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		<title>OPENING CREDITS®</title>
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		<itunes:subtitle>Meeting the crew behind the camera</itunes:subtitle>
		<itunes:summary><![CDATA[<p>The OPENING CREDITS® podcast takes you behind-the-scenes of film &amp; TV to explore the unseen world of filmmaking. Join Graphic Designers Stephen Nutley and Laura Whitehouse as they put the focus on the creatives who bring the latest and greatest movies and shows to life. Whether you’re a movie buff who wants to learn more about film production, or a casual fan who is curious to know what goes on behind the camera, this podcast is a new way for you to meet the crew who are hidden in the credits.</p><br><p>Follow us!</p><br><p>INSTAGRAM</p><p>instagram.com/openingcredits</p><br><p>TIKTOK</p><p>tiktok.com/@weareopeningcredits</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		<description><![CDATA[<p>The OPENING CREDITS® podcast takes you behind-the-scenes of film &amp; TV to explore the unseen world of filmmaking. Join Graphic Designers Stephen Nutley and Laura Whitehouse as they put the focus on the creatives who bring the latest and greatest movies and shows to life. Whether you’re a movie buff who wants to learn more about film production, or a casual fan who is curious to know what goes on behind the camera, this podcast is a new way for you to meet the crew who are hidden in the credits.</p><br><p>Follow us!</p><br><p>INSTAGRAM</p><p>instagram.com/openingcredits</p><br><p>TIKTOK</p><p>tiktok.com/@weareopeningcredits</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
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			<title>‘Baby Reindeer’ Editor Benji Gerstein on his Emmy-winning work</title>
			<itunes:title>‘Baby Reindeer’ Editor Benji Gerstein on his Emmy-winning work</itunes:title>
			<pubDate>Wed, 29 Oct 2025 05:00:00 GMT</pubDate>
			<itunes:duration>58:12</itunes:duration>
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			<description><![CDATA[<p>Want to know how to cut it as an Editor?</p><br><p>Benji Gerstein takes a break from his busy schedule to tell us all about his job - including his award-winning work on the smash-hit Netflix show, ‘<em>Baby Reindeer’.</em></p><br><p>As well as talking us through his process and sharing his advice for newcomers, Benji also gives us the inside story of his big night at the Emmys!</p><br><p>FOLLOW US!</p><br><p>Instagram</p><p>instagram.com/openingcredits</p><br><p>TikTok</p><p>tiktok.com/@weareopeningcredits</p><br><p>YouTube</p><p>youtube.com/@weareopeningcredits</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Want to know how to cut it as an Editor?</p><br><p>Benji Gerstein takes a break from his busy schedule to tell us all about his job - including his award-winning work on the smash-hit Netflix show, ‘<em>Baby Reindeer’.</em></p><br><p>As well as talking us through his process and sharing his advice for newcomers, Benji also gives us the inside story of his big night at the Emmys!</p><br><p>FOLLOW US!</p><br><p>Instagram</p><p>instagram.com/openingcredits</p><br><p>TikTok</p><p>tiktok.com/@weareopeningcredits</p><br><p>YouTube</p><p>youtube.com/@weareopeningcredits</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title><![CDATA['Too Much' Co-Creator Luis Felber on soundtracking his own life]]></title>
			<itunes:title><![CDATA['Too Much' Co-Creator Luis Felber on soundtracking his own life]]></itunes:title>
			<pubDate>Wed, 30 Jul 2025 04:00:00 GMT</pubDate>
			<itunes:duration>37:01</itunes:duration>
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			<itunes:episode>4</itunes:episode>
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			<description><![CDATA[<p>Luis Felber, aka Attawalpa, joins us this week to talk all things music, as well as the many other roles he had in making the hit new Netflix comedy, 'Too Much,' starring Megan Stalter and Will Sharpe.</p><br><p>Not only did Luis co-create the show with his wife, Lena Dunham (<em>'Girls,' 'Sharp Stick'</em>), but he was also the Co-Writer, Producer and Composer.</p><br><p>In this episode, we find out how Luis came to wear so many hats, and what it was like to put his own music in an already very personal story, inspired by his and Lena's own relationship.</p><br><p>Featuring the tracks 'True Love Trajectory,' 'No Limitations' and 'Always The Girls' by Attawalpa.</p><br><p>FOLLOW US!</p><br><p>Instagram</p><p>instagram.com/openingcredits</p><br><p>TikTok</p><p>tiktok.com/@weareopeningcredits</p><br><p>YouTube</p><p>youtube.com/@weareopeningcredits</p><br><p>© Music courtesy of Attawalpa Records</p><p>© 'Too Much' audio clip courtesy of Netflix</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Luis Felber, aka Attawalpa, joins us this week to talk all things music, as well as the many other roles he had in making the hit new Netflix comedy, 'Too Much,' starring Megan Stalter and Will Sharpe.</p><br><p>Not only did Luis co-create the show with his wife, Lena Dunham (<em>'Girls,' 'Sharp Stick'</em>), but he was also the Co-Writer, Producer and Composer.</p><br><p>In this episode, we find out how Luis came to wear so many hats, and what it was like to put his own music in an already very personal story, inspired by his and Lena's own relationship.</p><br><p>Featuring the tracks 'True Love Trajectory,' 'No Limitations' and 'Always The Girls' by Attawalpa.</p><br><p>FOLLOW US!</p><br><p>Instagram</p><p>instagram.com/openingcredits</p><br><p>TikTok</p><p>tiktok.com/@weareopeningcredits</p><br><p>YouTube</p><p>youtube.com/@weareopeningcredits</p><br><p>© Music courtesy of Attawalpa Records</p><p>© 'Too Much' audio clip courtesy of Netflix</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title><![CDATA['Dept. Q' Writer & Director Scott Frank comes in for questioning]]></title>
			<itunes:title><![CDATA['Dept. Q' Writer & Director Scott Frank comes in for questioning]]></itunes:title>
			<pubDate>Tue, 03 Jun 2025 04:00:00 GMT</pubDate>
			<itunes:duration>41:30</itunes:duration>
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			<itunes:episode>3</itunes:episode>
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			<description><![CDATA[<p>As a former detective and a former resident of Edinburgh, respectively, we jumped at the chance to sit down with the Writer and Director of the new Netflix crime drama 'Dept. Q' for our first ever in-person interview.</p><br><p>In this episode, we chat with Scott Frank about filming in Scotland and mastering the local slang, his research into real life detectives (and how it's illegal to make a police show without a crime board), and which department he'd have worked on had he not been in charge of the whole thing.</p><br><p>And in another first, you can watch the full interview on YouTube!</p><p>https://youtu.be/qPT9YMt_PeM</p><br><p>FOLLOW US!</p><br><p>Instagram</p><p>instagram.com/openingcredits</p><br><p>TikTok</p><p>tiktok.com/@weareopeningcredits</p><br><p>YouTube</p><p>youtube.com/@weareopeningcredits</p><br><p>© 'Dept. Q' audio clip courtesy of Netflix</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>As a former detective and a former resident of Edinburgh, respectively, we jumped at the chance to sit down with the Writer and Director of the new Netflix crime drama 'Dept. Q' for our first ever in-person interview.</p><br><p>In this episode, we chat with Scott Frank about filming in Scotland and mastering the local slang, his research into real life detectives (and how it's illegal to make a police show without a crime board), and which department he'd have worked on had he not been in charge of the whole thing.</p><br><p>And in another first, you can watch the full interview on YouTube!</p><p>https://youtu.be/qPT9YMt_PeM</p><br><p>FOLLOW US!</p><br><p>Instagram</p><p>instagram.com/openingcredits</p><br><p>TikTok</p><p>tiktok.com/@weareopeningcredits</p><br><p>YouTube</p><p>youtube.com/@weareopeningcredits</p><br><p>© 'Dept. Q' audio clip courtesy of Netflix</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title><![CDATA[What do Trump's movie tariffs actually mean? We ask the experts]]></title>
			<itunes:title><![CDATA[What do Trump's movie tariffs actually mean? We ask the experts]]></itunes:title>
			<pubDate>Wed, 14 May 2025 04:00:00 GMT</pubDate>
			<itunes:duration>48:32</itunes:duration>
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			<itunes:season>5</itunes:season>
			<itunes:episode>2</itunes:episode>
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			<description><![CDATA[<p>In our first ever emergency episode, we unpick Donald Trump's 'tweet-bomb' from last week in which he announced a 100% tariff on all movies made in "foreign lands."</p><br><p>This left a lot of us asking what this announcement might mean for the film industry in the UK and the US, so in this episode we try to make sense of the madness with the help of some experts on both sides of the Atlantic.</p><br><p>We're joined by Production Designer and former chair of the British Film Designers Guild, Blair Barnette, and former President of the US Art Directors Guild, Thomas Walsh, who give us their take on the situation and answer some of your questions about it.</p><br><p>LINKS:</p><br><p>BFDG www.britishfilmdesigners.com</p><p>ADG www.adg.org</p><br><p>FOLLOW US!</p><br><p>Instagram</p><p>instagram.com/openingcredits</p><br><p>TikTok</p><p>tiktok.com/@weareopeningcredits</p><br><p>YouTube</p><p>youtube.com/@weareopeningcredits</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In our first ever emergency episode, we unpick Donald Trump's 'tweet-bomb' from last week in which he announced a 100% tariff on all movies made in "foreign lands."</p><br><p>This left a lot of us asking what this announcement might mean for the film industry in the UK and the US, so in this episode we try to make sense of the madness with the help of some experts on both sides of the Atlantic.</p><br><p>We're joined by Production Designer and former chair of the British Film Designers Guild, Blair Barnette, and former President of the US Art Directors Guild, Thomas Walsh, who give us their take on the situation and answer some of your questions about it.</p><br><p>LINKS:</p><br><p>BFDG www.britishfilmdesigners.com</p><p>ADG www.adg.org</p><br><p>FOLLOW US!</p><br><p>Instagram</p><p>instagram.com/openingcredits</p><br><p>TikTok</p><p>tiktok.com/@weareopeningcredits</p><br><p>YouTube</p><p>youtube.com/@weareopeningcredits</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title><![CDATA[Our outies met Ben Stiller and Adam Scott! BTS at the 'Severance' finale screening in London]]></title>
			<itunes:title><![CDATA[Our outies met Ben Stiller and Adam Scott! BTS at the 'Severance' finale screening in London]]></itunes:title>
			<pubDate>Thu, 03 Apr 2025 04:00:00 GMT</pubDate>
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			<itunes:season>5</itunes:season>
			<itunes:episode>1</itunes:episode>
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			<description><![CDATA[<p>Talk about ‘Severance’ on your podcast enough and you might just get invited to a screening Q&amp;A. That’s what happened to us anyway when we got to go to the season finale event at Everyman Cinemas in London and mingle with the cast and crew.</p><br><p>To kick off Season 5 we're finally fulfilling our dream of becoming a 'Severance' podcast, for one episode at least, by debriefing the latest season, revealing what goes on at these swanky showbiz events, and telling you all about our chats with Ben Stiller and Adam Scott.</p><br><p>Needless to say; SPOILERS AHEAD!</p><br><p>Big thanks to:</p><p>DDA Global</p><p>Apple TV+</p><p>Everyman Cinemas</p><p>Soundtracking</p><br><p>Don't forget to subscribe so you don't miss our now unscheduled new episodes!</p><br><p>Join us for our first social event:</p><p><a href="https://maps.app.goo.gl/wj1TCqdGep9FGvr46" rel="noopener noreferrer" target="_blank">Unbarred Brewery, Brighton</a></p><p>Thursday 10th April</p><p>8pm</p><br><p>FOLLOW US! </p><br><p>Instagram</p><p>instagram.com/openingcredits</p><br><p>TikTok</p><p>tiktok.com/@weareopeningcredits</p><br><p>YouTube</p><p>youtube.com/@weareopeningcredits</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Talk about ‘Severance’ on your podcast enough and you might just get invited to a screening Q&amp;A. That’s what happened to us anyway when we got to go to the season finale event at Everyman Cinemas in London and mingle with the cast and crew.</p><br><p>To kick off Season 5 we're finally fulfilling our dream of becoming a 'Severance' podcast, for one episode at least, by debriefing the latest season, revealing what goes on at these swanky showbiz events, and telling you all about our chats with Ben Stiller and Adam Scott.</p><br><p>Needless to say; SPOILERS AHEAD!</p><br><p>Big thanks to:</p><p>DDA Global</p><p>Apple TV+</p><p>Everyman Cinemas</p><p>Soundtracking</p><br><p>Don't forget to subscribe so you don't miss our now unscheduled new episodes!</p><br><p>Join us for our first social event:</p><p><a href="https://maps.app.goo.gl/wj1TCqdGep9FGvr46" rel="noopener noreferrer" target="_blank">Unbarred Brewery, Brighton</a></p><p>Thursday 10th April</p><p>8pm</p><br><p>FOLLOW US! </p><br><p>Instagram</p><p>instagram.com/openingcredits</p><br><p>TikTok</p><p>tiktok.com/@weareopeningcredits</p><br><p>YouTube</p><p>youtube.com/@weareopeningcredits</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title><![CDATA['Home Alone' costumes and Carling... it's the Pod Quiz Christmas Special!]]></title>
			<itunes:title><![CDATA['Home Alone' costumes and Carling... it's the Pod Quiz Christmas Special!]]></itunes:title>
			<pubDate>Fri, 20 Dec 2024 05:30:40 GMT</pubDate>
			<itunes:duration>58:22</itunes:duration>
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			<acast:episodeUrl>pod-quiz-christmas-special</acast:episodeUrl>
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			<itunes:season>4</itunes:season>
			<itunes:episode>10</itunes:episode>
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			<description><![CDATA[<p>'Tis the season finale, so our now traditional Pod Quiz is back with a festive twist!</p><br><p>Once again, we’ve spared all expense to make fancy dress costumes (this time as the Wet Bandits themselves, Harry and Marv) for our end-of-season Christmas party.</p><br><p>Join us for a special episode stuffed with the best bits from the past 10 weeks as Laura get’s grilled on what she remembers about the guests, and some bonus 'Home Alone' trivia for good measure.&nbsp;</p><br><p>Spoiler: she’s more forgetful than Kevin’s mum.</p><br><p>So, grab a beverage and fill yourself with holiday spirit (we do, so you won’t be alone), because just like the socks you’re gonna get from your nan, we’re wrapped.</p><br><p>Merry Christmas, ya filthy animals.&nbsp;</p><br><p>FOLLOW US FOR MORE!</p><br><p>Instagram</p><p>instagram.com/openingcredits</p><br><p>TikTok</p><p>tiktok.com/@weareopeningcredits</p><br><p>Letterboxd</p><p>letterboxd.com/ocpodcast</p><br><p>Buy us a coffee!</p><p>buymeacoffee.com/openingcredits</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>'Tis the season finale, so our now traditional Pod Quiz is back with a festive twist!</p><br><p>Once again, we’ve spared all expense to make fancy dress costumes (this time as the Wet Bandits themselves, Harry and Marv) for our end-of-season Christmas party.</p><br><p>Join us for a special episode stuffed with the best bits from the past 10 weeks as Laura get’s grilled on what she remembers about the guests, and some bonus 'Home Alone' trivia for good measure.&nbsp;</p><br><p>Spoiler: she’s more forgetful than Kevin’s mum.</p><br><p>So, grab a beverage and fill yourself with holiday spirit (we do, so you won’t be alone), because just like the socks you’re gonna get from your nan, we’re wrapped.</p><br><p>Merry Christmas, ya filthy animals.&nbsp;</p><br><p>FOLLOW US FOR MORE!</p><br><p>Instagram</p><p>instagram.com/openingcredits</p><br><p>TikTok</p><p>tiktok.com/@weareopeningcredits</p><br><p>Letterboxd</p><p>letterboxd.com/ocpodcast</p><br><p>Buy us a coffee!</p><p>buymeacoffee.com/openingcredits</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title><![CDATA['Paddington in Peru' Production Designer Andy Kelly answers questions from kids]]></title>
			<itunes:title><![CDATA['Paddington in Peru' Production Designer Andy Kelly answers questions from kids]]></itunes:title>
			<pubDate>Wed, 11 Dec 2024 05:30:36 GMT</pubDate>
			<itunes:duration>37:51</itunes:duration>
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			<acast:episodeUrl>paddington-in-peru-production-designer-andy-kelly</acast:episodeUrl>
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			<itunes:season>4</itunes:season>
			<itunes:episode>9</itunes:episode>
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			<description><![CDATA[<p>Let’s prepare for Paddington!</p><br><p>Laura has returned from digging in the credits of ‘Paddington in Peru,’ having successfully unearthed the Production Designer, Andy Kelly, and the famous bear’s biggest fans have turned out in force to ask him about the movie.&nbsp;</p><br><p>Standby for cuteness as the kids put their questions to Andy, and we find out the answers to very important things like what happened to Paddington’s magical coin, and who is his favourite Paddington baddie?</p><br><p>Andy spills the marmalade on his own adventures designing the film, including trekking into restricted parts of Peru and having to get to know our sandwich-loving friend better than anyone else.&nbsp;</p><br><p>SPOILER ALERT: Andy reveals some of the movie's secrets in this episode, so make sure you've seen it before listening! We don't want to be on the receiving end of any hard stares.&nbsp;</p><br><p>FOLLOW US FOR MORE!</p><br><p>Instagram</p><p>instagram.com/openingcredits</p><br><p>TikTok</p><p>tiktok.com/@weareopeningcredits</p><br><p>Letterboxd</p><p>letterboxd.com/ocpodcast</p><br><p>Buy us a coffee!</p><p>buymeacoffee.com/openingcredits</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Let’s prepare for Paddington!</p><br><p>Laura has returned from digging in the credits of ‘Paddington in Peru,’ having successfully unearthed the Production Designer, Andy Kelly, and the famous bear’s biggest fans have turned out in force to ask him about the movie.&nbsp;</p><br><p>Standby for cuteness as the kids put their questions to Andy, and we find out the answers to very important things like what happened to Paddington’s magical coin, and who is his favourite Paddington baddie?</p><br><p>Andy spills the marmalade on his own adventures designing the film, including trekking into restricted parts of Peru and having to get to know our sandwich-loving friend better than anyone else.&nbsp;</p><br><p>SPOILER ALERT: Andy reveals some of the movie's secrets in this episode, so make sure you've seen it before listening! We don't want to be on the receiving end of any hard stares.&nbsp;</p><br><p>FOLLOW US FOR MORE!</p><br><p>Instagram</p><p>instagram.com/openingcredits</p><br><p>TikTok</p><p>tiktok.com/@weareopeningcredits</p><br><p>Letterboxd</p><p>letterboxd.com/ocpodcast</p><br><p>Buy us a coffee!</p><p>buymeacoffee.com/openingcredits</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title><![CDATA['Black Doves' Creator Joe Barton unwraps his latest (mince) spy thriller]]></title>
			<itunes:title><![CDATA['Black Doves' Creator Joe Barton unwraps his latest (mince) spy thriller]]></itunes:title>
			<pubDate>Wed, 04 Dec 2024 05:30:39 GMT</pubDate>
			<itunes:duration>45:35</itunes:duration>
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			<acast:episodeUrl>black-doves-creator-joe-barton</acast:episodeUrl>
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			<itunes:season>4</itunes:season>
			<itunes:episode>8</itunes:episode>
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			<description><![CDATA[<p>Joe Barton is the writer and creator of the brand new festive Netflix spy series, 'Black Doves,' starring Keira Knightley and Ben Whishaw.</p><br><p>Steve managed to grab a chat with Joe in between his busy schedule to ask him not only about his work on the show, but also about his job as a writer. </p><br><p>In this episode, Joe takes us into the writer's room to tell us about the team effort of bringing 'Black Doves' from the page to the screen, where he gets his inspiration from, and his advice to aspiring screenwriters on how to get into the industry.</p><br><p>Meanwhile, Laura reveals the identity of the mystery guest she's found from digging in the credits of 'Paddington in Peru'!</p><br><p>FOLLOW US FOR MORE</p><br><p>Instagram</p><p>instagram.com/openingcredits</p><br><p>TikTok</p><p>tiktok.com/@weareopeningcredits</p><br><p>Letterboxd</p><p>letterboxd.com/ocpodcast</p><br><p>Buy us a coffee!</p><p>buymeacoffee.com/openingcredits</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Joe Barton is the writer and creator of the brand new festive Netflix spy series, 'Black Doves,' starring Keira Knightley and Ben Whishaw.</p><br><p>Steve managed to grab a chat with Joe in between his busy schedule to ask him not only about his work on the show, but also about his job as a writer. </p><br><p>In this episode, Joe takes us into the writer's room to tell us about the team effort of bringing 'Black Doves' from the page to the screen, where he gets his inspiration from, and his advice to aspiring screenwriters on how to get into the industry.</p><br><p>Meanwhile, Laura reveals the identity of the mystery guest she's found from digging in the credits of 'Paddington in Peru'!</p><br><p>FOLLOW US FOR MORE</p><br><p>Instagram</p><p>instagram.com/openingcredits</p><br><p>TikTok</p><p>tiktok.com/@weareopeningcredits</p><br><p>Letterboxd</p><p>letterboxd.com/ocpodcast</p><br><p>Buy us a coffee!</p><p>buymeacoffee.com/openingcredits</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title><![CDATA['BFDG' Production Designer Jonathan Green thinks the film industry can only get better]]></title>
			<itunes:title><![CDATA['BFDG' Production Designer Jonathan Green thinks the film industry can only get better]]></itunes:title>
			<pubDate>Wed, 27 Nov 2024 05:30:17 GMT</pubDate>
			<itunes:duration>41:09</itunes:duration>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>4</itunes:season>
			<itunes:episode>7</itunes:episode>
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			<description><![CDATA[<p>We know a lot of you work in the film industry, or are looking to get into it. We also know that it's been a tough year for film crew due to a seemingly never-ending work drought. So, we thought who better to have on than the chair of the British Film Designers Guild to ask whether this is the new normal, or if things can only get better.</p><br><p>Jonathan Green is a Production Designer with over 35 years experience, and is somewhat of a British institution having designed such iconic quiz shows as, 'QI,' 'Mock the Week,' 'The Chase,' and 'Have I Got News For You.'</p><br><p>He joins us this week to not only tell us what the BFDG is all about and what they do for film creatives, but also to be quizzed himself on what's causing the current slump and when he thinks the situation will finally improve (spoiler: it's good news).</p><br><p>BFDG website:</p><p>britishfilmdesigners.com</p><br><p>Jonathan's website:</p><p>setdesign.tv</p><br><p>Matthew McConaughey's tuna salad recipe:</p><p>theeastcoastkitchen.com/matthew-mcconaugheys-viral-tuna-fish-salad/</p><br><p>FOLLOW US FOR MORE!</p><br><p>Instagram</p><p>instagram.com/openingcredits</p><br><p>TikTok</p><p>tiktok.com/@weareopeningcredits</p><br><p>Letterboxd</p><p>letterboxd.com/ocpodcast</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>We know a lot of you work in the film industry, or are looking to get into it. We also know that it's been a tough year for film crew due to a seemingly never-ending work drought. So, we thought who better to have on than the chair of the British Film Designers Guild to ask whether this is the new normal, or if things can only get better.</p><br><p>Jonathan Green is a Production Designer with over 35 years experience, and is somewhat of a British institution having designed such iconic quiz shows as, 'QI,' 'Mock the Week,' 'The Chase,' and 'Have I Got News For You.'</p><br><p>He joins us this week to not only tell us what the BFDG is all about and what they do for film creatives, but also to be quizzed himself on what's causing the current slump and when he thinks the situation will finally improve (spoiler: it's good news).</p><br><p>BFDG website:</p><p>britishfilmdesigners.com</p><br><p>Jonathan's website:</p><p>setdesign.tv</p><br><p>Matthew McConaughey's tuna salad recipe:</p><p>theeastcoastkitchen.com/matthew-mcconaugheys-viral-tuna-fish-salad/</p><br><p>FOLLOW US FOR MORE!</p><br><p>Instagram</p><p>instagram.com/openingcredits</p><br><p>TikTok</p><p>tiktok.com/@weareopeningcredits</p><br><p>Letterboxd</p><p>letterboxd.com/ocpodcast</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title><![CDATA['Succession' titles designer William Lebeda on making actual opening credits]]></title>
			<itunes:title><![CDATA['Succession' titles designer William Lebeda on making actual opening credits]]></itunes:title>
			<pubDate>Wed, 20 Nov 2024 05:30:16 GMT</pubDate>
			<itunes:duration>44:38</itunes:duration>
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			<description><![CDATA[<p>It's finally happening, we're actually going to talk about opening credits on OPENING CREDITS®.</p><br><p>So, if you're one of the few people who have been sorely disappointed that this podcast isn't actually about title sequences, today's your lucky day! We're joined in this episode by William Lebeda, Creative Director at Picturemill, the studio behind some of the most memorable movie and tv show intros, including ‘Panic Room,’ ‘Sonic the Hedgehog,’ and ‘Transformers One.’&nbsp;</p><br><p>William, alongside Executive Producer David Midgen, talks us through the process of making the iconic opening credits for 'Succession', and how it was more hands-on than you might think. He also gives his honest opinion on the controversial 'Skip Intro' button (which is changing the game for title design) and tells us about his dream day on set working with everyone's favourite fuzzy friends, The Muppets.</p><br><p>See more of Picturemill's work on their website:</p><p>picturemill.com</p><br><p>Enjoying the pod? Buy us a coffee!</p><p>buymeacoffee.com/openingcredits</p><br><p>FOLLOW US FOR MORE!</p><br><p>Instagram</p><p>instagram.com/openingcredits</p><br><p>TikTok</p><p>tiktok.com/@weareopeningcredits</p><br><p>Letterboxd</p><p>letterboxd.com/ocpodcast</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>It's finally happening, we're actually going to talk about opening credits on OPENING CREDITS®.</p><br><p>So, if you're one of the few people who have been sorely disappointed that this podcast isn't actually about title sequences, today's your lucky day! We're joined in this episode by William Lebeda, Creative Director at Picturemill, the studio behind some of the most memorable movie and tv show intros, including ‘Panic Room,’ ‘Sonic the Hedgehog,’ and ‘Transformers One.’&nbsp;</p><br><p>William, alongside Executive Producer David Midgen, talks us through the process of making the iconic opening credits for 'Succession', and how it was more hands-on than you might think. He also gives his honest opinion on the controversial 'Skip Intro' button (which is changing the game for title design) and tells us about his dream day on set working with everyone's favourite fuzzy friends, The Muppets.</p><br><p>See more of Picturemill's work on their website:</p><p>picturemill.com</p><br><p>Enjoying the pod? Buy us a coffee!</p><p>buymeacoffee.com/openingcredits</p><br><p>FOLLOW US FOR MORE!</p><br><p>Instagram</p><p>instagram.com/openingcredits</p><br><p>TikTok</p><p>tiktok.com/@weareopeningcredits</p><br><p>Letterboxd</p><p>letterboxd.com/ocpodcast</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title><![CDATA['Sex Education' Intimacy Coordinator David Thackeray on tackling those awkward scenes]]></title>
			<itunes:title><![CDATA['Sex Education' Intimacy Coordinator David Thackeray on tackling those awkward scenes]]></itunes:title>
			<pubDate>Wed, 13 Nov 2024 05:30:55 GMT</pubDate>
			<itunes:duration>44:21</itunes:duration>
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			<itunes:episode>5</itunes:episode>
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			<description><![CDATA[<p>Don't listen with your parents, this week is all about sex (scene) education.</p><br><p>David Thackeray was one of the first ever Intimacy Coordinators; a relatively new role in filmmaking introduced to help the cast and crew tackle (whoops) those more delicate scenes.</p><br><p>He’s also one of the most in demand, having worked on ‘The Crown,’ ‘Heartstopper,’ and ‘Sex Education.’</p><br><p>In this episode, David tells us what his job actually involves (and more importantly, what it <em>doesn’t</em>), how he gets past the awkwardness, and his techniques for making a film set a more comfortable and supportive place for everyone.</p><br><p>Meanwhile, Laura gives her verdict on the newly-released ‘Paddington in Peru’, and we share some of your guilty pleasures and hidden treasures!</p><br><p>DAVID'S WEBSITE</p><p>davidthackeray.com</p><br><p>WE'RE NOW ON LETTERBOXD!</p><p>letterboxd.com/ocpodcast</p><br><p>FOLLOW US FOR MORE:</p><br><p>Instagram</p><p>instagram.com/openingcredits</p><br><p>TikTok</p><p>tiktok.com/@weareopeningcredits</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Don't listen with your parents, this week is all about sex (scene) education.</p><br><p>David Thackeray was one of the first ever Intimacy Coordinators; a relatively new role in filmmaking introduced to help the cast and crew tackle (whoops) those more delicate scenes.</p><br><p>He’s also one of the most in demand, having worked on ‘The Crown,’ ‘Heartstopper,’ and ‘Sex Education.’</p><br><p>In this episode, David tells us what his job actually involves (and more importantly, what it <em>doesn’t</em>), how he gets past the awkwardness, and his techniques for making a film set a more comfortable and supportive place for everyone.</p><br><p>Meanwhile, Laura gives her verdict on the newly-released ‘Paddington in Peru’, and we share some of your guilty pleasures and hidden treasures!</p><br><p>DAVID'S WEBSITE</p><p>davidthackeray.com</p><br><p>WE'RE NOW ON LETTERBOXD!</p><p>letterboxd.com/ocpodcast</p><br><p>FOLLOW US FOR MORE:</p><br><p>Instagram</p><p>instagram.com/openingcredits</p><br><p>TikTok</p><p>tiktok.com/@weareopeningcredits</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title><![CDATA['Iron Man' VFX studio Perception tell us how they made Tony Stark's tech]]></title>
			<itunes:title><![CDATA['Iron Man' VFX studio Perception tell us how they made Tony Stark's tech]]></itunes:title>
			<pubDate>Wed, 06 Nov 2024 05:30:16 GMT</pubDate>
			<itunes:duration>50:32</itunes:duration>
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			<description><![CDATA[<p>We're heading Stateside this week, but don't worry, we're talking movies, not politics.</p><br><p>We're joined in this episode by not one, but two guests; Jeremy Lasky and Danny Gonzalez, Co-Founders of Perception, an Emmy-nominated design and visual effects studio based in New Jersey, USA.</p><br><p>If you've ever seen a superhero movie, chances are you've seen their work in the interfaces, heads-up-displays and holograms of the MCU. From Tony Stark's J.A.R.V.I.S. in 'Iron Man 2,' to the futuristic lab in 'Black Panther,' these guys are in the business of designing screens for the big screen.</p><br><p>Jeremy and Danny tell us what it's like to work with Marvel, how they use science-fiction to inspire science-fact, and what they think real world AI has in store for the future of filmmaking.</p><br><p>LINKS</p><br><p>Perception's website</p><p>www.experienceperception.com</p><br><p>FOLLOW US FOR MORE!</p><br><p>OPENING CREDITS® Instagram</p><p>www.instagram.com/openingcredits</p><br><p>OPENING CREDITS® TikTok</p><p>www.tiktok.com/@weareopeningcredits</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>We're heading Stateside this week, but don't worry, we're talking movies, not politics.</p><br><p>We're joined in this episode by not one, but two guests; Jeremy Lasky and Danny Gonzalez, Co-Founders of Perception, an Emmy-nominated design and visual effects studio based in New Jersey, USA.</p><br><p>If you've ever seen a superhero movie, chances are you've seen their work in the interfaces, heads-up-displays and holograms of the MCU. From Tony Stark's J.A.R.V.I.S. in 'Iron Man 2,' to the futuristic lab in 'Black Panther,' these guys are in the business of designing screens for the big screen.</p><br><p>Jeremy and Danny tell us what it's like to work with Marvel, how they use science-fiction to inspire science-fact, and what they think real world AI has in store for the future of filmmaking.</p><br><p>LINKS</p><br><p>Perception's website</p><p>www.experienceperception.com</p><br><p>FOLLOW US FOR MORE!</p><br><p>OPENING CREDITS® Instagram</p><p>www.instagram.com/openingcredits</p><br><p>OPENING CREDITS® TikTok</p><p>www.tiktok.com/@weareopeningcredits</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
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			<title><![CDATA['Bridgerton' Hair & Makeup Designer Erika Ökvist addresses the acrylic nail controversy ]]></title>
			<itunes:title><![CDATA['Bridgerton' Hair & Makeup Designer Erika Ökvist addresses the acrylic nail controversy ]]></itunes:title>
			<pubDate>Wed, 30 Oct 2024 05:30:12 GMT</pubDate>
			<itunes:duration>44:20</itunes:duration>
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			<itunes:episode>3</itunes:episode>
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			<description><![CDATA[<p>Keep your wigs on, Emmy and BAFTA-winning Hair &amp; Makeup Designer Erika Ökvist is on the podcast this week to tell us how she balanced aesthetics with authenticity when crafting the stunning looks in 'Bridgerton.'</p><br><p>In this episode, Erika shares her industry secrets, like how she created the look for Penelope's striking transformation, and tells us how she evolves the style and fashion with every season of the show.</p><br><p>She also addresses her critics by giving us a lesson in <em>real</em> period make up (oil and soot eyebrows, anyone?) and explains why she always prioritises character and story over historical accuracy.</p><br><p>Meanwhile, Laura fills us in on her trip down under, and Steve has been running to raise money for charity, donate below!</p><br><p>DONATE TO STEVE'S HALF-MARATHON FUNDRAISER:</p><p>https://www.gofundme.com/f/chloe-steve-bonnie</p><br><p>SOCIALS</p><br><p>Erika's Instagram</p><p>https://www.instagram.com/erika_okvist_makeup_designer</p><br><p>OPENING CREDITS® Instagram</p><p>www.instagram.com/openingcredits</p><br><p>OPENING CREDITS® TikTok</p><p>www.tiktok.com/@weareopeningcredits</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Keep your wigs on, Emmy and BAFTA-winning Hair &amp; Makeup Designer Erika Ökvist is on the podcast this week to tell us how she balanced aesthetics with authenticity when crafting the stunning looks in 'Bridgerton.'</p><br><p>In this episode, Erika shares her industry secrets, like how she created the look for Penelope's striking transformation, and tells us how she evolves the style and fashion with every season of the show.</p><br><p>She also addresses her critics by giving us a lesson in <em>real</em> period make up (oil and soot eyebrows, anyone?) and explains why she always prioritises character and story over historical accuracy.</p><br><p>Meanwhile, Laura fills us in on her trip down under, and Steve has been running to raise money for charity, donate below!</p><br><p>DONATE TO STEVE'S HALF-MARATHON FUNDRAISER:</p><p>https://www.gofundme.com/f/chloe-steve-bonnie</p><br><p>SOCIALS</p><br><p>Erika's Instagram</p><p>https://www.instagram.com/erika_okvist_makeup_designer</p><br><p>OPENING CREDITS® Instagram</p><p>www.instagram.com/openingcredits</p><br><p>OPENING CREDITS® TikTok</p><p>www.tiktok.com/@weareopeningcredits</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title><![CDATA['KAOS' Director Georgi Banks-Davies tells us whether you even need to direct Jeff Goldblum]]></title>
			<itunes:title><![CDATA['KAOS' Director Georgi Banks-Davies tells us whether you even need to direct Jeff Goldblum]]></itunes:title>
			<pubDate>Wed, 23 Oct 2024 04:30:00 GMT</pubDate>
			<itunes:duration>50:14</itunes:duration>
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			<itunes:episode>2</itunes:episode>
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			<description><![CDATA[<p>We may have peaked... we have our first Director on the show this week! Georgi Banks-Davies joins us to talk about the modern-day Greek mythology that is 'KAOS' on Netflix - "Blessed Olympia!"</p><br><p>Forget what you <em>think</em> you know about what a Director does, Georgi is here to bust some myths of her own and tell us what the job really involves, and whether you even need to direct the God himself, Jeff Goldblum.</p><br><p>From the world of commercials and Sundance-listed short films, to starting a creative partnership with Billie Piper on 'I Hate Suzie,' Georgi shares how her rule-breaking style led to her creating the heavenly and hellish worlds of 'KAOS.'</p><br><p>FOLLOW US FOR MORE!</p><br><p>Instagram</p><p>www.instagram.com/openingcredits</p><br><p>TikTok</p><p>www.tiktok.com/@weareopeningcredits</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>We may have peaked... we have our first Director on the show this week! Georgi Banks-Davies joins us to talk about the modern-day Greek mythology that is 'KAOS' on Netflix - "Blessed Olympia!"</p><br><p>Forget what you <em>think</em> you know about what a Director does, Georgi is here to bust some myths of her own and tell us what the job really involves, and whether you even need to direct the God himself, Jeff Goldblum.</p><br><p>From the world of commercials and Sundance-listed short films, to starting a creative partnership with Billie Piper on 'I Hate Suzie,' Georgi shares how her rule-breaking style led to her creating the heavenly and hellish worlds of 'KAOS.'</p><br><p>FOLLOW US FOR MORE!</p><br><p>Instagram</p><p>www.instagram.com/openingcredits</p><br><p>TikTok</p><p>www.tiktok.com/@weareopeningcredits</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title><![CDATA['The Gentlemen' Costume Designer Loulou Bontemps talks chicken suits, expensive watches and working with Guy Ritchie]]></title>
			<itunes:title><![CDATA['The Gentlemen' Costume Designer Loulou Bontemps talks chicken suits, expensive watches and working with Guy Ritchie]]></itunes:title>
			<pubDate>Wed, 16 Oct 2024 05:00:58 GMT</pubDate>
			<itunes:duration>48:17</itunes:duration>
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			<acast:episodeUrl>the-gentlemen-costume-designer-loulou-bontemps</acast:episodeUrl>
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			<itunes:season>4</itunes:season>
			<itunes:episode>1</itunes:episode>
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			<description><![CDATA[<p>And we're back! Steve and Laura are kicking off Season 4 by meeting the Costume Designer of the hit Netflix show 'The Gentlemen.'</p><br><p>Loulou Bontemps joins us this week to tell us how she created the looks of the toffs, the gangsters and everyone in between in Guy Ritchie's action comedy series, including that now infamous chicken suit.</p><br><p>She also talks us through the workings of the costume department, how she got started in the industry, and gives us some hints as to what she has in store for Season 2 of the show.</p><br><p>Meanwhile, Crew Confessions is back! This time around we want to hear your guilty pleasures and hidden gems, so send them in via our socials!</p><br><p>FOLLOW US!</p><br><p>Instagram</p><p>www.instagram.com/openingcredits</p><br><p>TikTok</p><p>www.tiktok.com/@weareopeningcredits</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>And we're back! Steve and Laura are kicking off Season 4 by meeting the Costume Designer of the hit Netflix show 'The Gentlemen.'</p><br><p>Loulou Bontemps joins us this week to tell us how she created the looks of the toffs, the gangsters and everyone in between in Guy Ritchie's action comedy series, including that now infamous chicken suit.</p><br><p>She also talks us through the workings of the costume department, how she got started in the industry, and gives us some hints as to what she has in store for Season 2 of the show.</p><br><p>Meanwhile, Crew Confessions is back! This time around we want to hear your guilty pleasures and hidden gems, so send them in via our socials!</p><br><p>FOLLOW US!</p><br><p>Instagram</p><p>www.instagram.com/openingcredits</p><br><p>TikTok</p><p>www.tiktok.com/@weareopeningcredits</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title><![CDATA[It's that time again: the end of season Pod Quiz returns!]]></title>
			<itunes:title><![CDATA[It's that time again: the end of season Pod Quiz returns!]]></itunes:title>
			<pubDate>Wed, 24 Jul 2024 04:30:09 GMT</pubDate>
			<itunes:duration>38:57</itunes:duration>
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			<acast:episodeUrl>the-end-of-season-pod-quiz-returns</acast:episodeUrl>
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			<itunes:season>3</itunes:season>
			<itunes:episode>10</itunes:episode>
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			<description><![CDATA[<p>For the Season 3 finale we've brought back the Pod Quiz, but this time it's Laura's turn to ask the questions.</p><br><p>Listen to Stephen squirm as his knowledge of the past 10 episodes is put to the test, and hear some of the best bits from this Season's guests.</p><br><p>This time there's a Ted Lasso fancy dress theme for absolutely no reason, but make sure you check out the socials to see the all expense spared Ted and Rebecca costumes...</p><br><p>FOLLOW US!</p><br><p>Instagram</p><p>www.instagram.com/openingcredits</p><br><p>TikTok</p><p>www.tiktok.com/@weareopeningcredits</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>For the Season 3 finale we've brought back the Pod Quiz, but this time it's Laura's turn to ask the questions.</p><br><p>Listen to Stephen squirm as his knowledge of the past 10 episodes is put to the test, and hear some of the best bits from this Season's guests.</p><br><p>This time there's a Ted Lasso fancy dress theme for absolutely no reason, but make sure you check out the socials to see the all expense spared Ted and Rebecca costumes...</p><br><p>FOLLOW US!</p><br><p>Instagram</p><p>www.instagram.com/openingcredits</p><br><p>TikTok</p><p>www.tiktok.com/@weareopeningcredits</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Sparks are flying! We find out how a Practical Electrician lights up a film set</title>
			<itunes:title>Sparks are flying! We find out how a Practical Electrician lights up a film set</itunes:title>
			<pubDate>Wed, 17 Jul 2024 04:30:35 GMT</pubDate>
			<itunes:duration>39:46</itunes:duration>
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			<acast:episodeUrl>sparks-are-gonna-fly</acast:episodeUrl>
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			<itunes:season>3</itunes:season>
			<itunes:episode>9</itunes:episode>
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			<description><![CDATA[<p>We were in the dark about film set lighting, so we had the bright idea to track down a Practical Electrician, aka a Prac Spark, aka Danny Fealey, to illuminate us.</p><br><p>Danny joins us fresh from the set of 'Deadpool 3' to shed some light on watt those bright Sparks get up to...</p><br><p>What's the difference between a Spark, a Gaffer and a Rigger?</p><br><p>How much of it is real, and how much of it is fake?</p><br><p>Do they still work on films that are set before electricity existed?</p><br><p>Also this week, there's a triple helping of your Crew Confessions, a questionable Keir Starmer impression, and some exciting 'Severance' news!</p><br><p>FOLLOW US!</p><br><p>Instagram</p><p>www.instagram.com/openingcredits</p><br><p>TikTok</p><p>www.tiktok.com/@weareopeningcredits</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>We were in the dark about film set lighting, so we had the bright idea to track down a Practical Electrician, aka a Prac Spark, aka Danny Fealey, to illuminate us.</p><br><p>Danny joins us fresh from the set of 'Deadpool 3' to shed some light on watt those bright Sparks get up to...</p><br><p>What's the difference between a Spark, a Gaffer and a Rigger?</p><br><p>How much of it is real, and how much of it is fake?</p><br><p>Do they still work on films that are set before electricity existed?</p><br><p>Also this week, there's a triple helping of your Crew Confessions, a questionable Keir Starmer impression, and some exciting 'Severance' news!</p><br><p>FOLLOW US!</p><br><p>Instagram</p><p>www.instagram.com/openingcredits</p><br><p>TikTok</p><p>www.tiktok.com/@weareopeningcredits</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Putting the focus on mental health: why the film industry is introducing Wellbeing Facilitators</title>
			<itunes:title>Putting the focus on mental health: why the film industry is introducing Wellbeing Facilitators</itunes:title>
			<pubDate>Wed, 10 Jul 2024 04:30:06 GMT</pubDate>
			<itunes:duration>39:14</itunes:duration>
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			<acast:showId>655bcd2464b7080012a59c75</acast:showId>
			<acast:episodeUrl>putting-the-focus-on-mental-health</acast:episodeUrl>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>3</itunes:season>
			<itunes:episode>8</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/655bcd2464b7080012a59c75/1745506350285-90d014fd-7b12-4a6e-9728-9765ecaaa8fb.jpeg"/>
			<description><![CDATA[<p>The double-whammy of Covid and the actors' strikes in recent years has had a significant impact on the crew in the film &amp; TV industry, so this week we're putting the focus on mental health to find out what is being done about it.</p><br><p>Matt Longley from 6ft From The Spotlight joins us to talk about his job as a Wellbeing Facilitator - a relatively new role that's being introduced on more and more film sets.</p><br><p>Matt explains what he is doing to help, and highlights various ways that crew members can get advice if they're struggling in these tough times.</p><br><p>You can find our more information at the links below, and make sure to follow our socials to see how you can get involved in our upcoming Instagram Live Q&amp;A with Matt.</p><br><p>LINKS</p><br><p>6ft From the Spotlight</p><p>www.6ftfrom.org</p><br><p>6ft From the Spotlight Instagram</p><p>www.instagram.com/6ftfrom</p><br><p>The Film &amp; TV Charity</p><p>www.filmtvcharity.org.uk</p><br><p>FOLLOW US!</p><br><p>Instagram</p><p>www.instagram.com/openingcredits</p><br><p>TikTok</p><p>www.tiktok.com/@weareopeningcredits</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>The double-whammy of Covid and the actors' strikes in recent years has had a significant impact on the crew in the film &amp; TV industry, so this week we're putting the focus on mental health to find out what is being done about it.</p><br><p>Matt Longley from 6ft From The Spotlight joins us to talk about his job as a Wellbeing Facilitator - a relatively new role that's being introduced on more and more film sets.</p><br><p>Matt explains what he is doing to help, and highlights various ways that crew members can get advice if they're struggling in these tough times.</p><br><p>You can find our more information at the links below, and make sure to follow our socials to see how you can get involved in our upcoming Instagram Live Q&amp;A with Matt.</p><br><p>LINKS</p><br><p>6ft From the Spotlight</p><p>www.6ftfrom.org</p><br><p>6ft From the Spotlight Instagram</p><p>www.instagram.com/6ftfrom</p><br><p>The Film &amp; TV Charity</p><p>www.filmtvcharity.org.uk</p><br><p>FOLLOW US!</p><br><p>Instagram</p><p>www.instagram.com/openingcredits</p><br><p>TikTok</p><p>www.tiktok.com/@weareopeningcredits</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>VFX Special! Part 2: Territory Studio Founder David Sheldon-Hicks</title>
			<itunes:title>VFX Special! Part 2: Territory Studio Founder David Sheldon-Hicks</itunes:title>
			<pubDate>Wed, 03 Jul 2024 04:30:43 GMT</pubDate>
			<itunes:duration>44:06</itunes:duration>
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			<acast:episodeUrl>vfx-special-part-2-david-sheldon-hicks</acast:episodeUrl>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>3</itunes:season>
			<itunes:episode>7</itunes:episode>
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			<description><![CDATA[<p>In this second and final part of our VFX special with Territory Studio, we meet the Founder and Creative Director; David Sheldon-Hicks.</p><br><p>David talks us through his journey into filmmaking, via the music industry, and how he came to set up the worldwide VFX studio.&nbsp;</p><br><p>He tells us about the favourite projects he's worked on, from his first Marvel movie 'Guardians of the Galaxy,' to this year's epic 'Dune: Part Two'.</p><br><p>We also discuss how the Apple Vision Pro headset is making science fiction a reality, and how David thinks AI will change the future of movies.</p><br><p>Make sure you listen to part 1 to go on a behind-the-scenes tour of Territory Studio!</p><br><p>LINKS:</p><br><p>Territory Studio website</p><p>www.territorystudio.com</p><br><p>Follow us!</p><p><a href="www.instagram.com/openingcredits" rel="noopener noreferrer" target="_blank">INSTAGRAM</a></p><p><a href="www.tiktok.com/@weareopeningcredits" rel="noopener noreferrer" target="_blank">TIKTOK</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this second and final part of our VFX special with Territory Studio, we meet the Founder and Creative Director; David Sheldon-Hicks.</p><br><p>David talks us through his journey into filmmaking, via the music industry, and how he came to set up the worldwide VFX studio.&nbsp;</p><br><p>He tells us about the favourite projects he's worked on, from his first Marvel movie 'Guardians of the Galaxy,' to this year's epic 'Dune: Part Two'.</p><br><p>We also discuss how the Apple Vision Pro headset is making science fiction a reality, and how David thinks AI will change the future of movies.</p><br><p>Make sure you listen to part 1 to go on a behind-the-scenes tour of Territory Studio!</p><br><p>LINKS:</p><br><p>Territory Studio website</p><p>www.territorystudio.com</p><br><p>Follow us!</p><p><a href="www.instagram.com/openingcredits" rel="noopener noreferrer" target="_blank">INSTAGRAM</a></p><p><a href="www.tiktok.com/@weareopeningcredits" rel="noopener noreferrer" target="_blank">TIKTOK</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>VFX Special! Part 1: Territory Studio Tour</title>
			<itunes:title>VFX Special! Part 1: Territory Studio Tour</itunes:title>
			<pubDate>Wed, 26 Jun 2024 04:30:58 GMT</pubDate>
			<itunes:duration>37:00</itunes:duration>
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			<acast:episodeUrl>territory-studio-special-part-1-the-studio-tour</acast:episodeUrl>
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			<itunes:season>3</itunes:season>
			<itunes:episode>6</itunes:episode>
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			<description><![CDATA[<p>Discover how visual effects are made in the first of our 2-part special with Territory Studio.</p><br><p>If you've seen any major movies in recent years then you would've definitely seen their work; <em>'Guardians of the Galaxy'</em>, <em>'Blade Runner 2049'</em>,<em> 'Ready Player One'</em>; anything you saw on a screen was made by the magicians at Territory Studio.</p><br><p>In this episode, join Stephen as he goes on a behind-the-scenes tour of their London studio and meets some of the team, including the Graphic Designer who made the key art for the new 'Federer: Twelve Final Days' documentary, and a Motion Designer who worked on 'Dune: Part Two.'</p><br><p>Make sure you follow our socials to see some of their work, as well as a video tour of the studio!</p><br><p>LINKS:</p><br><p>Territory Studio website</p><p>www.territorystudio.com</p><br><p>Follow us!</p><p><a href="www.instagram.com/openingcredits" rel="noopener noreferrer" target="_blank">INSTAGRAM</a></p><p><a href="www.tiktok.com/@weareopeningcredits" rel="noopener noreferrer" target="_blank">TIKTOK</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Discover how visual effects are made in the first of our 2-part special with Territory Studio.</p><br><p>If you've seen any major movies in recent years then you would've definitely seen their work; <em>'Guardians of the Galaxy'</em>, <em>'Blade Runner 2049'</em>,<em> 'Ready Player One'</em>; anything you saw on a screen was made by the magicians at Territory Studio.</p><br><p>In this episode, join Stephen as he goes on a behind-the-scenes tour of their London studio and meets some of the team, including the Graphic Designer who made the key art for the new 'Federer: Twelve Final Days' documentary, and a Motion Designer who worked on 'Dune: Part Two.'</p><br><p>Make sure you follow our socials to see some of their work, as well as a video tour of the studio!</p><br><p>LINKS:</p><br><p>Territory Studio website</p><p>www.territorystudio.com</p><br><p>Follow us!</p><p><a href="www.instagram.com/openingcredits" rel="noopener noreferrer" target="_blank">INSTAGRAM</a></p><p><a href="www.tiktok.com/@weareopeningcredits" rel="noopener noreferrer" target="_blank">TIKTOK</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title><![CDATA['Bridgerton' Season 3 Art Director Adam Grant]]></title>
			<itunes:title><![CDATA['Bridgerton' Season 3 Art Director Adam Grant]]></itunes:title>
			<pubDate>Wed, 19 Jun 2024 04:30:50 GMT</pubDate>
			<itunes:duration>47:43</itunes:duration>
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			<itunes:episode>5</itunes:episode>
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			<description><![CDATA[<p>You are cordially invited to join our chat with this week’s guest of honour; the Art Director of <em>'Bridgerton'</em> Season 3, Adam Grant!&nbsp;</p><br><p>Adam takes us behind-the-scenes in this episode by talking us through the incredible sets he designed for the hit Netflix show, including the ballrooms, the Cowper residence and that iconic Penelope staircase (IYKYK).&nbsp;</p><br><p>He also tells us about his work on other period dramas including <em>'Victoria'</em> and <em>'The Irregulars'</em>.&nbsp;</p><br><p>Meanwhile, we have another hilarious made up movie plot from a listener in this week’s Crew Confessions, and we chat about the new trailer for Laura’s most recent film project, <em>'Paddington in Peru'!&nbsp;</em></p><br><p>LINKS:</p><br><p>Adam Grant’s website</p><p>www.adamgrantdesign.co.uk</p><br><p>Sophie Moore’s website</p><p>www.sophiemooredesign.com</p><br><p>Follow us!</p><p><a href="www.instagram.com/openingcredits" rel="noopener noreferrer" target="_blank">INSTAGRAM</a></p><p><a href="www.tiktok.com/@weareopeningcredits" rel="noopener noreferrer" target="_blank">TIKTOK</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>You are cordially invited to join our chat with this week’s guest of honour; the Art Director of <em>'Bridgerton'</em> Season 3, Adam Grant!&nbsp;</p><br><p>Adam takes us behind-the-scenes in this episode by talking us through the incredible sets he designed for the hit Netflix show, including the ballrooms, the Cowper residence and that iconic Penelope staircase (IYKYK).&nbsp;</p><br><p>He also tells us about his work on other period dramas including <em>'Victoria'</em> and <em>'The Irregulars'</em>.&nbsp;</p><br><p>Meanwhile, we have another hilarious made up movie plot from a listener in this week’s Crew Confessions, and we chat about the new trailer for Laura’s most recent film project, <em>'Paddington in Peru'!&nbsp;</em></p><br><p>LINKS:</p><br><p>Adam Grant’s website</p><p>www.adamgrantdesign.co.uk</p><br><p>Sophie Moore’s website</p><p>www.sophiemooredesign.com</p><br><p>Follow us!</p><p><a href="www.instagram.com/openingcredits" rel="noopener noreferrer" target="_blank">INSTAGRAM</a></p><p><a href="www.tiktok.com/@weareopeningcredits" rel="noopener noreferrer" target="_blank">TIKTOK</a></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
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			<title><![CDATA[It's more than just making tea! We meet an Art Department Assistant]]></title>
			<itunes:title><![CDATA[It's more than just making tea! We meet an Art Department Assistant]]></itunes:title>
			<pubDate>Wed, 12 Jun 2024 04:30:32 GMT</pubDate>
			<itunes:duration>46:52</itunes:duration>
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			<itunes:episode>4</itunes:episode>
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			<description><![CDATA[<p>The role of Art Department Assistant is a common entry point into the film industry, so we decided to meet one to find out more about it.</p><br><p>This week, we chat with Ant Hall about her route into film &amp; TV. From army-crawling through mud on the set of 'Masters of the Air,' to working for Tim Burton on the upcoming 'Beetlejuice, Beetlejuice,' Ant shares what she's learned so far, and tells us how there's so much more to the job than just making tea.</p><br><p>Also in this episode, Steve has a new lead in his case to find 'Fallout' designer Howard Cummings, we share more of your Crew Confessions, and there's a special cameo from a very good boy.</p><br><p>Follow us!</p><br><p>INSTAGRAM</p><p>www.instagram.com/openingcredits</p><br><p>TIKTOK</p><p>www.tiktok.com/@weareopeningcredits</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>The role of Art Department Assistant is a common entry point into the film industry, so we decided to meet one to find out more about it.</p><br><p>This week, we chat with Ant Hall about her route into film &amp; TV. From army-crawling through mud on the set of 'Masters of the Air,' to working for Tim Burton on the upcoming 'Beetlejuice, Beetlejuice,' Ant shares what she's learned so far, and tells us how there's so much more to the job than just making tea.</p><br><p>Also in this episode, Steve has a new lead in his case to find 'Fallout' designer Howard Cummings, we share more of your Crew Confessions, and there's a special cameo from a very good boy.</p><br><p>Follow us!</p><br><p>INSTAGRAM</p><p>www.instagram.com/openingcredits</p><br><p>TIKTOK</p><p>www.tiktok.com/@weareopeningcredits</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
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			<title>Laura catches up with a hugely experienced Senior Art Director</title>
			<itunes:title>Laura catches up with a hugely experienced Senior Art Director</itunes:title>
			<pubDate>Wed, 05 Jun 2024 04:30:16 GMT</pubDate>
			<itunes:duration>45:54</itunes:duration>
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			<itunes:season>3</itunes:season>
			<itunes:episode>3</itunes:episode>
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			<description><![CDATA[<p>This week, Laura has a catch up with the Senior Art Director she worked with on 'Marvel's Secret Invasion,' the hugely experienced Su Whitaker, who has also worked on MASSIVE films like 'The Dark Knight Rises,' 'Les Misérables,' 'Paddington,' and 'The Fifth Element.'</p><br><p>Su tells us about her long and varied career, and gives her advice to anyone looking to get started in the film industry.</p><br><p>Meanwhile, we get an update on the 'Steve Investigates' case as he tries to track down the designer of 'Fallout', and we hear some more of your hilarious Crew Confessions.</p><br><p>Su's website:</p><p>www.suwhitaker.com</p><br><p>Follow us!</p><br><p>INSTAGRAM</p><p>www.instagram.com/openingcredits</p><br><p>TIKTOK</p><p>www.tiktok.com/@weareopeningcredits</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>This week, Laura has a catch up with the Senior Art Director she worked with on 'Marvel's Secret Invasion,' the hugely experienced Su Whitaker, who has also worked on MASSIVE films like 'The Dark Knight Rises,' 'Les Misérables,' 'Paddington,' and 'The Fifth Element.'</p><br><p>Su tells us about her long and varied career, and gives her advice to anyone looking to get started in the film industry.</p><br><p>Meanwhile, we get an update on the 'Steve Investigates' case as he tries to track down the designer of 'Fallout', and we hear some more of your hilarious Crew Confessions.</p><br><p>Su's website:</p><p>www.suwhitaker.com</p><br><p>Follow us!</p><br><p>INSTAGRAM</p><p>www.instagram.com/openingcredits</p><br><p>TIKTOK</p><p>www.tiktok.com/@weareopeningcredits</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
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			<title>Sustainability in film: how the industry is going green</title>
			<itunes:title>Sustainability in film: how the industry is going green</itunes:title>
			<pubDate>Tue, 28 May 2024 04:30:45 GMT</pubDate>
			<itunes:duration>46:36</itunes:duration>
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			<itunes:season>3</itunes:season>
			<itunes:episode>2</itunes:episode>
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			<description><![CDATA[<p>We're joined this week by our first guest of the season; Sustainability Coordinator Brendan Duffy.</p><br><p>Brendan tells us how he works with BAFTA's Albert initiative to minimise a film productions' carbon footprint, and how new technologies, alternative fuels and innovative use of materials are all helping to reduce waste in the industry.</p><br><p>Listen out for the 3 simple changes that you can make to do your bit!</p><br><p>We also chat with Brendan about his own James Bond podcast, and we go through the first batch of your Crew Confessions!</p><br><p>LINKS:</p><br><p>Albert website</p><p>https://wearealbert.org/about/</p><br><p>Albert Instagram</p><p>https://www.instagram.com/WeAreAlbert</p><br><p>Brendan's 'James Bond A-Z' podcast</p><p>https://redcircle.com/shows/the-james-bond-a-z-podcast</p><br><p>Follow us!</p><br><p>INSTAGRAM</p><p>www.instagram.com/openingcredits</p><br><p>TIKTOK</p><p>www.tiktok.com/@weareopeningcredits</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>We're joined this week by our first guest of the season; Sustainability Coordinator Brendan Duffy.</p><br><p>Brendan tells us how he works with BAFTA's Albert initiative to minimise a film productions' carbon footprint, and how new technologies, alternative fuels and innovative use of materials are all helping to reduce waste in the industry.</p><br><p>Listen out for the 3 simple changes that you can make to do your bit!</p><br><p>We also chat with Brendan about his own James Bond podcast, and we go through the first batch of your Crew Confessions!</p><br><p>LINKS:</p><br><p>Albert website</p><p>https://wearealbert.org/about/</p><br><p>Albert Instagram</p><p>https://www.instagram.com/WeAreAlbert</p><br><p>Brendan's 'James Bond A-Z' podcast</p><p>https://redcircle.com/shows/the-james-bond-a-z-podcast</p><br><p>Follow us!</p><br><p>INSTAGRAM</p><p>www.instagram.com/openingcredits</p><br><p>TIKTOK</p><p>www.tiktok.com/@weareopeningcredits</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
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			<title><![CDATA[We're back! Reintroductions and general catch up]]></title>
			<itunes:title><![CDATA[We're back! Reintroductions and general catch up]]></itunes:title>
			<pubDate>Tue, 21 May 2024 04:30:24 GMT</pubDate>
			<itunes:duration>32:13</itunes:duration>
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			<itunes:season>3</itunes:season>
			<itunes:episode>1</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/655bcd2464b7080012a59c75/1745506350285-90d014fd-7b12-4a6e-9728-9765ecaaa8fb.jpeg"/>
			<description><![CDATA[<p>The podcast returns for season 3, so this week Steve and Laura decide to reintroduce themselves and have a general catch-up about what's been going on in the world of film &amp; TV while we've been away.</p><br><p>As well as chatting about what they've each been up to, they also discuss Bridgerton, Baby Reindeer, Fallout and Dune: Part Two.</p><br><p>You can also hear a preview of what's coming up this season, and how you can get involved in our new segment: Crew Confessions (Shh!)</p><br><p>Follow us!</p><br><p>INSTAGRAM  </p><p>www.instagram.com/openingcredits</p><br><p>TIKTOK</p><p>www.tiktok.com/@weareopeningcredits</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>The podcast returns for season 3, so this week Steve and Laura decide to reintroduce themselves and have a general catch-up about what's been going on in the world of film &amp; TV while we've been away.</p><br><p>As well as chatting about what they've each been up to, they also discuss Bridgerton, Baby Reindeer, Fallout and Dune: Part Two.</p><br><p>You can also hear a preview of what's coming up this season, and how you can get involved in our new segment: Crew Confessions (Shh!)</p><br><p>Follow us!</p><br><p>INSTAGRAM  </p><p>www.instagram.com/openingcredits</p><br><p>TIKTOK</p><p>www.tiktok.com/@weareopeningcredits</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>OPENING CREDITS® Season 3 Trailer</title>
			<itunes:title>OPENING CREDITS® Season 3 Trailer</itunes:title>
			<pubDate>Tue, 14 May 2024 04:30:23 GMT</pubDate>
			<itunes:duration>1:00</itunes:duration>
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			<acast:showId>655bcd2464b7080012a59c75</acast:showId>
			<acast:episodeUrl>season-3-trailer</acast:episodeUrl>
			<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmbKbhgrQiwYShz70Q9/ffXZMTtedvdcRQbP4eiLMjXzCKLPjEYLpGj+NMVKa+5C8pL4u/EOj1Vw4h5MMJYp0lCcFAe0fnxBJy/1ju4Qxy1fh8gO4DvlGA40yms2g0/hOkcrfHIopjTygHFqGwwOPKFIai4SuTvs86Lx3UYCyl6ZsRd29Shk2BN1X8qSvfLn5WGU8glKwtKD80CznoHLHhbQ87mS4Yzr0H9AJdIv/xJ02DWEwGWaMofdw3hl7p3XBaxO31mjIVTDPeJOx7qGmdjchQe3j9cC0Rr/FTRdqiQ5n]]></acast:settings>
			<itunes:episodeType>trailer</itunes:episodeType>
			<itunes:season>3</itunes:season>
			<itunes:image href="https://assets.pippa.io/shows/655bcd2464b7080012a59c75/1745506350285-90d014fd-7b12-4a6e-9728-9765ecaaa8fb.jpeg"/>
			<description><![CDATA[<p>The OPENING CREDITS® podcast takes you behind-the-scenes of film &amp; TV to explore the unseen world of filmmaking. Join Graphic Designers Stephen Nutley and Laura Whitehouse as they meet the creatives who bring your favourite movies and shows to life. Whether you’re a movie buff who wants to learn more about film production, or a casual fan who is curious to know what goes on behind the camera, this podcast is a new way for you to meet the crew who are hidden in the credits.</p><br><p>FOLLOW US!</p><br><p>Instagram</p><p>www.instagram.com/openingcredits</p><br><p>TikTok</p><p>www.tiktok.com/@weareopeningcredits</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>The OPENING CREDITS® podcast takes you behind-the-scenes of film &amp; TV to explore the unseen world of filmmaking. Join Graphic Designers Stephen Nutley and Laura Whitehouse as they meet the creatives who bring your favourite movies and shows to life. Whether you’re a movie buff who wants to learn more about film production, or a casual fan who is curious to know what goes on behind the camera, this podcast is a new way for you to meet the crew who are hidden in the credits.</p><br><p>FOLLOW US!</p><br><p>Instagram</p><p>www.instagram.com/openingcredits</p><br><p>TikTok</p><p>www.tiktok.com/@weareopeningcredits</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>End of Season Pod Quiz!</title>
			<itunes:title>End of Season Pod Quiz!</itunes:title>
			<pubDate>Tue, 27 Feb 2024 05:30:10 GMT</pubDate>
			<itunes:duration>28:53</itunes:duration>
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			<acast:episodeId>65dcfcb98be42100169aa97f</acast:episodeId>
			<acast:showId>655bcd2464b7080012a59c75</acast:showId>
			<acast:episodeUrl>end-of-season-pod-quiz</acast:episodeUrl>
			<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmbKbhgrQiwYShz70Q9/ffXZMTtedvdcRQbP4eiLMjXzCKLPjEYLpGj+NMVKa+5C8pL4u/EOj1Vw4h5MMJYp0lCcFAe0fnxBJy/1ju4Qxy1fh8gO4DvlGA40yms2g0/hOkcrfHIopjTygHFqGwwOPKFIai4SuTvs86Lx3UYCyl6ZsRd29Shk2BN1X8qSvfLn5WGU8glKwtKD80CznoHLHhbT4Jy0aw46RGdUAzqDrQih5N5qYpVrAv+u7qp+W1QvDkisOHut3heJ8ULXRmZ93AvreUkxCQvqZgh089tbvZFtW]]></acast:settings>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>2</itunes:season>
			<itunes:episode>10</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/655bcd2464b7080012a59c75/1745506350285-90d014fd-7b12-4a6e-9728-9765ecaaa8fb.jpeg"/>
			<description><![CDATA[<p>In a special episode to round off Season 2, Stephen decides to spring a surprise pop quiz on Laura - or, as it's about the podcast, a <em>pod</em> quiz.</p><br><p>Play along to test your own knowledge of the previous episodes, and hear some of the best bits from our guests this season.</p><br><p>The podcast will return for Season 3 in the Spring, so make sure you're following on the socials to be the first to know when we're back!</p><br><p>Socials links:</p><p>www.instagram.com/openingcredits</p><p>www.tiktok.com/@weareopeningcredits</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In a special episode to round off Season 2, Stephen decides to spring a surprise pop quiz on Laura - or, as it's about the podcast, a <em>pod</em> quiz.</p><br><p>Play along to test your own knowledge of the previous episodes, and hear some of the best bits from our guests this season.</p><br><p>The podcast will return for Season 3 in the Spring, so make sure you're following on the socials to be the first to know when we're back!</p><br><p>Socials links:</p><p>www.instagram.com/openingcredits</p><p>www.tiktok.com/@weareopeningcredits</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Ayden Millar: Art Director</title>
			<itunes:title>Ayden Millar: Art Director</itunes:title>
			<pubDate>Tue, 20 Feb 2024 05:30:21 GMT</pubDate>
			<itunes:duration>50:54</itunes:duration>
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			<acast:episodeId>65d3bb4e565a550016a322b8</acast:episodeId>
			<acast:showId>655bcd2464b7080012a59c75</acast:showId>
			<acast:episodeUrl>ayden-millar-art-director</acast:episodeUrl>
			<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmbKbhgrQiwYShz70Q9/ffXZMTtedvdcRQbP4eiLMjXzCKLPjEYLpGj+NMVKa+5C8pL4u/EOj1Vw4h5MMJYp0lCcFAe0fnxBJy/1ju4Qxy1fh8gO4DvlGA40yms2g0/hOkcrfHIopjTygHFqGwwOPKFIai4SuTvs86Lx3UYCyl6ZsRd29Shk2BN1X8qSvfLn5WGU8glKwtKD80CznoHLHhbQyreWiKea99bTAQUZlvJ1oG3M6SEWezQgt2NpKW8pJAOxLg+5APNTf21uPwedtH40xpYKZeTKqF83OfvXP3ggN]]></acast:settings>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>2</itunes:season>
			<itunes:episode>9</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/655bcd2464b7080012a59c75/1745506350285-90d014fd-7b12-4a6e-9728-9765ecaaa8fb.jpeg"/>
			<description><![CDATA[<p>We're opening up another one of the big Art Department credits this week: the Art Director.</p><br><p>Ayden Millar chats with us about what the job involves, shares her advice to anyone who wants to follow in her footsteps, and speaks frankly about the importance of mental health in the film &amp; TV industry.</p><br><p>Ayden will be joining us for a LIVE Q&amp;A on Instagram very soon, so stick around to the end to hear how you can send your questions in, and make sure you're following on the socials!</p><br><p>Socials links:</p><p>www.instagram.com/openingcredits</p><p>www.tiktok.com/@weareopeningcredits</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>We're opening up another one of the big Art Department credits this week: the Art Director.</p><br><p>Ayden Millar chats with us about what the job involves, shares her advice to anyone who wants to follow in her footsteps, and speaks frankly about the importance of mental health in the film &amp; TV industry.</p><br><p>Ayden will be joining us for a LIVE Q&amp;A on Instagram very soon, so stick around to the end to hear how you can send your questions in, and make sure you're following on the socials!</p><br><p>Socials links:</p><p>www.instagram.com/openingcredits</p><p>www.tiktok.com/@weareopeningcredits</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Tim Simpson: Costume Designer</title>
			<itunes:title>Tim Simpson: Costume Designer</itunes:title>
			<pubDate>Tue, 13 Feb 2024 05:30:46 GMT</pubDate>
			<itunes:duration>55:38</itunes:duration>
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			<acast:episodeId>65ca9263f694020016c006a9</acast:episodeId>
			<acast:showId>655bcd2464b7080012a59c75</acast:showId>
			<acast:episodeUrl>tim-simpson-costume-designer</acast:episodeUrl>
			<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmbKbhgrQiwYShz70Q9/ffXZMTtedvdcRQbP4eiLMjXzCKLPjEYLpGj+NMVKa+5C8pL4u/EOj1Vw4h5MMJYp0lCcFAe0fnxBJy/1ju4Qxy1fh8gO4DvlGA40yms2g0/hOkcrfHIopjTygHFqGwwOPKFIai4SuTvs86Lx3UYCyl6ZsRd29Shk2BN1X8qSvfLn5WGU8glKwtKD80CznoHLHhbQ+yJrWrKmQ9CwDjcSArsD0fgRVokBSwapWd7keVYYSASlWQ75AuofIT5642bI0B/meV0fVL6U+6dXLI9EqEBLS]]></acast:settings>
			<itunes:subtitle>with Plunge Creations workshop tour!</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>2</itunes:season>
			<itunes:episode>8</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/655bcd2464b7080012a59c75/1745506350285-90d014fd-7b12-4a6e-9728-9765ecaaa8fb.jpeg"/>
			<description><![CDATA[<p>Tim Simpson is the Creative Director at Plunge Creations, who are best known for making those crazy costumes on <em>'The Masked Singer'</em> (UK).</p><br><p>Settle in for a bit of workshop ASMR as Tim takes Stephen on a tour of Plunge to meet some of the crew and see how the costumes are brought to life.</p><br><p>Tim then joins us to share some of the secrets of the show, and tells us about the other weird and wonderful things that he and his team are asked to make.</p><br><p>Head over to our socials to see a video tour of the workshop as well!</p><br><p>Socials links:</p><p>www.instagram.com/openingcredits</p><p>www.tiktok.com/@weareopeningcredits</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Tim Simpson is the Creative Director at Plunge Creations, who are best known for making those crazy costumes on <em>'The Masked Singer'</em> (UK).</p><br><p>Settle in for a bit of workshop ASMR as Tim takes Stephen on a tour of Plunge to meet some of the crew and see how the costumes are brought to life.</p><br><p>Tim then joins us to share some of the secrets of the show, and tells us about the other weird and wonderful things that he and his team are asked to make.</p><br><p>Head over to our socials to see a video tour of the workshop as well!</p><br><p>Socials links:</p><p>www.instagram.com/openingcredits</p><p>www.tiktok.com/@weareopeningcredits</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Max Bode: Graphic Artist</title>
			<itunes:title>Max Bode: Graphic Artist</itunes:title>
			<pubDate>Tue, 06 Feb 2024 05:30:51 GMT</pubDate>
			<itunes:duration>46:41</itunes:duration>
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			<link>https://shows.acast.com/openingcreditspodcast/episodes/max-bode-graphic-artist</link>
			<acast:episodeId>65c126adf1d1ad0018c0545a</acast:episodeId>
			<acast:showId>655bcd2464b7080012a59c75</acast:showId>
			<acast:episodeUrl>max-bode-graphic-artist</acast:episodeUrl>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>2</itunes:season>
			<itunes:episode>7</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/655bcd2464b7080012a59c75/1745506350285-90d014fd-7b12-4a6e-9728-9765ecaaa8fb.jpeg"/>
			<description><![CDATA[<p>Laura has returned from her first credits-digging expedition having successfully found the Graphic Artist for <em>'Hello Tomorrow!'</em></p><br><p>Max joins us from Austin, Texas, to not only tell us about creating the retro-futuristic world of Apple TV's sci-fi series, but also how he worked on HBO's <em>'Succession'</em> and designed the famous logo for Logan Roy's company, <em>Waystar Royco</em>.</p><br><p>Make sure to follow us on the socials to see some of Max's designs!</p><br><p>Socials links:</p><p>www.instagram.com/openingcredits</p><p>www.tiktok.com/@weareopeningcredits</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Laura has returned from her first credits-digging expedition having successfully found the Graphic Artist for <em>'Hello Tomorrow!'</em></p><br><p>Max joins us from Austin, Texas, to not only tell us about creating the retro-futuristic world of Apple TV's sci-fi series, but also how he worked on HBO's <em>'Succession'</em> and designed the famous logo for Logan Roy's company, <em>Waystar Royco</em>.</p><br><p>Make sure to follow us on the socials to see some of Max's designs!</p><br><p>Socials links:</p><p>www.instagram.com/openingcredits</p><p>www.tiktok.com/@weareopeningcredits</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Gary Loughran: Scenic Painter</title>
			<itunes:title>Gary Loughran: Scenic Painter</itunes:title>
			<pubDate>Tue, 30 Jan 2024 05:30:58 GMT</pubDate>
			<itunes:duration>35:00</itunes:duration>
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			<link>https://shows.acast.com/openingcreditspodcast/episodes/gary-loughran-scenic-painter</link>
			<acast:episodeId>65b7943599c7260017f95d2c</acast:episodeId>
			<acast:showId>655bcd2464b7080012a59c75</acast:showId>
			<acast:episodeUrl>gary-loughran-scenic-painter</acast:episodeUrl>
			<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmbKbhgrQiwYShz70Q9/ffXZMTtedvdcRQbP4eiLMjXzCKLPjEYLpGj+NMVKa+5C8pL4u/EOj1Vw4h5MMJYp0lCcFAe0fnxBJy/1ju4Qxy1fh8gO4DvlGA40yms2g0/hOkcrfHIopjTygHFqGwwOPKFIai4SuTvs86Lx3UYCyl6ZsRd29Shk2BN1X8qSvfLn5WGU8glKwtKD80CznoHLHhbSMo+BrqgAh0C6dLudQ5fQhJ1N3Osz3OJjVdJh8+yv95iLFKHM4peq/6rySlBFF8pkYR71R0t34k43qlTW3OH9R]]></acast:settings>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>2</itunes:season>
			<itunes:episode>6</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/655bcd2464b7080012a59c75/1745506350285-90d014fd-7b12-4a6e-9728-9765ecaaa8fb.jpeg"/>
			<description><![CDATA[<p>The podcast heads to Scotland this week to meet Glaswegian scenic painter and prop maker, Gary Loughran.</p><br><p>In this episode, Gary tells us why he loves making stuff look like other stuff for the big screen, using paint to turn rubber into wood, foam into marble, and polystyrene into stone.</p><br><p>Hear how Gary has brought props and sets to life on 'Dungeons &amp; Dragons: Honour Among Thieves', 'Outlander,' and the cancelled 'Batgirl' movie.</p><br><p>Meanwhile, Laura gives an update on her first 'Laura Goes Digging' expedition, and debuts the (annoyingly catchy) jingle she's made for it.</p><br><p>Socials links:</p><p>www.instagram.com/openingcredits</p><p>www.tiktok.com/@weareopeningcredits</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>The podcast heads to Scotland this week to meet Glaswegian scenic painter and prop maker, Gary Loughran.</p><br><p>In this episode, Gary tells us why he loves making stuff look like other stuff for the big screen, using paint to turn rubber into wood, foam into marble, and polystyrene into stone.</p><br><p>Hear how Gary has brought props and sets to life on 'Dungeons &amp; Dragons: Honour Among Thieves', 'Outlander,' and the cancelled 'Batgirl' movie.</p><br><p>Meanwhile, Laura gives an update on her first 'Laura Goes Digging' expedition, and debuts the (annoyingly catchy) jingle she's made for it.</p><br><p>Socials links:</p><p>www.instagram.com/openingcredits</p><p>www.tiktok.com/@weareopeningcredits</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Tom Bowyer: Production Designer </title>
			<itunes:title>Tom Bowyer: Production Designer </itunes:title>
			<pubDate>Tue, 23 Jan 2024 05:30:37 GMT</pubDate>
			<itunes:duration>42:57</itunes:duration>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>2</itunes:season>
			<itunes:episode>5</itunes:episode>
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			<description><![CDATA[<p>This week, we meet the head of the Art Department; the Production Designer.</p><br><p>And WHAT a Production Designer we have for you. Tom Bowyer is a hugely experienced, award-winning designer, with over 34 credits including '<em>Misfits</em>,' '<em>Harlots</em>' and '<em>The Capture</em>.'</p><br><p>In this episode, Tom breaks down how an Art Department works, talks through his creative process, and answers some of your questions, giving his honest and practical advice to anyone looking to get into the film and television industry.</p><br><p>Any other film roles you have specific questions about? Slide into our DMs!</p><p>www.instagram.com/openingcredits</p><p>www.tiktok.com/@weareopeningcredits</p><br><p>or email</p><p>hello@openingcredits.net</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>This week, we meet the head of the Art Department; the Production Designer.</p><br><p>And WHAT a Production Designer we have for you. Tom Bowyer is a hugely experienced, award-winning designer, with over 34 credits including '<em>Misfits</em>,' '<em>Harlots</em>' and '<em>The Capture</em>.'</p><br><p>In this episode, Tom breaks down how an Art Department works, talks through his creative process, and answers some of your questions, giving his honest and practical advice to anyone looking to get into the film and television industry.</p><br><p>Any other film roles you have specific questions about? Slide into our DMs!</p><p>www.instagram.com/openingcredits</p><p>www.tiktok.com/@weareopeningcredits</p><br><p>or email</p><p>hello@openingcredits.net</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Natasha Carty: Illustrator</title>
			<itunes:title>Natasha Carty: Illustrator</itunes:title>
			<pubDate>Tue, 16 Jan 2024 05:30:24 GMT</pubDate>
			<itunes:duration>32:43</itunes:duration>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>2</itunes:season>
			<itunes:episode>4</itunes:episode>
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			<description><![CDATA[<p>Natasha and Jack Carty are a creative power couple from Brisbane, Australia. Not only are they both graphic designers, but Natasha is also a talented illustrator and Jack is a successful singer/songwriter.</p><br><p>In this episode, Stephen and Laura chat to our first Aussie guests about their work in the film industry, and also their creative endeavours outside of it, as Tash and Jack are now combining their talents to create a new series of children’s books.</p><br><p>Socials links:</p><p>www.instagram.com/openingcredits</p><p>www.tiktok.com/@weareopeningcredits</p><br><p>'Time to Rest' children's book:</p><p>https://www.natashacarty.com/childrens-books</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Natasha and Jack Carty are a creative power couple from Brisbane, Australia. Not only are they both graphic designers, but Natasha is also a talented illustrator and Jack is a successful singer/songwriter.</p><br><p>In this episode, Stephen and Laura chat to our first Aussie guests about their work in the film industry, and also their creative endeavours outside of it, as Tash and Jack are now combining their talents to create a new series of children’s books.</p><br><p>Socials links:</p><p>www.instagram.com/openingcredits</p><p>www.tiktok.com/@weareopeningcredits</p><br><p>'Time to Rest' children's book:</p><p>https://www.natashacarty.com/childrens-books</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Bethany Spence: Greens</title>
			<itunes:title>Bethany Spence: Greens</itunes:title>
			<pubDate>Tue, 09 Jan 2024 05:30:37 GMT</pubDate>
			<itunes:duration>53:08</itunes:duration>
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			<itunes:season>2</itunes:season>
			<itunes:episode>3</itunes:episode>
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			<description><![CDATA[<p>In this episode, Stephen is joined for the first time by his new co-host, Laura Whitehouse, who brings along Greens Team Supervisor, Bethany Spence.</p><br><p>Get ready to want to change your job once you discover the weird and wonderful world of greens - building natural environments for film sets - and how it's so much more than 'just plants.'</p><br><p>Hear how Beth creates everything from spooky tombs to alien planets for movies and shows including 'Star Wars: Andor,' 'Mary Poppins Returns' and 'Christopher Robin.'</p><br><p>Socials links:</p><p>www.instagram.com/openingcredits</p><p>www.tiktok.com/@weareopeningcredits</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode, Stephen is joined for the first time by his new co-host, Laura Whitehouse, who brings along Greens Team Supervisor, Bethany Spence.</p><br><p>Get ready to want to change your job once you discover the weird and wonderful world of greens - building natural environments for film sets - and how it's so much more than 'just plants.'</p><br><p>Hear how Beth creates everything from spooky tombs to alien planets for movies and shows including 'Star Wars: Andor,' 'Mary Poppins Returns' and 'Christopher Robin.'</p><br><p>Socials links:</p><p>www.instagram.com/openingcredits</p><p>www.tiktok.com/@weareopeningcredits</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Ali Plumb: LIVE at The Golden Nib Awards 2023 (Part 2)</title>
			<itunes:title>Ali Plumb: LIVE at The Golden Nib Awards 2023 (Part 2)</itunes:title>
			<pubDate>Tue, 19 Dec 2023 05:30:38 GMT</pubDate>
			<itunes:duration>15:16</itunes:duration>
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			<acast:episodeUrl>ali-plumb-live-at-the-golden-nib-awards-2023-part-2</acast:episodeUrl>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>2</itunes:season>
			<itunes:episode>2</itunes:episode>
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			<description><![CDATA[<p>Join us for Part 2 of our night at the museum (of brands), recorded LIVE at the Graphics Union’s Golden Nib Awards 2023.</p><br><p>In this episode, Stephen is joined by our very first celebrity guest on the podcast: BBC Radio 1's resident film critic and host of the evening, Mr Ali Plumb!</p><br><p>Ali chats all things movies, the end of the strikes, Oscars buzz, and the interviews that made him.</p><br><p>Don't forget to check out Part 1 to hear from some of the winners of the evening.</p><br><p>Socials links:</p><p>www.instagram.com/openingcredits</p><p>www.tiktok.com/@weareopeningcredits</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Join us for Part 2 of our night at the museum (of brands), recorded LIVE at the Graphics Union’s Golden Nib Awards 2023.</p><br><p>In this episode, Stephen is joined by our very first celebrity guest on the podcast: BBC Radio 1's resident film critic and host of the evening, Mr Ali Plumb!</p><br><p>Ali chats all things movies, the end of the strikes, Oscars buzz, and the interviews that made him.</p><br><p>Don't forget to check out Part 1 to hear from some of the winners of the evening.</p><br><p>Socials links:</p><p>www.instagram.com/openingcredits</p><p>www.tiktok.com/@weareopeningcredits</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>LIVE at The Golden Nib Awards 2023 (Part 1)</title>
			<itunes:title>LIVE at The Golden Nib Awards 2023 (Part 1)</itunes:title>
			<pubDate>Tue, 12 Dec 2023 05:30:47 GMT</pubDate>
			<itunes:duration>32:14</itunes:duration>
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			<acast:episodeUrl>goldennibspart1</acast:episodeUrl>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>2</itunes:season>
			<itunes:episode>1</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/655bcd2464b7080012a59c75/1704200462333-8dde868fc6351e9a841c92c132e3af9a.jpeg"/>
			<description><![CDATA[<p>The podcast returns with the first of a two-part special, recorded live at the Graphics Union’s Golden Nib Awards 2023.&nbsp;</p><br><p>Join us for a night at the museum (of brands), and hear from some of the award winners as they join Stephen for a chat in the ‘Time Tunnel.’</p><br><p>Guests this episode include Drew George-Foster, who accepted the Best Contemporary Graphics in a TV Drama award of behalf of Jack Bowes for his work on <em>Sex Education</em> Season 4, and Alicia, Matilda and Maia, winners of the Best Contemporary Graphics in a Film for their work on a small movie you may have heard of called <em>Barbie</em>.&nbsp;</p><br><p>Stephen also runs into the winner of the Best Contractor Saviour award, Paul Taylor from Data Reprographics, the presenters of the Best Graphics Head of Department award, Lara and Nick&nbsp;from Displayways, and has a chat with the co-chairs of the Graphics Union, Andy Bottomley and Camise Oldfield.</p><br><p>Don't miss part 2, when Stephen talks all things movies with the host of the evening, BBC Radio 1's Ali Plumb!</p><br><p>Socials links:</p><p>www.instagram.com/openingcredits</p><p>www.tiktok.com/@weareopeningcredits</p><br><p>Graphics Union podcast episode:</p><p>https://shows.acast.com/openingcreditspodcast/episodes/655bcd2b6c959600128461c8</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>The podcast returns with the first of a two-part special, recorded live at the Graphics Union’s Golden Nib Awards 2023.&nbsp;</p><br><p>Join us for a night at the museum (of brands), and hear from some of the award winners as they join Stephen for a chat in the ‘Time Tunnel.’</p><br><p>Guests this episode include Drew George-Foster, who accepted the Best Contemporary Graphics in a TV Drama award of behalf of Jack Bowes for his work on <em>Sex Education</em> Season 4, and Alicia, Matilda and Maia, winners of the Best Contemporary Graphics in a Film for their work on a small movie you may have heard of called <em>Barbie</em>.&nbsp;</p><br><p>Stephen also runs into the winner of the Best Contractor Saviour award, Paul Taylor from Data Reprographics, the presenters of the Best Graphics Head of Department award, Lara and Nick&nbsp;from Displayways, and has a chat with the co-chairs of the Graphics Union, Andy Bottomley and Camise Oldfield.</p><br><p>Don't miss part 2, when Stephen talks all things movies with the host of the evening, BBC Radio 1's Ali Plumb!</p><br><p>Socials links:</p><p>www.instagram.com/openingcredits</p><p>www.tiktok.com/@weareopeningcredits</p><br><p>Graphics Union podcast episode:</p><p>https://shows.acast.com/openingcreditspodcast/episodes/655bcd2b6c959600128461c8</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Welcome to Season 2 OPENING CREDITS®</title>
			<itunes:title>Welcome to Season 2 OPENING CREDITS®</itunes:title>
			<pubDate>Fri, 01 Dec 2023 15:00:00 GMT</pubDate>
			<itunes:duration>0:49</itunes:duration>
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			<acast:episodeUrl>welcome-to-the-opening-credits-podcast</acast:episodeUrl>
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			<itunes:season>2</itunes:season>
			<itunes:image href="https://assets.pippa.io/shows/655bcd2464b7080012a59c75/1745506350285-90d014fd-7b12-4a6e-9728-9765ecaaa8fb.jpeg"/>
			<description><![CDATA[<p>The OPENING CREDITS® podcast takes you behind-the-scenes of film &amp; TV to explore the unseen world of filmmaking. Join detective-turned-film Graphic Designer, Stephen Nutley, as he meets the creatives who bring your favourite movies and shows to life. Whether you’re a movie buff who wants to learn more about film production, or a casual fan who is curious to know what goes on behind the camera, this podcast is a new way for you to meet the crew who are hidden in the credits.</p><br><p>Socials links:</p><p>www.instagram.com/openingcredits</p><p>www.tiktok.com/@weareopeningcredits</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>The OPENING CREDITS® podcast takes you behind-the-scenes of film &amp; TV to explore the unseen world of filmmaking. Join detective-turned-film Graphic Designer, Stephen Nutley, as he meets the creatives who bring your favourite movies and shows to life. Whether you’re a movie buff who wants to learn more about film production, or a casual fan who is curious to know what goes on behind the camera, this podcast is a new way for you to meet the crew who are hidden in the credits.</p><br><p>Socials links:</p><p>www.instagram.com/openingcredits</p><p>www.tiktok.com/@weareopeningcredits</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title><![CDATA[Tina Charad: the magical & the mundane]]></title>
			<itunes:title><![CDATA[Tina Charad: the magical & the mundane]]></itunes:title>
			<pubDate>Tue, 11 Oct 2022 04:00:00 GMT</pubDate>
			<itunes:duration>29:32</itunes:duration>
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			<acast:episodeId>655bcd2b6c959600128461c5</acast:episodeId>
			<acast:showId>655bcd2464b7080012a59c75</acast:showId>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>10</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/655bcd2464b7080012a59c75/1704200377706-7b5025af3e532003c326bd8ba55c0988.jpeg"/>
			<description><![CDATA[<p>LA-based designer Tina Charad has worked on some of the biggest blockbuster films you could probably think of, including <em>'The Batman,' 'Once Upon a Time... in Hollywood,' 'Blonde,' 'Avengers: Infinity War,' 'La La Land,' 'Maleficent,' 'Pirates of the Caribbean,' </em>to name but a few, and she’s most recently worked on <em>'The Lord of the Rings: The Rings of Power,'</em> and Marvel’s <em>'Werewolf by Night.'</em></p><br><p>But, despite her impressive list of credits, Tina is not one to self-aggrandise. Instead, Tina talks to Stephen about the realities of her job - that it’s as much mundane as it is magical - and how she feels the glamour of the movies often disguises the reality of making them.</p><br><p>Tina tells us about her move from the UK to the US, from advertising to filmmaking, and offers her straightforward advice to any designers considering a similar change in their career.</p><br><p>Links:&nbsp;</p><br><p>Tina's website</p><p>www.tinacharad.com</p><br><p>Opening Credits Instagram</p><p>www.instagram.com/openingcredits</p><br><p>Creative Community - Join the Opening Credits network here</p><p>www.facebook.com/groups/openingcreditsnetwork</p><br><p>Newsletter - Sign up for Opening Credits updates here</p><p>www.openingcredits.net</p><br><p>Hosted and produced by <a href="http://www.stephennutley.co.uk" rel="noopener noreferrer" target="_blank">Stephen Nutley</a>.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>LA-based designer Tina Charad has worked on some of the biggest blockbuster films you could probably think of, including <em>'The Batman,' 'Once Upon a Time... in Hollywood,' 'Blonde,' 'Avengers: Infinity War,' 'La La Land,' 'Maleficent,' 'Pirates of the Caribbean,' </em>to name but a few, and she’s most recently worked on <em>'The Lord of the Rings: The Rings of Power,'</em> and Marvel’s <em>'Werewolf by Night.'</em></p><br><p>But, despite her impressive list of credits, Tina is not one to self-aggrandise. Instead, Tina talks to Stephen about the realities of her job - that it’s as much mundane as it is magical - and how she feels the glamour of the movies often disguises the reality of making them.</p><br><p>Tina tells us about her move from the UK to the US, from advertising to filmmaking, and offers her straightforward advice to any designers considering a similar change in their career.</p><br><p>Links:&nbsp;</p><br><p>Tina's website</p><p>www.tinacharad.com</p><br><p>Opening Credits Instagram</p><p>www.instagram.com/openingcredits</p><br><p>Creative Community - Join the Opening Credits network here</p><p>www.facebook.com/groups/openingcreditsnetwork</p><br><p>Newsletter - Sign up for Opening Credits updates here</p><p>www.openingcredits.net</p><br><p>Hosted and produced by <a href="http://www.stephennutley.co.uk" rel="noopener noreferrer" target="_blank">Stephen Nutley</a>.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Kaush Bharti: how graphics are growing</title>
			<itunes:title>Kaush Bharti: how graphics are growing</itunes:title>
			<pubDate>Tue, 04 Oct 2022 04:00:00 GMT</pubDate>
			<itunes:duration>25:47</itunes:duration>
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			<acast:episodeId>655bcd2b6c959600128461c6</acast:episodeId>
			<acast:showId>655bcd2464b7080012a59c75</acast:showId>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>9</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/655bcd2464b7080012a59c75/1704200319875-2496d3bb62ff8d90340f4f2850be7b65.jpeg"/>
			<description><![CDATA[<p>Kaush Bharti has been a Graphic Designer for 28 years, 15 of those in the film industry, where he currently works as a Graphic Art Director. His list of credits include films and TV shows such as <em>&apos;Doctor Strange&apos;,</em> <em>&apos;I May Destroy You&apos;, &apos;The Lazarus Project&apos;,</em> and <em>&apos;Mother Father Son&apos;.<br/><br/></em>In this episode, Kaush tells us how working in design agencies at the beginning of his career gave him a solid foundation prior to making the move into the world of film, and why he’d encourage others to do the same. <br/><br/>Kaush joins us from the art department of his latest TV show, and discusses how he’s seen graphic design in filmmaking evolve over his time in the industry, and how he thinks the role will only continue to grow in the future. <br/><br/>Links: <br/><br/>Opening Credits Network<br/>www.facebook.com/groups/openingcreditsnetwork<br/><br/>Opening Credits Instagram<br/>www.instagram.com/openingcredits<br/><br/>Opening Credits website<br/>www.openingcredits.net</p><p>Hosted and produced by <a href='http://www.stephennutley.co.uk'>Stephen Nutley</a>.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Kaush Bharti has been a Graphic Designer for 28 years, 15 of those in the film industry, where he currently works as a Graphic Art Director. His list of credits include films and TV shows such as <em>&apos;Doctor Strange&apos;,</em> <em>&apos;I May Destroy You&apos;, &apos;The Lazarus Project&apos;,</em> and <em>&apos;Mother Father Son&apos;.<br/><br/></em>In this episode, Kaush tells us how working in design agencies at the beginning of his career gave him a solid foundation prior to making the move into the world of film, and why he’d encourage others to do the same. <br/><br/>Kaush joins us from the art department of his latest TV show, and discusses how he’s seen graphic design in filmmaking evolve over his time in the industry, and how he thinks the role will only continue to grow in the future. <br/><br/>Links: <br/><br/>Opening Credits Network<br/>www.facebook.com/groups/openingcreditsnetwork<br/><br/>Opening Credits Instagram<br/>www.instagram.com/openingcredits<br/><br/>Opening Credits website<br/>www.openingcredits.net</p><p>Hosted and produced by <a href='http://www.stephennutley.co.uk'>Stephen Nutley</a>.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Dd Etherton: screens for the screen</title>
			<itunes:title>Dd Etherton: screens for the screen</itunes:title>
			<pubDate>Tue, 27 Sep 2022 04:00:00 GMT</pubDate>
			<itunes:duration>23:03</itunes:duration>
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			<acast:episodeId>655bcd2b6c959600128461c7</acast:episodeId>
			<acast:showId>655bcd2464b7080012a59c75</acast:showId>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>8</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/655bcd2464b7080012a59c75/1704200278466-9d70de2a49028b6da128e4838bc7ba97.jpeg"/>
			<description><![CDATA[<p>Dd Etherton is an up-and-coming designer who has developed somewhat of a niche for making screen graphics.<br/><br/>In this episode, Dd tells us about her work on BBC drama<em> &apos;The Split&apos;</em>, and how she’s worked with Idris Elba twice so far, on his film<em> &apos;Yardie&apos;</em> and the upcoming Netflix <em>&apos;Luther&apos;</em> movie.<br/><br/>Dd shares with us some of the secrets of product placement, and how she hopes her love of screen graphics will one day lead her to working on her dream job of <em>&apos;James Bond&apos;.<br/><br/></em>Links:<br/><br/>Dd&apos;s website<br/>www.ddetherton.myportfolio.com<br/><br/>Dd&apos;s Instagram<br/>www.instagram.com/ddethertondesigns<br/><br/>Opening Credits Instagram<br/>www.instagram.com/openingcredits<br/><br/>Opening Credits Network<br/>www.facebook.com/groups/openingcreditsnetwork<br/><br/>Opening Credits website<br/>www.openingcredits.net</p><p>Hosted and produced by <a href='http://www.stephennutley.co.uk'>Stephen Nutley</a>.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Dd Etherton is an up-and-coming designer who has developed somewhat of a niche for making screen graphics.<br/><br/>In this episode, Dd tells us about her work on BBC drama<em> &apos;The Split&apos;</em>, and how she’s worked with Idris Elba twice so far, on his film<em> &apos;Yardie&apos;</em> and the upcoming Netflix <em>&apos;Luther&apos;</em> movie.<br/><br/>Dd shares with us some of the secrets of product placement, and how she hopes her love of screen graphics will one day lead her to working on her dream job of <em>&apos;James Bond&apos;.<br/><br/></em>Links:<br/><br/>Dd&apos;s website<br/>www.ddetherton.myportfolio.com<br/><br/>Dd&apos;s Instagram<br/>www.instagram.com/ddethertondesigns<br/><br/>Opening Credits Instagram<br/>www.instagram.com/openingcredits<br/><br/>Opening Credits Network<br/>www.facebook.com/groups/openingcreditsnetwork<br/><br/>Opening Credits website<br/>www.openingcredits.net</p><p>Hosted and produced by <a href='http://www.stephennutley.co.uk'>Stephen Nutley</a>.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title><![CDATA[Andy Bottomley & Camise Oldfield: state of the Union]]></title>
			<itunes:title><![CDATA[Andy Bottomley & Camise Oldfield: state of the Union]]></itunes:title>
			<pubDate>Tue, 20 Sep 2022 04:00:00 GMT</pubDate>
			<itunes:duration>37:07</itunes:duration>
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			<acast:episodeId>655bcd2b6c959600128461c8</acast:episodeId>
			<acast:showId>655bcd2464b7080012a59c75</acast:showId>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>7</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/655bcd2464b7080012a59c75/1704200232559-e470a84d2449337626665d78b751b409.jpeg"/>
			<description><![CDATA[<p>In this special episode of the podcast, we&apos;re joined by not one, but two guests.<br/><br/>Andy Bottomley and Camise Oldfield are the co-chairs of the Graphics Union UK, which represents freelance Graphic Designers in the UK film &amp; TV industry.<br/><br/>Like Opening Credits, the Graphics Union UK are all about championing creative talent and building supportive communities for film pros, so it was really great to have Andy and Camise on to talk more about the role of Graphic Designer for film &amp; TV and what they do to help new and existing film creatives. <br/><br/>In this episode, Stephen chats with Andy and Camise about their bold new plans for the Union and how they balance these with their own film projects, which include <em>&apos;The Crown&apos;,</em> <em>&apos;Luther&apos;,</em> <em>&apos;Wonder Woman&apos; </em>and <em>&apos;Avenue 5&apos;.</em> <br/><br/>Andy and Camise also answer questions that were sent in by you, so thank you to everyone who asked a question.<br/><br/>Links:<br/><br/>Graphics Union website<br/>www.graphicsunion.co.uk<br/><br/>Graphics Union Instagram<br/>www.instagram.com/graphicsunion<br/><br/>Opening Credits website<br/>www.openingcredits.net<br/><br/>Opening Credits Instagram<br/>www.instagram.com/openingcredits<br/><br/>Opening Credits Network<br/>www.facebook.com/groups/openingcreditsnetwork</p><p>Hosted and produced by <a href='http://www.stephennutley.co.uk'>Stephen Nutley</a>.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this special episode of the podcast, we&apos;re joined by not one, but two guests.<br/><br/>Andy Bottomley and Camise Oldfield are the co-chairs of the Graphics Union UK, which represents freelance Graphic Designers in the UK film &amp; TV industry.<br/><br/>Like Opening Credits, the Graphics Union UK are all about championing creative talent and building supportive communities for film pros, so it was really great to have Andy and Camise on to talk more about the role of Graphic Designer for film &amp; TV and what they do to help new and existing film creatives. <br/><br/>In this episode, Stephen chats with Andy and Camise about their bold new plans for the Union and how they balance these with their own film projects, which include <em>&apos;The Crown&apos;,</em> <em>&apos;Luther&apos;,</em> <em>&apos;Wonder Woman&apos; </em>and <em>&apos;Avenue 5&apos;.</em> <br/><br/>Andy and Camise also answer questions that were sent in by you, so thank you to everyone who asked a question.<br/><br/>Links:<br/><br/>Graphics Union website<br/>www.graphicsunion.co.uk<br/><br/>Graphics Union Instagram<br/>www.instagram.com/graphicsunion<br/><br/>Opening Credits website<br/>www.openingcredits.net<br/><br/>Opening Credits Instagram<br/>www.instagram.com/openingcredits<br/><br/>Opening Credits Network<br/>www.facebook.com/groups/openingcreditsnetwork</p><p>Hosted and produced by <a href='http://www.stephennutley.co.uk'>Stephen Nutley</a>.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Laura Whitehouse: poster perfection</title>
			<itunes:title>Laura Whitehouse: poster perfection</itunes:title>
			<pubDate>Tue, 06 Sep 2022 04:00:00 GMT</pubDate>
			<itunes:duration>27:51</itunes:duration>
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			<acast:episodeId>655bcd2b6c959600128461c9</acast:episodeId>
			<acast:showId>655bcd2464b7080012a59c75</acast:showId>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>6</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/655bcd2464b7080012a59c75/1704200177800-2fc1ff07f47384eff8ccd6a683603aff.jpeg"/>
			<description><![CDATA[<p>Laura Whitehouse is a designer who, in her own words, juggles two very excellent balls: branding work for ‘real world’ clients, and creating graphic props for shows produced by the likes of Paramount, Netflix, the BBC, and Disney. <br/><br/>Laura discusses her on-screen work for films and TV shows including <em>‘Dungeons &amp; Dragons,’</em> <em>‘The Princess Switch 3,’</em> and a secret upcoming Marvel show. <br/><br/>Laura also tells us how she became somewhat of a poster specialist between film projects, designing theatre and comedy posters, and gives her honest answers to your questions.<br/><br/>Links:<br/><br/>Laura&apos;s website<br/>www.laurawhitehouse.com<br/><br/>Opening Credits Instagram<br/>www.instagram.com/openingcredits<br/><br/>Opening Credits Network<br/>www.facebook.com/groups/openingcreditsnetwork</p><p>Hosted and produced by <a href='http://www.stephennutley.co.uk'>Stephen Nutley</a>.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Laura Whitehouse is a designer who, in her own words, juggles two very excellent balls: branding work for ‘real world’ clients, and creating graphic props for shows produced by the likes of Paramount, Netflix, the BBC, and Disney. <br/><br/>Laura discusses her on-screen work for films and TV shows including <em>‘Dungeons &amp; Dragons,’</em> <em>‘The Princess Switch 3,’</em> and a secret upcoming Marvel show. <br/><br/>Laura also tells us how she became somewhat of a poster specialist between film projects, designing theatre and comedy posters, and gives her honest answers to your questions.<br/><br/>Links:<br/><br/>Laura&apos;s website<br/>www.laurawhitehouse.com<br/><br/>Opening Credits Instagram<br/>www.instagram.com/openingcredits<br/><br/>Opening Credits Network<br/>www.facebook.com/groups/openingcreditsnetwork</p><p>Hosted and produced by <a href='http://www.stephennutley.co.uk'>Stephen Nutley</a>.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Gina Alessi: making for Michelle</title>
			<itunes:title>Gina Alessi: making for Michelle</itunes:title>
			<pubDate>Tue, 30 Aug 2022 04:00:00 GMT</pubDate>
			<itunes:duration>25:23</itunes:duration>
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			<acast:showId>655bcd2464b7080012a59c75</acast:showId>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>5</itunes:episode>
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			<description><![CDATA[<p>Gina Alessi is a graphic designer specialising in design for film, television and brands.<br/><br/>In this episode, Gina talks to us about the film that inspired her to get into the industry, her variety of TV work including <em>&apos;American Horror Story&apos; </em>and <em>&apos;Manhunt&apos;</em>, and how she unknowingly made one particular prop for none other than Michelle Obama.<br/><br/>Gina also shares details of her upcoming course for designers looking to get into the industry, and why she thinks film creatives make the best storytellers, both on and off the screen. <br/><br/>Links:<br/><br/>Gina&apos;s website<br/>www.ginamadethis.com<br/><br/>Gina&apos;s Instagram<br/>www.instagram.com/ginamadethis<br/><br/>Opening Credits Instagram<br/>www.instagram.com/openingcredits<br/><br/>Opening Credits Network<br/>www.facebook.com/groups/openingcreditsnetwork</p><p>Hosted and produced by <a href='http://www.stephennutley.co.uk'>Stephen Nutley</a>.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Gina Alessi is a graphic designer specialising in design for film, television and brands.<br/><br/>In this episode, Gina talks to us about the film that inspired her to get into the industry, her variety of TV work including <em>&apos;American Horror Story&apos; </em>and <em>&apos;Manhunt&apos;</em>, and how she unknowingly made one particular prop for none other than Michelle Obama.<br/><br/>Gina also shares details of her upcoming course for designers looking to get into the industry, and why she thinks film creatives make the best storytellers, both on and off the screen. <br/><br/>Links:<br/><br/>Gina&apos;s website<br/>www.ginamadethis.com<br/><br/>Gina&apos;s Instagram<br/>www.instagram.com/ginamadethis<br/><br/>Opening Credits Instagram<br/>www.instagram.com/openingcredits<br/><br/>Opening Credits Network<br/>www.facebook.com/groups/openingcreditsnetwork</p><p>Hosted and produced by <a href='http://www.stephennutley.co.uk'>Stephen Nutley</a>.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Erica Dorn: working with Wes</title>
			<itunes:title>Erica Dorn: working with Wes</itunes:title>
			<pubDate>Tue, 23 Aug 2022 04:00:00 GMT</pubDate>
			<itunes:duration>22:05</itunes:duration>
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			<link>https://shows.acast.com/openingcreditspodcast/episodes/655bcd2b6c959600128461cb</link>
			<acast:episodeId>655bcd2b6c959600128461cb</acast:episodeId>
			<acast:showId>655bcd2464b7080012a59c75</acast:showId>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>4</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/655bcd2464b7080012a59c75/1704200114713-1725247760e79e162b074b6cccc95f5a.jpeg"/>
			<description><![CDATA[<p>On this episode, Stephen&apos;s guest is Erica Dorn, who is none other than the graphic designer for director Wes Anderson, having worked with Wes on <em>Isle of Dogs</em> and <em>The French Dispatch</em>.<br/><br/>Erica talks about adapting from life in a design agency to the chaotic world of movie-making, and how her working relationship with Wes Anderson has developed over their projects together.<br/><br/>Erica also tells us how she’s able to bring the unique skills she’s gained from creating imaginary worlds for movies into her branding work for the real world, and offers her advice to other designers who may be thinking about making a move into a new industry. <br/><br/>Links:<br/><br/>Erica&apos;s website<br/>www.ericadorn.co.uk<br/><br/>Opening Credits<br/>www.openingcredits.net<br/><br/>Opening Credits Instagram<br/>www.instagram.com/openingcredits<br/><br/>Opening Credits Network<br/><a href='https://www.facebook.com/groups/openingcreditsnetwork/?ref=share_group_link'>www.facebook.com/groups/openingcreditsnetwork</a></p><p>Hosted and produced by <a href='http://www.stephennutley.co.uk'>Stephen Nutley</a>.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>On this episode, Stephen&apos;s guest is Erica Dorn, who is none other than the graphic designer for director Wes Anderson, having worked with Wes on <em>Isle of Dogs</em> and <em>The French Dispatch</em>.<br/><br/>Erica talks about adapting from life in a design agency to the chaotic world of movie-making, and how her working relationship with Wes Anderson has developed over their projects together.<br/><br/>Erica also tells us how she’s able to bring the unique skills she’s gained from creating imaginary worlds for movies into her branding work for the real world, and offers her advice to other designers who may be thinking about making a move into a new industry. <br/><br/>Links:<br/><br/>Erica&apos;s website<br/>www.ericadorn.co.uk<br/><br/>Opening Credits<br/>www.openingcredits.net<br/><br/>Opening Credits Instagram<br/>www.instagram.com/openingcredits<br/><br/>Opening Credits Network<br/><a href='https://www.facebook.com/groups/openingcreditsnetwork/?ref=share_group_link'>www.facebook.com/groups/openingcreditsnetwork</a></p><p>Hosted and produced by <a href='http://www.stephennutley.co.uk'>Stephen Nutley</a>.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Sophie Powell: the beauty of bad design</title>
			<itunes:title>Sophie Powell: the beauty of bad design</itunes:title>
			<pubDate>Fri, 12 Aug 2022 04:00:00 GMT</pubDate>
			<itunes:duration>26:25</itunes:duration>
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			<link>https://shows.acast.com/openingcreditspodcast/episodes/655bcd2b6c959600128461cc</link>
			<acast:episodeId>655bcd2b6c959600128461cc</acast:episodeId>
			<acast:showId>655bcd2464b7080012a59c75</acast:showId>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>3</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/655bcd2464b7080012a59c75/1704199909784-9ac23db8bc8f358daebfd30b8360ad4a.jpeg"/>
			<description><![CDATA[<p>Sophie Powell has designed for a huge variety of films and TV shows including <em>Rocketman</em>, <em>Black Mirror</em>, <em>Transformers</em>, and<em> Last Night in Soho</em>. <br/><br/>In this episode, Sophie tells us the difference between working in movies and TV (and which is her favourite) and how she finds time in her busy schedule to design for small businesses and sell her own designs on Etsy.<br/><br/>Sophie also talks about building the world of <em>Rocketman</em>, the beauty of deliberately bad design, and her weird and wonderful experience working on <em>Fighting with My Family</em>.<br/><br/>Links:<br/><br/>Sophie&apos;s website<br/>www.sophiepowell.com<br/><br/>Opening Credits<br/>www.openingcredits.net<br/><br/>Opening Credits Instagram<br/>www.instagram.com/openingcredits<br/><br/>Opening Credits Network<br/><a href='https://www.facebook.com/groups/openingcreditsnetwork/?ref=share_group_link'>www.facebook.com/groups/openingcreditsnetwork</a></p><p>Hosted and produced by <a href='http://www.stephennutley.co.uk'>Stephen Nutley</a>.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Sophie Powell has designed for a huge variety of films and TV shows including <em>Rocketman</em>, <em>Black Mirror</em>, <em>Transformers</em>, and<em> Last Night in Soho</em>. <br/><br/>In this episode, Sophie tells us the difference between working in movies and TV (and which is her favourite) and how she finds time in her busy schedule to design for small businesses and sell her own designs on Etsy.<br/><br/>Sophie also talks about building the world of <em>Rocketman</em>, the beauty of deliberately bad design, and her weird and wonderful experience working on <em>Fighting with My Family</em>.<br/><br/>Links:<br/><br/>Sophie&apos;s website<br/>www.sophiepowell.com<br/><br/>Opening Credits<br/>www.openingcredits.net<br/><br/>Opening Credits Instagram<br/>www.instagram.com/openingcredits<br/><br/>Opening Credits Network<br/><a href='https://www.facebook.com/groups/openingcreditsnetwork/?ref=share_group_link'>www.facebook.com/groups/openingcreditsnetwork</a></p><p>Hosted and produced by <a href='http://www.stephennutley.co.uk'>Stephen Nutley</a>.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Leah Spencer: new work in New York</title>
			<itunes:title>Leah Spencer: new work in New York</itunes:title>
			<pubDate>Fri, 05 Aug 2022 04:00:00 GMT</pubDate>
			<itunes:duration>28:30</itunes:duration>
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			<link>https://shows.acast.com/openingcreditspodcast/episodes/655bcd2b6c959600128461cd</link>
			<acast:episodeId>655bcd2b6c959600128461cd</acast:episodeId>
			<acast:showId>655bcd2464b7080012a59c75</acast:showId>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>2</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/655bcd2464b7080012a59c75/1704200013732-10185f229f74cb080233b20e66fd7cea.jpeg"/>
			<description><![CDATA[<p>Leah Spencer is a graphic designer for film and TV, a job she describes as ‘the coolest niche job in the world’.<br/><br/>In this episode, Leah tells us how her work in corporate graphic design gave her an advantage when she eventually made the switch to film and TV, landing her dream job working on <em>The Marvelous Mrs. Maisel</em>, and how she takes inspiration from living and working in New York to authentically bring to life its 50’s era on the show.<br/><br/>Leah also tells us how she uses her skills in illustration in between making shows, and how she has plans to help new designers to break into the film and TV industry.<br/><br/>Links:<br/><br/>Leah Spencer Studio<br/>www.lspencerstudio.com<br/><br/>Leah&apos;s Info Session<br/>tinyurl.com/5awnej3h<br/><br/>Opening Credits<br/>www.openingcredits.net<br/><br/>Opening Credits Instagram<br/>www.instagram.com/openingcredits<br/><br/>Opening Credits Network<br/><a href='https://www.facebook.com/groups/openingcreditsnetwork/?ref=share_group_link'>www.facebook.com/groups/openingcreditsnetwork</a></p><p>Hosted and produced by <a href='http://www.stephennutley.co.uk'>Stephen Nutley</a>.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Leah Spencer is a graphic designer for film and TV, a job she describes as ‘the coolest niche job in the world’.<br/><br/>In this episode, Leah tells us how her work in corporate graphic design gave her an advantage when she eventually made the switch to film and TV, landing her dream job working on <em>The Marvelous Mrs. Maisel</em>, and how she takes inspiration from living and working in New York to authentically bring to life its 50’s era on the show.<br/><br/>Leah also tells us how she uses her skills in illustration in between making shows, and how she has plans to help new designers to break into the film and TV industry.<br/><br/>Links:<br/><br/>Leah Spencer Studio<br/>www.lspencerstudio.com<br/><br/>Leah&apos;s Info Session<br/>tinyurl.com/5awnej3h<br/><br/>Opening Credits<br/>www.openingcredits.net<br/><br/>Opening Credits Instagram<br/>www.instagram.com/openingcredits<br/><br/>Opening Credits Network<br/><a href='https://www.facebook.com/groups/openingcreditsnetwork/?ref=share_group_link'>www.facebook.com/groups/openingcreditsnetwork</a></p><p>Hosted and produced by <a href='http://www.stephennutley.co.uk'>Stephen Nutley</a>.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Flora Fricker: living the dream</title>
			<itunes:title>Flora Fricker: living the dream</itunes:title>
			<pubDate>Mon, 01 Aug 2022 05:00:00 GMT</pubDate>
			<itunes:duration>34:06</itunes:duration>
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			<link>https://shows.acast.com/openingcreditspodcast/episodes/655bcd2b6c959600128461ce</link>
			<acast:episodeId>655bcd2b6c959600128461ce</acast:episodeId>
			<acast:showId>655bcd2464b7080012a59c75</acast:showId>
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			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>1</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/655bcd2464b7080012a59c75/1704199969381-2475bacb170b05918017b7fa21058cba.jpeg"/>
			<description><![CDATA[<p>Flora Fricker is a graphic designer working in film, TV and animation. In this episode, Flora talks about her role on the upcoming Netflix re-make of Scrooge: A Christmas Carol, and the as yet untitled Bridgerton spin-off, making graphic props such as shop signage, medicine labels and love letters.<br/><br/>Flora tells us how she balances her time between film work and her own clients, creating brand identities and product packaging for small businesses, as well as her own studio where she designs and makes art prints and greetings cards.<br/><br/>Flora explains how she found her dream job without even knowing it existed, being inspired by and eventually working with graphic designer Annie Atkins, and how her love of nostalgia and vintage typography have influenced her designs for both the film world and the business world. <br/><br/>Links:<br/><br/>Flora Fricker&apos;s website<br/>www.florafricker.com<br/><br/>Opening Credits<br/>www.openingcredits.net<br/><br/>Opening Credits Instagram<br/>www.instagram.com/openingcredits<br/><br/>Opening Credits Network<br/><a href='https://www.facebook.com/groups/openingcreditsnetwork/?ref=share_group_link'>www.facebook.com/groups/openingcreditsnetwork</a></p><p>Hosted and produced by <a href='http://www.stephennutley.co.uk'>Stephen Nutley</a>.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Flora Fricker is a graphic designer working in film, TV and animation. In this episode, Flora talks about her role on the upcoming Netflix re-make of Scrooge: A Christmas Carol, and the as yet untitled Bridgerton spin-off, making graphic props such as shop signage, medicine labels and love letters.<br/><br/>Flora tells us how she balances her time between film work and her own clients, creating brand identities and product packaging for small businesses, as well as her own studio where she designs and makes art prints and greetings cards.<br/><br/>Flora explains how she found her dream job without even knowing it existed, being inspired by and eventually working with graphic designer Annie Atkins, and how her love of nostalgia and vintage typography have influenced her designs for both the film world and the business world. <br/><br/>Links:<br/><br/>Flora Fricker&apos;s website<br/>www.florafricker.com<br/><br/>Opening Credits<br/>www.openingcredits.net<br/><br/>Opening Credits Instagram<br/>www.instagram.com/openingcredits<br/><br/>Opening Credits Network<br/><a href='https://www.facebook.com/groups/openingcreditsnetwork/?ref=share_group_link'>www.facebook.com/groups/openingcreditsnetwork</a></p><p>Hosted and produced by <a href='http://www.stephennutley.co.uk'>Stephen Nutley</a>.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
    	<itunes:category text="TV &amp; Film"/>
		<itunes:category text="TV &amp; Film">
			<itunes:category text="Film Interviews"/>
		</itunes:category>
    </channel>
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