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		<title>Dead Writers Club</title>
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		<copyright>Mo Sjöberg Orsini</copyright>
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		<itunes:summary><![CDATA[<p>The greatest novels ever written already solved your problems. You just haven't read them yet.</p><br><p>Dead Writers Club is a podcast about the greatest novels ever written and why they still matter. Not as literary achievements to admire from a distance. As tools. Tools for understanding what it means to be anxious, or purposeless, or lonely, or in love, or afraid of dying.</p><br><p>Every episode takes one classic work and asks a single question: what does this book understand about modern life that we have forgotten?</p><br><p>We've covered Dostoevsky on guilt and anxiety. Camus on the one line everyone quotes and almost nobody understands. Kafka on conditional love inside families. Orwell on what actually happens to a person when language is taken away. Virginia Woolf on the self you left behind.</p><br><p>No academic jargon. No reading list pressure. No assumption that you've read any of these books before. Just the ideas, made genuinely accessible — the way a knowledgeable friend would explain them, not the way a university lecture would.</p><br><p>New episodes every week.</p><br><p>Topics: classic literature · literary analysis · books explained · Dostoevsky · Tolstoy · Camus · Kafka · Orwell · Virginia Woolf · reading classics · philosophy through fiction · what great novels teach us · anxiety · identity · meaning · purpose</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		<description><![CDATA[<p>The greatest novels ever written already solved your problems. You just haven't read them yet.</p><br><p>Dead Writers Club is a podcast about the greatest novels ever written and why they still matter. Not as literary achievements to admire from a distance. As tools. Tools for understanding what it means to be anxious, or purposeless, or lonely, or in love, or afraid of dying.</p><br><p>Every episode takes one classic work and asks a single question: what does this book understand about modern life that we have forgotten?</p><br><p>We've covered Dostoevsky on guilt and anxiety. Camus on the one line everyone quotes and almost nobody understands. Kafka on conditional love inside families. Orwell on what actually happens to a person when language is taken away. Virginia Woolf on the self you left behind.</p><br><p>No academic jargon. No reading list pressure. No assumption that you've read any of these books before. Just the ideas, made genuinely accessible — the way a knowledgeable friend would explain them, not the way a university lecture would.</p><br><p>New episodes every week.</p><br><p>Topics: classic literature · literary analysis · books explained · Dostoevsky · Tolstoy · Camus · Kafka · Orwell · Virginia Woolf · reading classics · philosophy through fiction · what great novels teach us · anxiety · identity · meaning · purpose</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
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			<title>The Metamorphosis Is Not About Alienation — What Kafka Was Actually Writing About</title>
			<itunes:title>The Metamorphosis Is Not About Alienation — What Kafka Was Actually Writing About</itunes:title>
			<pubDate>Mon, 08 Jun 2026 06:35:14 GMT</pubDate>
			<itunes:duration>19:39</itunes:duration>
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			<itunes:subtitle>A man wakes up as an insect. His family has to deal with that. What happens next is the most precise account of conditional love ever written.</itunes:subtitle>
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			<itunes:episode>3</itunes:episode>
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			<description><![CDATA[<p>Think about the last time you were unable to do something that people depended on you to do. Think about what changed in the room around you. What happened to people's faces. The quality of attention you received.</p><br><p>There is a specific horror in discovering that the warmth directed at you was never quite about you. It was about what you could do. Kafka's The Metamorphosis names this directly — through the purest possible thought experiment: what if a man woke up one morning and had literally become useless? Overnight. Completely. Irreversibly.</p><br><p>What would his family do?</p><br><p>In this episode:</p><p>— The problem: conditional love and what happens when you can no longer perform your function</p><p>— The man: Kafka's biography — his father Hermann, the 45-page letter he never sent, the insurance job and the secret writing</p><p>— The novella: what The Metamorphosis is actually about (not alienation in the abstract)</p><p>— The insight: the over-responsible family member, and the guilt that convinces people their disappearance would be a gift</p><p>— Why Gregor's death is the most unsettling act of service in all of literature</p><br><p>---</p><br><p>ABOUT DEAD WRITERS CLUB</p><p>Classic literature made genuinely accessible. Every episode takes one great novel and asks: what does this book understand about modern life that we have forgotten? New episodes every week.</p><br><p>Keywords: Kafka, The Metamorphosis, literary analysis, classic literature, conditional love, family dynamics, alienation, books explained, German literature, existentialism, guilt and responsibility, what great novels teach us</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Think about the last time you were unable to do something that people depended on you to do. Think about what changed in the room around you. What happened to people's faces. The quality of attention you received.</p><br><p>There is a specific horror in discovering that the warmth directed at you was never quite about you. It was about what you could do. Kafka's The Metamorphosis names this directly — through the purest possible thought experiment: what if a man woke up one morning and had literally become useless? Overnight. Completely. Irreversibly.</p><br><p>What would his family do?</p><br><p>In this episode:</p><p>— The problem: conditional love and what happens when you can no longer perform your function</p><p>— The man: Kafka's biography — his father Hermann, the 45-page letter he never sent, the insurance job and the secret writing</p><p>— The novella: what The Metamorphosis is actually about (not alienation in the abstract)</p><p>— The insight: the over-responsible family member, and the guilt that convinces people their disappearance would be a gift</p><p>— Why Gregor's death is the most unsettling act of service in all of literature</p><br><p>---</p><br><p>ABOUT DEAD WRITERS CLUB</p><p>Classic literature made genuinely accessible. Every episode takes one great novel and asks: what does this book understand about modern life that we have forgotten? New episodes every week.</p><br><p>Keywords: Kafka, The Metamorphosis, literary analysis, classic literature, conditional love, family dynamics, alienation, books explained, German literature, existentialism, guilt and responsibility, what great novels teach us</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title><![CDATA[The Line Everyone Quotes and Almost Nobody Understands | Camus & The Myth of Sisyphus]]></title>
			<itunes:title><![CDATA[The Line Everyone Quotes and Almost Nobody Understands | Camus & The Myth of Sisyphus]]></itunes:title>
			<pubDate>Tue, 02 Jun 2026 17:29:02 GMT</pubDate>
			<itunes:duration>19:09</itunes:duration>
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			<itunes:subtitle>One must imagine Sisyphus happy. What Camus actually meant — and why it changes how you think about any work you find meaningless.</itunes:subtitle>
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			<itunes:episode>2</itunes:episode>
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			<description><![CDATA[<p>One must imagine Sisyphus happy. It is one of the most quoted lines in Western philosophy. It appears on posters, in graduation speeches, in self-help books. Almost every use of it gets it wrong.</p><br><p>Camus was not telling you to be positive. He was not preaching acceptance. He was making a far more radical and far more useful argument — one that changes how you think about any work you find pointless, any situation you cannot escape, any life that does not look the way you planned.</p><br><p>In this episode:</p><p>— The problem: the work that goes nowhere, the effort that changes nothing, the question of whether any of it means anything</p><p>— The man: Camus contracted tuberculosis at seventeen, grew up in poverty in Algeria, wrote his most important philosophy at twenty-nine</p><p>— The argument: what absurdism actually is, and why it is the opposite of despair</p><p>— The insight: why imagining Sisyphus happy is an act of defiance, not resignation</p><p>— Why this matters in 2026 more than it did in 1942</p><br><p>ABOUT DEAD WRITERS CLUB</p><p>Classic literature made genuinely accessible. Every episode takes one great novel and asks: what does this book understand about modern life that we have forgotten? New episodes every week.</p><br><p>Keywords: Camus, Myth of Sisyphus, absurdism, one must imagine Sisyphus happy, classic literature, literary analysis, meaning and purpose, existentialism, books explained, philosophy through fiction, French literature</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>One must imagine Sisyphus happy. It is one of the most quoted lines in Western philosophy. It appears on posters, in graduation speeches, in self-help books. Almost every use of it gets it wrong.</p><br><p>Camus was not telling you to be positive. He was not preaching acceptance. He was making a far more radical and far more useful argument — one that changes how you think about any work you find pointless, any situation you cannot escape, any life that does not look the way you planned.</p><br><p>In this episode:</p><p>— The problem: the work that goes nowhere, the effort that changes nothing, the question of whether any of it means anything</p><p>— The man: Camus contracted tuberculosis at seventeen, grew up in poverty in Algeria, wrote his most important philosophy at twenty-nine</p><p>— The argument: what absurdism actually is, and why it is the opposite of despair</p><p>— The insight: why imagining Sisyphus happy is an act of defiance, not resignation</p><p>— Why this matters in 2026 more than it did in 1942</p><br><p>ABOUT DEAD WRITERS CLUB</p><p>Classic literature made genuinely accessible. Every episode takes one great novel and asks: what does this book understand about modern life that we have forgotten? New episodes every week.</p><br><p>Keywords: Camus, Myth of Sisyphus, absurdism, one must imagine Sisyphus happy, classic literature, literary analysis, meaning and purpose, existentialism, books explained, philosophy through fiction, French literature</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Why Dostoevsky Understood Your Anxiety Better Than Therapy | Crime and Punishment</title>
			<itunes:title>Why Dostoevsky Understood Your Anxiety Better Than Therapy | Crime and Punishment</itunes:title>
			<pubDate>Tue, 26 May 2026 08:35:11 GMT</pubDate>
			<itunes:duration>19:11</itunes:duration>
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			<itunes:subtitle>The gap between what you have done and who you thought you were — and why a 19th-century Russian novelist mapped it more precisely than modern therapy.</itunes:subtitle>
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			<itunes:episode>1</itunes:episode>
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			<description><![CDATA[<p>There is a specific kind of suffering nobody talks about honestly. It keeps you awake at three in the morning reviewing conversations from six years ago. It makes you feel like someone is about to knock on your door and ask you to account for yourself. Psychologists call parts of it anxiety. Parts of it guilt. In 1866, Dostoevsky described its interior more accurately than almost any therapist has managed since.</p><br><p>This is not an episode about a Russian novel. It is an episode about what guilt actually does inside a human being — and why some anxiety is not a disorder, but a signal.</p><br><p>In this episode:</p><p>— The problem: the gap between what you have done and who you thought you were</p><p>— The man: mock execution, Siberia, gambling, debt — why Dostoevsky wrote from inside suffering, not above it</p><p>— The novel: what Crime and Punishment is really about (not the crime)</p><p>— The insight: why Raskolnikov's collapse reveals something true about your own mind</p><p>— The resolution: why confession matters — not religiously, but psychologically</p><br><p>---</p><br><p>MENTIONED IN THIS EPISODE</p><p>→ Crime and Punishment by Fyodor Dostoevsky — listen on Audible: [YOUR AUDIBLE AFFILIATE LINK]</p><p>→ The Brothers Karamazov — coming later this season</p><br><p>---</p><br><p>ABOUT DEAD WRITERS CLUB</p><p>Classic literature made genuinely accessible. Every episode takes one great novel and asks: what does this book understand about modern life that we have forgotten? New episodes every week.</p><br><p>Keywords: Dostoevsky, Crime and Punishment, anxiety and guilt, classic literature, literary analysis, Russian literature, Raskolnikov, books explained, what great novels teach us, philosophy through fiction</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>There is a specific kind of suffering nobody talks about honestly. It keeps you awake at three in the morning reviewing conversations from six years ago. It makes you feel like someone is about to knock on your door and ask you to account for yourself. Psychologists call parts of it anxiety. Parts of it guilt. In 1866, Dostoevsky described its interior more accurately than almost any therapist has managed since.</p><br><p>This is not an episode about a Russian novel. It is an episode about what guilt actually does inside a human being — and why some anxiety is not a disorder, but a signal.</p><br><p>In this episode:</p><p>— The problem: the gap between what you have done and who you thought you were</p><p>— The man: mock execution, Siberia, gambling, debt — why Dostoevsky wrote from inside suffering, not above it</p><p>— The novel: what Crime and Punishment is really about (not the crime)</p><p>— The insight: why Raskolnikov's collapse reveals something true about your own mind</p><p>— The resolution: why confession matters — not religiously, but psychologically</p><br><p>---</p><br><p>MENTIONED IN THIS EPISODE</p><p>→ Crime and Punishment by Fyodor Dostoevsky — listen on Audible: [YOUR AUDIBLE AFFILIATE LINK]</p><p>→ The Brothers Karamazov — coming later this season</p><br><p>---</p><br><p>ABOUT DEAD WRITERS CLUB</p><p>Classic literature made genuinely accessible. Every episode takes one great novel and asks: what does this book understand about modern life that we have forgotten? New episodes every week.</p><br><p>Keywords: Dostoevsky, Crime and Punishment, anxiety and guilt, classic literature, literary analysis, Russian literature, Raskolnikov, books explained, what great novels teach us, philosophy through fiction</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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