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		<title>Day Trips for Nihilists</title>
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		<copyright>Neil Fitzgerald</copyright>
		<itunes:keywords>Nihilism,classical music,mindfulness,soundscape,culturescape,chillout,relaxing,meditation,sleep,Melancholy</itunes:keywords>
		<itunes:author>Neil Fitzgerald</itunes:author>
		<itunes:subtitle>Slow down, enjoy the world.</itunes:subtitle>
		<itunes:summary><![CDATA[<p>A meandering essayistic mix of music, film and literature, field recordings, and humour, all with one goal in mind: to provide a short audio day trip for nihilists wherein they slow down and enjoy the world.</p><br><p>All music clips and recordings are (hopefully) either out of copyright or used under fair usage.</p><br><p>To get in touch: <strong>daytripsfornihilists@gmail.com </strong>or <a href="https://neil-fitzgerald.com/" rel="noopener noreferrer" target="_blank"><strong>neil-fitzgerald.com.</strong></a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		<description><![CDATA[<p>A meandering essayistic mix of music, film and literature, field recordings, and humour, all with one goal in mind: to provide a short audio day trip for nihilists wherein they slow down and enjoy the world.</p><br><p>All music clips and recordings are (hopefully) either out of copyright or used under fair usage.</p><br><p>To get in touch: <strong>daytripsfornihilists@gmail.com </strong>or <a href="https://neil-fitzgerald.com/" rel="noopener noreferrer" target="_blank"><strong>neil-fitzgerald.com.</strong></a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
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			<itunes:name>Neil Fitzgerald</itunes:name>
			<itunes:email>neilsfitzgerald@gmail.com</itunes:email>
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		<acast:showId>660bfbc6699df5001645b219</acast:showId>
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        <acast:network id="63b84b5d071f8e0010ef0b92" slug="neil-fitzgerald"><![CDATA[Neil Fitzgerald]]></acast:network>
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			<title>On Boredom and Dust Motes Dancing in Sunbeams</title>
			<itunes:title>On Boredom and Dust Motes Dancing in Sunbeams</itunes:title>
			<pubDate>Tue, 24 Mar 2026 19:35:17 GMT</pubDate>
			<itunes:duration>21:19</itunes:duration>
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			<itunes:episode>8</itunes:episode>
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			<description><![CDATA[<p>In this new episode, we join the dots between, inter alia, boredom, <em>The Shining</em>, Vilhelm Hammershoi's painting (<a href="about:blank" rel="noopener noreferrer" target="_blank">Dust Motes Dancing in Sunbeams</a>, 1901) and émigré poet and critic, Joseph Brodsky.</p><br><p><strong><u>Notes and links:</u></strong></p><p><br></p><ul><li>Music: 'Nuages' (Django Rheinhardt avec le Quintette Hot Club de France)</li><li>"Midnight, the Stars and You", Ray Noble and His Orchestra</li><li>'Maison De Mes Rêves', Django Rheinhardt</li><li>Ella Fitzgerald: 'I'm Beginning To See The Light'</li><li>T. Humes, 'Loves Farewell' <a href="https://www.youtube.com/watch?v=qw0BU02lTww&amp;list=RDqw0BU02lTww&amp;start_radio=1" rel="noopener noreferrer" target="_blank">performed by Luciana Elizondo</a></li><li>Mulatu Astatke - Tezeta (Nostalgia)</li><li>Beethoven String Quartet No. 16 op. 135, slow movement, Busch Quartet</li><li>Hauser &amp; Wirth <a href="https://www.youtube.com/watch?v=HOOiqAsbVBU" rel="noopener noreferrer" target="_blank">Unconscious Gestures</a></li><li>BBC4 <a href="https://www.youtube.com/watch?v=fhQmS8KJeUo" rel="noopener noreferrer" target="_blank">Michael Palin and the Mystery of Hammersho</a>i</li><li><a href="https://static1.squarespace.com/static/600f79408afa7f5549ab0339/t/655411046ee7510a9cca2827/1700008196131/In+Praise+of+Boredom_Brodsky.pdf" rel="noopener noreferrer" target="_blank">'In Praise of Boredom', Joseph Brodsky</a></li></ul><p><br></p><p>All clips used either under fair usage or because they're out of copyright.</p><br><p>All other nonsense is my own. Neil Fitzgerald 2026.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this new episode, we join the dots between, inter alia, boredom, <em>The Shining</em>, Vilhelm Hammershoi's painting (<a href="about:blank" rel="noopener noreferrer" target="_blank">Dust Motes Dancing in Sunbeams</a>, 1901) and émigré poet and critic, Joseph Brodsky.</p><br><p><strong><u>Notes and links:</u></strong></p><p><br></p><ul><li>Music: 'Nuages' (Django Rheinhardt avec le Quintette Hot Club de France)</li><li>"Midnight, the Stars and You", Ray Noble and His Orchestra</li><li>'Maison De Mes Rêves', Django Rheinhardt</li><li>Ella Fitzgerald: 'I'm Beginning To See The Light'</li><li>T. Humes, 'Loves Farewell' <a href="https://www.youtube.com/watch?v=qw0BU02lTww&amp;list=RDqw0BU02lTww&amp;start_radio=1" rel="noopener noreferrer" target="_blank">performed by Luciana Elizondo</a></li><li>Mulatu Astatke - Tezeta (Nostalgia)</li><li>Beethoven String Quartet No. 16 op. 135, slow movement, Busch Quartet</li><li>Hauser &amp; Wirth <a href="https://www.youtube.com/watch?v=HOOiqAsbVBU" rel="noopener noreferrer" target="_blank">Unconscious Gestures</a></li><li>BBC4 <a href="https://www.youtube.com/watch?v=fhQmS8KJeUo" rel="noopener noreferrer" target="_blank">Michael Palin and the Mystery of Hammersho</a>i</li><li><a href="https://static1.squarespace.com/static/600f79408afa7f5549ab0339/t/655411046ee7510a9cca2827/1700008196131/In+Praise+of+Boredom_Brodsky.pdf" rel="noopener noreferrer" target="_blank">'In Praise of Boredom', Joseph Brodsky</a></li></ul><p><br></p><p>All clips used either under fair usage or because they're out of copyright.</p><br><p>All other nonsense is my own. Neil Fitzgerald 2026.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>On an Increasingly Faint Memory of your School Days</title>
			<itunes:title>On an Increasingly Faint Memory of your School Days</itunes:title>
			<pubDate>Thu, 25 Sep 2025 13:04:30 GMT</pubDate>
			<itunes:duration>22:31</itunes:duration>
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			<itunes:episode>7</itunes:episode>
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			<description><![CDATA[<p>Running order:</p><ul><li><em>Clunt</em>, Appernack</li><li><em>Grange Hill</em> theme tune</li><li>Clip from the film <em>Dead Poet's Society</em></li><li><em>Bagpuss </em>opening theme and narration</li><li>'When I Heard The Learn'd Astronomer', Walt Whitman, excerpt from <em>Breaking Bad</em></li><li>'The School Boy', William Blake</li><li>'Friends, Romans, Countryman...' speech by Mark Anthony from Shakespeare's <em>Julius Caesar</em> (Marlon Brando)</li><li>'Dives and Lazarus', Vaughan Williams</li><li>'I vow to thee, my country'</li><li>Intros from Indie Britpop and a Leicestershire hiphop legend whom only God can judge - 'Going for Gold' by Shed Seven, 'Return of the Mack' by Mark Morrison, 'On and On' by The Longpigs, 'Town' by Northern Uproar</li><li>'I like me, my wife likes me' - Del Griffith (John Candy), Planes, Trains and Automobiles</li><li>'Power To Believe (instrumental)', <em>Planes, Trains &amp; Automobiles </em>soundtrack</li><li>Various sounds and field recordings freesound.org</li></ul><p><br></p><p>All original music by Neil Fitzgerald. All samples used under Fair Usage.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Running order:</p><ul><li><em>Clunt</em>, Appernack</li><li><em>Grange Hill</em> theme tune</li><li>Clip from the film <em>Dead Poet's Society</em></li><li><em>Bagpuss </em>opening theme and narration</li><li>'When I Heard The Learn'd Astronomer', Walt Whitman, excerpt from <em>Breaking Bad</em></li><li>'The School Boy', William Blake</li><li>'Friends, Romans, Countryman...' speech by Mark Anthony from Shakespeare's <em>Julius Caesar</em> (Marlon Brando)</li><li>'Dives and Lazarus', Vaughan Williams</li><li>'I vow to thee, my country'</li><li>Intros from Indie Britpop and a Leicestershire hiphop legend whom only God can judge - 'Going for Gold' by Shed Seven, 'Return of the Mack' by Mark Morrison, 'On and On' by The Longpigs, 'Town' by Northern Uproar</li><li>'I like me, my wife likes me' - Del Griffith (John Candy), Planes, Trains and Automobiles</li><li>'Power To Believe (instrumental)', <em>Planes, Trains &amp; Automobiles </em>soundtrack</li><li>Various sounds and field recordings freesound.org</li></ul><p><br></p><p>All original music by Neil Fitzgerald. All samples used under Fair Usage.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>On Melancholy</title>
			<itunes:title>On Melancholy</itunes:title>
			<pubDate>Fri, 18 Jul 2025 06:00:00 GMT</pubDate>
			<itunes:duration>29:36</itunes:duration>
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			<description><![CDATA[<p>Running order of the 'culturescape':</p><p><br></p><ul><li><em>A Young Blackbird Dies in My Hands</em>, Appernack</li><li>Hamlet soliloquy 'I have of late but wherefore I know not...' from the film <em>Withnail &amp; I</em> (1989, Richard E Grant as Withnail)</li><li><em>Dido's Lament - 'When I Am Laid in Earth' </em>from <em>Dido &amp; Aeneas</em>, Henry Purcell - Kirsten Flagstad</li><li>Philip Larkin reading his poem<em> Home Is So Sad</em></li><li>Chopin's Prelude 13, Op.28 played by Alfred Cortot </li><li><em>'</em>The Optimism of Melancholia | Slavoj Žižek | Big Think' (excerpt)</li><li><em>Fading Lights Are Fading, </em>Set Fire To Flames </li><li>Clip from <em>Melancholia - </em>'Justine and Claire' (2011, Lars von Trier)</li><li>Richard Wagner, <em>Tristan und Isolde </em>prelude </li><li>Various field recordings from freesound.org</li></ul><p><br></p><p>For more info about the curator: <a href="https://neil-fitzgerald.com/" rel="noopener noreferrer" target="_blank"><strong>neil-fitzgerald.com</strong></a></p><br><p>If you have an idea for a theme, or want your music or field recording used in a future episode: <strong>daytripsfornihilists@gmail.com</strong></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Running order of the 'culturescape':</p><p><br></p><ul><li><em>A Young Blackbird Dies in My Hands</em>, Appernack</li><li>Hamlet soliloquy 'I have of late but wherefore I know not...' from the film <em>Withnail &amp; I</em> (1989, Richard E Grant as Withnail)</li><li><em>Dido's Lament - 'When I Am Laid in Earth' </em>from <em>Dido &amp; Aeneas</em>, Henry Purcell - Kirsten Flagstad</li><li>Philip Larkin reading his poem<em> Home Is So Sad</em></li><li>Chopin's Prelude 13, Op.28 played by Alfred Cortot </li><li><em>'</em>The Optimism of Melancholia | Slavoj Žižek | Big Think' (excerpt)</li><li><em>Fading Lights Are Fading, </em>Set Fire To Flames </li><li>Clip from <em>Melancholia - </em>'Justine and Claire' (2011, Lars von Trier)</li><li>Richard Wagner, <em>Tristan und Isolde </em>prelude </li><li>Various field recordings from freesound.org</li></ul><p><br></p><p>For more info about the curator: <a href="https://neil-fitzgerald.com/" rel="noopener noreferrer" target="_blank"><strong>neil-fitzgerald.com</strong></a></p><br><p>If you have an idea for a theme, or want your music or field recording used in a future episode: <strong>daytripsfornihilists@gmail.com</strong></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>On the River as God or Gods </title>
			<itunes:title>On the River as God or Gods </itunes:title>
			<pubDate>Tue, 15 Jul 2025 09:03:43 GMT</pubDate>
			<itunes:duration>28:35</itunes:duration>
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			<itunes:episode>5</itunes:episode>
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			<description><![CDATA[<p>Running order of the 'culturescape':</p><p><br></p><ul><li>Prelude from <em>Das Rhinegold </em>by Richard Wagner (Rudolfe Kempe, Bayreuth performance)</li><li>opening of TS Eliot's 'The Dry Salvages' from <em>Four Quartets</em></li><li>Charley Patton, High Water Everywhere Part 1</li><li>Hermann Broch, <em>The Death of Virgil </em>excerpt</li><li>Robert Petway, <em>Catfish Blues</em></li><li><em>Pike</em>, Ted Hughes (read by the poet)</li><li><em>Má Vlast, 2. Vltava, ou La Moldau, </em>Smetana (Czech Philharmonic Orchestra, Vaclav Talich, 1954)</li><li>Various field recordings of rivers large and small from freesound.org</li></ul><p><br></p><p>For more info about the curator: <a href="https://neil-fitzgerald.com/" rel="noopener noreferrer" target="_blank"><strong>neil-fitzgerald.com</strong></a></p><br><p>If you have an idea for a theme, or want your music or field recording used in a future episode: <strong>daytripsfornihilists@gmail.com</strong></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Running order of the 'culturescape':</p><p><br></p><ul><li>Prelude from <em>Das Rhinegold </em>by Richard Wagner (Rudolfe Kempe, Bayreuth performance)</li><li>opening of TS Eliot's 'The Dry Salvages' from <em>Four Quartets</em></li><li>Charley Patton, High Water Everywhere Part 1</li><li>Hermann Broch, <em>The Death of Virgil </em>excerpt</li><li>Robert Petway, <em>Catfish Blues</em></li><li><em>Pike</em>, Ted Hughes (read by the poet)</li><li><em>Má Vlast, 2. Vltava, ou La Moldau, </em>Smetana (Czech Philharmonic Orchestra, Vaclav Talich, 1954)</li><li>Various field recordings of rivers large and small from freesound.org</li></ul><p><br></p><p>For more info about the curator: <a href="https://neil-fitzgerald.com/" rel="noopener noreferrer" target="_blank"><strong>neil-fitzgerald.com</strong></a></p><br><p>If you have an idea for a theme, or want your music or field recording used in a future episode: <strong>daytripsfornihilists@gmail.com</strong></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>On Nonsense and Silliness, or why Wittgenstein was right</title>
			<itunes:title>On Nonsense and Silliness, or why Wittgenstein was right</itunes:title>
			<pubDate>Sun, 14 Jul 2024 06:00:37 GMT</pubDate>
			<itunes:duration>23:53</itunes:duration>
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			<acast:episodeUrl>on-nonsense-and-silliness-or-why-wittgenstein-was-right</acast:episodeUrl>
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			<itunes:season>1</itunes:season>
			<itunes:episode>4</itunes:episode>
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			<description><![CDATA[<p>Wittgenstein was right! Being silly is necessary for human happiness.</p><br><p><strong>NB. This episode contains contextualised use of the 'n' word in a sound clip from a gangster rapper* (see bold and asterisked below)</strong></p><p><br></p><ol><li>Photo of Wittgenstein (see below)</li><li><em>A Life in Pieces </em>(BBC), Peter Cook, Ludovic Kennedy, Ep. 1 Partridge in a Pear Tree (1990)</li><li><em>Take The Money And Run </em>(1969), Woody Allen</li><li><em>Annie Hall</em> (1977), Woody Allen</li><li><strong>Tim Dog, <em>Phone Conversation with Reporter </em>(1991)*</strong></li><li><em>Play Better Golf with Peter Aliss</em>: https://www.youtube.com/watch?v=HTOGP7V2ezE&amp;ab_channel=kiuvideo (?)</li></ol><p><br></p><ul><li><strong><u>Get in touch to nit-pick and/or berate my inadequacies:</u></strong> <strong>daytripsfornihilists@gmail.com</strong></li></ul><p><br></p><p>Photo of a serious-looking Wittgenstein:</p><p><img src="https://encrypted-tbn2.gstatic.com/images?q=tbn:ANd9GcTi8HvH9FoVTBJbSfeqwQ_rntsGmI_EuC9U4UPFVSkwqyNA-9ig"></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Wittgenstein was right! Being silly is necessary for human happiness.</p><br><p><strong>NB. This episode contains contextualised use of the 'n' word in a sound clip from a gangster rapper* (see bold and asterisked below)</strong></p><p><br></p><ol><li>Photo of Wittgenstein (see below)</li><li><em>A Life in Pieces </em>(BBC), Peter Cook, Ludovic Kennedy, Ep. 1 Partridge in a Pear Tree (1990)</li><li><em>Take The Money And Run </em>(1969), Woody Allen</li><li><em>Annie Hall</em> (1977), Woody Allen</li><li><strong>Tim Dog, <em>Phone Conversation with Reporter </em>(1991)*</strong></li><li><em>Play Better Golf with Peter Aliss</em>: https://www.youtube.com/watch?v=HTOGP7V2ezE&amp;ab_channel=kiuvideo (?)</li></ol><p><br></p><ul><li><strong><u>Get in touch to nit-pick and/or berate my inadequacies:</u></strong> <strong>daytripsfornihilists@gmail.com</strong></li></ul><p><br></p><p>Photo of a serious-looking Wittgenstein:</p><p><img src="https://encrypted-tbn2.gstatic.com/images?q=tbn:ANd9GcTi8HvH9FoVTBJbSfeqwQ_rntsGmI_EuC9U4UPFVSkwqyNA-9ig"></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>On Bill Callahan and Authenticity</title>
			<itunes:title>On Bill Callahan and Authenticity</itunes:title>
			<pubDate>Sun, 07 Jul 2024 14:02:42 GMT</pubDate>
			<itunes:duration>23:00</itunes:duration>
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			<acast:episodeId>6667525c347d870012597d6f</acast:episodeId>
			<acast:showId>660bfbc6699df5001645b219</acast:showId>
			<acast:episodeUrl>on-bill-callahan-and-authenticity</acast:episodeUrl>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>3</itunes:episode>
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			<description><![CDATA[<p>Some reflections on the authenticity that runs like a rich seam of truth in Bill Callahan's songs. How does he do it?</p><p><br></p><ul><li>'When It Shows' - an old attempt at song-writing by yours truly</li><li>'Say Valley Maker' (live) - from <em>Rough Travel for a Rare Thing</em> (2010) by Bill Callahan</li><li>'Jim Cain' - from <em>Sometimes I wish We Were An Eagle</em> (2009) by Bill Callahan</li><li>'Cowboy' - from <em>Gold Record</em> (2020) by Bill Callahan</li></ul><p><br></p><p>With <strong><u>huge thanks</u></strong> to Bill Callahan and Drag City Records for permission to use clips from the songs for this audio essay. :)</p><p><br></p><ul><li><strong><u>Get in touch to nit-pick and/or berate my inadequacies:</u></strong> <strong>daytripsfornihilists@gmail.com</strong></li></ul><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Some reflections on the authenticity that runs like a rich seam of truth in Bill Callahan's songs. How does he do it?</p><p><br></p><ul><li>'When It Shows' - an old attempt at song-writing by yours truly</li><li>'Say Valley Maker' (live) - from <em>Rough Travel for a Rare Thing</em> (2010) by Bill Callahan</li><li>'Jim Cain' - from <em>Sometimes I wish We Were An Eagle</em> (2009) by Bill Callahan</li><li>'Cowboy' - from <em>Gold Record</em> (2020) by Bill Callahan</li></ul><p><br></p><p>With <strong><u>huge thanks</u></strong> to Bill Callahan and Drag City Records for permission to use clips from the songs for this audio essay. :)</p><p><br></p><ul><li><strong><u>Get in touch to nit-pick and/or berate my inadequacies:</u></strong> <strong>daytripsfornihilists@gmail.com</strong></li></ul><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title><![CDATA[On Kathleen Ferrier's Vocal Timbre]]></title>
			<itunes:title><![CDATA[On Kathleen Ferrier's Vocal Timbre]]></itunes:title>
			<pubDate>Sun, 30 Jun 2024 06:00:41 GMT</pubDate>
			<itunes:duration>23:03</itunes:duration>
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			<acast:episodeId>66674c75347d870012589d81</acast:episodeId>
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			<acast:episodeUrl>on-kathleen-ferriers-vocal-timbre</acast:episodeUrl>
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			<itunes:season>1</itunes:season>
			<itunes:episode>2</itunes:episode>
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			<description><![CDATA[<p>A meandering exploration of why Kathleen Ferrier's voice is so unbearably moving.</p><p><br></p><ul><li>'My Bonnie Lad (trad. Northumbrian folk song)</li><li>Ca' the Yowes' (trad. Scottish folk song)</li><li>'Ich bin der Welt abhanden gerkommen' - Gustav Mahler</li><li>Symphony No. 4, 3rd movement (Ruhevoll) - Gustav Mahler</li></ul><p><br></p><p><br></p><ul><li><strong><u>Get in touch to nit-pick and/or berate my inadequacies:</u></strong> <strong>daytripsfornihilists@gmail.com</strong></li></ul><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>A meandering exploration of why Kathleen Ferrier's voice is so unbearably moving.</p><p><br></p><ul><li>'My Bonnie Lad (trad. Northumbrian folk song)</li><li>Ca' the Yowes' (trad. Scottish folk song)</li><li>'Ich bin der Welt abhanden gerkommen' - Gustav Mahler</li><li>Symphony No. 4, 3rd movement (Ruhevoll) - Gustav Mahler</li></ul><p><br></p><p><br></p><ul><li><strong><u>Get in touch to nit-pick and/or berate my inadequacies:</u></strong> <strong>daytripsfornihilists@gmail.com</strong></li></ul><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>On Emptiness</title>
			<itunes:title>On Emptiness</itunes:title>
			<pubDate>Sun, 23 Jun 2024 06:00:54 GMT</pubDate>
			<itunes:duration>29:27</itunes:duration>
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			<link>https://shows.acast.com/day-trips-for-nihilists/episodes/interiorsunlight-on-the-floor-or-the-beauty-of-ennui</link>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>1</itunes:episode>
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			<description><![CDATA[<p>A generally uplifting audio essay on emptiness and its consolations...ideal for day-tripping nihilists, naturally.</p><br><p><strong><u>Tracklist:</u></strong></p><p><br></p><ul><li>Hailu Mergia &amp; Dahlak Band — <em>Anchin Kfu Ayinkash</em></li><li>GF Haas - <em>Concerto Grosso No. 2 for ensemble and orchestra </em></li><li>TS Eliiot reading an excerpt from 'Burnt Norton' from his <em>Four Quartets</em></li><li>Vilhelm Hammershoi,<a href="https://www.artsy.net/artwork/vilhelm-hammershoi-interior-in-strandgade-sunlight-on-the-floor-1" rel="noopener noreferrer" target="_blank"> 'Interior in Strandgade, Sunlight on the Floor' </a></li><li>Excerpt from GF Haas - <em>Traum in des Sommers Nacht for orchestra</em></li><li>Franz Kafka quote</li><li>John Fahey - <em>Yes Jesus Loves Me</em></li><li>Excerpt from GF Haas - <em>Traum in des Sommers Nacht for orchestra</em></li><li>Django Reinhardt - <em>Manoir De Mes Rêves</em></li><li>Virginia Woolf, excerpt from 'Time Passes', <em>To The Lighthouse </em>(1927)</li><li>Philip Larkin reading his poem 'Home is so sad'</li><li>Beethoven performed by the Busch Quartet - <em>String Quartet No. 12 in E-Flat Major, Op. 127: II. Adagio ma non troppo e molto cantabile</em></li><li>Hamlet soliloquy - I have of late but wherefore I know not... from <em>Withnail &amp; I </em>(1987)</li><li>Macbeth - Tomorrow and Tomorrow and Tomorrow soliloquy - Orson Welles (1948)</li><li>GF Haas - <em>String Quartet No. 2 </em>(1998)<em> </em></li><li>Hailu Mergia &amp; Dahlak Band — <em>Anchin Kfu Ayinkash</em></li></ul><p><br></p><p>All the above used under fair usage rights.</p><p><br></p><ul><li><strong><u>Get in touch to nit-pick and/or berate my inadequacies:</u></strong> <strong>daytripsfornihilists@gmail.com</strong></li></ul><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>A generally uplifting audio essay on emptiness and its consolations...ideal for day-tripping nihilists, naturally.</p><br><p><strong><u>Tracklist:</u></strong></p><p><br></p><ul><li>Hailu Mergia &amp; Dahlak Band — <em>Anchin Kfu Ayinkash</em></li><li>GF Haas - <em>Concerto Grosso No. 2 for ensemble and orchestra </em></li><li>TS Eliiot reading an excerpt from 'Burnt Norton' from his <em>Four Quartets</em></li><li>Vilhelm Hammershoi,<a href="https://www.artsy.net/artwork/vilhelm-hammershoi-interior-in-strandgade-sunlight-on-the-floor-1" rel="noopener noreferrer" target="_blank"> 'Interior in Strandgade, Sunlight on the Floor' </a></li><li>Excerpt from GF Haas - <em>Traum in des Sommers Nacht for orchestra</em></li><li>Franz Kafka quote</li><li>John Fahey - <em>Yes Jesus Loves Me</em></li><li>Excerpt from GF Haas - <em>Traum in des Sommers Nacht for orchestra</em></li><li>Django Reinhardt - <em>Manoir De Mes Rêves</em></li><li>Virginia Woolf, excerpt from 'Time Passes', <em>To The Lighthouse </em>(1927)</li><li>Philip Larkin reading his poem 'Home is so sad'</li><li>Beethoven performed by the Busch Quartet - <em>String Quartet No. 12 in E-Flat Major, Op. 127: II. Adagio ma non troppo e molto cantabile</em></li><li>Hamlet soliloquy - I have of late but wherefore I know not... from <em>Withnail &amp; I </em>(1987)</li><li>Macbeth - Tomorrow and Tomorrow and Tomorrow soliloquy - Orson Welles (1948)</li><li>GF Haas - <em>String Quartet No. 2 </em>(1998)<em> </em></li><li>Hailu Mergia &amp; Dahlak Band — <em>Anchin Kfu Ayinkash</em></li></ul><p><br></p><p>All the above used under fair usage rights.</p><p><br></p><ul><li><strong><u>Get in touch to nit-pick and/or berate my inadequacies:</u></strong> <strong>daytripsfornihilists@gmail.com</strong></li></ul><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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