60 acast.com Counterproductive https://feeds.acast.com/public/shows/counterproductive en The Alternative Art School The Alternative Art School, Artists, Curators, Nato Thompson, Culture, Exhibitions, Lifestyle The Alternative Art School Counterproductive is a podcast about how people live—authors, nomads, scientists, visual artists, and others whose ways of being bend against the ordinary. Each conversation lingers less on résumé and more on rhythm: how a life is made, how meaning is stitched together, how imagination might serve as a compass in chaotic times.


Hosted by Nato Thompson with producer Marisa Mazria Katz, the series drifts between art, politics, and the everyday, searching out voices who remind us there are countless ways of living a life.

Hosted on Acast. See acast.com/privacy for more information.

]]> Counterproductive is a podcast about how people live—authors, nomads, scientists, visual artists, and others whose ways of being bend against the ordinary. Each conversation lingers less on résumé and more on rhythm: how a life is made, how meaning is stitched together, how imagination might serve as a compass in chaotic times.


Hosted by Nato Thompson with producer Marisa Mazria Katz, the series drifts between art, politics, and the everyday, searching out voices who remind us there are countless ways of living a life.

Hosted on Acast. See acast.com/privacy for more information.

]]> false The Alternative Art School dina@thealternativeartschool.net 6a4d181a195f863605bb3346 counterproductive episodic https://assets.pippa.io/shows/6a4d181a195f863605bb3346/1785808393751-1b3ad821-5717-4934-998e-d95062dab9d4.jpeg https://feeds.acast.com/public/shows/counterproductive Counterproductive 06dab430-8fa8-11f1-94c9-f93892a987c9 Counterproductive: Mel Chin Counterproductive: Mel Chin Wed, 09 Sep 2026 16:42:07 GMT 53:34 6aa1774f647921ed60381cfa true https://www.thealternativeartschool.com/podcast 6aa1774f647921ed60381cfa 6a4d181a195f863605bb3346 Art as a tool for reinvention full 1 3 Nato Thompson (TAAS founder) talks with artist and TAAS instructor Mel Chin about a career built on systems, research, and public-facing impact. They cover Chin’s early life in Houston, his crisis and recovery as a teenager, and the long arc from ceramics and conceptual art into projects that fuse ecology, activism, and policy.


We discuss: how childhood, illness, and family shaped Chin’s practice; why he moved from studio work into research-driven public projects; and how Revival Field led to later civic interventions like Operation Pay Dirt and Fundred. The conversation also gets into the limits of theory without action, the realities of art-world economics, and why Chin sees the current moment as one that demands reframing and engagement.


Key topics

  • Nato introduces Mel Chin as a five-decade artist whose work spans sculpture, installation, environmental remediation, social practice, gaming, architecture, and science.


  • Chin describes growing up in Cashmere Gardens in Houston, working in his parents’ grocery store, and learning from a community that was already built.


  • He recalls a teenage mental breakdown, months in a hospital bed, and the loss and relearning of drawing as a formative rupture in his life.


  • Chin explains how that recovery sharpened his sense that art is a tool for examination, not just representation.


  • He traces his path through ceramics in Nashville, where hands-on making pulled him away from a conventional gallery career model.


  • He recounts working on Bob Altman’s Nashville, painting a van and building sets and props while still returning to clay and survival work.


  • He reflects on his early political works, including projects tied to Central America, Tibet, the CIA, and scientific or mythic inquiry.


  • He tells the origin story of Revival Field, sparked by a note about plants that could extract toxic metals from soil.


  • He frames Revival Field as both a poetic idea and a pragmatic intervention that might outlast his lifetime.


  • He connects that logic to Operation Pay Dirt and Fundred, explaining how Hurricane Katrina and lead poisoning in New Orleans pushed the work toward policymaker education.


  • Chin emphasizes that the project was designed to gather voices, build civic pressure, and support lead remediation—not simply to stage an art event.


  • He reflects on the present as a time of crisis, but also of potential, where art must be redefined through action and engagement.


Timestamps

00:00 — Intro to Mel Chin and The Alternative Art School ethos


02:34 — Pandemic aftermath and the shock of Hurricane Helene in North Carolina


05:23 — Cashmere Gardens, family grocery stores, and an already-built community


07:24 — Drawing on butcher paper and the first lessons from the grocery store


10:16 — Early introversion, sensitivity, and the teenage breakdown


11:37 — Hospitalization, recovery, and relearning speech and drawing


16:08 — Why art became a tool for self-examination and survival


18:09 — From recovery to an interdisciplinary art practice


20:05 — Ceramics in Nashville and the decision to leave conventional paths behind


22:36 — Working on Bob Altman’s Nashville


26:49 — First museum show, collaborators, and the move toward research-based work


29:31 — The influence of Dominique de Menil and art with social consequence


32:57 — Political works and the opening toward Revival Field


33:55 — The disappointment of no sales and the decision to stop making art


38:03 — The idea that became Revival Field


39:39 — Katrina, New Orleans, and the beginnings of Operation Pay Dirt


41:32 — From helping to policymaker education and the birth of Fundred


45:46 — Half a million hand-drawn bills and the work’s public life


47:02 — What feels urgent now: crisis, reframing, and action


51:02 — Why camaraderie and transmission matter more than individual authorship


51:34 — Trump, climate, complicity, and Chin’s call for reckoning

Counterproductive is a podcast about how people live—authors, nomads, scientists, visual artists, and others whose ways of being bend against the ordinary. Each conversation lingers less on résumé and more on rhythm: how a life is made, how meaning is stitched together, how imagination might serve as a compass in chaotic times.


Hosted by Nato Thompson with producer Marisa Mazria Katz, the series drifts between art, politics, and the everyday, searching out voices who remind us there are countless ways of living a life.

Hosted on Acast. See acast.com/privacy for more information.

]]> Nato Thompson (TAAS founder) talks with artist and TAAS instructor Mel Chin about a career built on systems, research, and public-facing impact. They cover Chin’s early life in Houston, his crisis and recovery as a teenager, and the long arc from ceramics and conceptual art into projects that fuse ecology, activism, and policy.


We discuss: how childhood, illness, and family shaped Chin’s practice; why he moved from studio work into research-driven public projects; and how Revival Field led to later civic interventions like Operation Pay Dirt and Fundred. The conversation also gets into the limits of theory without action, the realities of art-world economics, and why Chin sees the current moment as one that demands reframing and engagement.


Key topics

  • Nato introduces Mel Chin as a five-decade artist whose work spans sculpture, installation, environmental remediation, social practice, gaming, architecture, and science.


  • Chin describes growing up in Cashmere Gardens in Houston, working in his parents’ grocery store, and learning from a community that was already built.


  • He recalls a teenage mental breakdown, months in a hospital bed, and the loss and relearning of drawing as a formative rupture in his life.


  • Chin explains how that recovery sharpened his sense that art is a tool for examination, not just representation.


  • He traces his path through ceramics in Nashville, where hands-on making pulled him away from a conventional gallery career model.


  • He recounts working on Bob Altman’s Nashville, painting a van and building sets and props while still returning to clay and survival work.


  • He reflects on his early political works, including projects tied to Central America, Tibet, the CIA, and scientific or mythic inquiry.


  • He tells the origin story of Revival Field, sparked by a note about plants that could extract toxic metals from soil.


  • He frames Revival Field as both a poetic idea and a pragmatic intervention that might outlast his lifetime.


  • He connects that logic to Operation Pay Dirt and Fundred, explaining how Hurricane Katrina and lead poisoning in New Orleans pushed the work toward policymaker education.


  • Chin emphasizes that the project was designed to gather voices, build civic pressure, and support lead remediation—not simply to stage an art event.


  • He reflects on the present as a time of crisis, but also of potential, where art must be redefined through action and engagement.


Timestamps

00:00 — Intro to Mel Chin and The Alternative Art School ethos


02:34 — Pandemic aftermath and the shock of Hurricane Helene in North Carolina


05:23 — Cashmere Gardens, family grocery stores, and an already-built community


07:24 — Drawing on butcher paper and the first lessons from the grocery store


10:16 — Early introversion, sensitivity, and the teenage breakdown


11:37 — Hospitalization, recovery, and relearning speech and drawing


16:08 — Why art became a tool for self-examination and survival


18:09 — From recovery to an interdisciplinary art practice


20:05 — Ceramics in Nashville and the decision to leave conventional paths behind


22:36 — Working on Bob Altman’s Nashville


26:49 — First museum show, collaborators, and the move toward research-based work


29:31 — The influence of Dominique de Menil and art with social consequence


32:57 — Political works and the opening toward Revival Field


33:55 — The disappointment of no sales and the decision to stop making art


38:03 — The idea that became Revival Field


39:39 — Katrina, New Orleans, and the beginnings of Operation Pay Dirt


41:32 — From helping to policymaker education and the birth of Fundred


45:46 — Half a million hand-drawn bills and the work’s public life


47:02 — What feels urgent now: crisis, reframing, and action


51:02 — Why camaraderie and transmission matter more than individual authorship


51:34 — Trump, climate, complicity, and Chin’s call for reckoning

Counterproductive is a podcast about how people live—authors, nomads, scientists, visual artists, and others whose ways of being bend against the ordinary. Each conversation lingers less on résumé and more on rhythm: how a life is made, how meaning is stitched together, how imagination might serve as a compass in chaotic times.


Hosted by Nato Thompson with producer Marisa Mazria Katz, the series drifts between art, politics, and the everyday, searching out voices who remind us there are countless ways of living a life.

Hosted on Acast. See acast.com/privacy for more information.

]]> Counterproductive: Tania Bruguera Counterproductive: Tania Bruguera Wed, 05 Aug 2026 15:28:35 GMT 1:07:16 6a73545472138046c60f4ca3 false https://www.thealternativeartschool.com/podcast 6a73545472138046c60f4ca3 6a4d181a195f863605bb3346 full 1 2 In this episode of Counterproductive, Nato Thompson speaks to Tania Bruguera, a renowned performance and social practice artist. She discusses the intersections of art, activism, and political resistance, while highlighting her experiences in Cuba, Europe, the United States and beyond.



Key Topics
  • Tania Bruguera’s early years in Havana during a time of revolution and political upheaval
  • The influence of her family’s involvement in activism and the revolutionary movement
  • Her experience navigating censorship and artistic expression under different regimes
  • The concept of Arte Útil (Useful Art) and its role in addressing social issues through creative practice
  • The significance of her performances that challenge totalitarianism and government censorship
  • The creation of political projects like Immigrant Movement International and their impact
  • A detailed recount of her provocative performance projects, including the project "Tatlin’s Whisper" and its repercussions
  • The influence of Hannah Arendt on her understanding of power, politics, and the role of the artist
  • Reflections on the complexities of community, artistic responsibility, and the limits of art’s engagement with social issues
  • Her experiences with suspension, censorship, and the ongoing fight for artistic freedom in a contentious political landscape


Timestamps

00:00 - Introduction and background of Tania Bruguera

00:20 - The role of the Alternative Art School and her diverse upbringing

01:19 - Growing up during Cuba’s revolutionary period and family history

02:04 - Artistic influences and controversial projects in Cuba and beyond

02:50 - Her academic career and teaching at Harvard University

03:38 - Early years of activism and how her upbringing shaped her art

04:22 - The impact of her family’s political involvement

05:08 - Witnessing conflicts and invasions in Lebanon and Panama

06:22 - How her family’s activism influenced her approach to art

07:33 - Her studies in different countries and the influence of exile

09:24 - The destruction she witnessed during her childhood in Lebanon

10:47 - Language skills and cultural influences in her early life

11:53 - Challenges faced under political regimes and her family’s experiences

12:32 - The contrast between idealized portrayals of Cuba and her reality upon return

13:28 - Artistic beginnings and early influences, including Juan Francisco Elso

14:23 - Her experimentation with performance art and early projects

15:55 - The significance of Ana Mendieta’s work and influence

16:38 - Her perspective on land art, femininity, and culture in her practice

18:14 - The importance of cultural identity and diasporic consciousness

19:29 - Her education in Cuba and the importance of experimental work

22:10 - The repercussions of her art in Cuba, including arrests and censorship

23:39 - Her first interrogation and her response through art inspired by Hannah Arendt

27:31 - The shift to symbolic performance work and personal expressions of political dilemmas

30:48 - The relationship between her political stance and her artistic activism

31:12 - The critique of systemic corruption and the role of arts education

32:37 - Founding her own art school to foster community engagement

33:13 - The challenges of social engaged art and community involvement

36:48 - Immigrant Movement International and its aims to redefine community politics

39:00 - The importance of imagination and social questioning in Arte Util projects

43:47 - The complexity of community participation and audience engagement

46:13 - The evolution of socially engaged art and its contemporary forms

50:22 - The censorship challenges exemplified through her performances in Europe and Cuba

54:32 - Reflections on her "Tatlin’s Whisper" project in Berlin amid geopolitical tensions

67:12 - Final thoughts on the relationship between art, society, and activism


Counterproductive is a podcast about how people live—authors, nomads, scientists, visual artists, and others whose ways of being bend against the ordinary. Each conversation lingers less on résumé and more on rhythm: how a life is made, how meaning is stitched together, how imagination might serve as a compass in chaotic times.


Hosted by Nato Thompson with producer Marisa Mazria Katz, the series drifts between art, politics, and the everyday, searching out voices who remind us there are countless ways of living a life.

Hosted on Acast. See acast.com/privacy for more information.

]]> In this episode of Counterproductive, Nato Thompson speaks to Tania Bruguera, a renowned performance and social practice artist. She discusses the intersections of art, activism, and political resistance, while highlighting her experiences in Cuba, Europe, the United States and beyond.



Key Topics
  • Tania Bruguera’s early years in Havana during a time of revolution and political upheaval
  • The influence of her family’s involvement in activism and the revolutionary movement
  • Her experience navigating censorship and artistic expression under different regimes
  • The concept of Arte Útil (Useful Art) and its role in addressing social issues through creative practice
  • The significance of her performances that challenge totalitarianism and government censorship
  • The creation of political projects like Immigrant Movement International and their impact
  • A detailed recount of her provocative performance projects, including the project "Tatlin’s Whisper" and its repercussions
  • The influence of Hannah Arendt on her understanding of power, politics, and the role of the artist
  • Reflections on the complexities of community, artistic responsibility, and the limits of art’s engagement with social issues
  • Her experiences with suspension, censorship, and the ongoing fight for artistic freedom in a contentious political landscape


Timestamps

00:00 - Introduction and background of Tania Bruguera

00:20 - The role of the Alternative Art School and her diverse upbringing

01:19 - Growing up during Cuba’s revolutionary period and family history

02:04 - Artistic influences and controversial projects in Cuba and beyond

02:50 - Her academic career and teaching at Harvard University

03:38 - Early years of activism and how her upbringing shaped her art

04:22 - The impact of her family’s political involvement

05:08 - Witnessing conflicts and invasions in Lebanon and Panama

06:22 - How her family’s activism influenced her approach to art

07:33 - Her studies in different countries and the influence of exile

09:24 - The destruction she witnessed during her childhood in Lebanon

10:47 - Language skills and cultural influences in her early life

11:53 - Challenges faced under political regimes and her family’s experiences

12:32 - The contrast between idealized portrayals of Cuba and her reality upon return

13:28 - Artistic beginnings and early influences, including Juan Francisco Elso

14:23 - Her experimentation with performance art and early projects

15:55 - The significance of Ana Mendieta’s work and influence

16:38 - Her perspective on land art, femininity, and culture in her practice

18:14 - The importance of cultural identity and diasporic consciousness

19:29 - Her education in Cuba and the importance of experimental work

22:10 - The repercussions of her art in Cuba, including arrests and censorship

23:39 - Her first interrogation and her response through art inspired by Hannah Arendt

27:31 - The shift to symbolic performance work and personal expressions of political dilemmas

30:48 - The relationship between her political stance and her artistic activism

31:12 - The critique of systemic corruption and the role of arts education

32:37 - Founding her own art school to foster community engagement

33:13 - The challenges of social engaged art and community involvement

36:48 - Immigrant Movement International and its aims to redefine community politics

39:00 - The importance of imagination and social questioning in Arte Util projects

43:47 - The complexity of community participation and audience engagement

46:13 - The evolution of socially engaged art and its contemporary forms

50:22 - The censorship challenges exemplified through her performances in Europe and Cuba

54:32 - Reflections on her "Tatlin’s Whisper" project in Berlin amid geopolitical tensions

67:12 - Final thoughts on the relationship between art, society, and activism


Counterproductive is a podcast about how people live—authors, nomads, scientists, visual artists, and others whose ways of being bend against the ordinary. Each conversation lingers less on résumé and more on rhythm: how a life is made, how meaning is stitched together, how imagination might serve as a compass in chaotic times.


Hosted by Nato Thompson with producer Marisa Mazria Katz, the series drifts between art, politics, and the everyday, searching out voices who remind us there are countless ways of living a life.

Hosted on Acast. See acast.com/privacy for more information.

]]> Counterproductive: Sasha Stiles Counterproductive: Sasha Stiles Tue, 07 Jul 2026 16:38:14 GMT 57:09 6a4d2b76c130c408c2c3078b true https://www.youtube.com/watch?v=100-zy06GFU 6a4d2b76c130c408c2c3078b 6a4d181a195f863605bb3346 full 1 1 In this episode of Counterproductive, Nato Thompson sits down with Sasha Stiles, a pioneering AI researcher, poet, and artist, to delve into the intricate relationship between art, technology, and language. They explore how digital and analog practices interweave, challenge perceptions of AI, and address the energetic and ethical implications of emerging tech in creative spaces. 


Main Topics:

  • Sasha Stiles' background: From literature and science to digital art and AI
  • The intersection of poetry, coding, and generative art
  • The influence of language as a technology and its philosophical dimensions
  • Personal projects: binary, analog binary code, and time-based art
  • The potential and pitfalls of NFTs, blockchain, and Web3 for artists
  • Early collaborations with large language models and AI as an epistemological tool
  • The socio-ecological impacts and ethical concerns surrounding AI development
  • The role of subtlety, nuance, and poetry in discussing AI’s societal effects
  • Future visions: AI as a perception-expanding instrument and new modes of expression


Timestamps:

00:02 - Introduction to the podcast and guest Sasha Stiles

00:32 - Sasha Stiles’ artistic and academic background

01:32 - Her work at MoMA, Art Basel, and engagement with AI

02:39 - Early passion for language and technology’s influence on art

03:54 - Projects involving binary code, calligraphy, and analog binary

04:48 - The relationship between analog and digital practices

09:33 - Exploring the concept of technology beyond computers

10:14 - Reframing how we think about artificial intelligence and its cultural narratives

13:37 - Contrast between the experimental forms in poetry and literature

17:16 - The evolution of Web3, NFTs, and their impact on artists

18:23 - Personal history and the influence of family and cultural background

26:50 - The integration of science, religion, and speculative futures in poetry

30:12 - Collaborations with large language models and AI as a creative partner

34:48 - AI’s capacity to reveal new perceptions and understanding

43:33 - AI as an instrument of perception, not just a tool

47:10 - Societal effects: dependency, social norms, and the shadow of technology

52:37 - The nuanced discourse around AI, poetry, and subtlety

55:33 - The importance of time and slow, reflective art forms

58:47 - Sasha’s upcoming physical art show exploring binary and heritage

59:14 - Closing thoughts and the importance of ongoing dialogue 


Resources & Links:

Connect with Sasha Stiles:

Connect with The Alternative Art School:


Note: This episode critically engages with the potentials and perils of AI and digital culture, emphasizing nuanced dialogue, artistic experimentation, and the ethics of technological futures.

Counterproductive is a podcast about how people live—authors, nomads, scientists, visual artists, and others whose ways of being bend against the ordinary. Each conversation lingers less on résumé and more on rhythm: how a life is made, how meaning is stitched together, how imagination might serve as a compass in chaotic times.


Hosted by Nato Thompson with producer Marisa Mazria Katz, the series drifts between art, politics, and the everyday, searching out voices who remind us there are countless ways of living a life.

Hosted on Acast. See acast.com/privacy for more information.

]]> In this episode of Counterproductive, Nato Thompson sits down with Sasha Stiles, a pioneering AI researcher, poet, and artist, to delve into the intricate relationship between art, technology, and language. They explore how digital and analog practices interweave, challenge perceptions of AI, and address the energetic and ethical implications of emerging tech in creative spaces. 


Main Topics:

  • Sasha Stiles' background: From literature and science to digital art and AI
  • The intersection of poetry, coding, and generative art
  • The influence of language as a technology and its philosophical dimensions
  • Personal projects: binary, analog binary code, and time-based art
  • The potential and pitfalls of NFTs, blockchain, and Web3 for artists
  • Early collaborations with large language models and AI as an epistemological tool
  • The socio-ecological impacts and ethical concerns surrounding AI development
  • The role of subtlety, nuance, and poetry in discussing AI’s societal effects
  • Future visions: AI as a perception-expanding instrument and new modes of expression


Timestamps:

00:02 - Introduction to the podcast and guest Sasha Stiles

00:32 - Sasha Stiles’ artistic and academic background

01:32 - Her work at MoMA, Art Basel, and engagement with AI

02:39 - Early passion for language and technology’s influence on art

03:54 - Projects involving binary code, calligraphy, and analog binary

04:48 - The relationship between analog and digital practices

09:33 - Exploring the concept of technology beyond computers

10:14 - Reframing how we think about artificial intelligence and its cultural narratives

13:37 - Contrast between the experimental forms in poetry and literature

17:16 - The evolution of Web3, NFTs, and their impact on artists

18:23 - Personal history and the influence of family and cultural background

26:50 - The integration of science, religion, and speculative futures in poetry

30:12 - Collaborations with large language models and AI as a creative partner

34:48 - AI’s capacity to reveal new perceptions and understanding

43:33 - AI as an instrument of perception, not just a tool

47:10 - Societal effects: dependency, social norms, and the shadow of technology

52:37 - The nuanced discourse around AI, poetry, and subtlety

55:33 - The importance of time and slow, reflective art forms

58:47 - Sasha’s upcoming physical art show exploring binary and heritage

59:14 - Closing thoughts and the importance of ongoing dialogue 


Resources & Links:

Connect with Sasha Stiles:

Connect with The Alternative Art School:


Note: This episode critically engages with the potentials and perils of AI and digital culture, emphasizing nuanced dialogue, artistic experimentation, and the ethics of technological futures.

Counterproductive is a podcast about how people live—authors, nomads, scientists, visual artists, and others whose ways of being bend against the ordinary. Each conversation lingers less on résumé and more on rhythm: how a life is made, how meaning is stitched together, how imagination might serve as a compass in chaotic times.


Hosted by Nato Thompson with producer Marisa Mazria Katz, the series drifts between art, politics, and the everyday, searching out voices who remind us there are countless ways of living a life.

Hosted on Acast. See acast.com/privacy for more information.

]]>