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		<title>The Radiophonic Broadcast</title>
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		<copyright>Radiophonic Institute</copyright>
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		<itunes:subtitle>A podcast about sound</itunes:subtitle>
		<itunes:summary><![CDATA[The Radiophonic Broadcast examines innovations in sound and music. From field recordings and fictional journeys to Foley-inspired performances and music made by fungi, get to know the artists working at the vanguard of sound. This podcast gives equal balance to speech and music. Think of it as two sides of an LP or cassette: the first side contains conversations and interviews; the second – uninterrupted compositions made by or featuring our interviewees. Brought to you by The Radiophonic Institute.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		<description><![CDATA[The Radiophonic Broadcast examines innovations in sound and music. From field recordings and fictional journeys to Foley-inspired performances and music made by fungi, get to know the artists working at the vanguard of sound. This podcast gives equal balance to speech and music. Think of it as two sides of an LP or cassette: the first side contains conversations and interviews; the second – uninterrupted compositions made by or featuring our interviewees. Brought to you by The Radiophonic Institute.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
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			<title>Margate At One</title>
			<itunes:title>Margate At One</itunes:title>
			<pubDate>Thu, 28 Nov 2024 09:00:31 GMT</pubDate>
			<itunes:duration>46:05</itunes:duration>
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			<itunes:episode>7</itunes:episode>
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			<description><![CDATA[<p>In October 2024, the Radiophonic Institute partnered with Margate Radio to deliver a live broadcast that brought the sounds of Margate into focus. Eight locations were chosen for their sonic footprint and importance to the town. They were all captured at the same time – at 1pm on a Friday afternoon. The recordings were played back simultaneously the following week with the public invited to mix their own soundscape. This was followed by an improvised performance by Moon Zero and Melinda Bronstein who remixed the original recordings. This podcast features excerpts from both versions of the piece, which will be preceded by an interview with Margate Radio’s Paul Camo and Tim Garratt.&nbsp;</p><br><p>Location sounds by Chris Cholmondeley, Jack Goldstein, Clementine Blue, Melinda Bronstein, Chase Coley, Tim Garratt, Paul Camo and Buddy Peace. Location images by Ilia Rogatchevski.</p><p>&nbsp;</p><p>Produced by Ilia Rogatchevski for the Radiophonic Institute.&nbsp;</p><br><p>Listen to Margate Radio: <a href="https://margateradio.co.uk" rel="noopener noreferrer" target="_blank">https://margateradio.co.uk</a></p><p>Listen to the Travel Agency version: <a href="https://li.sten.to/rtamargateatone" rel="noopener noreferrer" target="_blank">https://li.sten.to/rtamargateatone</a>&nbsp;</p><p>&nbsp;</p><p>Tracklist:</p><br><p>Interview with Paul Camo and Tim Garratt</p><p>Margate At 1 (excerpt)</p><p>Margate At 1.5 - Moon Zero ft Melinda Bronstein (excerpt)</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In October 2024, the Radiophonic Institute partnered with Margate Radio to deliver a live broadcast that brought the sounds of Margate into focus. Eight locations were chosen for their sonic footprint and importance to the town. They were all captured at the same time – at 1pm on a Friday afternoon. The recordings were played back simultaneously the following week with the public invited to mix their own soundscape. This was followed by an improvised performance by Moon Zero and Melinda Bronstein who remixed the original recordings. This podcast features excerpts from both versions of the piece, which will be preceded by an interview with Margate Radio’s Paul Camo and Tim Garratt.&nbsp;</p><br><p>Location sounds by Chris Cholmondeley, Jack Goldstein, Clementine Blue, Melinda Bronstein, Chase Coley, Tim Garratt, Paul Camo and Buddy Peace. Location images by Ilia Rogatchevski.</p><p>&nbsp;</p><p>Produced by Ilia Rogatchevski for the Radiophonic Institute.&nbsp;</p><br><p>Listen to Margate Radio: <a href="https://margateradio.co.uk" rel="noopener noreferrer" target="_blank">https://margateradio.co.uk</a></p><p>Listen to the Travel Agency version: <a href="https://li.sten.to/rtamargateatone" rel="noopener noreferrer" target="_blank">https://li.sten.to/rtamargateatone</a>&nbsp;</p><p>&nbsp;</p><p>Tracklist:</p><br><p>Interview with Paul Camo and Tim Garratt</p><p>Margate At 1 (excerpt)</p><p>Margate At 1.5 - Moon Zero ft Melinda Bronstein (excerpt)</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title><![CDATA[Scotland Before & After the Highland Clearances]]></title>
			<itunes:title><![CDATA[Scotland Before & After the Highland Clearances]]></itunes:title>
			<pubDate>Thu, 31 Oct 2024 09:00:20 GMT</pubDate>
			<itunes:duration>50:18</itunes:duration>
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			<itunes:episode>6</itunes:episode>
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			<description><![CDATA[<p>Taking place in the 18th and 19th centuries, the Highland Clearances saw people from the Highlands and Islands of Scotland forced from their homes, with whole communities having to seek opportunities elsewhere. These events were sometimes violent and led to famine, displacement and mass emigration.&nbsp;&nbsp;</p><br><p>The Scottish writer and campaigner Kenneth Murray, along with the dramaturg Kirsty Housley, produced a script for a Radiophonic Travel Agency episode that explored this period in history through the prism of a fictional sound journey. The award-winning composer Ella Kay produced the sound design based on their script.</p><br><p>Travelling through time, we hear Scotland from the 1700s to the present day from the perspectives of different characters. With sounds ranging from blacksmiths and farm animals to waulking songs and Gaelic psalms, this episode allows anyone from across the world to visit Scotland before and after the Highland Clearances.&nbsp;</p><br><p>The journey is preceded by interviews with Murray and Kay, where we discuss their respective creative practices and approaches to this unusual time-travelling brief.</p><br><p>Dramaturg - Kirsty Housley</p><p>Writer - Kenneth Murray</p><p>Sound Design - Ella Kay</p><br><p>The recording “Wool Waulking Display at the inaugural Outlander Day at Highland Folk Museum” (Newtonmore, 2015) appears courtesy of Steve McLeish and Outlandish Journeys. “Gaelic psalms at Back Free Church” (Isle Of Lewis, 2003) was produced by&nbsp;</p><p>Calum Martin and appears courtesy of Leum Music. Samples of dialogue are derived from “The Western Isles” (1941, dir. Terence Egan Bishop) and appear courtesy of the British Council film archive under a CC BY-NC 3.0 licence. Images courtesy of The MacKinnon Collection at the National Library of Scotland and David Brooks at Unsplash.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</p><br><p>Co-produced by Ilia Rogatchevski and Louis Gillespie for the Radiophonic Institute.</p><br><p>Tracklist:</p><br><p>Calum Martin - Gaelic psalms at Back Free Church, Isle Of Lewis</p><p>Interview with Kenneth Murray</p><p>Steve McLeish - Wool Waulking Display at the inaugural Outlander Day at Highland Folk Museum</p><p>Interview with Ella Kay</p><p>Fictional Sound Journey, Scotland Before &amp; After The Highland Clearances</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Taking place in the 18th and 19th centuries, the Highland Clearances saw people from the Highlands and Islands of Scotland forced from their homes, with whole communities having to seek opportunities elsewhere. These events were sometimes violent and led to famine, displacement and mass emigration.&nbsp;&nbsp;</p><br><p>The Scottish writer and campaigner Kenneth Murray, along with the dramaturg Kirsty Housley, produced a script for a Radiophonic Travel Agency episode that explored this period in history through the prism of a fictional sound journey. The award-winning composer Ella Kay produced the sound design based on their script.</p><br><p>Travelling through time, we hear Scotland from the 1700s to the present day from the perspectives of different characters. With sounds ranging from blacksmiths and farm animals to waulking songs and Gaelic psalms, this episode allows anyone from across the world to visit Scotland before and after the Highland Clearances.&nbsp;</p><br><p>The journey is preceded by interviews with Murray and Kay, where we discuss their respective creative practices and approaches to this unusual time-travelling brief.</p><br><p>Dramaturg - Kirsty Housley</p><p>Writer - Kenneth Murray</p><p>Sound Design - Ella Kay</p><br><p>The recording “Wool Waulking Display at the inaugural Outlander Day at Highland Folk Museum” (Newtonmore, 2015) appears courtesy of Steve McLeish and Outlandish Journeys. “Gaelic psalms at Back Free Church” (Isle Of Lewis, 2003) was produced by&nbsp;</p><p>Calum Martin and appears courtesy of Leum Music. Samples of dialogue are derived from “The Western Isles” (1941, dir. Terence Egan Bishop) and appear courtesy of the British Council film archive under a CC BY-NC 3.0 licence. Images courtesy of The MacKinnon Collection at the National Library of Scotland and David Brooks at Unsplash.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</p><br><p>Co-produced by Ilia Rogatchevski and Louis Gillespie for the Radiophonic Institute.</p><br><p>Tracklist:</p><br><p>Calum Martin - Gaelic psalms at Back Free Church, Isle Of Lewis</p><p>Interview with Kenneth Murray</p><p>Steve McLeish - Wool Waulking Display at the inaugural Outlander Day at Highland Folk Museum</p><p>Interview with Ella Kay</p><p>Fictional Sound Journey, Scotland Before &amp; After The Highland Clearances</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Sound Of The Year Awards 2023</title>
			<itunes:title>Sound Of The Year Awards 2023</itunes:title>
			<pubDate>Tue, 15 Oct 2024 11:00:57 GMT</pubDate>
			<itunes:duration>48:53</itunes:duration>
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			<itunes:episode>5</itunes:episode>
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			<description><![CDATA[<p>Join us as we explore sounds that encapsulate 2023 with the Sound Of The Year Awards. </p><br><p>We speak with the judges Jez Riley French, Kate Carr, Rana Eid and Will René about “nature” and sound preservation, the ethics of field recording, sound as a political act, and the poetry of imagined sounds. The interviews are followed by a sound collage composed from this years’ entries, featuring recordings submitted from across the world. If you’d like to revisit any of the sounds, head over to soundoftheyearawards.com where you can listen to them in their entirety, read about their wider context and check out submissions from previous editions of the awards. </p><br><p>Produced by Ilia Rogatchevski for the Radiophonic Institute.</p><p>&nbsp;</p><p>Track list:</p><p>&nbsp;</p><p>Archipelagos - Charles Van Kirk</p><p>Todmorden Market - Cornholme Junior, Infant and Nursery School, Hepworth Class (Y5)</p><p>Croydon, South London - Ark Oval - Year 2&nbsp;</p><p>Community Sounds - Alkis Karagiannis-Avar and Melia Karagianni-Avar</p><p>The Disorderly Harmony Orchestra - Yoichi Kamimura</p><p>Landschaftspark Rheinbogen (City Park) - The Musikschule Monheim am Rhein</p><p>The 1st grade class (1°U) of the Primary School "Livio Tempesta" in Quattro Castella (RE), Italy</p><p>Left Ear / Right Ear - Lola de la Mata</p><p>Primary School of Volakas - Year 3 and Year 5</p><p>R9A Arrowhead - Jake Mehew</p><p>The Grain of the Voice - Jake Parry</p><p>Eastanbul - Alp Tuğan</p><p>Harmonics’ Lettrism - Cateri Muro (read by Laura Michelle Smith)</p><p>Amazon river dolphins hunting - Jana Irmert</p><p>Voice of the Morteratsch Glacier - Ludwig Berger</p><p>Weddellscape - Finbarr Dillon</p><p>Surreal Ice Sounds at Medicine Lake - Kelly Rafuse</p><p>Tree Hyrax in Mt Kenya - Martha Mutiso</p><p>Port Jackson Shark Egg - Vicki Hallett</p><p>Co-existing with sound via hearing aids - Geo Aghinea</p><p>Left Ear / Right Ear - Lola de la Mata</p><p>Subsonic blast waves from military training activities - John Grzinich</p><p>Listening Desk - Emily Peasgood</p><p>The sound of biodiversity disappearing from London's freshwater ponds - Emily Peasgood</p><p>Aural Prespa - Alexandros Hadjitimotheou</p><p>The Disorderly Harmony Orchestra - Yoichi Kamimura</p><p>Eagle's Cry Amidst Danger - Jakub Orzęcki</p><p>Free Palestine Protest - Cosmin Sandu</p><p>A wild Feast in Maasai Mara Game Reserve - Martha Mutiso</p><p>A sound to stop all wars - Claire Dunn (read by Laura Michelle Smith)</p><p>Message to Homeland - danil repin</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Join us as we explore sounds that encapsulate 2023 with the Sound Of The Year Awards. </p><br><p>We speak with the judges Jez Riley French, Kate Carr, Rana Eid and Will René about “nature” and sound preservation, the ethics of field recording, sound as a political act, and the poetry of imagined sounds. The interviews are followed by a sound collage composed from this years’ entries, featuring recordings submitted from across the world. If you’d like to revisit any of the sounds, head over to soundoftheyearawards.com where you can listen to them in their entirety, read about their wider context and check out submissions from previous editions of the awards. </p><br><p>Produced by Ilia Rogatchevski for the Radiophonic Institute.</p><p>&nbsp;</p><p>Track list:</p><p>&nbsp;</p><p>Archipelagos - Charles Van Kirk</p><p>Todmorden Market - Cornholme Junior, Infant and Nursery School, Hepworth Class (Y5)</p><p>Croydon, South London - Ark Oval - Year 2&nbsp;</p><p>Community Sounds - Alkis Karagiannis-Avar and Melia Karagianni-Avar</p><p>The Disorderly Harmony Orchestra - Yoichi Kamimura</p><p>Landschaftspark Rheinbogen (City Park) - The Musikschule Monheim am Rhein</p><p>The 1st grade class (1°U) of the Primary School "Livio Tempesta" in Quattro Castella (RE), Italy</p><p>Left Ear / Right Ear - Lola de la Mata</p><p>Primary School of Volakas - Year 3 and Year 5</p><p>R9A Arrowhead - Jake Mehew</p><p>The Grain of the Voice - Jake Parry</p><p>Eastanbul - Alp Tuğan</p><p>Harmonics’ Lettrism - Cateri Muro (read by Laura Michelle Smith)</p><p>Amazon river dolphins hunting - Jana Irmert</p><p>Voice of the Morteratsch Glacier - Ludwig Berger</p><p>Weddellscape - Finbarr Dillon</p><p>Surreal Ice Sounds at Medicine Lake - Kelly Rafuse</p><p>Tree Hyrax in Mt Kenya - Martha Mutiso</p><p>Port Jackson Shark Egg - Vicki Hallett</p><p>Co-existing with sound via hearing aids - Geo Aghinea</p><p>Left Ear / Right Ear - Lola de la Mata</p><p>Subsonic blast waves from military training activities - John Grzinich</p><p>Listening Desk - Emily Peasgood</p><p>The sound of biodiversity disappearing from London's freshwater ponds - Emily Peasgood</p><p>Aural Prespa - Alexandros Hadjitimotheou</p><p>The Disorderly Harmony Orchestra - Yoichi Kamimura</p><p>Eagle's Cry Amidst Danger - Jakub Orzęcki</p><p>Free Palestine Protest - Cosmin Sandu</p><p>A wild Feast in Maasai Mara Game Reserve - Martha Mutiso</p><p>A sound to stop all wars - Claire Dunn (read by Laura Michelle Smith)</p><p>Message to Homeland - danil repin</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Primitive Percussion Youth Orchestra</title>
			<itunes:title>Primitive Percussion Youth Orchestra</itunes:title>
			<pubDate>Tue, 24 Sep 2024 11:00:10 GMT</pubDate>
			<itunes:duration>40:25</itunes:duration>
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			<description><![CDATA[<p>In this episode, we visit Cornholme Junior School in Todmorden, West Yorkshire to speak with Mark Williamson aka Spaceship Mark about his work with the Primitive Percussion Youth Orchestra. The project takes the form of an after school club and workshops. The children who take part create experimental soundscapes, improvised compositions and film soundtracks. In 2022, the PPYO submitted an entry to the children’s category for the Sound of the Year Awards: a reimagining of a Yorkshire Clough&nbsp;– complete with the sounds of a running brook, rustling leaves, and birdsong – all recreated in the classroom. The conversation with Mark and the children will be followed by a special performance by the PPYO recorded on location in Todmorden. </p><br><p>Produced by Ilia Rogatchevski for the Radiophonic Institute.</p><p>&nbsp;</p><p>Track list:</p><p>&nbsp;</p><p>Triangles In The Snow - Primitive Percussion Youth Orchestra</p><p>PPYO Soundcheck (Tabletop Guitar) - Mark Williamson</p><p>PPYO Soundcheck (Spaceship Synth) - Mark Williamson</p><p>Rehearsal Session, 7 May 2024 - Primitive Percussion Youth Orchestra</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode, we visit Cornholme Junior School in Todmorden, West Yorkshire to speak with Mark Williamson aka Spaceship Mark about his work with the Primitive Percussion Youth Orchestra. The project takes the form of an after school club and workshops. The children who take part create experimental soundscapes, improvised compositions and film soundtracks. In 2022, the PPYO submitted an entry to the children’s category for the Sound of the Year Awards: a reimagining of a Yorkshire Clough&nbsp;– complete with the sounds of a running brook, rustling leaves, and birdsong – all recreated in the classroom. The conversation with Mark and the children will be followed by a special performance by the PPYO recorded on location in Todmorden. </p><br><p>Produced by Ilia Rogatchevski for the Radiophonic Institute.</p><p>&nbsp;</p><p>Track list:</p><p>&nbsp;</p><p>Triangles In The Snow - Primitive Percussion Youth Orchestra</p><p>PPYO Soundcheck (Tabletop Guitar) - Mark Williamson</p><p>PPYO Soundcheck (Spaceship Synth) - Mark Williamson</p><p>Rehearsal Session, 7 May 2024 - Primitive Percussion Youth Orchestra</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title><![CDATA[Sue & Matt Harding]]></title>
			<itunes:title><![CDATA[Sue & Matt Harding]]></itunes:title>
			<pubDate>Tue, 03 Sep 2024 11:00:19 GMT</pubDate>
			<itunes:duration>45:07</itunes:duration>
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			<acast:episodeUrl>sue-matt</acast:episodeUrl>
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			<itunes:episode>3</itunes:episode>
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			<description><![CDATA[<p>The London-based duo Sue and Matt Harding discuss their work with Foley, sonic textures and expanded cinema. </p><br><p>Sue Harding is a Foley artist with over 20 years experience in film, TV and animation who has worked on big Hollywood productions as well as countless other projects. Matt Harding is a songwriter, media artist and curator whose work examines the intersection of texture, performance and moving image – often focusing on repetition as the defining motif. In this podcast, the duo discuss extending their individual practices into a shared performance space, incorporating Foley techniques in their work and the challenges of scoring sound for film. </p><br><p>Produced by Ilia Rogatchevski for the Radiophonic Institute.</p><p>&nbsp;</p><p>Track list:</p><p>&nbsp;</p><p>The Cabinet of Dr. Caligari, Klingt Gut, Hamburg, 2017 - Sue Harding, Matt Harding</p><p>Untitled Performance - Din, 195 Mare Street, 2023 - Sue Harding, Matt Harding and Angharad Davies</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>The London-based duo Sue and Matt Harding discuss their work with Foley, sonic textures and expanded cinema. </p><br><p>Sue Harding is a Foley artist with over 20 years experience in film, TV and animation who has worked on big Hollywood productions as well as countless other projects. Matt Harding is a songwriter, media artist and curator whose work examines the intersection of texture, performance and moving image – often focusing on repetition as the defining motif. In this podcast, the duo discuss extending their individual practices into a shared performance space, incorporating Foley techniques in their work and the challenges of scoring sound for film. </p><br><p>Produced by Ilia Rogatchevski for the Radiophonic Institute.</p><p>&nbsp;</p><p>Track list:</p><p>&nbsp;</p><p>The Cabinet of Dr. Caligari, Klingt Gut, Hamburg, 2017 - Sue Harding, Matt Harding</p><p>Untitled Performance - Din, 195 Mare Street, 2023 - Sue Harding, Matt Harding and Angharad Davies</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Maria Sappho</title>
			<itunes:title>Maria Sappho</itunes:title>
			<pubDate>Tue, 03 Sep 2024 11:00:08 GMT</pubDate>
			<itunes:duration>45:58</itunes:duration>
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			<acast:episodeUrl>maria-sappho</acast:episodeUrl>
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			<itunes:episode>2</itunes:episode>
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			<description><![CDATA[<p>The Nuyorican artist and researcher Maria Sappho specialises in multispecies collaborative projects that are at the intersection of human, machine and organic communication. Currently based in Huddersfield, Sappho is a pioneer of “trans-species listening” –&nbsp;a practice that incorporates instrument building and musical composition developed in collaboration with artificial intelligence and fungal ecosystems. Sappho is a recipient of the Oram Award and her work with AI and mushrooms has garnered international acclaim. In this podcast, she discusses the intricacies of improvising with mushrooms, creating new forms of collaborative space with the AI Chimere and exploring the subversive, underground and political elements that underpin her practice. </p><br><p>Produced by Ilia Rogatchevski for the Radiophonic Institute.</p><p>&nbsp;</p><p>Track list:</p><p>&nbsp;</p><p>Hans - Brutalust (Colin Frank &amp; Maria Sappho)&nbsp;</p><p>Performance at the UNESCO Week of Sound, Edinburgh College of Art, 20 October 2023 - Maria Sappho, The Ostoyae and Una MacGlone</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>The Nuyorican artist and researcher Maria Sappho specialises in multispecies collaborative projects that are at the intersection of human, machine and organic communication. Currently based in Huddersfield, Sappho is a pioneer of “trans-species listening” –&nbsp;a practice that incorporates instrument building and musical composition developed in collaboration with artificial intelligence and fungal ecosystems. Sappho is a recipient of the Oram Award and her work with AI and mushrooms has garnered international acclaim. In this podcast, she discusses the intricacies of improvising with mushrooms, creating new forms of collaborative space with the AI Chimere and exploring the subversive, underground and political elements that underpin her practice. </p><br><p>Produced by Ilia Rogatchevski for the Radiophonic Institute.</p><p>&nbsp;</p><p>Track list:</p><p>&nbsp;</p><p>Hans - Brutalust (Colin Frank &amp; Maria Sappho)&nbsp;</p><p>Performance at the UNESCO Week of Sound, Edinburgh College of Art, 20 October 2023 - Maria Sappho, The Ostoyae and Una MacGlone</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>The Sound of the Year Awards 2022</title>
			<itunes:title>The Sound of the Year Awards 2022</itunes:title>
			<pubDate>Tue, 13 Aug 2024 16:30:57 GMT</pubDate>
			<itunes:duration>45:35</itunes:duration>
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			<acast:episodeUrl>the-sound-of-the-year-awards-2022</acast:episodeUrl>
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			<description><![CDATA[<p>Celebrate the sonic achievements of 2022 with the Sound Of The Year Awards.</p><br><p>Mathew Herbert – composer and director of the Radiophonic Institute – speaks with the audio producer and SOTYA judge Alannah Chance, Drew Daniel and M. C. (Martin) Schmidt of Matmos, and co-host Naomi Paxton about the power of sound. They discuss its ability to represent political events, disappearing organisms, nature and society as a whole. Their discussion is followed by a multitude of amazing submissions from 2022, featuring sounds from Indonesia, Ukraine, South Africa, Canada and Taiwan ranging from cicadas and political protests to drift ice and poetry performed by Axel Kacoutié.</p><br><p>Produced by Ilia Rogatchevski for the Radiophonic Institute.</p><p>&nbsp;</p><p>Track list:</p><p>&nbsp;</p><p>SOTYA Performance - Axel Kacoutié</p><p>Black Lives Matter Demonstration In Vancouver - Anonymous</p><p>NYC Police Communication During Black Lives Matter Demonstrations - Anonymous</p><p>I imagined a Sound. - CLIP Sound and Music (read by Axel Kacoutié)</p><p>A Yorkshire Clough - Primitive Percussion Youth Orchestra</p><p>Moodsonic Soundscaping - Fran Board</p><p>The Sniffing Rock - Manja Ristić</p><p>Mimpa Owa (A Duet with Javanese Gibbons) - Gardika Gigih Pradipta</p><p>Curlew Bubbling Song - Merlyn Driver</p><p>Calf&nbsp;Trying to Breathe After Dehorning - Mélia Roger</p><p>Bombina Bombina Mysterious Call - Jakub Orzęcki</p><p>Conversations at the Edge of the World - Emma Kate Matthews</p><p>Control - Tansy Xiao</p><p>In the Middle of Giants - Pablo Cerqueira</p><p>Mutations XX/XX/XX - Cândida Borges</p><p>Guide Me Across The Street - Leonard Maassen</p><p>Community - Hamed Mafakheri</p><p>'Capra' - The Goat Dance - Cosmin Sandu</p><p>King &amp; Bells - Sheffield 8th September 2022 - Duncan Chapman</p><p>​​Remuage - Cà Del Bosco - Giuseppe Cordaro and Riccardo Caspani</p><p>Wonderwash - Berk Offset</p><p>broken metronome concrète - Owen Duff</p><p>Photon Smasher - CLIP</p><p>Photosynthetic Beats (Utricularia) - Ludwig Berger</p><p>Music for PlayStation - Jesse Austin-Stewart</p><p>gestures of thaw (Sólheimajökull, Iceland - July 2022) - Pablo Diserens</p><p>Ryuhyo - Yoichi Kamimura</p><p>Solitary Seal Pup Screeching - Horsey Beach - Joe Harvey- Whyte</p><p>Wind Turbine Like Fingernails on a Chalkboard - Rick Hannon</p><p>Sédiment Narratif - Audiotopie / La Quadrature</p><p>Vaillant aroTHERM plus - Vaillant</p><p>Changing Shifts - Chris Hails</p><p>Crépuscule automnal à l'étang du Ravoir (Autumn Nightfall at Ravoir's Pond) - Jocelyn Robert</p><p>War Over Nature - Jet Fighters Training Over Wildlife Conservation Sanctuary - Samuel Monceau</p><p>Silence of Sirens - Kyiv - Philipp Markovich</p><p>One Minute in Bakhmut - Ihor Babaiev</p><p>February 26 12.07 AM Chernihiv - Anton Stuk</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>Celebrate the sonic achievements of 2022 with the Sound Of The Year Awards.</p><br><p>Mathew Herbert – composer and director of the Radiophonic Institute – speaks with the audio producer and SOTYA judge Alannah Chance, Drew Daniel and M. C. (Martin) Schmidt of Matmos, and co-host Naomi Paxton about the power of sound. They discuss its ability to represent political events, disappearing organisms, nature and society as a whole. Their discussion is followed by a multitude of amazing submissions from 2022, featuring sounds from Indonesia, Ukraine, South Africa, Canada and Taiwan ranging from cicadas and political protests to drift ice and poetry performed by Axel Kacoutié.</p><br><p>Produced by Ilia Rogatchevski for the Radiophonic Institute.</p><p>&nbsp;</p><p>Track list:</p><p>&nbsp;</p><p>SOTYA Performance - Axel Kacoutié</p><p>Black Lives Matter Demonstration In Vancouver - Anonymous</p><p>NYC Police Communication During Black Lives Matter Demonstrations - Anonymous</p><p>I imagined a Sound. - CLIP Sound and Music (read by Axel Kacoutié)</p><p>A Yorkshire Clough - Primitive Percussion Youth Orchestra</p><p>Moodsonic Soundscaping - Fran Board</p><p>The Sniffing Rock - Manja Ristić</p><p>Mimpa Owa (A Duet with Javanese Gibbons) - Gardika Gigih Pradipta</p><p>Curlew Bubbling Song - Merlyn Driver</p><p>Calf&nbsp;Trying to Breathe After Dehorning - Mélia Roger</p><p>Bombina Bombina Mysterious Call - Jakub Orzęcki</p><p>Conversations at the Edge of the World - Emma Kate Matthews</p><p>Control - Tansy Xiao</p><p>In the Middle of Giants - Pablo Cerqueira</p><p>Mutations XX/XX/XX - Cândida Borges</p><p>Guide Me Across The Street - Leonard Maassen</p><p>Community - Hamed Mafakheri</p><p>'Capra' - The Goat Dance - Cosmin Sandu</p><p>King &amp; Bells - Sheffield 8th September 2022 - Duncan Chapman</p><p>​​Remuage - Cà Del Bosco - Giuseppe Cordaro and Riccardo Caspani</p><p>Wonderwash - Berk Offset</p><p>broken metronome concrète - Owen Duff</p><p>Photon Smasher - CLIP</p><p>Photosynthetic Beats (Utricularia) - Ludwig Berger</p><p>Music for PlayStation - Jesse Austin-Stewart</p><p>gestures of thaw (Sólheimajökull, Iceland - July 2022) - Pablo Diserens</p><p>Ryuhyo - Yoichi Kamimura</p><p>Solitary Seal Pup Screeching - Horsey Beach - Joe Harvey- Whyte</p><p>Wind Turbine Like Fingernails on a Chalkboard - Rick Hannon</p><p>Sédiment Narratif - Audiotopie / La Quadrature</p><p>Vaillant aroTHERM plus - Vaillant</p><p>Changing Shifts - Chris Hails</p><p>Crépuscule automnal à l'étang du Ravoir (Autumn Nightfall at Ravoir's Pond) - Jocelyn Robert</p><p>War Over Nature - Jet Fighters Training Over Wildlife Conservation Sanctuary - Samuel Monceau</p><p>Silence of Sirens - Kyiv - Philipp Markovich</p><p>One Minute in Bakhmut - Ihor Babaiev</p><p>February 26 12.07 AM Chernihiv - Anton Stuk</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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