If you’ve had a chance to catch Livescreamers during its festival run or if you’re familiar with the original film, Livescream, the Clue influence might come as a bit of a surprise. See, aside from the quirky comedic vibe, Clue is a fairly standard murder mystery whodunit based on the board game of the same name, but Livescreamers couldn’t be more different, basically set as a bunch of pro-gamers playing a cursed video game, getting picked off one-by-one, and slowly realizing what it is that's killing them. So on the surface, these two movies seem to be worlds apart.

But if you dig just a little bit deeper, you’ll see that they actually share a lot of the same cinematic DNA. In our conversation with Michelle, we talk about a few of those parallels while also debating the merits of the bizarre threefold ending of Clue, and Michelle gives us some behind-the-screams insights into the nonstop work that went into creating the video game world of Livescreamers.

As always, Sean and JP start the episode by going over some of the biggest and best news to hit the horror world in the last two weeks. For example, we talk about Sean’s recent interview with Larry Wade Carrell, the director of the documentary The Darkside of Society, and we briefly discuss the releases of Project Eerie and Malibu Horror Story, two great new films putting a fantastic spin on the found-footage format.

After this episode, The Horror Obsessive Podcast is going to take a little break, but don’t worry, Sean and JP aren’t going to disappear forever. They’ll be back soon enough with more podcast episodes, so keep an eye out for our return in the not-too-distant future.

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It’s a really cool idea that’s executed just about perfectly, and throughout the conversation, the hosts go over all the things we love about it. For instance, talking about the way this movie honors Halloween and its central traditions, the stories’ subtle (and sometimes not so subtle) undertones of suburban chaos, and the loveable little demon named Sam. On top of that, they also cover some of the best and most exciting news to hit the horror world in the last two weeks, like the recent releases of The Exorcist: Believer, Totally Killer, and When Evil Lurks.

If you enjoy the podcast, stay tuned for the next episode when we welcome Michelle Iannantuono and her crew to talk about their film Livescreamers and some of the surprising ways it was influenced by Clue.

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Doctor Sleep is an adaptation of Stephen King’s fantastic novel of the same name, which is a sequel to King's classic The Shining. Taking place decades after the Kubrick movie, it shows us what Dan Torrance’s life has become in the wake of the trauma he experienced in the Overlook Hotel. Just like his father, he too struggles with alcoholism, but he eventually manages to overcome that addiction. He even finds a way to use his psychic abilities to help others, but when he meets a young girl named Abra, he has to redirect those powers to help her fend off a group of despicable child murderers called the True Knot.

Doctor Sleep is an outstanding film that, though recent, still doesn’t quite get the recognition it deserves. Sean and JP talk about all the reasons we love it, like the ingenious way it bridges the gap between the two versions of The Shining, the movie’s beautiful message about redemption, and the perennially relevant theme of being unafraid to let your true self shine.

The discussion kicks off with the best news to hit the horror world in the last two weeks, including the recent release of A Haunting in Venice, the amazing films I saw at Fantastic Fest, and the upcoming The Boys spinoff, Gen V. And as always, if you enjoyed listening to us talk about Doctor Sleep, join us again in two weeks for the next episode of The Horror Obsessive Podcast, when we’ll be joined by Michelle Iannantuono, director of Livescreamers, along with some of the film’s cast to discuss the 1985 comedy mystery Clue and the upcoming video game horror film.

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For example, in the last episode, they talked about The Monster Squad, a movie they both enjoyed quite a bit. This time, they defy the odds once again.

In the latest episode of The Horror Obsessive Podcast, Sean and JP discuss Cronos, the directorial debut of Guillermo del Toro, and both agree that it’s an absolute masterpiece.

Cronos follows an elderly man named Jesús Gris, who discovers a bizarre device that’s been hidden for decades, and when the thing latches onto him, it restores his youthfulness and vigor. At first, the man is elated at his newfound vitality, but he soon learns that the contraption is turning him into a vampire. At the same time, an unscrupulous uncle and nephew duo are also hounding Jesús to give them the device, so the poor guy has to fend off these two malefactors and navigate his growing thirst for blood.

Cronos is an amazing movie, and Sean and JP discuss all the reasons they love it. The film’s message, its religious imagery, and its unique take on vampirism. As usual, the conversation is pretty riveting.

As always, they also go over some of the best and most exciting news to hit the horror world in the last two weeks, including the recent release of The Nun II, the two new Godzilla trailers, and the super intriguing trailer for No One Will Save You.

If you enjoyed listening to us talk about Cronos, join us again in two weeks for the next episode of The Horror Obsessive Podcast. We’ll discuss one of the greatest horror sequels of all time–Mike Flanagan’s Doctor Sleep.

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The Monster Squad is a love letter to the Universal Monsters and horror fanatics of all ages about a group of monster-loving kids who learn that Dracula, Frankenstein’s monster, and a few other classic horror villains have descended upon their town. These creatures are planning to take over the world, but to do that, they have to get through the titular Monster Squad first.

Sean and JP are both fans of the film and, throughout their discussion, cover everything from the quotable one-liners and the cool monster designs to all the remarkable characters. But somehow, even though this is one of the few movies we actually agree on, we still find a couple of things to argue about. It just wouldn’t be The Horror Obsessive Podcast without some classic Sean vs. JP debates, and this episode is no different.

On top of that, Sean and JP also discuss some of the best and most exciting news to hit the horror world in the last two weeks, like almost everything The two saw at FrightFest last week, the upcoming physical release of Prey, Terror Vision’s The Monster Squad Soundtrack vinyl, and the recent IFC horror film birth/rebirth. And, as always, if you enjoy listening to us talk about The Monster Squad, be sure to join us again in two weeks for the next episode of The Horror Obsessive Podcast, when we discuss Cronos, the fantastic directorial debut of Guillermo del Toro.

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What Lies Beneath concerns empty-nester Claire (Michelle Pfeiffer), who begins experiencing seemingly supernatural phenomena in her house, and when she tells her husband (Harrison Ford) about the ghostly goings-on, he doesn’t believe her. Still, the creepy occurrences persist. And after a while, Claire learns that her spectral visitor is there to uncover a long-buried secret that will turn her world upside down.

Sean and JP have very different takes on this movie, and their conversation covers all the reasons to like or dislike it. Diving into the scares, the atmosphere, the cinematography, and the characters, and even though they don’t agree on much, they meet in the middle, understanding one another’s perspectives.

Plus, they also discuss some of the biggest and best news to hit the horror world in the last few weeks, like the recently announced Talk to Me sequel, the upcoming release of Podcast alum Dane Elcar's Brightwood, and a few more of our favorite films from the Fantasia International Film Festival.

As always, if you enjoyed listening to us talk about What Lies Beneath, join us again for the next episode of The Horror Obsessive Podcast in two weeks. We’ll be discussing one of the most beloved cult classics from the 1980s and one of my most cherished childhood favorites: The Monster Squad.

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Monster Seafood Wars is your typical kaiju flick about a crab, a squid, and an octopus that grow to enormous proportions after being exposed to a sci-fi drug called Setap Z. Unsurprisingly, mayhem ensues when these creatures attack Tokyo. However, the film manages to set itself apart from its cinematic peers in one unique way.

Losing limbs as they fight, the monster's severed body parts become kaiju meat for the humans, and it's tastier than they ever could’ve imagined! That little twist makes for a really distinctive take on the genre, and it also gives us a whole bunch of laughs that make Monster Seafood Wars one of the funniest giant monster films out there.

In JP's opinion, this movie is an absolute joy to watch, but Sean disagrees and argues against the film's enjoyment, so naturally, JP and Sean have quite a bit to talk about. Their discussion covers everything from characters to story elements and the fun kaiju suitmation. As usual, it’s a hoot and a half.

As always, the boys also talk about some of the biggest news to hit the horror world in the past few weeks, like the new Exorcist trailer, the recent release of Talk to Me, and some of our favorite films so far from this year’s Fantasia Film Festival.

If you enjoyed listening to us discuss Monster Seafood Wars, be sure to join us again in two weeks for the next episode of The Horror Obsessive Podcast, when we dissect the psychological ghost thriller What Lies Beneath.

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The movie is a bizarre parody of Jaws that revolves around a haunted lawnmower killing people on a golf course, and in their discussion of it, they highlight some of the ways it riffs on that film. From the opening to the very last scene, Blades mimics some of the most famous moments from the Sharksploitation classic, like the mourning mother slapping Chief Brody, which Sean thinks is absolutely hilarious in Blades. JP, on the other hand, does not, and considers the film as a real chore. So, as usual, the boys come at it from entirely different points of view.

On top of that, this week's episode also highlights some of the most important news to hit the horror world in the last few weeks, like some upcoming genre film festivals and a few ways we can help support struggling movie and TV workers during the ongoing SAG-AFTRA and WGA strikes. And, as always, if you enjoyed listening to us talk about Blades, be sure to join us again in two weeks for the next episode of The Horror Obsessive Podcast, when we discuss the fantastic kaiju comedy Monster Seafood Wars.

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That being said, the boys manage to find a bit of common ground. For example, Sean acknowledges The Conjuring's technical merits, while JP admits Insidious has a more satisfying third act. But don’t worry, those agreements are few and far between, so this episode of The Horror Obsessive Podcast still has all the bickering and bantering you’d expect from an old married couple….or from two movie aficionados passionately clamoring about James Wan and Leigh Whannell.

On top of all that, Sean and JP also discuss the biggest news to hit the horror world in the last few weeks, like Pluto TV’s new Godzilla channel, the upcoming kaiju gem Shin Ultraman, and a few of the really cool movies Vinegar Syndrome and its partner labels are putting out on Blu-ray later this month.

As always, if you enjoyed listening to Sean and JP debate, come back again in two weeks for the next episode, where we’ll be discussing the Jaws-inspired 1989 horror comedy Blades, about a possessed lawnmower that stalks unwitting victims on a prestigious country club’s golf course.

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If you’ve never seen Stalker, the movie is currently ranked number forty-three on BFI’s greatest films of all time. It’s an exceptionally grounded science fiction film with a haunting history. The story of the Stalker character taking a writer and a professor through the contaminated “zone” is as atmospheric and ambient as films get and bolsters many underlying themes about religion and life in the U.S.S.R. at the time it was made in 1979. It becomes even more metaphorical when they arrive at “the room,” a place that reputationally has the power to grant wishes.

Elcar and company clue us in on some funny on-set Brightwood stories, from garden snakes to the amount of bug spray needed to shoot in the woods, a typo in the credits that nearly caused a conniption, and why Dana’s character calls Max’s character “Buzzy,” seemingly out of nowhere at one point. 

Staff writer Brendan Jesus joins the podcast this week, filling in for JP Nunez, who will return next episode. Brendan and I lead into the show by letting you know a little more about our writer, who recently published a Larry Fessenden icons piece we discuss, as well as the rabbit hole obsession both of us went through with Bruce Campbell. And discuss Horror Obsessive’s two new weekly features, Slasher Saturdays and Trash Cinema (aka So Bad it’s Good) Thursdays.

Please join us in getting lost in the (Bright)woods on this episode. It’s an absolute blast. And join JP Nunez and me in two weeks for the debate of the century: Conjuring vs. Insidious. 

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As you can probably tell from the premise alone, Motel Hotel is a pretty bizarre entry in the horror canon, and to help us analyze the film, JP and Sean bring on comedian and filmmaker Ricky Glore, the star and co-director of the fantastic indie slasher All Your Friends Are Dead. He’s a huge fan of Motel Hell, and he loves it so much that it’s actually a big influence on his upcoming project Open House, which he’s currently crowdfunding through Kickstarter. The movie is going to be a musical horror comedy about a realty couple who take advantage of their clients in similarly sinister ways.

Sean and JP had never seen Motel Hell before the episode, so both brought a fresh set of eyes to it. That newbie perspective complemented Ricky’s lifelong fandom really well, and it makes for a fun conversation you won’t want to miss. On top of that, The guys also go on a bunch of tangents about movies like Scream VI and Evil Dead Rise, and at the beginning of the episode, Sean and I discuss some of the biggest and best news to hit the horror world in the last few weeks, including the lineup for the Chattanooga Film Festival and the latest genre film to arrive in theaters, The Boogeyman.

And, as always, if you enjoy listening to us, join us again in two weeks for the next episode of The Horror Obsessive Podcast. When the boys will be joined by Dane Elcar, Dana Berger, and Max Woertendyke, the director and lead actors of Brightwood, to discuss Tarkovsky's Stalker.

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The film concerns a young girl named Leah who gets visited by a strange new friend every night and, after a while, helps Leah uncover a dark family secret that have stood between her and her mother since the day she was born.

JP's shows an exuberant fandom for Martyrs Lane, and surprisingly, Sean likes it as well. Granted, he’s not nearly as enamored with it as JP is, but thinks it’s pretty good overall. Despite their basic agreement about the film, they don’t quite see eye to eye on all the details, making for a deeper conversation. The hosts discuss what Martyrs Lane says about religion, the ambiguity of the movie’s ending, and if there's a connection to Peter Pan.

As always, before digging into theit main topic, JP and Sean discuss some of the cool news that hit the horror world in the last two weeks, like the recently announced release date for one of my most anticipated films of the next few years, Beetlejuice 2. They also gush about their favorite genre movie of 2023 so far, Moon Garden, and show their excitement for the original stories Horror Obsessive is starting to produce.

It’s a really fun conversation from start to finish, so kick back, relax, and come along for the ride. And, if you enjoy listening to us, join us again in two weeks for our next episode of The Horror Obsessive Podcast. We’ll be talking to Ricky Glore, a stand-up comedian and the writer/director of All Your Friends Are Dead. He’s going to be launching a Kickstarter campaign for his next film, horror-musical Open House. If you caught Sean's interview with Ricky last year, then you know how hilarious he is and that you’re not going to want to miss any part of that conversation.

Visit us at Horrorobsessive.com

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Unsurprisingly, Sean and JP have completely different reactions to Mother’s Day. Sean thinks it's a stupid good time, but I found it just about unwatchable. Their divergent opinions make for some lively and interesting discussion, and they believe you’ll have as much fun listening as they did talking about Mother's Day.

On top of that, we also discuss some of the biggest new releases to come out in the last two weeks. We give our takes on Evil Dead Rise (which we both liked quite a bit), I explain my big problem with Ari Aster’s new three-hour epic Beau Is Afraid, and Sean gives us a little taste of the amazing time he had covering Salem Horror Fest. I also finally got a chance to see Enys Men, which Sean caught at the Boston Underground Film Festival about a month ago, so we compare our reactions to that movie as well.

And as always, if you enjoy this conversation, join us again in two weeks for the next episode of The Horror Obsessive Podcast, where Sean and I will be discussing the amazing 2021 drama-horror film, Martyrs Lane. This movie doesn’t get nearly as much love as I think it deserves, so I’m going to make sure we do everything we can to remedy that.

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However, beginning the podcast as they always do, Sean and JP discuss the movies they've been watching and the big articles worth taking a look at over on Horror Obsessive. Sean starts by saying he had a wild weekend because his review of Christian-horror film Nefarious caused massive outrage among the film's fans on the site and continues with how he's handling the fallout of vitriol-filled hate mail that has followed. JP goes into his reviews for The Pope's Exorcist and Renfield but says this week's release, The Tank, is a must-see. Sean also examines ongoing festival Panic Fest by highlighting the films he's seen, the coverage on the website, and how he was audibly shocked by moments in director Anto's Tenebra.

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In this episode, JP and I discuss our last two weeks. I tell JP about my experience at The Boston Underground Film Festival, specifically noting Enys Men as my number one upset of the festival, Moon Garden as easily being in contention for the best movie I'll see all year, and our opposing views on Jeffery A Brown's The Unheard. JP talks about revisiting Evil Dead for his definitive ranking of the films and his enthusiasm over the UK release of George A Romero's Martin that he imported. We then discuss how Screambox has started to emerge as a heavy-hitting streaming service, denoting the imminent release of the J-horror remake of Cube, among other attractive titles in their library. 

Finally, it's time to put on your favorite flower dresses and bear pajamas and join us for Midsommar as Elise and Estelle discuss the pieces of Aster's film they were drawn to in crafting their hypnotic tale of chauvinism vs. witchery and the parallels and differences in both film's characters. As always, we tend to go a bit off the rails, discussing our views on the community in Midsommar against cult beliefs and practices, the dangers of tradition, and how the film may skew the view of elder care and death... I promise it's fun though. 

Please join us for Midsommar, and if you're in the Salem area, buy tickets now to see The Ones You Didn't Burn at Salem Horror Fest on April 21. 

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*Please note that something affected the audio quality of this episode. It honestly isn't to our usual standards, and we have tried to manage it as best as we could. As a courtesy to our small but loyal listening base, we have decided to release this episode, but know that we strive to do better in the future.*

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Plus, JP finally watched The Last of Us and reveals Pedro Pascal will be the subject of the podcast's next watch, 2015's Bloodsucking Bastards. Meanwhile, I continue my journey into out-there horror cinema titles like 1989's Curfew and 2004's The Halfway House. Ready your earbuds for a rollicking conversation of over-analyzing fun that kicks off with a ridiculous gag. 

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With her newly minted Director's Cut of Black Lake set to premiere at next week's Renegade Film Festival, K talks about The Cell and Singh's impact on her work while providing insights into her own film. The group talks about the wide variety of references spanning artwork and film and notes the comparisons between The Cell and Black Lake: Director's Cut.

Atlantan listeners can meet K/XI, who will be premiering Black Lake: Director's Cut on March 5th at the end of The Renegade Film Festival. Tickets are on sale now.

Check out K/XI's work at https://www.badwolffilms.co.uk/ and find her on Instagram and Twitter.

and come see more horror everything at HorrorObsessive.com

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X-Ray is a seldom-seen slasher movie from the post-Friday the 13th era, where producers were looking to capitalize on the Crystal Lake killer by offering horror fans all sorts of knockoffs. Despite X-Ray's schlockiness, it's actually a pretty fun time. It utilizes themes of a woman trapped under a man's authority, gaslighting, and a psycho-stalker born out of rejection that seems too good for the setup it's been installed in. Join me and JP Nunez as we discuss this oft-forgotten slasher film from the golden age of horror. Discussing its pitfalls and surprises, like the sleaziness of having a physical with a suspected psycho or why no one notices when various staff members go missing at this hospital, see X-Ray from the perspective of my enjoyment and JP's eye-rolling detest.

Besides discussing X-Ray, we also talk about several films releasing this weekend, like Daughter and She Came from the Woods. JP explains what irked him about Knock at the Cabin, and we both throw some credit M. Night Shyamalan's way. And JP picks a side in the left Twix/Right Twix debate.

Watch X-Ray on Tubi now, and Listen to the podcast here or wherever you listen to podcasts.

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In the introduction, JP highlights recent sequel news for M3gan and his reviews for Sorry About the Demon and Kids Vs. Aliens. Sean talks about The Last of Us, There's Something Wrong with the Children, his recent article on underrated movies featuring Killer Kids, and defends Velma from the haters. The pair also discuss the latest Scream VI trailer.

Grab Inside Out now from Darklit Press or wherever you buy books. Digital editions are also available.

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