about Visconti's first feature film, based on the James M. Cain the novel 'The postman always rings twice', though set in the Ferrar region of Italy. Hated and banned by the fascists, the film survives because the director kept a copy, but it had to wait until 1977 for its US release as film rights hadn't been obtained to use the novel. We talk through the acting, great cinematography and visual story telling, Visconti's politics, background and use of operatic music in his films (including this) and the positive critical response to the film. In short, it looks good, is well acted, tells an interesting story and isn't over-long - what's not to like?</p><p>Participants:</p><p>Russ Kilbourn, Professor of Literature and Film, Wilfrid Laurier University, Waterloo, Ontario (Canada) <a href="http://rjakilbourn.com/" rel="noopener noreferrer" target="_blank">http://rjakilbourn.com/</a></p><p>Ken Barrett, visual artist, writer, podcaster and former neuropsychiatrist (UK) <a href="http://www.kenbarrettstudio.co.uk/" rel="noopener noreferrer" target="_blank">http://www.kenbarrettstudio.co.uk/</a></p><br><p>The film: <a href="https://www.imdb.com/title/tt0035160/" rel="noopener noreferrer" target="_blank">https://www.imdb.com/title/tt0035160/</a></p><p>Theme music: <em>Tarantella </em>composed by Stephen Brown.</p><p>Portrait print by KB.</p><p>A Brainland Collective production.</p><p>&nbsp;</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this podcast we talk about Visconti's first feature film, based on the James M. Cain the novel 'The postman always rings twice', though set in the Ferrar region of Italy. Hated and banned by the fascists, the film survives because the director kept a copy, but it had to wait until 1977 for its US release as film rights hadn't been obtained to use the novel. We talk through the acting, great cinematography and visual story telling, Visconti's politics, background and use of operatic music in his films (including this) and the positive critical response to the film. In short, it looks good, is well acted, tells an interesting story and isn't over-long - what's not to like?</p><p>Participants:</p><p>Russ Kilbourn, Professor of Literature and Film, Wilfrid Laurier University, Waterloo, Ontario (Canada) <a href="http://rjakilbourn.com/" rel="noopener noreferrer" target="_blank">http://rjakilbourn.com/</a></p><p>Ken Barrett, visual artist, writer, podcaster and former neuropsychiatrist (UK) <a href="http://www.kenbarrettstudio.co.uk/" rel="noopener noreferrer" target="_blank">http://www.kenbarrettstudio.co.uk/</a></p><br><p>The film: <a href="https://www.imdb.com/title/tt0035160/" rel="noopener noreferrer" target="_blank">https://www.imdb.com/title/tt0035160/</a></p><p>Theme music: <em>Tarantella </em>composed by Stephen Brown.</p><p>Portrait print by KB.</p><p>A Brainland Collective production.</p><p>&nbsp;</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>LAMERICA (1994)</title>
			<itunes:title>LAMERICA (1994)</itunes:title>
			<pubDate>Fri, 20 Jun 2025 07:53:10 GMT</pubDate>
			<itunes:duration>30:43</itunes:duration>
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			<acast:episodeId>68543c2168b0c25e388d5d57</acast:episodeId>
			<acast:showId>67ab6f20c6f97f89d80e2d26</acast:showId>
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			<itunes:subtitle><![CDATA[Giani Amelio's award winning but neglected and resonant film on migration.]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>13</itunes:episode>
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			<description><![CDATA[<p>In this podcast we discuss Giani Amelio's neglected 1994 film on Albanian migration to Italy, 'Lamerica', multi award winning at the time and still resonant. The conversation moves from the opening, a fascist propaganda film about Italy colonising Albania in the 1930s, to a discussion of the mass migration that followed the collapse of the repressive communist regime at the end of the 1980s. We talk about the two lead performances, one by an extraordinary first time actor aged 80. We discuss the historical background and various scenes, particularly a rusting freighter loaded with thousands of migrants (Albanian extras) and a closing sequence worthy of projecting as a contemporary artwork. A great but hard to find film even more relevant today than when it was made.</p><br><p>Participants:</p><p>Russ Kilbourn, Professor of Literature and Film, Wilfrid Laurier University, Waterloo, Ontario (Canada) <a href="http://rjakilbourn.com/" rel="noopener noreferrer" target="_blank">http://rjakilbourn.com/</a></p><p>Ken Barrett, visual artist, writer, podcaster and former neuropsychiatrist (UK) <a href="http://www.kenbarrettstudio.co.uk/" rel="noopener noreferrer" target="_blank">http://www.kenbarrettstudio.co.uk/</a></p><br><p>The film:<a href="https://www.imdb.com/title/tt0110299/?ref_=nv_sr_srsg_0_tt_8_nm_0_in_0_q_lamerica" rel="noopener noreferrer" target="_blank">https://www.imdb.com/title/tt0110299/?ref_=nv_sr_srsg_0_tt_8_nm_0_in_0_q_lamerica</a></p><br><p>Theme music: <em>Tarantella </em>composed by Stephen Brown.</p><p>Portrait print by KB illustration.</p><p>A Brainland Collective production.</p><p>&nbsp;</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this podcast we discuss Giani Amelio's neglected 1994 film on Albanian migration to Italy, 'Lamerica', multi award winning at the time and still resonant. The conversation moves from the opening, a fascist propaganda film about Italy colonising Albania in the 1930s, to a discussion of the mass migration that followed the collapse of the repressive communist regime at the end of the 1980s. We talk about the two lead performances, one by an extraordinary first time actor aged 80. We discuss the historical background and various scenes, particularly a rusting freighter loaded with thousands of migrants (Albanian extras) and a closing sequence worthy of projecting as a contemporary artwork. A great but hard to find film even more relevant today than when it was made.</p><br><p>Participants:</p><p>Russ Kilbourn, Professor of Literature and Film, Wilfrid Laurier University, Waterloo, Ontario (Canada) <a href="http://rjakilbourn.com/" rel="noopener noreferrer" target="_blank">http://rjakilbourn.com/</a></p><p>Ken Barrett, visual artist, writer, podcaster and former neuropsychiatrist (UK) <a href="http://www.kenbarrettstudio.co.uk/" rel="noopener noreferrer" target="_blank">http://www.kenbarrettstudio.co.uk/</a></p><br><p>The film:<a href="https://www.imdb.com/title/tt0110299/?ref_=nv_sr_srsg_0_tt_8_nm_0_in_0_q_lamerica" rel="noopener noreferrer" target="_blank">https://www.imdb.com/title/tt0110299/?ref_=nv_sr_srsg_0_tt_8_nm_0_in_0_q_lamerica</a></p><br><p>Theme music: <em>Tarantella </em>composed by Stephen Brown.</p><p>Portrait print by KB illustration.</p><p>A Brainland Collective production.</p><p>&nbsp;</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>THE GREAT BEAUTY (2013)</title>
			<itunes:title>THE GREAT BEAUTY (2013)</itunes:title>
			<pubDate>Fri, 23 May 2025 23:00:00 GMT</pubDate>
			<itunes:duration>31:58</itunes:duration>
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			<itunes:subtitle>Paolo Sorrentino exhuberant dissection of Rome and her cultural elite. </itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>12</itunes:episode>
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			<description><![CDATA[<p>In this podcast we explore what is generally agreed to be Paolo Sorrentino's masterwork, La Grande Bellezza (The Great Beauty, 2013). Russ talks about why he decided to write a book about his movies and why he thinks this, and Il Divo, are his stand out works. After outlining the plot, we talk about the cinematography, most striking scenes the religious and seculalr themes in the movie. We discuss Jep, the main character's, at times disparaging treatment of women, and the fact that Sorrentino is not averse to objectifying. The movie is in part a walk around Rome and her beautiful but also a dissection of the lives of her cultured elite, told with brio and to a great soundtrack.</p><br><p>Participants:</p><p>Russ Kilbourn, Professor of Literature and Film, Wilfrid Laurier University, Waterloo, Ontario (Canada) <a href="http://rjakilbourn.com/" rel="noopener noreferrer" target="_blank">http://rjakilbourn.com/</a></p><p>Ken Barrett, visual artist, writer, podcaster and former neuropsychiatrist (UK) <a href="http://www.kenbarrettstudio.co.uk/" rel="noopener noreferrer" target="_blank">http://www.kenbarrettstudio.co.uk/</a></p><br><p>The film: <a href="https://www.imdb.com/title/tt2358891/" rel="noopener noreferrer" target="_blank">https://www.imdb.com/title/tt2358891/</a></p><p>The music playist: <a href="https://open.spotify.com/playlist/5nCk4uJxmYwAzCwQPdZM21?si=4ba160c081414dc9" rel="noopener noreferrer" target="_blank">https://open.spotify.com/playlist/5nCk4uJxmYwAzCwQPdZM21?si=4ba160c081414dc9</a></p><p>Russ's book on Sorrentino: <a href="https://cup.columbia.edu/book/the-cinema-of-paolo-sorrentino/9780231189934/" rel="noopener noreferrer" target="_blank">https://cup.columbia.edu/book/the-cinema-of-paolo-sorrentino/9780231189934/</a></p><br><p>Theme music: <em>Tarantella </em>composed by Stephen Brown.</p><p>Portrait print by KB.</p><p>A Brainland Collective production.</p><p>&nbsp;</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this podcast we explore what is generally agreed to be Paolo Sorrentino's masterwork, La Grande Bellezza (The Great Beauty, 2013). Russ talks about why he decided to write a book about his movies and why he thinks this, and Il Divo, are his stand out works. After outlining the plot, we talk about the cinematography, most striking scenes the religious and seculalr themes in the movie. We discuss Jep, the main character's, at times disparaging treatment of women, and the fact that Sorrentino is not averse to objectifying. The movie is in part a walk around Rome and her beautiful but also a dissection of the lives of her cultured elite, told with brio and to a great soundtrack.</p><br><p>Participants:</p><p>Russ Kilbourn, Professor of Literature and Film, Wilfrid Laurier University, Waterloo, Ontario (Canada) <a href="http://rjakilbourn.com/" rel="noopener noreferrer" target="_blank">http://rjakilbourn.com/</a></p><p>Ken Barrett, visual artist, writer, podcaster and former neuropsychiatrist (UK) <a href="http://www.kenbarrettstudio.co.uk/" rel="noopener noreferrer" target="_blank">http://www.kenbarrettstudio.co.uk/</a></p><br><p>The film: <a href="https://www.imdb.com/title/tt2358891/" rel="noopener noreferrer" target="_blank">https://www.imdb.com/title/tt2358891/</a></p><p>The music playist: <a href="https://open.spotify.com/playlist/5nCk4uJxmYwAzCwQPdZM21?si=4ba160c081414dc9" rel="noopener noreferrer" target="_blank">https://open.spotify.com/playlist/5nCk4uJxmYwAzCwQPdZM21?si=4ba160c081414dc9</a></p><p>Russ's book on Sorrentino: <a href="https://cup.columbia.edu/book/the-cinema-of-paolo-sorrentino/9780231189934/" rel="noopener noreferrer" target="_blank">https://cup.columbia.edu/book/the-cinema-of-paolo-sorrentino/9780231189934/</a></p><br><p>Theme music: <em>Tarantella </em>composed by Stephen Brown.</p><p>Portrait print by KB.</p><p>A Brainland Collective production.</p><p>&nbsp;</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>THE ICICLE THIEF (1989)</title>
			<itunes:title>THE ICICLE THIEF (1989)</itunes:title>
			<pubDate>Tue, 13 May 2025 16:05:57 GMT</pubDate>
			<itunes:duration>34:38</itunes:duration>
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			<acast:showId>67ab6f20c6f97f89d80e2d26</acast:showId>
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			<itunes:subtitle><![CDATA[Maurizio Nichetti's zany critique of 80's Italian consumerism.]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>6</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/67ab6f20c6f97f89d80e2d26/1742466297492-facf9df2-c74d-481c-a37e-ff47e7f0567d.jpeg"/>
			<description><![CDATA[<p>Nichetti's film ( 'Ladri di Saponette' is the Italian title) is both an affectionate homage of 1940s neorealism and a critique of the effects of consumerism, and particularly Berlusconi's media, in 1980s Italy. Russ discusses the social historical background to the making of this film before we talk about Nichetti's background in circus, children's TV and adverts in addition to film directing. The film within the film is repeatedly interupted by TV adverts and cuts to a family watching at home until characters from one medium/story spill into the others. Comic moments are highlighted - definite spoiler alert for this one - before talking about influences from silent slapstick cinema in particular.</p><p>Participants:</p><p>Russ Kilbourn, Professor of Literature and Film, Wilfrid Laurier University, Waterloo, Ontario (Canada) <a href="http://rjakilbourn.com/" rel="noopener noreferrer" target="_blank">http://rjakilbourn.com/</a></p><p>Ken Barrett, visual artist, writer, podcaster and former neuropsychiatrist (UK) <a href="http://www.kenbarrettstudio.co.uk/" rel="noopener noreferrer" target="_blank">http://www.kenbarrettstudio.co.uk/</a></p><br><p>The film: <a href="https://www.imdb.com/title/tt0097702/" rel="noopener noreferrer" target="_blank">https://www.imdb.com/title/tt0097702/</a></p><p>&nbsp;</p><p>Theme music: <em>Tarantella </em>composed by Stephen Brown.</p><p>Portrait print by KB.</p><p>A Brainland Collective production.</p><p>#brainlandcollective #capolavoropodcast</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Nichetti's film ( 'Ladri di Saponette' is the Italian title) is both an affectionate homage of 1940s neorealism and a critique of the effects of consumerism, and particularly Berlusconi's media, in 1980s Italy. Russ discusses the social historical background to the making of this film before we talk about Nichetti's background in circus, children's TV and adverts in addition to film directing. The film within the film is repeatedly interupted by TV adverts and cuts to a family watching at home until characters from one medium/story spill into the others. Comic moments are highlighted - definite spoiler alert for this one - before talking about influences from silent slapstick cinema in particular.</p><p>Participants:</p><p>Russ Kilbourn, Professor of Literature and Film, Wilfrid Laurier University, Waterloo, Ontario (Canada) <a href="http://rjakilbourn.com/" rel="noopener noreferrer" target="_blank">http://rjakilbourn.com/</a></p><p>Ken Barrett, visual artist, writer, podcaster and former neuropsychiatrist (UK) <a href="http://www.kenbarrettstudio.co.uk/" rel="noopener noreferrer" target="_blank">http://www.kenbarrettstudio.co.uk/</a></p><br><p>The film: <a href="https://www.imdb.com/title/tt0097702/" rel="noopener noreferrer" target="_blank">https://www.imdb.com/title/tt0097702/</a></p><p>&nbsp;</p><p>Theme music: <em>Tarantella </em>composed by Stephen Brown.</p><p>Portrait print by KB.</p><p>A Brainland Collective production.</p><p>#brainlandcollective #capolavoropodcast</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>CARO DIARIO (1993)</title>
			<itunes:title>CARO DIARIO (1993)</itunes:title>
			<pubDate>Sat, 10 May 2025 13:31:20 GMT</pubDate>
			<itunes:duration>29:24</itunes:duration>
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			<acast:episodeId>681cbfbe5acb8b715f1b5b17</acast:episodeId>
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			<itunes:subtitle><![CDATA[Nanni Morretti's entertaining and off beat autobiopic]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>11</itunes:episode>
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			<description><![CDATA[<p>In this podcast we talk about Nanni Morreti's 1994 film 'Caro Diario' ('Dear Diary'), in which the director plays himself. Russ explains the three chapter structure, the first following him around Rome on his Vespa, the second a trip around Italian islands with a friend and the last an account of a year in which a chronic itch was eventually diagnosed as a malignancy, a lymphoma (successfully treated as this was over 30 years ago. All of this involves amusing encounters with a variety of friends, strangers and professionals. We talk about Morretti's politics and concerns explored in the film and the importance of music, including a long sequence following  Morretti on his scooter accompanied by Keith Jarrett's Köln concert and a gently atmospheric score by composer Nicola Piovani.</p><br><p>Participants:</p><p>Russ Kilbourn, Professor of Literature and Film, Wilfrid Laurier University, Waterloo, Ontario (Canada) <a href="http://rjakilbourn.com/" rel="noopener noreferrer" target="_blank">http://rjakilbourn.com/</a></p><p>Ken Barrett, visual artist, writer, podcaster and former neuropsychiatrist (UK) <a href="http://www.kenbarrettstudio.co.uk/" rel="noopener noreferrer" target="_blank">http://www.kenbarrettstudio.co.uk/</a></p><br><p>The film: <a href="https://www.imdb.com/title/tt0109382/" rel="noopener noreferrer" target="_blank">https://www.imdb.com/title/tt0109382/</a></p><p>&nbsp;</p><p>Theme music: <em>Tarantella </em>composed by Stephen Brown.</p><p>Portrait print by KB.</p><p>A Brainland Collective production.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this podcast we talk about Nanni Morreti's 1994 film 'Caro Diario' ('Dear Diary'), in which the director plays himself. Russ explains the three chapter structure, the first following him around Rome on his Vespa, the second a trip around Italian islands with a friend and the last an account of a year in which a chronic itch was eventually diagnosed as a malignancy, a lymphoma (successfully treated as this was over 30 years ago. All of this involves amusing encounters with a variety of friends, strangers and professionals. We talk about Morretti's politics and concerns explored in the film and the importance of music, including a long sequence following  Morretti on his scooter accompanied by Keith Jarrett's Köln concert and a gently atmospheric score by composer Nicola Piovani.</p><br><p>Participants:</p><p>Russ Kilbourn, Professor of Literature and Film, Wilfrid Laurier University, Waterloo, Ontario (Canada) <a href="http://rjakilbourn.com/" rel="noopener noreferrer" target="_blank">http://rjakilbourn.com/</a></p><p>Ken Barrett, visual artist, writer, podcaster and former neuropsychiatrist (UK) <a href="http://www.kenbarrettstudio.co.uk/" rel="noopener noreferrer" target="_blank">http://www.kenbarrettstudio.co.uk/</a></p><br><p>The film: <a href="https://www.imdb.com/title/tt0109382/" rel="noopener noreferrer" target="_blank">https://www.imdb.com/title/tt0109382/</a></p><p>&nbsp;</p><p>Theme music: <em>Tarantella </em>composed by Stephen Brown.</p><p>Portrait print by KB.</p><p>A Brainland Collective production.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>GOMORRAH (2008)</title>
			<itunes:title>GOMORRAH (2008)</itunes:title>
			<pubDate>Wed, 30 Apr 2025 23:00:00 GMT</pubDate>
			<itunes:duration>25:59</itunes:duration>
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			<itunes:subtitle><![CDATA[Matteo Garrone's ramped up take on the world of the Camorra.]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>10</itunes:episode>
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			<description><![CDATA[<p>In this episode we discuss Matteo Garrone's 2008 adaptation of journalist Roberto Saviano 2006 book about the Naples mafia (Camorra). Russ talks about the way the book is adapted, dipping into the many activities of the Camorrah, from drugs to toxic waste disposal whilst also following younger characters aspiring to that lifestyle. We talk about the striking cinematography and lack of traditional soundtrack music, as such, contrasted with in scene pounding techno/dance. Garrone's casting of people familiar with the life they depict also gets a mention, plus the hopeful conclusion, at least for two of the characters.</p><br><p>Participants:</p><p>Russ Kilbourn, Professor of Literature and Film, Wilfrid Laurier University, Waterloo, Ontario (Canada) <a href="http://rjakilbourn.com/" rel="noopener noreferrer" target="_blank">http://rjakilbourn.com/</a></p><p>Ken Barrett, visual artist, writer, podcaster and former neuropsychiatrist (UK) <a href="http://www.kenbarrettstudio.co.uk/" rel="noopener noreferrer" target="_blank">http://www.kenbarrettstudio.co.uk/</a></p><br><p>The film:: <a href="The%20film:%20https:/www.imdb.com/title/tt0929425" rel="noopener noreferrer" target="_blank">https://www.imdb.com/title/tt0929425/</a></p><p>&nbsp;</p><p>Theme music: <em>Tarantella </em>composed by Stephen Brown.</p><p>Portrait print by KB.</p><p>A Brainland Collective production.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode we discuss Matteo Garrone's 2008 adaptation of journalist Roberto Saviano 2006 book about the Naples mafia (Camorra). Russ talks about the way the book is adapted, dipping into the many activities of the Camorrah, from drugs to toxic waste disposal whilst also following younger characters aspiring to that lifestyle. We talk about the striking cinematography and lack of traditional soundtrack music, as such, contrasted with in scene pounding techno/dance. Garrone's casting of people familiar with the life they depict also gets a mention, plus the hopeful conclusion, at least for two of the characters.</p><br><p>Participants:</p><p>Russ Kilbourn, Professor of Literature and Film, Wilfrid Laurier University, Waterloo, Ontario (Canada) <a href="http://rjakilbourn.com/" rel="noopener noreferrer" target="_blank">http://rjakilbourn.com/</a></p><p>Ken Barrett, visual artist, writer, podcaster and former neuropsychiatrist (UK) <a href="http://www.kenbarrettstudio.co.uk/" rel="noopener noreferrer" target="_blank">http://www.kenbarrettstudio.co.uk/</a></p><br><p>The film:: <a href="The%20film:%20https:/www.imdb.com/title/tt0929425" rel="noopener noreferrer" target="_blank">https://www.imdb.com/title/tt0929425/</a></p><p>&nbsp;</p><p>Theme music: <em>Tarantella </em>composed by Stephen Brown.</p><p>Portrait print by KB.</p><p>A Brainland Collective production.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>THE GOSPEL ACCORDING TO MATTHEW (1964)</title>
			<itunes:title>THE GOSPEL ACCORDING TO MATTHEW (1964)</itunes:title>
			<pubDate>Thu, 24 Apr 2025 09:01:02 GMT</pubDate>
			<itunes:duration>28:35</itunes:duration>
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			<acast:showId>67ab6f20c6f97f89d80e2d26</acast:showId>
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			<itunes:subtitle><![CDATA[Pier Paolo Pasolini's faithful yet Marxist take on the story of Jesus]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>9</itunes:episode>
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			<description><![CDATA[<p>In this podcast we talk about Pier Paolo Pasolini's 1964 film 'The Gospel According to Matthew' ('Il vangelo secondo Matteo' is the title in Italian) the unusual cast selection (non-actors), Italian locations and a Jesus depicted with more than a hint of Che Guevara. Russ talks about Pasolini's route to this film, via novels and poems and ealrier films, including a short film depicting the crucifixion in less than reverent terms, and the remarkable fact that the catholic establishment embraced a film by a gay marxist athiest. We discuss the locations, unusual visuals, links to amateur passion plays, stand out scenes and art historical references. We conclude by talking about Pasolini's violent death aged 53 in the 1975.</p><br><p>Participants:</p><p>Russ Kilbourn, Professor of Literature and Film, Wilfrid Laurier University, Waterloo, Ontario (Canada) <a href="http://rjakilbourn.com/" rel="noopener noreferrer" target="_blank">http://rjakilbourn.com/</a></p><p>Ken Barrett, visual artist, writer, podcaster and former neuropsychiatrist (UK) <a href="http://www.kenbarrettstudio.co.uk/" rel="noopener noreferrer" target="_blank">http://www.kenbarrettstudio.co.uk/</a></p><br><p>The film:<a href="https://www.imdb.com/title/tt0058715/" rel="noopener noreferrer" target="_blank">https://www.imdb.com/title/tt0058715/</a></p><p>&nbsp;</p><p>Theme music: <em>Tarantella </em>composed by Stephen Brown.</p><p>Portrait print by KB.</p><p>A Brainland Collective production.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this podcast we talk about Pier Paolo Pasolini's 1964 film 'The Gospel According to Matthew' ('Il vangelo secondo Matteo' is the title in Italian) the unusual cast selection (non-actors), Italian locations and a Jesus depicted with more than a hint of Che Guevara. Russ talks about Pasolini's route to this film, via novels and poems and ealrier films, including a short film depicting the crucifixion in less than reverent terms, and the remarkable fact that the catholic establishment embraced a film by a gay marxist athiest. We discuss the locations, unusual visuals, links to amateur passion plays, stand out scenes and art historical references. We conclude by talking about Pasolini's violent death aged 53 in the 1975.</p><br><p>Participants:</p><p>Russ Kilbourn, Professor of Literature and Film, Wilfrid Laurier University, Waterloo, Ontario (Canada) <a href="http://rjakilbourn.com/" rel="noopener noreferrer" target="_blank">http://rjakilbourn.com/</a></p><p>Ken Barrett, visual artist, writer, podcaster and former neuropsychiatrist (UK) <a href="http://www.kenbarrettstudio.co.uk/" rel="noopener noreferrer" target="_blank">http://www.kenbarrettstudio.co.uk/</a></p><br><p>The film:<a href="https://www.imdb.com/title/tt0058715/" rel="noopener noreferrer" target="_blank">https://www.imdb.com/title/tt0058715/</a></p><p>&nbsp;</p><p>Theme music: <em>Tarantella </em>composed by Stephen Brown.</p><p>Portrait print by KB.</p><p>A Brainland Collective production.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>LA CHIMERA (2023)</title>
			<itunes:title>LA CHIMERA (2023)</itunes:title>
			<pubDate>Wed, 16 Apr 2025 09:11:50 GMT</pubDate>
			<itunes:duration>32:51</itunes:duration>
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			<acast:showId>67ab6f20c6f97f89d80e2d26</acast:showId>
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			<itunes:subtitle><![CDATA[Alice Rohrwacher's not so everyday tale of Etruscan tomb robbing folk in the 1980s.]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>8</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/67ab6f20c6f97f89d80e2d26/1744311491181-6da471e6-13ee-436d-9d49-d22c28371d5b.jpeg"/>
			<description><![CDATA[<p>In this episode we unpack the delights of Alice Rohrwacher's 2023 movie 'La Chimera', a film about 'tomboroli' (tomb robbers) in the 1980s. Russ discusses the social and historical background, and the way the film explores attitudes to and roles of women and other aspects of Italian society then and now. We explore the various storytelling techniques Rohrwacher employs and the interwoven themes, including Orpheus and other mythological references.</p><br><p>Participants:</p><p>Russ Kilbourn, Professor of Literature and Film, Wilfrid Laurier University, Waterloo, Ontario (Canada) <a href="http://rjakilbourn.com/" rel="noopener noreferrer" target="_blank">http://rjakilbourn.com/</a></p><p>Ken Barrett, visual artist, writer, podcaster and former neuropsychiatrist (UK) <a href="http://www.kenbarrettstudio.co.uk/" rel="noopener noreferrer" target="_blank">http://www.kenbarrettstudio.co.uk/</a></p><br><p>The film:<a href="https://www.imdb.com/title/tt14561712/" rel="noopener noreferrer" target="_blank">https://www.imdb.com/title/tt14561712/</a></p><p>&nbsp;</p><p>Theme music: <em>Tarantella </em>composed by Stephen Brown.</p><p>Portrait print by KB.</p><p>A Brainland Collective production.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode we unpack the delights of Alice Rohrwacher's 2023 movie 'La Chimera', a film about 'tomboroli' (tomb robbers) in the 1980s. Russ discusses the social and historical background, and the way the film explores attitudes to and roles of women and other aspects of Italian society then and now. We explore the various storytelling techniques Rohrwacher employs and the interwoven themes, including Orpheus and other mythological references.</p><br><p>Participants:</p><p>Russ Kilbourn, Professor of Literature and Film, Wilfrid Laurier University, Waterloo, Ontario (Canada) <a href="http://rjakilbourn.com/" rel="noopener noreferrer" target="_blank">http://rjakilbourn.com/</a></p><p>Ken Barrett, visual artist, writer, podcaster and former neuropsychiatrist (UK) <a href="http://www.kenbarrettstudio.co.uk/" rel="noopener noreferrer" target="_blank">http://www.kenbarrettstudio.co.uk/</a></p><br><p>The film:<a href="https://www.imdb.com/title/tt14561712/" rel="noopener noreferrer" target="_blank">https://www.imdb.com/title/tt14561712/</a></p><p>&nbsp;</p><p>Theme music: <em>Tarantella </em>composed by Stephen Brown.</p><p>Portrait print by KB.</p><p>A Brainland Collective production.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>MARTIN EDEN (2019)</title>
			<itunes:title>MARTIN EDEN (2019)</itunes:title>
			<pubDate>Thu, 10 Apr 2025 18:43:10 GMT</pubDate>
			<itunes:duration>32:44</itunes:duration>
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			<link>https://www.imdb.com/title/tt4516162/</link>
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			<acast:showId>67ab6f20c6f97f89d80e2d26</acast:showId>
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			<itunes:subtitle><![CDATA[Pietro Marcello's groundbreaking adaptation of Jack London's novel.]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>7</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/67ab6f20c6f97f89d80e2d26/1744308107721-2004f345-c28f-48d4-941d-b1476e48b3be.jpeg"/>
			<description><![CDATA[<p>In this episode we discuss Pietro Marcello's 2019 film 'Martin Eden', based on Jack London's semi-autobiographical coming of age novel published in 1909. Russ unpacks some of the historical and political backstory of story, as filmed. Unconventional flashback-like sequences are highlighted and ambiguity over the time period in which the action takes place discussed. We compare and contrast the novel and film. We discuss the excellent acting, especially by the lead Luca Marinelli (unrecognisable in his latest role as Mussolini in eight part 'M: Son of the century'). Russ concludes by explaining why he feels the work of Russian literary theorist Mikhail Bakhtin, and his concept of the 'chronotope', illuminates aspects of the film.</p><br><p>Participants:</p><p>Russ Kilbourn, Professor of Literature and Film, Wilfrid Laurier University, Waterloo, Ontario (Canada) <a href="http://rjakilbourn.com/" rel="noopener noreferrer" target="_blank">http://rjakilbourn.com/</a></p><p>Ken Barrett, visual artist, writer, podcaster and former neuropsychiatrist (UK) <a href="http://www.kenbarrettstudio.co.uk/" rel="noopener noreferrer" target="_blank">http://www.kenbarrettstudio.co.uk/</a></p><br><p>The film: <a href="https://www.imdb.com/title/tt4516162/" rel="noopener noreferrer" target="_blank">https://www.imdb.com/title/tt4516162/</a></p><p>&nbsp;</p><p>Theme music: <em>Tarantella </em>composed by Stephen Brown.</p><p>Portrait print by KB.</p><p>A Brainland Collective production.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode we discuss Pietro Marcello's 2019 film 'Martin Eden', based on Jack London's semi-autobiographical coming of age novel published in 1909. Russ unpacks some of the historical and political backstory of story, as filmed. Unconventional flashback-like sequences are highlighted and ambiguity over the time period in which the action takes place discussed. We compare and contrast the novel and film. We discuss the excellent acting, especially by the lead Luca Marinelli (unrecognisable in his latest role as Mussolini in eight part 'M: Son of the century'). Russ concludes by explaining why he feels the work of Russian literary theorist Mikhail Bakhtin, and his concept of the 'chronotope', illuminates aspects of the film.</p><br><p>Participants:</p><p>Russ Kilbourn, Professor of Literature and Film, Wilfrid Laurier University, Waterloo, Ontario (Canada) <a href="http://rjakilbourn.com/" rel="noopener noreferrer" target="_blank">http://rjakilbourn.com/</a></p><p>Ken Barrett, visual artist, writer, podcaster and former neuropsychiatrist (UK) <a href="http://www.kenbarrettstudio.co.uk/" rel="noopener noreferrer" target="_blank">http://www.kenbarrettstudio.co.uk/</a></p><br><p>The film: <a href="https://www.imdb.com/title/tt4516162/" rel="noopener noreferrer" target="_blank">https://www.imdb.com/title/tt4516162/</a></p><p>&nbsp;</p><p>Theme music: <em>Tarantella </em>composed by Stephen Brown.</p><p>Portrait print by KB.</p><p>A Brainland Collective production.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>LOVE AND ANARCHY (1973)</title>
			<itunes:title>LOVE AND ANARCHY (1973)</itunes:title>
			<pubDate>Mon, 24 Mar 2025 21:42:14 GMT</pubDate>
			<itunes:duration>31:07</itunes:duration>
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			<itunes:subtitle><![CDATA[Lina Wertmuller's controversial '70s classic]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>5</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/67ab6f20c6f97f89d80e2d26/1742336131403-dfa68a8a-acbe-4ee5-861d-599118e674cd.jpeg"/>
			<description><![CDATA[<p>This episode explores Lina Wertmuller's 1973 film Love and Anarchy (D'Amore e D'Anarchia), the first female director they've discussed. Wertmuller's route to direction is outlined, including her early career with an avant garde puppets theatre, then work with Fellini, before we unpick some of the detail in this exhuberant film. Set in and around a legal brothel in prewar fascist italy, the film tells the story of an anarchist from the sticks who comes to the city to assassinate Mussolini. Excellent performances and some unusual story telling make for a highly watchable and thought provoking film.</p><br><p>Participants:</p><p>Russ Kilbourn, Professor of Literature and Film, Wilfrid Laurier University, Waterloo, Ontario (Canada) <a href="http://rjakilbourn.com/" rel="noopener noreferrer" target="_blank">http://rjakilbourn.com/</a></p><p>Ken Barrett, visual artist, writer, podcaster and former neuropsychiatrist (UK) <a href="http://www.kenbarrettstudio.co.uk/" rel="noopener noreferrer" target="_blank">http://www.kenbarrettstudio.co.uk/</a></p><p>&nbsp;</p><p>The film:<a href="https://www.imdb.com/title/tt0070061/?ref_=fn_all_ttl_2" rel="noopener noreferrer" target="_blank">https://www.imdb.com/title/tt0070061/?ref_=fn_all_ttl_2</a></p><br><p>Theme music: <em>Tarantella </em>composed by Stephen Brown.</p><p>Portrait print by KB.</p><p>A Brainland Collective production.</p><p>#brainlandcollective #capolavoropodcast</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>This episode explores Lina Wertmuller's 1973 film Love and Anarchy (D'Amore e D'Anarchia), the first female director they've discussed. Wertmuller's route to direction is outlined, including her early career with an avant garde puppets theatre, then work with Fellini, before we unpick some of the detail in this exhuberant film. Set in and around a legal brothel in prewar fascist italy, the film tells the story of an anarchist from the sticks who comes to the city to assassinate Mussolini. Excellent performances and some unusual story telling make for a highly watchable and thought provoking film.</p><br><p>Participants:</p><p>Russ Kilbourn, Professor of Literature and Film, Wilfrid Laurier University, Waterloo, Ontario (Canada) <a href="http://rjakilbourn.com/" rel="noopener noreferrer" target="_blank">http://rjakilbourn.com/</a></p><p>Ken Barrett, visual artist, writer, podcaster and former neuropsychiatrist (UK) <a href="http://www.kenbarrettstudio.co.uk/" rel="noopener noreferrer" target="_blank">http://www.kenbarrettstudio.co.uk/</a></p><p>&nbsp;</p><p>The film:<a href="https://www.imdb.com/title/tt0070061/?ref_=fn_all_ttl_2" rel="noopener noreferrer" target="_blank">https://www.imdb.com/title/tt0070061/?ref_=fn_all_ttl_2</a></p><br><p>Theme music: <em>Tarantella </em>composed by Stephen Brown.</p><p>Portrait print by KB.</p><p>A Brainland Collective production.</p><p>#brainlandcollective #capolavoropodcast</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>THE CONFORMIST (1970)</title>
			<itunes:title>THE CONFORMIST (1970)</itunes:title>
			<pubDate>Mon, 17 Mar 2025 18:34:20 GMT</pubDate>
			<itunes:duration>31:50</itunes:duration>
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			<itunes:subtitle><![CDATA[Bernardo Bertolucci's first international hit.]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>4</itunes:episode>
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			<description><![CDATA[<p>In this episode Russ and Ken talk about Bertolucci's 1970 film The Conformist (Il Conformista), based on Alberto Moravia's 1947 novel of the same name. Set in fascist Italy, mainly before WW2, it tells the story of Marcello whose desire to conform makes him embrace and become a willing puppet of the regime and a plot to kill a prominent antifascist living in Paris, but that only scratches the surface of this tale. The 29 year old cinematographer later went on to win 3 Oscars, including one for Apocalypse Now. Lots more interesting stuff. Take a listen...</p><p>Participants:</p><p>Russ Kilbourn, Professor of Literature and Film, Wilfrid Laurier University, Waterloo, Ontario (Canada) <a href="http://rjakilbourn.com/" rel="noopener noreferrer" target="_blank">http://rjakilbourn.com/</a></p><p>Ken Barrett, visual artist, writer, podcaster and former neuropsychiatrist.<a href="http://www.kenbarrettstudio.co.uk/" rel="noopener noreferrer" target="_blank">http://www.kenbarrettstudio.co.uk/</a></p><br><p>The film:<a href="https://www.imdb.com/title/tt0065571/" rel="noopener noreferrer" target="_blank">https://www.imdb.com/title/tt0065571/</a></p><br><p>The Novel: <a href="https://en.wikipedia.org/wiki/The_Conformist" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/The_Conformist</a></p><br><p>Theme music: <em>Tarantella </em>composed by Stephen Brown.</p><p>Portrait print by KB.</p><p>A Brainland Collective production.</p><p>#brainlandcollective #capolavoropodcast</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode Russ and Ken talk about Bertolucci's 1970 film The Conformist (Il Conformista), based on Alberto Moravia's 1947 novel of the same name. Set in fascist Italy, mainly before WW2, it tells the story of Marcello whose desire to conform makes him embrace and become a willing puppet of the regime and a plot to kill a prominent antifascist living in Paris, but that only scratches the surface of this tale. The 29 year old cinematographer later went on to win 3 Oscars, including one for Apocalypse Now. Lots more interesting stuff. Take a listen...</p><p>Participants:</p><p>Russ Kilbourn, Professor of Literature and Film, Wilfrid Laurier University, Waterloo, Ontario (Canada) <a href="http://rjakilbourn.com/" rel="noopener noreferrer" target="_blank">http://rjakilbourn.com/</a></p><p>Ken Barrett, visual artist, writer, podcaster and former neuropsychiatrist.<a href="http://www.kenbarrettstudio.co.uk/" rel="noopener noreferrer" target="_blank">http://www.kenbarrettstudio.co.uk/</a></p><br><p>The film:<a href="https://www.imdb.com/title/tt0065571/" rel="noopener noreferrer" target="_blank">https://www.imdb.com/title/tt0065571/</a></p><br><p>The Novel: <a href="https://en.wikipedia.org/wiki/The_Conformist" rel="noopener noreferrer" target="_blank">https://en.wikipedia.org/wiki/The_Conformist</a></p><br><p>Theme music: <em>Tarantella </em>composed by Stephen Brown.</p><p>Portrait print by KB.</p><p>A Brainland Collective production.</p><p>#brainlandcollective #capolavoropodcast</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title><![CDATA[L'AVVENTURA (1960)]]></title>
			<itunes:title><![CDATA[L'AVVENTURA (1960)]]></itunes:title>
			<pubDate>Tue, 04 Mar 2025 20:24:55 GMT</pubDate>
			<itunes:duration>31:16</itunes:duration>
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			<itunes:subtitle><![CDATA[Michelangelo Antonioni's classic genre defying masterpiece]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>3</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/67ab6f20c6f97f89d80e2d26/1741116732105-823ac3b9-744c-4965-95aa-b61e2b2d7393.jpeg"/>
			<description><![CDATA[<p>In this episode Russ and Ken talk about Michelangelo Antonioni's classic genre defying masterpiece 'L'Avventura' from 1960. After discussing the use of black and white in art house cinema in this period Russ outlines how the film has been critically interpreted as a kind of filmic philosophical investigation of existentialism by a director who, for the time, seems unusually aware of female sensibility. We also talk about various unconventional spects to the film making including shot choice, editing, music, sound and storytelling.</p><br><p>Participants:</p><p>Russ Kilbourn, Professor of Literature and Film, Wilfrid Laurier University, Waterloo, Ontario (Canada) <a href="http://rjakilbourn.com/" rel="noopener noreferrer" target="_blank">http://rjakilbourn.com/</a></p><p>Ken Barrett, visual artist, writer, podcaster and former neuropsychiatrist.<a href="http://www.kenbarrettstudio.co.uk/" rel="noopener noreferrer" target="_blank">http://www.kenbarrettstudio.co.uk/</a></p><br><p>The film: <a href="https://www.imdb.com/title/tt0053619/" rel="noopener noreferrer" target="_blank">https://www.imdb.com/title/tt0053619/</a></p><br><p>The film can be viewed in full for free on YouTube: <a href="https://www.youtube.com/watch?v=tJVI7aFREb4&amp;t=3610s" rel="noopener noreferrer" target="_blank">https://www.youtube.com/watch?v=tJVI7aFREb4&amp;t=3610s</a></p><br><p>Theme music: <em>Tarantella </em>composed by Stephen Brown.</p><p>Portrait print by KB.</p><p>A Brainland Collective production.</p><p>#brainlandcollective #capolavoropodcast</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode Russ and Ken talk about Michelangelo Antonioni's classic genre defying masterpiece 'L'Avventura' from 1960. After discussing the use of black and white in art house cinema in this period Russ outlines how the film has been critically interpreted as a kind of filmic philosophical investigation of existentialism by a director who, for the time, seems unusually aware of female sensibility. We also talk about various unconventional spects to the film making including shot choice, editing, music, sound and storytelling.</p><br><p>Participants:</p><p>Russ Kilbourn, Professor of Literature and Film, Wilfrid Laurier University, Waterloo, Ontario (Canada) <a href="http://rjakilbourn.com/" rel="noopener noreferrer" target="_blank">http://rjakilbourn.com/</a></p><p>Ken Barrett, visual artist, writer, podcaster and former neuropsychiatrist.<a href="http://www.kenbarrettstudio.co.uk/" rel="noopener noreferrer" target="_blank">http://www.kenbarrettstudio.co.uk/</a></p><br><p>The film: <a href="https://www.imdb.com/title/tt0053619/" rel="noopener noreferrer" target="_blank">https://www.imdb.com/title/tt0053619/</a></p><br><p>The film can be viewed in full for free on YouTube: <a href="https://www.youtube.com/watch?v=tJVI7aFREb4&amp;t=3610s" rel="noopener noreferrer" target="_blank">https://www.youtube.com/watch?v=tJVI7aFREb4&amp;t=3610s</a></p><br><p>Theme music: <em>Tarantella </em>composed by Stephen Brown.</p><p>Portrait print by KB.</p><p>A Brainland Collective production.</p><p>#brainlandcollective #capolavoropodcast</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>I VITELLONI (1953)</title>
			<itunes:title>I VITELLONI (1953)</itunes:title>
			<pubDate>Wed, 19 Feb 2025 13:12:43 GMT</pubDate>
			<itunes:duration>32:49</itunes:duration>
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			<itunes:subtitle><![CDATA[Federico Fellini's first international hit.]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>2</itunes:episode>
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			<description><![CDATA[<p>In this episode Russ and Ken discuss 'I Vitelloni' a Federico Fellini Classic from 1953, his first international success. We talk through the story, the main characters and what gives it classic status, including Fellini's use of humour, visual composition and characters. It's the story of a group of small town 'loafers' avoiding responsibility whilst hoping for better as Italy's post war economic boom kicks in, Religious imagery and characters get a mention (including a monk up a tree) and the includion of gay characters. To finish ther is some chat about film makers who credit its influence, including Scorsece, Lusas and Madden.</p><br><p>Participants:</p><p>Russ Kilbourn, Professor of Literature and Film, Wilfrid Laurier University, Waterloo, Ontario (Canada) <a href="http://rjakilbourn.com/" rel="noopener noreferrer" target="_blank">http://rjakilbourn.com/</a></p><p>Ken Barrett, visual artist, writer, podcaster and former neuropsychiatrist.<a href="http://www.kenbarrettstudio.co.uk/" rel="noopener noreferrer" target="_blank">http://www.kenbarrettstudio.co.uk/</a></p><br><p>I Vitelloni (1953):<a href="https://www.imdb.com/title/tt0046521/?ref_=fn_all_ttl_1" rel="noopener noreferrer" target="_blank">https://www.imdb.com/title/tt0046521/?ref_=fn_all_ttl_1</a></p><p>My Winnipeg (2007)<a href="https://www.imdb.com/title/tt1093842/" rel="noopener noreferrer" target="_blank">https://www.imdb.com/title/tt1093842/</a></p><p>The Children's Train (2024)<a href="https://www.imdb.com/title/tt29242846/" rel="noopener noreferrer" target="_blank">https://www.imdb.com/title/tt29242846/</a></p><br><p>Theme music: <em>Tarantella </em>composed by Stephen Brown.</p><p>Portrait print by KB.</p><p>A Brainland Collective production.</p><p>#brainlandcollective #capolavoropodcast</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode Russ and Ken discuss 'I Vitelloni' a Federico Fellini Classic from 1953, his first international success. We talk through the story, the main characters and what gives it classic status, including Fellini's use of humour, visual composition and characters. It's the story of a group of small town 'loafers' avoiding responsibility whilst hoping for better as Italy's post war economic boom kicks in, Religious imagery and characters get a mention (including a monk up a tree) and the includion of gay characters. To finish ther is some chat about film makers who credit its influence, including Scorsece, Lusas and Madden.</p><br><p>Participants:</p><p>Russ Kilbourn, Professor of Literature and Film, Wilfrid Laurier University, Waterloo, Ontario (Canada) <a href="http://rjakilbourn.com/" rel="noopener noreferrer" target="_blank">http://rjakilbourn.com/</a></p><p>Ken Barrett, visual artist, writer, podcaster and former neuropsychiatrist.<a href="http://www.kenbarrettstudio.co.uk/" rel="noopener noreferrer" target="_blank">http://www.kenbarrettstudio.co.uk/</a></p><br><p>I Vitelloni (1953):<a href="https://www.imdb.com/title/tt0046521/?ref_=fn_all_ttl_1" rel="noopener noreferrer" target="_blank">https://www.imdb.com/title/tt0046521/?ref_=fn_all_ttl_1</a></p><p>My Winnipeg (2007)<a href="https://www.imdb.com/title/tt1093842/" rel="noopener noreferrer" target="_blank">https://www.imdb.com/title/tt1093842/</a></p><p>The Children's Train (2024)<a href="https://www.imdb.com/title/tt29242846/" rel="noopener noreferrer" target="_blank">https://www.imdb.com/title/tt29242846/</a></p><br><p>Theme music: <em>Tarantella </em>composed by Stephen Brown.</p><p>Portrait print by KB.</p><p>A Brainland Collective production.</p><p>#brainlandcollective #capolavoropodcast</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>ROME, OPEN CITY (1945)</title>
			<itunes:title>ROME, OPEN CITY (1945)</itunes:title>
			<pubDate>Wed, 12 Feb 2025 13:50:57 GMT</pubDate>
			<itunes:duration>34:04</itunes:duration>
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			<itunes:subtitle>Roberto Rossellini invents Italian neorealist cinema.</itunes:subtitle>
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			<itunes:season>1</itunes:season>
			<itunes:episode>1</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/67ab6f20c6f97f89d80e2d26/1739304895047-cb2ec302-e341-4325-9471-ba39769e7a79.jpeg"/>
			<description><![CDATA[<p>In this podcast we set the scene for the series by discussing cinema under Mussolini including the creation of Cinecittà in Rome. We then talk about the director, and writers of 'Rome, Open City' (including Federico Fellini), the plot (execution of a priest and pregnant woman, based on true events that occurred only months before the film was made), problems in production, excellent performances, classic shots and the film's reception, followed by a wider discussion of sound and music in this period of Italian cinema.</p><p>Participants:</p><p>Russ Kilbourn, Professor of Literature and Film, Wilfrid Laurier University, Waterloo, Ontario (Canada) <a href="http://rjakilbourn.com/" rel="noopener noreferrer" target="_blank">http://rjakilbourn.com/</a></p><p>Ken Barrett, visual artist, writer, podcaster and former neuropsychiatrist.<a href="http://www.kenbarrettstudio.co.uk/" rel="noopener noreferrer" target="_blank">http://www.kenbarrettstudio.co.uk/</a></p><br><p>Rome, Open City:&nbsp;</p><p><a href="https://www.imdb.com/title/tt0038890/" rel="noopener noreferrer" target="_blank">https://www.imdb.com/title/tt0038890/</a></p><p>M, Son of the Century:<a href="https://www.imdb.com/title/tt19386538/?ref_=fn_all_ttl_1" rel="noopener noreferrer" target="_blank">https://www.imdb.com/title/tt19386538/?ref_=fn_all_ttl_1</a></p><p>The book on sound in Italian cinema by Antonella Sisto that Russ mentions:</p><p><a href="https://link.springer.com/book/10.1057/9781137387714" rel="noopener noreferrer" target="_blank">https://link.springer.com/book/10.1057/9781137387714</a></p><p>&nbsp;</p><p>Theme music: <em>Tarantella </em>composed by Stephen Brown.</p><br><p>Portrait print by KB.</p><p>A Brainland Collective production.</p><p>#brainlandcollective #capolavoro!</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this podcast we set the scene for the series by discussing cinema under Mussolini including the creation of Cinecittà in Rome. We then talk about the director, and writers of 'Rome, Open City' (including Federico Fellini), the plot (execution of a priest and pregnant woman, based on true events that occurred only months before the film was made), problems in production, excellent performances, classic shots and the film's reception, followed by a wider discussion of sound and music in this period of Italian cinema.</p><p>Participants:</p><p>Russ Kilbourn, Professor of Literature and Film, Wilfrid Laurier University, Waterloo, Ontario (Canada) <a href="http://rjakilbourn.com/" rel="noopener noreferrer" target="_blank">http://rjakilbourn.com/</a></p><p>Ken Barrett, visual artist, writer, podcaster and former neuropsychiatrist.<a href="http://www.kenbarrettstudio.co.uk/" rel="noopener noreferrer" target="_blank">http://www.kenbarrettstudio.co.uk/</a></p><br><p>Rome, Open City:&nbsp;</p><p><a href="https://www.imdb.com/title/tt0038890/" rel="noopener noreferrer" target="_blank">https://www.imdb.com/title/tt0038890/</a></p><p>M, Son of the Century:<a href="https://www.imdb.com/title/tt19386538/?ref_=fn_all_ttl_1" rel="noopener noreferrer" target="_blank">https://www.imdb.com/title/tt19386538/?ref_=fn_all_ttl_1</a></p><p>The book on sound in Italian cinema by Antonella Sisto that Russ mentions:</p><p><a href="https://link.springer.com/book/10.1057/9781137387714" rel="noopener noreferrer" target="_blank">https://link.springer.com/book/10.1057/9781137387714</a></p><p>&nbsp;</p><p>Theme music: <em>Tarantella </em>composed by Stephen Brown.</p><br><p>Portrait print by KB.</p><p>A Brainland Collective production.</p><p>#brainlandcollective #capolavoro!</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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    	<itunes:category text="Arts"/>
    	<itunes:category text="History"/>
    	<itunes:category text="TV &amp; Film"/>
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