60 acast.com Creators Beware - Read Write Social Media https://shows.acast.com/creators-beware en Katie Jones Web 2.0,web media,copyright law,social media,storytelling,copyright Katie Jones

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]]> false Katie Jones info+664c025d9a162b0012b241d7@mg-eu.acast.com 664c025d9a162b0012b241d7 creators-beware episodic https://assets.pippa.io/shows/664c025d9a162b0012b241d7/1716260638245-b2785ebf4e7e7b0e7d04ba7a464540c0.jpeg https://shows.acast.com/creators-beware Creators Beware - Read Write Social Media Risk of copyright violation in social media Risk of copyright violation in social media Sun, 26 May 2024 14:38:10 GMT 2:58 664c02c3955b4a0012e9c2c4 false https://shows.acast.com/creators-beware/episodes/copyright-violation-in-social-media 664c02c3955b4a0012e9c2c4 664c025d9a162b0012b241d7 copyright-violation-in-social-media full 1 1 This storytelling style podcast is a cautionary tale for produsers in the participatory digital era. Digitisation and convergence have allowed for countless user affordances in the read write format of social media (Lessig, 2008). The modern user generated content landscape of social media is undoubtably beneficial to the platforms themselves as it helps drive visitors and maintain attention (Manovich, 2009) however there are risks to the users including copyright violations. Creators beware...


Original content released under Australian Creative Commons Attribution Non-Commercial CC BY-NC This license enables reusers to distribute, remix, adapt, and build upon the material in any medium or format for noncommercial purposes only, and only so long as attribution is given to the creator.

CC BY-NC includes the following elements:

BY: credit must be given to the creator 

NC: Only noncommercial uses of the work are permitted

https://creativecommons.org/share-your-work/cclicenses/


All media used in creating this podcast remains property of the respective rights holders. These excerpts are used legally under Australian Fair Dealing, for the purpose of criticism and review.

Sounds and music used in iMovie with permission by Apple "iMovie includes built-in soundtrack music and sound effects that you're free to use in your iMovie projects."

Sound effects by Daniel Simion Attribution 3.0 via https://soundbible.com

Sound effects and music by https://freesfx.com

Voice over provided via CC BY-NC by Katie Jones and Chris Jones.

Cover artwork created using font and image via Canva.com


References


Abidin, C. (2020). Mapping Internet Celebrity on TikTok: Exploring Attention Economies and Visibility Labours. Cultural Science, 12(1), 77–103. https://doi.org/10.5334/csci.140


Acast. (n.d.). https://www.acast.com/


Apple Inc. (n.d.). iMovie (version 10.1.12) [computer software]. Apple Inc.


Canva. (n.d.). https://www.canva.com/


FreeSFX. (n.d.). https://freesfx.co.uk/


Green, J. & Jenkins, H. (2011). Spreadable Media How Audiences Create Value and Meaning in a Networked Economy. In Nightingale. V. (Ed) The Handbook of Media Audiences. (pp. 109-127). Blackwell Publishing Ltd. https://curtin.alma.exlibrisgroup.com/view/delivery/61CUR_INST/12181923170001951


Jenkins, H., Ford, S. & Green, J. (2013). Introduction. In Spreadable Media: Creating Value and Meaning in a Networked Culture (pp. 1-46). New York and London: New York University Press. https://ebookcentral.proquest.com/lib/curtin/detail.action?docID=1114591


Lessig, L. (2009). Remix: Making Art and Commerce Thrive in the Hybrid Economy. Bloomsbury Publishing. http://ebookcentral.proquest.com/lib/curtin/detail.action?docID=591059


Manovich, L. (2009). The Practice of Everyday (Media) Life: From Mass Consumption to Mass Cultural Production? Critical Inquiry, 35(2), 319–331. https://doi.org/10.1086/596645


Shivani, S. (2024, March 26). YouTube removes 2.25 mn videos in India over rules, most for any country. https://www.business-standard.com/companies/news/youtube-removes-2-25-mn-videos-in-india-for-violating-community-guidelines-124032600701_1.html


SoundBible.(n.d.). Free sound effects. SoundBible. https://soundbible.com/free-sound-effects-1.html

Hosted on Acast. See acast.com/privacy for more information.

]]> This storytelling style podcast is a cautionary tale for produsers in the participatory digital era. Digitisation and convergence have allowed for countless user affordances in the read write format of social media (Lessig, 2008). The modern user generated content landscape of social media is undoubtably beneficial to the platforms themselves as it helps drive visitors and maintain attention (Manovich, 2009) however there are risks to the users including copyright violations. Creators beware...


Original content released under Australian Creative Commons Attribution Non-Commercial CC BY-NC This license enables reusers to distribute, remix, adapt, and build upon the material in any medium or format for noncommercial purposes only, and only so long as attribution is given to the creator.

CC BY-NC includes the following elements:

BY: credit must be given to the creator 

NC: Only noncommercial uses of the work are permitted

https://creativecommons.org/share-your-work/cclicenses/


All media used in creating this podcast remains property of the respective rights holders. These excerpts are used legally under Australian Fair Dealing, for the purpose of criticism and review.

Sounds and music used in iMovie with permission by Apple "iMovie includes built-in soundtrack music and sound effects that you're free to use in your iMovie projects."

Sound effects by Daniel Simion Attribution 3.0 via https://soundbible.com

Sound effects and music by https://freesfx.com

Voice over provided via CC BY-NC by Katie Jones and Chris Jones.

Cover artwork created using font and image via Canva.com


References


Abidin, C. (2020). Mapping Internet Celebrity on TikTok: Exploring Attention Economies and Visibility Labours. Cultural Science, 12(1), 77–103. https://doi.org/10.5334/csci.140


Acast. (n.d.). https://www.acast.com/


Apple Inc. (n.d.). iMovie (version 10.1.12) [computer software]. Apple Inc.


Canva. (n.d.). https://www.canva.com/


FreeSFX. (n.d.). https://freesfx.co.uk/


Green, J. & Jenkins, H. (2011). Spreadable Media How Audiences Create Value and Meaning in a Networked Economy. In Nightingale. V. (Ed) The Handbook of Media Audiences. (pp. 109-127). Blackwell Publishing Ltd. https://curtin.alma.exlibrisgroup.com/view/delivery/61CUR_INST/12181923170001951


Jenkins, H., Ford, S. & Green, J. (2013). Introduction. In Spreadable Media: Creating Value and Meaning in a Networked Culture (pp. 1-46). New York and London: New York University Press. https://ebookcentral.proquest.com/lib/curtin/detail.action?docID=1114591


Lessig, L. (2009). Remix: Making Art and Commerce Thrive in the Hybrid Economy. Bloomsbury Publishing. http://ebookcentral.proquest.com/lib/curtin/detail.action?docID=591059


Manovich, L. (2009). The Practice of Everyday (Media) Life: From Mass Consumption to Mass Cultural Production? Critical Inquiry, 35(2), 319–331. https://doi.org/10.1086/596645


Shivani, S. (2024, March 26). YouTube removes 2.25 mn videos in India over rules, most for any country. https://www.business-standard.com/companies/news/youtube-removes-2-25-mn-videos-in-india-for-violating-community-guidelines-124032600701_1.html


SoundBible.(n.d.). Free sound effects. SoundBible. https://soundbible.com/free-sound-effects-1.html

Hosted on Acast. See acast.com/privacy for more information.

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