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		<title>Writ in the Margins</title>
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		<copyright>Molly Seremet</copyright>
		<itunes:keywords>shakespeare,research,dramaturgy,early modern,drama,performance</itunes:keywords>
		<itunes:author>Molly Seremet</itunes:author>
		<itunes:subtitle>Dramaturgy as an Act of Creation</itunes:subtitle>
		<itunes:summary><![CDATA[<p>Have you ever wondered what might be hiding between the lines of a play? <em>Writ in the Margins</em> investigates dramaturgical mysteries from early modern (and early modern adjacent) plays. Season 1 focused on <em>The Witch of Edmonton</em>, <em>FuenteOvejuna</em>, <em>Convent of Pleasure</em>, and <em>House of Desires. </em>In Season 2, we turn to&nbsp;<em>El muerto disimulado</em> or <em>Presumed Dead</em> by Ângela de Azevedo, <em>The Antipodes</em> by Richard Brome, <em>The Island Princess</em> by John Fletcher, <em>Loa to the Divine Narcissus</em> by Sor Juana Inés de La Cruz, and <em>Life is a Dream</em> by Pedro Calderón de la Barca. As we embark on Season 3, we're tackling <em>Iphigenia at Aulis</em> by Lady Jane Lumly, <em>Tragedy of Mariam</em> by Elizabeth Cary, <em>The Phantom Lady</em> by Pedro Calderón de la Barca, <em>Tartuffe</em> by Molière, and even <em>Pericles</em> by Shakespeare and George Wilkins. Using various modern theories as our lenses, we will explore these old texts and share the insights we find within-- all while drawing attention to the international canon of early modern theatre. From translations to interviews, with live music and script readings, join us to discover exactly what we have <em>Writ in the Margins.</em></p><br><p>This podcast was created by the graduate students enrolled in REN670: Dramaturgy in the Shakespeare and Performance program at Mary Baldwin University. <em>Writ in the Margins </em>is produced in collaboration with course convener Prof. Molly Seremet.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		<description><![CDATA[<p>Have you ever wondered what might be hiding between the lines of a play? <em>Writ in the Margins</em> investigates dramaturgical mysteries from early modern (and early modern adjacent) plays. Season 1 focused on <em>The Witch of Edmonton</em>, <em>FuenteOvejuna</em>, <em>Convent of Pleasure</em>, and <em>House of Desires. </em>In Season 2, we turn to&nbsp;<em>El muerto disimulado</em> or <em>Presumed Dead</em> by Ângela de Azevedo, <em>The Antipodes</em> by Richard Brome, <em>The Island Princess</em> by John Fletcher, <em>Loa to the Divine Narcissus</em> by Sor Juana Inés de La Cruz, and <em>Life is a Dream</em> by Pedro Calderón de la Barca. As we embark on Season 3, we're tackling <em>Iphigenia at Aulis</em> by Lady Jane Lumly, <em>Tragedy of Mariam</em> by Elizabeth Cary, <em>The Phantom Lady</em> by Pedro Calderón de la Barca, <em>Tartuffe</em> by Molière, and even <em>Pericles</em> by Shakespeare and George Wilkins. Using various modern theories as our lenses, we will explore these old texts and share the insights we find within-- all while drawing attention to the international canon of early modern theatre. From translations to interviews, with live music and script readings, join us to discover exactly what we have <em>Writ in the Margins.</em></p><br><p>This podcast was created by the graduate students enrolled in REN670: Dramaturgy in the Shakespeare and Performance program at Mary Baldwin University. <em>Writ in the Margins </em>is produced in collaboration with course convener Prof. Molly Seremet.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
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			<itunes:name>Molly Seremet</itunes:name>
			<itunes:email>dramaturkey@writinthemargins.com</itunes:email>
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				<title>Writ in the Margins</title>
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			<title>Woman in the Moon: Written in the Stars</title>
			<itunes:title>Woman in the Moon: Written in the Stars</itunes:title>
			<pubDate>Mon, 21 Jul 2025 16:15:00 GMT</pubDate>
			<itunes:duration>19:02</itunes:duration>
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			<itunes:subtitle>Hosted by Joan Raube-Wilson and Jake Raiter</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>4</itunes:season>
			<itunes:episode>7</itunes:episode>
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			<description><![CDATA[<ul><li>In this episode, hosts Joan Raube-Wilson and Jake Raiter get astrological as they lead us on a far out journey through the stars to investigate the astronomical underpinnings of Lyly's <em>Women in the Moon</em>. They explore Lyly's use of sources in creating the universe of this astrological sex comedy, particularly Robert Greene's <em>Planetomachia</em> and the curious "Astronomer's Game" once used as a training tool for Renaissance physicians! Can understanding the cosmos and the nuances of planetary alignment like they early moderns help us go deeper into Pandora's world? </li></ul><p><br><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<ul><li>In this episode, hosts Joan Raube-Wilson and Jake Raiter get astrological as they lead us on a far out journey through the stars to investigate the astronomical underpinnings of Lyly's <em>Women in the Moon</em>. They explore Lyly's use of sources in creating the universe of this astrological sex comedy, particularly Robert Greene's <em>Planetomachia</em> and the curious "Astronomer's Game" once used as a training tool for Renaissance physicians! Can understanding the cosmos and the nuances of planetary alignment like they early moderns help us go deeper into Pandora's world? </li></ul><p><br><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Woman in the Moon: Jupiter? I Hardly Know Her</title>
			<itunes:title>Woman in the Moon: Jupiter? I Hardly Know Her</itunes:title>
			<pubDate>Mon, 21 Jul 2025 16:15:00 GMT</pubDate>
			<itunes:duration>21:16</itunes:duration>
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			<itunes:subtitle>Hosted by Emily Bassett and Cole Graham</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>4</itunes:season>
			<itunes:episode>8</itunes:episode>
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			<description><![CDATA[<p>In our final episode of Season 4, hosts Emily Bassett and Cole Graham zoom in on the figure of Jupiter inside of Lyly's <em>Woman in the Moon</em> specifically and in the context of early modern drama more generally. What does it mean when a major god like Jupiter shows up in your play? What kind of (mostly bad) behavior should the audience expect? And how do productions of these plays handle divine spectacle in practical terms? Join Emily and Cole for an excavation of performance choices and a close-reading of <em>Woman in the Moon's</em> concentrated production history. Featuring a scene from the plays as performed by guest actors Jake Raiter and Joan Raube-Wilson</p><br><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In our final episode of Season 4, hosts Emily Bassett and Cole Graham zoom in on the figure of Jupiter inside of Lyly's <em>Woman in the Moon</em> specifically and in the context of early modern drama more generally. What does it mean when a major god like Jupiter shows up in your play? What kind of (mostly bad) behavior should the audience expect? And how do productions of these plays handle divine spectacle in practical terms? Join Emily and Cole for an excavation of performance choices and a close-reading of <em>Woman in the Moon's</em> concentrated production history. Featuring a scene from the plays as performed by guest actors Jake Raiter and Joan Raube-Wilson</p><br><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title><![CDATA[Courage to Right a Woman's Wrongs: Don Juan Demystified]]></title>
			<itunes:title><![CDATA[Courage to Right a Woman's Wrongs: Don Juan Demystified]]></itunes:title>
			<pubDate>Tue, 15 Jul 2025 17:00:00 GMT</pubDate>
			<itunes:duration>21:51</itunes:duration>
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			<itunes:subtitle>Hosted by Becca Westbrook and Megan Parlett</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>4</itunes:season>
			<itunes:episode>3</itunes:episode>
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			<description><![CDATA[In this episode, we explore Spanish Golden Age gem, <em>The Courage to Right a Woman's Wrongs</em> by Ana Caro. Our expert hosts Becca Westbrook and Megan Parlett hone in on the history and context of the Don Juan trope in literature and drama and then apply this understanding to an investigation into gender, honor, and disguise in Caro's extraordinary play. How can queer theory help illuminate the resonance of Caro's play for audiences today? This episode features special guest Tommy Hegarty, with music and audio editing by Westbrook. <hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[In this episode, we explore Spanish Golden Age gem, <em>The Courage to Right a Woman's Wrongs</em> by Ana Caro. Our expert hosts Becca Westbrook and Megan Parlett hone in on the history and context of the Don Juan trope in literature and drama and then apply this understanding to an investigation into gender, honor, and disguise in Caro's extraordinary play. How can queer theory help illuminate the resonance of Caro's play for audiences today? This episode features special guest Tommy Hegarty, with music and audio editing by Westbrook. <hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title><![CDATA[Courage to Right a Woman's Wrongs: Collaborative Translation and Continental Contexts]]></title>
			<itunes:title><![CDATA[Courage to Right a Woman's Wrongs: Collaborative Translation and Continental Contexts]]></itunes:title>
			<pubDate>Tue, 15 Jul 2025 17:00:00 GMT</pubDate>
			<itunes:duration>29:13</itunes:duration>
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			<itunes:subtitle>Hosted by Trent Stephens</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>4</itunes:season>
			<itunes:episode>4</itunes:episode>
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			<description><![CDATA[<p>In this episode, intrepid host Trent Stephens is joined by guest expert Dr. Barbara Fuchs. Dr. Fuchs is Distinguished Professor of Spanish and English at UCLA and director of the Working Group on the <em>Comedia</em> in Translation and Performance and the Diversifying the Classics project. Dr. Fuchs shares details on the process of collaborative translation used to create the first English translation of Caro's play. Together, Stephens and Fuchs then unpack connections between English Renaissance drama and Spanish Golden Age plays, with an emphasis on the role of actress on the Spanish stage and look at how Caro converses with her contemporaries. </p><br><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode, intrepid host Trent Stephens is joined by guest expert Dr. Barbara Fuchs. Dr. Fuchs is Distinguished Professor of Spanish and English at UCLA and director of the Working Group on the <em>Comedia</em> in Translation and Performance and the Diversifying the Classics project. Dr. Fuchs shares details on the process of collaborative translation used to create the first English translation of Caro's play. Together, Stephens and Fuchs then unpack connections between English Renaissance drama and Spanish Golden Age plays, with an emphasis on the role of actress on the Spanish stage and look at how Caro converses with her contemporaries. </p><br><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title><![CDATA[Courage to Right a Woman's Wrongs: Gendering Honor]]></title>
			<itunes:title><![CDATA[Courage to Right a Woman's Wrongs: Gendering Honor]]></itunes:title>
			<pubDate>Tue, 15 Jul 2025 17:00:00 GMT</pubDate>
			<itunes:duration>20:08</itunes:duration>
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			<itunes:subtitle>Hosted by Brooke Crittenden and Louis Altman</itunes:subtitle>
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			<itunes:season>4</itunes:season>
			<itunes:episode>5</itunes:episode>
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			<description><![CDATA[In this episode, hosts Brooke Crittenden and Louis Altman collide gender theory with Caro's play to think through the ways honor and space are gendered onstage and off. They introduce the notion of the <em>mujer varonil </em>and consider Caro's use of this trope in her creation of Leonor in comparison to the kinds of "manly women" created by her (male) contemporaries. How does honor look for women and men in Spanish Golden Age drama? And what do horror movies have to teach us about gendered honor?<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[In this episode, hosts Brooke Crittenden and Louis Altman collide gender theory with Caro's play to think through the ways honor and space are gendered onstage and off. They introduce the notion of the <em>mujer varonil </em>and consider Caro's use of this trope in her creation of Leonor in comparison to the kinds of "manly women" created by her (male) contemporaries. How does honor look for women and men in Spanish Golden Age drama? And what do horror movies have to teach us about gendered honor?<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title><![CDATA[Courage to Right a Woman's Wrongs: Meet the Servants]]></title>
			<itunes:title><![CDATA[Courage to Right a Woman's Wrongs: Meet the Servants]]></itunes:title>
			<pubDate>Tue, 15 Jul 2025 17:00:00 GMT</pubDate>
			<itunes:duration>17:07</itunes:duration>
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			<acast:episodeUrl>courage-to-right-a-womans-wrongs-meet-the-servants</acast:episodeUrl>
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			<itunes:subtitle>Nora Frankovich</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>4</itunes:season>
			<itunes:episode>6</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/cover/1656514588537-d559652579be12759e94ebf1d3fb0ab1.jpeg"/>
			<description><![CDATA[In this episode, host Nora Frankovich explores the wild and zany world of the servant characters in Caro's play thinking through the influence of Italian <em>commedia dell'Arte </em>on Spanish <em>comedia. </em>Frankovich is joined by special guest expert Anastasia Wilson. Wilson is a professor at Georgia State University and  an educator, actor and devising artist with an advanced foundation in Physical Theatre.&nbsp;Together, Frankovich and Wilson compare and contrast Caro's deployment of servant characters to drive the plot of Courage with their continental commedia cousins. How might reading these characters through a feminist or justice-focused lens add layers of meaning for contemporary audiences of Caro's play?<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[In this episode, host Nora Frankovich explores the wild and zany world of the servant characters in Caro's play thinking through the influence of Italian <em>commedia dell'Arte </em>on Spanish <em>comedia. </em>Frankovich is joined by special guest expert Anastasia Wilson. Wilson is a professor at Georgia State University and  an educator, actor and devising artist with an advanced foundation in Physical Theatre.&nbsp;Together, Frankovich and Wilson compare and contrast Caro's deployment of servant characters to drive the plot of Courage with their continental commedia cousins. How might reading these characters through a feminist or justice-focused lens add layers of meaning for contemporary audiences of Caro's play?<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>The Changeling: Violent Intimacy</title>
			<itunes:title>The Changeling: Violent Intimacy</itunes:title>
			<pubDate>Mon, 07 Jul 2025 16:00:00 GMT</pubDate>
			<itunes:duration>30:58</itunes:duration>
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			<acast:episodeUrl>the-changeling-violent-intimacy</acast:episodeUrl>
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			<itunes:subtitle>Hosted by Gray Casterline and Scarlet Frishman Darling</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>4</itunes:season>
			<itunes:episode>1</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/cover/1656514588537-d559652579be12759e94ebf1d3fb0ab1.jpeg"/>
			<description><![CDATA[<p>In this episode, our hosts Gray Casterline and Scarlet Frishman Darling excavate the main plot of Thomas Middleton's <em>The Changeling</em> through the lens of both onstage violence and intimacy, using gender studies and queer theory as their guides. They close read key staging moments in the play across several productions to think about the staging required by the text and that which is implied by the story's context. Then, they talk with Charlene V. Smith, the Artistic Director of Brave Spirits Theatre in Washington, DC about the stellar production she directed for the company in 2018. </p><br><p><em>A note on content: This episode includes discussions sexual violence, intimacy, concept of virginity, purity culture, and violence including the severing of limbs. </em></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode, our hosts Gray Casterline and Scarlet Frishman Darling excavate the main plot of Thomas Middleton's <em>The Changeling</em> through the lens of both onstage violence and intimacy, using gender studies and queer theory as their guides. They close read key staging moments in the play across several productions to think about the staging required by the text and that which is implied by the story's context. Then, they talk with Charlene V. Smith, the Artistic Director of Brave Spirits Theatre in Washington, DC about the stellar production she directed for the company in 2018. </p><br><p><em>A note on content: This episode includes discussions sexual violence, intimacy, concept of virginity, purity culture, and violence including the severing of limbs. </em></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>The Changeling: Madness Onstage and Off</title>
			<itunes:title>The Changeling: Madness Onstage and Off</itunes:title>
			<pubDate>Mon, 07 Jul 2025 16:00:00 GMT</pubDate>
			<itunes:duration>13:02</itunes:duration>
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			<acast:episodeUrl>the-changeling-madness-onstage-and-off</acast:episodeUrl>
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			<itunes:subtitle>Hosted by Aubree Gray and Grayson Fulp</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>4</itunes:season>
			<itunes:episode>2</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/cover/1656514588537-d559652579be12759e94ebf1d3fb0ab1.jpeg"/>
			<description><![CDATA[<p>In this episode, our hosts Aubree Gray and Grayson Fulp ford the murky streams of <em>The Changeling</em>'s B-plot, through a deep dive into the context of mental illness, madness, and asylums in the early modern period. Through historical research, their deployment of disability studies, and a very depressing game of true or false, they ask critical and insightful questions about how to responsibly work with this challenging subplot in production today.</p><br><p><em>A note on content: This episode includes in-depth discussion of mental illness, specifically madness, in the early modern period, including details on the mistreatment of the mentally ill, violence against women, and use of loaded language.</em></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode, our hosts Aubree Gray and Grayson Fulp ford the murky streams of <em>The Changeling</em>'s B-plot, through a deep dive into the context of mental illness, madness, and asylums in the early modern period. Through historical research, their deployment of disability studies, and a very depressing game of true or false, they ask critical and insightful questions about how to responsibly work with this challenging subplot in production today.</p><br><p><em>A note on content: This episode includes in-depth discussion of mental illness, specifically madness, in the early modern period, including details on the mistreatment of the mentally ill, violence against women, and use of loaded language.</em></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Tartuffe: Censor? I Hardly Know Her</title>
			<itunes:title>Tartuffe: Censor? I Hardly Know Her</itunes:title>
			<pubDate>Mon, 30 Jun 2025 16:00:00 GMT</pubDate>
			<itunes:duration>19:15</itunes:duration>
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			<link>https://writinthemargins.com/?page_id=2463</link>
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			<acast:showId>62bc6822d460660012c7d454</acast:showId>
			<acast:episodeUrl>tartuffe-censor-i-hardly-know-her</acast:episodeUrl>
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			<itunes:subtitle>Hosted by Rose Herold, Ella Pellegrino, and Julia Sommer</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>3</itunes:season>
			<itunes:episode>8</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/cover/1656514588537-d559652579be12759e94ebf1d3fb0ab1.jpeg"/>
			<description><![CDATA[<p>In this episode, our hosts Rose Herold, Ella Pellegrino, and Julia Sommer explore the wild world of Molière's farce Tartuffe through the lens of censorship and (self) adaptation. How did the tension between Moliére, King Louis XIV, and the French Roman Catholic Church impact reception of <em>Tartuffe? </em>What revisions did the playwright make to appease Church and state? And why the introduction of a <em>king ex machina</em>, dude? All this and a look at Tartuffe is contemporary production and resonance in our current cultural moment too! Music for this episode was created using Online Sequencer. Online Sequencer is the creation and property of Jacob Morgan and George Burdell (https://onlinesequencer.net/).</p><br><p><em>A note on content -- This episode includes discussion of sexual harassment and sexual assault.</em></p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode, our hosts Rose Herold, Ella Pellegrino, and Julia Sommer explore the wild world of Molière's farce Tartuffe through the lens of censorship and (self) adaptation. How did the tension between Moliére, King Louis XIV, and the French Roman Catholic Church impact reception of <em>Tartuffe? </em>What revisions did the playwright make to appease Church and state? And why the introduction of a <em>king ex machina</em>, dude? All this and a look at Tartuffe is contemporary production and resonance in our current cultural moment too! Music for this episode was created using Online Sequencer. Online Sequencer is the creation and property of Jacob Morgan and George Burdell (https://onlinesequencer.net/).</p><br><p><em>A note on content -- This episode includes discussion of sexual harassment and sexual assault.</em></p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title><![CDATA[Tartuffe: (Dorine's Version)]]></title>
			<itunes:title><![CDATA[Tartuffe: (Dorine's Version)]]></itunes:title>
			<pubDate>Mon, 30 Jun 2025 16:00:00 GMT</pubDate>
			<itunes:duration>16:06</itunes:duration>
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			<link>https://writinthemargins.com/?page_id=2463</link>
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			<acast:episodeUrl>tartuffe-dorines-version</acast:episodeUrl>
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			<itunes:subtitle>Hosted by Jovita Roselene and John Williams</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>3</itunes:season>
			<itunes:episode>9</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/cover/1656514588537-d559652579be12759e94ebf1d3fb0ab1.jpeg"/>
			<description><![CDATA[<p>In the final episode of Season 3, hosts Jovita Roselene and John Williams apply feminist theory to Molière's Tartuffe, using Taylor Swift as their guide! They unpack what Taylor's struggle to gain control of her own musical catalog might have in common with the censorship Molière experienced in his lifetime. Then, they turn to thinking about feminist theory and how applying it to <em>Tartuffe</em> allows us to center Dorine's agency inside of the plot. John explains the plot of the play in under a minute and our hosts then experiment with aligning the female characters in the play with an anthem from TSwift's <em>ouevre</em>.  </p><p> </p><p><em>A note on content: This episode includes one instance of the f-word. It is t</em><strong><em>he very first word of the episode</em></strong><em> because Prof. Seremet told the class they could use it *once* inside an episode. Prof. Seremet acknowledges that this was her error and commends the hosts for their chutzpah. </em></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In the final episode of Season 3, hosts Jovita Roselene and John Williams apply feminist theory to Molière's Tartuffe, using Taylor Swift as their guide! They unpack what Taylor's struggle to gain control of her own musical catalog might have in common with the censorship Molière experienced in his lifetime. Then, they turn to thinking about feminist theory and how applying it to <em>Tartuffe</em> allows us to center Dorine's agency inside of the plot. John explains the plot of the play in under a minute and our hosts then experiment with aligning the female characters in the play with an anthem from TSwift's <em>ouevre</em>.  </p><p> </p><p><em>A note on content: This episode includes one instance of the f-word. It is t</em><strong><em>he very first word of the episode</em></strong><em> because Prof. Seremet told the class they could use it *once* inside an episode. Prof. Seremet acknowledges that this was her error and commends the hosts for their chutzpah. </em></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Phantom Lady: Widow Panic at the Patriarchal Disco</title>
			<itunes:title>Phantom Lady: Widow Panic at the Patriarchal Disco</itunes:title>
			<pubDate>Mon, 23 Jun 2025 12:05:00 GMT</pubDate>
			<itunes:duration>20:47</itunes:duration>
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			<link>https://writinthemargins.com/?page_id=2455</link>
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			<acast:episodeUrl>phantom-lady-widow-panic-at-the-patriarchal-disco</acast:episodeUrl>
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			<itunes:subtitle>Hosted by Kyle Showalter and Katie Mestres</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>3</itunes:season>
			<itunes:episode>7</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/cover/1656514588537-d559652579be12759e94ebf1d3fb0ab1.jpeg"/>
			<description><![CDATA[<p>In this episode, hosts Kyle Showalter and Katie Mestres dig into the depths of early modern misogyny and its impact on the world of The Phantom Lady. In both England and on the Continent, widows caused massive anxiety for the patriarchy in the Renaissance. Showalter and Mestres explore the history and context of the widow in both real-life and dramatic contexts, with a tight focus on the character of Doña Angela from <em>The Phantom Lady</em>. They then open the aperture to think about misogyny more broadly in the period through an examination of Renaissance anti-woman pamphlet wars. This episode features dramatized readings from the play with the help of actors Matthias Bolon, Abigail Olshin, Emily Bassett, and John Williams.&nbsp;</p><br><p><em>A note on content: This episode includes discussions of misogynistic language and mistreatment/violence towards women. There is also one usage of the f-word in context.</em></p><br><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode, hosts Kyle Showalter and Katie Mestres dig into the depths of early modern misogyny and its impact on the world of The Phantom Lady. In both England and on the Continent, widows caused massive anxiety for the patriarchy in the Renaissance. Showalter and Mestres explore the history and context of the widow in both real-life and dramatic contexts, with a tight focus on the character of Doña Angela from <em>The Phantom Lady</em>. They then open the aperture to think about misogyny more broadly in the period through an examination of Renaissance anti-woman pamphlet wars. This episode features dramatized readings from the play with the help of actors Matthias Bolon, Abigail Olshin, Emily Bassett, and John Williams.&nbsp;</p><br><p><em>A note on content: This episode includes discussions of misogynistic language and mistreatment/violence towards women. There is also one usage of the f-word in context.</em></p><br><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Phantom Lady: Invisible Mistresses and Mythologizing Womanhood</title>
			<itunes:title>Phantom Lady: Invisible Mistresses and Mythologizing Womanhood</itunes:title>
			<pubDate>Mon, 23 Jun 2025 12:00:00 GMT</pubDate>
			<itunes:duration>22:22</itunes:duration>
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			<link>https://writinthemargins.com/?page_id=2455</link>
			<acast:episodeId>684dac1fe42e3b51a52e4a18</acast:episodeId>
			<acast:showId>62bc6822d460660012c7d454</acast:showId>
			<acast:episodeUrl>phantom-lady-invisible-mistresses-and-mythologizing-womanhoo</acast:episodeUrl>
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			<itunes:subtitle>Hosted by Austen Bell and Cory Drozdowski</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>3</itunes:season>
			<itunes:episode>6</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/cover/1656514588537-d559652579be12759e94ebf1d3fb0ab1.jpeg"/>
			<description><![CDATA[In this episode, hosts Austen Bell and Cory Drozdowski illuminate the literary tradition of the invisible mistress trope in Spanish Golden Age drama and apply gender theory to explode an understanding of how gender works within Pedro Calderon de la Barca's<em> La dama duende</em>, also known as <em>The Phantom Lady</em>. Meet the curious figure of the <em>duende, </em>explore how thinking expansively about gender presentation/ representation in the Cupid and Psyche myth can help expand the world of <em>The Phantom Lady</em>, and think through the dramaturgical applications of Butler and de Beauvoir's ideas. Oh, and you'll also learn what Barbie has to do with it all, too!<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[In this episode, hosts Austen Bell and Cory Drozdowski illuminate the literary tradition of the invisible mistress trope in Spanish Golden Age drama and apply gender theory to explode an understanding of how gender works within Pedro Calderon de la Barca's<em> La dama duende</em>, also known as <em>The Phantom Lady</em>. Meet the curious figure of the <em>duende, </em>explore how thinking expansively about gender presentation/ representation in the Cupid and Psyche myth can help expand the world of <em>The Phantom Lady</em>, and think through the dramaturgical applications of Butler and de Beauvoir's ideas. Oh, and you'll also learn what Barbie has to do with it all, too!<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Pericles: The Liminality of Pericles</title>
			<itunes:title>Pericles: The Liminality of Pericles</itunes:title>
			<pubDate>Sat, 14 Jun 2025 15:05:55 GMT</pubDate>
			<itunes:duration>20:30</itunes:duration>
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			<link>https://writinthemargins.com/?page_id=2393</link>
			<acast:episodeId>6837af6b998551779fd9a60f</acast:episodeId>
			<acast:showId>62bc6822d460660012c7d454</acast:showId>
			<acast:episodeUrl>pericles-the-liminality-of-pericles</acast:episodeUrl>
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			<itunes:subtitle>Hosted by Anna Bigham and Cece Richardson</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>3</itunes:season>
			<itunes:episode>5</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/cover/1656514588537-d559652579be12759e94ebf1d3fb0ab1.jpeg"/>
			<description><![CDATA[<p>In this episode, hosts Anna Bigham and Cece Richardson hone in on the episodic plot of <em>Pericles </em>through an ecofeminist lens. They take us on a voyage to understand the links between Marina and the ocean across the play by investigating the liminality of location and character. They introduce us to Marina as a monstrous in-between figure&nbsp;and -- plot twist! -- reveal why that is a very, very good thing!</p><br><p><em>A note on content: This episode includes discussion of prostitution, references to sexism, and mention of implied threat of sexual assault in the context of Pericles.</em></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode, hosts Anna Bigham and Cece Richardson hone in on the episodic plot of <em>Pericles </em>through an ecofeminist lens. They take us on a voyage to understand the links between Marina and the ocean across the play by investigating the liminality of location and character. They introduce us to Marina as a monstrous in-between figure&nbsp;and -- plot twist! -- reveal why that is a very, very good thing!</p><br><p><em>A note on content: This episode includes discussion of prostitution, references to sexism, and mention of implied threat of sexual assault in the context of Pericles.</em></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Pericles: Verse Spaces and Prose Places</title>
			<itunes:title>Pericles: Verse Spaces and Prose Places</itunes:title>
			<pubDate>Sat, 14 Jun 2025 15:02:00 GMT</pubDate>
			<itunes:duration>21:28</itunes:duration>
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			<link>https://writinthemargins.com/?page_id=2393</link>
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			<acast:showId>62bc6822d460660012c7d454</acast:showId>
			<acast:episodeUrl>pericles-verse-spaces-and-prose-places</acast:episodeUrl>
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			<itunes:subtitle>Hosted by Godfred Ogoe and Jim Drake</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>3</itunes:season>
			<itunes:episode>4</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/cover/1656514588537-d559652579be12759e94ebf1d3fb0ab1.jpeg"/>
			<description><![CDATA[<p>In this episode, our hosts Godfred Ogoe and Jim Drake take a deep dive into the plot of Pericles, using an ecocritical lens to think about the play's shifts from verse to prose. They then explore the ways in which the atmospheric and weather shifts that impact the play's environments reveal emotional storms within the characters. This episode features dramatized excerpts from the play.</p><br><p>A note on content: This episode includes mention of sex work, incest, and misogyny as well as brief discussions of physical violence.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode, our hosts Godfred Ogoe and Jim Drake take a deep dive into the plot of Pericles, using an ecocritical lens to think about the play's shifts from verse to prose. They then explore the ways in which the atmospheric and weather shifts that impact the play's environments reveal emotional storms within the characters. This episode features dramatized excerpts from the play.</p><br><p>A note on content: This episode includes mention of sex work, incest, and misogyny as well as brief discussions of physical violence.</p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Tragedy of Mariam: How Do You Solve a Problem Like Mariam?</title>
			<itunes:title>Tragedy of Mariam: How Do You Solve a Problem Like Mariam?</itunes:title>
			<pubDate>Mon, 09 Jun 2025 15:10:04 GMT</pubDate>
			<itunes:duration>26:40</itunes:duration>
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			<link>https://writinthemargins.com/?page_id=2385</link>
			<acast:episodeId>683757c59bd0275f2c4ca00d</acast:episodeId>
			<acast:showId>62bc6822d460660012c7d454</acast:showId>
			<acast:episodeUrl>tragedy-of-mariam-how-do-you-solve-a-problem-like-mariam</acast:episodeUrl>
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			<itunes:subtitle>Hosted by Ethan Goodmansen, Margaret Levin, and Molly Minter</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>3</itunes:season>
			<itunes:episode>3</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/cover/1656514588537-d559652579be12759e94ebf1d3fb0ab1.jpeg"/>
			<description><![CDATA[<p>In this episode, hosts Ethan Goodmansen, Margaret Levin, and Molly Minter dig into the complicated history and context of Elizabeth Cary's <em>Tragedy of Mariam</em>. They first unpack key events from Cary's own life and think through the implications her biography might carry inside of her dramatic work. Then, they examine Cary's play by thinking through the anti-Semitic and Islamophobic language Cary uses and the ways in which white Eurocentric beauty standards impact the play's representations of characters like Salome and Mariam. Finally, our hosts consider <em>Mariam</em>'s place on the page and stage in connection to ethics of performance and representation.</p><br><p><em>A note on content: This episode includes discussions of anti-Semitic, Islamophobic, racist, and misogynistic language in the context of Cary’s play.</em></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode, hosts Ethan Goodmansen, Margaret Levin, and Molly Minter dig into the complicated history and context of Elizabeth Cary's <em>Tragedy of Mariam</em>. They first unpack key events from Cary's own life and think through the implications her biography might carry inside of her dramatic work. Then, they examine Cary's play by thinking through the anti-Semitic and Islamophobic language Cary uses and the ways in which white Eurocentric beauty standards impact the play's representations of characters like Salome and Mariam. Finally, our hosts consider <em>Mariam</em>'s place on the page and stage in connection to ethics of performance and representation.</p><br><p><em>A note on content: This episode includes discussions of anti-Semitic, Islamophobic, racist, and misogynistic language in the context of Cary’s play.</em></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Iphigenia at Aulis: Ecocritical Sacrifices</title>
			<itunes:title>Iphigenia at Aulis: Ecocritical Sacrifices</itunes:title>
			<pubDate>Mon, 02 Jun 2025 14:31:10 GMT</pubDate>
			<itunes:duration>18:56</itunes:duration>
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			<link>https://writinthemargins.com/?page_id=2374</link>
			<acast:episodeId>68361a9a2780b226c75aa14d</acast:episodeId>
			<acast:showId>62bc6822d460660012c7d454</acast:showId>
			<acast:episodeUrl>iphigenia-at-aulis-ecocritical-sacrifices</acast:episodeUrl>
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			<itunes:subtitle>Hosted by Abigail Olshin and Ashley Wright</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>3</itunes:season>
			<itunes:episode>2</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/cover/1656514588537-d559652579be12759e94ebf1d3fb0ab1.jpeg"/>
			<description><![CDATA[<p>In this episode, hosts Abigail Olshin and Ashley Wright take us deeper into the terrain of Lady Jane Lumley's <em>Iphigenia at Aulis</em> through a close look at the historical contexts of human sacrifice in Greek drama and the application of an ecocritical lens. Olshin and Wright ask us to consider the function of including performances of sacrificial moments in contemporary productions of these classical plays and think through the ways modern performance concepts are complicated by these plot events.</p><br><p><em>A note on content: This episode includes discussions of human sacrifice, death, and child death.</em></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode, hosts Abigail Olshin and Ashley Wright take us deeper into the terrain of Lady Jane Lumley's <em>Iphigenia at Aulis</em> through a close look at the historical contexts of human sacrifice in Greek drama and the application of an ecocritical lens. Olshin and Wright ask us to consider the function of including performances of sacrificial moments in contemporary productions of these classical plays and think through the ways modern performance concepts are complicated by these plot events.</p><br><p><em>A note on content: This episode includes discussions of human sacrifice, death, and child death.</em></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Iphigenia at Aulis: Translations, Transformations, and Tyranny</title>
			<itunes:title>Iphigenia at Aulis: Translations, Transformations, and Tyranny</itunes:title>
			<pubDate>Mon, 02 Jun 2025 14:30:29 GMT</pubDate>
			<itunes:duration>21:31</itunes:duration>
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			<link>https://writinthemargins.com/?page_id=2374</link>
			<acast:episodeId>68361a02944c948b9a71613b</acast:episodeId>
			<acast:showId>62bc6822d460660012c7d454</acast:showId>
			<acast:episodeUrl>iphigenia-at-aulis-translations-transformations-and-tyranny</acast:episodeUrl>
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			<itunes:subtitle>Hosted by Katy Shinas and Anna Taylor</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>3</itunes:season>
			<itunes:episode>1</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/cover/1656514588537-d559652579be12759e94ebf1d3fb0ab1.jpeg"/>
			<description><![CDATA[<p>In the first episode of Season 3, hosts Katy Shinas and Anna Taylor take us into the world of Lady Jane Lumley's translation of <em>Iphigenia at Aulis</em>. Their dramaturgical work focuses on the interconnectedness of translation and adaptation, which they wake up in their analysis of Lumley's version of the play in conversation with Euripides's original and Racine's French language translation. Shinas and Taylor take us on a tour of the <em>Iphigenia</em> multiverse, including a multilingual dramatization! Shinas and Taylor note the feminist potential of "tradaptation" in Lumley's work and beyond.</p><br><p><em>A note on content: This episode includes a brief mentions of suicide, human sacrifice, homicide, and coerced marriage. It also includes discussions and usages of misogynistic language in the episode's dramatized scenework. </em></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In the first episode of Season 3, hosts Katy Shinas and Anna Taylor take us into the world of Lady Jane Lumley's translation of <em>Iphigenia at Aulis</em>. Their dramaturgical work focuses on the interconnectedness of translation and adaptation, which they wake up in their analysis of Lumley's version of the play in conversation with Euripides's original and Racine's French language translation. Shinas and Taylor take us on a tour of the <em>Iphigenia</em> multiverse, including a multilingual dramatization! Shinas and Taylor note the feminist potential of "tradaptation" in Lumley's work and beyond.</p><br><p><em>A note on content: This episode includes a brief mentions of suicide, human sacrifice, homicide, and coerced marriage. It also includes discussions and usages of misogynistic language in the episode's dramatized scenework. </em></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Life is a Dream: Once Upon a Time</title>
			<itunes:title>Life is a Dream: Once Upon a Time</itunes:title>
			<pubDate>Mon, 31 Jul 2023 04:00:00 GMT</pubDate>
			<itunes:duration>21:46</itunes:duration>
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			<link>https://writinthemargins.com/life-is-a-dream/</link>
			<acast:episodeId>64c6bd3c85617f00115ee93a</acast:episodeId>
			<acast:showId>62bc6822d460660012c7d454</acast:showId>
			<acast:episodeUrl>life-is-a-dream-once-upon-a-time</acast:episodeUrl>
			<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmbKbhgrQiwYShz70Q9/ffXZMTtedvdcRQbP4eiLMjXzCKLPjEYLpGj+NMVKa+5C8pL4u/EOj1Vw4h5MMJYp0lCcFAe0fnxBJy/1ju4Qxy1fh8gO4DvlGA40yms2g0/hOkcrfHIopjTygHFqGwwOPKFIai4SuTvs86Lx3UYCyl6ZsEMSck77+9R7CeGom3GdBhAdltfvi4oWvQ0bLb/x9QBfD4kU46Uif+RAxVzjSNSp1OgowVbmKSqRj6VgV/bJeapM2NqDifSspc2yJkki2jnBr3pRJWS52VsjzZjmgWcis]]></acast:settings>
			<itunes:subtitle>Hosted by Mikaela Hanrahan and Cait Redman</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>2</itunes:season>
			<itunes:episode>11</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/cover/1656514588537-d559652579be12759e94ebf1d3fb0ab1.jpeg"/>
			<description><![CDATA[In this episode, hosts Mikaela Hanrahan and Cait Redman explore all things folkloric, looking at the Spanish and Polish mythos that undergirds <em>Life is Dream</em>. They close-read two folktales (<em>The Princess of the Brazen Mountain </em>and <em>The Enchanted Castle in the Sea) </em>and wake up connections with Segismundo's story. They also apply an ecocritical lens to the play to consider how de la Barca's classic relates to the natural world. This episode features readings from the play, excerpts from folklore, and original music!<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[In this episode, hosts Mikaela Hanrahan and Cait Redman explore all things folkloric, looking at the Spanish and Polish mythos that undergirds <em>Life is Dream</em>. They close-read two folktales (<em>The Princess of the Brazen Mountain </em>and <em>The Enchanted Castle in the Sea) </em>and wake up connections with Segismundo's story. They also apply an ecocritical lens to the play to consider how de la Barca's classic relates to the natural world. This episode features readings from the play, excerpts from folklore, and original music!<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title><![CDATA[Life is a Dream: What's in a Name? Everything!]]></title>
			<itunes:title><![CDATA[Life is a Dream: What's in a Name? Everything!]]></itunes:title>
			<pubDate>Mon, 31 Jul 2023 04:00:00 GMT</pubDate>
			<itunes:duration>20:27</itunes:duration>
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			<link>https://writinthemargins.com/life-is-a-dream/</link>
			<acast:episodeId>64c6c24b0287f500111ff722</acast:episodeId>
			<acast:showId>62bc6822d460660012c7d454</acast:showId>
			<acast:episodeUrl>life-is-a-dream-whats-in-a-name</acast:episodeUrl>
			<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmbKbhgrQiwYShz70Q9/ffXZMTtedvdcRQbP4eiLMjXzCKLPjEYLpGj+NMVKa+5C8pL4u/EOj1Vw4h5MMJYp0lCcFAe0fnxBJy/1ju4Qxy1fh8gO4DvlGA40yms2g0/hOkcrfHIopjTygHFqGwwOPKFIai4SuTvs86Lx3UYCyl6ZsEMSck77+9R7CeGom3GdBhAdltfvi4oWvQ0bLb/x9QBe6D5Y6yOzl0JAEugRdyNmw7+P+54YYJWQZjgj4Vc5cdDeSC+1nPX4SosR6vbRJj7KbTPOu1PehbiLlftF/rzwO]]></acast:settings>
			<itunes:subtitle>Hosted by Chris Johnston and Allison Lyne</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>2</itunes:season>
			<itunes:episode>12</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/cover/1656514588537-d559652579be12759e94ebf1d3fb0ab1.jpeg"/>
			<description><![CDATA[In this episode, hosts Chris Johnston and Allison Lyne cover an extraordinary amount of ground. They begin by offering a tour of the play's narrative highlights. Then, they apply two analytical lenses to the play: ecocriticism and Darwin's stages of evolution. Finally, they dive into the play's use of names and the ways in which characters consider their own names and name objects and creatures in the world around them to discuss how names become a marker of evolution with the text. This episode features readings from the play and original music!<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[In this episode, hosts Chris Johnston and Allison Lyne cover an extraordinary amount of ground. They begin by offering a tour of the play's narrative highlights. Then, they apply two analytical lenses to the play: ecocriticism and Darwin's stages of evolution. Finally, they dive into the play's use of names and the ways in which characters consider their own names and name objects and creatures in the world around them to discuss how names become a marker of evolution with the text. This episode features readings from the play and original music!<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Life is a Dream: History, Feminism, and Avatar: The Last Airbender</title>
			<itunes:title>Life is a Dream: History, Feminism, and Avatar: The Last Airbender</itunes:title>
			<pubDate>Mon, 31 Jul 2023 04:00:00 GMT</pubDate>
			<itunes:duration>22:23</itunes:duration>
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			<itunes:explicit>false</itunes:explicit>
			<link>https://writinthemargins.com/life-is-a-dream/</link>
			<acast:episodeId>64c6c54d6624ec0011ec42ff</acast:episodeId>
			<acast:showId>62bc6822d460660012c7d454</acast:showId>
			<acast:episodeUrl>life-is-a-dream-history-feminism-and-avatar-the-last-airbend</acast:episodeUrl>
			<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmbKbhgrQiwYShz70Q9/ffXZMTtedvdcRQbP4eiLMjXzCKLPjEYLpGj+NMVKa+5C8pL4u/EOj1Vw4h5MMJYp0lCcFAe0fnxBJy/1ju4Qxy1fh8gO4DvlGA40yms2g0/hOkcrfHIopjTygHFqGwwOPKFIai4SuTvs86Lx3UYCyl6ZsEMSck77+9R7CeGom3GdBhAdltfvi4oWvQ0bLb/x9QBdSNFMg8DxbSCvnImggtkmZMjeVMjNpTT8P+kdkaCTDZbggnGcc5mlqLicSlKtayLISIovmEoPlFJk4ojwobXkz]]></acast:settings>
			<itunes:subtitle>Hosted by Jess Snellings and Riley Tate</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>2</itunes:season>
			<itunes:episode>13</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/cover/1656514588537-d559652579be12759e94ebf1d3fb0ab1.jpeg"/>
			<description><![CDATA[<p>In this episode, hosts Jess Snellings and RIley Tate apply their analytical muscle to unpacking key themes of gender and honor at work in <em>Life is a Dream</em>. They set the stage with close reading and key historical context of the Spanish Golden Age. Then, they put the play in conversation with an example from contemporary media, Michael Dante DiMartino and Bryan Konietzko’s animated television series <em>Avatar: The Last Airbender</em>. In this examination, they focus on resonances of gender and feminist theory in both works. This episode features guest performances from Molly Martinez-Collins as Rosaura and Chris Johnston as Clotaldo.</p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode, hosts Jess Snellings and RIley Tate apply their analytical muscle to unpacking key themes of gender and honor at work in <em>Life is a Dream</em>. They set the stage with close reading and key historical context of the Spanish Golden Age. Then, they put the play in conversation with an example from contemporary media, Michael Dante DiMartino and Bryan Konietzko’s animated television series <em>Avatar: The Last Airbender</em>. In this examination, they focus on resonances of gender and feminist theory in both works. This episode features guest performances from Molly Martinez-Collins as Rosaura and Chris Johnston as Clotaldo.</p><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Loa to the Divine Narcissus: Postcolonial Contact and Context</title>
			<itunes:title>Loa to the Divine Narcissus: Postcolonial Contact and Context</itunes:title>
			<pubDate>Mon, 24 Jul 2023 04:00:00 GMT</pubDate>
			<itunes:duration>20:27</itunes:duration>
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			<itunes:explicit>false</itunes:explicit>
			<link>https://writinthemargins.com/loa-to-the-divine-narcissus/</link>
			<acast:episodeId>64bd4e17e0e7180011c7bd8a</acast:episodeId>
			<acast:showId>62bc6822d460660012c7d454</acast:showId>
			<acast:episodeUrl>loa-to-the-divine-narcissus-postcolonial-contact-and-context</acast:episodeUrl>
			<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmbKbhgrQiwYShz70Q9/ffXZMTtedvdcRQbP4eiLMjXzCKLPjEYLpGj+NMVKa+5C8pL4u/EOj1Vw4h5MMJYp0lCcFAe0fnxBJy/1ju4Qxy1fh8gO4DvlGA40yms2g0/hOkcrfHIopjTygHFqGwwOPKFIai4SuTvs86Lx3UYCyl6ZsEMSck77+9R7CeGom3GdBhAdltfvi4oWvQ0bLb/x9QBd1djyn+lAW2E9M+cecDL2rx0a7GhdCOPKsaAAaHvvkAcn7/WwFx9d9FWOJvADpoURq5IFriF02XjuMwKSmw2F7]]></acast:settings>
			<itunes:subtitle>Hosted by Adam Hobbs, Molly Martinez-Collins, and Johnny Williams III</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>2</itunes:season>
			<itunes:episode>9</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/cover/1656514588537-d559652579be12759e94ebf1d3fb0ab1.jpeg"/>
			<description><![CDATA[In this episode, hosts Adam Hobbs, Molly Martinez-Collins, and Johnny Williams III explore the postcolonial dimensions of Loa to the Divine Narcissus by Sor Juana Inés de la Cruz. They deconstruct the power dynamics at work in our understanding of New Spain and also dig into the history of Aztec culture. The also ponder the collision between the monotheism of colonial Christianity in contrast to the polytheistic traditions of the Aztecs. Finally, they dig into Sor Juana's poetry and pieces of popular entertainment that dramatize her life to find resonances inside of her religious allegory. <hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[In this episode, hosts Adam Hobbs, Molly Martinez-Collins, and Johnny Williams III explore the postcolonial dimensions of Loa to the Divine Narcissus by Sor Juana Inés de la Cruz. They deconstruct the power dynamics at work in our understanding of New Spain and also dig into the history of Aztec culture. The also ponder the collision between the monotheism of colonial Christianity in contrast to the polytheistic traditions of the Aztecs. Finally, they dig into Sor Juana's poetry and pieces of popular entertainment that dramatize her life to find resonances inside of her religious allegory. <hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title><![CDATA[Loa to the Divine Narcissus: Let's Cast It!]]></title>
			<itunes:title><![CDATA[Loa to the Divine Narcissus: Let's Cast It!]]></itunes:title>
			<pubDate>Mon, 24 Jul 2023 04:00:00 GMT</pubDate>
			<itunes:duration>24:04</itunes:duration>
			<enclosure url="https://sphinx.acast.com/p/open/s/62bc6822d460660012c7d454/e/64bd5994f6632e0011ddc02f/media.mp3" length="34672557" type="audio/mpeg"/>
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			<itunes:explicit>false</itunes:explicit>
			<link>https://writinthemargins.com/loa-to-the-divine-narcissus/</link>
			<acast:episodeId>64bd5994f6632e0011ddc02f</acast:episodeId>
			<acast:showId>62bc6822d460660012c7d454</acast:showId>
			<acast:episodeUrl>loa-to-the-divine-narcissus-lets-cast-it</acast:episodeUrl>
			<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmbKbhgrQiwYShz70Q9/ffXZMTtedvdcRQbP4eiLMjXzCKLPjEYLpGj+NMVKa+5C8pL4u/EOj1Vw4h5MMJYp0lCcFAe0fnxBJy/1ju4Qxy1fh8gO4DvlGA40yms2g0/hOkcrfHIopjTygHFqGwwOPKFIai4SuTvs86Lx3UYCyl6ZsEMSck77+9R7CeGom3GdBhAdltfvi4oWvQ0bLb/x9QBcrELpAAV+JskMyOtGbkop4N7TGyzewpzJcCM24TIZAU7vIT5I7LjYSeyaZEx7Ss9cRvq+wWWabL4vLx9+zOUQJ]]></acast:settings>
			<itunes:subtitle>Hosted by J. Paige Hilton and Caroline Lyons</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>2</itunes:season>
			<itunes:episode>10</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/cover/1656514588537-d559652579be12759e94ebf1d3fb0ab1.jpeg"/>
			<description><![CDATA[In this episode, hosts J. Paige Hilton and Caroline Lyons dig deeply into the ethical dimensions of staging a play like <em>Loa to the Divine Narcissus </em>today, particularly with regard to identity-conscious casting. They examine Aztec history and also think through the implications of not teaching this history fully in American classrooms. They also work with resources that foreground the use of multiple languages in performance to envision a multilingual staging of Sor Juana's religious play. Finally, they bring in guest presenter Christopher Niesner to bring this approach to performance to life. <hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[In this episode, hosts J. Paige Hilton and Caroline Lyons dig deeply into the ethical dimensions of staging a play like <em>Loa to the Divine Narcissus </em>today, particularly with regard to identity-conscious casting. They examine Aztec history and also think through the implications of not teaching this history fully in American classrooms. They also work with resources that foreground the use of multiple languages in performance to envision a multilingual staging of Sor Juana's religious play. Finally, they bring in guest presenter Christopher Niesner to bring this approach to performance to life. <hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title><![CDATA[The Island Princess: Orientalism and (Barbie's) Island Princess]]></title>
			<itunes:title><![CDATA[The Island Princess: Orientalism and (Barbie's) Island Princess]]></itunes:title>
			<pubDate>Mon, 17 Jul 2023 04:00:00 GMT</pubDate>
			<itunes:duration>21:21</itunes:duration>
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			<guid isPermaLink="false">64b2e6ad28976200113d565a</guid>
			<itunes:explicit>false</itunes:explicit>
			<link>https://writinthemargins.com/island-princess/</link>
			<acast:episodeId>64b2e6ad28976200113d565a</acast:episodeId>
			<acast:showId>62bc6822d460660012c7d454</acast:showId>
			<acast:episodeUrl>the-island-princess-orientalism-and-barbies-island-princess</acast:episodeUrl>
			<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmbKbhgrQiwYShz70Q9/ffXZMTtedvdcRQbP4eiLMjXzCKLPjEYLpGj+NMVKa+5C8pL4u/EOj1Vw4h5MMJYp0lCcFAe0fnxBJy/1ju4Qxy1fh8gO4DvlGA40yms2g0/hOkcrfHIopjTygHFqGwwOPKFIai4SuTvs86Lx3UYCyl6ZsEMSck77+9R7CeGom3GdBhAdltfvi4oWvQ0bLb/x9QBdtqQul794Bo/lHF+jUJdhopiQvqvePwtnAFd0UkgDimF/Wdz30BewHnut/Ih0lag7XrfbXg48EIJb1Ag250AbW]]></acast:settings>
			<itunes:subtitle>Hosted by Genevieve Henderson, Fawzia Istrabadi, and Christopher Niesner</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>2</itunes:season>
			<itunes:episode>7</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/cover/1656514588537-d559652579be12759e94ebf1d3fb0ab1.jpeg"/>
			<description><![CDATA[In this episode, hosts Genevieve Henderson, Fawzia Istrabadi, and Christopher Niesner explore the pervasive Orientalism and pernicious Islamophobic tropes at work inside of Fletcher's late Jacobean play, <em>The Island Princess</em>. They pinpoint the play's significance as both colonialist and Christian propaganda while also considering the significance of the play's central strong female character in a post-Elizabethan context. Oh, and they work in a connection to the 2007 film <em>Barbie's Island Princess </em>as well.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[In this episode, hosts Genevieve Henderson, Fawzia Istrabadi, and Christopher Niesner explore the pervasive Orientalism and pernicious Islamophobic tropes at work inside of Fletcher's late Jacobean play, <em>The Island Princess</em>. They pinpoint the play's significance as both colonialist and Christian propaganda while also considering the significance of the play's central strong female character in a post-Elizabethan context. Oh, and they work in a connection to the 2007 film <em>Barbie's Island Princess </em>as well.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>The Island Princess: Environmental Peril and Christian Propaganda</title>
			<itunes:title>The Island Princess: Environmental Peril and Christian Propaganda</itunes:title>
			<pubDate>Mon, 17 Jul 2023 04:00:00 GMT</pubDate>
			<itunes:duration>18:24</itunes:duration>
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			<itunes:explicit>false</itunes:explicit>
			<link>https://writinthemargins.com/island-princess/</link>
			<acast:episodeId>64b2eaa279e40e0011b3c8cb</acast:episodeId>
			<acast:showId>62bc6822d460660012c7d454</acast:showId>
			<acast:episodeUrl>the-island-princess-environmental-peril-and-christian-propag</acast:episodeUrl>
			<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmbKbhgrQiwYShz70Q9/ffXZMTtedvdcRQbP4eiLMjXzCKLPjEYLpGj+NMVKa+5C8pL4u/EOj1Vw4h5MMJYp0lCcFAe0fnxBJy/1ju4Qxy1fh8gO4DvlGA40yms2g0/hOkcrfHIopjTygHFqGwwOPKFIai4SuTvs86Lx3UYCyl6ZsEMSck77+9R7CeGom3GdBhAdltfvi4oWvQ0bLb/x9QBfTTPAJeZ2cOegYFl40LYP19mXkFUZkCr6sErUm3vRmiLiOsouTBKp0ugNUkxIqXwS7UhOVzQ5hIodpzpjbh8KU]]></acast:settings>
			<itunes:subtitle>Hosted by Nic Holtman and Fallon Smyl</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>2</itunes:season>
			<itunes:episode>8</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/cover/1656514588537-d559652579be12759e94ebf1d3fb0ab1.jpeg"/>
			<description><![CDATA[<p>In this episode, hosts Nic Holtman and Fallon Smyl hone in on Act II of Fletcher's problematic play and close read the ways in which the play's action stages both the consequences of environmental peril through an ecocritical lens as well as the specter of religious pageantry as Christian propaganda. They end the episode with a rich analysis of the play's musical elements and the ways in which melody and composition can perform colonialist attitudes onstage.</p><br><p><em>Content note: References to racism, misogyny, torture, and Islamophobia. </em></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode, hosts Nic Holtman and Fallon Smyl hone in on Act II of Fletcher's problematic play and close read the ways in which the play's action stages both the consequences of environmental peril through an ecocritical lens as well as the specter of religious pageantry as Christian propaganda. They end the episode with a rich analysis of the play's musical elements and the ways in which melody and composition can perform colonialist attitudes onstage.</p><br><p><em>Content note: References to racism, misogyny, torture, and Islamophobia. </em></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>The Antipodes: Queerness and Power and Ecofeminism, OH MY!</title>
			<itunes:title>The Antipodes: Queerness and Power and Ecofeminism, OH MY!</itunes:title>
			<pubDate>Mon, 10 Jul 2023 04:00:00 GMT</pubDate>
			<itunes:duration>20:02</itunes:duration>
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			<guid isPermaLink="false">64a3109a6ada59001127c259</guid>
			<itunes:explicit>false</itunes:explicit>
			<link>https://writinthemargins.com/the-antipodes/</link>
			<acast:episodeId>64a3109a6ada59001127c259</acast:episodeId>
			<acast:showId>62bc6822d460660012c7d454</acast:showId>
			<acast:episodeUrl>the-antipodes-queerness-and-power-and-ecofeminism-oh-my</acast:episodeUrl>
			<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmbKbhgrQiwYShz70Q9/ffXZMTtedvdcRQbP4eiLMjXzCKLPjEYLpGj+NMVKa+5C8pL4u/EOj1Vw4h5MMJYp0lCcFAe0fnxBJy/1ju4Qxy1fh8gO4DvlGA40yms2g0/hOkcrfHIopjTygHFqGwwOPKFIai4SuTvs86Lx3UYCyl6ZsEMSck77+9R7CeGom3GdBhAdltfvi4oWvQ0bLb/x9QBeTg8rL0RJj3diKhY+BvXcjxjLA/41Z5A8qKZlLq1CoTwJZpkDqJjwPRLchjgUdDL7e25xDWNZ0B9qd+06fpQAE]]></acast:settings>
			<itunes:subtitle>Hosted by Eli Cronin and Katie Graham</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>2</itunes:season>
			<itunes:episode>4</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/cover/1656514588537-d559652579be12759e94ebf1d3fb0ab1.jpeg"/>
			<description><![CDATA[<p>In this episode, hosts Eli Cronin and Katie Graham explore intersections of ecocriticism, queer theory, and feminist theory in their analysis of Richard Brome's topsy-turvy play, <em>The Antipodes</em>. They use close readings from the play to analyze the play's shifting power dynamics through the lens of both queer theory and ecofeminism, especially in thinking through how the play activates space through metaphors of control. Spoiler alert: there are a puppet and pirate digressions too!  </p><br><p>CW: discussions of sexual harassment and/or assault, in-play depictions of a sexist slur, mild thematics that imply incest, and discussions of mental illness.</p><br><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode, hosts Eli Cronin and Katie Graham explore intersections of ecocriticism, queer theory, and feminist theory in their analysis of Richard Brome's topsy-turvy play, <em>The Antipodes</em>. They use close readings from the play to analyze the play's shifting power dynamics through the lens of both queer theory and ecofeminism, especially in thinking through how the play activates space through metaphors of control. Spoiler alert: there are a puppet and pirate digressions too!  </p><br><p>CW: discussions of sexual harassment and/or assault, in-play depictions of a sexist slur, mild thematics that imply incest, and discussions of mental illness.</p><br><p><br></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>The Antipodes: Let Me Play the Director Too!</title>
			<itunes:title>The Antipodes: Let Me Play the Director Too!</itunes:title>
			<pubDate>Mon, 10 Jul 2023 04:00:00 GMT</pubDate>
			<itunes:duration>23:46</itunes:duration>
			<enclosure url="https://sphinx.acast.com/p/open/s/62bc6822d460660012c7d454/e/64a311cf80b818001127c705/media.mp3" length="34236363" type="audio/mpeg"/>
			<guid isPermaLink="false">64a311cf80b818001127c705</guid>
			<itunes:explicit>false</itunes:explicit>
			<link>https://writinthemargins.com/the-antipodes/</link>
			<acast:episodeId>64a311cf80b818001127c705</acast:episodeId>
			<acast:showId>62bc6822d460660012c7d454</acast:showId>
			<acast:episodeUrl>the-antipodes-let-me-play-the-director-too</acast:episodeUrl>
			<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmbKbhgrQiwYShz70Q9/ffXZMTtedvdcRQbP4eiLMjXzCKLPjEYLpGj+NMVKa+5C8pL4u/EOj1Vw4h5MMJYp0lCcFAe0fnxBJy/1ju4Qxy1fh8gO4DvlGA40yms2g0/hOkcrfHIopjTygHFqGwwOPKFIai4SuTvs86Lx3UYCyl6ZsEMSck77+9R7CeGom3GdBhAdltfvi4oWvQ0bLb/x9QBds/N6qxbC3vHYPg19Iw3FRnOYJOFGqwwLlOLO+yf3BYUG7BTuswt61JI/kpCauLAAzQgV2PLHlZyYLAT2auBwA]]></acast:settings>
			<itunes:subtitle>Hosted by Morgan Ford and Ronan Melomo</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>2</itunes:season>
			<itunes:episode>5</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/cover/1656514588537-d559652579be12759e94ebf1d3fb0ab1.jpeg"/>
			<description><![CDATA[In this episode, hosts Morgan Ford and Ronan Melomo dig into the contextual underpinnings of <em>The Antipodes</em> through their analysis of the ways in which Brome's play dramatizes a role for the early modern stage director and also responds to the closure of the theatres in response to plague in the early modern era. How might a contemporary audience respond to this play in the wake of COVID-19? Can a play be a cure for what ails us in these disconnected times?<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[In this episode, hosts Morgan Ford and Ronan Melomo dig into the contextual underpinnings of <em>The Antipodes</em> through their analysis of the ways in which Brome's play dramatizes a role for the early modern stage director and also responds to the closure of the theatres in response to plague in the early modern era. How might a contemporary audience respond to this play in the wake of COVID-19? Can a play be a cure for what ails us in these disconnected times?<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>The Antipodes: Is It a Mad World?</title>
			<itunes:title>The Antipodes: Is It a Mad World?</itunes:title>
			<pubDate>Mon, 10 Jul 2023 04:00:00 GMT</pubDate>
			<itunes:duration>25:03</itunes:duration>
			<enclosure url="https://sphinx.acast.com/p/open/s/62bc6822d460660012c7d454/e/64a312e5fecf9e00119e2231/media.mp3" length="36099470" type="audio/mpeg"/>
			<guid isPermaLink="false">64a312e5fecf9e00119e2231</guid>
			<itunes:explicit>false</itunes:explicit>
			<link>https://writinthemargins.com/the-antipodes/</link>
			<acast:episodeId>64a312e5fecf9e00119e2231</acast:episodeId>
			<acast:showId>62bc6822d460660012c7d454</acast:showId>
			<acast:episodeUrl>the-antipodes-is-it-a-mad-world</acast:episodeUrl>
			<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmbKbhgrQiwYShz70Q9/ffXZMTtedvdcRQbP4eiLMjXzCKLPjEYLpGj+NMVKa+5C8pL4u/EOj1Vw4h5MMJYp0lCcFAe0fnxBJy/1ju4Qxy1fh8gO4DvlGA40yms2g0/hOkcrfHIopjTygHFqGwwOPKFIai4SuTvs86Lx3UYCyl6ZsEMSck77+9R7CeGom3GdBhAdltfvi4oWvQ0bLb/x9QBfDYw1MJp9z6ItfTsicA1SbL5pZXzN7jvWzqUahPvFsBQvt55oOq1Afj/PaR3DKJwamj5GFAg8BI9Fchdi98FOb]]></acast:settings>
			<itunes:subtitle>Hosted by Brie Roche and Alaina Smith</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>2</itunes:season>
			<itunes:episode>6</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/cover/1656514588537-d559652579be12759e94ebf1d3fb0ab1.jpeg"/>
			<description><![CDATA[<p>In this episode, hosts Brie Roche and Alaina Smith activate their research on material culture, feminist theory, and madness to explore the ways that gender inflects attitudes towards madness inside of Brome's play. Featuring thorough close readings, scene performances, and a guessing game starring a special guest who has *no idea* what <em>The Antipodes</em> is all about. </p><br><p><em>Content note: Discussions of madness, stereotypes surrounding mental illness, and ethical issues surrounding of medical treatment.</em></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode, hosts Brie Roche and Alaina Smith activate their research on material culture, feminist theory, and madness to explore the ways that gender inflects attitudes towards madness inside of Brome's play. Featuring thorough close readings, scene performances, and a guessing game starring a special guest who has *no idea* what <em>The Antipodes</em> is all about. </p><br><p><em>Content note: Discussions of madness, stereotypes surrounding mental illness, and ethical issues surrounding of medical treatment.</em></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Presumed Dead: Birds of a Feather Fool Together</title>
			<itunes:title>Presumed Dead: Birds of a Feather Fool Together</itunes:title>
			<pubDate>Mon, 03 Jul 2023 00:24:34 GMT</pubDate>
			<itunes:duration>22:30</itunes:duration>
			<enclosure url="https://sphinx.acast.com/p/open/s/62bc6822d460660012c7d454/e/64a07289318bac0012b6e073/media.mp3" length="25310435" type="audio/mpeg"/>
			<guid isPermaLink="false">64a07289318bac0012b6e073</guid>
			<itunes:explicit>false</itunes:explicit>
			<link>https://writinthemargins.com/presumed-dead</link>
			<acast:episodeId>64a07289318bac0012b6e073</acast:episodeId>
			<acast:showId>62bc6822d460660012c7d454</acast:showId>
			<acast:episodeUrl>presumed-dead-birds-of-a-feather-fool-together</acast:episodeUrl>
			<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmbKbhgrQiwYShz70Q9/ffXZMTtedvdcRQbP4eiLMjXzCKLPjEYLpGj+NMVKa+5C8pL4u/EOj1Vw4h5MMJYp0lCcFAe0fnxBJy/1ju4Qxy1fh8gO4DvlGA40yms2g0/hOkcrfHIopjTygHFqGwwOPKFIai4SuTvs86Lx3UYCyl6ZsEMSck77+9R7CeGom3GdBhAdltfvi4oWvQ0bLb/x9QBf+SIq5RzXWUxht5rhRGUDHURwFN/vlS/YNyYGnYb26N26k+4FEQbbG407cGPLH3jkTcYBsdCxs6IUAEAggEbKi]]></acast:settings>
			<itunes:subtitle>Hosted by Jacob Laitinen and Petra Shearer</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>2</itunes:season>
			<itunes:episode>3</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/cover/1656514588537-d559652579be12759e94ebf1d3fb0ab1.jpeg"/>
			<description><![CDATA[In this episode, hosts Jacob Laitinen and Petra Shearer investigate the figure of the <em>gracioso, </em>the comic sidekick in Spanish Golden Age drama. Their episode hones in on Papagayo and his antics within the play by first thinking about the roots and continental influences that shaped the <em>gracioso</em> figure and then sharpening their focus to analyze Papagayo's place within the world of <em>Presumed Dead</em>. This episode also includes scenes from the play.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[In this episode, hosts Jacob Laitinen and Petra Shearer investigate the figure of the <em>gracioso, </em>the comic sidekick in Spanish Golden Age drama. Their episode hones in on Papagayo and his antics within the play by first thinking about the roots and continental influences that shaped the <em>gracioso</em> figure and then sharpening their focus to analyze Papagayo's place within the world of <em>Presumed Dead</em>. This episode also includes scenes from the play.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Presumed Dead: Talkin’ About our Genre-ation</title>
			<itunes:title>Presumed Dead: Talkin’ About our Genre-ation</itunes:title>
			<pubDate>Mon, 03 Jul 2023 00:24:22 GMT</pubDate>
			<itunes:duration>18:19</itunes:duration>
			<enclosure url="https://sphinx.acast.com/p/open/s/62bc6822d460660012c7d454/e/64a070e27ec3690011a5e40e/media.mp3" length="12531864" type="audio/mpeg"/>
			<guid isPermaLink="false">64a070e27ec3690011a5e40e</guid>
			<itunes:explicit>false</itunes:explicit>
			<link>https://writinthemargins.com/presumed-dead</link>
			<acast:episodeId>64a070e27ec3690011a5e40e</acast:episodeId>
			<acast:showId>62bc6822d460660012c7d454</acast:showId>
			<acast:episodeUrl>presumed-dead-talkin-about-our-genre-ation</acast:episodeUrl>
			<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmbKbhgrQiwYShz70Q9/ffXZMTtedvdcRQbP4eiLMjXzCKLPjEYLpGj+NMVKa+5C8pL4u/EOj1Vw4h5MMJYp0lCcFAe0fnxBJy/1ju4Qxy1fh8gO4DvlGA40yms2g0/hOkcrfHIopjTygHFqGwwOPKFIai4SuTvs86Lx3UYCyl6ZsEMSck77+9R7CeGom3GdBhAdltfvi4oWvQ0bLb/x9QBdf2N7Wq6wOCKxfFtbHXZs6zPFRCd4mZAmhOHGcQ19V3MA1zs/QnnNpcSThbf9ushWg5bhsMFLm/UNAUivUZ17t]]></acast:settings>
			<itunes:subtitle>Hosted by Devlin Ford and Shawn Passero</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>2</itunes:season>
			<itunes:episode>2</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/cover/1656514588537-d559652579be12759e94ebf1d3fb0ab1.jpeg"/>
			<description><![CDATA[In this episode, hosts Devlin Ford and Shawn Passero consider the impact of genre on the ways in which an audience receives a play like de Azevedo's <em>Presumed Dead</em>. They take a deep dive into the world of murder mystery, analyzing both the roots of the genre and its contemporary popularity. They close read some of the play's whodunnit tropes in conversation with blockbusters like <em>Knives Out. </em>This episode features scene performances from de Azevedo's play... and some "killer" sound effects.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[In this episode, hosts Devlin Ford and Shawn Passero consider the impact of genre on the ways in which an audience receives a play like de Azevedo's <em>Presumed Dead</em>. They take a deep dive into the world of murder mystery, analyzing both the roots of the genre and its contemporary popularity. They close read some of the play's whodunnit tropes in conversation with blockbusters like <em>Knives Out. </em>This episode features scene performances from de Azevedo's play... and some "killer" sound effects.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Presumed Dead: Weapons of Honor</title>
			<itunes:title>Presumed Dead: Weapons of Honor</itunes:title>
			<pubDate>Mon, 03 Jul 2023 00:06:16 GMT</pubDate>
			<itunes:duration>21:50</itunes:duration>
			<enclosure url="https://sphinx.acast.com/p/open/s/62bc6822d460660012c7d454/e/64a06f009270770011ba0e9b/media.mp3" length="24926886" type="audio/mpeg"/>
			<guid isPermaLink="false">64a06f009270770011ba0e9b</guid>
			<itunes:explicit>false</itunes:explicit>
			<link>https://writinthemargins.com/presumed-dead</link>
			<acast:episodeId>64a06f009270770011ba0e9b</acast:episodeId>
			<acast:showId>62bc6822d460660012c7d454</acast:showId>
			<acast:episodeUrl>presumed-dead-weapons-of-honor</acast:episodeUrl>
			<acast:settings><![CDATA[FYjHyZbXWHZ7gmX8Pp1rmbKbhgrQiwYShz70Q9/ffXZMTtedvdcRQbP4eiLMjXzCKLPjEYLpGj+NMVKa+5C8pL4u/EOj1Vw4h5MMJYp0lCcFAe0fnxBJy/1ju4Qxy1fh8gO4DvlGA40yms2g0/hOkcrfHIopjTygHFqGwwOPKFIai4SuTvs86Lx3UYCyl6ZsEMSck77+9R7CeGom3GdBhAdltfvi4oWvQ0bLb/x9QBcOTD5mmTWOS4mRapoVcyn9n2rRyOQiKnxlHIQUWWQp0fVkw8KN1wi1FsZeOkORsAHbMYE9Dtb+5teF7HhRk4Oc]]></acast:settings>
			<itunes:subtitle>Hosted by Hailey Pearce and Pete Sheldon</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>2</itunes:season>
			<itunes:episode>1</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/cover/1656514588537-d559652579be12759e94ebf1d3fb0ab1.jpeg"/>
			<description><![CDATA[In this episode, hosts Hailey Pearce and Pete Sheldon focus on the concept of honor in <em>Presumed Dead</em>, especially through the lens of gender. They take a close look at chivalry, dueling, and chastity throughout de Azevedo's play by offering historical context on the Spanish Golden Age, delving into close readings, and performing excerpts from de Azevedo's thrilling play. This episode also features original music!<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[In this episode, hosts Hailey Pearce and Pete Sheldon focus on the concept of honor in <em>Presumed Dead</em>, especially through the lens of gender. They take a close look at chivalry, dueling, and chastity throughout de Azevedo's play by offering historical context on the Spanish Golden Age, delving into close readings, and performing excerpts from de Azevedo's thrilling play. This episode also features original music!<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>House of Desires: Translating Desire</title>
			<itunes:title>House of Desires: Translating Desire</itunes:title>
			<pubDate>Mon, 25 Jul 2022 04:00:00 GMT</pubDate>
			<itunes:duration>29:10</itunes:duration>
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			<link>https://writinthemargins.com/house-of-desires</link>
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			<acast:showId>62bc6822d460660012c7d454</acast:showId>
			<acast:episodeUrl>house-of-desires-translating-desire</acast:episodeUrl>
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			<itunes:subtitle>Hosted by Sam Corey and Lis Hayward</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>9</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/cover/1656514588537-d559652579be12759e94ebf1d3fb0ab1.jpeg"/>
			<description><![CDATA[In this episode, hosts Sam Corey and Lis Hayward investigate the intricacies of translating Sor Juana's work for performance. They are joined by two incredible scholars. First, they interview Dr. Catherine Boyle about her translation of <em>House of Desires</em>. They are then joined by Dr. Kathleen Jeffs, who dramaturged the play in production with the RSC in 2004. <hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[In this episode, hosts Sam Corey and Lis Hayward investigate the intricacies of translating Sor Juana's work for performance. They are joined by two incredible scholars. First, they interview Dr. Catherine Boyle about her translation of <em>House of Desires</em>. They are then joined by Dr. Kathleen Jeffs, who dramaturged the play in production with the RSC in 2004. <hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>House of Desires: Cloaks, Daggers, and Honor</title>
			<itunes:title>House of Desires: Cloaks, Daggers, and Honor</itunes:title>
			<pubDate>Mon, 25 Jul 2022 04:00:00 GMT</pubDate>
			<itunes:duration>26:40</itunes:duration>
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			<link>https://writinthemargins.com/house-of-desires</link>
			<acast:episodeId>62c60b50c655b10014175ce9</acast:episodeId>
			<acast:showId>62bc6822d460660012c7d454</acast:showId>
			<acast:episodeUrl>house-of-desires-cloaks-daggers-and-honor</acast:episodeUrl>
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			<itunes:subtitle>Hosted by Chase Fowler and Beth Somerville</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>10</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/cover/1656514588537-d559652579be12759e94ebf1d3fb0ab1.jpeg"/>
			<description><![CDATA[In this episode, hosts Chase Fowler and Beth Somerville think through implications of genre in relation to Sor Juana's play. They ground their investigation in the roots of Spanish "cape and sword" dramas and the influence of Italian commedia dell'arte and then consider how the concept of honor is received by an audience based on the play's genre. Finally, they turn to some contemporary cultural analogues. Hint: Anybody want a peanut?<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[In this episode, hosts Chase Fowler and Beth Somerville think through implications of genre in relation to Sor Juana's play. They ground their investigation in the roots of Spanish "cape and sword" dramas and the influence of Italian commedia dell'arte and then consider how the concept of honor is received by an audience based on the play's genre. Finally, they turn to some contemporary cultural analogues. Hint: Anybody want a peanut?<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>House of Desires: New Spain and Colonial Legacies</title>
			<itunes:title>House of Desires: New Spain and Colonial Legacies</itunes:title>
			<pubDate>Mon, 25 Jul 2022 04:00:00 GMT</pubDate>
			<itunes:duration>19:00</itunes:duration>
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			<link>https://writinthemargins.com/house-of-desires</link>
			<acast:episodeId>62c60ca466ad6100142a196b</acast:episodeId>
			<acast:showId>62bc6822d460660012c7d454</acast:showId>
			<acast:episodeUrl>house-of-desires-new-spain-and-colonial-legacies</acast:episodeUrl>
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			<itunes:subtitle>Hosted by Madison Mattfield-Mayberry and Katelyn Spurgin</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>11</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/cover/1656514588537-d559652579be12759e94ebf1d3fb0ab1.jpeg"/>
			<description><![CDATA[In this episode, hosts Madison Mattfield-Mayberry and Katelyn Spurgin consider <em>House of Desires</em> through the lens of post-colonialism. They ground their investigation in Sor Juana's own biography, most notably through a close-reading of her relationship with the Viceroy and Vicereine and the occasion of the birth of their son. They use text from the play to draw connections between this event and the play's musical pageantry.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[In this episode, hosts Madison Mattfield-Mayberry and Katelyn Spurgin consider <em>House of Desires</em> through the lens of post-colonialism. They ground their investigation in Sor Juana's own biography, most notably through a close-reading of her relationship with the Viceroy and Vicereine and the occasion of the birth of their son. They use text from the play to draw connections between this event and the play's musical pageantry.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>The Witch of Edmonton: Devil Doggos!</title>
			<itunes:title>The Witch of Edmonton: Devil Doggos!</itunes:title>
			<pubDate>Mon, 18 Jul 2022 04:00:00 GMT</pubDate>
			<itunes:duration>25:44</itunes:duration>
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			<link>https://writinthemargins.com/the-witch-of-edmonton</link>
			<acast:episodeId>62c1fc5e53e6ba0013db0cc4</acast:episodeId>
			<acast:showId>62bc6822d460660012c7d454</acast:showId>
			<acast:episodeUrl>the-witch-of-edmonton-devil-doggos</acast:episodeUrl>
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			<itunes:subtitle>Hosted by Andrew Knight and Cameron Taylor</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>6</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/cover/1656514588537-d559652579be12759e94ebf1d3fb0ab1.jpeg"/>
			<description><![CDATA[On this episode, hosts Andrew Knight and Cameron Taylor hone in on the character of Tom, the "devil doggo" that haunts <em>The Witch of Edmonton</em>. They first contextualize this character through historical research into witches and familiars and then examine how familiars like Tom have come alive across production history. They also interview guest scholar, dramaturg, and actor Callie Banholzer about her research into canine staging practices in the early modern period to enrich our  understanding of characterization of Tom as an early modern good doggo. <hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[On this episode, hosts Andrew Knight and Cameron Taylor hone in on the character of Tom, the "devil doggo" that haunts <em>The Witch of Edmonton</em>. They first contextualize this character through historical research into witches and familiars and then examine how familiars like Tom have come alive across production history. They also interview guest scholar, dramaturg, and actor Callie Banholzer about her research into canine staging practices in the early modern period to enrich our  understanding of characterization of Tom as an early modern good doggo. <hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>The Witch of Edmonton: Which Witch is Which?</title>
			<itunes:title>The Witch of Edmonton: Which Witch is Which?</itunes:title>
			<pubDate>Mon, 18 Jul 2022 04:00:00 GMT</pubDate>
			<itunes:duration>23:11</itunes:duration>
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			<link>https://writinthemargins.com/the-witch-of-edmonton</link>
			<acast:episodeId>62c207d47d37450014c39186</acast:episodeId>
			<acast:showId>62bc6822d460660012c7d454</acast:showId>
			<acast:episodeUrl>the-witch-of-edmonton-which-witch</acast:episodeUrl>
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			<itunes:subtitle>Hosted by Gil Mitchell and Ariel Tatum</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>7</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/cover/1656514588537-d559652579be12759e94ebf1d3fb0ab1.jpeg"/>
			<description><![CDATA[<p>In this episode, hosts Gil Mitchell and Ariel Tatum unpack the true life events and historical figures that haunt <em>The Witch of Edmonton</em>. They work with Goodcole's Pamphlet that relays the sad (and salacious) story of the real-life Elizabeth Sawyer and immerse listeners in the sordid tale be performing a dramatic staging of excerpts from the pamphlet. Gil and Ariel also interweave details of King James's fascination and fear of witches to demonstrate how <em>The Witch of Edmonton</em> works as a sign of its time. And there are ferrets.</p><br><p><br></p><p><em>Content Note: This episode contains depictions of hanging, as well as descriptions of violence. It also deals with heavy topics including the prosecution of individuals for witchcraft. Listener discretion is suggested.</em></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode, hosts Gil Mitchell and Ariel Tatum unpack the true life events and historical figures that haunt <em>The Witch of Edmonton</em>. They work with Goodcole's Pamphlet that relays the sad (and salacious) story of the real-life Elizabeth Sawyer and immerse listeners in the sordid tale be performing a dramatic staging of excerpts from the pamphlet. Gil and Ariel also interweave details of King James's fascination and fear of witches to demonstrate how <em>The Witch of Edmonton</em> works as a sign of its time. And there are ferrets.</p><br><p><br></p><p><em>Content Note: This episode contains depictions of hanging, as well as descriptions of violence. It also deals with heavy topics including the prosecution of individuals for witchcraft. Listener discretion is suggested.</em></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>The Witch of Edmonton: Disability and Performance</title>
			<itunes:title>The Witch of Edmonton: Disability and Performance</itunes:title>
			<pubDate>Mon, 18 Jul 2022 04:00:00 GMT</pubDate>
			<itunes:duration>21:39</itunes:duration>
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			<itunes:explicit>false</itunes:explicit>
			<link>https://writinthemargins.com/the-witch-of-edmonton</link>
			<acast:episodeId>62c20dfd09d2ba00125da9fe</acast:episodeId>
			<acast:showId>62bc6822d460660012c7d454</acast:showId>
			<acast:episodeUrl>the-witch-of-edmonton-disability-and-performance</acast:episodeUrl>
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			<itunes:subtitle><![CDATA[Hosted by George Durfee, Rachel Louis & Dylan Mabe]]></itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>8</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/cover/1656514588537-d559652579be12759e94ebf1d3fb0ab1.jpeg"/>
			<description><![CDATA[<p>In this episode, hosts George Durfee, Rachel Louis, and Dylan Mabe process some ways in which disability theory opens up performative potential in The Witch of Edmonton. They consider the ways in which the play "others" its title character, including physical disability, advanced age, and her outcast status within her community. They then bring in guest expert Tim Briggs, a multi-hyphenate disabled theatremaker, to consider opportunities the character of Sawyer offers for representation in performance.</p><br><p><em>Content note: This episode includes discussion of abuse, mental illness, and physical and mental disability.</em></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[<p>In this episode, hosts George Durfee, Rachel Louis, and Dylan Mabe process some ways in which disability theory opens up performative potential in The Witch of Edmonton. They consider the ways in which the play "others" its title character, including physical disability, advanced age, and her outcast status within her community. They then bring in guest expert Tim Briggs, a multi-hyphenate disabled theatremaker, to consider opportunities the character of Sawyer offers for representation in performance.</p><br><p><em>Content note: This episode includes discussion of abuse, mental illness, and physical and mental disability.</em></p><hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title><![CDATA[Convent of Pleasure: Goin' to the Convent and Not Gettin' Married]]></title>
			<itunes:title><![CDATA[Convent of Pleasure: Goin' to the Convent and Not Gettin' Married]]></itunes:title>
			<pubDate>Mon, 11 Jul 2022 03:01:20 GMT</pubDate>
			<itunes:duration>27:35</itunes:duration>
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			<itunes:explicit>false</itunes:explicit>
			<link>https://writinthemargins.com/convent-of-pleasure</link>
			<acast:episodeId>62c1cb61391d8000141c436c</acast:episodeId>
			<acast:showId>62bc6822d460660012c7d454</acast:showId>
			<acast:episodeUrl>convent-of-pleasure-goin-to-the-convent</acast:episodeUrl>
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			<itunes:subtitle>Hosted by Macy Foss, Kelsey Linberg, and Rosemary Richards</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>5</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/cover/1656514588537-d559652579be12759e94ebf1d3fb0ab1.jpeg"/>
			<description><![CDATA[In this episode, hosts Macy Foss, Kelsey Linberg, and Rosemary Richards transform into the Weird Sisters and illuminate the queer potential of Cavendish's narrative structure. They think about the intersections of gender and sexuality at play in Cavendish's <em>Closet</em> and then put their thinking in action through the performance of a scene from the play. Finally, the Weird Sisters highlight Cavendish's strategies for smashing the patriarchy and confronting censorship.... including Cavendish's own husband!<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[In this episode, hosts Macy Foss, Kelsey Linberg, and Rosemary Richards transform into the Weird Sisters and illuminate the queer potential of Cavendish's narrative structure. They think about the intersections of gender and sexuality at play in Cavendish's <em>Closet</em> and then put their thinking in action through the performance of a scene from the play. Finally, the Weird Sisters highlight Cavendish's strategies for smashing the patriarchy and confronting censorship.... including Cavendish's own husband!<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>Convent of Pleasure: The Queerness of Closet Dramas</title>
			<itunes:title>Convent of Pleasure: The Queerness of Closet Dramas</itunes:title>
			<pubDate>Mon, 11 Jul 2022 02:51:30 GMT</pubDate>
			<itunes:duration>23:51</itunes:duration>
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			<link>https://writinthemargins.com/convent-of-pleasure</link>
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			<acast:showId>62bc6822d460660012c7d454</acast:showId>
			<acast:episodeUrl>convent-of-pleasure-the-queerness-of-closet-dramas</acast:episodeUrl>
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			<itunes:subtitle>Hosted by Kara Hankard and Madison Rudolph</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>4</itunes:episode>
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			<description><![CDATA[In this episode, hosts Kara Hankard and Madison Rudolph take a deep dive into critical theory, thinking through the ways that Cavendish's closet drama can be illuminated through the lens of feminist and queer theory. They begin by unpacking Cavendish's naming conventions in the play before turning to an examination of the play's queer poetics and some spicy details from Cavendish's own biography. They are then joined by actors Sophia Berrata, Katelyn Spurgin, and Johnny Williams III for a performance of a key scene from the play. There's some bonus content in this episode's guide, so check that out on our website.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[In this episode, hosts Kara Hankard and Madison Rudolph take a deep dive into critical theory, thinking through the ways that Cavendish's closet drama can be illuminated through the lens of feminist and queer theory. They begin by unpacking Cavendish's naming conventions in the play before turning to an examination of the play's queer poetics and some spicy details from Cavendish's own biography. They are then joined by actors Sophia Berrata, Katelyn Spurgin, and Johnny Williams III for a performance of a key scene from the play. There's some bonus content in this episode's guide, so check that out on our website.<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
		</item>
		<item>
			<title>FuenteOvejuna: What is Love?</title>
			<itunes:title>FuenteOvejuna: What is Love?</itunes:title>
			<pubDate>Sat, 02 Jul 2022 14:19:53 GMT</pubDate>
			<itunes:duration>18:34</itunes:duration>
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			<link>https://writinthemargins.com/fuenteovejuna/</link>
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			<acast:showId>62bc6822d460660012c7d454</acast:showId>
			<acast:episodeUrl>fuenteovejuna-what-is-love</acast:episodeUrl>
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			<itunes:subtitle>Hosted by Jordan Willis</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>3</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/cover/1656514588537-d559652579be12759e94ebf1d3fb0ab1.jpeg"/>
			<description><![CDATA[In this episode, Jordan explores the wealth of types of love de Vega stages in <em>FuenteOvejuna</em>. She draws on classical definitions and close-reading in support of her argument and, with the help of some excellent guest actors, shows how these varieties of love intersect in performance. She also plays a wicked banjo!<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[In this episode, Jordan explores the wealth of types of love de Vega stages in <em>FuenteOvejuna</em>. She draws on classical definitions and close-reading in support of her argument and, with the help of some excellent guest actors, shows how these varieties of love intersect in performance. She also plays a wicked banjo!<hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>FuenteOvejuna: Of Pigs, Acorns, and Adaptations</title>
			<itunes:title>FuenteOvejuna: Of Pigs, Acorns, and Adaptations</itunes:title>
			<pubDate>Sat, 02 Jul 2022 14:17:49 GMT</pubDate>
			<itunes:duration>21:44</itunes:duration>
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			<link>https://writinthemargins.com/fuenteovejuna/</link>
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			<acast:showId>62bc6822d460660012c7d454</acast:showId>
			<acast:episodeUrl>fuenteovejuna-of-pigs-acorns-and-adaptations</acast:episodeUrl>
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			<itunes:subtitle>Hosted by Cole Metz and Keith Taylor</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>2</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/cover/1656514588537-d559652579be12759e94ebf1d3fb0ab1.jpeg"/>
			<description><![CDATA[In this episode, hosts Cole Metz and Keith Taylor consider some key features of the terrain of <em>FuenteOvejuna</em> through an examination of the play's literal landscape, including oak trees, acorns, and yes, even pigs. They then pivot to an exploration of why and how this place works so well across a variety of global adaptations. Finally, they consider the implications of transculturation and translation in performance contexts. <hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[In this episode, hosts Cole Metz and Keith Taylor consider some key features of the terrain of <em>FuenteOvejuna</em> through an examination of the play's literal landscape, including oak trees, acorns, and yes, even pigs. They then pivot to an exploration of why and how this place works so well across a variety of global adaptations. Finally, they consider the implications of transculturation and translation in performance contexts. <hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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			<title>Fuenteovejuna: Chivalry in Context</title>
			<itunes:title>Fuenteovejuna: Chivalry in Context</itunes:title>
			<pubDate>Sat, 02 Jul 2022 14:12:07 GMT</pubDate>
			<itunes:duration>20:53</itunes:duration>
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			<link>https://writinthemargins.com/fuenteovejuna/</link>
			<acast:episodeId>62bf970f0122660012ec300d</acast:episodeId>
			<acast:showId>62bc6822d460660012c7d454</acast:showId>
			<acast:episodeUrl>fuenteovejuna-chivalry-in-context</acast:episodeUrl>
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			<itunes:subtitle>Hosted by Kelsey Harrison and Kailey Potter</itunes:subtitle>
			<itunes:episodeType>full</itunes:episodeType>
			<itunes:season>1</itunes:season>
			<itunes:episode>1</itunes:episode>
			<itunes:image href="https://assets.pippa.io/shows/cover/1656514588537-d559652579be12759e94ebf1d3fb0ab1.jpeg"/>
			<description><![CDATA[In this episode, hosts Kailey Potter and Kelsey Harrison dive into the historical context of the Spanish Golden Age before turning to Lope de Vega's masterwork, <em>FuenteOvejuna</em>. They explore the legacy of the historical Order of Calatrava in connection to de Vega's dramatic creation across production history. Finally, they interview actor Sara Renee Topham about her experience playing Laurencia in the 2018 Stratford Festival production. <hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></description>
			<itunes:summary><![CDATA[In this episode, hosts Kailey Potter and Kelsey Harrison dive into the historical context of the Spanish Golden Age before turning to Lope de Vega's masterwork, <em>FuenteOvejuna</em>. They explore the legacy of the historical Order of Calatrava in connection to de Vega's dramatic creation across production history. Finally, they interview actor Sara Renee Topham about her experience playing Laurencia in the 2018 Stratford Festival production. <hr><p style='color:grey; font-size:0.75em;'> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.</p>]]></itunes:summary>
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