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		<title>Into the Noise</title>
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		<itunes:summary><![CDATA[Into the Noise is a podcast in which Jim Reeve-Baker talks to experimental composers, musicians, and sound artists about their music and background. In each episode the guest brings in several pieces of their music, which we listen to and discuss.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>EP22 Raymond MacDonald</title>
			<itunes:title>EP22 Raymond MacDonald</itunes:title>
			<pubDate>Mon, 30 Mar 2026 05:00:00 GMT</pubDate>
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			<itunes:episode>22</itunes:episode>
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			<description><![CDATA[<p>Raymond MacDonald is a saxophonist, composer and academic whose work explores the boundaries and ambiguities between what is conventionally seen as improvisation and composition. Much of his recent performing work has been in collaborative free improvisation contexts, however his roots in jazz and pop music are always evident in his playing and writing. MacDonald collaborates widely and has worked with visual artists, dancers, writers and filmmakers and has produced music for film, television, theatre and the concert hall.</p><br><p><a href="https://georgeburt.bandcamp.com/album/a-day-for-a-reason-bmacd6-featuring-keith-tippett" rel="noopener noreferrer" target="_blank">Behind the Big Clock from A Day for a Reason</a></p><br><p><a href="https://cleanfeedrecords.bandcamp.com/album/sounds-songs-other-noises" rel="noopener noreferrer" target="_blank">Again and Again from Sounds, Songs, and Other Noises</a></p><br><p><a href="https://www.raymondmacdonald.co.uk/" rel="noopener noreferrer" target="_blank">Raymond’s website</a></p><br><p><a href="https://www.instagram.com/raymondmacdonald94/" rel="noopener noreferrer" target="_blank">Raymond’s Instagram</a></p><br><p><a href="https://www.eca.ed.ac.uk/profile/prof-raymond-macdonald" rel="noopener noreferrer" target="_blank">Raymond’s UoE page</a></p><br><p><a href="https://en.wikipedia.org/wiki/Isabella_Bird" rel="noopener noreferrer" target="_blank">Isabella Bird</a></p><br><p><a href="https://www.antobarandmulltheatre.co.uk/" rel="noopener noreferrer" target="_blank">https://www.antobarandmulltheatre.co.uk/</a></p><br><p><a href="https://www.instagram.com/antobarandmulltheatre/" rel="noopener noreferrer" target="_blank">https://www.instagram.com/antobarandmulltheatre/</a></p><br><p><a href="https://en.wikipedia.org/wiki/G%C3%BCnter_Sommer" rel="noopener noreferrer" target="_blank">Günter&nbsp;"Baby"&nbsp;Sommer</a></p><br><p><a href="https://guenterbabysommer.bandcamp.com/" rel="noopener noreferrer" target="_blank">https://guenterbabysommer.bandcamp.com/</a></p><br><p><a href="https://brotherandsisterhood.de/" rel="noopener noreferrer" target="_blank">https://brotherandsisterhood.de/</a></p><br><p><a href="https://www.youtube.com/watch?v=I4v05wab7aA" rel="noopener noreferrer" target="_blank">Chris McGregor’s Brotherhood of Breath</a></p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Raymond MacDonald is a saxophonist, composer and academic whose work explores the boundaries and ambiguities between what is conventionally seen as improvisation and composition. Much of his recent performing work has been in collaborative free improvisation contexts, however his roots in jazz and pop music are always evident in his playing and writing. MacDonald collaborates widely and has worked with visual artists, dancers, writers and filmmakers and has produced music for film, television, theatre and the concert hall.</p><br><p><a href="https://georgeburt.bandcamp.com/album/a-day-for-a-reason-bmacd6-featuring-keith-tippett" rel="noopener noreferrer" target="_blank">Behind the Big Clock from A Day for a Reason</a></p><br><p><a href="https://cleanfeedrecords.bandcamp.com/album/sounds-songs-other-noises" rel="noopener noreferrer" target="_blank">Again and Again from Sounds, Songs, and Other Noises</a></p><br><p><a href="https://www.raymondmacdonald.co.uk/" rel="noopener noreferrer" target="_blank">Raymond’s website</a></p><br><p><a href="https://www.instagram.com/raymondmacdonald94/" rel="noopener noreferrer" target="_blank">Raymond’s Instagram</a></p><br><p><a href="https://www.eca.ed.ac.uk/profile/prof-raymond-macdonald" rel="noopener noreferrer" target="_blank">Raymond’s UoE page</a></p><br><p><a href="https://en.wikipedia.org/wiki/Isabella_Bird" rel="noopener noreferrer" target="_blank">Isabella Bird</a></p><br><p><a href="https://www.antobarandmulltheatre.co.uk/" rel="noopener noreferrer" target="_blank">https://www.antobarandmulltheatre.co.uk/</a></p><br><p><a href="https://www.instagram.com/antobarandmulltheatre/" rel="noopener noreferrer" target="_blank">https://www.instagram.com/antobarandmulltheatre/</a></p><br><p><a href="https://en.wikipedia.org/wiki/G%C3%BCnter_Sommer" rel="noopener noreferrer" target="_blank">Günter&nbsp;"Baby"&nbsp;Sommer</a></p><br><p><a href="https://guenterbabysommer.bandcamp.com/" rel="noopener noreferrer" target="_blank">https://guenterbabysommer.bandcamp.com/</a></p><br><p><a href="https://brotherandsisterhood.de/" rel="noopener noreferrer" target="_blank">https://brotherandsisterhood.de/</a></p><br><p><a href="https://www.youtube.com/watch?v=I4v05wab7aA" rel="noopener noreferrer" target="_blank">Chris McGregor’s Brotherhood of Breath</a></p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title><![CDATA[EP21 Linda O'Keeffe]]></title>
			<itunes:title><![CDATA[EP21 Linda O'Keeffe]]></itunes:title>
			<pubDate>Mon, 16 Mar 2026 06:00:00 GMT</pubDate>
			<itunes:duration>1:42:00</itunes:duration>
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			<itunes:season>3</itunes:season>
			<itunes:episode>21</itunes:episode>
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			<description><![CDATA[<p>Linda O'Keeffe is a sound artist based in New York. She holds a professorship in art at Stony Brook University, New York. A passionate advocate for the role of women in the sonic arts, she founded the&nbsp;<a href="http://wiswos.com/" rel="noopener noreferrer" target="_blank">Women in Sound Women on Sound (WISWOS) organisation</a>. Additionally, she served as the Editor-in-Chief of the&nbsp;<a href="http://www.interferencejournal.org/" rel="noopener noreferrer" target="_blank">Interference Journal</a>, a publication dedicated to audio cultures, from 2012 to 2022. In 2009, she co-founded the Irish Sound Science and Technology Association, leading as its President from 2015 to 2017.</p><br><p>Her professional focus lies at the crossroads of art, science, technology, and community. This interest has led to the creation of numerous artworks, published research papers, and keynote presentations. As a member of the artist collective, Non Random, she aims to emphasize the union of arts and science to foster dialogues around research and art practices. Non Random is currently engaged in "Evolving Ourselves with Unnatural Selection", a project funded by Creative Scotland. This collaboration between artists and researchers aims to investigate and illustrate the ethical implications and future prospects of gene editing through a digital multi-arts approach. More about these collaborative works can be found at&nbsp;<a href="http://non-random.co.uk/" rel="noopener noreferrer" target="_blank">non-random.co.uk</a>.</p><br><p><a href="https://lindaokeeffe.com/" rel="noopener noreferrer" target="_blank">Linda’s Website</a></p><br><p><a href="https://soundcloud.com/linda-o-keeffe" rel="noopener noreferrer" target="_blank">Linda’s Soundcloud</a></p><br><p><a href="https://soundcloud.com/linda-o-keeffe/sets/the-seasons" rel="noopener noreferrer" target="_blank">The Seasons</a></p><br><p><a href="https://hcmf.co.uk/programme/gaireacht/" rel="noopener noreferrer" target="_blank">Information about the performance of The Seasons at the HCMF</a></p><br><p><a href="https://www.northernlightsproject.org/about" rel="noopener noreferrer" target="_blank">Northern Lights Project</a></p><br><p><br></p><p><a href="https://lindaokeeffe.com/blog/ceramic-house-residency-2022-designing-developing-conceptualising/" rel="noopener noreferrer" target="_blank">More information about Continents Drifting</a></p><br><p><a href="https://www.theceramichouse.co.uk/" rel="noopener noreferrer" target="_blank">The Ceramic House in Brighton</a></p><br><p><a href="https://www.ceramicreview.com/events/peripheries/" rel="noopener noreferrer" target="_blank">Info about the Peripheries residency</a></p><br><p><a href="https://jussheinsalu.eu/" rel="noopener noreferrer" target="_blank">Juss Heinsalu’s website</a></p><br><p><br></p><p><a href="https://www.leenalee.net/about" rel="noopener noreferrer" target="_blank">Lena Ortega’s website</a></p><br><p><a href="https://www.instagram.com/climate.memories/" rel="noopener noreferrer" target="_blank">Climate Memories instagram</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Linda O'Keeffe is a sound artist based in New York. She holds a professorship in art at Stony Brook University, New York. A passionate advocate for the role of women in the sonic arts, she founded the&nbsp;<a href="http://wiswos.com/" rel="noopener noreferrer" target="_blank">Women in Sound Women on Sound (WISWOS) organisation</a>. Additionally, she served as the Editor-in-Chief of the&nbsp;<a href="http://www.interferencejournal.org/" rel="noopener noreferrer" target="_blank">Interference Journal</a>, a publication dedicated to audio cultures, from 2012 to 2022. In 2009, she co-founded the Irish Sound Science and Technology Association, leading as its President from 2015 to 2017.</p><br><p>Her professional focus lies at the crossroads of art, science, technology, and community. This interest has led to the creation of numerous artworks, published research papers, and keynote presentations. As a member of the artist collective, Non Random, she aims to emphasize the union of arts and science to foster dialogues around research and art practices. Non Random is currently engaged in "Evolving Ourselves with Unnatural Selection", a project funded by Creative Scotland. This collaboration between artists and researchers aims to investigate and illustrate the ethical implications and future prospects of gene editing through a digital multi-arts approach. More about these collaborative works can be found at&nbsp;<a href="http://non-random.co.uk/" rel="noopener noreferrer" target="_blank">non-random.co.uk</a>.</p><br><p><a href="https://lindaokeeffe.com/" rel="noopener noreferrer" target="_blank">Linda’s Website</a></p><br><p><a href="https://soundcloud.com/linda-o-keeffe" rel="noopener noreferrer" target="_blank">Linda’s Soundcloud</a></p><br><p><a href="https://soundcloud.com/linda-o-keeffe/sets/the-seasons" rel="noopener noreferrer" target="_blank">The Seasons</a></p><br><p><a href="https://hcmf.co.uk/programme/gaireacht/" rel="noopener noreferrer" target="_blank">Information about the performance of The Seasons at the HCMF</a></p><br><p><a href="https://www.northernlightsproject.org/about" rel="noopener noreferrer" target="_blank">Northern Lights Project</a></p><br><p><br></p><p><a href="https://lindaokeeffe.com/blog/ceramic-house-residency-2022-designing-developing-conceptualising/" rel="noopener noreferrer" target="_blank">More information about Continents Drifting</a></p><br><p><a href="https://www.theceramichouse.co.uk/" rel="noopener noreferrer" target="_blank">The Ceramic House in Brighton</a></p><br><p><a href="https://www.ceramicreview.com/events/peripheries/" rel="noopener noreferrer" target="_blank">Info about the Peripheries residency</a></p><br><p><a href="https://jussheinsalu.eu/" rel="noopener noreferrer" target="_blank">Juss Heinsalu’s website</a></p><br><p><br></p><p><a href="https://www.leenalee.net/about" rel="noopener noreferrer" target="_blank">Lena Ortega’s website</a></p><br><p><a href="https://www.instagram.com/climate.memories/" rel="noopener noreferrer" target="_blank">Climate Memories instagram</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>EP20 Marcin Pietruszewski</title>
			<itunes:title>EP20 Marcin Pietruszewski</itunes:title>
			<pubDate>Mon, 02 Mar 2026 06:00:00 GMT</pubDate>
			<itunes:duration>1:27:18</itunes:duration>
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			<itunes:episode>20</itunes:episode>
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			<description><![CDATA[<p>Marcin Pietruszewski is a composer and researcher. He is engaged in sound synthesis and composition with computers, exploring specific formal developments in the tradition of electroacoustic music and contemporary sound art, as well as extra-musical domains of auditory design, computational linguistics and psychoacoustics. He works across performance, multimedia installation and radio productions probing the dynamics between formalism of synthetic sound and its material realisation.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</p><br><p><a href="https://www.marcinpietruszewski.com/" rel="noopener noreferrer" target="_blank">Marcin’s website</a></p><p>&nbsp;</p><p><a href="https://era.ed.ac.uk/server/api/core/bitstreams/52092c7c-4ef1-448d-8757-5d246ab93cf0/content" rel="noopener noreferrer" target="_blank">Steven R Holtzman’s PhD Thesis</a></p><br><p><a href="https://karlrecords.bandcamp.com/album/la-l-gende-deer" rel="noopener noreferrer" target="_blank">La Légende d'Eer by Xenakis</a></p><p>&nbsp;</p><p><a href="https://academic.oup.com/book/39395/chapter/339085297" rel="noopener noreferrer" target="_blank">The Myth of Perfect Fidelity Melle Jan Kromhout</a></p><p>&nbsp;</p><p><a href="https://normification.bandcamp.com/album/normification-diag071" rel="noopener noreferrer" target="_blank">NORMIFICATION</a></p><p>&nbsp;</p><p><a href="https://norm.to/" rel="noopener noreferrer" target="_blank">Norm</a></p><p>&nbsp;</p><p><a href="https://florianhecker.blogspot.com/" rel="noopener noreferrer" target="_blank">Florian Hecker</a></p><p>&nbsp;</p><p><a href="https://piethopraxis.org/" rel="noopener noreferrer" target="_blank">Marcus Schmickler</a></p><p>&nbsp;</p><p><a href="https://direct.mit.edu/books/monograph/3887/Auditory-Scene-AnalysisThe-Perceptual-Organization" rel="noopener noreferrer" target="_blank">Albert Bregman Auditory Scene Analysis</a></p><p>&nbsp;</p><p><a href="https://christopherhaworth.bandcamp.com/album/auditory-distortion-synthesis" rel="noopener noreferrer" target="_blank">Auditory Distortion Synthesis by Christopher Hayworth</a></p><p>&nbsp;</p><p><a href="https://en.wikipedia.org/wiki/Combination_tone" rel="noopener noreferrer" target="_blank">Tartini Tones / Combination Tones</a></p><p>&nbsp;</p><p><a href="https://en.wikipedia.org/wiki/Maryanne_Amacher" rel="noopener noreferrer" target="_blank">Maryanne Amacher</a></p><p>&nbsp;</p><p><a href="https://sonig.bandcamp.com/" rel="noopener noreferrer" target="_blank">Sonig</a></p><p>&nbsp;</p><p><a href="https://en.wikipedia.org/wiki/G%C3%A9rard_Grisey" rel="noopener noreferrer" target="_blank">Gerard Grisey</a></p><p>&nbsp;</p><p><a href="https://en.wikipedia.org/wiki/Jocelyn_Bell_Burnell" rel="noopener noreferrer" target="_blank">Jocelyn Bell Burnell</a></p><p>&nbsp;</p><p><a href="https://www.curtisroads.net/" rel="noopener noreferrer" target="_blank">Curtis Roads</a></p><p>&nbsp;</p><p><a href="https://www.antheacaddy.net/" rel="noopener noreferrer" target="_blank">Anthea Caddy</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Marcin Pietruszewski is a composer and researcher. He is engaged in sound synthesis and composition with computers, exploring specific formal developments in the tradition of electroacoustic music and contemporary sound art, as well as extra-musical domains of auditory design, computational linguistics and psychoacoustics. He works across performance, multimedia installation and radio productions probing the dynamics between formalism of synthetic sound and its material realisation.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</p><br><p><a href="https://www.marcinpietruszewski.com/" rel="noopener noreferrer" target="_blank">Marcin’s website</a></p><p>&nbsp;</p><p><a href="https://era.ed.ac.uk/server/api/core/bitstreams/52092c7c-4ef1-448d-8757-5d246ab93cf0/content" rel="noopener noreferrer" target="_blank">Steven R Holtzman’s PhD Thesis</a></p><br><p><a href="https://karlrecords.bandcamp.com/album/la-l-gende-deer" rel="noopener noreferrer" target="_blank">La Légende d'Eer by Xenakis</a></p><p>&nbsp;</p><p><a href="https://academic.oup.com/book/39395/chapter/339085297" rel="noopener noreferrer" target="_blank">The Myth of Perfect Fidelity Melle Jan Kromhout</a></p><p>&nbsp;</p><p><a href="https://normification.bandcamp.com/album/normification-diag071" rel="noopener noreferrer" target="_blank">NORMIFICATION</a></p><p>&nbsp;</p><p><a href="https://norm.to/" rel="noopener noreferrer" target="_blank">Norm</a></p><p>&nbsp;</p><p><a href="https://florianhecker.blogspot.com/" rel="noopener noreferrer" target="_blank">Florian Hecker</a></p><p>&nbsp;</p><p><a href="https://piethopraxis.org/" rel="noopener noreferrer" target="_blank">Marcus Schmickler</a></p><p>&nbsp;</p><p><a href="https://direct.mit.edu/books/monograph/3887/Auditory-Scene-AnalysisThe-Perceptual-Organization" rel="noopener noreferrer" target="_blank">Albert Bregman Auditory Scene Analysis</a></p><p>&nbsp;</p><p><a href="https://christopherhaworth.bandcamp.com/album/auditory-distortion-synthesis" rel="noopener noreferrer" target="_blank">Auditory Distortion Synthesis by Christopher Hayworth</a></p><p>&nbsp;</p><p><a href="https://en.wikipedia.org/wiki/Combination_tone" rel="noopener noreferrer" target="_blank">Tartini Tones / Combination Tones</a></p><p>&nbsp;</p><p><a href="https://en.wikipedia.org/wiki/Maryanne_Amacher" rel="noopener noreferrer" target="_blank">Maryanne Amacher</a></p><p>&nbsp;</p><p><a href="https://sonig.bandcamp.com/" rel="noopener noreferrer" target="_blank">Sonig</a></p><p>&nbsp;</p><p><a href="https://en.wikipedia.org/wiki/G%C3%A9rard_Grisey" rel="noopener noreferrer" target="_blank">Gerard Grisey</a></p><p>&nbsp;</p><p><a href="https://en.wikipedia.org/wiki/Jocelyn_Bell_Burnell" rel="noopener noreferrer" target="_blank">Jocelyn Bell Burnell</a></p><p>&nbsp;</p><p><a href="https://www.curtisroads.net/" rel="noopener noreferrer" target="_blank">Curtis Roads</a></p><p>&nbsp;</p><p><a href="https://www.antheacaddy.net/" rel="noopener noreferrer" target="_blank">Anthea Caddy</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>EP19 France Jobin</title>
			<itunes:title>EP19 France Jobin</itunes:title>
			<pubDate>Mon, 16 Feb 2026 06:00:00 GMT</pubDate>
			<itunes:duration>1:35:13</itunes:duration>
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			<acast:showId>6616b831a9dc1e00168de1dd</acast:showId>
			<acast:episodeUrl>ep19-france-jobin</acast:episodeUrl>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>3</itunes:season>
			<itunes:episode>19</itunes:episode>
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			<description><![CDATA[<p>France Jobin&nbsp;is a sound / installation / artist, composer and curator residing in Montreal, Canada. Her audio art can be qualified as “sound-sculpture”, revealing a minimalist approach to complex sound environments&nbsp;where analog and digital intersect. Her installations express a parallel path, incorporating both musical and visual elements inspired by the architecture of physical spaces. Her works can be “experienced” in a variety of unconventional spaces and new technology festivals across Canada, the United States, South America, South Africa, Europe, Australia, Japan and South Korea. Since 2009, her focus has been related to Quantum mechanics. Many of her projects are inspired by theories related to topics such as vacuum decay, string theory and more recently, what she feels to be the most perplexing phenomenon in the world of the quantum , entanglement resulting in a first presentation, Entanglement A/V, with visual artist Markus Heckmann, which&nbsp;delves into the realms of quantum physics&nbsp;premiered at Mutek Mtl 2021.</p><br><p><a href="https://www.francejobin.com/" rel="noopener noreferrer" target="_blank">https://www.francejobin.com/</a></p><br><p>Infinite Possibilities (Particle 1) - <a href="https://francejobin.bandcamp.com/album/infinite-possibilities-particle-1" rel="noopener noreferrer" target="_blank">https://francejobin.bandcamp.com/album/infinite-possibilities-particle-1</a></p><br><p>Infinite Probabilities (Particle 2) - <a href="https://francejobin.bandcamp.com/album/infinite-probabilities-particle-2" rel="noopener noreferrer" target="_blank">https://francejobin.bandcamp.com/album/infinite-probabilities-particle-2</a></p><br><p>Spring Meandering 2023 - <a href="https://francejobin.bandcamp.com/track/spring-meandering-2023" rel="noopener noreferrer" target="_blank">https://francejobin.bandcamp.com/track/spring-meandering-2023</a></p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>France Jobin&nbsp;is a sound / installation / artist, composer and curator residing in Montreal, Canada. Her audio art can be qualified as “sound-sculpture”, revealing a minimalist approach to complex sound environments&nbsp;where analog and digital intersect. Her installations express a parallel path, incorporating both musical and visual elements inspired by the architecture of physical spaces. Her works can be “experienced” in a variety of unconventional spaces and new technology festivals across Canada, the United States, South America, South Africa, Europe, Australia, Japan and South Korea. Since 2009, her focus has been related to Quantum mechanics. Many of her projects are inspired by theories related to topics such as vacuum decay, string theory and more recently, what she feels to be the most perplexing phenomenon in the world of the quantum , entanglement resulting in a first presentation, Entanglement A/V, with visual artist Markus Heckmann, which&nbsp;delves into the realms of quantum physics&nbsp;premiered at Mutek Mtl 2021.</p><br><p><a href="https://www.francejobin.com/" rel="noopener noreferrer" target="_blank">https://www.francejobin.com/</a></p><br><p>Infinite Possibilities (Particle 1) - <a href="https://francejobin.bandcamp.com/album/infinite-possibilities-particle-1" rel="noopener noreferrer" target="_blank">https://francejobin.bandcamp.com/album/infinite-possibilities-particle-1</a></p><br><p>Infinite Probabilities (Particle 2) - <a href="https://francejobin.bandcamp.com/album/infinite-probabilities-particle-2" rel="noopener noreferrer" target="_blank">https://francejobin.bandcamp.com/album/infinite-probabilities-particle-2</a></p><br><p>Spring Meandering 2023 - <a href="https://francejobin.bandcamp.com/track/spring-meandering-2023" rel="noopener noreferrer" target="_blank">https://francejobin.bandcamp.com/track/spring-meandering-2023</a></p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>EP18 Ali Robertson</title>
			<itunes:title>EP18 Ali Robertson</itunes:title>
			<pubDate>Mon, 02 Feb 2026 06:00:00 GMT</pubDate>
			<itunes:duration>1:28:37</itunes:duration>
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			<acast:episodeId>696d47a84796fcbb57c95745</acast:episodeId>
			<acast:showId>6616b831a9dc1e00168de1dd</acast:showId>
			<acast:episodeUrl>ep18-ali-robertson</acast:episodeUrl>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>3</itunes:season>
			<itunes:episode>18</itunes:episode>
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			<description><![CDATA[<p>Ali Robertson, an award-winning improvising musician from Edinburgh, has been active in the experimental music scene for over twenty-five years, touring across three continents and becoming a regular on the international music festival circuit. His work exists on the periphery of what can be described as music, incorporating elements of improvisation, noise, composition, chance, comedy, spoken word, visual art, and storytelling. Best known for his work in the free improv performance duo Usurper, which he and cartoonist Malcy Duff performed as between 2003 and 2023, and for his work with the inclusive ensemble Sonic Bothy, as both a player and a workshop facilitator, Ali also performs solo and has collaborated with countless artists worldwide. Since 2000, he has operated the imprint Giant Tank, releasing dozens of CDs, cassettes, LPs, and publications, and hosting an ongoing series of concerts in Edinburgh under the TFEH banner, alongside his co-curator Firas Khnaisser.</p><br><p>The Instramentalest - <a href="https://gianttank.bandcamp.com/album/the-instrumentalest" rel="noopener noreferrer" target="_blank">https://gianttank.bandcamp.com/album/the-instrumentalest</a></p><br><p>Verbaaaaatim - <a href="https://www.youtube.com/watch?v=-GXakMuyw-I" rel="noopener noreferrer" target="_blank">https://www.youtube.com/watch?v=-GXakMuyw-I</a></p><br><p><a href="https://gianttankeh.tumblr.com/" rel="noopener noreferrer" target="_blank">https://gianttankeh.tumblr.com/</a></p><br><p><a href="https://gianttank.bandcamp.com/" rel="noopener noreferrer" target="_blank">https://gianttank.bandcamp.com/</a></p><br><p><a href="https://www.instagram.com/gianttankagainsttedium/" rel="noopener noreferrer" target="_blank">https://www.instagram.com/gianttankagainsttedium/</a></p><br><p><a href="https://www.youtube.com/@TFEHGIGS/videos" rel="noopener noreferrer" target="_blank">https://www.youtube.com/@TFEHGIGS/videos</a></p><br><p>https://www.sonicbothy.co.uk/</p><br><p><br></p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Ali Robertson, an award-winning improvising musician from Edinburgh, has been active in the experimental music scene for over twenty-five years, touring across three continents and becoming a regular on the international music festival circuit. His work exists on the periphery of what can be described as music, incorporating elements of improvisation, noise, composition, chance, comedy, spoken word, visual art, and storytelling. Best known for his work in the free improv performance duo Usurper, which he and cartoonist Malcy Duff performed as between 2003 and 2023, and for his work with the inclusive ensemble Sonic Bothy, as both a player and a workshop facilitator, Ali also performs solo and has collaborated with countless artists worldwide. Since 2000, he has operated the imprint Giant Tank, releasing dozens of CDs, cassettes, LPs, and publications, and hosting an ongoing series of concerts in Edinburgh under the TFEH banner, alongside his co-curator Firas Khnaisser.</p><br><p>The Instramentalest - <a href="https://gianttank.bandcamp.com/album/the-instrumentalest" rel="noopener noreferrer" target="_blank">https://gianttank.bandcamp.com/album/the-instrumentalest</a></p><br><p>Verbaaaaatim - <a href="https://www.youtube.com/watch?v=-GXakMuyw-I" rel="noopener noreferrer" target="_blank">https://www.youtube.com/watch?v=-GXakMuyw-I</a></p><br><p><a href="https://gianttankeh.tumblr.com/" rel="noopener noreferrer" target="_blank">https://gianttankeh.tumblr.com/</a></p><br><p><a href="https://gianttank.bandcamp.com/" rel="noopener noreferrer" target="_blank">https://gianttank.bandcamp.com/</a></p><br><p><a href="https://www.instagram.com/gianttankagainsttedium/" rel="noopener noreferrer" target="_blank">https://www.instagram.com/gianttankagainsttedium/</a></p><br><p><a href="https://www.youtube.com/@TFEHGIGS/videos" rel="noopener noreferrer" target="_blank">https://www.youtube.com/@TFEHGIGS/videos</a></p><br><p>https://www.sonicbothy.co.uk/</p><br><p><br></p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>EP17 Cindy Islam</title>
			<itunes:title>EP17 Cindy Islam</itunes:title>
			<pubDate>Mon, 19 Jan 2026 06:00:00 GMT</pubDate>
			<itunes:duration>1:18:07</itunes:duration>
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			<acast:episodeId>69617e3079fe7d55456da335</acast:episodeId>
			<acast:showId>6616b831a9dc1e00168de1dd</acast:showId>
			<acast:episodeUrl>ep17-cindy-islam</acast:episodeUrl>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>3</itunes:season>
			<itunes:episode>17</itunes:episode>
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			<description><![CDATA[<p>Cindy Islam is a Glasgow-based Iraqi veiled sound artist who layers drone frequencies with prayers. Their work begins with a core belief that all art-making is an act of listening — whether to our individual or collective histories / behaviours / philosophies / traumas / futures. Working across media, they primarily explore this framework of listening through sound.</p><br><p>Image by Haneen Hadiy</p><p>https://haneenhadiy.com </p><p>https://www.instagram.com/haneenhadiy </p><br><p><a href="https://sites.google.com/view/cindyislam" rel="noopener noreferrer" target="_blank">https://sites.google.com/view/cindyislam</a></p><br><p><a href="https://cindyislam.bandcamp.com/" rel="noopener noreferrer" target="_blank">https://cindyislam.bandcamp.com/</a></p><br><p><a href="https://www.listengallery.co.uk/" rel="noopener noreferrer" target="_blank">https://www.listengallery.co.uk/</a></p><br><p><a href="https://www.instagram.com/cindyislam" rel="noopener noreferrer" target="_blank">https://www.instagram.com/cindyislam</a></p><br><p><a href="https://www.instagram.com/bakedbeansonthedoorstep" rel="noopener noreferrer" target="_blank">https://www.instagram.com/bakedbeansonthedoorstep</a></p><br><p><a href="https://buenavida.co.uk/fossilised-frequencies/" rel="noopener noreferrer" target="_blank">https://buenavida.co.uk/fossilised-frequencies/</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Cindy Islam is a Glasgow-based Iraqi veiled sound artist who layers drone frequencies with prayers. Their work begins with a core belief that all art-making is an act of listening — whether to our individual or collective histories / behaviours / philosophies / traumas / futures. Working across media, they primarily explore this framework of listening through sound.</p><br><p>Image by Haneen Hadiy</p><p>https://haneenhadiy.com </p><p>https://www.instagram.com/haneenhadiy </p><br><p><a href="https://sites.google.com/view/cindyislam" rel="noopener noreferrer" target="_blank">https://sites.google.com/view/cindyislam</a></p><br><p><a href="https://cindyislam.bandcamp.com/" rel="noopener noreferrer" target="_blank">https://cindyislam.bandcamp.com/</a></p><br><p><a href="https://www.listengallery.co.uk/" rel="noopener noreferrer" target="_blank">https://www.listengallery.co.uk/</a></p><br><p><a href="https://www.instagram.com/cindyislam" rel="noopener noreferrer" target="_blank">https://www.instagram.com/cindyislam</a></p><br><p><a href="https://www.instagram.com/bakedbeansonthedoorstep" rel="noopener noreferrer" target="_blank">https://www.instagram.com/bakedbeansonthedoorstep</a></p><br><p><a href="https://buenavida.co.uk/fossilised-frequencies/" rel="noopener noreferrer" target="_blank">https://buenavida.co.uk/fossilised-frequencies/</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>EP16 Jack Chuter</title>
			<itunes:title>EP16 Jack Chuter</itunes:title>
			<pubDate>Mon, 05 Jan 2026 06:00:00 GMT</pubDate>
			<itunes:duration>1:24:26</itunes:duration>
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			<acast:episodeId>694956a6184761c021e407d0</acast:episodeId>
			<acast:showId>6616b831a9dc1e00168de1dd</acast:showId>
			<acast:episodeUrl>ep16-jack-chuter</acast:episodeUrl>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>3</itunes:season>
			<itunes:episode>16</itunes:episode>
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			<description><![CDATA[<p>Jack Chuter&nbsp;is a musician, journalist, podcaster, author, and label owner from Bournemouth, England. They run ATTN:Magazine, which is an exploration of new experimental music and sound art, founded on a love for the failures and contradictions in articulating the experience of listening. It's also home to the&nbsp;<a href="https://www.attnmagazine.co.uk/tag/crucial-listening/" rel="noopener noreferrer" target="_blank">Crucial Listening podcast</a>&nbsp;and the&nbsp;<a href="https://hardreturn.bandcamp.com/?ref=attnmagazine.co.uk" rel="noopener noreferrer" target="_blank">Hard Return label.</a></p><br><p>Jack's other creative music projects</p><p><a href="https://chuter.bandcamp.com/" rel="noopener noreferrer" target="_blank">https://chuter.bandcamp.com/</a></p><p><a href="https://gguueesssswwoorrkk.bandcamp.com/" rel="noopener noreferrer" target="_blank">https://gguueesssswwoorrkk.bandcamp.com/</a></p><p><a href="https://gguueesssswwoorrkk.bandcamp.com/album/inclination" rel="noopener noreferrer" target="_blank">https://gguueesssswwoorrkk.bandcamp.com/album/inclination</a></p><p><a href="https://swallowing.bandcamp.com/" rel="noopener noreferrer" target="_blank">https://swallowing.bandcamp.com/</a></p><p><a href="https://multiplying.bandcamp.com/" rel="noopener noreferrer" target="_blank">https://multiplying.bandcamp.com/</a></p><p><a href="https://cruelnaturerecordings.bandcamp.com/album/beams" rel="noopener noreferrer" target="_blank">https://cruelnaturerecordings.bandcamp.com/album/beams</a></p><br><p>Jack’s podcast Crucial Listening</p><p><a href="https://www.attnmagazine.co.uk/tag/crucial-listening/" rel="noopener noreferrer" target="_blank">https://www.attnmagazine.co.uk/tag/crucial-listening/</a></p><br><p>Jack’s Reviews</p><p><a href="https://www.attnmagazine.co.uk/tag/record/" rel="noopener noreferrer" target="_blank">https://www.attnmagazine.co.uk/tag/record/</a></p><br><p>Jack’s label Hard Return</p><p><a href="https://hardreturn.bandcamp.com/" rel="noopener noreferrer" target="_blank">https://hardreturn.bandcamp.com/</a></p><br><p>Jack’s book about post rock music</p><p><a href="https://www.amazon.co.uk/Storm-Static-Sleep-Pathway-Post-Rock/dp/0957249225" rel="noopener noreferrer" target="_blank">https://www.amazon.co.uk/Storm-Static-Sleep-Pathway-Post-Rock/dp/0957249225</a></p><br><p>Jack’s Mastering work</p><p><a href="https://www.attnmagazine.co.uk/mastering/" rel="noopener noreferrer" target="_blank">https://www.attnmagazine.co.uk/mastering/</a></p><br><p>Michael D Brown</p><p><a href="https://fleshlicker.bandcamp.com/music" rel="noopener noreferrer" target="_blank">https://fleshlicker.bandcamp.com/music</a></p><p><a href="https://foulprey.bandcamp.com/music" rel="noopener noreferrer" target="_blank">https://foulprey.bandcamp.com/music</a></p><br><p>Lucia H Chung</p><p><a href="https://luciahchung.com/" rel="noopener noreferrer" target="_blank">https://luciahchung.com/</a></p><p><a href="https://encreuxmusic.bandcamp.com/" rel="noopener noreferrer" target="_blank">https://encreuxmusic.bandcamp.com/</a></p><p><a href="https://shows.acast.com/into-the-noise/episodes/ep14-lucia-h-chung" rel="noopener noreferrer" target="_blank">https://shows.acast.com/into-the-noise/episodes/ep14-lucia-h-chung</a></p><p><a href="https://sm-ll.com/en-gbp" rel="noopener noreferrer" target="_blank">https://sm-ll.com/en-gbp</a></p><p><a href="https://sm-ll.bandcamp.com/" rel="noopener noreferrer" target="_blank">https://sm-ll.bandcamp.com/</a></p><br><p>Jack's equipment</p><p>Maximal Drone Synth</p><p><a href="https://handmadeelectronicinstruments.com/product/maximal-drone/?srsltid=AfmBOoprNPItFcvwaQTPiczNBRdt-GeMMxJbNgKqg3ImhJgkOc2w29CK" rel="noopener noreferrer" target="_blank">https://handmadeelectronicinstruments.com/product/maximal-drone/?srsltid=AfmBOoprNPItFcvwaQTPiczNBRdt-GeMMxJbNgKqg3ImhJgkOc2w29CK</a></p><p>Audible Disease Rupture</p><p><a href="https://www.audibledisease.com/product/rupture_rp-2" rel="noopener noreferrer" target="_blank">https://www.audibledisease.com/product/rupture_rp-2</a></p><br><p>Cafe Oto Falling Cat Problem</p><p><a href="https://www.cafeoto.co.uk/artists/falling-cat-problem/" rel="noopener noreferrer" target="_blank">https://www.cafeoto.co.uk/artists/falling-cat-problem/</a></p><br><p>Adrian Newton</p><p><a href="https://evergreenmusic1.bandcamp.com/" rel="noopener noreferrer" target="_blank">https://evergreenmusic1.bandcamp.com/</a></p><p><a href="https://nocontext1.bandcamp.com/" rel="noopener noreferrer" target="_blank">https://nocontext1.bandcamp.com/</a></p><p><a href="https://shows.acast.com/sound-mosaics-for-a-broken-world" rel="noopener noreferrer" target="_blank">https://shows.acast.com/sound-mosaics-for-a-broken-world</a></p><br><p>Felicia Atkinson</p><p><a href="https://www.attnmagazine.co.uk/crucial-listening-171-felicia-atkinson/" rel="noopener noreferrer" target="_blank">https://www.attnmagazine.co.uk/crucial-listening-171-felicia-atkinson/</a></p><p>Taito Station</p><p><a href="https://www.taito.co.jp/en/" rel="noopener noreferrer" target="_blank">https://www.taito.co.jp/en/</a></p><p>Teamlabs</p><p><a href="https://www.teamlab.art/e/planets/" rel="noopener noreferrer" target="_blank">https://www.teamlab.art/e/planets/</a></p><p>[Ahmed]</p><p><a href="https://ahmedquartet.bandcamp.com/music" rel="noopener noreferrer" target="_blank">https://ahmedquartet.bandcamp.com/music</a></p><p>Oren Ambarchi</p><p><a href="https://orenambarchi.com/" rel="noopener noreferrer" target="_blank">https://orenambarchi.com/</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Jack Chuter&nbsp;is a musician, journalist, podcaster, author, and label owner from Bournemouth, England. They run ATTN:Magazine, which is an exploration of new experimental music and sound art, founded on a love for the failures and contradictions in articulating the experience of listening. It's also home to the&nbsp;<a href="https://www.attnmagazine.co.uk/tag/crucial-listening/" rel="noopener noreferrer" target="_blank">Crucial Listening podcast</a>&nbsp;and the&nbsp;<a href="https://hardreturn.bandcamp.com/?ref=attnmagazine.co.uk" rel="noopener noreferrer" target="_blank">Hard Return label.</a></p><br><p>Jack's other creative music projects</p><p><a href="https://chuter.bandcamp.com/" rel="noopener noreferrer" target="_blank">https://chuter.bandcamp.com/</a></p><p><a href="https://gguueesssswwoorrkk.bandcamp.com/" rel="noopener noreferrer" target="_blank">https://gguueesssswwoorrkk.bandcamp.com/</a></p><p><a href="https://gguueesssswwoorrkk.bandcamp.com/album/inclination" rel="noopener noreferrer" target="_blank">https://gguueesssswwoorrkk.bandcamp.com/album/inclination</a></p><p><a href="https://swallowing.bandcamp.com/" rel="noopener noreferrer" target="_blank">https://swallowing.bandcamp.com/</a></p><p><a href="https://multiplying.bandcamp.com/" rel="noopener noreferrer" target="_blank">https://multiplying.bandcamp.com/</a></p><p><a href="https://cruelnaturerecordings.bandcamp.com/album/beams" rel="noopener noreferrer" target="_blank">https://cruelnaturerecordings.bandcamp.com/album/beams</a></p><br><p>Jack’s podcast Crucial Listening</p><p><a href="https://www.attnmagazine.co.uk/tag/crucial-listening/" rel="noopener noreferrer" target="_blank">https://www.attnmagazine.co.uk/tag/crucial-listening/</a></p><br><p>Jack’s Reviews</p><p><a href="https://www.attnmagazine.co.uk/tag/record/" rel="noopener noreferrer" target="_blank">https://www.attnmagazine.co.uk/tag/record/</a></p><br><p>Jack’s label Hard Return</p><p><a href="https://hardreturn.bandcamp.com/" rel="noopener noreferrer" target="_blank">https://hardreturn.bandcamp.com/</a></p><br><p>Jack’s book about post rock music</p><p><a href="https://www.amazon.co.uk/Storm-Static-Sleep-Pathway-Post-Rock/dp/0957249225" rel="noopener noreferrer" target="_blank">https://www.amazon.co.uk/Storm-Static-Sleep-Pathway-Post-Rock/dp/0957249225</a></p><br><p>Jack’s Mastering work</p><p><a href="https://www.attnmagazine.co.uk/mastering/" rel="noopener noreferrer" target="_blank">https://www.attnmagazine.co.uk/mastering/</a></p><br><p>Michael D Brown</p><p><a href="https://fleshlicker.bandcamp.com/music" rel="noopener noreferrer" target="_blank">https://fleshlicker.bandcamp.com/music</a></p><p><a href="https://foulprey.bandcamp.com/music" rel="noopener noreferrer" target="_blank">https://foulprey.bandcamp.com/music</a></p><br><p>Lucia H Chung</p><p><a href="https://luciahchung.com/" rel="noopener noreferrer" target="_blank">https://luciahchung.com/</a></p><p><a href="https://encreuxmusic.bandcamp.com/" rel="noopener noreferrer" target="_blank">https://encreuxmusic.bandcamp.com/</a></p><p><a href="https://shows.acast.com/into-the-noise/episodes/ep14-lucia-h-chung" rel="noopener noreferrer" target="_blank">https://shows.acast.com/into-the-noise/episodes/ep14-lucia-h-chung</a></p><p><a href="https://sm-ll.com/en-gbp" rel="noopener noreferrer" target="_blank">https://sm-ll.com/en-gbp</a></p><p><a href="https://sm-ll.bandcamp.com/" rel="noopener noreferrer" target="_blank">https://sm-ll.bandcamp.com/</a></p><br><p>Jack's equipment</p><p>Maximal Drone Synth</p><p><a href="https://handmadeelectronicinstruments.com/product/maximal-drone/?srsltid=AfmBOoprNPItFcvwaQTPiczNBRdt-GeMMxJbNgKqg3ImhJgkOc2w29CK" rel="noopener noreferrer" target="_blank">https://handmadeelectronicinstruments.com/product/maximal-drone/?srsltid=AfmBOoprNPItFcvwaQTPiczNBRdt-GeMMxJbNgKqg3ImhJgkOc2w29CK</a></p><p>Audible Disease Rupture</p><p><a href="https://www.audibledisease.com/product/rupture_rp-2" rel="noopener noreferrer" target="_blank">https://www.audibledisease.com/product/rupture_rp-2</a></p><br><p>Cafe Oto Falling Cat Problem</p><p><a href="https://www.cafeoto.co.uk/artists/falling-cat-problem/" rel="noopener noreferrer" target="_blank">https://www.cafeoto.co.uk/artists/falling-cat-problem/</a></p><br><p>Adrian Newton</p><p><a href="https://evergreenmusic1.bandcamp.com/" rel="noopener noreferrer" target="_blank">https://evergreenmusic1.bandcamp.com/</a></p><p><a href="https://nocontext1.bandcamp.com/" rel="noopener noreferrer" target="_blank">https://nocontext1.bandcamp.com/</a></p><p><a href="https://shows.acast.com/sound-mosaics-for-a-broken-world" rel="noopener noreferrer" target="_blank">https://shows.acast.com/sound-mosaics-for-a-broken-world</a></p><br><p>Felicia Atkinson</p><p><a href="https://www.attnmagazine.co.uk/crucial-listening-171-felicia-atkinson/" rel="noopener noreferrer" target="_blank">https://www.attnmagazine.co.uk/crucial-listening-171-felicia-atkinson/</a></p><p>Taito Station</p><p><a href="https://www.taito.co.jp/en/" rel="noopener noreferrer" target="_blank">https://www.taito.co.jp/en/</a></p><p>Teamlabs</p><p><a href="https://www.teamlab.art/e/planets/" rel="noopener noreferrer" target="_blank">https://www.teamlab.art/e/planets/</a></p><p>[Ahmed]</p><p><a href="https://ahmedquartet.bandcamp.com/music" rel="noopener noreferrer" target="_blank">https://ahmedquartet.bandcamp.com/music</a></p><p>Oren Ambarchi</p><p><a href="https://orenambarchi.com/" rel="noopener noreferrer" target="_blank">https://orenambarchi.com/</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>EP15 Lauren Sarah Hayes</title>
			<itunes:title>EP15 Lauren Sarah Hayes</itunes:title>
			<pubDate>Mon, 12 May 2025 05:00:11 GMT</pubDate>
			<itunes:duration>1:19:55</itunes:duration>
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			<acast:episodeId>6765522c25a0b820a238b442</acast:episodeId>
			<acast:showId>6616b831a9dc1e00168de1dd</acast:showId>
			<acast:episodeUrl>ep15-lauren-sarah-hayes</acast:episodeUrl>
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			<itunes:season>2</itunes:season>
			<itunes:episode>15</itunes:episode>
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			<description><![CDATA[<p>Lauren Sarah Hayes is a Scottish improviser, sound artist, and scholar who is recognised for her embodied approach to computer music. Her music is a mix of experimental pop/live electronics/techno/noise/free improvisation and has been described as "voracious" and "exhilarating". Her performances stretch, transform, and sculpt sound by manipulating, remixing, and bending voice, drum machines, analogue synths and self-built software live and physically. Her shows are highly gestural, exploring the ephemeral and fragile relationships between sounds, spaces, and audiences. Over nearly two decades, she has developed and honed her live electronics improvisation system, an instrument that allows her to playfully navigate between the realms of responsiveness and unpredictability in both her solo performances and numerous collaborations.</p><br><p><a href="https://eprints.hud.ac.uk/id/eprint/35726/1/Hart%20THESIS.pdf" rel="noopener noreferrer" target="_blank">Jacob Heart PhD analysis of Lauren’s code</a></p><p><a href="https://www.flucoma.org/" rel="noopener noreferrer" target="_blank">FLucoma</a></p><p><a href="https://theanarchistlibrary.org/library/greg-jackson-authoritarian-leftists-kill-the-cop-in-your-head" rel="noopener noreferrer" target="_blank">Greg Lewis/Greg Jackson – Kill The Cop in Your Head</a></p><p><a href="https://www.penguin.co.uk/books/441886/on-freedom-by-nelson-maggie/9781529113341" rel="noopener noreferrer" target="_blank">Maggie Nelson On Freedom</a></p><p><a href="https://global.oup.com/academic/product/ways-of-listening-9780195151947?cc=gb&amp;lang=en&amp;" rel="noopener noreferrer" target="_blank">Eric Clark Ways of Listening</a></p><p><a href="https://wiser.wits.ac.za/people/achille-mbembe" rel="noopener noreferrer" target="_blank">Achille Mbembe</a></p><br><p><a href="https://www.laurensarahhayes.com/" rel="noopener noreferrer" target="_blank">Lauren’s website</a></p><p><a href="https://laurensarahhayes.bandcamp.com/album/embrace" rel="noopener noreferrer" target="_blank">Embrace</a></p><p><a href="https://laurensarahhayes.bandcamp.com/album/mini-savior-opt" rel="noopener noreferrer" target="_blank">Mini Savior Opt.</a></p><p><a href="https://hardreturn.bandcamp.com/album/compilation" rel="noopener noreferrer" target="_blank">Compilation from Hard Return</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Lauren Sarah Hayes is a Scottish improviser, sound artist, and scholar who is recognised for her embodied approach to computer music. Her music is a mix of experimental pop/live electronics/techno/noise/free improvisation and has been described as "voracious" and "exhilarating". Her performances stretch, transform, and sculpt sound by manipulating, remixing, and bending voice, drum machines, analogue synths and self-built software live and physically. Her shows are highly gestural, exploring the ephemeral and fragile relationships between sounds, spaces, and audiences. Over nearly two decades, she has developed and honed her live electronics improvisation system, an instrument that allows her to playfully navigate between the realms of responsiveness and unpredictability in both her solo performances and numerous collaborations.</p><br><p><a href="https://eprints.hud.ac.uk/id/eprint/35726/1/Hart%20THESIS.pdf" rel="noopener noreferrer" target="_blank">Jacob Heart PhD analysis of Lauren’s code</a></p><p><a href="https://www.flucoma.org/" rel="noopener noreferrer" target="_blank">FLucoma</a></p><p><a href="https://theanarchistlibrary.org/library/greg-jackson-authoritarian-leftists-kill-the-cop-in-your-head" rel="noopener noreferrer" target="_blank">Greg Lewis/Greg Jackson – Kill The Cop in Your Head</a></p><p><a href="https://www.penguin.co.uk/books/441886/on-freedom-by-nelson-maggie/9781529113341" rel="noopener noreferrer" target="_blank">Maggie Nelson On Freedom</a></p><p><a href="https://global.oup.com/academic/product/ways-of-listening-9780195151947?cc=gb&amp;lang=en&amp;" rel="noopener noreferrer" target="_blank">Eric Clark Ways of Listening</a></p><p><a href="https://wiser.wits.ac.za/people/achille-mbembe" rel="noopener noreferrer" target="_blank">Achille Mbembe</a></p><br><p><a href="https://www.laurensarahhayes.com/" rel="noopener noreferrer" target="_blank">Lauren’s website</a></p><p><a href="https://laurensarahhayes.bandcamp.com/album/embrace" rel="noopener noreferrer" target="_blank">Embrace</a></p><p><a href="https://laurensarahhayes.bandcamp.com/album/mini-savior-opt" rel="noopener noreferrer" target="_blank">Mini Savior Opt.</a></p><p><a href="https://hardreturn.bandcamp.com/album/compilation" rel="noopener noreferrer" target="_blank">Compilation from Hard Return</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>EP14 Lucia H Chung</title>
			<itunes:title>EP14 Lucia H Chung</itunes:title>
			<pubDate>Mon, 28 Apr 2025 05:00:44 GMT</pubDate>
			<itunes:duration>1:48:38</itunes:duration>
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			<itunes:episode>14</itunes:episode>
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			<description><![CDATA[<p>Lucia H Chung is a Taiwanese artist based in London, United Kingdom. She performs and releases music under the alias ‘en creux’ where the sound creation springs from her fascinations in noise generated through no-input feedback mixing board. The volatile nature of the system and the unpredictable glitch from the excessive energy pouring into the equipment becomes her improvisational and compositional strategy.&nbsp;</p><br><p><br></p><p><a href="https://luciahchung.com/" rel="noopener noreferrer" target="_blank">Lucia’s website</a></p><p><a href="https://encreuxmusic.bandcamp.com/" rel="noopener noreferrer" target="_blank">Lucia’s Bandcamp</a></p><br><p><a href="https://arell.bandcamp.com/album/inner-geography" rel="noopener noreferrer" target="_blank">Inner Geography</a></p><p><a href="https://falt.bandcamp.com/album/phase" rel="noopener noreferrer" target="_blank">Phase</a></p><p><a href="https://encreuxmusic.bandcamp.com/album/studies-of-impassable-landscapes" rel="noopener noreferrer" target="_blank">Black Fountain from Studies of Impassable Landscapes</a></p><br><p><a href="https://www.instagram.com/rachelwhitereadofficial/?hl=en" rel="noopener noreferrer" target="_blank">Rachel Whiteread’s Instagram</a></p><p><a href="https://www.youtube.com/watch?v=fAxHlLK3Oyk" rel="noopener noreferrer" target="_blank">I Am Sitting In A Room by Alvin Lucier</a></p><p><a href="https://cup.columbia.edu/book/audio-vision-sound-on-screen/9780231185899" rel="noopener noreferrer" target="_blank">Audio-Vision by Michel Chion</a></p><p><a href="https://en.audiofanzine.com/analog-mixer/etek/AD1223/" rel="noopener noreferrer" target="_blank">ETEK AD 1223 Mixer</a></p><p><a href="https://archive.org/details/manualzilla-id-6968684" rel="noopener noreferrer" target="_blank">Tapco MIX 260 FX</a></p><p><a href="https://en.wikipedia.org/wiki/MXR_Phase_90" rel="noopener noreferrer" target="_blank">MXR Phase 90 pedal</a></p><p><a href="https://www.jomox.de/product_details.php?lang=2&amp;category=3&amp;product_id=3" rel="noopener noreferrer" target="_blank">Jomox T-Resonator</a></p><p><a href="https://www.otomachines.com/product/bam/" rel="noopener noreferrer" target="_blank">OTO BAM Space Generator reverb unit</a></p><p><a href="https://www.tcelectronic.com/product.html?modelCode=0709-AFC" rel="noopener noreferrer" target="_blank">TC Electronic Flashback Delay</a></p><p>Other NIMB Musicians:</p><p><a href="https://www.toshimarunakamura.com/home" rel="noopener noreferrer" target="_blank">Toshimaru Nakamura</a></p><p><a href="https://andrewlesliehooker.bandcamp.com/" rel="noopener noreferrer" target="_blank">Andrew Leslie Hooker</a></p><p><a href="https://davidleemyers.bandcamp.com/" rel="noopener noreferrer" target="_blank">David Lee Myers</a></p><br><p>This episode was researched, hosted, produced, and edited by Jim Reeve-Baker.</p><p>The photograph used for this episode's artwork was taken by <a href="https://taotzuchang.com/" rel="noopener noreferrer" target="_blank">Taotzu Chang</a></p><br><p>Thanks for listening.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Lucia H Chung is a Taiwanese artist based in London, United Kingdom. She performs and releases music under the alias ‘en creux’ where the sound creation springs from her fascinations in noise generated through no-input feedback mixing board. The volatile nature of the system and the unpredictable glitch from the excessive energy pouring into the equipment becomes her improvisational and compositional strategy.&nbsp;</p><br><p><br></p><p><a href="https://luciahchung.com/" rel="noopener noreferrer" target="_blank">Lucia’s website</a></p><p><a href="https://encreuxmusic.bandcamp.com/" rel="noopener noreferrer" target="_blank">Lucia’s Bandcamp</a></p><br><p><a href="https://arell.bandcamp.com/album/inner-geography" rel="noopener noreferrer" target="_blank">Inner Geography</a></p><p><a href="https://falt.bandcamp.com/album/phase" rel="noopener noreferrer" target="_blank">Phase</a></p><p><a href="https://encreuxmusic.bandcamp.com/album/studies-of-impassable-landscapes" rel="noopener noreferrer" target="_blank">Black Fountain from Studies of Impassable Landscapes</a></p><br><p><a href="https://www.instagram.com/rachelwhitereadofficial/?hl=en" rel="noopener noreferrer" target="_blank">Rachel Whiteread’s Instagram</a></p><p><a href="https://www.youtube.com/watch?v=fAxHlLK3Oyk" rel="noopener noreferrer" target="_blank">I Am Sitting In A Room by Alvin Lucier</a></p><p><a href="https://cup.columbia.edu/book/audio-vision-sound-on-screen/9780231185899" rel="noopener noreferrer" target="_blank">Audio-Vision by Michel Chion</a></p><p><a href="https://en.audiofanzine.com/analog-mixer/etek/AD1223/" rel="noopener noreferrer" target="_blank">ETEK AD 1223 Mixer</a></p><p><a href="https://archive.org/details/manualzilla-id-6968684" rel="noopener noreferrer" target="_blank">Tapco MIX 260 FX</a></p><p><a href="https://en.wikipedia.org/wiki/MXR_Phase_90" rel="noopener noreferrer" target="_blank">MXR Phase 90 pedal</a></p><p><a href="https://www.jomox.de/product_details.php?lang=2&amp;category=3&amp;product_id=3" rel="noopener noreferrer" target="_blank">Jomox T-Resonator</a></p><p><a href="https://www.otomachines.com/product/bam/" rel="noopener noreferrer" target="_blank">OTO BAM Space Generator reverb unit</a></p><p><a href="https://www.tcelectronic.com/product.html?modelCode=0709-AFC" rel="noopener noreferrer" target="_blank">TC Electronic Flashback Delay</a></p><p>Other NIMB Musicians:</p><p><a href="https://www.toshimarunakamura.com/home" rel="noopener noreferrer" target="_blank">Toshimaru Nakamura</a></p><p><a href="https://andrewlesliehooker.bandcamp.com/" rel="noopener noreferrer" target="_blank">Andrew Leslie Hooker</a></p><p><a href="https://davidleemyers.bandcamp.com/" rel="noopener noreferrer" target="_blank">David Lee Myers</a></p><br><p>This episode was researched, hosted, produced, and edited by Jim Reeve-Baker.</p><p>The photograph used for this episode's artwork was taken by <a href="https://taotzuchang.com/" rel="noopener noreferrer" target="_blank">Taotzu Chang</a></p><br><p>Thanks for listening.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>EP13 Nick Canney</title>
			<itunes:title>EP13 Nick Canney</itunes:title>
			<pubDate>Mon, 14 Apr 2025 05:00:50 GMT</pubDate>
			<itunes:duration>1:02:13</itunes:duration>
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			<itunes:season>2</itunes:season>
			<itunes:episode>13</itunes:episode>
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			<description><![CDATA[<p>Nicholas Kirk-Canny is an improviser, composer and creative coder with experience in instrumental and digital music. He recently completed a Ph.D. in Creative Music Practice at the University of Edinburgh, which involved the humanisation of electronic music. Currently, he is working as a postdoc at the Computer Music Laboratory at the Open University in Milton Keynes, on the Polifonia Access Pilot, which aims to develop new ways to enhance participation and engagement in music.</p><br><p><a href="https://www.instagram.com/nicholaskirkcanny/?hl=en" rel="noopener noreferrer" target="_blank">Nick’s Instagram</a></p><br><p><a href="https://soundcloud.com/nicholas-canny" rel="noopener noreferrer" target="_blank">Nick’s Soundcloud</a></p><br><p><a href="https://era.ed.ac.uk/handle/1842/39268" rel="noopener noreferrer" target="_blank">Nick’s PhD</a></p><br><p><a href="https://www.keithmcmillen.com/products/softstep/" rel="noopener noreferrer" target="_blank">Keith McMillen SoftStep</a></p><br><p><a href="https://lividinstruments.com/products/guitar-wing/" rel="noopener noreferrer" target="_blank">The Guitar Wing</a></p><br><p><a href="https://www.fishman.com/tripleplay/" rel="noopener noreferrer" target="_blank">The Triple Play MIDI pickups</a></p><br><p><a href="https://www.kurtrosenwinkel.com/" rel="noopener noreferrer" target="_blank">Kurt Rosenwinkel’s website</a></p><br><p><a href="https://musiclab.stem.open.ac.uk/" rel="noopener noreferrer" target="_blank">The Open University Music Lab website</a></p><br><p><a href="https://www.robclouth.com/" rel="noopener noreferrer" target="_blank">Rob Clouth’s website</a></p><br><p>This episode was researched, hosted, produced, and edited by Jim Reeve-Baker.</p><br><p>Thanks for listening.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Nicholas Kirk-Canny is an improviser, composer and creative coder with experience in instrumental and digital music. He recently completed a Ph.D. in Creative Music Practice at the University of Edinburgh, which involved the humanisation of electronic music. Currently, he is working as a postdoc at the Computer Music Laboratory at the Open University in Milton Keynes, on the Polifonia Access Pilot, which aims to develop new ways to enhance participation and engagement in music.</p><br><p><a href="https://www.instagram.com/nicholaskirkcanny/?hl=en" rel="noopener noreferrer" target="_blank">Nick’s Instagram</a></p><br><p><a href="https://soundcloud.com/nicholas-canny" rel="noopener noreferrer" target="_blank">Nick’s Soundcloud</a></p><br><p><a href="https://era.ed.ac.uk/handle/1842/39268" rel="noopener noreferrer" target="_blank">Nick’s PhD</a></p><br><p><a href="https://www.keithmcmillen.com/products/softstep/" rel="noopener noreferrer" target="_blank">Keith McMillen SoftStep</a></p><br><p><a href="https://lividinstruments.com/products/guitar-wing/" rel="noopener noreferrer" target="_blank">The Guitar Wing</a></p><br><p><a href="https://www.fishman.com/tripleplay/" rel="noopener noreferrer" target="_blank">The Triple Play MIDI pickups</a></p><br><p><a href="https://www.kurtrosenwinkel.com/" rel="noopener noreferrer" target="_blank">Kurt Rosenwinkel’s website</a></p><br><p><a href="https://musiclab.stem.open.ac.uk/" rel="noopener noreferrer" target="_blank">The Open University Music Lab website</a></p><br><p><a href="https://www.robclouth.com/" rel="noopener noreferrer" target="_blank">Rob Clouth’s website</a></p><br><p>This episode was researched, hosted, produced, and edited by Jim Reeve-Baker.</p><br><p>Thanks for listening.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>EP12 Ollie Turbitt</title>
			<itunes:title>EP12 Ollie Turbitt</itunes:title>
			<pubDate>Mon, 31 Mar 2025 05:00:40 GMT</pubDate>
			<itunes:duration>1:28:32</itunes:duration>
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			<itunes:episode>12</itunes:episode>
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			<description><![CDATA[<p>​ollie turbitt is a scottish-italian musician, sound artist, and audio engineer based in trento, italy. as well as providing guitar and bass duties for a handful of bands, he has pursued a fluctuating solo career in avant-garde exploration. under the pseudonyms oxhead, sforza gramsci, oj turbitt, hermetic gaze and others, his self-released cassettes, usbs and digital albums have aimed to express ideas of cultural memory, psychogeography, false consciousness and mysticism/esotericism through improvisation, sound collage, ambient textures, laptop experimentation and field recordings. ollie also runs dead hound records (which serves as a platform for both his own material and an increasing list of international experimental acts) &amp; works in freelance mixing/mastering.</p><br><p><a href="https://ollieturbitt.tumblr.com/" rel="noopener noreferrer" target="_blank">Ollie’s website</a></p><p><a href="https://deadhound.bandcamp.com/" rel="noopener noreferrer" target="_blank">Dead Hound Records bandcamp</a></p><br><p><a href="https://deadhound.bandcamp.com/album/skein" rel="noopener noreferrer" target="_blank">Brigid we Built on Rock from Skein</a></p><p><a href="https://deadhound.bandcamp.com/album/omnia-sunt-communia-synthetic-landscapes-for-tape-computer-and-filterbank" rel="noopener noreferrer" target="_blank">All Things in Common from Omnia Sunt Communia (Synthetic Landscapes for Tape, Computer and Filterbank)</a></p><br><p><a href="https://vcvrack.com/" rel="noopener noreferrer" target="_blank">VCV Rack modular synthesis software</a></p><p><a href="https://en.wikipedia.org/wiki/1982,_Janine" rel="noopener noreferrer" target="_blank">1982, Janine by Alisdair Gray</a></p><p><a href="https://castelsantangelorome.com/" rel="noopener noreferrer" target="_blank">Castel Sant’Angelo Rome website</a></p><p><a href="https://kevindrumm.bandcamp.com/album/imperial-distortion" rel="noopener noreferrer" target="_blank">Kevin Drumm’s Imperial Distortion</a></p><p><a href="https://en.wikipedia.org/wiki/Memoirs_of_Hadrian" rel="noopener noreferrer" target="_blank">Memoirs of Hadrian by Marguerite Yourcenar</a></p><br><p>This episode was researched, hosted, produced, and edited by Jim Reeve-Baker.</p><br><p>Thanks for listening.</p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>​ollie turbitt is a scottish-italian musician, sound artist, and audio engineer based in trento, italy. as well as providing guitar and bass duties for a handful of bands, he has pursued a fluctuating solo career in avant-garde exploration. under the pseudonyms oxhead, sforza gramsci, oj turbitt, hermetic gaze and others, his self-released cassettes, usbs and digital albums have aimed to express ideas of cultural memory, psychogeography, false consciousness and mysticism/esotericism through improvisation, sound collage, ambient textures, laptop experimentation and field recordings. ollie also runs dead hound records (which serves as a platform for both his own material and an increasing list of international experimental acts) &amp; works in freelance mixing/mastering.</p><br><p><a href="https://ollieturbitt.tumblr.com/" rel="noopener noreferrer" target="_blank">Ollie’s website</a></p><p><a href="https://deadhound.bandcamp.com/" rel="noopener noreferrer" target="_blank">Dead Hound Records bandcamp</a></p><br><p><a href="https://deadhound.bandcamp.com/album/skein" rel="noopener noreferrer" target="_blank">Brigid we Built on Rock from Skein</a></p><p><a href="https://deadhound.bandcamp.com/album/omnia-sunt-communia-synthetic-landscapes-for-tape-computer-and-filterbank" rel="noopener noreferrer" target="_blank">All Things in Common from Omnia Sunt Communia (Synthetic Landscapes for Tape, Computer and Filterbank)</a></p><br><p><a href="https://vcvrack.com/" rel="noopener noreferrer" target="_blank">VCV Rack modular synthesis software</a></p><p><a href="https://en.wikipedia.org/wiki/1982,_Janine" rel="noopener noreferrer" target="_blank">1982, Janine by Alisdair Gray</a></p><p><a href="https://castelsantangelorome.com/" rel="noopener noreferrer" target="_blank">Castel Sant’Angelo Rome website</a></p><p><a href="https://kevindrumm.bandcamp.com/album/imperial-distortion" rel="noopener noreferrer" target="_blank">Kevin Drumm’s Imperial Distortion</a></p><p><a href="https://en.wikipedia.org/wiki/Memoirs_of_Hadrian" rel="noopener noreferrer" target="_blank">Memoirs of Hadrian by Marguerite Yourcenar</a></p><br><p>This episode was researched, hosted, produced, and edited by Jim Reeve-Baker.</p><br><p>Thanks for listening.</p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>EP11 Elaine Cheng</title>
			<itunes:title>EP11 Elaine Cheng</itunes:title>
			<pubDate>Mon, 17 Mar 2025 06:00:28 GMT</pubDate>
			<itunes:duration>1:25:35</itunes:duration>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>2</itunes:season>
			<itunes:episode>11</itunes:episode>
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			<description><![CDATA[<p>Music and sound art listened to and discussed in this episode:</p><p><a href="https://elainecheng.bandcamp.com/album/instead-of-dreams" rel="noopener noreferrer" target="_blank">Wasp</a> <a href="https://thelumenlake.bandcamp.com/album/mindful-matter-islands-series-iv" rel="noopener noreferrer" target="_blank">Cavernous Deep</a> <a href="https://soundcloud.com/elainecheng" rel="noopener noreferrer" target="_blank">Sound of Southside</a></p><p><a href="https://www.instagram.com/yeelingcheng/" rel="noopener noreferrer" target="_blank">Elaine’s Instagram</a></p><p><a href="https://elianeradigue.bandcamp.com/" rel="noopener noreferrer" target="_blank">Eliane Radique</a> <a href="https://en.wikipedia.org/wiki/ARP_2500" rel="noopener noreferrer" target="_blank">ARP 2500</a> <a href="https://xirecords.bandcamp.com/album/trilogie-de-la-mort" rel="noopener noreferrer" target="_blank">Trilogy of Death</a></p><p><a href="http://www.celer.jp/" rel="noopener noreferrer" target="_blank">Celer’s website</a> <a href="https://celer.bandcamp.com/" rel="noopener noreferrer" target="_blank">Celer’s Bandcamp</a></p><p><a href="https://caterinabarbieri.com/" rel="noopener noreferrer" target="_blank">Catarina Barbieri’s website</a> <a href="https://caterinabarbieri.bandcamp.com/" rel="noopener noreferrer" target="_blank">Catarina Barbieri’s Bandcamp</a></p><p><a href="https://longplayer.org/" rel="noopener noreferrer" target="_blank">Longplayer by Jem Finer</a></p><p><a href="http://www.joannademers.com/bibliography.html" rel="noopener noreferrer" target="_blank">Joanna Demers’ bibliography</a></p><p><a href="https://en.wikipedia.org/wiki/Electronic_Dream_Plant#Wasp" rel="noopener noreferrer" target="_blank">Wasp synthesizer</a> <a href="https://www.gold.ac.uk/ems/" rel="noopener noreferrer" target="_blank">Goldsmiths Electronic Music Studio</a> <a href="https://sequential.com/product/prophet-12-keyboard/" rel="noopener noreferrer" target="_blank">Prophet 12</a> <a href="https://www.soundhack.com/" rel="noopener noreferrer" target="_blank">SoundHack</a></p><p><a href="https://www.youtube.com/watch?v=9y9yM53TowA" rel="noopener noreferrer" target="_blank">O Magnum Mysterium by Morten Lauridsen</a></p><p><a href="https://art27scotland.org/" rel="noopener noreferrer" target="_blank">Art 27 Scotland</a> <a href="https://art27scotland.org/festival-of-migration/" rel="noopener noreferrer" target="_blank">Festival of Migration</a> <a href="https://www.southsidecommunitycentre.co.uk/" rel="noopener noreferrer" target="_blank">Southside Community Centre</a></p><p><a href="https://www.un.org/en/about-us/universal-declaration-of-human-rights" rel="noopener noreferrer" target="_blank">Article 27 of The Declaration of Human Rights</a></p><p><a href="https://en.wikipedia.org/wiki/Mbira" rel="noopener noreferrer" target="_blank">Kalimba</a> <a href="https://en.wikipedia.org/wiki/Pipa" rel="noopener noreferrer" target="_blank">Pipa</a> <a href="https://refugeeweek.org.uk/" rel="noopener noreferrer" target="_blank">Initiative Refugee Week</a> <a href="https://www.nhsinform.scot/scotlands-service-directory/health-and-wellbeing-services/a4a5dd257cbb40f29e4b4172aa972f68%201" rel="noopener noreferrer" target="_blank">Autism Take 5</a></p><p><a href="https://ros-fraser.com/" rel="noopener noreferrer" target="_blank">Ros Fraser's website - artist who has worked at Govanhill Baths in Glasgow</a></p><p><a href="https://www.culturecollective.scot/projects/art27southside/" rel="noopener noreferrer" target="_blank">Culture Collective by Creative Scotland</a></p><p>Culture Collective 2022/23 ARTISTS IN RESIDENCE ARE: Elaine Cheng, Ghazi Hussain, Laleh Sherkat, Marta Adamowicz, Robert Motyka, Robert Rae, Shatha Altowai</p><br><p>This episode was researched, hosted, produced, and edited by Jim Reeve-Baker.</p><p>Thanks for listening.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Music and sound art listened to and discussed in this episode:</p><p><a href="https://elainecheng.bandcamp.com/album/instead-of-dreams" rel="noopener noreferrer" target="_blank">Wasp</a> <a href="https://thelumenlake.bandcamp.com/album/mindful-matter-islands-series-iv" rel="noopener noreferrer" target="_blank">Cavernous Deep</a> <a href="https://soundcloud.com/elainecheng" rel="noopener noreferrer" target="_blank">Sound of Southside</a></p><p><a href="https://www.instagram.com/yeelingcheng/" rel="noopener noreferrer" target="_blank">Elaine’s Instagram</a></p><p><a href="https://elianeradigue.bandcamp.com/" rel="noopener noreferrer" target="_blank">Eliane Radique</a> <a href="https://en.wikipedia.org/wiki/ARP_2500" rel="noopener noreferrer" target="_blank">ARP 2500</a> <a href="https://xirecords.bandcamp.com/album/trilogie-de-la-mort" rel="noopener noreferrer" target="_blank">Trilogy of Death</a></p><p><a href="http://www.celer.jp/" rel="noopener noreferrer" target="_blank">Celer’s website</a> <a href="https://celer.bandcamp.com/" rel="noopener noreferrer" target="_blank">Celer’s Bandcamp</a></p><p><a href="https://caterinabarbieri.com/" rel="noopener noreferrer" target="_blank">Catarina Barbieri’s website</a> <a href="https://caterinabarbieri.bandcamp.com/" rel="noopener noreferrer" target="_blank">Catarina Barbieri’s Bandcamp</a></p><p><a href="https://longplayer.org/" rel="noopener noreferrer" target="_blank">Longplayer by Jem Finer</a></p><p><a href="http://www.joannademers.com/bibliography.html" rel="noopener noreferrer" target="_blank">Joanna Demers’ bibliography</a></p><p><a href="https://en.wikipedia.org/wiki/Electronic_Dream_Plant#Wasp" rel="noopener noreferrer" target="_blank">Wasp synthesizer</a> <a href="https://www.gold.ac.uk/ems/" rel="noopener noreferrer" target="_blank">Goldsmiths Electronic Music Studio</a> <a href="https://sequential.com/product/prophet-12-keyboard/" rel="noopener noreferrer" target="_blank">Prophet 12</a> <a href="https://www.soundhack.com/" rel="noopener noreferrer" target="_blank">SoundHack</a></p><p><a href="https://www.youtube.com/watch?v=9y9yM53TowA" rel="noopener noreferrer" target="_blank">O Magnum Mysterium by Morten Lauridsen</a></p><p><a href="https://art27scotland.org/" rel="noopener noreferrer" target="_blank">Art 27 Scotland</a> <a href="https://art27scotland.org/festival-of-migration/" rel="noopener noreferrer" target="_blank">Festival of Migration</a> <a href="https://www.southsidecommunitycentre.co.uk/" rel="noopener noreferrer" target="_blank">Southside Community Centre</a></p><p><a href="https://www.un.org/en/about-us/universal-declaration-of-human-rights" rel="noopener noreferrer" target="_blank">Article 27 of The Declaration of Human Rights</a></p><p><a href="https://en.wikipedia.org/wiki/Mbira" rel="noopener noreferrer" target="_blank">Kalimba</a> <a href="https://en.wikipedia.org/wiki/Pipa" rel="noopener noreferrer" target="_blank">Pipa</a> <a href="https://refugeeweek.org.uk/" rel="noopener noreferrer" target="_blank">Initiative Refugee Week</a> <a href="https://www.nhsinform.scot/scotlands-service-directory/health-and-wellbeing-services/a4a5dd257cbb40f29e4b4172aa972f68%201" rel="noopener noreferrer" target="_blank">Autism Take 5</a></p><p><a href="https://ros-fraser.com/" rel="noopener noreferrer" target="_blank">Ros Fraser's website - artist who has worked at Govanhill Baths in Glasgow</a></p><p><a href="https://www.culturecollective.scot/projects/art27southside/" rel="noopener noreferrer" target="_blank">Culture Collective by Creative Scotland</a></p><p>Culture Collective 2022/23 ARTISTS IN RESIDENCE ARE: Elaine Cheng, Ghazi Hussain, Laleh Sherkat, Marta Adamowicz, Robert Motyka, Robert Rae, Shatha Altowai</p><br><p>This episode was researched, hosted, produced, and edited by Jim Reeve-Baker.</p><p>Thanks for listening.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>EP10 Mathias Arrignon</title>
			<itunes:title>EP10 Mathias Arrignon</itunes:title>
			<pubDate>Mon, 03 Mar 2025 06:00:20 GMT</pubDate>
			<itunes:duration>1:14:31</itunes:duration>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>2</itunes:season>
			<itunes:episode>10</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6616b831a9dc1e00168de1dd/1734965749383-ff06fa19-cf96-4d13-a8df-0a4cbd999b42.jpeg"/>
			<description><![CDATA[<p>Mathias Arrignon is an artist from Val-de-Marne (France), currently residing in Glasgow and working across Europe. His works merges field recording practices, audio technology, interactive installations and participatory performances to instil forms of interconnectedness with worlds that are often more-than-human.</p><br><p><a href="https://mathias.arrignon.fr/" rel="noopener noreferrer" target="_blank">Mathias’ website</a></p><br><p><a href="https://mathias.arrignon.fr/2021/04/05/thunder-of-applauses/" rel="noopener noreferrer" target="_blank">Thunder of Applauses</a></p><p><a href="https://mathias.arrignon.fr/2022/01/07/oceanomicon/" rel="noopener noreferrer" target="_blank">Oceanomicon Link 1</a></p><p><a href="https://artslondon.padlet.org/marrignon0720201/oceanomicon-2s39q2tysweom2e4" rel="noopener noreferrer" target="_blank">Oceanomicon Link 2</a></p><p><a href="https://mathiasarrignon.bandcamp.com/album/to-the-hum-of-the-forest" rel="noopener noreferrer" target="_blank">A Cubic Kilometre of the Entlebuch from To the Hum of the Forest</a></p><br><p><a href="https://www.arts.ac.uk/colleges/london-college-of-communication/courses/sound-arts-at-lcc" rel="noopener noreferrer" target="_blank">UAL London College of Communication Sound Art Master’s programme</a></p><p><a href="https://www.soundoftheyearawards.com/" rel="noopener noreferrer" target="_blank">Sound of the Year Awards</a></p><p><a href="https://www.radiofrance.fr/franceculture/podcasts/de-cause-a-effets-le-magazine-de-l-environnement" rel="noopener noreferrer" target="_blank">Radio France show concerned with the environment</a></p><p><a href="https://www.urbanomic.com/book/the-infra-world/" rel="noopener noreferrer" target="_blank">Francois J Bonnet’s book The Infra-World</a></p><p><a href="https://www.amazon.co.uk/Bodies-Environmental-Cultures-Astrida-Neimanis/dp/1474275389" rel="noopener noreferrer" target="_blank">Astrida Neimanis’ book Bodies of Water Posthuman Feminist Phenomenology</a></p><p><a href="Arts%20of%20Living%20on%20a%20Damaged%20Planet%20Ghosts%20and%20Monsters%20of%20the%20Anthropocene" rel="noopener noreferrer" target="_blank">Arts of Living on a Damaged Planet: Ghosts and Monsters of the Anthropocene</a></p><p><a href="https://www.annealockwood.com/compositions/a-sound-map-of-the-danube/" rel="noopener noreferrer" target="_blank">Annea Lockwood’s A Sound Map of the Danube</a></p><p><a href="https://felixblume.com/rumorsfromthesea/" rel="noopener noreferrer" target="_blank">Rumors from the Sea by Felix Blume</a></p><p><a href="https://www.janawinderen.com/" rel="noopener noreferrer" target="_blank">Jana Winderen’s website</a></p><p><a href="https://en.wikipedia.org/wiki/Entlebuch_Biosphere" rel="noopener noreferrer" target="_blank">Entlebuch Biosphere Wiki</a></p><p><a href="https://anthropos-ex.com/" rel="noopener noreferrer" target="_blank">Anthropos Ex artists’ collective</a></p><p><a href="https://markpeterwright.net/" rel="noopener noreferrer" target="_blank">Mark Peter Wright’s website</a></p><p><a href="https://clairerousay.com/" rel="noopener noreferrer" target="_blank">Clair Rousay’s website</a></p><p><a href="https://theodoreschafer.bandcamp.com/" rel="noopener noreferrer" target="_blank">Theodore Cale Schafer’s bandcamp page</a></p><p><a href="https://benbabbitt.bandcamp.com/" rel="noopener noreferrer" target="_blank">Ben Babbitt’s bandcamp page</a></p><p><a href="http://disasterpeace.com/about" rel="noopener noreferrer" target="_blank">Disasterpeace aka Rich Vreeland’s website</a></p><p><a href="https://thearcticcircle.org/expeditions/" rel="noopener noreferrer" target="_blank">Expeditions to the Arctic Circle</a></p><p><a href="https://faberfutures.com/" rel="noopener noreferrer" target="_blank">Faber Futures</a></p><br><p>This episode was researched, hosted, produced, and edited by Jim Reeve-Baker.</p><br><p>Thanks for listening.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Mathias Arrignon is an artist from Val-de-Marne (France), currently residing in Glasgow and working across Europe. His works merges field recording practices, audio technology, interactive installations and participatory performances to instil forms of interconnectedness with worlds that are often more-than-human.</p><br><p><a href="https://mathias.arrignon.fr/" rel="noopener noreferrer" target="_blank">Mathias’ website</a></p><br><p><a href="https://mathias.arrignon.fr/2021/04/05/thunder-of-applauses/" rel="noopener noreferrer" target="_blank">Thunder of Applauses</a></p><p><a href="https://mathias.arrignon.fr/2022/01/07/oceanomicon/" rel="noopener noreferrer" target="_blank">Oceanomicon Link 1</a></p><p><a href="https://artslondon.padlet.org/marrignon0720201/oceanomicon-2s39q2tysweom2e4" rel="noopener noreferrer" target="_blank">Oceanomicon Link 2</a></p><p><a href="https://mathiasarrignon.bandcamp.com/album/to-the-hum-of-the-forest" rel="noopener noreferrer" target="_blank">A Cubic Kilometre of the Entlebuch from To the Hum of the Forest</a></p><br><p><a href="https://www.arts.ac.uk/colleges/london-college-of-communication/courses/sound-arts-at-lcc" rel="noopener noreferrer" target="_blank">UAL London College of Communication Sound Art Master’s programme</a></p><p><a href="https://www.soundoftheyearawards.com/" rel="noopener noreferrer" target="_blank">Sound of the Year Awards</a></p><p><a href="https://www.radiofrance.fr/franceculture/podcasts/de-cause-a-effets-le-magazine-de-l-environnement" rel="noopener noreferrer" target="_blank">Radio France show concerned with the environment</a></p><p><a href="https://www.urbanomic.com/book/the-infra-world/" rel="noopener noreferrer" target="_blank">Francois J Bonnet’s book The Infra-World</a></p><p><a href="https://www.amazon.co.uk/Bodies-Environmental-Cultures-Astrida-Neimanis/dp/1474275389" rel="noopener noreferrer" target="_blank">Astrida Neimanis’ book Bodies of Water Posthuman Feminist Phenomenology</a></p><p><a href="Arts%20of%20Living%20on%20a%20Damaged%20Planet%20Ghosts%20and%20Monsters%20of%20the%20Anthropocene" rel="noopener noreferrer" target="_blank">Arts of Living on a Damaged Planet: Ghosts and Monsters of the Anthropocene</a></p><p><a href="https://www.annealockwood.com/compositions/a-sound-map-of-the-danube/" rel="noopener noreferrer" target="_blank">Annea Lockwood’s A Sound Map of the Danube</a></p><p><a href="https://felixblume.com/rumorsfromthesea/" rel="noopener noreferrer" target="_blank">Rumors from the Sea by Felix Blume</a></p><p><a href="https://www.janawinderen.com/" rel="noopener noreferrer" target="_blank">Jana Winderen’s website</a></p><p><a href="https://en.wikipedia.org/wiki/Entlebuch_Biosphere" rel="noopener noreferrer" target="_blank">Entlebuch Biosphere Wiki</a></p><p><a href="https://anthropos-ex.com/" rel="noopener noreferrer" target="_blank">Anthropos Ex artists’ collective</a></p><p><a href="https://markpeterwright.net/" rel="noopener noreferrer" target="_blank">Mark Peter Wright’s website</a></p><p><a href="https://clairerousay.com/" rel="noopener noreferrer" target="_blank">Clair Rousay’s website</a></p><p><a href="https://theodoreschafer.bandcamp.com/" rel="noopener noreferrer" target="_blank">Theodore Cale Schafer’s bandcamp page</a></p><p><a href="https://benbabbitt.bandcamp.com/" rel="noopener noreferrer" target="_blank">Ben Babbitt’s bandcamp page</a></p><p><a href="http://disasterpeace.com/about" rel="noopener noreferrer" target="_blank">Disasterpeace aka Rich Vreeland’s website</a></p><p><a href="https://thearcticcircle.org/expeditions/" rel="noopener noreferrer" target="_blank">Expeditions to the Arctic Circle</a></p><p><a href="https://faberfutures.com/" rel="noopener noreferrer" target="_blank">Faber Futures</a></p><br><p>This episode was researched, hosted, produced, and edited by Jim Reeve-Baker.</p><br><p>Thanks for listening.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>EP9 Lisa Conway LCON</title>
			<itunes:title>EP9 Lisa Conway LCON</itunes:title>
			<pubDate>Mon, 17 Feb 2025 06:00:19 GMT</pubDate>
			<itunes:duration>1:07:46</itunes:duration>
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			<acast:episodeUrl>ep9-lisa-conway-lcon</acast:episodeUrl>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>2</itunes:season>
			<itunes:episode>9</itunes:episode>
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			<description><![CDATA[<p>Lisa Conway-Bühler is a Swiss-Canadian composer, sound artist, songwriter, researcher, recordist, and mixer. Her recordings have been described as "ethereal, minimalist, experimental, unnerving…and downright elegant" (AUX): in her sound worlds, analog synthesizers, drum machines, and electronics often live alongside string arrangements and woodwinds. An artist who continually tries to push herself into the unfamiliar, her multifaceted <a href="https://www.lconofficial.com/pagecv" rel="noopener noreferrer" target="_blank">CV</a> includes original scores and songs for documentaries, short films, and theatre productions, site-specific multi-channel sound and light installations, collaborations with contemporary dancers and performance artists, and an array of renowned creative residencies.</p><br><p><a href="https://lcon.bandcamp.com/album/soundmill-improvisations" rel="noopener noreferrer" target="_blank">Limestone I from SOUNDMILL Improvisations</a></p><p><a href="https://www.youtube.com/watch?v=YaJt_T9SLyY" rel="noopener noreferrer" target="_blank">Signal Erosion Performance with Helena Hamilton at Sonorities Festival Belfast</a></p><p><a href="https://lcon.bandcamp.com/album/the-isolator" rel="noopener noreferrer" target="_blank">Alphorn Tape Loop I from The Isolator</a></p><br><p><a href="https://www.lconofficial.com/" rel="noopener noreferrer" target="_blank">Lisa’s website</a></p><br><p><a href="https://en.wikipedia.org/wiki/Alphorn" rel="noopener noreferrer" target="_blank">The Alphorn</a></p><p><a href="https://www.oliverschroer.com/" rel="noopener noreferrer" target="_blank">Oliver Schroer’s website</a></p><p><a href="https://www.mattbrubeck.com/" rel="noopener noreferrer" target="_blank">Matt Brubeck’s website</a></p><p><a href="https://cardiffmiller.com/" rel="noopener noreferrer" target="_blank">Janet Cardiff’s website</a></p><p><a href="https://guelphjazzfestival.com/2024/" rel="noopener noreferrer" target="_blank">Guelph Jazz Festival</a></p><p><a href="https://improvisationinstitute.ca/" rel="noopener noreferrer" target="_blank">International Institute for Critical Studies in Improvisation</a></p><p><a href="https://guelph.ca/city-hall/planning-and-development/community-plans-studies/heritage-conservation/designated-properties/goldie-mill-park-and-ruins/" rel="noopener noreferrer" target="_blank">Goldie Mill in Guelph</a></p><p><a href="https://www.bloomsbury.com/uk/between-air-and-electricity-9781501327605/" rel="noopener noreferrer" target="_blank">Cathy van Eck Beyond Air and Electricity</a></p><p><a href="https://www.soundtoys.com/product/echoboy/" rel="noopener noreferrer" target="_blank">EchoBoy</a></p><p><a href="https://pure.qub.ac.uk/en/organisations/sonic-arts" rel="noopener noreferrer" target="_blank">Belfast Sonic Arts Master’s Programme</a></p><p><a href="https://www.helenahamilton.com/" rel="noopener noreferrer" target="_blank">Helena Hamilton</a></p><p><a href="https://en.wikipedia.org/wiki/Place_of_origin" rel="noopener noreferrer" target="_blank">Heimatort</a></p><br><p>This episode was researched, hosted, produced, and edited by Jim Reeve-Baker.</p><p>The photograph used for the artwork was taken by <a href="https://alixforgeot.com/" rel="noopener noreferrer" target="_blank">Alix Forgeot</a></p><br><p>Thanks for listening.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Lisa Conway-Bühler is a Swiss-Canadian composer, sound artist, songwriter, researcher, recordist, and mixer. Her recordings have been described as "ethereal, minimalist, experimental, unnerving…and downright elegant" (AUX): in her sound worlds, analog synthesizers, drum machines, and electronics often live alongside string arrangements and woodwinds. An artist who continually tries to push herself into the unfamiliar, her multifaceted <a href="https://www.lconofficial.com/pagecv" rel="noopener noreferrer" target="_blank">CV</a> includes original scores and songs for documentaries, short films, and theatre productions, site-specific multi-channel sound and light installations, collaborations with contemporary dancers and performance artists, and an array of renowned creative residencies.</p><br><p><a href="https://lcon.bandcamp.com/album/soundmill-improvisations" rel="noopener noreferrer" target="_blank">Limestone I from SOUNDMILL Improvisations</a></p><p><a href="https://www.youtube.com/watch?v=YaJt_T9SLyY" rel="noopener noreferrer" target="_blank">Signal Erosion Performance with Helena Hamilton at Sonorities Festival Belfast</a></p><p><a href="https://lcon.bandcamp.com/album/the-isolator" rel="noopener noreferrer" target="_blank">Alphorn Tape Loop I from The Isolator</a></p><br><p><a href="https://www.lconofficial.com/" rel="noopener noreferrer" target="_blank">Lisa’s website</a></p><br><p><a href="https://en.wikipedia.org/wiki/Alphorn" rel="noopener noreferrer" target="_blank">The Alphorn</a></p><p><a href="https://www.oliverschroer.com/" rel="noopener noreferrer" target="_blank">Oliver Schroer’s website</a></p><p><a href="https://www.mattbrubeck.com/" rel="noopener noreferrer" target="_blank">Matt Brubeck’s website</a></p><p><a href="https://cardiffmiller.com/" rel="noopener noreferrer" target="_blank">Janet Cardiff’s website</a></p><p><a href="https://guelphjazzfestival.com/2024/" rel="noopener noreferrer" target="_blank">Guelph Jazz Festival</a></p><p><a href="https://improvisationinstitute.ca/" rel="noopener noreferrer" target="_blank">International Institute for Critical Studies in Improvisation</a></p><p><a href="https://guelph.ca/city-hall/planning-and-development/community-plans-studies/heritage-conservation/designated-properties/goldie-mill-park-and-ruins/" rel="noopener noreferrer" target="_blank">Goldie Mill in Guelph</a></p><p><a href="https://www.bloomsbury.com/uk/between-air-and-electricity-9781501327605/" rel="noopener noreferrer" target="_blank">Cathy van Eck Beyond Air and Electricity</a></p><p><a href="https://www.soundtoys.com/product/echoboy/" rel="noopener noreferrer" target="_blank">EchoBoy</a></p><p><a href="https://pure.qub.ac.uk/en/organisations/sonic-arts" rel="noopener noreferrer" target="_blank">Belfast Sonic Arts Master’s Programme</a></p><p><a href="https://www.helenahamilton.com/" rel="noopener noreferrer" target="_blank">Helena Hamilton</a></p><p><a href="https://en.wikipedia.org/wiki/Place_of_origin" rel="noopener noreferrer" target="_blank">Heimatort</a></p><br><p>This episode was researched, hosted, produced, and edited by Jim Reeve-Baker.</p><p>The photograph used for the artwork was taken by <a href="https://alixforgeot.com/" rel="noopener noreferrer" target="_blank">Alix Forgeot</a></p><br><p>Thanks for listening.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>EP8 Özcan Saraç</title>
			<itunes:title>EP8 Özcan Saraç</itunes:title>
			<pubDate>Mon, 03 Feb 2025 06:00:35 GMT</pubDate>
			<itunes:duration>1:08:10</itunes:duration>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>2</itunes:season>
			<itunes:episode>8</itunes:episode>
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			<description><![CDATA[<p>Multidisciplinary artist Özcan Saraç&nbsp;merges the boundaries between art, philosophy and science in his installation and discography work. Through an examination of the fundamental aspects and dynamics of contemporary matters, the artist infuses his artworks with conceptual and complex structures dedicated to existential perspective shiftings.&nbsp;</p><br><p>Saraç crafts his research framework with a focus on both the tangible elements of the natural and built environment and abstract constructs like political and financial systems or decision-making processes. His exploration delves into the intricate relationships individuals maintain with their encompassing universe, pinpointing information processing and transformation systems as the core of his inquiry. Saraç is committed to incorporating research methodologies from various disciplines alongside creative techniques of expression and innovative publishing tools.</p><br><p>His works have been exhibited in London, Paris, New York, Istanbul, Zurich, Geneva, Basel and Milan. Released six albums internationally under his name on the record labels Evel (Spain), Superpang (Italy), Tokinogake (Japan) and Kaer'Uiks (Germany). Performed internationally at several organizations.</p><br><p>Music listened to and discussed in this episode:</p><p><a href="https://kaer-uiks.bandcamp.com/album/copnvvvs" rel="noopener noreferrer" target="_blank">8RRHoeW4jtE</a></p><p><a href="https://ozcansarac.bandcamp.com/album/0-1" rel="noopener noreferrer" target="_blank">Back to the unstable proposition,</a></p><p><a href="https://ozcansarac.bandcamp.com/album/manifestations-of-natural-phenomena" rel="noopener noreferrer" target="_blank">Motion (i)</a></p><br><p><a href="https://ozcansarac.bandcamp.com/" rel="noopener noreferrer" target="_blank">Özcan’s Bandcamp</a></p><p><a href="https://www.ozcansarac.com/" rel="noopener noreferrer" target="_blank">Özcan’s Website</a></p><br><p><a href="https://qubik.com/" rel="noopener noreferrer" target="_blank">Joe Gimore’s website</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Multidisciplinary artist Özcan Saraç&nbsp;merges the boundaries between art, philosophy and science in his installation and discography work. Through an examination of the fundamental aspects and dynamics of contemporary matters, the artist infuses his artworks with conceptual and complex structures dedicated to existential perspective shiftings.&nbsp;</p><br><p>Saraç crafts his research framework with a focus on both the tangible elements of the natural and built environment and abstract constructs like political and financial systems or decision-making processes. His exploration delves into the intricate relationships individuals maintain with their encompassing universe, pinpointing information processing and transformation systems as the core of his inquiry. Saraç is committed to incorporating research methodologies from various disciplines alongside creative techniques of expression and innovative publishing tools.</p><br><p>His works have been exhibited in London, Paris, New York, Istanbul, Zurich, Geneva, Basel and Milan. Released six albums internationally under his name on the record labels Evel (Spain), Superpang (Italy), Tokinogake (Japan) and Kaer'Uiks (Germany). Performed internationally at several organizations.</p><br><p>Music listened to and discussed in this episode:</p><p><a href="https://kaer-uiks.bandcamp.com/album/copnvvvs" rel="noopener noreferrer" target="_blank">8RRHoeW4jtE</a></p><p><a href="https://ozcansarac.bandcamp.com/album/0-1" rel="noopener noreferrer" target="_blank">Back to the unstable proposition,</a></p><p><a href="https://ozcansarac.bandcamp.com/album/manifestations-of-natural-phenomena" rel="noopener noreferrer" target="_blank">Motion (i)</a></p><br><p><a href="https://ozcansarac.bandcamp.com/" rel="noopener noreferrer" target="_blank">Özcan’s Bandcamp</a></p><p><a href="https://www.ozcansarac.com/" rel="noopener noreferrer" target="_blank">Özcan’s Website</a></p><br><p><a href="https://qubik.com/" rel="noopener noreferrer" target="_blank">Joe Gimore’s website</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>EP7 Sara Constant</title>
			<itunes:title>EP7 Sara Constant</itunes:title>
			<pubDate>Mon, 20 Jan 2025 06:00:10 GMT</pubDate>
			<itunes:duration>1:08:28</itunes:duration>
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			<link>https://shows.acast.com/into-the-noise/episodes/ep-7-sara-constant</link>
			<acast:episodeId>67655052621cdde43a1cb3e2</acast:episodeId>
			<acast:showId>6616b831a9dc1e00168de1dd</acast:showId>
			<acast:episodeUrl>ep-7-sara-constant</acast:episodeUrl>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>2</itunes:season>
			<itunes:episode>7</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6616b831a9dc1e00168de1dd/1734963459637-2afd5591-442d-4b69-9776-3fcbb4a4f962.jpeg"/>
			<description><![CDATA[<p>Sara Constant is a musician and artist working in various forms of contemporary/experimental music and sound. Trained as a flute player and active as a soloist, improviser, sound artist, and ensemble musician, Sara’s work involves interpretations of composed music, improvisations with instruments and electronics, and sound installation, to explore ideas around listening, resonance, and place. Sara has released music on People Places Records and Age of Leisure, has performed on releases from Centrediscs and Sawyer Editions, and has presented sound installations and solo projects across Canada, Europe, and the United States. Sara is currently based in Tkarón:to/Toronto, working as a flutist, artist, writer (Musicworks), and curator (Music Gallery).</p><br><p><strong>Links:</strong></p><p><strong>Music and sound art listened to and discussed in this episode:</strong></p><p><strong>Mutable Bodies Number 1: Soft Speaking: </strong><a href="https://saraconstant.ca/jellos" rel="noopener noreferrer" target="_blank">https://saraconstant.ca/jellos</a> <a href="https://saraconstant.ca/jellos-full-length" rel="noopener noreferrer" target="_blank">https://saraconstant.ca/jellos-full-length</a></p><p><strong>Five Times Recycled: </strong><a href="https://sawyereditions.bandcamp.com/album/no-grief-without-joy" rel="noopener noreferrer" target="_blank">https://sawyereditions.bandcamp.com/album/no-grief-without-joy</a></p><p><strong>Surface Tensions: </strong><a href="https://saraconstant.ca/surface-tensions" rel="noopener noreferrer" target="_blank">https://saraconstant.ca/surface-tensions</a></p><p><strong>&nbsp;</strong></p><p><strong>Sara’s website:</strong> <a href="https://saraconstant.ca" rel="noopener noreferrer" target="_blank">https://saraconstant.ca</a></p><p><strong>The Music Gallery in Toronto:</strong> <a href="https://musicgallery.org/" rel="noopener noreferrer" target="_blank">https://musicgallery.org/</a></p><p><strong>Alvin Lucier’s I am Sitting in a Room:</strong> <a href="https://www.youtube.com/watch?v=bhtO4DsSazc" rel="noopener noreferrer" target="_blank">https://www.youtube.com/watch?v=bhtO4DsSazc</a></p><p><strong>Women From Space Festival 2022 edition review:</strong> <a href="https://www.musicworks.ca/reviews/women-space-festival" rel="noopener noreferrer" target="_blank">https://www.musicworks.ca/reviews/women-space-festival</a></p><p><strong>Women From Space Website:</strong> <a href="https://www.womenfromspace.com" rel="noopener noreferrer" target="_blank">https://www.womenfromspace.com</a></p><br><p>This episode was researched, hosted, produced, and edited by Jim Reeve-Baker.</p><br><p>Thanks for listening.</p><br><p>https://www.instagram.com/into_the_noise/ </p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Sara Constant is a musician and artist working in various forms of contemporary/experimental music and sound. Trained as a flute player and active as a soloist, improviser, sound artist, and ensemble musician, Sara’s work involves interpretations of composed music, improvisations with instruments and electronics, and sound installation, to explore ideas around listening, resonance, and place. Sara has released music on People Places Records and Age of Leisure, has performed on releases from Centrediscs and Sawyer Editions, and has presented sound installations and solo projects across Canada, Europe, and the United States. Sara is currently based in Tkarón:to/Toronto, working as a flutist, artist, writer (Musicworks), and curator (Music Gallery).</p><br><p><strong>Links:</strong></p><p><strong>Music and sound art listened to and discussed in this episode:</strong></p><p><strong>Mutable Bodies Number 1: Soft Speaking: </strong><a href="https://saraconstant.ca/jellos" rel="noopener noreferrer" target="_blank">https://saraconstant.ca/jellos</a> <a href="https://saraconstant.ca/jellos-full-length" rel="noopener noreferrer" target="_blank">https://saraconstant.ca/jellos-full-length</a></p><p><strong>Five Times Recycled: </strong><a href="https://sawyereditions.bandcamp.com/album/no-grief-without-joy" rel="noopener noreferrer" target="_blank">https://sawyereditions.bandcamp.com/album/no-grief-without-joy</a></p><p><strong>Surface Tensions: </strong><a href="https://saraconstant.ca/surface-tensions" rel="noopener noreferrer" target="_blank">https://saraconstant.ca/surface-tensions</a></p><p><strong>&nbsp;</strong></p><p><strong>Sara’s website:</strong> <a href="https://saraconstant.ca" rel="noopener noreferrer" target="_blank">https://saraconstant.ca</a></p><p><strong>The Music Gallery in Toronto:</strong> <a href="https://musicgallery.org/" rel="noopener noreferrer" target="_blank">https://musicgallery.org/</a></p><p><strong>Alvin Lucier’s I am Sitting in a Room:</strong> <a href="https://www.youtube.com/watch?v=bhtO4DsSazc" rel="noopener noreferrer" target="_blank">https://www.youtube.com/watch?v=bhtO4DsSazc</a></p><p><strong>Women From Space Festival 2022 edition review:</strong> <a href="https://www.musicworks.ca/reviews/women-space-festival" rel="noopener noreferrer" target="_blank">https://www.musicworks.ca/reviews/women-space-festival</a></p><p><strong>Women From Space Website:</strong> <a href="https://www.womenfromspace.com" rel="noopener noreferrer" target="_blank">https://www.womenfromspace.com</a></p><br><p>This episode was researched, hosted, produced, and edited by Jim Reeve-Baker.</p><br><p>Thanks for listening.</p><br><p>https://www.instagram.com/into_the_noise/ </p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>EP6 Guy Birkin</title>
			<itunes:title>EP6 Guy Birkin</itunes:title>
			<pubDate>Mon, 06 Jan 2025 06:00:46 GMT</pubDate>
			<itunes:duration>1:06:52</itunes:duration>
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			<link>https://shows.acast.com/into-the-noise/episodes/ep-6-guy-birkin</link>
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			<acast:episodeUrl>ep-6-guy-birkin</acast:episodeUrl>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>2</itunes:season>
			<itunes:episode>6</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/6616b831a9dc1e00168de1dd/1734963397733-214e10dd-8d32-453b-84d9-a9a0dcc898e5.jpeg"/>
			<description><![CDATA[<p><strong>Links:</strong></p><p><strong>Music listened to and discussed in this episode:</strong></p><p><a href="https://flufrecs.bandcamp.com/album/aa0006" rel="noopener noreferrer" target="_blank">https://flufrecs.bandcamp.com/album/aa0006</a></p><p><a href="https://guybirkin.bandcamp.com/album/disorganised-and-unwanted-night" rel="noopener noreferrer" target="_blank">https://guybirkin.bandcamp.com/album/disorganised-and-unwanted-night</a></p><p><a href="https://guybirkin.bandcamp.com/album/rushed-snares" rel="noopener noreferrer" target="_blank">https://guybirkin.bandcamp.com/album/rushed-snares</a></p><br><p><a href="https://aestheticcomplexity.wordpress.com/" rel="noopener noreferrer" target="_blank"><strong>Guy's website</strong></a></p><p><a href="https://aestheticcomplexity.wordpress.com/wp-content/uploads/2010/10/guy-birkin-2010-aesthetic-complexity4.pdf" rel="noopener noreferrer" target="_blank"><strong>Guy's PhD</strong></a></p><br><p><strong>Additional music</strong></p><p><a href="https://guybirkin.bandcamp.com/album/liminal-kicks" rel="noopener noreferrer" target="_blank">https://guybirkin.bandcamp.com/album/liminal-kicks</a></p><p><a href="https://evel.bandcamp.com/album/animation-image-analysis" rel="noopener noreferrer" target="_blank">https://evel.bandcamp.com/album/animation-image-analysis</a></p><br><p><strong>Broadway One:</strong> <a href="https://digitalartarchive.siggraph.org/artwork/ernest-edmonds-mark-fell-broadway-one/" rel="noopener noreferrer" target="_blank">https://digitalartarchive.siggraph.org/artwork/ernest-edmonds-mark-fell-broadway-one/</a></p><p><strong>Errorsmith Razor Synth: </strong><a href="https://www.native-instruments.com/en/products/komplete/synths/razor/errorsmith-on-razor/?srsltid=AfmBOoqXZS6t3WqZhQjnpQOQo-FhMvSmqSCum6QDEtZ0k3V4cgWZVGbd" rel="noopener noreferrer" target="_blank">https://www.native-instruments.com/en/products/komplete/synths/razor/errorsmith-on-razor/?srsltid=AfmBOoqXZS6t3WqZhQjnpQOQo-FhMvSmqSCum6QDEtZ0k3V4cgWZVGbd</a></p><p><strong>Ancient Woodlands: </strong><a href="https://www.woodlandtrust.org.uk/trees-woods-and-wildlife/habitats/ancient-woodland/" rel="noopener noreferrer" target="_blank">https://www.woodlandtrust.org.uk/trees-woods-and-wildlife/habitats/ancient-woodland/</a></p><p><strong>Marie Thompson's Beyond Unwanted Sound: </strong><a href="https://www.bloomsbury.com/uk/beyond-unwanted-sound-9781501313301/" rel="noopener noreferrer" target="_blank">https://www.bloomsbury.com/uk/beyond-unwanted-sound-9781501313301/</a></p><p><strong>The On-Line Encyclopaedia of Integer Sequences:</strong> <a href="https://oeis.org/" rel="noopener noreferrer" target="_blank">https://oeis.org/</a></p><p><strong>Stephen Wolfram's A New Kind of Science:</strong> <a href="https://www.wolframscience.com/nks/" rel="noopener noreferrer" target="_blank">https://www.wolframscience.com/nks/</a></p><br><p><strong>Mentioned labels</strong></p><p><a href="https://f4lsch.bandcamp.com/" rel="noopener noreferrer" target="_blank">https://f4lsch.bandcamp.com/</a></p><p><a href="https://farmersmanual.bandcamp.com/" rel="noopener noreferrer" target="_blank">https://farmersmanual.bandcamp.com/</a></p><p><a href="https://generalmagic.bandcamp.com/" rel="noopener noreferrer" target="_blank">https://generalmagic.bandcamp.com/</a></p><p><a href="https://sm-ll.bandcamp.com/" rel="noopener noreferrer" target="_blank">https://sm-ll.bandcamp.com/</a></p><p><a href="https://threeop.bandcamp.com/" rel="noopener noreferrer" target="_blank">https://threeop.bandcamp.com/</a></p><br><p>The photograph used in this episode's artwork was taken by Mike Ford.</p><p>This episode was researched, hosted, produced, and edited by Jim Reeve-Baker</p><p>Thanks for listening</p><br><p><a href="https://www.instagram.com/into_the_noise/" rel="noopener noreferrer" target="_blank">Into The Noise Instagram</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p><strong>Links:</strong></p><p><strong>Music listened to and discussed in this episode:</strong></p><p><a href="https://flufrecs.bandcamp.com/album/aa0006" rel="noopener noreferrer" target="_blank">https://flufrecs.bandcamp.com/album/aa0006</a></p><p><a href="https://guybirkin.bandcamp.com/album/disorganised-and-unwanted-night" rel="noopener noreferrer" target="_blank">https://guybirkin.bandcamp.com/album/disorganised-and-unwanted-night</a></p><p><a href="https://guybirkin.bandcamp.com/album/rushed-snares" rel="noopener noreferrer" target="_blank">https://guybirkin.bandcamp.com/album/rushed-snares</a></p><br><p><a href="https://aestheticcomplexity.wordpress.com/" rel="noopener noreferrer" target="_blank"><strong>Guy's website</strong></a></p><p><a href="https://aestheticcomplexity.wordpress.com/wp-content/uploads/2010/10/guy-birkin-2010-aesthetic-complexity4.pdf" rel="noopener noreferrer" target="_blank"><strong>Guy's PhD</strong></a></p><br><p><strong>Additional music</strong></p><p><a href="https://guybirkin.bandcamp.com/album/liminal-kicks" rel="noopener noreferrer" target="_blank">https://guybirkin.bandcamp.com/album/liminal-kicks</a></p><p><a href="https://evel.bandcamp.com/album/animation-image-analysis" rel="noopener noreferrer" target="_blank">https://evel.bandcamp.com/album/animation-image-analysis</a></p><br><p><strong>Broadway One:</strong> <a href="https://digitalartarchive.siggraph.org/artwork/ernest-edmonds-mark-fell-broadway-one/" rel="noopener noreferrer" target="_blank">https://digitalartarchive.siggraph.org/artwork/ernest-edmonds-mark-fell-broadway-one/</a></p><p><strong>Errorsmith Razor Synth: </strong><a href="https://www.native-instruments.com/en/products/komplete/synths/razor/errorsmith-on-razor/?srsltid=AfmBOoqXZS6t3WqZhQjnpQOQo-FhMvSmqSCum6QDEtZ0k3V4cgWZVGbd" rel="noopener noreferrer" target="_blank">https://www.native-instruments.com/en/products/komplete/synths/razor/errorsmith-on-razor/?srsltid=AfmBOoqXZS6t3WqZhQjnpQOQo-FhMvSmqSCum6QDEtZ0k3V4cgWZVGbd</a></p><p><strong>Ancient Woodlands: </strong><a href="https://www.woodlandtrust.org.uk/trees-woods-and-wildlife/habitats/ancient-woodland/" rel="noopener noreferrer" target="_blank">https://www.woodlandtrust.org.uk/trees-woods-and-wildlife/habitats/ancient-woodland/</a></p><p><strong>Marie Thompson's Beyond Unwanted Sound: </strong><a href="https://www.bloomsbury.com/uk/beyond-unwanted-sound-9781501313301/" rel="noopener noreferrer" target="_blank">https://www.bloomsbury.com/uk/beyond-unwanted-sound-9781501313301/</a></p><p><strong>The On-Line Encyclopaedia of Integer Sequences:</strong> <a href="https://oeis.org/" rel="noopener noreferrer" target="_blank">https://oeis.org/</a></p><p><strong>Stephen Wolfram's A New Kind of Science:</strong> <a href="https://www.wolframscience.com/nks/" rel="noopener noreferrer" target="_blank">https://www.wolframscience.com/nks/</a></p><br><p><strong>Mentioned labels</strong></p><p><a href="https://f4lsch.bandcamp.com/" rel="noopener noreferrer" target="_blank">https://f4lsch.bandcamp.com/</a></p><p><a href="https://farmersmanual.bandcamp.com/" rel="noopener noreferrer" target="_blank">https://farmersmanual.bandcamp.com/</a></p><p><a href="https://generalmagic.bandcamp.com/" rel="noopener noreferrer" target="_blank">https://generalmagic.bandcamp.com/</a></p><p><a href="https://sm-ll.bandcamp.com/" rel="noopener noreferrer" target="_blank">https://sm-ll.bandcamp.com/</a></p><p><a href="https://threeop.bandcamp.com/" rel="noopener noreferrer" target="_blank">https://threeop.bandcamp.com/</a></p><br><p>The photograph used in this episode's artwork was taken by Mike Ford.</p><p>This episode was researched, hosted, produced, and edited by Jim Reeve-Baker</p><p>Thanks for listening</p><br><p><a href="https://www.instagram.com/into_the_noise/" rel="noopener noreferrer" target="_blank">Into The Noise Instagram</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>EP5 Tom Painter</title>
			<itunes:title>EP5 Tom Painter</itunes:title>
			<pubDate>Fri, 24 May 2024 02:00:19 GMT</pubDate>
			<itunes:duration>1:13:59</itunes:duration>
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			<acast:episodeUrl>ep5-tom-painter</acast:episodeUrl>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>5</itunes:episode>
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			<description><![CDATA[<p>This episode of Into the Noise I talk to Tom Painter about the relationships between maths and music, the different cities Tom has lived in, using music to evoke abstract spaces, whether the expectations of audiences really matter, and Tom’s use of the sonic fragments left behind after the death of a loved one to explore memory and personal history.</p><br><p>Links to Tom's music heard in the episode:</p><br><p>https://afterseasonrecording.bandcamp.com/album/possibility-foam</p><br><p>https://afterseasonrecording.bandcamp.com/album/twenty-gramme-bird</p><br><p>https://afterseasonrecording.bandcamp.com/album/everywhere-curving</p><br><p>Tom's radio shows on Noods radio can be heard here:</p><br><p>https://noodsradio.com/residents/after-season-radio</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>This episode of Into the Noise I talk to Tom Painter about the relationships between maths and music, the different cities Tom has lived in, using music to evoke abstract spaces, whether the expectations of audiences really matter, and Tom’s use of the sonic fragments left behind after the death of a loved one to explore memory and personal history.</p><br><p>Links to Tom's music heard in the episode:</p><br><p>https://afterseasonrecording.bandcamp.com/album/possibility-foam</p><br><p>https://afterseasonrecording.bandcamp.com/album/twenty-gramme-bird</p><br><p>https://afterseasonrecording.bandcamp.com/album/everywhere-curving</p><br><p>Tom's radio shows on Noods radio can be heard here:</p><br><p>https://noodsradio.com/residents/after-season-radio</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>EP4 Jack Walker</title>
			<itunes:title>EP4 Jack Walker</itunes:title>
			<pubDate>Thu, 09 May 2024 23:01:43 GMT</pubDate>
			<itunes:duration>53:57</itunes:duration>
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			<itunes:episode>4</itunes:episode>
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			<description><![CDATA[<p>This episode of Into the Noise I'm talking to Jack Walker. We talk about Jack’s preferences for AI, structure, and improvisation; his background in Sheffield; how he balances work, life, and music making; and the good and bad aspects of being embedded within a university music department amongst other things.</p><br><p>Jack's PhD thesis:</p><p>https://era.ed.ac.uk/bitstream/handle/1842/39693/Walker2022.pdf?sequence=3&amp;isAllowed=y</p><br><p>More of Jack's music:</p><p>https://plusminusensemble.com/education/edinburgh-2020/</p><br><p>More of Jack's writing:</p><p>https://aimc2021.iem.at/wp-content/uploads/2021/07/AIMC_2021_Walker.pdf</p><p>https://2022.aimusiccreativity.org/assets/program/aimc2022_m1.pdf</p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>This episode of Into the Noise I'm talking to Jack Walker. We talk about Jack’s preferences for AI, structure, and improvisation; his background in Sheffield; how he balances work, life, and music making; and the good and bad aspects of being embedded within a university music department amongst other things.</p><br><p>Jack's PhD thesis:</p><p>https://era.ed.ac.uk/bitstream/handle/1842/39693/Walker2022.pdf?sequence=3&amp;isAllowed=y</p><br><p>More of Jack's music:</p><p>https://plusminusensemble.com/education/edinburgh-2020/</p><br><p>More of Jack's writing:</p><p>https://aimc2021.iem.at/wp-content/uploads/2021/07/AIMC_2021_Walker.pdf</p><p>https://2022.aimusiccreativity.org/assets/program/aimc2022_m1.pdf</p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>EP3 Ioannis Panagiotou</title>
			<itunes:title>EP3 Ioannis Panagiotou</itunes:title>
			<pubDate>Thu, 02 May 2024 21:10:00 GMT</pubDate>
			<itunes:duration>49:37</itunes:duration>
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			<itunes:episode>3</itunes:episode>
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			<description><![CDATA[<p>In this episode of Into the Noise Jim talks to the multimedia artist Ioannis Panagiotou about war, family and memory; the role piano strings have played in the Greek civil war; Ioannis’ relationship with Greece and his emigration to other countries; and his interest in borders and coastlines.</p><br><p>You can find the works Ioannis has contributed to this episode via the links below</p><p><a href="https://www.ioannispanagiotou.com/umwelt" rel="noopener noreferrer" target="_blank">https://www.ioannispanagiotou.com/umwelt</a></p><p><a href="https://www.ioannispanagiotou.com/works" rel="noopener noreferrer" target="_blank">https://www.ioannispanagiotou.com/works</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode of Into the Noise Jim talks to the multimedia artist Ioannis Panagiotou about war, family and memory; the role piano strings have played in the Greek civil war; Ioannis’ relationship with Greece and his emigration to other countries; and his interest in borders and coastlines.</p><br><p>You can find the works Ioannis has contributed to this episode via the links below</p><p><a href="https://www.ioannispanagiotou.com/umwelt" rel="noopener noreferrer" target="_blank">https://www.ioannispanagiotou.com/umwelt</a></p><p><a href="https://www.ioannispanagiotou.com/works" rel="noopener noreferrer" target="_blank">https://www.ioannispanagiotou.com/works</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>EP2 Tom Mudd</title>
			<itunes:title>EP2 Tom Mudd</itunes:title>
			<pubDate>Thu, 25 Apr 2024 20:27:44 GMT</pubDate>
			<itunes:duration>43:20</itunes:duration>
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			<itunes:season>1</itunes:season>
			<itunes:episode>2</itunes:episode>
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			<description><![CDATA[<p>In this episode of Into the Noise Jim talks to the composer Tom Mudd about agency in regards to information and the internet, exploring digital music making processes, musical forms and structures, evoking and failing to evoke sounds and cultures using synthesis, and the musical benefits of performing with amateur youth ensembles.</p><br><p>You can find the music Tom has contributed to this episode via the links below</p><p><a href="https://tommudd.bandcamp.com/album/gutter-synthesis" rel="noopener noreferrer" target="_blank">https://tommudd.bandcamp.com/album/gutter-synthesis</a></p><p><a href="https://tommudd.bandcamp.com/album/brass-cultures" rel="noopener noreferrer" target="_blank">https://tommudd.bandcamp.com/album/brass-cultures</a></p><p><a href="https://tommudd.bandcamp.com/album/guitar-cultures" rel="noopener noreferrer" target="_blank">https://tommudd.bandcamp.com/album/guitar-cultures</a></p><br><p>Additionally, here is a link to Tom’s website, and his ever-changing biography…</p><p><a href="https://tommudd.co.uk/about/" rel="noopener noreferrer" target="_blank">https://tommudd.co.uk/about/</a></p><br><p>Artwork designed by Jim Reeve-Baker</p><p>Photograph by Šimon Lupták</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode of Into the Noise Jim talks to the composer Tom Mudd about agency in regards to information and the internet, exploring digital music making processes, musical forms and structures, evoking and failing to evoke sounds and cultures using synthesis, and the musical benefits of performing with amateur youth ensembles.</p><br><p>You can find the music Tom has contributed to this episode via the links below</p><p><a href="https://tommudd.bandcamp.com/album/gutter-synthesis" rel="noopener noreferrer" target="_blank">https://tommudd.bandcamp.com/album/gutter-synthesis</a></p><p><a href="https://tommudd.bandcamp.com/album/brass-cultures" rel="noopener noreferrer" target="_blank">https://tommudd.bandcamp.com/album/brass-cultures</a></p><p><a href="https://tommudd.bandcamp.com/album/guitar-cultures" rel="noopener noreferrer" target="_blank">https://tommudd.bandcamp.com/album/guitar-cultures</a></p><br><p>Additionally, here is a link to Tom’s website, and his ever-changing biography…</p><p><a href="https://tommudd.co.uk/about/" rel="noopener noreferrer" target="_blank">https://tommudd.co.uk/about/</a></p><br><p>Artwork designed by Jim Reeve-Baker</p><p>Photograph by Šimon Lupták</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>EP1 Jules Rawlinson</title>
			<itunes:title>EP1 Jules Rawlinson</itunes:title>
			<pubDate>Fri, 19 Apr 2024 17:23:27 GMT</pubDate>
			<itunes:duration>1:59:54</itunes:duration>
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			<acast:episodeUrl>ep1-jules-rawlinson</acast:episodeUrl>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>1</itunes:episode>
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			<description><![CDATA[<p>In this episode of Into the Noise Jim speaks to composer Jules Rawlinson about the myriad influences on his music, collaborations both across decades and in the moment of performance, multimedia installations, preferences for finding the unstable qualities of new performance technologies, and many other things.</p><br><p>You can find the music Jules has contributed to this episode via the links below</p><p><a href="https://pixelmechanics.bandcamp.com/album/pulsar-retcon" rel="noopener noreferrer" target="_blank">https://pixelmechanics.bandcamp.com/album/pulsar-retcon</a></p><p><a href="https://pixelmechanics.bandcamp.com/album/interval-and-instance" rel="noopener noreferrer" target="_blank">https://pixelmechanics.bandcamp.com/album/interval-and-instance</a></p><p><a href="https://pixelmechanics.bandcamp.com/album/yield-point" rel="noopener noreferrer" target="_blank">https://pixelmechanics.bandcamp.com/album/yield-point</a></p><br><p>and the music of the group he performs in <em>Raw Green Rust</em></p><p><a href="https://rawgreenrust.bandcamp.com/" rel="noopener noreferrer" target="_blank">https://rawgreenrust.bandcamp.com/</a></p><br><p><br></p><p>Produced by Jim Reeve-Baker</p><br><p>Artwork designed by Jim Reeve-Baker</p><p>Photograph by Laurence Winram http://www.lwinram.com/</p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode of Into the Noise Jim speaks to composer Jules Rawlinson about the myriad influences on his music, collaborations both across decades and in the moment of performance, multimedia installations, preferences for finding the unstable qualities of new performance technologies, and many other things.</p><br><p>You can find the music Jules has contributed to this episode via the links below</p><p><a href="https://pixelmechanics.bandcamp.com/album/pulsar-retcon" rel="noopener noreferrer" target="_blank">https://pixelmechanics.bandcamp.com/album/pulsar-retcon</a></p><p><a href="https://pixelmechanics.bandcamp.com/album/interval-and-instance" rel="noopener noreferrer" target="_blank">https://pixelmechanics.bandcamp.com/album/interval-and-instance</a></p><p><a href="https://pixelmechanics.bandcamp.com/album/yield-point" rel="noopener noreferrer" target="_blank">https://pixelmechanics.bandcamp.com/album/yield-point</a></p><br><p>and the music of the group he performs in <em>Raw Green Rust</em></p><p><a href="https://rawgreenrust.bandcamp.com/" rel="noopener noreferrer" target="_blank">https://rawgreenrust.bandcamp.com/</a></p><br><p><br></p><p>Produced by Jim Reeve-Baker</p><br><p>Artwork designed by Jim Reeve-Baker</p><p>Photograph by Laurence Winram http://www.lwinram.com/</p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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