Nick and Nancy Durrant line up the shows they’re really excited about this year, and the ones you should totally be booking or pinning in your diary…

In news they discuss the hot topics of the week: Tickets for Jamie Lloyd’s Romeo and Juliet starring Tom Holland (who’s playing Juliet?), and Trigger Warnings from Ralph Fiennes.

Get in touch with us at theatrepod@standard.co.uk

Related articles:

How to get cheap theatre tickets in the West End: we reveal the secrets to bagging those seats

Tom Holland's West End return sells out in two hours as over 60,000 fans scramble to get tickets

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They also discuss:

-Why she chose a play at one of London’s smallest theatres

-Her early career, Desperate Housewives, and studying at RADA

-Living in London again, how the city has changed since Huffman’s twenties, spotting celebrities

-What she hopes audiences will think after seeing Hir

-Will Huffman ever play a character audiences don’t hate?

Nancy and the Nicks review Jez Butterworth and Sam Mendes's production of The Hills of California at the Harold Pinter Theatre, plus Nick Curtis tells us what he made of Kafka’s Metamorphosis at the Lyric Hammersmith.

In the news: John Cleese adapts Fawlty Towers for West End stage debut this spring, Tom Holland to star in Jamie Lloyd’s Romeo & Juliet, Cara Delevingne to take on the role of Sally Bowles in Cabaret, and the West End shows you shouldn’t see this Valentine’s Day.

Get in touch with us at theatrepod@standard.co.uk .

California Act 2-3 Transition 3 Composed by Nick Powell. (Composer, Sound Designer and co-arranger)

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Our chief theatre critic meets director Ola Ince at The Globe for her new revival of Othello and she tells him why she decided to relocate the Shakespeare tragedy from 16th century Venice to the Metropolitan Police of the present day.

Plus, the Nicks review Till the Stars Come Down at the National Theatre, a show about what happens when you mix a wedding day with a whole load of family secrets and even more vodka.

💘Got a great or terrible theatre date night story? let us know theatrepod@standard.co.uk.

For all the latest news head to standard.co.uk, or pick up a paper!

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Plus, we revisit Six the musical as the show celebrates its sixth year on stage, and is now on at the Vaudeville theatre.

Hear Nancy’s interview with writer Charlie Josephine, who’s also co-directing Cowbois at the Royal Court.

In news, the National Theatre's summer 2024 season, Frozen the musical lets its London run go and there’s some exciting casting news for Slow Horses fans.

Get in touch with us at theatrepod@standard.co.uk.

For all the latest news head to standard.co.uk or pick up a paper.

Hear our interview with The Lion King here.

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Saddle up as Nancy and the Nick's ride into town (well Sloane Square) to review Cowbois at the Royal Court, and The Good John Proctor at the Jermyn Street Theatre.

Elsewhere in news, we discuss the RSC’s inaugural season under Tamara Harvey and Daniel Evans, as well as the casting announcement that Adrian Dunbar, star of Line of Duty, is going to be making his musical theatre debut.

Get in touch with us at theatrepod@standard.co.uk

For all the latest news visit standard.co.uk or pick up a paper.

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The Evening Standard’s going out editor, David Ellis, pops in to tell us about the pubs you can find near West End theatres.

Nick, Nick and Nancy also discuss the latest news, including Prince’s Purple Rain being adapted into a Broadway show, and Mr Bates vs The Post Office’s debt to the theatre.

They also donned VR headsets to experience the mixed reality show Kagami at the Roundhouse in Camden.

Matthew Xia, artistic director of Actors Touring Company, also pays tribute to the great Philip Hedley, who ran Theatre Royal Stratford East, who sadly died earlier this month.

Get in touch with us at theatrepod@standard.co.uk

For all the latest news go to standard.co.uk

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Nancy and the Nicks review Stranger Things: The First Shadow, which is now on at the Phoenix Theatre, and Macbeth at the Donmar Warehouse, starring David Tennant and Cush Jumbo.

But do we need headphones for the audience to experience 3D ‘binaural sound’ throughout the Shakespearean classic?

Plus, our hosts discuss the musicals they’re looking forward to see in London throughout this year: 2024 is looking to be a corker. 

For the Standard’s interview with Stranger Things star Patrick Vaill click here - and to hear our chat with Mark Gatiss, who plays John Gielgud in the The Motive and the Cue, click here.

We love to hear from you, so please do get in touch with comments, questions and anything else that’s theatre related at theatrepod@standard.co.uk 

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Plus, we talk about the West End shows arriving in 2024, that we are very excited about, including Plaza Suite with Sarah Jessica Parker and Matthew Broderick, and Charlie Josephine’s Cowbois.

Many of the stars mentioned in this episode have appeared on the podcast this year, so make sure you head to our archive to listen back.

We’ll see you on January 7th! Merry Christmas, and have a happy New Year, with only the best kind of drama.

Get in touch with us at theatrepod@standard.co.uk 

For all the latest news go to standard.co.uk 

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Jared Harris (Mad Men, Chernobyl) and Joe Cole (Gangs of London, Peaky Blinders), join us at the Young Vic to talk about their time in Harold Panter’s The Homecoming, directed by Matthew Dunster.

For our reviews this week it’s Ulster American at Riverside Studios, by David Ireland and directed by Jeremy Herrin, starring Woody Harrelson, Louisa Harland and Andy Serkis. Plus for our second review, Cold War at the Almeida theatre, adapted by Conor McPherson from Pawel Pawlikowski’s award-winning 2018 film, starring Anya Chalotra and Luke Thallon.

We also discuss Indhu Rubasingham being appointed as Director of the National Theatre, the unveiling of a very special plaque honouring Operation Mincemeat's Hester, and Paddington the musical which comes to the West End in 2025.

Get in touch with us at theatrepod@standard.co.uk

For all the latest news head to standard.co.uk

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And our reviews this week are:

• Harold Pinter's The Homecoming, directed by Matthew Dunster and stars Jared Harris (Chernobyl, Mad Men), Joe Cole (Gangs of London, Peaky Blinders), and Lisa Diveney (Call the Midwife), at the Young Vic.
• Infinite Life, at the National Theatre. This is by American playwright Annie Baker and directed by James Macdonald.

Plus in our news portion of the show we discuss the news of Red Pitch moving to the West End, and that Ben Whishaw and Lucian Msamati will star in Waiting for Godot at the Theatre Royal Haymarket.

Get in touch at theatrepod@standard.co.uk

For all the latest news visit standard.co.uk

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We review Alice Birch’s adaptation of Lorca’s The House of Bernarda Alba, starring Dame Harriet Walter and Isis Hainsworth, directed by Rebecca Frecknall.

And for our second review it’s Oliver Goldsmith’s She Stoops to Conquer at the Orange Tree theatre in Richmond. This is a Christmas set version of the play, but is it a festive treat or a load of baubles?

We discuss A Mirror coming to the West End in 2024, Andrew Lloyd Webber’s comments about more investment needed for British shows, and we ask you what your first memory of theatre is. Let us know at theatrepod@standard.co.uk.

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Nancy and the Nicks review Roald Dahl’s The Witches at the National Theatre, and Two Strangers (Carry A Cake Across New York) at the Kiln Theatre.

They sprinkle in more of the goss from The 67th ES Theatre Awards – two words: Elton John – and offer their top picks of the Christmas shows to see this year.

Visit standard.co.uk/culture

Get in touch theatrepod@standard.co.uk

Music featured on this episode:

New York - Sam Tutty, Dujonna Gift - Two Strangers (Carry A Cake Across New York)

Music & Lyrics by Kit Buchan & Jim Barne

Orchestration by Lux Pyramid

-

Get Up - The Witches

Tony Award-nominee Dave Malloy

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Hear highlights and interviews with some of the night’s winners, such as Nicole Scherzinger, Anjana Vasan and Jack Thorne.

We also give our reactions to the awards for Best Actor, the Natasha Richardson Award for Best Actress, Best Play, and Best Musical.

Plus, we chat to Jake Shears for this year’s Unsung Hero celebration, sponsored by our very own podcast.

And this year's Voice of God joins us, Jonathan Bailey.

You can find all our awards coverage online at standard.co.uk/culture

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Susan is hosting the 67th Evening Standard Theatre Awards and we get the inside scoop on how she’s feeling ahead of London theatre’s big night, which

takes place at Claridges this Sunday.

Nancy and the Nicks discuss news that Ian McKellen will play Falstaff in Robert Icke’s new adaptation of Shakespeare’s Henry IV parts I and II, plus

Charlie Josephine’s Cowbois which is heading for the Royal Court in 2024.

We review Marcelo Dos Santos’ new royal comedy, Backstairs Billy, at the Duke of York’s Theatre. It stars Dame Penelope Wilton as the Queen Mother as

well as Fast and Furious 6 actor Luke Evans as her loyal servant William “Billy” Tallon.

The play features a real Corgi, so in honour of that – and Elaine Paige and Bernadette Peters’ West End Woofs dog and cat adoption event this weekend

we looked at some of our favourite animals on stage from a herd of goats at the Royal Court to a noisy budgie at the National.

In addition to our main episode this week, we’ve got a special bonus show on Monday 20 November – a behind-the-scenes special from the Evening

Standard’s 67th Theatre Awards. You won’t want to miss it.

Get in touch with us: theatrepod@standard.co.uk

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We review Sir Kenneth Branagh in the title role of King Lear at Wyndham’s Theatre. He also directs the West End production of Shakespeare’s epic tragedy.

We also review the new musical of The Time Traveller’s Wife at the Apollo Theatre, with music by Joss Stone and Eurythmics’ Dave Stewart.

Plus, Isabelle Huppert’s set to return to the Barbican in Mary Queen of Scots as part of the east London arts venue’s spring 2024 season.

We respond to your questions: who’s the next Andrew Lloyd Webber for musical productions - and your favourite food moments on stage.

Get in touch at theatrepod@standard.co.uk

Make sure you’re following this podcast.

For all the latest news visit standard.co.uk

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Jenna tells us about her close relationship with late composer Stephen Sondheim, her journey into the arts when her parents struggled with money, memories of Guys & Dolls and Sunday in the Park.

In this week’s reviews, Nick Curtis and Nancy Durrant discuss Penelope Skinner’s Lyonesse at the Harold Pinter Theatre - and mull on why Kristin Scott Thomas and Lily James signed up for the show.

Our second review features The Confessions at the National Theatre, which despite closing on November 4, we felt deserved dissecting on the podcast.

We discuss the announcement of the Donmar Warehouse’s Macbeth use of headphones and 3D stereo sound for a more ‘immersive’ audience experience. The cast will include David Tennant, as Macbeth, and Cush Jumbo, as Lady Macbeth.

You can also hear about Elephant at the Bush Theatre and Meetings at the Orange Tree Theatre.

Following on from our last episode, we’d love to hear about the food-based stage shows that left you salivating. Get in touch via our email theatrepod@standard.co.uk!

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Nick Curtis and Nick Clark review Hamnet, which is now on at the Garrick theatre. Then, Nancy Durrant and our chief theatre critic review Lynn Nottage’s Clyde’s at the Donmar Warehouse.

We join tributes to acclaimed West End producer and stage impresario Bill Kenwright, who has died.

Our hosts also discuss the news that Cruel Intentions and The Hunger Games are coming to the London stage.

And finally, we've got an email address! We'd love to hear from you what you think of the show - and the shows - so that we can get to know our fellow theatre-lovers better. Drop us a line at theatrepod@standard.co.uk.

Listen to our episode about Mlima's Tale here.

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Charlie Brooks joins us at the Noel Coward theatre to talk about her role in The Ocean at the End of the Lane – the former EastEnders star’s first time on a West End stage.

Nancy, Nick and Nick go to see Nicole Scherzinger in Jamie Lloyd’s Sunset Boulevard at the Savoy Theatre. Plus, Nick Curtis and Nancy review Portia Coughlan, starring Alison Oliver, at the

Almeida theatre.

Also this week, The Evening Standard Theatre Award nominations have been announced, and we discuss the great shows and performances that have made the cut.

Nancy welcomes the idea of 6:30pm theatre performances, a trial by the National Theatre, and Nick Clark is very excited about a new play by Jez Butterworth and Sam Mendes.

We pay tribute to Haydn Gwynne, following her death aged 66.

The music used for The Ocean at the End of the Lane is by Jherek Bischoff.

You can hear the full shortlist for The Evening Standard Theatre Awards on this episode of The Standard podcast.

You can also hear our interview with Alison Oliver here.

Want to get in touch? Contact us here: theatrepod@standard.co.uk

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We review Stephen Sondheim’s Old Friends at the Gielgud Theatre, which stars Lea Salonga, Bonnie Langford, and sees Broadway legend Bernadette Peters make her West End debut.

Also, our verdict on Close Up: The Twiggy Musical, directed and written by Ben Elton. A musical about the life of Lesley Hornby - later dubbed 'Twiggy' as her modelling career took off.

Plus, everything you need to know about the 67th Evening Standard Theatre Awards.

For more news head to standard.co.uk/culture.

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Nina discusses why she decided to do a play about making a film of Hedda Gabler, rather than adapting Ibsen’s masterpiece directly, how the MeToo movement influenced the work and issues actors can face on set. Antonia talks about the challenges playing this new version of Hedda, and the ‘weird’ hierarchy that still takes place on film sets.

Nancy and Nick Curtis review Lynn Nottage's Mlima's Tale, directed by Miranda Cromwell at the Kiln Theatre. While Nick and Nick review Untitled F*ck M*ss S**gon Play at the Young Vic. That's by award-winning Kimber Lee and directed by Roy Alexander Weise.

They talk about the death of Michael Gambon, plus news that Mean Girls the musical is arriving this side of the Atlantic, the winners of the Stage Debut Awards winners, and chat about Woody Harrelson’s return to the London stage after two decades.

The team also discuss the other shows they’ve seen this week from long-runner Wicked to the powerful Woodhill as well as Frank and Percy, starring Sir Ian McKellen and Roger Allam.

You can hear our interview with Gabrielle Brooks, star of Mlima’s Tale, here, and our interview with Sir Ian McKellen and Roger Allam here.

For the latest news and reviews, visit https://www.standard.co.uk/culture.

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Nancy, Nick and Nick review Andrew ‘Hot Priest’ Scott’s bravura performance in all the roles of Simon Stephens’ retooled Uncle Vanya (known just as Vanya).

They also discuss the news that Steve Coogan is to star in the theatre adaptation of Dr. Strangelove in the West End, how Minority Report is coming to the Lyric Hammersmith stage, and Nicole Scherzinger starring as Norma Desmond in Sunset Boulevard.

After the recording of this podcast, news of the veteran actor Sir Michael Gambon's death broke. You can hear a special episode on our sister podcast the Leader, where we celebrate his life and career. 

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We review Pygmalion at the Old Vic, which stars Bertie Carvel as Henry Higgins and Patsy Ferran as Eliza Doolittle, and Beautiful Thing at Theatre Royal Stratford East, a 30th anniversary revival of this classic coming-out and coming-of-age story.

And finally we discuss Starlight Express steaming back into London next year, ask if you would pay £395 to see Plaza Suite and celebrate another 30th anniversary – of our chief theatre critic’s first review for the Evening Standard. Listen now…

For all the latest visit standard.co.uk/culture/theatre

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Our reviews this week are God of Carnage at the Lyric Hammersmith, and Red Pitch, starring Sex Education’s Kedar Williams-Stirling, at the Bush Theatre.

Plus, how will the National Theatre celebrate its 60th in October? And what we know about The Devil Wears Prada the musical, which is coming to the West End in 2024.

Keep up to date all the time and read our latest reviews and news here. 

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Plus, both their appearances in Les Misérables, what they think of Dolly Parton (yes, really), and much more.

For all the latest reviews and news head to standard.co.uk/culture/theatre

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We review I Wish My Life Were Like A Musical at Wilton’s Music Hall, and Candy at Park Theatre.

Plus, if a critic judges the content of a show on personal opinion, is it censorship? Also, on-sale tickets for Spirited Away at the London Coliseum.

For all the latest news and reviews visit standard.co.uk/culture/theatre.

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For our first review, it’s Next to Normal at the Donmar warehouse. This musical which deals with issues of mental illness stars Caissie Levy – the original Elsa in Frozen on Broadway – and Jamie Parker, a previous guest on the podcast when he starred in The Curious Case of Benjamin Button (listen here) 

Second up, we review A Mirror at the Almeida. This knotty, tricksy tale about writing, oppression and censorship stars Jonny Lee Miller, Top Boy’s Micheal Ward and Sex Education’s Tanya Reynolds. And it certainly caused some division between our reviewers.

Finally, we discuss London Theatre Week 2023, and given the chance of grabbing cheap tickets what we want to see and what we think you should see, plus the nominations for the Stage Debut Awards are out…So join us once again for the weekly guide on what’s big in London theatre.

For the latest news head to https://www.standard.co.uk/culture/theatre

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They discuss their funniest moments, the costumes, rolling around and practising Brazilian jiu-jitsu before shows, and their reaction to finding out their children would be born in the same week (and breaking the news to the company manager).

We review The Effect at the National Theatre, written by Lucy Prebble and directed by Jamie Lloyd. The play stars Paapa Essiedu (I May Destroy You) and Taylor Russell (Lost in Space).

For our second review, why we're not sold by The Wizard of Oz at the Palladium. With music by Andrew Lloyd Webber and Tim Rice, this musical stars Georgina Onuorah as Dorothy, Jason Manford as The Cowardly Lion and Ashley Banjo as The Tin Man.

Plus, what we make of Self Esteem and Jake Shears taking on Cabaret, the rest of our La Cage aux Folles review, and we discuss the burnout and stress theatre owners are facing.

Check out Tim Bano's first 5-star review from this year's Edinburgh Fringe: Woodhill at Summerhall.

For all the latest news visit: https://www.standard.co.uk/culture/theatre

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Despite press night being rained off, we discuss the musical La Cage aux Folles, now on at the Regents Park Open Air Theatre.

This is directed by Artistic Director Tim Sheader, with a book by Harvey Fierstein and music and lyrics by Jerry Herman. You can also read our review here.

We also review Word-Play at the Royal Court by Rabiah Hussain, directed by Nimmo Ismail: do words have cumulative power?

Plus, we take a look at what’s happened in theatre this week, the theatre that's become home to brutal mosquitoes, and the new exhibition hosting theatre cartoons in London.

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We review the National Theatre’s Bristol Old Vic Production of Dr Semmelweis at the Harold Pinter Theatre. It's written by Stephen Brown, directed by Tom Morris and starring Mark Rylance, who you’ll know from the BBC’s adaptation of Hilary Mantel’s Wolf Hall and Christopher Nolan’s Second World War epic Dunkirk.

Plus, we discuss Grenfell: in the words of survivors. A verbatim play, created from interviews with the residents at the heart of the Grenfell Tower fire, which killed 72 people. It's written by Gillian Slovo, stars Pearl Mackie and is on at the National Theatre.

Also in this episode, we pay tribute to Tara Theatre AD and CEO Abdul Shayek, discuss Spirited Away coming to London Coliseum in 2024, and the Edinburgh Festival Fringe: what theatre and comedy to book...

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Following on from our interview with House of the Dragon’s Milly Alcock and Succession’s Caitlin Fitzgerald, who star in the show, we review The Crucible, the Arthur Miller play currently being staged by Lyndsey Turner at the Gielgud theatre.

Plus, our thoughts on Beneatha’s Place at the Young Vic, written and directed by Kwame Kwei-Armah and led by Cherrelle Skeete, who starred in Harry Potter and the Cursed Child - listen to our interview with her here.

Also, all you need to know about what's been happening in Theatreland this week.

For all the latest news and reviews visit standard.co.uk/culture

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Cherrelle Skeete, star of Harry Potter and the Cursed Child and the Amazon original, Hanna, joins Nick Curtis to talk about her role in Beneatha’s Place, which is written and directed by Kwame Kwei-Armah. The show’s now on at the Young Vic.

Plus, we discuss Michael R. Jackson’s A Strange Loop which is now on at the Barbican Theatre. You can hear our interview with Michael here.

And what’s been happening this week? Which “rubbish” Shakespeare scene is going to be rewritten by comedian Stewart Lee for the RSC? Also, Cabaret is going to Broadway in spring 2024 and will be on at the August Wilson Theatre.

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Operation Mincemeat: A New Musical 

Interview with the cast and creators

Our review

Sheridan Smith in Shirley Valentine

Shirley Valentine review

The Lehman Trilogy

The Lehman Trilogy cast interview

Our review

Accidental Death of an Anarchist

Interview with Daniel Rigby

Our review

Groundhog Day

Interview with Tim Minchin and Danny Rubin

Our review

Dear England

Dear England at the National Theatre review

Sleepova

Our review

Sir Lenny Henry and Lynette Linton on August in England

Interview with Lenny & Lynette

Our review

Find all our latest reviews over at standard.co.uk/culture/theatre

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What did we think of Lily Allen in The Pillowman? Also starring Paul Kaye, the “miserable” play is written by Martin McDonagh and directed by Matthew Dunster.

For our second review, it’s Accidental Death of an Anarchist, starring Daniel Rigby. Dario Fo’s 1970 political farce has been adapted by Tom Basden and is now on at the Theatre Royal Haymarket - but did it deserve a West End transfer? To hear Daniel Rigby’s interview in full, click this link.

Also, what’s happening in stage news this week, Kristin Scott Thomas and Lily James are to star in a new West End play, Lyonesse at the Harold Pinter Theatre.

Plus, have theatre employers failed to learn lessons from Covid?

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We review Dear England at the National Theatre, which stars Joseph Fiennes as Gareth Southgate and Gina McKee as Pippa Grange, sports psychologist and Head of People & Team Development at The Football Association from 2017 until 2019.

We discuss School Girls; Or, The African Mean Girls Play. It’s written by Jocelyn Bioh, directed by Monique Touko, and is on at the Lyric Hammersmith Theatre.

What’s been happening in theatre this week? Sarah Snook (Shiv from Succession) is to return to the UK stage in January for The Picture of Dorian Gray, and we share our top picks of shows coming to the West End.

To hear our interview with Kate O'Flynn for All of It click here.

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Our review of Groundhog Day is in and let's just say, it’s worth seeing again, and again, and again. To hear our interview with Tim Minchin and Danny Rubin click here.

We discuss Romeo and Juliet at the Almeida in Islington, which stars Ted Lasso’s Toheeb Jimoh as Romeo, Metal Lord’s Isis Hainsworth as Juliet, and is directed by Rebecca Frecknall.

Plus in our weekly theatre news, Rufus Norris steps down from the National Theatre, and we pay tribute to Oscar- winning actress and politician, Glenda Jackson, following the news of her death at the age of 87.

To read our reviews and find the latest news visit standard.co.uk/culture/theatre.

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We speak with actor Jamie Parker, who you’ll know from Harry Potter and the Cursed Child and The History Boys. He joins us from Southwark Playhouse Elephant to talk about The Curious Case of Benjamin Button.

This interview includes:

• How you reverse the age of Benjamin Button on stage
• Performing as an adult Harry Potter - and what sold him on the prestigious role
• His time in The History Boys - and who he’s still mates with...

Plus, we discuss news of British theatre director Tim Sheader taking over as artistic director at the Donmar Warehouse.

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For some non-Dickens relief, actor Kate O’Flynn joins us during rehearsals for All of It by Alistair McDowall at the Royal Court Theatre.

Kate tells us what it’s like to bring the one-woman trilogy to the stage after the pandemic, how she’s approaching the production this time round, why she thinks “writing is a much braver thing to do than acting”, what it’s like to perform alongside Danny Dyer in Henpocolyspe! - and sharing their love for Harold Pinter.

Plus, what’s been happening this week? We discuss the incredibly talented female playwrights behind the hit TV show Succession after its final episode, give our reaction to the West End theatre strike being called off, and is Drop the Dead Donkey returning on tour?

You can hear our interview with Eddie Izzard by clicking here.

For all our reviews and interviews visit standard.co.uk/theatre.

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For our first review we talk about the new adaptation of Brokeback Mountain at @SohoPlace, starring West Side Story’s Mike Faist and Manchester By The Sea’s Lucas Hedges. We also saw Once on This Island at the Regent’s Park Open Air Theatre, starring Gabrielle Brooks, who was nominated for an Olivier for her role in Get Up! Stand Up! The Bob Marley Musical.

Nick Curtis discusses attending the theatrical event of the year: Ruth Wilson’s marathon 24 hours show at the Young Vic, and Nancy Durrant discusses the response to Theatre Royal Stratford East’s forthcoming Black Out performance for Tambo and Bones.

For all the latest theatre news and reviews visit standard.co.uk/theatre.

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We review SplitLip Theatre’s raucous Second World War musical Operation Mincemeat, at the Fortune Theatre in the heart of London’s West End, as well as Sir Lenny Henry's play August in England which is inspired by the Windrush Scandal. That’s on now at the Bush Theatre and is co-directed by Lynette Linton and Daniel Bailey.

Plus, what’s happened in theatre this week? We talk about the great news that Cush Jumbo is joining David Tennant in the Donmar Warehouse’s Macbeth, and the not-so-great news of quite how much it can cost to rent accommodation during the Edinburgh Fringe Festival.

You can hear our chat with the cast and creators of Operation Mincemeat: A New Musical here, and our interview with Sir Lenny Henry and Lynette Linton for August in England here.

Find all our reviews at standard.co.uk/theatre.

© Music used by Operation Mincemeat: A New Musical and Sony Music CG

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They discuss how they looked for the ‘things that could sing’ in the original script as they brought the much-loved film to the stage, and why so many fans – and Bill Murray – have left the show with their minds blown.

Recorded at the Jermyn Street Theatre in the West End, in this episode we review Ryan Calais Cameron’s new play Retrograde, directed by Amit Sharma. Starring Ivanno Jeremiah as a young Sidney Poitier, it's now running at the Kiln Theatre in Kilburn.

We also went to see Dixon and Daughters at the National’s Dorfman Theatre, written by Deborah Bruce and directed by Róisin McBrinn.

Plus, we discuss the strange choice of Shakespeare staged at the King’s Coronation Concert, and what we think of news that David Tennant will play Macbeth at the Donmar Warehouse this autumn…

You can hear our interview with Ryan Calais Cameron by clicking here.

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We review The Motive and the Cue, a play by Jack Thorne, directed by Sam Mendes, starring Janie Dee, Mark Gatiss and Tuppence Middleton, now on at the National Theatre.

We chat about royal plays, Phantom of the Opera and the news of Sir Kenneth Branagh set to direct and star in the West End’s King Lear.

Theatre critic Alice Saville joins us to review The Good Person of Szechwan, that’s presented by the English Touring Theatre and Sheffield Theatres, now on at the Lyric Hammersmith.

Plus we pay tribute to director and writer Adam Brace who has died aged 43.

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Recorded at the Harold Pinter Theatre in London, currently home to A Little Life, we review Ain’t Too Proud - The Life and Times of The Temptations, which is now on at the Prince Edward Theatre.

We discuss the new revival of Dancing at Lughnasa at the National Theatre, directed by Josie Rourke. The play stars Justine Mitchell, Derry Girls’ Siobhán McSweeney and Alison Oliver.

Plus, what’s been happening in the West End this week? We discuss Jodie Comer on Broadway in Prima Facie and A Streetcar Named Desire releasing cheaper tickets - for a selected number of seats.

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Over at the Bush Theatre's rehearsal space we chat with Sir Lenny Henry and Artistic Director Lynette Linton about their forthcoming show August in England.

Plus why we weren't so keen of this take on Noël Coward's play Private Lives at the Donmar Warehouse, directed by Michael Longhurst. The show stars Downton Abbey’s Laura Carmichael and Green Wing’s Stephen Mangan.

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We’re joined by Natasha Hodgson and David Cumming to talk about their new musical Operation Mincemeat.

Plus, we review Ryan Calais Cameron's For Black Boys Who Have Considered Suicide When The Hue Gets Too Heavy. That’s on at the Apollo Theatre.

This episode includes the track God That’s Brilliant from Operation Mincemeat: A New Musical (Original Cast Recording), with thanks to Sony Music CG.

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We discuss A Streetcar Named Desire, starring Normal People’s Paul Mescal, now on at the Phoenix Theatre.

Also, Berlusconi: A New Musical at Southwark Playhouse’s new Elephant space.

Plus, what’s been happening in theatre this week, research shows audiences are behaving badly and front of house staff are struggling to cope since the pandemic, as well as our tributes to Paul O’Grady and Janine Shalom.

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Plus Nancy Durrant and Nick Clark react to playwright David Hare’s comments about musicals ‘strangling’ the West End. And we chat about some very noisy audience members…

In this episode:

Part one:

Nick Clark and Nancy Durrant react to playwright David Hare’s comments...

Part two:

We review Further Than the Furthest Thing, plus noisy audience members (2 minutes 58)

Part three:

We’re joined by Daniel Mays and Marisha Wallace for Guys & Dolls at the Bridge Theatre (10 minutes 34)

-What Guys & Dolls is about

-Who is Miss Adelaide in Guys & Dolls and how does Marisha Wallace bring her to life

-Who Daniel Mays plays in Guys & Dolls, and how he approached the character

-Daniel Mays and Marisha Wallace talk about their favourite songs from the show and why

-Turning Miss Adelaide into “Beyonce” and “Megan Thee Stallion”

-Daniel Mays on Sit Down You’re Rockin’ The Boat and Arlene Phillips’s choreography

-Marisha Wallace tears up as she reveals how black audiences are reacting to her leading role

-The importance of audience interaction and what it means to them

-The musicals they’d love to do next. Will we see Daniel Mays in Jesus Christ Superstar?

Part four:

Our Chief Theatre Critic Nick Curtis reviews Marjorie Prime, starring Anne Reid (22 minutes 36) 

For the latest news and reviews head to www.standard.co.uk

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In this episode:

Part one: Why Guys & Dolls is a knock-out, the music, the cast, and the choreography by Dame Arlene Phillips & James Cousins. 

Part two: Our chat with Callum Scott Howells on Romeo & Julie (8 mins 30)

-What Romeo & Julie is about

-Why Romeo is such a physical role to play

-How Romeo is so many people he knows, and why he wants to represent the role correctly

-How It’s a Sin has helped him in future performances 

-How when he moved to London, he wasn’t confident in himself yet 

-Representing Wales at the National Theatre

-Performing in Cabaret, new costumes, updating performances, and following on from Eddie Redmayne 

-Evaluating the sexual nature of Cabaret and why performing at the Kit Kat Club was a “recipe for cool”

-Is he still mates with the cast of It’s a Sin, and what are they all up to now?

Part three: Sleepova review (21 mins)

Directed by Matilda Feyiṣayọ Ibini, at the Bush Theatre. Hear why you can’t help but fall in love with this joyous, exuberant show…

To hear our review of Romeo & Julie click here.

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Tracy-Ann on why she’s always wanted to do the play despite "hating" it because it was written “at a time of huge antisemitism”. She explains how this new production can be used as an educational tool. 

Also, we review Romeo and Julie, a production by Rachel O’Riordan which is currently on at the National, starring It’s a Sin’s Callum Scott Howells.

And our thoughts on Trouble in Butetown at Donmar Warehouse, directed by Tinuke Craig and written by Diana Nneka Atuona.

In this episode:

Part one: Romeo and Julie review with Nick Clark and Nick Curtis

Part two: Tracy-Ann Oberman interview for the Merchant of Venice 1936 (7 mins 39)

Part three: Trouble in Butetown review with Nick Curtis and Nancy Durrant (16 mins 10)

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Bonus content: The Standard’s culture team discuss this year’s Olivier Awards nominations.

In this episode:

Part one: Shirley Valentine starring Sheridan Smith

Plus, Olivier Awards nominations (6’31 mins)

Park two: Interview with Jenna Coleman and Josie Rourke (12’36 mins)

Recorded at the Harold Pinter Theatre for Lemons Lemons Lemons Lemons Lemons

Part three: Women, Beware the Devil (23’07 mins)

Find us on Twitter #ESTheatrePodcast

What to see in the West End right now www.standard.co.uk/theatre

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Part one: Medea @sohoplace

Part two: Grenfell: System Failure (10’06 mins)

Interview with Nicolas Kent and Richard Norton-Taylor

Part three: Sylvia at the Old Vic (17’42mins)

Find us on Twitter #ESTheatrePodcast

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In this episode:

Part one: Standing at the Sky’s Edge  

We review Standing at the Sky’s Edge by playwright Chris Bush, with songs by Richard Hawley. The performers include Maimuna Memon and Faith Omole, with joyful dancehall choreography by Lynne Page. This is a musical about Sheffield’s brutalist Park Hill housing estate.

Part two: Lehman Trilogy cast interview - from 07:07

Recorded at the Gillian Lynne Theatre

We’re joined by Nigel Lindsay, Michael Balogun and Hadley Fraser to discuss the National Theatre’s The Lehman Trilogy and its return to London’s West End after huge success on Broadway. The actors talk about the physical nature, and how fulfillment, at playing numerous roles in a show that runs for more than three hours and why it’s “unlike anything they’ve done before”. And Lindsay reveals the unusual way he got the job.  

Part three: Phaedra - from 17:00

We talk about Phaedra at the National, starring Janet McTeer. Has Australian writer and director Simon Stone followed his acclaimed production of Yerma with another must-see show in adapting this Greek tragedy for the modern day? Alongside McTeer in the show is Call My Agent star Assaad Bouab and Canadian screen actor Mackenzie Davis.

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Plus *drum roll please* we interview Rob Madge about their musical My Son’s a Queer (But What Can You Do?) at the Ambassadors Theatre.

And we tell you what we really think about Titus Andronicus, directed by Jude Christian, at the Sam Wanamaker Playhouse at Shakespeare’s Globe. Is this what you call 'snuff theatre’?

Part one: Titus Andronicus

Part two: Interview with Rob Madge for My Son’s a Queer (at 8 minutes)

Part three: The Lehman Trilogy (at 18 minutes 30)

Find us on Twitter #ESTheatrePodcast 

For all the latest news visit www.standard.co.uk/culture

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Plus we’ll be joined by the man behind modern TV classics such as Sherlock and Doctor Who - writer Steven Moffat OBE - about his new play The Unfriend, which is on at the Criterion Theatre, featuring Reece Shearsmith and Amanda Abbington.

And, we reveal what we thought of Cheryl’s debut performance in 2:22 A Ghost Story, at the Lyric Theatre.

Part one: Lemons Lemons Lemons Lemons Lemons 

Part two: Interview with Steven Moffat (8’34 mins)

Part three: Cheryl in 2:22 A Ghost Story (19’19 mins)

What’s on in the West End right now? Visit standard.co.uk/culture

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A new episode releases every Sunday morning.

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